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¥¬¥¤¥É |
Ÿ¼¨´ü´Ö |
ºî²È̾¡ÊÏÂ¡Ë |
Âê̾¡ÊÏÂ¡Ë |
À©ºîǯ(c.=¡Áǯº¢) |
µ»Ë¡ |
»Ù»ýÂÎ |
ºî²È̾¡Ê±Ñ¡Ë |
Âê̾¡Ê±Ñ¡Ë |
Ÿ¼¨³¬ |
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| µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten |
| |
|
ÀаæÇðÄâ |
Áð¾å¤Î¾®·Æ |
1904 |
ÌýºÌ¡¢¥ª¥¤¥ë¥Ñ¥¹¥Æ¥ë |
¥¥ã¥ó¥Ð¥¹ |
ISHII, Hakutei |
Rest on the Grass |
ËÜ´Û4F |
Àаæ²ÃÂå»á´ó£ |
| |
|
Ç߸¶Î¶»°Ïº |
²«¶â¤Î¼ó¾þ¤ê |
1913 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
UMEHARA, Ryuzaburo |
Gold Necklace |
ËÜ´Û4F |
ºî¼Ô´ó£ |
| |
|
ÂÀÅÄ´îÆóϺ |
¿·ÎФκ¢ |
1911 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
OTA, Kijiro |
Season on Fresh Green |
ËÜ´Û4F |
ÂÀÅĵƻ޻á´ó£ |
| |
|
²®¸¶¼é±Ò |
ʸ³Ð |
1908 |
¥Ö¥í¥ó¥º |
|
OGIWARA, Morie |
Priest Mongaku |
ËÜ´Û4F |
|
| 13 |
|
ÈøÃÝÃÝÔ³ |
¤ª¤È¤Å¤ì |
1910 |
ºÌ¿§ |
»æËÜ |
ODAKE, Chikuha |
The Visit |
ËÜ´Û4F |
|
| |
|
Ë̼»Í³¤ |
¥¤¥ô |
1915 |
ÂçÍýÀÐ |
|
KITAMURA, Shikai |
Eve |
ËÜ´Û4F |
|
| |
|
µ×ÊÆ·Ë°ìϺ |
¥Ö¥ì¥¢Åç |
1891 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KUME, Keiichiro |
An Island Brehat |
ËÜ´Û4F |
´óÂ÷ºîÉÊ |
| 2 |
|
¹õÅÄÀ¶µ± |
ÍîÍÕ |
1891 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KURODA, Seiki |
Dead Leaves |
ËÜ´Û4F |
ÅÄÃæÀéÂå»á´ó£ |
| |
|
¾®¿ùÊüè¿(̤ÀÃ) |
¿å¶¿ |
1911 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KOSUGI, Hoan(Misei) |
Waterside Village |
ËÜ´Û4F |
|
| |
|
ºäËÜÈËÆóϺ |
»°·îº¢¤ÎËÒ¾ì |
1915 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SAKAMOTO, Hanjiro |
Dairy Farm about March |
ËÜ´Û4F |
´óÂ÷ºîÉÊ |
| 5 |
|
¿·³¤ÃÝÂÀϺ |
¤æ¤¢¤ß |
1907 |
¥Ö¥í¥ó¥º |
|
SHINKAI, Taketaro |
Bathing |
ËÜ´Û4F |
|
| |
¸å |
¹âÅçË̳¤ |
Ö¹ÊÉËàÅ·¡¦ÃÇÁØÔóÇÈ |
1915 |
ºÌ¿§ |
¸¨ËÜ |
TAKASHIMA, Hokkai |
Landscape with Precipices: Mountain Cliffs Reaching the Sky, Stream between the Cliffs |
ËÜ´Û4F |
|
| |
|
¹â¼èÃÕÀ® |
ƣ˼¶ª¤ÎÁð»Ò |
1912 |
ºÌ¿§ |
¸¨ËÜ |
TAKATORI, Wakanari |
Tale of Fujiwara Fujifusa |
ËÜ´Û4F |
|
| |
|
»ûºê¹¶È |
Þä»ÍÂê(±À¤ÎÊö¡¦²Æ¤Î·î¡¦½©Ì¸¡¦±«¸å) |
1909 |
ºÌ¿§ |
»æËÜ |
TERASAKI, Kogyo |
Four Scenes of Mountain Stream: Hills with Clouds, Summer Moon, Autumn Mist, After Rain |
ËÜ´Û4F |
|
| 10 |
|
ÃæÂô¹°¸÷ |
¤ª¤â¤¤¤Ç |
1909 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAZAWA, Hiromitsu |
Reminiscences |
ËÜ´Û4F |
|
| |
Á° |
ÌîÅĶ屺 |
ÄÔÀâË¡ |
1907 |
ºÌ¿§ |
¸¨ËÜ |
NODA, Kyuho |
Street Preaching |
ËÜ´Û4F |
|
| 1 |
|
¸¶ÅÄľ¼¡Ïº |
µ³Î¶´Ñ²» |
1890 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
HARADA, Naojiro |
Kannon Bodhisattva Riding the Dragon |
ËÜ´Û4F |
´óÂ÷ºîÉʡʸî¹ñ»û¢¡Ë |
| |
|
¸¶ÅÄľ¼¡Ïº |
¥¬¥Ö¥ê¥¨¥ë¡¦¥Þ¥Ã¥¯¥¹Áü |
c.1884-86 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
HARADA, Naojiro |
Portrait of Gabriel Cornelius von Max |
ËÜ´Û4F |
´óÂ÷ºîÉÊ |
| 14 |
|
Æ£ÅçÉðÆó |
¤¦¤Ä¤Ä |
1913 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
FUJISHIMA, Takeji |
Half Dreaming |
ËÜ´Û4F |
|
| |
|
Æ¤ |
Ï»·î¤ÎÆü |
1912 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MINAMI, Kunzo |
One Day in June |
ËÜ´Û4F |
|
| 9 |
|
»³²¼¿·ÂÀϺ |
ÁëºÝ |
1908 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YAMASHITA, Shintaro |
By the Window |
ËÜ´Û4F |
|
| 3 |
|
¥ë¥½¡¼¡¢ ¥¢¥ó¥ê |
Âè22²ó¥¢¥ó¥Ç¥Ñ¥ó¥À¥óŸ¤Ë»²²Ã¤¹¤ë¤è¤¦·Ý½Ñ²Èã¤òƳ¤¯¼«Í³¤Î½÷¿À |
1905 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
ROUSSEAU, Henri |
Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Société des Artistes Indépendants |
ËÜ´Û4F |
|
| µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à¡¡¡¡µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26) |
| |
¸å |
¾®Àî°òÁ¬ |
¹Ó±àÀ¶½© |
1928 |
ËϲèøºÌ |
»æËÜ |
OGAWA, Usen |
Uncared-for Garden in Autumn |
ËÜ´Û4F |
|
| 19 |
|
ÅÌÚÀ¶Êý |
ËÏÅIJϽ®Í· |
1914 |
ºÌ¿§ |
¸¨ËÜ |
KABURAKI, Kiyokata |
Boating-Excursion on the Sumida River |
ËÜ´Û4F |
|
| |
|
Àî¾åÎÃ²Ö |
Å´Ï© |
1912 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KAWAKAMI, Ryoka |
Railroad |
ËÜ´Û4F |
¼ò°æ²¯¿Ò»á´ó£ |
| 20 |
|
´ßÅÄÎÀ¸ |
ƻϩ¤ÈÅÚ¼ê¤Èʽ(ÀÚÄÌÇ·¼ÌÀ¸) |
1915 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KISHIDA, Ryusei |
Road Cut through a Hill |
ËÜ´Û4F |
|
| |
|
´ßÅÄÎÀ¸ |
Ôä¤Î¾å¤ËÎӸ餬ºÜ¤Ã¤Æºß¤ë |
1916 |
ÌýºÌ |
ÈÄ |
KISHIDA, Ryusei |
An Apple Exists on Top of a Pot |
ËÜ´Û4F |
|
| |
|
²ÏÌîÄÌÀª |
¹¥»ÒÁü |
1916 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KONO, Michisei |
Portrait of Yoshiko |
ËÜ´Û4F |
|
| 24 |
|
¥³¥³¥·¥å¥«¡¢ ¥ª¥¹¥«¡¼ |
¥¢¥ë¥Þ¡¦¥Þ¡¼¥é¡¼¤Î¾ÓÁü |
1912 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KOKOSCHKA, Oskar |
Portrait of Alma Mahler |
ËÜ´Û4F |
|
