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±Í¶å |
̵Âê |
1937 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
EI-KYU |
Untitled |
ËÜ´Û2F |
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±Í¶å |
¥ì¥¢¥ë |
1937 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
EI-KYU |
Real |
ËÜ´Û2F |
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±Í¶å |
¾Ð¤¨¤Ì»ö¼Â |
1937 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
EI-KYU |
Unlaughable Fact |
ËÜ´Û2F |
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±Í¶å |
ºîÉÊC |
1937 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
EI-KYU |
Work C |
ËÜ´Û2F |
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±Í¶å |
̵Âê |
c.1937 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
EI-KYU |
Untitled |
ËÜ´Û2F |
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¥¨¥ë¥ó¥¹¥È¡¢ ¥Þ¥Ã¥¯¥¹ |
¥Þ¥ë¥¹¥ê¡¼¥Ì¡¦¥Þ¥ê¡¼(¡Ø¥«¥ë¥á¥ë½¤Æ»²ñ¤ËÆþ¤í¤¦¤È¤·¤¿¤¢¤ë¾¯½÷¤ÎÌ´¡Ù¤è¤ê) |
1929-30 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
ERNST, Max |
Marceline-Marie, from "A Little Girl Dreams of Taking the Veil" (Reve d'une petite fille qui voulut entrer au Carmel) |
ËÜ´Û2F |
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²¬¾å½Ê»Ò |
ÁëÊÕ |
1952 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
OKANOUE, Toshiko |
At the Window |
ËÜ´Û2F |
ºî¼Ô´ó£ |
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²¬¾å½Ê»Ò |
ÂÕÂÆ¤ÊÎø¿Í |
1952 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
OKANOUE, Toshiko |
A Lazy Sweetheart |
ËÜ´Û2F |
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²¬¾å½Ê»Ò |
Á®¸÷(¤»¤ó¤³¤¦) |
1954 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
OKANOUE, Toshiko |
Flashes |
ËÜ´Û2F |
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²¬¾å½Ê»Ò |
»¶¤ë |
1956 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
OKANOUE, Toshiko |
Falling |
ËÜ´Û2F |
ºî¼Ô´ó£ |
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ËÌÏÆ¾º |
·î1 |
1937 |
ÌýÀ¥¤¥ó¥¯¡¢¥¨¥Ã¥Á¥ó¥°¡¢¥³¥é¡¼¥¸¥å¡¢¤½¤Î¾ |
Ⱦ |
KITAWAKI, Noboru |
Moon 1 |
ËÜ´Û2F |
ËÌÏÆ¤«¤Í»á´ó£ |
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ËÌÏÆ¾º |
ÅÚÀ±¤Ø¤Î¸¸ÁÛ |
1938 |
¥Ç¥«¥ë¥³¥Þ¥Ë¡¼¡¢¥³¥é¡¼¥¸¥å |
Ⱦ |
KITAWAKI, Noboru |
Fantasy on Saturn |
ËÜ´Û2F |
ËÌÏÆ¤«¤Í»á´ó£ |
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ËÌÏÆ¾º |
¥³¥é¡¼¥¸¥åA |
c.1938 |
¥³¥é¡¼¥¸¥å |
Êý´ã»æ |
KITAWAKI, Noboru |
Collage A |
ËÜ´Û2F |
ËÌÏÆ¤«¤Í»á´ó£ |
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¥³¡¼¥Í¥ë¡¢¡¡¥¸¥ç¥¼¥Õ |
¥¦¥£¡¼¥ó¥Ñ¥ó¤ÎŹ |
1950 |
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CORNELL, Joseph |
Vienna Bread Bakery¡¡(Boulangerie Viennoise) |
ËÜ´Û2F |
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| ¶¡¡Ç˲õ¤ÈÁϤ¤Î¤Ï¤¶¤Þ¤Ç¡¼ÃÇÊÒ¤«¤é¤ÎºÆ¹½ÃÛ¡¡Between Destruction and Creation¡§Reconstruction From Fragments |
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·Ë¤æ¤¡Ê¥æ¥q¡Ë |
¥´¥ó¥Ù¤È¥«¥é¥¹ |
1966 |
ÌýºÌ¡¢ÉÛ¡¢»æ |
¥¥ã¥ó¥Ð¥¹ |
KATSURA, Yuki (Yukiko) |
Gombe and Crows |
ËÜ´Û2F |
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¥·¥å¥ô¥£¥Ã¥¿¡¼¥¹¡¢ ¥¯¥ë¥È |
ΩÂÎ"O"¤Î¤¢¤ëºÌ¿§¥ì¥ê¡¼¥Õ |
1944-46 |
ÌýºÌ¡¢¸ü»æ¤Ê¤É |
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SCHWITTERS, Kurt |
Coloured Relief with Plastic "O" |
ËÜ´Û2F |
¥Õ¥é¥ó¥·¥¹¡¦¥í¥¤¥É»á´ó£ |
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¥·¥å¥ô¥£¥Ã¥¿¡¼¥¹¡¢ ¥¯¥ë¥È |
E. +E. ¥·¥å¥ô¥£¥Ã¥¿¡¼¥¹¤è¤ê |
1947 |
¥³¥é¡¼¥¸¥å |
Ⱦ |
SCHWITTERS, Kurt |
From E.+E. Schwitters |
ËÜ´Û2F |
¥Õ¥é¥ó¥·¥¹¡¦¥í¥¤¥É»á´ó£ |
