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Modern Japanese Art from the Museum Collection¡¡¡¡October 27-December 24, 2007

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²»À¼¥¬¥¤¥É Ÿ¼¨´ü´Ö ºî²È̾¡ÊÏÂ¡Ë Âê̾¡ÊÏÂ¡Ë À©ºîǯ¡¡(c.¡á¡Áǯº¢¡Ë µ»Ë¡ »Ù»ýÂÎ ºî²È̾¡Ê±Ñ¡Ë Âê̾¡Ê±Ñ¡Ë Ÿ¼¨³¬ ´ó£¡¦´óÂ÷
­µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å
­µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten
  ¸å º£Â¼»ç¹È Å« c.1900 ºÌ¿§ ¸¨ËÜ IMAMURA, Shiko Flute ËÜ´Û4F  
2   ¹õÅÄÀ¶µ± ÍîÍÕ 1891 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KURODA, Seiki Dead Leaves ËÜ´Û4F ÅÄÃæÀéÂå»á´ó£
    ¾®¿ùÊüè¿(̤ÀÃ) ¿å¶¿ 1911 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOSUGI, Hoan(Misei) Waterside Village ËÜ´Û4F  
    ÌÚÅçºùë ¤·¤°¤ì 1907 ºÌ¿§ »æËÜ KONOSHIMA, Okoku Wintry Shower ËÜ´Û4F  
6   ²¼Â¼´Ñ»³ Ìڤδ֤ν© 1907 ºÌ¿§ »æËÜ SHIMOMURA, Kanzan Autumn among Trees ËÜ´Û4F  
    ·úÈ«ÂçÌ´ ¤Ê¤¬¤ì 1911 ¥Ö¥í¥ó¥º   TATEHATA, Taimu Stream ËÜ´Û4F  
10   ÃæÂô¹°¸÷ ¤ª¤â¤¤¤Ç 1909 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAZAWA, Hiromitsu Reminiscences ËÜ´Û4F  
1   ¸¶ÅÄľ¼¡Ïº µ³Î¶´Ñ²» 1890 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HARADA, Naojiro Kannon Bodhisattva Riding the Dragon ËÜ´Û4F ¸îÔ¢»û¢(´óÂ÷ºîÉÊ)
  Á° É©ÅĽÕÁ𠽩ÌÚΩ 1909 ºÌ¿§ ¸¨ËÜ HISHIDA, Shunso Autumn Grove ËÜ´Û4F  
    Æ£°æ¹ÀÍ´ ߬ 1912 ÂçÍýÀÐ   FUJII, Koyu Deep Water ËÜ´Û4F  
14   Æ£ÅçÉðÆó ¤¦¤Ä¤Ä 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Half Dreaming ËÜ´Û4F  
    Æ£ÅçÉðÆó ¥¢¥ë¥Á¥·¥ç 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Artichoke ËÜ´Û4F  
    Æî·°Â¤ ¾¯½÷ 1909 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MINAMI, Kunzo Girl ËÜ´Û4F Æî·ú»á´ó£
    °Â°æÁ¾ÂÀϺ ²«¿§¤¤á± 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro Yellow Flower Vase ËÜ´Û4F  
9   »³²¼¿·ÂÀϺ ÁëºÝ 1908 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMASHITA, Shintaro By the Window ËÜ´Û4F  
    »³¸µ½Õµó ±ö¸¶¤Î±ü 1909 ºÌ¿§ ¸¨ËÜ YAMAMOTO, Shunkyo Recesses of Shiobara ËÜ´Û4F  
4   ÏÂÅÄ»°Â¤ ÆîÉ÷ 1907 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ WADA, Sanzo South Wind ËÜ´Û4F  
­µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à
­µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26)
    ²®¸¶¼é±Ò ½÷¤Îƹ 1907 ¥Ö¥í¥ó¥º   OGIWARA, Morie Torso of a Woman ËÜ´Û4F  
    ²®¸¶¼é±Ò ʸ³Ð 1908 ¥Ö¥í¥ó¥º   OGIWARA, Morie Priest Mongaku ËÜ´Û4F  
  ¸å ¾®ÌÐÅÄÀļù ´¨ÎÓ 1927 ºÌ¿§ ¸¨ËÜ OMODA, Seiju Chilly Wood ËÜ´Û4F  
    ´ßÅÄέÀ¸ ¥¤¥Ö¤òÂԤĥ¢¥À¥à 1912 ÌýºÌ ÈÄ KISHIDA, Ryusei Adam Waiting for Eve ËÜ´Û4F ÎëÌÚÎɱһá°ä£
20   ´ßÅÄέÀ¸ ƻϩ¤ÈÅÚ¼ê¤Èʽ(ÀÚÄÌÇ·¼ÌÀ¸) 1915 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Road Cut through a Hill ËÜ´Û4F  
23 11·î6Æü¤«¤é ´ßÅÄέÀ¸ Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Reiko, Five Years Old ËÜ´Û4F  
  11·î4Æü¤Þ¤Ç ´ßÅÄέÀ¸ Îï»ÒÏ»ºÐÇ·Áü¡ÊÌÓ»å¤Î¸ª³Ý¤·¤¿¤ëÎï»Ò¡Ë 1919 ¿åºÌ »æ KISHIDA, Ryusei Portrait of Six-year Old Reiko (Reiko in a Woolen Shawl) ËÜ´Û4F ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£
  Á° ´ßÅÄέÀ¸ »Íµ¨¤Î²Ö²Ì¿Þ¡¡Üô³Á¿Þ(½©) 1924 ËϲèøºÌ »æËÜ KISHIDA, Ryusei Bitter Oranges and Persimmons (Autumn) from "Flowers and Fruits" ËÜ´Û4F  
  Á° ´ßÅÄέÀ¸ »Íµ¨¤Î²Ö²Ì¿Þ¡¡Â纬¡¦»ü¸È¡¦Ìª´»(Åß) 1924 ËϲèøºÌ »æËÜ KISHIDA, Ryusei Radishes, Arrow-heads, and an Orange (Winter) from "Flowers and Fruits" ËÜ´Û4F  
24   ¥³¥³¥·¥å¥«¡¢ ¥ª¥¹¥«¡¼ ¥¢¥ë¥Þ¡¦¥Þ¡¼¥é¡¼¤Î¾ÓÁü 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOKOSCHKA, Oskar Portrait of Alma Mahler ËÜ´Û4F  
  ¸å ¶áÆ£¹À°ìÏ© ¸¤»³Ìëµù 1928 ËÏ²è »æËÜ KONDO, Koichiro Night Fishing at Inuyama ËÜ´Û4F ºî¼Ô´ó£
    ´Øº¬ÀµÆó ÉØ¿ÍÁü c.1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SEKINE, Shoji Portrait of a Woman ËÜ´Û4F  
8   ÃÝÆâÀ´Ë± »ô¤ï¤ì¤¿¤ë±î¤ÈÅÆ 1908 ºÌ¿§ ¸¨ËÜ TAKEUCHI, Seiho Monkeys and Rabbits ËÜ´Û4F  
