The 63rd FIAF Congress Tokyo 2007

Webcasting Service covering the Symposium

Saturday, April 7 / Sunday, April 8


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  • You can view here the live webcasts covering the symposium, Searching Traces: Archival Study of Short lived Film Formats, on April 7 and 8 in the 63rd FIAF Congress in Tokyo, 2007.
  • The contents and the schedule of the symposium are shown below for your guidance. The schedule and contents of the symposium are subject to change without notice.
  • Though the symposium contains many lectures in various languages, they will be live broadcasted without interpretation.
  • All the visual materials introduced in every lecture shall not be included in the contents webcasted in principle.

SYMPOSIUM

Searching the Traces: Archival Study of Short-lived Film Formats

Saturday, April 7 9:00-17:05 and Sunday, April 8, 9:00-17:35 at Cinema 1, NFC

OPENING
Saturday, April 7, 9:00-9:30

9:00-9:10
Greeting
by Tetsuo Tsujimura (Director, The National Museum of Modern Art, Tokyo)
9:10-9:15
Opening Address
by Eva Orbanz (President of FIAF)
9:15-9:30
Introduction
by Hisashi Okajima (Chief Curator of National Film Center, Tokyo)


KEYNOTE LECTURE
Saturday, April 7, 9:30 -10:30
Jean-Pierre Verscheure
(Cinévolution, Mons)
THE CONSERVATION OF THE HERITAGE OF THE FILM SPECTACLE

10:35 – 10:45 Break

Session 1: FILM IN VARIETY
Saturday, April 7, 10:45-12:30/14:00-17:35

Chaired by Patrick Loughney (George Eastman House, Rochester).

10:45 – 11;15
Egbert Koppe
(Bundesarchiv-Filmarchiv, Berlin)
FROM FLIP-BOOK TO CINEMA: BROAD GAUGES BETWEEN 1895 AND 1897 AND THEIR PRESERVATION

11:15 – 11:45
Camille Blot-Wellens
(Cinémathèque Française, Paris)
WORKING WITH SINGULAR GAUGES : THE JOLY-NORMANDIN COLLECTION OF THE FILMOTECA ESPANÕLA AND CINEMATECA PORTUGUESA AND THE SINGLE PERFORATION PATHÉ NEGATIVES FROM THE CINÉMATHÈQUE FRANCAISE

11:45 – 11:55
Eric Le Roy
(Archives Fran çaises du Film/CNC, Bois d’Arcy)
SHORT-LIVED FILM FORMATS IN THE FRENCH FILM ARCHIVES/CNC

11:55 – 12:20
Hung Yuen
(Hong Kong Film Archive, Hong Kong)
HAND COLOUR SOUND FILMS IN HONG KONG

12:20 – 12:30
Paolo Caneppele
(Österreichisches Filmmuseum, Wien)
SLIDE SHOW PROJECTIONS IN CINEMA AND THEIR INTERACTION WITH FILM TECHNOLOGY

12:30 – 14:00 Lunch Break

14:00 – 14:40
Paul Read
(FIAF Technical Commission)
IT DEPENDS WHAT YOU MEAN BY SHORT LIVED: COLOUR FILM FROM A (SHORT) TECHNOLOGIST’S LONG VIEW POINT

14:40 – 15:05
Takayuki Oguchi
(Scholar of Large Screen Film Formats)
LARGE SCREEN FILM FORMATS IN JAPAN

15:05 – 15:30
Yoshiyuki Yahiro
(The Fukuoka City Public Library Film Archive, Fukuoka)
PRESERVATION OF NARROW GAUGE FILMS IN JAPAN: A CASE STUDY OF 8MM FILMS

15:30 – 15:45 Break

15:45 – 16:10
Francisco Gaytán Fernández
(Fimoteca de la UNAM, México)
OPTICAL PRINTING MACHINE OF 9.5MM PATHÉ FILM TO 35MM FILM

16:10 – 16:40
Patrick Loughney
(George Eastman House, Rochester)
A COLLECTION OF 28MM, 22MM AND GLASS-BASED DISK MOVIE FORMATS AT GEH

16:40 – 17:05
Discussion

Chaired by Patrick Loughney

Session 2: MADE IN JAPAN
Sunday, April 8, 9:00-14:10

Chaired by Yoshiro Irie (National Film Center, Tokyo).

9:00 – 9:25
Fumiaki Itakura
(National Film Center, Tokyo) and Natsuki Matsumoto (Film Collector /Historian)
PAPER FILM: HISTORY AND PRESERVATION

9:25 – 9:50
Natsuki Matsumoto
(Film Collector/Historian) and Taiji Kozaki (Benshi Performer)
THE OLDEST ANIMATION IN JAPAN: DEMONSTRATING THE CULTURE OF HOME MAGIC LANTERN AND TOY FILM

9:50 – 10:15
Yoneo Ota
(Osaka University of Arts, Osaka)
THE HISTORY OF TOY FILM IN JAPAN AND THE CHALLENGES OF ITS PRESERVATION

10:15 – 10:30 Break

10:30 – 10:55
Machiko Kusahara
(Waseda University, Tokyo)
BABY TALKIE AND ITS ERA

10:55 – 11:10
Hidenori Okada
(National Film Center, Tokyo)
RECYCLED MOTION PICTURE FILMS IN JAPAN

11:10 -11:35
Ayako Shiba
(Scholar of Utsushi-e)
UTSUSHI-E (JAPANESE PHANTASMAGORIA): PRESERVING AND HANDING DOWN THE NATIONAL HERITAGE

11:35 – 12:00 Discussion
Chaired by Yoshiro Irie.

12:00 – 13:30 Lunch Break

13:30 - 14:10
Special Presentation of Utsushi-e

Presented by Minwa-za (Fumio Yamagata and Yuko Tanaka).

Session 3: ARTIFACTS OR FACTS OF ART
Sunday, April 8, 14:10-17:30

Chaired by Errki Huhtamo (University of California Los Angeles)

14:10 – 14:30
Laurent Mannoni
(Cinémathèque Française, Paris)
PRE-CINEMA ARTIFACTS: HOW WE SHOULD PRESERVE THEM

14:30 – 14:50
Donata Pesenti Campagnoni
(Museo Nazionale del Cinema/Fondazione Maria Adriana Prolo, Torino)
THE ARCHAEOLOGY OF FORMATS

14:50 – 15:20
Rosario López de Prado
(Filmoteca Espanõla, Madrid)
CATALOGUING NON-FILM COLLECTIONS, PROCESSES AND PROBLEMS, AND THEIR RELATION TO FILM COLLECTIONS

15:20 – 15:35 Break

15:35 – 16:05
Nikolaus Wostry
(Filmarchiv Austria, Wien)
A STUDY OF EARLY NITRATE MATERIAL AND HISTORICAL PROJECTION

16:05 – 16:25
Egbert Koppe
(Bundesarchiv-Filmarchiv, Berlin)
TREASURE CHEST OF SOUND FILM

16:35 – 16:50
Erkki Huhtamo
(University of California Los Angeles)
THE URBAN SPIROGRAPH, OR AN ARCHAEOLOGY OF A LOSER

16:50 – 17:15 Discussion
Chaired
by Erkki Huhtamo.

17:15 – 17:30 Conclusion
A panel by Jean-Pierre Verscheure, Patrick Loughney, Yoshiro Irie and Erkki Huhtamo, moderated by Hisashi Okajima

CLOSING
17:30 – 17:35 Closing Address
by Etsuko Takano (Honorary Director, National Film Center, Tokyo)

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The National Museum of Modern Art, Tokyo