| 27 |
|
´Øº¬ÀµÆó |
ȡ˱ |
1919 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SEKINE, Shoji |
Three Stars |
ËÜ´Û4F |
|
| 25 |
|
¹â¼¸÷ÂÀϺ |
¼ê |
c.1918 |
¥Ö¥í¥ó¥º |
|
TAKAMURA, Kotaro |
Hand |
ËÜ´Û4F |
|
| |
Á° |
ÆÁ²¬¿ÀÀô |
³©»Ò |
1924 |
ºÌ¿§ |
¸¨ËÜ |
TOKUOKA, Shinsen |
Poppy |
ËÜ´Û4F |
ÆÁ²¬Ë¼»Ò»á´ó£ |
| |
Á° |
ÆÁ²¬¿ÀÀô |
ÄØ |
c.1922 |
ºÌ¿§ |
¸¨ËÜ |
TOKUOKA, Shinsen |
Camellias |
ËÜ´Û4F |
ÆÁ²¬À¯»Ò»á´ó£ |
| |
|
¸ÍÄ¥¸É´ç |
ÆÞ¤ê |
1917 |
¥Ö¥í¥ó¥º |
|
TOBARI, Kogan |
Cloudiness |
ËÜ´Û4F |
|
| |
¸å |
ÉÙ²¬Å´ºØ |
Ë©ÍéÀç¶¿Þ |
1924 |
ËϲèøºÌ |
»æËÜ |
TOMIOKA, Tessai |
Enchanted Land, Penglaishan |
ËÜ´Û4F |
ºäËܸ÷¾ô»á´ó£ |
| |
|
ÃæÀî°ìÀ¯ |
ÈĶ¶É÷·Ê |
1919 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAGAWA, Kazumasa |
Landscape at Itabashi |
ËÜ´Û4F |
|
| |
|
Ã渶ÄðÆóϺ |
¼ã¤¥«¥Õ¥«¥¹¿Í |
1919 |
¥Ö¥í¥ó¥º |
|
NAKAHARA, Teijiro |
Young Caucasian |
ËÜ´Û4F |
|
| |
|
Ãæ¼׳ |
ÂçÅçÉ÷·Ê |
1914-15 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAMURA, Tsune |
Landscape, Island Oshima |
ËÜ´Û4F |
|
| 29 |
|
Ãæ¼׳ |
¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü |
1920 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAMURA, Tsune |
Portrait of Vasilii Yaroshenko |
ËÜ´Û4F |
ÂçΤ°ìÂÀϺ»á´ó£ |
| 35 |
|
¼¾å²Ú³Ù |
¾¾»³±À±ì |
1925 |
ºÌ¿§ |
¸¨ËÜ |
MURAKAMI, Kagaku |
Pine-covered Mountains in the Mist |
ËÜ´Û4F |
|
| 21 |
|
¼»³ÜÇ¿ |
¥Ð¥é¤È¾¯½÷ |
1917 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MURAYAMA, Kaita |
Roses and a Girl |
ËÜ´Û4F |
»³Ëܹ§»á´ó£ |
| 17 |
|
èßÅ´¸ÞϺ |
ÍçÂÎÈþ¿Í |
1912 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YOROZU, Tetsugoro |
Nude Beauty |
ËÜ´Û4F |
ȬÌÚÀµ¼£»á´ó£ |
| ¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È¡¡¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City |
| |
|
¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë |
ÃÏÃ泤·²Áü |
1941/65 |
ÂçÍýÀÐ |
|
ARP, Jean(Hans) |
Mediterranean Group |
ËÜ´Û4F |
|
| |
|
²¬ËÜÅâµ® |
À©ºî |
1924 |
ÌýºÌ¡¢¥Ç¥È¥é¥ó¥× |
ÌÊÉÛ |
OKAMOTO, Toki |
Work |
ËÜ´Û4F |
|
| |
|
¿À¸¶ÂÙ |
¥¹¥¯¥ê¥¢¥Ó¥ó¤Î¡Ø¥¨¥¯¥¹¥¿¥·¡¼¤Î»í¡Ù¤ËÂꤹ |
1922 |
ÌýºÌ |
ÉÛ |
KAMBARA, Tai |
Subject from "The Poem of Ecstasy" by Skryabin |
ËÜ´Û4F |
ºî¼Ô´ó£ |
| |
|
ËÌÏƾº |
Æȳè(¤¦¤É) |
1937 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KITAWAKI, Noboru |
Spikenards |
ËÜ´Û4F |
ËÌÏƤ«¤Í»á´ó£ |
| |
|
¹ñµÈ¹¯Íº |
½©¤Î¤¿¤½¤¬¤ì |
1929 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KUNIYOSHI, Yasuo |
Dusk in Autumn |
ËÜ´Û4F |
|
| 38 |
|
¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë |
²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý |
1925 |
ÌýºÌ |
¸ü»æ |
KLEE, Paul |
Abstraction with Reference to a Flowering Tree |
ËÜ´Û4F |
|
| |
|
¹õÅĽÅÂÀϺ |
¹Á¤Î½÷ |
1922 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KURODA, Jutaro |
Women of the Harbour |
ËÜ´Û4F |
ºî¼Ô´ó£ |
| 40 |
|
¸Å²ì½Õ¹¾ |
³¤ |
1929 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KOGA, Harue |
Sea |
ËÜ´Û4F |
|
| 39 |
|
º´ÇìÍ´»° |
¥¬¥¹Åô¤È¹¹ð |
1927 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SAEKI, Yuzo |
Gas Lamp and Advertisements |
ËÜ´Û4F |
|
| |
|
º´Ê¬¿¿ |
¸á¸å |
1932 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SABURI, Makoto |
Afternoon |
ËÜ´Û4F |
º´Ê¬½ã°ì»á´ó£ |
| |
|
À¶¿åÅÐÇ· |
³¹¤ÎÁݽüÉ× |
1925 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SHIMIZU, Toshi |
Scavengers |
ËÜ´Û4F |
|
| |
|
¿ùÁ´Ä¾ |
Ų(¤ï¤À¤Á¡Ë |
1938 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SUGIMATA, Tadashi |
Rut |
ËÜ´Û4F |
|
| |
|
»ûÅÄÀ¯ÌÀ |
Ëâ½Ñ¤ÎÁϤ |
1938 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
TERADA, Masaaki |
Creation of the Magic |
ËÜ´Û4F |
|
| |
|
¥É¥í¡¼¥Í¡¼¡¢ ¥í¥Ù¡¼¥ë |
¥ê¥º¥à ÍæÀû |
1935 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
DELAUNAY, Robert |
Rythm-Spiral |
ËÜ´Û4F |
|
| |
|
ÃçÅÄÄêÇ·½õ |
½÷¤Î¼ó |
1924 |
ÇòƼ |
|
NAKADA, Sadanosuke |
Head of Woman |
ËÜ´Û4F |
|
| 42 |
|
ÌîÅıÑÉ× |
µ¢Ï© |
1935 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NODA, Hideo |
Way to Home |
ËÜ´Û4F |
|
| |
|
ĹëÀîÍø¹Ô |
¥¿¥ó¥¯³¹Æ» |
1930 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
HASEKAWA, Toshiyuki |
Road to the Tank |
ËÜ´Û4F |
´óÂ÷ºîÉÊ |
| |
|
ĹëÀîÍø¹Ô |
¿·½ÉÉ÷·Ê |
c.1937 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
HASEKAWA, Toshiyuki |
View of Shinjuku |
ËÜ´Û4F |
|
| |
|
Á°ÅÄ´²¼£ |
¹õ°áÉØ¿ÍÁü |
1925 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MAETA, Kanji |
Woman in Black |
ËÜ´Û4F |
|
| |
|
¼»³ÃεÁ |
¥³¥ó¥¹¥È¥ë¥¯¥Á¥ª¥ó |
1925 |
ÌýºÌ¡¢»æ¡¢ÌÚ¡¢ÉÛ¡¢¶â°¡¢Èé |
|
MURAYAMA, Tomoyoshi |
