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| ²»À¼¥¬¥¤¥É | Ÿ¼¨´ü´Ö | ºî²È̾¡ÊÏÂ¡Ë | Âê̾¡ÊÏÂ¡Ë | À©ºîǯ¡¡(c.¡á¡Áǯº¢¡Ë | µ»Ë¡ | »Ù»ýÂÎ | ºî²È̾¡Ê±Ñ¡Ë | Âê̾¡Ê±Ñ¡Ë | Ÿ¼¨³¬ | ´ó£¡¦´óÂ÷ |
| µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten |
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| ¸å | º£Â¼»ç¹È | Å« | c.1900 | ºÌ¿§ | ¸¨ËÜ | IMAMURA, Shiko | Flute | ËÜ´Û4F | ||
| 2 | ¹õÅÄÀ¶µ± | ÍîÍÕ | 1891 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KURODA, Seiki | Dead Leaves | ËÜ´Û4F | ÅÄÃæÀéÂå»á´ó£ | |
| ¾®¿ùÊüè¿(̤ÀÃ) | ¿å¶¿ | 1911 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOSUGI, Hoan(Misei) | Waterside Village | ËÜ´Û4F | |||
| ÌÚÅçºùë | ¤·¤°¤ì | 1907 | ºÌ¿§ | »æËÜ | KONOSHIMA, Okoku | Wintry Shower | ËÜ´Û4F | |||
| 6 | ²¼Â¼´Ñ»³ | Ìڤδ֤ν© | 1907 | ºÌ¿§ | »æËÜ | SHIMOMURA, Kanzan | Autumn among Trees | ËÜ´Û4F | ||
| ·úÈ«ÂçÌ´ | ¤Ê¤¬¤ì | 1911 | ¥Ö¥í¥ó¥º | TATEHATA, Taimu | Stream | ËÜ´Û4F | ||||
| 10 | ÃæÂô¹°¸÷ | ¤ª¤â¤¤¤Ç | 1909 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAZAWA, Hiromitsu | Reminiscences | ËÜ´Û4F | ||
| 1 | ¸¶ÅÄľ¼¡Ïº | µ³Î¶´Ñ²» | 1890 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | HARADA, Naojiro | Kannon Bodhisattva Riding the Dragon | ËÜ´Û4F | ¸îÔ¢»û¢(´óÂ÷ºîÉÊ) | |
| Á° | É©ÅĽÕÁð | ½©ÌÚΩ | 1909 | ºÌ¿§ | ¸¨ËÜ | HISHIDA, Shunso | Autumn Grove | ËÜ´Û4F | ||
| Æ£°æ¹ÀÍ´ | ߬ | 1912 | ÂçÍýÀÐ | FUJII, Koyu | Deep Water | ËÜ´Û4F | ||||
| 14 | Æ£ÅçÉðÆó | ¤¦¤Ä¤Ä | 1913 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJISHIMA, Takeji | Half Dreaming | ËÜ´Û4F | ||
| Æ£ÅçÉðÆó | ¥¢¥ë¥Á¥·¥ç | 1917 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJISHIMA, Takeji | Artichoke | ËÜ´Û4F | |||
| Æî·°Â¤ | ¾¯½÷ | 1909 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MINAMI, Kunzo | Girl | ËÜ´Û4F | Æî·ú»á´ó£ | ||
| °Â°æÁ¾ÂÀϺ | ²«¿§¤¤á± | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YASUI, Sotaro | Yellow Flower Vase | ËÜ´Û4F | |||
| 9 | »³²¼¿·ÂÀϺ | ÁëºÝ | 1908 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMASHITA, Shintaro | By the Window | ËÜ´Û4F | ||
| »³¸µ½Õµó | ±ö¸¶¤Î±ü | 1909 | ºÌ¿§ | ¸¨ËÜ | YAMAMOTO, Shunkyo | Recesses of Shiobara | ËÜ´Û4F | |||
| 4 | ÏÂÅÄ»°Â¤ | ÆîÉ÷ | 1907 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | WADA, Sanzo | South Wind | ËÜ´Û4F | ||
| µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26) |
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| ²®¸¶¼é±Ò | ½÷¤Îƹ | 1907 | ¥Ö¥í¥ó¥º | OGIWARA, Morie | Torso of a Woman | ËÜ´Û4F | ||||
| ²®¸¶¼é±Ò | ʸ³Ð | 1908 | ¥Ö¥í¥ó¥º | OGIWARA, Morie | Priest Mongaku | ËÜ´Û4F | ||||
| ¸å | ¾®ÌÐÅÄÀļù | ´¨ÎÓ | 1927 | ºÌ¿§ | ¸¨ËÜ | OMODA, Seiju | Chilly Wood | ËÜ´Û4F | ||
| ´ßÅÄÎÀ¸ | ¥¤¥Ö¤òÂԤĥ¢¥À¥à | 1912 | ÌýºÌ | ÈÄ | KISHIDA, Ryusei | Adam Waiting for Eve | ËÜ´Û4F | ÎëÌÚÎɱһá°ä£ | ||
| 20 | ´ßÅÄÎÀ¸ | ƻϩ¤ÈÅÚ¼ê¤Èʽ(ÀÚÄÌÇ·¼ÌÀ¸) | 1915 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KISHIDA, Ryusei | Road Cut through a Hill | ËÜ´Û4F | ||
| 23 | 11·î6Æü¤«¤é | ´ßÅÄÎÀ¸ | Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) | 1918 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KISHIDA, Ryusei | Reiko, Five Years Old | ËÜ´Û4F | |
| 11·î4Æü¤Þ¤Ç | ´ßÅÄÎÀ¸ | Îï»ÒÏ»ºÐÇ·Áü¡ÊÌÓ»å¤Î¸ª³Ý¤·¤¿¤ëÎï»Ò¡Ë | 1919 | ¿åºÌ | »æ | KISHIDA, Ryusei | Portrait of Six-year Old Reiko (Reiko in a Woolen Shawl) | ËÜ´Û4F | ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£ | |
| Á° | ´ßÅÄÎÀ¸ | »Íµ¨¤Î²Ö²Ì¿Þ¡¡Üô³Á¿Þ(½©) | 1924 | ËϲèøºÌ | »æËÜ | KISHIDA, Ryusei | Bitter Oranges and Persimmons (Autumn) from "Flowers and Fruits" | ËÜ´Û4F | ||
| Á° | ´ßÅÄÎÀ¸ | »Íµ¨¤Î²Ö²Ì¿Þ¡¡Â纬¡¦»ü¸È¡¦Ìª´»(Åß) | 1924 | ËϲèøºÌ | »æËÜ | KISHIDA, Ryusei | Radishes, Arrow-heads, and an Orange (Winter) from "Flowers and Fruits" | ËÜ´Û4F | ||