18   ÅÚÅÄÇþÑ¢ Åç¤Î½÷ 1912 ºÌ¿§ ¸¨ËÜ TSUCHIDA, Bakusen Women of an Island ËÜ´Û4F  
    ÃæÂ¼×³ ÂçÅçÉ÷·Ê 1914-15 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Landscape, Island Oshima ËÜ´Û4F  
29   ÃæÂ¼×³ ¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü 1920 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Portrait of Vasilii Yaroshenko ËÜ´Û4F ÂçΤ°ìÂÀϺ»á´ó£
30 Á° ®¿å¸æ½® ÃãÏҤȲ̼ 1921 ºÌ¿§ ¸¨ËÜ HAYAMI, Gyoshu Tea Bowl and Fruits ËÜ´Û4F ÂôÅľ¼É§»á´ó£
  ¸å ¼¾å²Ú³Ù ³¤Ä»Êë·ÊÇ·¿Þ 1935 ËÏ²è »æËÜ MURAKAMI, Kagaku Sunset Landscape with Birds ËÜ´Û4F  
  Á° ¼¾å²Ú³Ù ½©ì°¿Þ 1935 ºÌ¿§ »æËÜ MURAKAMI, Kagaku Autumn Valley ËÜ´Û4F  
21   ¼»³ÜÇ¿ ¥Ð¥é¤È¾¯½÷ 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MURAYAMA, Kaita Roses and a Girl ËÜ´Û4F »³Ëܹ§»á´ó£
17   èßÅ´¸ÞϺ ÍçÂÎÈþ¿Í 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Nude Beauty ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£
22   èßÅ´¸ÞϺ ¤â¤¿¤ì¤ÆÎ©¤Ä¿Í 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Leaning Woman ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£
3   ¥ë¥½¡¼¡¢ ¥¢¥ó¥ê Âè22²ó¥¢¥ó¥Ç¥Ñ¥ó¥À¥óŸ¤Ë»²²Ã¤¹¤ë¤è¤¦·Ý½Ñ²Èã¤òƳ¤¯¼«Í³¤Î½÷¿À 1905-06 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ROUSSEAU, Henri Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Societe des Artistes Independants ËÜ´Û4F  
    ¥í¥À¥ó¡¢¡¡¥ª¡¼¥®¥å¥¹¥È ¥È¥ë¥½ À©ºîǯÉÔ¾Ü ¥Ö¥í¥ó¥º   RODIN, Auguste Torso ËÜ´Û4F ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£
­¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È
­¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ÃÏÃæ³¤·²Áü 1941/65 ÂçÍýÀÐ   ARP, Jean(Hans) Mediterranean Group ËÜ´Û4F  
43   ¥«¥ó¥Ç¥£¥ó¥¹¥­¡¼¡¢ ¥ï¥·¥ê¡¼ Á´ÂÎ 1940 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KANDINSKY, Wassily The Whole ËÜ´Û4F  
    ËÌÀî̱¼¡ ¥é¥ó¥Á¥§¥í¤Î±´ 1938 ¥Æ¥ó¥Ú¥é »æ KITAGAWA, Tamiji Song of Ranchero ËÜ´Û4F  
    ¹ñµÈ¹¯Íº ½©¤Î¤¿¤½¤¬¤ì 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KUNIYOSHI, Yasuo Dusk in Autumn ËÜ´Û4F  
    ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ¾®¤µ¤Ê½©¤ÎÉ÷·Ê 1920 ÌýºÌ »æ(¥Ü¡¼¥É¤ËŽÉÕ) KLEE, Paul Small Autumn Landscape ËÜ´Û4F ÃçÅÄÄêÇ·½õ¡¢¹¥¹¾»á´ó£
38   ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý 1925 ÌýºÌ ¸ü»æ KLEE, Paul Abstraction with Reference to a Flowering Tree ËÜ´Û4F  
    ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Î¥Æ¥é¥¹ 1937 ÌýºÌ ÌÊÉÛ KLEE, Paul Flower Terrace ËÜ´Û4F  
    ¥°¥ê¥¹¡¢ ¥Û¥¢¥ó ±ßÂî 1921 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ GRIS, Juan The Gueridon ËÜ´Û4F  
40   ¸Å²ì½Õ¹¾ ³¤ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOGA, Harue Sea ËÜ´Û4F  
39   º´ÇìÍ´»° ¥¬¥¹Åô¤È¹­¹ð 1927 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAEKI, Yuzo Gas Lamp and Advertisements ËÜ´Û4F  
    ½»Ã«Èغ¬ ¹©¾ì¤Ë±÷¤±¤ë°¦¤ÎÆü²Ý 1923 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUMIYA, Iwane Daily Task of Love in a Factory ËÜ´Û4F ºî¼Ô´ó£
    ¥É¥í¡¼¥Í¡¼¡¢ ¥í¥Ù¡¼¥ë ¥ê¥º¥à ÍæÀû 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ DELAUNAY, Robert Rythm-Spiral ËÜ´Û4F  
42   ÌîÅıÑÉ× µ¢Ï© 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NODA, Hideo Way to Home ËÜ´Û4F  
41   Ê¡Âô°ìϺ Poisson d'Avril(»Í·îÇϼ¯) 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUKUZAWA, Ichiro April Fool ËÜ´Û4F ºî¼Ô´ó£
    Æ£ÅĻ̼£ ¥Ñ¥êÉ÷·Ê 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu Street in Paris ËÜ´Û4F  
    Æ£ÅĻ̼£ ¼«²èÁü 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu Self-Portrait ËÜ´Û4F ÃæÂ¼ÎÐÌî»á°ä£
    Á°ÅÄ´²¼£ ÍçÉØ 1925 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MAETA, Kanji Nude ËÜ´Û4F  
    »°´ß¹¥ÂÀϺ ±À¤Î¾å¤òÈô¤Öij 1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MIGISHI, Kotaro Butterflies Flying above Clouds ËÜ´Û4F  