Construction |
ËÜ´Û4F |
ÉÍÆÁÂÀϺ»á´ó£ |
| 22 |
|
èßÅ´¸ÞϺ |
¤â¤¿¤ì¤ÆΩ¤Ä¿Í |
1917 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YOROZU, Tetsugoro |
Leaning Woman |
ËÜ´Û4F |
ȬÌÚÀµ¼£»á´ó£ |
| |
|
¥ê¥Ò¥¿¡¼¡¢ ¥Ï¥ó¥¹ |
¿§¤Î¥ª¡¼¥±¥¹¥È¥ì¡¼¥·¥ç¥ó |
1923 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
RICHTER, Hans |
Orchestration of Color |
ËÜ´Û4F |
ºî¼Ô°ä£ |
| £´F Æý¸¥³¡¼¥Ê¡¼¡¡ ¥â¥À¥óÅÔ»Ô¡¡TOKYO¡Ý¾¼Ï½é´ü¤ÎÉ÷·Ê¤ÎÊÑÍÆ¡¡Topic in Focus ¡¡Modern City Tokyo¡§Transfigured Landscapes Around¡¡1930 |
| |
|
²®Åç°ÂÆó |
¥á¥À¥ë¸¶·¿ |
1935 |
Àйѥì¥ê¡¼¥Õ |
|
OGISHIMA, Yasuji |
Model for a Medal |
ËÜ´Û4F |
Ãæ¼Àµ½Ó»á´ó£ |
| |
|
²®Åç°ÂÆó |
ÆüËÜȱ |
1938 |
¥Ö¥í¥ó¥º |
|
OGISHIMA, Yasuji |
Japanese Coiffure |
ËÜ´Û4F |
Ãæ¼Àµ½Ó»á´ó£ |
| |
|
¿¥ÅÄ°ìËá |
¡Ö²è½¸¶äºÂ¡¡ÂèÆ󽴡פè¤ê¡¡¤¹¤¤ä²Ï´ß |
1929 |
¥ê¥È¥°¥é¥Õ |
|
ODA, Kazuma |
Sukiya Bridge at Night from "Ginza Series II" |
ËÜ´Û4F |
¿¥Åĥ楥¨»á´ó£ |
| |
|
¿¥ÅÄ°ìËá |
¡Ö²è½¸Åìµþ¶á¹ÙȬ·Ê¡×¤è¤ê¡¡Àé½»Â綶Ìë·Ê |
1932 |
¥ê¥È¥°¥é¥Õ |
|
ODA, Kazuma |
Senju-Ohashi Bridge at Night from "Eight Scenes Around Tokyo" |
ËÜ´Û4F |
¿¥Åĥ楥¨»á´ó£ |
| |
|
¾®Àôâ£Ì¦ÃË |
¡Ö¾¼ÏÂÂçÅìµþÉ´¿Þ³¨¡×¤è¤ê 12.½Õ¤Î¶äºÂÌë·Ê |
1931 |
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
Spring Night on Ginza (No.12 of "One Hundred Scenes from Tokyo Metropolis in the Showa Period") |
ËÜ´Û4F |
|
| |
|
¾®Àôâ£Ì¦ÃË |
¡Ö¾¼ÏÂÂçÅìµþÉ´¿Þ³¨¡×¤è¤ê 39.Åìµþ¿¼Àî¿Ð³©ÑÝÍý¹©¾ì |
1933 |
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
Garbage Incineration Plant in Fukagawa (No.39 of "One Hundred Scenes from Tokyo Metropolis in the Showa Period") |
ËÜ´Û4F |
|
| |
|
¾®Àôâ£Ì¦ÃË |
¡Ö¾¼ÏÂÂçÅìµþÉ´¿Þ³¨¡×¤è¤ê 87.±©ÅĹñºÝÈô¹Ô¾ì |
1937 |
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
The International Airport, Haneda (No.87 of "One Hundred Scenes from Tokyo Metropolis in the Showa Period") |
ËÜ´Û4F |
|
| |
|
¾®Àôâ£Ì¦ÃË |
¡Ö¾¼ÏÂÂçÅìµþÉ´¿Þ³¨¡×¤è¤ê¡¡²þÈÇ 27.¸Í±Û¶äºÂ¡¦±Á¸¶¶è |
1940 |
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
Togoshi Ginza Station (No.27(new version) of "One Hundred Scenes from Tokyo Metropolis in the Showa Period") |
ËÜ´Û4F |
|
| |
|
¾®Àôâ£Ì¦ÃË |
¡Ö¾¼ÏÂÂçÅìµþÉ´¿Þ³¨¡×¤è¤ê 4.Àé½»¥¿¥ó¥¯³¹ |
|
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
Oil Tanks in Senju (No.4 of "One Hundred Scenes from Tokyo Metropolis in the Showa Period") |
ËÜ´Û4F |
|
| |
|
¾®Àôâ£Ì¦ÃË |
¡Ö¾¼ÏÂÂçÅìµþÉ´¿Þ³¨¡×¤è¤ê 54.¾ëÅì¶èº½Ä®É÷·Ê |
|
ÌÚÈÇ(¿¿§) |
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KOIZUMI, Kishio |
Landscape in Sunamachi (No.54 of "One Hundred Scenes from Tokyo Metropolis in the Showa Period") |
ËÜ´Û4F |
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| |
|
¸Å²ì½Õ¹¾ |
Âè17²óÆüËÜ¿åºÌ²è²ñŸ¥Ý¥¹¥¿¡¼¤Î¤¿¤á¤Î²¼³¨ |
1930 |
¿åºÌ¡¢ËÏ¡¢±ôÉ® |
Ⱦ |
KOGA, Harue |
Design for the Poster of the 17th Nihon Suisaigakaiten Exhibition |
ËÜ´Û4F |
¹â¾¾ÂÀϺ»á´ó£ |
| |
|
¿ù±ºÈó¿å |
¾åÌîÀõÁð´Ö³«ÄÌ¡¡²Ê³Ø¤Î¿è¤ò¤¢¤Ä¤á¤¿Ãϲ¼Å´Æ» |
1927 |
¥ê¥È¥°¥é¥Õ¡¢¥ª¥Õ¥»¥Ã¥È |
|
SUGIURA, Hisui |
Tokyo Subway Starts the Service between Ueno and Asakusa |
ËÜ´Û4F |
¹©Æ£Åеª»Ò»á´ó£/¹©·Ý´Û¢ |
| |
|
¿ù±ºÈó¿å |
¶äºÂ»°±Û¡¡»Í·î½½Æü³«Å¹ |
1930 |
¥ª¥Õ¥»¥Ã¥È |
|
SUGIURA, Hisui |
Mitsukoshi (department store): Ginza Branch Open on April 10 |
ËÜ´Û4F |
¹©Æ£Åеª»Ò»á´ó£/¹©·Ý´Û¢ |
| |
|
¿ù±ºÈó¿å |
ÄëÅÔÉü¶½¤ÈÅìµþÃϲ¼Å´Æ» |
c.1929 |
¥ê¥È¥°¥é¥Õ¡¢¥ª¥Õ¥»¥Ã¥È |
|
SUGIURA, Hisui |
The Reconstruction of the Imperial Capital and Tokyo Subway |
ËÜ´Û4F |
¹©Æ£Åеª»Ò»á´ó£/¹©·Ý´Û¢ |
| |
|
Æ£ËÒµÁÉ× |
Ä«(¥¢¥É¥Ð¥ë¡¼¥ó) |
1932 |
ÌÚÈÇ(ñ¿§) |
|
FUJIMAKI, Yoshio |
Morning (Advertising Balloon) |
ËÜ´Û4F |
|
| |
|
Æ£ËÒµÁÉ× |
ÀÖÍÛ |
1934 |
ÌÚÈÇ(¿¿§)¡¢¼êºÌ¿§¡¢°ìÉô¥³¥é¡¼¥¸¥å |
|
FUJIMAKI, Yoshio |
Red Sun |
ËÜ´Û4F |
|
| |
|
Á°ÅÄÆ£»ÍϺ |
»þ·× |
1932 |
¥ê¥Î¥«¥Ã¥È |
|
MAEDA, Toshiro |
Clock |
ËÜ´Û4F |
|
| |
|
ÍÛÒùÆó |
¥³¥à¥Ý¥¸¥·¥ç¥ó |
1928 |
¥Ö¥í¥ó¥º |
|
YO, Kanji |
Composition |
ËÜ´Û4F |
|
| ¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï¡¡¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings |
| |
|
Ç߸¶Î¶»°Ïº |
ºùÅç(ÀÄ) |
1935 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
UMEHARA, Ryuzaburo |
Mt. Sakurajima (Blue) |
ËÜ´Û3F |
Àî¸ý¾¾ÂÀϺ»á´ó£ |
| |
|
¾®Àî°òÁ¬ |
¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡»Í¥ÄÌÚ¡¡¾®Çß°úÁ¥Ä̤ê |
1922-23 |
ºÌ¿§ |
¸¨ËÜ |
OGAWA, Usen |
Koume-hikifune Street in Yotsugi from "Famous Views in Tokyo" |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
| |
|
ÅÌÚÀ¶Êý |
Ìܹõ¤Î³ü诡ʤϤ¯¤¨¤ó¡Ë |
1933 |
ºÌ¿§ |
¸¨ËÜ |
KABURAKI, Kiyokata |
Hakuen (Ichikawa Danjuro II) in Meguro |
ËÜ´Û3F |
ËÙ±Ûͧµ¬»Ò»á´ó£ |
| 47 |
|
Àîüζ»Ò |
Áð±ê |
1930 |