| 24 | ¥³¥³¥·¥å¥«¡¢ ¥ª¥¹¥«¡¼ | ¥¢¥ë¥Þ¡¦¥Þ¡¼¥é¡¼¤Î¾ÓÁü | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOKOSCHKA, Oskar | Portrait of Alma Mahler | ËÜ´Û4F | ||
| ¸å | ¶áÆ£¹À°ìÏ© | ¸¤»³Ìëµù | 1928 | Ëϲè | »æËÜ | KONDO, Koichiro | Night Fishing at Inuyama | ËÜ´Û4F | ºî¼Ô´ó£ | |
| ´Øº¬ÀµÆó | ÉØ¿ÍÁü | c.1918 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SEKINE, Shoji | Portrait of a Woman | ËÜ´Û4F | |||
| 8 | ÃÝÆâÀ´Ë± | »ô¤ï¤ì¤¿¤ë±î¤ÈÅÆ | 1908 | ºÌ¿§ | ¸¨ËÜ | TAKEUCHI, Seiho | Monkeys and Rabbits | ËÜ´Û4F | ||
| 18 | ÅÚÅÄÇþÑ¢ | Åç¤Î½÷ | 1912 | ºÌ¿§ | ¸¨ËÜ | TSUCHIDA, Bakusen | Women of an Island | ËÜ´Û4F | ||
| ÃæÂ¼×³ | ÂçÅçÉ÷·Ê | 1914-15 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Tsune | Landscape, Island Oshima | ËÜ´Û4F | |||
| 29 | ÃæÂ¼×³ | ¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü | 1920 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Tsune | Portrait of Vasilii Yaroshenko | ËÜ´Û4F | ÂçΤ°ìÂÀϺ»á´ó£ | |
| 30 | Á° | ®¿å¸æ½® | ÃãÏҤȲ̼ | 1921 | ºÌ¿§ | ¸¨ËÜ | HAYAMI, Gyoshu | Tea Bowl and Fruits | ËÜ´Û4F | ÂôÅľ¼É§»á´ó£ |
| ¸å | ¼¾å²Ú³Ù | ³¤Ä»Êë·ÊÇ·¿Þ | 1935 | Ëϲè | »æËÜ | MURAKAMI, Kagaku | Sunset Landscape with Birds | ËÜ´Û4F | ||
| Á° | ¼¾å²Ú³Ù | ½©ì°¿Þ | 1935 | ºÌ¿§ | »æËÜ | MURAKAMI, Kagaku | Autumn Valley | ËÜ´Û4F | ||
| 21 | ¼»³ÜÇ¿ | ¥Ð¥é¤È¾¯½÷ | 1917 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MURAYAMA, Kaita | Roses and a Girl | ËÜ´Û4F | »³Ëܹ§»á´ó£ | |
| 17 | èßÅ´¸ÞϺ | ÍçÂÎÈþ¿Í | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YOROZU, Tetsugoro | Nude Beauty | ËÜ´Û4F | ȬÌÚÀµ¼£»á´ó£ | |
| 22 | èßÅ´¸ÞϺ | ¤â¤¿¤ì¤ÆÎ©¤Ä¿Í | 1917 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YOROZU, Tetsugoro | Leaning Woman | ËÜ´Û4F | ȬÌÚÀµ¼£»á´ó£ | |
| 3 | ¥ë¥½¡¼¡¢ ¥¢¥ó¥ê | Âè22²ó¥¢¥ó¥Ç¥Ñ¥ó¥À¥óŸ¤Ë»²²Ã¤¹¤ë¤è¤¦·Ý½Ñ²Èã¤òƳ¤¯¼«Í³¤Î½÷¿À | 1905-06 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ROUSSEAU, Henri | Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Societe des Artistes Independants | ËÜ´Û4F | ||
| ¥í¥À¥ó¡¢¡¡¥ª¡¼¥®¥å¥¹¥È | ¥È¥ë¥½ | À©ºîǯÉÔ¾Ü | ¥Ö¥í¥ó¥º | RODIN, Auguste | Torso | ËÜ´Û4F | ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£ | |||
| ¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È ¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City |
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| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ÃÏÃæ³¤·²Áü | 1941/65 | ÂçÍýÀÐ | ARP, Jean(Hans) | Mediterranean Group | ËÜ´Û4F | ||||
| 43 | ¥«¥ó¥Ç¥£¥ó¥¹¥¡¼¡¢ ¥ï¥·¥ê¡¼ | Á´ÂÎ | 1940 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KANDINSKY, Wassily | The Whole | ËÜ´Û4F | ||
| ËÌÀî̱¼¡ | ¥é¥ó¥Á¥§¥í¤Î±´ | 1938 | ¥Æ¥ó¥Ú¥é | »æ | KITAGAWA, Tamiji | Song of Ranchero | ËÜ´Û4F | |||
| ¹ñµÈ¹¯Íº | ½©¤Î¤¿¤½¤¬¤ì | 1929 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KUNIYOSHI, Yasuo | Dusk in Autumn | ËÜ´Û4F | |||
| ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ¾®¤µ¤Ê½©¤ÎÉ÷·Ê | 1920 | ÌýºÌ | »æ(¥Ü¡¼¥É¤ËŽÉÕ) | KLEE, Paul | Small Autumn Landscape | ËÜ´Û4F | ÃçÅÄÄêÇ·½õ¡¢¹¥¹¾»á´ó£ | ||
| 38 | ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý | 1925 | ÌýºÌ | ¸ü»æ | KLEE, Paul | Abstraction with Reference to a Flowering Tree | ËÜ´Û4F | ||
| ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ²Ö¤Î¥Æ¥é¥¹ | 1937 | ÌýºÌ | ÌÊÉÛ | KLEE, Paul | Flower Terrace | ËÜ´Û4F | |||
| ¥°¥ê¥¹¡¢ ¥Û¥¢¥ó | ±ßÂî | 1921 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | GRIS, Juan | The Gueridon | ËÜ´Û4F | |||
| 40 | ¸Å²ì½Õ¹¾ | ³¤ | 1929 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOGA, Harue | Sea | ËÜ´Û4F | ||
| 39 | º´ÇìÍ´»° | ¥¬¥¹Åô¤È¹¹ð | 1927 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAEKI, Yuzo | Gas Lamp and Advertisements | ËÜ´Û4F | ||