    ¼»³ÃεÁ ¤¢¤ë¥æ¥À¥ä¿Í¤Î¾¯½÷Áü 1922 ÌýºÌ¡¢»æ¡¢ÌÚ¡¢¥³¥é¡¼¥¸¥å   MURAYAMA, Tomoyoshi Portrait of a Jewish Girl ËÜ´Û4F ÉÍÆÁÂÀϺ»á´ó£
    ¼»³ÃεÁ ¥³¥ó¥¹¥È¥ë¥¯¥Á¥ª¥ó 1925 ÌýºÌ¡¢»æ¡¢ÌÚ¡¢ÉÛ¡¢¶â°¡¢Èé   MURAYAMA, Tomoyoshi Construction ËÜ´Û4F ÉÍÆÁÂÀϺ»á´ó£
    ¥ê¥Ò¥¿¡¼¡¢ ¥Ï¥ó¥¹ ¿§¤Î¥ª¡¼¥±¥¹¥È¥ì¡¼¥·¥ç¥ó 1923 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ RICHTER, Hans Orchestration of Color ËÜ´Û4F ºî¼Ô°ä£
£´F ÆÃ½¸¥³¡¼¥Ê¡¼¡¡ Ç߸¶Î¶»°Ïº
Topic in Focus ¡¡Ryuzaburo Umehara
    Ç߸¶Î¶»°Ïº ¼«²èÁü 1911 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Self-Portrait ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº ²«¶â¤Î¼ó¾þ¤ê 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Gold Necklace ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº ºÁÍçÉØ 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Sitting Nude ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº ºùÅç(ÀÄ) 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Mt. Sakurajima (Blue) ËÜ´Û4F Àî¸ý¾¾ÂÀϺ»á´ó£
55   Ç߸¶Î¶»°Ïº ¾ë»³ 1937 ÌýºÌ¡¢´ä³¨¶ñ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Landscape, Shiroyama ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº é¬é¯¿Þ 1940 ÌýºÌ¡¢´ä³¨¶ñ »æ UMEHARA, Ryuzaburo Roses ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº Ĺ°Â³¹ 1940 ÌýºÌ¡¢´ä³¨¶ñ »æ UMEHARA, Ryuzaburo Chang An Street, Beijing ËÜ´Û4F ºî¼Ô´ó£
59   Ç߸¶Î¶»°Ïº Ë̵þ½©Å· 1942 ÌýºÌ¡¢´ä³¨¶ñ »æ UMEHARA, Ryuzaburo Autumn in Beijing ËÜ´Û4F Àî¸ý¾¾ÂÀϺ»á´ó£
    Ç߸¶Î¶»°Ïº ¼íÌîÀî 1950 ¥Ç¥È¥é¥ó¥×¡¢¶â ¸¨ UMEHARA, Ryuzaburo The Kano River ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº ¹âÊö½¨»Ò¾î 1950 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Portrait of Miss Hideko Takamine ËÜ´Û4F ¹âÊö½¨»Ò»á´ó£
    Ç߸¶Î¶»°Ïº ¥«¥ó¥Ì 1962 ÌýºÌ¡¢¥Ç¥È¥é¥ó¥× ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Cannes ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº ¥«¥ó¥Ì¡¦·î¤È±À 1966 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Cannes, Moon and Clouds ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº Àõ´Ö»³½© 1970 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Mt. Asama in Autumn ËÜ´Û4F ºî¼Ô´ó£
    Ç߸¶Î¶»°Ïº ¥Ñ¥ì¥Ã¥È ǯÂåÉÔ¾Ü     UMEHARA, Ryuzaburo Palette ËÜ´Û4F ²ÏËÌÎÑÌÀ»á°ä£
­¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï
­¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings
    ²¬ÅÄ»°Ïº½õ ÉØ¿ÍȾ¿ÈÁü 1936 ÌýºÌ¡¢¤½¤Î¾ »æ OKADA, Saburosuke Portrait of a Woman ËÜ´Û3F  
    ±ü¼ÅÚµí ³û 1936 ºÌ¿§ ¸¨ËÜ OKUMURA, Togyu Ducks ËÜ´Û3F  
57   ¾®ÁÒÍ·µµ Íá½÷¡¡¤½¤Î°ì 1938 ºÌ¿§ ¸¨ËÜ OGURA, Yuki Bathing Women 1 ËÜ´Û3F ºî¼Ô´ó£
  Á° Å­ÌÚÀ¶Êý ÌÀ¼£É÷¯½½Æó¥ö·î(¶å·î) 1935 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Monthly Manners and Customs of the Meiji Period ËÜ´Û3F  
  Á° Å­ÌÚÀ¶Êý ÌÀ¼£É÷¯½½Æó¥ö·î(½½°ì·î) 1935 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Monthly Manners and Customs of the Meiji Period ËÜ´Û3F  
  Á° Å­ÌÚÀ¶Êý ÌÀ¼£É÷¯½½Æó¥ö·î(½½Æó·î) 1935 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Monthly Manners and Customs of the Meiji Period ËÜ´Û3F  
  Á° Å­ÌÚÀ¶Êý ÌÀ¼£É÷¯½½Æó¥ö·î(½½·î) 1935 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Monthly Manners and Customs of the Meiji Period ËÜ´Û3F  
  Á° Àî¹ç¶ÌƲ ºÌ±« 1940 ºÌ¿§ ¸¨ËÜ KAWAI, Gyokudo Autumn Rain ËÜ´Û3F  
46   ¾®½ÐÆê½Å Íç½÷¤ÈÇòÉÛ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOIDE, Narashige Nude on White Cloth ËÜ´Û3F  
  ¸å ¾®ÎӸŷ ÁÐÈ· 1937 ºÌ¿§ ¸¨ËÜ KOBAYASHI, Kokei A Pair of Doves ËÜ´Û3F ¾®Þ¼Ã¤Êº»á´ó£
44   ºäËÜÈËÆóϺ ¿å¤è¤ê¾å¤ëÇÏ 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAKAMOTO, Hanjiro Horse Coming out of the Water ËÜ´Û3F  
    ¿ÜÅĹñÂÀϺ ½ñºØ 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUDA, Kunitaro Study ËÜ´Û3F ¿ÜÅÄ´²»á´ó£