ºÌ¿§ |
¸¨ËÜ |
KAWABATA, Ryushi |
Flaming Grass |
ËÜ´Û3F |
|
| |
|
ËÌÌî¹±ÉÙ |
¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡µÈ¸¶¸«ÊÖÌø |
1922-23 |
ºÌ¿§ |
¸¨ËÜ |
KITANO, Tsunetomi |
Mikaeri-yanagi, Willows in Yoshiwara from "Famous Views in Tokyo" |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
| |
|
ÌÚ¼É𻳠|
¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡º¬´ß¸æ¹Ôǵ¾¾ |
1922-23 |
ºÌ¿§ |
¸¨ËÜ |
KIMURA, Buzan |
Ongyo-no-Matsu, a Famous Pine Tree from "Famous Views in Tokyo" |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
| 46 |
|
¾®½ÐÆê½Å |
Íç½÷¤ÈÇòÉÛ |
1929 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KOIDE, Narashige |
Nude on White Cloth |
ËÜ´Û3F |
|
| |
Á° |
¾®»³±Éã |
¸¬¿®¸ø |
1930 |
Ëϲè |
¸¨ËÜ |
KOYAMA, Eitatsu |
Uesugi Kenshin |
ËÜ´Û3F |
|
| |
|
¶áÆ£¹À°ìÏ© |
¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡ÅòÅç̾ÑëÎî±À»û |
1922-23 |
ºÌ¿§ |
¸¨ËÜ |
KONDO, Koichiro |
Reiun-ji Temple in Yushima from "Famous Views in Tokyo" |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
| 44 |
|
ºäËÜÈËÆóϺ |
¿å¤è¤ê¾å¤ëÇÏ |
1937 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SAKAMOTO, Hanjiro |
Horse Coming out of the Water |
ËÜ´Û3F |
|
| |
¸å |
ÅçÅÄËÏÀç |
Æ£ÅÄÅì¸Ð¤È¶¶Ëܺ¸Æâ |
1938 |
ºÌ¿§ |
¸¨ËÜ |
SHIMADA, Bokusen |
Fujita Toko and Hashimoto Sanai |
ËÜ´Û3F |
|
| |
|
¿ÜÅĹñÂÀϺ |
èöºÚ |
1932 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SUDA, Kunitaro |
Vegetables |
ËÜ´Û3F |
¿ÜÅÄ´²»á´ó£ |
| |
|
¹âÅÄÇî¸ü |
¥Õ¡¼¥í¥óÉ׿ÍÁü |
1931 |
¥Ö¥í¥ó¥º |
|
TAKATA, Hiroatsu |
Portrait of Madame Foulon |
ËÜ´Û3F |
|
| |
|
Ãæ¼³ÙÎÍ |
ËȨ±À |
1936 |
ºÌ¿§ |
»æËÜ |
NAKAMURA, Gakuryo |
A Pretty Bank of Clouds |
ËÜ´Û3F |
|
| |
|
Ãæ¼Äç°Ê |
ÁÖÑÚ |
1956 |
ºÌ¿§ |
¸¨ËÜ |
NAKAMURA, Teii |
Cool and Refreshing |
ËÜ´Û3F |
|
| |
Á° |
Ê¿Ê¡É´Êæ |
·øÅĤΰìµÙ |
1929 |
ºÌ¿§ |
»æËÜ |
HIRAFUKU, Hyakusui |
Priest Ikkyu at Katada |
ËÜ´Û3F |
|
| |
|
Ê¡ÅÄË»ÍϺ |
³¤½÷(¤¢¤Þ) |
1950 |
ºÌ¿§ |
»æËÜ |
FUKUDA, Toyoshiro |
Women Divers |
ËÜ´Û3F |
|
| |
|
Á°ÅÄÀÄî· |
¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡¿ÀÅÄÀÄʪ»Ô¾ì |
1922-23 |
ºÌ¿§ |
¸¨ËÜ |
MAEDA, Seison |
Kanda Vegetable Market from "Famous Views in Tokyo" |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
| 51 |
|
°Â°æÁ¾ÂÀϺ |
±üÆþÀ¥¤ÎÞäή |
1933 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YASUI, Sotaro |
Oirase Stream |
ËÜ´Û3F |
|
| 52 |
|
°Â°æÁ¾ÂÀϺ |
¶âÍÖ |
1934 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YASUI, Sotaro |
Portrait of Chin-Jung |
ËÜ´Û3F |
|
| |
|
°ÂÅÄðÖɧ |
¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡Ý¯ÅÄÌç |
1922-23 |
ºÌ¿§ |
¸¨ËÜ |
YASUDA, Yukihiko |
Sakurada Gate from "Famous Views in Tokyo" |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
| |
¸å |
°ÂÅÄðÖɧ |
Éú¸«¤ÎÃãÄâ |
1956 |
ºÌ¿§ |
»æËÜ |
YASUDA, Yukihiko |
Toyotomi Hideyoshi in His Tearoom in Fushimi |
ËÜ´Û3F |
|
| |
|
»³¸ý²ÚÍÌ |
¹Ìµí |
1934 |
ºÌ¿§ |
¸¨ËÜ |
YAMAGUCHI, Kayo |
Ox |
ËÜ´Û3F |
|
| |
|
²£»³Âç´Ñ |
¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡ÉÔǦÃÓ |
1922-23 |
ºÌ¿§ |
¸¨ËÜ |
YOKOYAMA, Taikan |
Shinobazu Pond from "Famous Views in Tokyo" |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
| |
|
µÈ²¬·øÆó |
ÇÏ |
1939 |
ºÌ¿§ |
»æËÜ |
YOSHIOKA, Kenji |
Horses |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| ·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ¡¡¡¡· Art during and after the War |
| |
|
ËãÀ¸»°Ïº |
ÀÖ¤¤¶õ |
1956 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
ASO, Saburo |
Red Sky |
ËÜ´Û3F |
|
| |
|
ÀаæÌÐͺ |
²ü¸·¾õÂÖ |
1957 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
ISHII, Shigeo |
State of Martial Law |
ËÜ´Û3F |
ÀаæÌмù»á´ó£ |
| |
|
²¬ËÜÂÀϺ |
È¿À¤³¦ |
1964 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
OKAMOTO, Taro |
Anti-World |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| 79 |
|
²Ï¸¶²¹ |
ÕÔ¤ó¤À½÷ |
1954 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KAWARA, On |
Pregnant Woman |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| 64 |
|
ËÌÏƾº |
¥¯¥©¡¦¥ô¥¡¥Ç¥£¥¹ |
1949 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KITAWAKI, Noboru |
Quo Vadis |
ËÜ´Û3F |
ËÌÏƤ«¤Í»á´ó£ |
| |
Á° |
Ã漸¦°ì |
¥×¥ê¥ó¥¹¡¦¥ª¥Ö¡¦¥¦¥§¥ë¥º¤Î¹ìÄÀ |
1944 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAMURA, Ken'ichi |
The Sinking of the Battleship "Prince of Wales" |
ËÜ´Û3F |
̵´ü¸ÂÂßÍ¿ |
| |
¸å |
Ã漸¦°ì |
Ë̶彣¾å¶õÌîÊÕ·³Áⵡ¤ÎÂÎÅö¤êB29Æ󵡤ò·âÄƤ¹ |
1945 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAMURA, Ken'ichi |