| ½»Ã«Èغ¬ | ¹©¾ì¤Ë±÷¤±¤ë°¦¤ÎÆü²Ý | 1923 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SUMIYA, Iwane | Daily Task of Love in a Factory | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| ¥É¥í¡¼¥Í¡¼¡¢ ¥í¥Ù¡¼¥ë | ¥ê¥º¥à ÍæÀû | 1935 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | DELAUNAY, Robert | Rythm-Spiral | ËÜ´Û4F | |||
| 42 | ÌîÅıÑÉ× | µ¢Ï© | 1935 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NODA, Hideo | Way to Home | ËÜ´Û4F | ||
| 41 | Ê¡Âô°ìϺ | Poisson d'Avril(»Í·îÇϼ¯) | 1930 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUKUZAWA, Ichiro | April Fool | ËÜ´Û4F | ºî¼Ô´ó£ | |
| Æ£ÅĻ̼£ | ¥Ñ¥êÉ÷·Ê | 1918 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJITA, Tsuguharu | Street in Paris | ËÜ´Û4F | |||
| Æ£ÅĻ̼£ | ¼«²èÁü | 1929 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJITA, Tsuguharu | Self-Portrait | ËÜ´Û4F | ÃæÂ¼ÎÐÌî»á°ä£ | ||
| Á°ÅÄ´²¼£ | ÍçÉØ | 1925 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MAETA, Kanji | Nude | ËÜ´Û4F | |||
| »°´ß¹¥ÂÀϺ | ±À¤Î¾å¤òÈô¤Öij | 1934 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MIGISHI, Kotaro | Butterflies Flying above Clouds | ËÜ´Û4F | |||
| ¼»³ÃεÁ | ¤¢¤ë¥æ¥À¥ä¿Í¤Î¾¯½÷Áü | 1922 | ÌýºÌ¡¢»æ¡¢ÌÚ¡¢¥³¥é¡¼¥¸¥å | MURAYAMA, Tomoyoshi | Portrait of a Jewish Girl | ËÜ´Û4F | ÉÍÆÁÂÀϺ»á´ó£ | |||
| ¼»³ÃεÁ | ¥³¥ó¥¹¥È¥ë¥¯¥Á¥ª¥ó | 1925 | ÌýºÌ¡¢»æ¡¢ÌÚ¡¢ÉÛ¡¢¶â°¡¢Èé | MURAYAMA, Tomoyoshi | Construction | ËÜ´Û4F | ÉÍÆÁÂÀϺ»á´ó£ | |||
| ¥ê¥Ò¥¿¡¼¡¢ ¥Ï¥ó¥¹ | ¿§¤Î¥ª¡¼¥±¥¹¥È¥ì¡¼¥·¥ç¥ó | 1923 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | RICHTER, Hans | Orchestration of Color | ËÜ´Û4F | ºî¼Ô°ä£ | ||
| £´F ÆÃ½¸¥³¡¼¥Ê¡¼¡¡ Ç߸¶Î¶»°Ïº Topic in Focus ¡¡Ryuzaburo Umehara |
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| Ç߸¶Î¶»°Ïº | ¼«²èÁü | 1911 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Self-Portrait | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| Ç߸¶Î¶»°Ïº | ²«¶â¤Î¼ó¾þ¤ê | 1913 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Gold Necklace | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| Ç߸¶Î¶»°Ïº | ºÁÍçÉØ | 1918 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Sitting Nude | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| Ç߸¶Î¶»°Ïº | ºùÅç(ÀÄ) | 1935 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Mt. Sakurajima (Blue) | ËÜ´Û4F | Àî¸ý¾¾ÂÀϺ»á´ó£ | ||
| 55 | Ç߸¶Î¶»°Ïº | ¾ë»³ | 1937 | ÌýºÌ¡¢´ä³¨¶ñ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Landscape, Shiroyama | ËÜ´Û4F | ºî¼Ô´ó£ | |
| Ç߸¶Î¶»°Ïº | é¬é¯¿Þ | 1940 | ÌýºÌ¡¢´ä³¨¶ñ | »æ | UMEHARA, Ryuzaburo | Roses | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| Ç߸¶Î¶»°Ïº | Ĺ°Â³¹ | 1940 | ÌýºÌ¡¢´ä³¨¶ñ | »æ | UMEHARA, Ryuzaburo | Chang An Street, Beijing | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| 59 | Ç߸¶Î¶»°Ïº | Ë̵þ½©Å· | 1942 | ÌýºÌ¡¢´ä³¨¶ñ | »æ | UMEHARA, Ryuzaburo | Autumn in Beijing | ËÜ´Û4F | Àî¸ý¾¾ÂÀϺ»á´ó£ | |
| Ç߸¶Î¶»°Ïº | ¼íÌîÀî | 1950 | ¥Ç¥È¥é¥ó¥×¡¢¶â | ¸¨ | UMEHARA, Ryuzaburo | The Kano River | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| Ç߸¶Î¶»°Ïº | ¹âÊö½¨»Ò¾î | 1950 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Portrait of Miss Hideko Takamine | ËÜ´Û4F | ¹âÊö½¨»Ò»á´ó£ | ||
| Ç߸¶Î¶»°Ïº | ¥«¥ó¥Ì | 1962 | ÌýºÌ¡¢¥Ç¥È¥é¥ó¥× | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Cannes | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| Ç߸¶Î¶»°Ïº | ¥«¥ó¥Ì¡¦·î¤È±À | 1966 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Cannes, Moon and Clouds | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| Ç߸¶Î¶»°Ïº | Àõ´Ö»³½© | 1970 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Mt. Asama in Autumn | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| Ç߸¶Î¶»°Ïº | ¥Ñ¥ì¥Ã¥È | ǯÂåÉÔ¾Ü | UMEHARA, Ryuzaburo | Palette | ËÜ´Û4F | ²ÏËÌÎÑÌÀ»á°ä£ | ||||
| ¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï ¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings |
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| ²¬ÅÄ»°Ïº½õ | ÉØ¿ÍȾ¿ÈÁü | 1936 | ÌýºÌ¡¢¤½¤Î¾ | »æ | OKADA, Saburosuke | Portrait of a Woman | ËÜ´Û3F | |||
| ±ü¼ÅÚµí | ³û | 1936 | ºÌ¿§ | ¸¨ËÜ | OKUMURA, Togyu | Ducks | ËÜ´Û3F | |||
| 57 | ¾®ÁÒÍ·µµ | Íá½÷¡¡¤½¤Î°ì | 1938 | ºÌ¿§ | ¸¨ËÜ | OGURA, Yuki | Bathing Women 1 | ËÜ´Û3F | ºî¼Ô´ó£ | |
| Á° | ÅÌÚÀ¶Êý | ÌÀ¼£É÷¯½½Æó¥ö·î(¶å·î) | 1935 | ºÌ¿§ | ¸¨ËÜ | KABURAKI, Kiyokata | Monthly Manners and Customs of the Meiji Period | ËÜ´Û3F | ||
| Á° | ÅÌÚÀ¶Êý | ÌÀ¼£É÷¯½½Æó¥ö·î(½½°ì·î) | 1935 | ºÌ¿§ | ¸¨ËÜ | KABURAKI, Kiyokata | Monthly Manners and Customs of the Meiji Period | ËÜ´Û3F | ||
| Á° | ÅÌÚÀ¶Êý | ÌÀ¼£É÷¯½½Æó¥ö·î(½½Æó·î) | 1935 | ºÌ¿§ | ¸¨ËÜ | KABURAKI, Kiyokata | Monthly Manners and Customs of the Meiji Period | ËÜ´Û3F | ||
| Á° | ÅÌÚÀ¶Êý | ÌÀ¼£É÷¯½½Æó¥ö·î(½½·î) | 1935 | ºÌ¿§ | ¸¨ËÜ | KABURAKI, Kiyokata | Monthly Manners and Customs of the Meiji Period | ËÜ´Û3F | ||
| Á° | Àî¹ç¶ÌƲ | ºÌ±« | 1940 | ºÌ¿§ | ¸¨ËÜ | KAWAI, Gyokudo | Autumn Rain | ËÜ´Û3F | ||
| 46 | ¾®½ÐÆê½Å | Íç½÷¤ÈÇòÉÛ | 1929 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOIDE, Narashige | Nude on White Cloth | ËÜ´Û3F | ||
| ¸å | ¾®ÎӸŷ | ÁÐÈ· | 1937 | ºÌ¿§ | ¸¨ËÜ | KOBAYASHI, Kokei | A Pair of Doves | ËÜ´Û3F | ¾®Þ¼Ã¤Êº»á´ó£ | |
| 44 | ºäËÜÈËÆóϺ | ¿å¤è¤ê¾å¤ëÇÏ | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAKAMOTO, Hanjiro | Horse Coming out of the Water | ËÜ´Û3F | ||
| ¿ÜÅĹñÂÀϺ | ½ñºØ | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SUDA, Kunitaro | Study | ËÜ´Û3F | ¿ÜÅÄ´²»á´ó£ | ||
| ¹âÅÄÇî¸ü | ¥Õ¡¼¥í¥óÉ׿ÍÁü | 1931 | ¥Ö¥í¥ó¥º | TAKATA, Hiroatsu | Portrait of Madame Foulon | ËÜ´Û3F | ||||
| ®¿å¸æ½® | ¼ÌÀ¸¿Þ´¬¡Ö´¨È·´¨¿ý¡× | 1927 | ±ôÉ®¡¢ºÌ¿§ | »æ | HAYAMI, Gyoshu | Scroll of Sketches (Pigeons and Sparrows in Winter) | ËÜ´Û3F | ´óÂ÷ºîÉÊ | ||
| Ê¡ÅÄË»ÍϺ | ¸Î»³¿·½© | 1926 | ºÌ¿§ | »æËÜ | FUKUDA, Toyoshiro | Autumn Arrives in My Home Village | ËÜ´Û3F | |||
| Æ£ÅçÉðÆó | Ëã¸È¸¥Ôè¡Ê¤Þ¤³¤±¤ó¤¸¤å¡Ë | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJISHIMA, Takeji | Magu, a Nymph in an Ancient Chinese Legend | ËÜ´Û3F | Éð×¢¶³»Ò»á´ó£ | ||
| Á°ÅÄÀÄî· | ¿ÀÂåÇ·´¬ | 1924 | Ëϲè | »æËÜ | MAEDA, Seison | Scroll of the Myth "Umisachi-Yamasachi" | ËÜ´Û3F | |||
| 52 | °Â°æÁ¾ÂÀϺ | ¶âÍÖ | 1934 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YASUI, Sotaro | Portrait of Chin-Jung | ËÜ´Û3F | ||
| 61 | °ÂÅÄðÖɧ | ²«À¥Àî¿Ø | 1940/41 | ºÌ¿§ | »æËÜ | YASUDA, Yukihiko | Camp at Kisegawa | ËÜ´Û3F | ||
| »³¸ý²ÚÍÌ | Íθ¤¿Þ | 1937 | ºÌ¿§ | ¸¨ËÜ | YAMAGUCHI, Kayo | Dogs | ËÜ´Û3F | |||
| ¸å | »³Æâ¿Ìç | ¶â¹äÏ¢Êö | 1927 | ºÌ¿§ | ¸¨ËÜ | YAMAUCHI, Tamon | Kung-Kong Mountain Range | ËÜ´Û3F | ´ä¶¶±Ñ±ó»á´ó£ | |
| µÈ²¬·øÆó | Êì»Ò | 1934 | ºÌ¿§ | »æËÜ | YOSHIOKA, Kenji | Mother and Child | ËÜ´Û3F | ºî¼Ô´ó£ | ||
| ·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ · Art during and after the War |
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| 62 | ðϸ÷ | ´ã¤Î¤¢¤ëÉ÷·Ê | 1938 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | AI-MITSU | Landscape with an Eye | ËÜ´Û3F | ||
| ðϸ÷ | ij | 1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | AI-MITSU | Butterfly | ËÜ´Û3F | |||
| ËãÀ¸»°Ïº | Êì»ÒÁü | 1959 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ASO, Saburo | Mother and Child | ËÜ´Û3F | ²¬Åıɰì»á´ó£ | ||
| ÀаæÌÐͺ | ²ü¸·¾õÂÖ | 1957 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ISHII, Shigeo | State of Martial Law | ËÜ´Û3F | ÀаæÌмù»á´ó£ | ||