    ¹âÅÄÇî¸ü ¥Õ¡¼¥í¥óÉ׿ÍÁü 1931 ¥Ö¥í¥ó¥º   TAKATA, Hiroatsu Portrait of Madame Foulon ËÜ´Û3F  
    ®¿å¸æ½® ¼ÌÀ¸¿Þ´¬¡Ö´¨È·´¨¿ý¡× 1927 ±ôÉ®¡¢ºÌ¿§ »æ HAYAMI, Gyoshu Scroll of Sketches (Pigeons and Sparrows in Winter) ËÜ´Û3F ´óÂ÷ºîÉÊ
    Ê¡ÅÄË­»ÍϺ ¸Î»³¿·½© 1926 ºÌ¿§ »æËÜ FUKUDA, Toyoshiro Autumn Arrives in My Home Village ËÜ´Û3F  
    Æ£ÅçÉðÆó Ëã¸È¸¥Ôè¡Ê¤Þ¤³¤±¤ó¤¸¤å¡Ë 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Magu, a Nymph in an Ancient Chinese Legend ËÜ´Û3F Éð×¢¶³»Ò»á´ó£
    Á°ÅÄÀÄî· ¿ÀÂåÇ·´¬ 1924 ËÏ²è »æËÜ MAEDA, Seison Scroll of the Myth "Umisachi-Yamasachi" ËÜ´Û3F  
52   °Â°æÁ¾ÂÀϺ ¶âÍÖ 1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro Portrait of Chin-Jung ËÜ´Û3F  
61   °ÂÅÄðÖɧ ²«À¥Àî¿Ø 1940/41 ºÌ¿§ »æËÜ YASUDA, Yukihiko Camp at Kisegawa ËÜ´Û3F  
    »³¸ý²ÚÍÌ Íθ¤¿Þ 1937 ºÌ¿§ ¸¨ËÜ YAMAGUCHI, Kayo Dogs ËÜ´Û3F  
  ¸å »³Æâ¿Ìç ¶â¹äÏ¢Êö 1927 ºÌ¿§ ¸¨ËÜ YAMAUCHI, Tamon Kung-Kong Mountain Range ËÜ´Û3F ´ä¶¶±Ñ±ó»á´ó£
    µÈ²¬·øÆó Êì»Ò 1934 ºÌ¿§ »æËÜ YOSHIOKA, Kenji Mother and Child ËÜ´Û3F ºî¼Ô´ó£
­·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ
­· Art during and after the War
62   ðϸ÷ ´ã¤Î¤¢¤ëÉ÷·Ê 1938 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ AI-MITSU Landscape with an Eye ËÜ´Û3F  
    ðϸ÷ ij 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ AI-MITSU Butterfly ËÜ´Û3F  
    ËãÀ¸»°Ïº Êì»ÒÁü 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ASO, Saburo Mother and Child ËÜ´Û3F ²¬Åıɰì»á´ó£
    ÀаæÌÐͺ ²ü¸·¾õÂÖ 1957 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ISHII, Shigeo State of Martial Law ËÜ´Û3F ÀаæÌмù»á´ó£
    ¾®»³ÅÄÆóϺ ¿©Âî 1955 ÌýºÌ ÈÄ OYAMADA, Jiro Dining Table ËÜ´Û3F  
63   ¹á·îÂÙÃË ¿å¶À 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAZUKI, Yasuo Water Mirror ËÜ´Û3F  
79   ²Ï¸¶²¹ ÕÔ¤ó¤À½÷ 1954 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAWARA, On Pregnant Woman ËÜ´Û3F ºî¼Ô´ó£
64   ËÌÏÆ¾º ¥¯¥©¡¦¥ô¥¡¥Ç¥£¥¹ 1949 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KITAWAKI, Noboru Quo Vadis ËÜ´Û3F ËÌÏÆ¤«¤Í»á´ó£
  ¸å À¶¿åÅÐÇ· ¹©Ê¼Ââ²Í¶¶ºî¶È c.1944 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SHIMIZU, Toshi Engineering Corps Constructing a Bridge in Malaya ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
  Á° ¹âÂô·½°ì ·ËÎÓ¹¶Î¬ 1945 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TAKAZAWA, Keiichi Capture of Guilin ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    ÄᲬÀ¯ÃË ÀĤ¤¥«¡¼¥Æ¥ó 1964 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TSURUOKA, Masao Blue Curtain ËÜ´Û3F  
  Á° ÄáÅĸãϺ ¥¹¥¿¥ó¥ì¡¼»³Ì®¤Î¹âº½µÁͦÂâ 1944 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TSURUTA, Goro Gaoshan Volunteer Corps Fighting Through the Owen Stanley Range ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    Ë­Ê¡ÃÎÆÁ ΩÁü 1960 ÌÚ   TOYOFUKU, Tomonori Statue ËÜ´Û3F  
  ¸å Ãæ»³ÖÛ ¿ÀʼʳÀïÇ·¿Þ(Íî²¼»±ÉôÂâ¥Ñ¥ì¥ó¥Ð¥óÀºÌý½ê¹¶·â) 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAYAMA, Takashi Soldiers Fighting Fiercely (Paratroops Attacking the Palembang Oil Refinery) ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
  Á° Ê¡ÅÄË­»ÍϺ ±ÑÎΥܥë¥Í¥ª¤ò¾×¤¯ c.1942 ºÌ¿§ »æËÜ FUKUDA, Toyoshiro Attack on British Borneo ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
  ¸å Æ£ÅĻ̼£ ½½Æó·îȬÆü¤Î¿¿¼îÏÑ 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu Pearl Harbor on December 8, 1941 ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    ¾¾Ëܽײð ¥Ë¥³¥é¥¤Æ²¤ÈÀ»¶¶ 1941 ÌýºÌ ÈÄ MATSUMOTO, Shunsuke Nikolai Cathedral and Hijiri-Bridge ËÜ´Û3F  
­¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ
­¸ Art in the 1950s and 1960s
    ¾å¼¾¾ä» À±¸Þ°Ì(¤Û¤·¤´¤¤) 1958 ºÌ¿§ »æËÜ UEMURA, Shoko Night Herons ËÜ´Û3F  