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ÉÔÆ°ÌÐÌï |
Èëµ· |
1966 |
´ä³¨¶ñ¡¢Ï»æ¤Ê¤É |
ÌÊÉÛ(ÈĤËŽÉÕ) |
FUDO, Shigeya |
Secret Ceremony |
ËÜ´Û2F |
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À±Ìîâøã |
¸ü»æ¤Ê¤É¤Ë¤è¤ëºîÉÊP |
1960 |
ºÌ¿§ |
»æËÜ |
HOSHINO, Shingo |
Work P Using Cardboard |
ËÜ´Û2F |
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À±Ìîâøã |
Ëã»æ¤Ë¤è¤ë¿´¾Ý¡¦¹ç |
1962 |
ºÌ¿§ |
»æËÜ |
HOSHINO, Shingo |
Image Using Hemp Paper, Encounter |
ËÜ´Û2F |
¹âȪ°ê»Ò»á´ó£ |
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À±Ìîâøã |
Çò¤¤ºîÉÊ¡¦ÃË |
1968 |
ºÌ¿§ |
»æËÜ |
HOSHINO, Shingo |
White Work, Man |
ËÜ´Û2F |
ÃÝËÜÕé»°»á´ó£ |
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»°¾åÀ¿ |
¥«¥é¥ó¤Î²Ð |
1962 |
Ϲ¡¢ºÌ¿§ |
Ⱦ |
MIKAMI, Makoto |
Fire in Haran |
ËÜ´Û2F |
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»°¾åÀ¿ |
·ÐÍí¡¡ÎØ²ö(¤±¤¤¤é¤¯¡¡¡¡¤ê¤ó¤Í¡Ë |
1967 |
ºÌ¿§¡¢¥³¥é¡¼¥¸¥å |
»æËÜ |
MIKAMI, Makoto |
Bodily Channels-Reincarnation |
ËÜ´Û2F |
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¼»³ÃεÁ |
¤¢¤ë¥æ¥À¥ä¿Í¤Î¾¯½÷Áü |
1922 |
ÌýºÌ¡¢»æÌÚ¡¢¥³¥é¡¼¥¸¥å |
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MURAYAMA, Tomoyoshi |
Portrait of a Jewish Girl |
ËÜ´Û2F |
ÉÍÆÁÂÀϺ»á´ó£ |
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¼»³ÃεÁ |
¥³¥ó¥¹¥È¥ë¥¯¥Á¥ª¥ó |
1925 |
ÌýºÌ¡¢»æÌÚ¡¢ÉÛ¡¢¶â°¡¢Èé |
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MURAYAMA, Tomoyoshi |
Construction |
ËÜ´Û2F |
ÉÍÆÁÂÀϺ»á´ó£ |
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µÈÃçÂÀ¤ |
ÁÓ |
1964 |
¿·Ê¹»æ¡¢¥ê¥Ü¥ó¡¢º¿ |
¥Ñ¥Í¥ë |
YOSHINAKA, Taizo |
Mourning |
ËÜ´Û2F |
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| ·¡¡¥³¥é¡¼¥¸¥åŪȯÁۤΟ³«¡¡Developments of the Collage Concept |
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³ÔÆÁ½Ó |
¥ì¡¼¥¬¥ó¤È³Ô |
1981 |
¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
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KWAK, Duck Jun |
Reagan and Kwak |
ËÜ´Û2F |
ºî¼Ô´ó£ |
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³ÔÆÁ½Ó |
¥¯¥ê¥ó¥È¥ó¤È³Ô |
1993 |
¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
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KWAK, Duck Jun |
Clinton and Kwak |
ËÜ´Û2F |
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ÌÚ¼¸÷ͤ |
¸½ºß°ÌÃ֡ݸºß A |
1971 |
¥ê¥È¥°¥é¥Õ¡¢¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
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KIMURA, Kosuke |
Present SituationްExistence A |
ËÜ´Û2F |
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ÌÚ¼¸÷ͤ |
¸½ºß°ÌÃ֡ݸºß C |
1971 |
¥ê¥È¥°¥é¥Õ¡¢¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
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KIMURA, Kosuke |
Present SituationްExistence C |
ËÜ´Û2F |
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²£ÈøÃé§ |
É÷·Ê No.10 ¥ô¥©¡¼¥°¤Î½÷ |
1969 |
¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
»æ¡¢¥¢¥¯¥ê¥ë¥Õ¥£¥ë¥à¡¢¥¢¥¯¥ê¥ëÈÄ |
YOKOO, Tadanori |
Landscape No.10 Woman in the "Vogue " |
ËÜ´Û2F |
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²£ÈøÃé§ |
É÷·Ê No.16 Ž©²èÁü |
1969 |
¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
»æ¡¢¥¢¥¯¥ê¥ë¥Õ¥£¥ë¥à¡¢¥¢¥¯¥ê¥ëÈÄ |
YOKOO, Tadanori |
Landscape No.16 Self-Portrait |
ËÜ´Û2F |
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²£ÈøÃé§ |
ÁòÎó II |
1969/85 |
¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
¥¢¥¯¥ê¥ëÈÄ |
YOKOO, Tadanori |
Funeral II |
ËÜ´Û2F |
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