| ¾®»³ÅÄÆóϺ | ¿©Âî | 1955 | ÌýºÌ | ÈÄ | OYAMADA, Jiro | Dining Table | ËÜ´Û3F | |||
| 63 | ¹á·îÂÙÃË | ¿å¶À | 1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KAZUKI, Yasuo | Water Mirror | ËÜ´Û3F | ||
| 79 | ²Ï¸¶²¹ | ÕÔ¤ó¤À½÷ | 1954 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KAWARA, On | Pregnant Woman | ËÜ´Û3F | ºî¼Ô´ó£ | |
| 64 | ËÌÏÆ¾º | ¥¯¥©¡¦¥ô¥¡¥Ç¥£¥¹ | 1949 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KITAWAKI, Noboru | Quo Vadis | ËÜ´Û3F | ËÌÏÆ¤«¤Í»á´ó£ | |
| ¸å | À¶¿åÅÐÇ· | ¹©Ê¼Ââ²Í¶¶ºî¶È | c.1944 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SHIMIZU, Toshi | Engineering Corps Constructing a Bridge in Malaya | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| Á° | ¹âÂô·½°ì | ·ËÎÓ¹¶Î¬ | 1945 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | TAKAZAWA, Keiichi | Capture of Guilin | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| ÄᲬÀ¯ÃË | ÀĤ¤¥«¡¼¥Æ¥ó | 1964 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | TSURUOKA, Masao | Blue Curtain | ËÜ´Û3F | |||
| Á° | ÄáÅĸãϺ | ¥¹¥¿¥ó¥ì¡¼»³Ì®¤Î¹âº½µÁͦÂâ | 1944 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | TSURUTA, Goro | Gaoshan Volunteer Corps Fighting Through the Owen Stanley Range | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| ËÊ¡ÃÎÆÁ | ΩÁü | 1960 | ÌÚ | TOYOFUKU, Tomonori | Statue | ËÜ´Û3F | ||||
| ¸å | Ãæ»³ÖÛ | ¿ÀʼʳÀïÇ·¿Þ(Íî²¼»±ÉôÂâ¥Ñ¥ì¥ó¥Ð¥óÀºÌý½ê¹¶·â) | 1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAYAMA, Takashi | Soldiers Fighting Fiercely (Paratroops Attacking the Palembang Oil Refinery) | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| Á° | Ê¡ÅÄË»ÍϺ | ±ÑÎΥܥë¥Í¥ª¤ò¾×¤¯ | c.1942 | ºÌ¿§ | »æËÜ | FUKUDA, Toyoshiro | Attack on British Borneo | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| ¸å | Æ£ÅĻ̼£ | ½½Æó·îȬÆü¤Î¿¿¼îÏÑ | 1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJITA, Tsuguharu | Pearl Harbor on December 8, 1941 | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| ¾¾Ëܽײð | ¥Ë¥³¥é¥¤Æ²¤ÈÀ»¶¶ | 1941 | ÌýºÌ | ÈÄ | MATSUMOTO, Shunsuke | Nikolai Cathedral and Hijiri-Bridge | ËÜ´Û3F | |||
| ¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ ¸ Art in the 1950s and 1960s |
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| ¾å¼¾¾ä» | À±¸Þ°Ì(¤Û¤·¤´¤¤) | 1958 | ºÌ¿§ | »æËÜ | UEMURA, Shoko | Night Herons | ËÜ´Û3F | |||
| ±Í¶å | ¤ì¤¤¤á¤¤ | 1957 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | EI-KYU | Dawn | ËÜ´Û3F | |||
| 69 | ²¬ËÜÂÀϺ | dz¤¨¤ë¿Í | 1955 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | OKAMOTO, Taro | Men Aflame | ËÜ´Û3F | ºî¼Ô´ó£ | |
| ²Ã»³Ëô¤ | ·î¤ÈºÔ | 1953 | ºÌ¿§ | »æËÜ | KAYAMA, Matazo | Moon and Rhinoceros | ËÜ´Û3F | ºî¼Ô´ó£ | ||
| Ë̲¬Ê¸Íº | °ë | 1958 | ÌÚÈÇ(¿¿§) | KITAOKA, Fumio | Seacoast | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| ¹©Æ£¹Ã¿Í | ̸ | 1963 | ºÌ¿§ | »æËÜ | KUDO, Kojin | Mist | ËÜ´Û3F | |||
| ºØÆ£µÁ½Å | ºîÉÊ 2 | 1963 | ÌýºÌ | ¹çÈÄ | SAITO, Yoshishige | Work 2 | ËÜ´Û3F | |||
| ¿ûÌÚ»Öͺ | ·Êα¼Ð·Ñ | 2004 | ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥× | SUGA, Kishio | Kei-ryu-sha-kei | ËÜ´Û3F | ||||
| ¹â¶¶ÎÏͺ | ²óÁÛ | 1962 | ÌÚÈÇ(¿¿§) | TAKAHASHI, Rikio | Recollection | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| Åì¾¾¾ÈÌÀ | ¡ÖÀÐÌý¥³¥ó¥Ó¥Ê¡¼¥È¡×¤è¤ê | 1960 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | TOMATSU, Shomei | From "Petrochemical Complex" | ËÜ´Û3F | ||||
| Åì¾¾¾ÈÌÀ | Ãó¼Ö¾ì | 1962 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | TOMATSU, Shomei | Parking Lot | ËÜ´Û3F | ||||
| 77 | ÆÁ²¬¿ÀÀô | ´¢ÅÄ | 1960 | ºÌ¿§ | »æËÜ | TOKUOKA, Shinsen | Harvested Rice Field | ËÜ´Û3F | ||
| ÆñÇÈÅÄζµ¯ | ¥³¥ó¥Ý¥¸¥·¥ç¥ó | 1965 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAMBATA, Tatsuoki | Composition | ËÜ´Û3F | ºî¼Ô´ó£ | ||