    ±Í¶å ¤ì¤¤¤á¤¤ 1957 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EI-KYU Dawn ËÜ´Û3F  
69   ²¬ËÜÂÀϺ dz¤¨¤ë¿Í 1955 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OKAMOTO, Taro Men Aflame ËÜ´Û3F ºî¼Ô´ó£
    ²Ã»³Ëô¤ ·î¤ÈºÔ 1953 ºÌ¿§ »æËÜ KAYAMA, Matazo Moon and Rhinoceros ËÜ´Û3F ºî¼Ô´ó£
    Ë̲¬Ê¸Íº °ë 1958 ÌÚÈÇ(¿¿§)   KITAOKA, Fumio Seacoast ËÜ´Û3F ºî¼Ô´ó£
    ¹©Æ£¹Ã¿Í ̸ 1963 ºÌ¿§ »æËÜ KUDO, Kojin Mist ËÜ´Û3F  
    ºØÆ£µÁ½Å ºîÉÊ 2 1963 ÌýºÌ ¹çÈÄ SAITO, Yoshishige Work 2 ËÜ´Û3F  
    ¿ûÌÚ»Öͺ ·Êα¼Ð·Ñ 2004 ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥×   SUGA, Kishio Kei-ryu-sha-kei ËÜ´Û3F  
    ¹â¶¶ÎÏͺ ²óÁÛ 1962 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Recollection ËÜ´Û3F ºî¼Ô´ó£
    Åì¾¾¾ÈÌÀ ¡ÖÀÐÌý¥³¥ó¥Ó¥Ê¡¼¥È¡×¤è¤ê 1960 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   TOMATSU, Shomei From "Petrochemical Complex" ËÜ´Û3F  
    Åì¾¾¾ÈÌÀ Ãó¼Ö¾ì 1962 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   TOMATSU, Shomei Parking Lot ËÜ´Û3F  
77   ÆÁ²¬¿ÀÀô ´¢ÅÄ 1960 ºÌ¿§ »æËÜ TOKUOKA, Shinsen Harvested Rice Field ËÜ´Û3F  
    ÆñÇÈÅÄζµ¯ ¥³¥ó¥Ý¥¸¥·¥ç¥ó 1965 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAMBATA, Tatsuoki Composition ËÜ´Û3F ºî¼Ô´ó£
71   Å컳³¡°Ð ½©æÊ 1958 ºÌ¿§ »æËÜ HIGASHIYAMA, Kaii Autumn Colors ËÜ´Û3F  
    ¸þ°æÎÉµÈ µÂ¤Î¾ë 1960 ¥¢¥ë¥ß¥Ë¥¦¥à   MUKAI, Ryokichi Castle of Ants ËÜ´Û3F  
    ÅïÊý»Ö¸ù Å·ÈÞ´¥º¥±¤¡Ê¤Æ¤ó¤Ô¤±¤ó¤³¤ó¤¤¤ó¡Ë 1952 ÌÚÈÇ¡¢Î¢ºÌ¿§   MUNAKATA, Shiko Celestial Nymphs in Ether ËÜ´Û3F  
    »³¸ýĹÃË Å¾ 1961 ÌýºÌ ¹çÈÄ YAMAGUCHI, Takeo Turn ËÜ´Û3F  
    »³¸ýË©½Õ Üоå¤Î²Ö(¤È¤¦¤¸¤ç¤¦¤Î¤Ï¤Ê) 1949 ºÌ¿§ »æËÜ YAMAGUCHI, Hoshun Flowers on the Chair ËÜ´Û3F  
    »³ÅÄÀµÎ¼ Work C-77 1960 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMADA, Masaaki Work C-77 ËÜ´Û3F  
    »³ÅÄÀµÎ¼ Work C-73 1960 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMADA, Masaaki Work C-73 ËÜ´Û3F  
78   µÈ¸¶¼£ÎÉ ¹õÃϤËÇò 1965 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro White on Black ËÜ´Û3F ºî¼Ô´ó£
ÈDz襳¡¼¥Ê¡¼¡¡ÆÃ½¸¡§¥¸¥ã¥ó(¥Ï¥ó¥¹)¡¦¥¢¥ë¥×¡¡¥Ý¡Ý¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù
Prints Corner¡¡Jean(Hans) Arp, Portfolio Dreams and Projects
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 1.¼«Á³¤Îˡ§¤Ë½¾¤Ã¤ÆÃÖ¤«¤ì 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 1.Placed According to the Laws of Chance from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 2.¼«Á³¤Îˡ§¤Ë½¾¤Ã¤ÆÃÖ¤«¤ì 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 2.Placed According to the laws of Chance from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 3.¼«Á³¤Îˡ§¤Ë½¾¤Ã¤ÆÃÖ¤«¤ì 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 3.Placed According to the Laws of Chance from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 4.²Ö¤Î¤«¤¿¤Á¡¢Íî²¼ 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 4.Flower Figure, Fall from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 5.ÇÛÃÖ¡¢ÍÞ°µ 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 5.Configuration, Oppression from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 6.ÀŤ«¤Ê¶ÛÄ¥ 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 6.Silent Tension from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 7.çÁ 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 7.Navel from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 8.³¥¿§¤Î´é¤Î¾å¤Î¹õ¤¤¥×¥í¥Õ¥£¡¼¥ë 1951-52 ÌÚÈÇ(¿¿§)   ARP, Jean(Hans) 8.Black Profile of Gray Face from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 9.À±ºÂ 1951-52 ÌÚÈÇ(¿¿§)   ARP, Jean(Hans) 9.Constellation from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 10.À±ºÂ 1951-52 ÌÚÈÇ(¿¿§)   ARP, Jean(Hans) 10.Constellation from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 11.