Sergeant Nobe's Suicide Attack Two B-29's Over Kitakyushu |
ËÜ´Û3F |
̵´ü¸ÂÂßÍ¿ |
| |
|
ÈøÆ£Ë |
¥À¥à¹©»ö¸½¾ì |
1957 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
BITO, Yutaka |
Dam Construction |
ËÜ´Û3F |
|
| |
|
Ê¡Âô°ìϺ |
µí |
1936 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
FUKUZAWA, Ichiro |
Oxen |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
Á° |
Æ£ÅĻ̼£ |
Òý¼¤Òý¡Ê¤Ï¤ë¤Ï¡Ë²ÏÈÊÇ·ÀïÆ® |
1941 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
FUJITA, Tsuguharu |
Battle on the Banks of the Khalkha, Nomonhan |
ËÜ´Û3F |
̵´ü¸ÂÂßÍ¿ |
| |
|
¾¾Ëܽײð |
Y»Ô¤Î¶¶ |
1943 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MATSUMOTO, Shunsuke |
Bridge in Y-City |
ËÜ´Û3F |
|
| |
¸å |
µÜËÜ»°Ïº |
»³²¼¡¢¥Ñ¡¼¥·¥Ð¥ëξ»ÊÎá´±²ñ¸«¿Þ |
1942 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MIYAMOTO, Saburo |
Meeting of Generals Yamashita and Percival |
ËÜ´Û3F |
̵´ü¸ÂÂßÍ¿ |
| |
¸å |
»³¸ýË©½Õ |
¹á¹ÁÅçºÇ¸å¤ÎÁí¹¶·â¿Þ |
1942 |
ºÌ¿§ |
»æËÜ |
YAMAGUCHI, Hoshun |
Final All-out Attack on Hong Kong Island |
ËÜ´Û3F |
̵´ü¸ÂÂßÍ¿ |
| ¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ ¡¡¸ Art in the 1950s and 1960s |
| |
|
°æ¾åÉðµÈ |
´Ö |
1962 |
Å´¹Ý |
|
INOUE, Bukichi |
Interval |
ËÜ´Û3F |
|
| |
|
±Í¶å |
¤ì¤¤¤á¤¤ |
1957 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
EI-KYU |
Dawn |
ËÜ´Û3F |
|
| |
|
¥ª¥Î¥µ¥È¡¦¥È¥·¥Î¥Ö¡Ê¾®ÌîΤÍø¿®¡Ë |
ºîÉÊ |
1962 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
ONOSATO, Toshinobu |
Work |
ËÜ´Û3F |
|
| |
|
²Ã»³Ëô¤ |
仿ËÌÁסʤۤ¦¤Û¤¯¤½¤¦¡ËÀã·Ê¿åËÏ»³¿å |
1991 |
Ëϲè |
»æËÜ |
KAYAMA, Matazo |
Snowy Landscape in the Northern Song Manner |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
Çòȱ°ìͺ |
Å··ÅÀ±拚Ì¿»°Ïº¡Ê¤Æ¤ó¤±¤¤¤»¤¤¤Ø¤ó¤á¤¤¤µ¤ó¤í¤¦¡Ë(¿åÞ÷ÅÁ¹ë·æ¤ÎÆâ)¡¡ |
1964 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SHIRAGA, Kazuo |
Hemmei Sanro, a hero of a Chinese story |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
¿ûÌÚ»Öͺ |
·Êα¼Ð·Ñ |
2004 |
ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥× |
|
SUGA, Kishio |
Kei-ryu-sha-kei |
ËÜ´Û3F |
|
| |
|
髙»³Ã¤Íº |
¤¤¤À¤¯ |
1977 |
ºÌ¿§ |
»æËÜ |
TAKAYAMA, Tatsuo |
Embracing |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
ÆÁ²¬¿ÀÀô |
ÀÖ¾¾ |
1956 |
ºÌ¿§ |
»æËÜ |
TOKUOKA, Shinsen |
Red Pines |
ËÜ´Û3F |
ÆÁ²¬À¯»Ò»á´ó£ |
| 67 |
|
Å컳³¡°Ð |
»Ä¾È |
1947 |
ºÌ¿§ |
»æËÜ |
HIGASHIYAMA, Kaii |
Afterglow |
ËÜ´Û3F |
|
| |
|
¸µ±ÊÄêÀµ |
ºîÉÊ 66-1 |
1966 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
MOTONAGA, Sadamasa |
Work 66-1 |
ËÜ´Û3F |
|
| |
|
»³¸ýĹÃË |
¹½À® |
1955 |
ÌýºÌ |
¹çÈÄ |
YAMAGUCHI, Takeo |
Composition |
ËÜ´Û3F |
|
| 76 |
|
²£»³Âç´Ñ |
°¿¤ëÆü¤ÎÂÀÊ¿ÍÎ |
1952 |
ºÌ¿§ |
»æËÜ |
YOKOYAMA, Taikan |
A Day in the Pacific Ocean |
ËÜ´Û3F |
|
| 70 |
|
²£»³Áà |
Åã |
1957 |
ºÌ¿§ |
ÌÊÉÛ |
YOKOYAMA, Misao |
Tower |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| 78 |
|
µÈ¸¶¼£ÎÉ |
¹õÃϤËÇò |
1965 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
YOSHIHARA, Jiro |
White on Black |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| ÈDz襳¡¼¥Ê¡¼ Prints Corner¡¡Æý¸¡§ÃÓÅÄËþ¼÷Éס¡¡¡Masuo Ikeda |
| |
|
ÃÓÅÄËþ¼÷É× |
½÷¡¦Æ°Êª¤¿¤Á |
1960 |
ƼÈÇ |
|
IKEDA, Masuo |
Woman, Animals |
ËÜ´Û3F |
|
| |
|
ÃÓÅÄËþ¼÷É× |
½÷ |
1960 |
ƼÈÇ |
|
IKEDA, Masuo |
Woman |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
½÷¤Î¾ÓÁü |
1960 |
ƼÈÇ |
|
IKEDA, Masuo |
Portrait of Woman |
ËÜ´Û3F |
»³¸ýµ®µ×ÃË¡¢Èþ·Ã»á´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
½÷ 1 |
1961 |
ƼÈÇ |
|
IKEDA, Masuo |
Woman 1 |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
½÷ 2 |
1961 |
ƼÈÇ |
|
IKEDA, Masuo |
Woman 2 |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
½÷²¦ |
1961 |
ƼÈÇ |
|
IKEDA, Masuo |
Queen |
ËÜ´Û3F |
|
| |
|
ÃÓÅÄËþ¼÷É× |
½÷¡¦Æ°Êª¤¿¤Á |
1960 |
ƼÈÇ |
|
IKEDA, Masuo |
Woman, Animals |
ËÜ´Û3F |
|
| |
|
ÃÓÅÄËþ¼÷É× |
Â礤ʽ÷ |
1961 |
ƼÈÇ |
|
IKEDA, Masuo |
Big Woman |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
Ì´¤ÎÄ» |
1962 |
ƼÈÇ |
|
IKEDA, Masuo |
Bird in a Dream |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
ưʪ¤Îº§Îé |
1962 |
ƼÈÇ |
|
IKEDA, Masuo |
Wedding of Animals |
ËÜ´Û3F |
»³¸ýµ®µ×ÃË¡¢Èþ·Ã»á´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
²Ö²Ç¤ÎÎÎÃÏ |
1962 |
ƼÈÇ |
|
IKEDA, Masuo |
Territory of Bride |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
¥¿¥¨¥³¤ÎÄ«¿© |
1963 |
ƼÈÇ |
|
IKEDA, Masuo |
Taeko's Breakfast |
ËÜ´Û3F |
|
| |
|
ÃÓÅÄËþ¼÷É× |
À¸Å̤Î̾¤Ï¥¤¥ô |
1963 |
ƼÈÇ |
|
IKEDA, Masuo |
Pupil's Name Is Eve |
ËÜ´Û3F |
|
| |
|
ÃÓÅÄËþ¼÷É× |
Åìµþ¥ª¥ê¥ó¥Ô¥Ã¥¯ |
1964 |
ƼÈÇ |
|
IKEDA, Masuo |