| 71 | Å컳³¡°Ð | ½©æÊ | 1958 | ºÌ¿§ | »æËÜ | HIGASHIYAMA, Kaii | Autumn Colors | ËÜ´Û3F | ||
| ¸þ°æÎÉµÈ | µÂ¤Î¾ë | 1960 | ¥¢¥ë¥ß¥Ë¥¦¥à | MUKAI, Ryokichi | Castle of Ants | ËÜ´Û3F | ||||
| ÅïÊý»Ö¸ù | Å·ÈÞ´¥º¥±¤¡Ê¤Æ¤ó¤Ô¤±¤ó¤³¤ó¤¤¤ó¡Ë | 1952 | ÌÚÈÇ¡¢Î¢ºÌ¿§ | MUNAKATA, Shiko | Celestial Nymphs in Ether | ËÜ´Û3F | ||||
| »³¸ýĹÃË | ž | 1961 | ÌýºÌ | ¹çÈÄ | YAMAGUCHI, Takeo | Turn | ËÜ´Û3F | |||
| »³¸ýË©½Õ | Üоå¤Î²Ö(¤È¤¦¤¸¤ç¤¦¤Î¤Ï¤Ê) | 1949 | ºÌ¿§ | »æËÜ | YAMAGUCHI, Hoshun | Flowers on the Chair | ËÜ´Û3F | |||
| »³ÅÄÀµÎ¼ | Work C-77 | 1960 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMADA, Masaaki | Work C-77 | ËÜ´Û3F | |||
| »³ÅÄÀµÎ¼ | Work C-73 | 1960 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMADA, Masaaki | Work C-73 | ËÜ´Û3F | |||
| 78 | µÈ¸¶¼£ÎÉ | ¹õÃϤËÇò | 1965 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | YOSHIHARA, Jiro | White on Black | ËÜ´Û3F | ºî¼Ô´ó£ | |
| ÈDz襳¡¼¥Ê¡¼¡¡ÆÃ½¸¡§¥¸¥ã¥ó(¥Ï¥ó¥¹)¡¦¥¢¥ë¥×¡¡¥Ý¡Ý¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù Prints Corner¡¡Jean(Hans) Arp, Portfolio Dreams and Projects |
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| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 1.¼«Á³¤Îˡ§¤Ë½¾¤Ã¤ÆÃÖ¤«¤ì | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 1.Placed According to the Laws of Chance from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 2.¼«Á³¤Îˡ§¤Ë½¾¤Ã¤ÆÃÖ¤«¤ì | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 2.Placed According to the laws of Chance from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 3.¼«Á³¤Îˡ§¤Ë½¾¤Ã¤ÆÃÖ¤«¤ì | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 3.Placed According to the Laws of Chance from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 4.²Ö¤Î¤«¤¿¤Á¡¢Íî²¼ | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 4.Flower Figure, Fall from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 5.ÇÛÃÖ¡¢ÍÞ°µ | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 5.Configuration, Oppression from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 6.ÀŤ«¤Ê¶ÛÄ¥ | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 6.Silent Tension from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 7.çÁ | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 7.Navel from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 8.³¥¿§¤Î´é¤Î¾å¤Î¹õ¤¤¥×¥í¥Õ¥£¡¼¥ë | 1951-52 | ÌÚÈÇ(¿¿§) | ARP, Jean(Hans) | 8.Black Profile of Gray Face from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 9.À±ºÂ | 1951-52 | ÌÚÈÇ(¿¿§) | ARP, Jean(Hans) | 9.Constellation from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 10.À±ºÂ | 1951-52 | ÌÚÈÇ(¿¿§) | ARP, Jean(Hans) | 10.Constellation from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 11.½ÐÉÔÀº¤Î¥ª¥Ö¥¸¥§ | 1951-52 | ÌÚÈÇ(¿¿§) | ARP, Jean(Hans) | 11.Stey-at-home Object from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 12.¹¥ÀïŪ¤Ê¥¹¥Õ¥£¥ó¥¯¥¹ | 1951-52 | ÌÚÈÇ(¿¿§) | ARP, Jean(Hans) | 12.Warlike Sphinx from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 13.±ÖÉ¿À | 1951-52 | ÌÚÈÇ(¿¿§) | ARP, Jean(Hans) | 13.Evil Omen from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í»á´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 14.¼ª¤Çʹ¤´ã¤Ç¸«¤¿¥Õ¥©¥ë¥à | 1951-52 | ÌÚÈÇ(¿¿§) | ARP, Jean(Hans) | 14.Form Heard and Seen from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 15.¿ÀÈëŪ¤â¤¯¤í¤ß: ÂÀÍۤΥѥó | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 15.Mythical Project: Solar Bread from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 16.¿ÀÈëŪ¤â¤¯¤í¤ß: ÂÀÍۤΥѥó¡¢Ë¾±ó¶À | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 16.Mythical Project: Solar Bread, Telescope from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 17.