½ÐÉÔÀº¤Î¥ª¥Ö¥¸¥§ 1951-52 ÌÚÈÇ(¿¿§)   ARP, Jean(Hans) 11.Stey-at-home Object from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 12.¹¥ÀïŪ¤Ê¥¹¥Õ¥£¥ó¥¯¥¹ 1951-52 ÌÚÈÇ(¿¿§)   ARP, Jean(Hans) 12.Warlike Sphinx from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 13.±ÖÉ¿À 1951-52 ÌÚÈÇ(¿¿§)   ARP, Jean(Hans) 13.Evil Omen from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í»á´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 14.¼ª¤Çʹ¤­´ã¤Ç¸«¤¿¥Õ¥©¥ë¥à 1951-52 ÌÚÈÇ(¿¿§)   ARP, Jean(Hans) 14.Form Heard and Seen from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 15.¿ÀÈëŪ¤â¤¯¤í¤ß: ÂÀÍۤΥѥó 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 15.Mythical Project: Solar Bread from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 16.¿ÀÈëŪ¤â¤¯¤í¤ß: ÂÀÍۤΥѥó¡¢Ë¾±ó¶À 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 16.Mythical Project: Solar Bread, Telescope from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 17.¿ÀÈëŪ¤â¤¯¤í¤ß: ¿¢Êª¿Í´Ö 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 17.Mythical Project: Plant-Personage from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 18.¿ÀÈëŪ¤â¤¯¤í¤ß: ˹»Ò¡¢¸ý¡¢çÁ¤Î´ã 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 18.Mythical Project: Hat, Mouth, Navel-eyes from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 19.ů³Ø¤Î²¾ÌÌ 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 19.Mask of Philosophy from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 20.¥¢¥À¥à°ÊÁ°¤Î¿Í 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 20.Preadamite Personage from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 21.É÷¤ÎÎØ³Ô 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 21.Wind Contour from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 22.¤ª¤É¤±¤¿¿¢Êª 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 22.Drole Plant from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 23.¼Ø¤Î´ö²¿³Ø 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 23.Snake Geometry from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 24.ÃϿ̤ˤè¤ëÀþ¤Î¤¢¤ëƬÉô 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 24.Head with Seismic Line from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 25.ÃϿ̤ˤè¤ëÀþ¤Î¤¢¤ëƬÉô 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 25.Head with Seismic Line from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 26.À¼¤Îé絤ϰ 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 26.Mirage of a Voice from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 27.À¼¤Îé絤ϰ 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 27.Mirage of a Voice from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 28.²ÖÃŤÎÃÇÊÒ 1951-52 ÌÚÈÇ   ARP, Jean(Hans) 28.Fragment of a Flower-bed from Portfolio "Dreams and Projects" ËÜ´Û3F ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£
¼Ì¿¿¥³¡¼¥Ê¡¼¡¡ ÆÃ½¸¡§¡¡±ÝÁÒ¹¯Æó
Photographs Corner¡¡Koji Enokura
    ±ÝÁÒ¹¯Æó P.W.-No.23 1972 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.23 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.25 1972 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.25 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.32 1972 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.32 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.40 ͽÃû¡Ý³¤¡¦ÆùÂÎ 1972 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.40 Omen: Sea, Body ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.41 ͽÃû¡Ý±ô¤Î²ô¡¦¶õ´Ö¤Ø1 1972 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.41 Omen: Lump of Lead to the Sky 1 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.50 ͽÃû¡Ý¾²¡¦¿å 1974 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.50 Omen: Floor, Water ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.51 ͽÃû¡Ý¾²¡¦¼ê 1974 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.51 Omen: Floor, Hand ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.55 1974 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.55 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.106 1991 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.106 ËÜ´Û3F ºî¼Ô´ó£