Tokyo Olympic |
ËÜ´Û3F |
ºî¼Ô´ó£ |
| |
|
ÃÓÅÄËþ¼÷É× |
¥ì¥¤¥ó¤Á¤ã¤ó |
1964 |
ƼÈÇ |
|
IKEDA, Masuo |
Miss Rain |
ËÜ´Û3F |
|
| |
|
ÃÓÅÄËþ¼÷É× |
²½¾Ñ¤¹¤ë½÷ |
1964 |
ƼÈÇ |
|
IKEDA, Masuo |
Lady Making up |
ËÜ´Û3F |
|
| ¼Ì¿¿¥³¡¼¥Ê¡¼ Photographs Corner Æý¸¡§°ËÆ£µÁɧ¡¡¡¡Yoshihiko Ito |
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imagery72 82012 |
1982 |
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ITO, Yoshihiko |
imagery72 82012 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
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1983 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
imagery72 83011 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
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1985 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
imagery72 850007 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
imagery72 850008 |
1985 |
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ITO, Yoshihiko |
imagery72 850008 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
imagery72 850020 |
1985 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
imagery72 850020 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
KAGE 8615 |
1986 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
KAGE 8615 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
KAGE 8616 |
1986 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
KAGE 8616 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
KAGE 8719 |
1987 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
KAGE 8719 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
KAGE 8721 |
1987 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
KAGE 8721 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
KAGE 88001 |
1988 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
KAGE 88001 |
ËÜ´Û3F |
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°ËÆ£µÁɧ |
SHIKAKU SKK 89007W |
1989 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
SHIKAKU SKK 89007W |
ËÜ´Û3F |
ºî¼Ô´ó£ |
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°ËÆ£µÁɧ |
SHIKAKU SKK 89009W |
1989 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
SHIKAKU SKK 89009W |
ËÜ´Û3F |
ºî¼Ô´ó£ |
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°ËÆ£µÁɧ |
SHIKAKU SKK 91010W |
1991 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
SHIKAKU SKK 91010W |
ËÜ´Û3F |
ºî¼Ô´ó£ |
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°ËÆ£µÁɧ |
SHIKAKU SKK 91012W |
1991 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
SHIKAKU SKK 91012W |
ËÜ´Û3F |
ºî¼Ô´ó£ |
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°ËÆ£µÁɧ |
SHIKAKU SKK 91037W |
1991 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
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ITO, Yoshihiko |
SHIKAKU SKK 91037W |
ËÜ´Û3F |
ºî¼Ô´ó£ |
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°ËÆ£µÁɧ |
¸ø±à¡ÝIII |
1999-2000 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È¡¢ç± |
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ITO, Yoshihiko |
Park-III |
ËÜ´Û3F |
ºî¼Ô´ó£ |
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°ËÆ£µÁɧ |
ÁòÎó77 |
2002 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È¡¢ç± |
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ITO, Yoshihiko |
Funeral 77 |
ËÜ´Û3F |
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| Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß¡¡¹ Contemporary Art after the 1970s |
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ËãÀ¸»°Ïº |
¿Í |
1979 |
¥¤¥ó¥¯¡¢±ôÉ®¡¢¥Ñ¥¹¥Æ¥ë |
Ⱦ |
ASO, Saburo |
Man |
ËÜ´Û2F |
µÆÃϽÓͺ»á°ä£ |
| |
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ËãÀ¸»°Ïº |
¿Í |
1980 |
±ôÉ®¡¢¥Ñ¥¹¥Æ¥ë |
Ⱦ |
ASO, Saburo |
Person |
ËÜ´Û2F |
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ËãÀ¸»°Ïº |
ºÁ¤Ã¤¿¿Í |
1981 |
±ôÉ®¡¢¿åºÌ |
Ⱦ |
ASO, Saburo |
Sitting Woman |
ËÜ´Û2F |
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| |
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Âç´ä¥ª¥¹¥«¡¼¥ë¹¬ÃË |
¥¬¡¼¥Ç¥Ë¥ó¥°(¥Þ¥ó¥Ï¥Ã¥¿¥ó) |
2002 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
OIWA, Oscar Satio |
Gardening (Manhattan) |
ËÜ´Û2F |
|
| |
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¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó |
¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á |
2007 |
±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ |
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OPIE, Julian |