¿ÀÈëŪ¤â¤¯¤í¤ß: ¿¢Êª¿Í´Ö | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 17.Mythical Project: Plant-Personage from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 18.¿ÀÈëŪ¤â¤¯¤í¤ß: ˹»Ò¡¢¸ý¡¢çÁ¤Î´ã | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 18.Mythical Project: Hat, Mouth, Navel-eyes from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 19.ů³Ø¤Î²¾ÌÌ | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 19.Mask of Philosophy from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 20.¥¢¥À¥à°ÊÁ°¤Î¿Í | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 20.Preadamite Personage from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 21.É÷¤ÎÎØ³Ô | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 21.Wind Contour from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 22.¤ª¤É¤±¤¿¿¢Êª | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 22.Drole Plant from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 23.¼Ø¤Î´ö²¿³Ø | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 23.Snake Geometry from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 24.ÃϿ̤ˤè¤ëÀþ¤Î¤¢¤ëƬÉô | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 24.Head with Seismic Line from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 25.ÃϿ̤ˤè¤ëÀþ¤Î¤¢¤ëƬÉô | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 25.Head with Seismic Line from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 26.À¼¤Îé絤ϰ | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 26.Mirage of a Voice from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 27.À¼¤Îé絤ϰ | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 27.Mirage of a Voice from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡ØÌ´¤È¤â¤¯¤í¤ß¡Ù¤è¤ê 28.²ÖÃŤÎÃÇÊÒ | 1951-52 | ÌÚÈÇ | ARP, Jean(Hans) | 28.Fragment of a Flower-bed from Portfolio "Dreams and Projects" | ËÜ´Û3F | ¥®¥ã¥ë¥ê¡¼¡¦¤È¤³¤í´ó£ | |||
| ¼Ì¿¿¥³¡¼¥Ê¡¼¡¡ ÆÃ½¸¡§¡¡±ÝÁÒ¹¯Æó Photographs Corner¡¡Koji Enokura |
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| ±ÝÁÒ¹¯Æó | P.W.-No.23 | 1972 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.23 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.25 | 1972 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.25 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.32 | 1972 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.32 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.40 ͽÃû¡Ý³¤¡¦ÆùÂÎ | 1972 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.40 Omen: Sea, Body | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.41 ͽÃû¡Ý±ô¤Î²ô¡¦¶õ´Ö¤Ø1 | 1972 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.41 Omen: Lump of Lead to the Sky 1 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.50 ͽÃû¡Ý¾²¡¦¿å | 1974 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.50 Omen: Floor, Water | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.51 ͽÃû¡Ý¾²¡¦¼ê | 1974 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.51 Omen: Floor, Hand | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.55 | 1974 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.55 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.106 | 1991 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.106 | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| ±ÝÁÒ¹¯Æó | P.W.-No.107 | 1991 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.107 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.108 | 1991 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.108 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.109 | 1991 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.109 | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| ±ÝÁÒ¹¯Æó | P.W.-No.110 | 1991 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.110 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.111 | 1991 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.111 | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.112 Story & Memory | 1993 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.112 Story & Memory | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.113 Story & Memory | 1993 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.113 Story & Memory | ËÜ´Û3F | ||||