    ±ÝÁÒ¹¯Æó P.W.-No.107 1991 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.107 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.108 1991 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.108 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.109 1991 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.109 ËÜ´Û3F ºî¼Ô´ó£
    ±ÝÁÒ¹¯Æó P.W.-No.110 1991 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.110 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.111 1991 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.111 ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.112 Story & Memory 1993 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.112 Story & Memory ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.113 Story & Memory 1993 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.113 Story & Memory ËÜ´Û3F  
    ±ÝÁÒ¹¯Æó P.W.-No.116 Story & Memory 1993 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ENOKURA, Koji P.W.-No.116 Story & Memory ËÜ´Û3F  
Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß
­¹ Contemporary Art after the 1970s
    ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È ¥°¥ì¥ó¶®Ã«¡¢¥æ¥¿ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   WESTON, Brett Glen Canyon, Utah ËÜ´Û2F ºî¼Ô´ó£
    ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È Ãê¾Ý¡¢¥«¥ê¥Õ¥©¥ë¥Ë¥¢ 1976 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   WESTON, Brett Abstraction, California ËÜ´Û2F ºî¼Ô´ó£
    ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È ɹ¤Î¤·Á¡¢¥ª¥ì¥´¥ó 1977 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   WESTON, Brett Ice Forms, Oregon ËÜ´Û2F ºî¼Ô´ó£
    ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È ¸Å¤¤·úʪ¡¢¥«¥ê¥Õ¥©¥ë¥Ë¥¢ 1978 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   WESTON, Brett Old Building, California ËÜ´Û2F ºî¼Ô´ó£
    ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È Ĭ¤À¤Þ¤ê¡¢¥«¥ê¥Õ¥©¥ë¥Ë¥¢¡¢¥í¥Ü¥¹Ì¨ 1978 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   WESTON, Brett Tide Pool, Point Lobos, California ËÜ´Û2F ºî¼Ô´ó£
    ±ÝÁÒ¹¯Æó ´³¾Ä(STORY-No.18) 1991 ¥¢¥¯¥ê¥ê¥Ã¥¯ ÌÊÉÛ¡¢ÌÚ ENOKURA, Koji Interference (STORY-No.18) ËÜ´Û2F  
    ²¬ºê´¥ÆóϺ ²°º¬¤ÎÇ®µ¤¤Ë¿á¤­¤Ä¤±¤é¤ì¡¢ÁÄÉã¤Î´é¤ÏƬ³¸¹ü¤Î¤è¤¦¤Ë¤â¤¦¿§êô¤»¤Æ¸«¤¨¤ë¡£¤È¤³¤í¤ÇÈà¤Ï²¿¤È¤¤¤Ã¤¿¤Î¤Ç¤·¤¿¤Ã¤±¡©¼ÞÇ®¤Î¾Æ¤­¤´¤Æ¤ò´ã¤ËÆþ¤ì¤é¤ì¤è¤¦¤È¤·¤¿¤È¤­¤Ë¡£¡ÖËͤÎÈþ¤·¤¤¤ªÍ§Ã£¡¢²Ð¤è¡£¤â¤¦¾¯¤·¤ä¤µ¤·¤¯¤ª´ê¤¤¤·¤Þ¤¹¡×¡£Âç¾æÉס£°Â¿´¤Ê¤µ¤Ã¤Æ¡£»Ð¤ÏÆü»±¤ò¼è¤ê¤Ë¤¤¤­¡¢ÁÄÉã¤Ï»ØÀè¤ò¤Þ¤ë¤¯Àí¤Ã¤¿Àå¤Ç¤Ò¤ä¤·¤Æ¤¤¤¿¡£ 2002 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ OKAZAKI, Kenjiro Blown by the heat of the roof, Grandfather's head already seemed pale like a skull. Well, I'm not sure...do you remember what he said, when the red-hot iron was about to be put into his eyes?¡¡"O Fire, my beautiful friend, be a little more gentle, please."¡¡Don't worry. Take it easy. Big sister went for a parasol, and Grandfater was cooling his fingertips with the round tip of his tongue. ËÜ´Û2F  