Matsuzaki Bay in the Rain from Route 136. From "Eight Views of Japan." |
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¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó |
¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ |
2007 |
±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ |
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OPIE, Julian |
View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " |
ËÜ´Û2F |
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¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó |
¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à |
2007 |
±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ |
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OPIE, Julian |
View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." |
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¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó |
¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î |
2007 |
±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ |
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OPIE, Julian |
Moon Over Manatsuru Peninsula. ¡¡From "Eight Views of Japan." |
ËÜ´Û2F |
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²Ï¸¶²¹ |
DEC. 14, 1966 |
1966 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
KAWARA, On |
DEC. 14, 1966 |
ËÜ´Û2F |
´óÂ÷ºîÉÊ |
| |
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²Ï¸¶²¹ |
27 JUL. 1988 |
1988 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
KAWARA, On |
27 JUL. 1988 |
ËÜ´Û2F |
´óÂ÷ºîÉÊ |
| |
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¿ûÌîÀ»»Ò |
Êì²»ðó4 |
1973 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
KANNO, Seiko |
Eulogy on Vowels 4 |
ËÜ´Û2F |
¹Ó°æÎè»Ò»á´ó£ |
| 90 |
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¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ |
È¿±Ç¡¿»×º÷ |
2000 |
ÃòÅ´ |
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GORMLEY, Antony |
Reflection |
ËÜ´Û2F |
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| |
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¿ûÌÚ»Öͺ |
³¦±ä¶ÊÃÏ |
1980 |
¥È¥¿¥óÈÄ |
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SUGA, Kishio |
Kai-en-kyoku-chi |
ËÜ´Û2F |
¾®ÅçµÁͺ»á´ó£ |
| |
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¥»¥é¡¢ ¥ê¥Á¥ã¡¼¥É |
¥ª¥ë¥½¥ó |
1986 |
¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
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SERRA, Richard |
Olson |
ËÜ´Û2F |
|
| |
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äÌîÅÐ·Ã»Ò |
UNTITLED-28 |
1974 |
¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
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TATSUNO, Toeko |
UNTITLED-28 |
ËÜ´Û2F |
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äÌîÅÐ·Ã»Ò |
UNTITLED-29 |
1974 |
¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó |
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TATSUNO, Toeko |
UNTITLED-29 |
ËÜ´Û2F |
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| |
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¥Ç¡¦¥¯¡¼¥Ë¥ó¥°¡¢ ¥¦¥£¥ì¥à |
É÷·Ê¤ÎÃæ¤Î½÷ |
1966 |
ÌýºÌ |
»æ(¥¥ã¥ó¥Ð¥¹¤ËŽÉÕ) |
DE KOONING, Willem |
Woman in Landscape |
ËÜ´Û2F |
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| |
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Ãæ¼°ìÈþ |
ÊýË¡¤ò»ý¤Ä¼Ô IV |
1991-92 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAMURA, Kazumi |
Man with a Method IV |
ËÜ´Û2F |
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| |
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Ìî¸ýΤ²Â |
¿·¤·¤¤Åç¡¡¡ô1 |
1999-2000 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
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NOGUCHI, Rika |
New Land ¡ô1 |
ËÜ´Û2F |
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| |
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Ìî¸ýΤ²Â |
¿·¤·¤¤Åç¡¡¡ô2 |
1999-2000 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
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NOGUCHI, Rika |
New Land ¡ô2 |
ËÜ´Û2F |
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| |
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Ìî¸ýΤ²Â |
¿·¤·¤¤Åç¡¡¡ô3 |
1999-2000 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
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NOGUCHI, Rika |
New Land ¡ô3 |
ËÜ´Û2F |
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| |
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Ìî¸ýΤ²Â |
¿·¤·¤¤Åç¡¡¡ô4 |