    ²¬ºê´¥ÆóϺ ÇØ¸å¤«¤é²Ð»ö¤¬Ç÷¤Ã¤Æ¤­¤¿¤È¤Ç¤â¤¤¤¦¤Î¡¢¤³¤Î´é¤ÎÀĤµ¤ÏÉáÄ̤¸¤ã¤Ê¤¤¤ï¡¢¤É¤¦¤·¤¿¤Î?¤Ý¤Ä¤ê¤ÈÅú¤¨¤Þ¤¹¡£¡ÖÀˤ·¤¤¤È»×¤¦¤Û¤É¤Îʪ¤Ïª¤Þ¤¨¤è¤¦¤ÈÄɤ¤¤«¤±¤º¡¢°ìÀ¸Àˤ·¤ó¤Ç»×¤¤½Ð¤»¤ë¤è¤¦¤Ë¤·¤Æ¤ª¤¤¤¿¤Û¤¦¤¬¤¤¤¤¤ó¤À¤è¡×¡£¤½¤¦¤«¡£¸Õ±»¤ÎÄÒ¤±Êý¤ò¡¢Ï·Éؿͤ«¤é½¬¤Ã¤¿¤È¤­¤ß¤¿¤¤¤Ë¡¢½Ï¤·¤¿¼Â¤¬¤Ò¤È¤ê¤Ç¤ËÍî¤Á¤ë²»¤òʹ¤¤¤¿¡£ 2002 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ OKAZAKI, Kenjiro You look like getting chased by a fire. How pale you are...you aren't yourself. What's the matter? " It's not good to chase after what you think to be precious," I answered muttering,"you'd better leave it alone so that you can remember it for life." I see. Just like when I learned how to pickle cucumbers from an old woman, I heard a ripe fruit drop off of itself. ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Matsuzaki Bay in the Rain from Route 136. From "Eight Views of Japan." ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à 2007 ±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." ËÜ´Û2F  
    Áð´Ö×½À¸ ²Ì¤Æ¤·¤Ê¤¤ÌÖ ¡ô4 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KUSAMA, Yayoi Infinity Net No.4 ËÜ´Û2F ´óÂ÷ºîÉÊ
    Áð´Ö×½À¸ No. H. Red 1961 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KUSAMA, Yayoi No. H. Red ËÜ´Û2F  
    ¥¯¥é¥Ã¥°¡¢ ¥È¥Ë¡¼ ¥á¡¼¥¿¡¼(·×¬´ï) 2003 ÌÚ   CRAGG, Tony The Meter ËÜ´Û2F  
    ¾®ÎÓÀµ¿Í Unnamed #7 1997 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOBAYASHI, Masato Unnamed #7 ËÜ´Û2F  
90   ¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ È¿±Ç¡¿»×º÷ 2000 ÃòÅ´   GORMLEY, Antony Reflection ËÜ´Û2F  
    ¼ÆÅÄÉÒͺ ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡Ë̳¤Æ»À¥Ãª·´À¥ÃªÄ® 1988 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   SHIBATA, Toshio Setana-cho, Setana-gun, Hokkaido from "Quintessence of Japan" ËÜ´Û2F  
    ¼ÆÅÄÉÒͺ ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡Ê¡Å縩Æî²ñÄÅ·´ÅÄÅç 1988 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   SHIBATA, Toshio Tajima, Minamiaizu-gun, Fukushima Prefecture from "Quintessence of Japan" ËÜ´Û2F ºî¼Ô´ó£
    ¼ÆÅÄÉÒͺ ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡µÜºê¸©À¾ÅÔ»Ô 1990 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   SHIBATA, Toshio Saito City, Miyazaki Prefecture from "Quintessence of Japan" ËÜ´Û2F  
    ¼ÆÅÄÉÒͺ ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡Ê¡Å縩ÁêÇÏ·´ÈÓ´Û¼ 1990 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   SHIBATA, Toshio Iidate-mura, Soma-gun, Fukushima Prefecture from "Quintessence of Japan" ËÜ´Û2F ºî¼Ô´ó£
    ¿ûÌÚ»Öͺ ³¦±ä¶ÊÃÏ 1980 ¥È¥¿¥óÈÄ   SUGA, Kishio Kai-en-kyoku-chi ËÜ´Û2F ¾®ÅçµÁͺ»á´ó£
    ÎëÌÚÍýºö ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ 2000 ¥¿¥¤¥×C¥×¥ê¥ó¥È   SUZUKI, Risaku Mont Sainte-Victoire ËÜ´Û2F ºî¼Ô´ó£
    ÎëÌÚÍýºö ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ 2001 ¥¿¥¤¥×C¥×¥ê¥ó¥È   SUZUKI, Risaku Mont Sainte-Victoire ËÜ´Û2F  
    ÎëÌÚÍýºö ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ 2001 ¥¿¥¤¥×C¥×¥ê¥ó¥È   SUZUKI, Risaku Mont Sainte-Victoire ËÜ´Û2F  
    ÎëÌÚÍýºö ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ 2001 ¥¿¥¤¥×C¥×¥ê¥ó¥È   SUZUKI, Risaku Mont Sainte-Victoire ËÜ´Û2F  
    ÎëÌÚÍýºö ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ 2001 ¥¿¥¤¥×C¥×¥ê¥ó¥È   SUZUKI, Risaku Mont Sainte-Victoire ËÜ´Û2F  
88   ¥ê¥Ò¥¿¡¼¡¢ ¥²¥ë¥Ï¥ë¥È Ãê¾Ý³¨²è(ÀÖ) 1994 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ RICHTER, Gerhard Abstract Picture (Red) ËÜ´Û2F  
    ¥í¥ó¥°¡¢ ¥ê¥Á¥ã¡¼¥É Åìµþ¤ÎÀФÎÀþ 1983 ÀÐ   LONG, Richard Tokyo Stone Line ËÜ´Û2F  
²°³°Ä¦¹ï
Outdoor Sculptures
    ÌÚ¼¸­ÂÀϺ ¼·¤Ä¤Îµ§¤ê 1969 ÀÐ   KIMURA, Kentaro Seven Prayers ËÜ´Û²°³°  
    ¿ÅÄÈþÇÈ Chiaroscuro 1979 ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹   TADA, Minami Chiaroscuro ËÜ´Û²°³°  
84   ¥Î¥°¥Á¡¢ ¥¤¥µ¥à Ìç 1969 ¹ÝÅ´¡¢ºÌ¿§   NOGUCHI, Isamu Gate ËÜ´Û²°³°  
    ¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î ¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ 1969-70 ¥Ö¥í¥ó¥º   MARINI, Marino The Idea of an Image ËÜ´Û²°³°