1999-2000 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
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NOGUCHI, Rika |
New Land ¡ô4 |
ËÜ´Û2F |
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| |
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Ìî¸ýΤ²Â |
¿·¤·¤¤Åç¡¡¡ô5 |
1999-2000 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
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NOGUCHI, Rika |
New Land ¡ô5 |
ËÜ´Û2F |
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| |
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Ìî¸ýΤ²Â |
¿·¤·¤¤Åç¡¡¡ô6 |
1999-2000 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
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NOGUCHI, Rika |
New Land ¡ô6 |
ËÜ´Û2F |
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| |
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Ìî¸ýΤ²Â |
¿·¤·¤¤Åç¡¡¡ô7 |
1999-2000 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
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NOGUCHI, Rika |
New Land ¡ô7 |
ËÜ´Û2F |
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| 89 |
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¥Ð¥¼¥ê¥Ã¥Ä¡¢ ¥²¥ª¥ë¥¯ |
¼«²èÁüI |
1996 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
BASELITZ, Georg |
Self-Portrait I |
ËÜ´Û2F |
|
| |
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¥Ô¥«¥½¡¢ ¥Ñ¥Ö¥í |
̵Âê |
1972 |
±ôÉ®¡¢¥ª¥¤¥ë¥Ñ¥¹¥Æ¥ë |
¸ü»æ |
PICASSO, Pablo |
Untitled |
ËÜ´Û2F |
Ê¿Ìî°ïϯ»á´ó£ |
| |
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½®±ÛľÌÚ |
Monday |
2006 |
Àйѡ¢¥¹¥¿¥Ã¥Õ |
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FUNAKOSHI, Naoki |
Monday |
ËÜ´Û2F |
|
| |
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½®±ÛľÌÚ |
Moon |
2006 |
Àйѡ¢¥¹¥¿¥Ã¥Õ |
|
FUNAKOSHI, Naoki |
Moon |
ËÜ´Û2F |
|
| 86 |
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¥Ù¡¼¥³¥ó¡¢ ¥Õ¥é¥ó¥·¥¹ |
¥¹¥Õ¥£¥ó¥¯¥¹¡Ý¥ß¥å¥ê¥¨¥ë¡¦¥Ù¥ë¥Á¥ã¡¼¤Î¾ÓÁü |
1979 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
BACON, Francis |
Sphinx-Portrait of Muriel Belcher |
ËÜ´Û2F |
|
| |
|
´Ý»³Ä¾Ê¸ |
Garden 1 |
2003 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
ÌÊÉÛ |
MARUYAMA, Naofumi |
Garden 1 |
ËÜ´Û2F |
|
| |
|
Ìø¸¶µÁã |
ÍçÉØ |
1991 |
¥Õ¥§¥ë¥È¥Ú¥ó |
Ⱦ |
YANAGIHARA, Yoshitatsu |
Nudes |
ËÜ´Û2F |
|
| |
|
Ìø¸¶µÁã |
ÍçÉØ |
1991 |
¥Õ¥§¥ë¥È¥Ú¥ó |
Ⱦ |
YANAGIHARA, Yoshitatsu |
Nude |
ËÜ´Û2F |
ºî¼Ô´ó£ |
| |
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Ìø¸¶µÁã |
ÍçÉØ |
1991 |
¥Õ¥§¥ë¥È¥Ú¥ó |
Ⱦ |
YANAGIHARA, Yoshitatsu |
Nude |
ËÜ´Û2F |
|
| |
|
Ìø¸¶µÁã |
ÍçÉØ |
1991 |
¥Õ¥§¥ë¥È¥Ú¥ó |
Ⱦ |
YANAGIHARA, Yoshitatsu |
Nude |
ËÜ´Û2F |
ºî¼Ô´ó£ |
| |
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Ìø¸¶µÁã |
ÍçÉØ |
1991 |
¥Õ¥§¥ë¥È¥Ú¥ó |
Ⱦ |
YANAGIHARA, Yoshitatsu |
Nude |
ËÜ´Û2F |
ºî¼Ô´ó£ |
| |
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»³Ãæ¿®É× |
¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (7) |
1980 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
|
YAMANAKA, Nobuo |
Manhattan in Pinhole (7) |
ËÜ´Û2F |
|
| |
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»³Ãæ¿®É× |
¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (22) |
1980 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
|
YAMANAKA, Nobuo |
Manhattan in Pinhole (22) |
ËÜ´Û2F |
|
| |
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»³Ãæ¿®É× |
¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (38) |
1980 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
|
YAMANAKA, Nobuo |
Manhattan in Pinhole (38) |
ËÜ´Û2F |
|
| |
|
Íûã»ßå |
Æͤ¤è¤ê |
1974 |
ËÏ |
Ï»æ |
LEE, Ufan |
Push Up |
ËÜ´Û2F |
´óÂ÷ºîÉÊ |
| |
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¥ë¥¦¥£¥Ã¥È¡¢ ¥½¥ë |
·ÁÂÖ¤ÎÊ£¹ç No.6 |
1987 |
ÌÚ¡¢¥¨¥Ê¥á¥ë |
|
LEWITT, Sol |
Complex Forms No.6 |
ËÜ´Û2F |
|
| ²°³°Ä¦¹ï¡¡Outdoor Sculptures |
| |
|
ÌÚ¼¸ÂÀϺ |
¼·¤Ä¤Îµ§¤ê |
1969 |
ÀÐ |
|
KIMURA, Kentaro |
Seven Prayers |
ËÜ´Û²°³° |
|
| |
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¿ÅÄÈþÇÈ |
Chiaroscuro |
1979 |
¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹ |
|
TADA, Minami |
Chiaroscuro |
ËÜ´Û²°³° |
|
| 84 |
|
¥Î¥°¥Á¡¢ ¥¤¥µ¥à |
Ìç |
1969 |
¹ÝÅ´¡¢ºÌ¿§ |
|
NOGUCHI, Isamu |
Gate |
ËÜ´Û²°³° |
|
| |
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¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î |
¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ |
1969-70 |
¥Ö¥í¥ó¥º |
|
MARINI, Marino |
The Idea of an Image |
ËÜ´Û²°³° |
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