| ±ÝÁÒ¹¯Æó | P.W.-No.116 Story & Memory | 1993 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | ENOKURA, Koji | P.W.-No.116 Story & Memory | ËÜ´Û3F | ||||
| Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß ¹ Contemporary Art after the 1970s |
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| ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È | ¥°¥ì¥ó¶®Ã«¡¢¥æ¥¿ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | WESTON, Brett | Glen Canyon, Utah | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È | Ãê¾Ý¡¢¥«¥ê¥Õ¥©¥ë¥Ë¥¢ | 1976 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | WESTON, Brett | Abstraction, California | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È | ɹ¤Î¤·Á¡¢¥ª¥ì¥´¥ó | 1977 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | WESTON, Brett | Ice Forms, Oregon | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È | ¸Å¤¤·úʪ¡¢¥«¥ê¥Õ¥©¥ë¥Ë¥¢ | 1978 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | WESTON, Brett | Old Building, California | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| ¥¦¥§¥¹¥È¥ó¡¢ ¥Ö¥ì¥Ã¥È | Ĭ¤À¤Þ¤ê¡¢¥«¥ê¥Õ¥©¥ë¥Ë¥¢¡¢¥í¥Ü¥¹Ì¨ | 1978 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | WESTON, Brett | Tide Pool, Point Lobos, California | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| ±ÝÁÒ¹¯Æó | ´³¾Ä(STORY-No.18) | 1991 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ÌÊÉÛ¡¢ÌÚ | ENOKURA, Koji | Interference (STORY-No.18) | ËÜ´Û2F | |||
| ²¬ºê´¥ÆóϺ | ²°º¬¤ÎÇ®µ¤¤Ë¿á¤¤Ä¤±¤é¤ì¡¢ÁÄÉã¤Î´é¤ÏƬ³¸¹ü¤Î¤è¤¦¤Ë¤â¤¦¿§êô¤»¤Æ¸«¤¨¤ë¡£¤È¤³¤í¤ÇÈà¤Ï²¿¤È¤¤¤Ã¤¿¤Î¤Ç¤·¤¿¤Ã¤±¡©¼ÞÇ®¤Î¾Æ¤¤´¤Æ¤ò´ã¤ËÆþ¤ì¤é¤ì¤è¤¦¤È¤·¤¿¤È¤¤Ë¡£¡ÖËͤÎÈþ¤·¤¤¤ªÍ§Ã£¡¢²Ð¤è¡£¤â¤¦¾¯¤·¤ä¤µ¤·¤¯¤ª´ê¤¤¤·¤Þ¤¹¡×¡£Âç¾æÉס£°Â¿´¤Ê¤µ¤Ã¤Æ¡£»Ð¤ÏÆü»±¤ò¼è¤ê¤Ë¤¤¤¡¢ÁÄÉã¤Ï»ØÀè¤ò¤Þ¤ë¤¯Àí¤Ã¤¿Àå¤Ç¤Ò¤ä¤·¤Æ¤¤¤¿¡£ | 2002 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | OKAZAKI, Kenjiro | Blown by the heat of the roof, Grandfather's head already seemed pale like a skull. Well, I'm not sure...do you remember what he said, when the red-hot iron was about to be put into his eyes?¡¡"O Fire, my beautiful friend, be a little more gentle, please."¡¡Don't worry. Take it easy. Big sister went for a parasol, and Grandfater was cooling his fingertips with the round tip of his tongue. | ËÜ´Û2F | |||
| ²¬ºê´¥ÆóϺ | ÇØ¸å¤«¤é²Ð»ö¤¬Ç÷¤Ã¤Æ¤¤¿¤È¤Ç¤â¤¤¤¦¤Î¡¢¤³¤Î´é¤ÎÀĤµ¤ÏÉáÄ̤¸¤ã¤Ê¤¤¤ï¡¢¤É¤¦¤·¤¿¤Î?¤Ý¤Ä¤ê¤ÈÅú¤¨¤Þ¤¹¡£¡ÖÀˤ·¤¤¤È»×¤¦¤Û¤É¤Îʪ¤Ïª¤Þ¤¨¤è¤¦¤ÈÄɤ¤¤«¤±¤º¡¢°ìÀ¸Àˤ·¤ó¤Ç»×¤¤½Ð¤»¤ë¤è¤¦¤Ë¤·¤Æ¤ª¤¤¤¿¤Û¤¦¤¬¤¤¤¤¤ó¤À¤è¡×¡£¤½¤¦¤«¡£¸Õ±»¤ÎÄÒ¤±Êý¤ò¡¢Ï·Éؿͤ«¤é½¬¤Ã¤¿¤È¤¤ß¤¿¤¤¤Ë¡¢½Ï¤·¤¿¼Â¤¬¤Ò¤È¤ê¤Ç¤ËÍî¤Á¤ë²»¤òʹ¤¤¤¿¡£ | 2002 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | OKAZAKI, Kenjiro | You look like getting chased by a fire. How pale you are...you aren't yourself. What's the matter? " It's not good to chase after what you think to be precious," I answered muttering,"you'd better leave it alone so that you can remember it for life." I see. Just like when I learned how to pickle cucumbers from an old woman, I heard a ripe fruit drop off of itself. | ËÜ´Û2F | |||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | Matsuzaki Bay in the Rain from Route 136. From "Eight Views of Japan." | ËÜ´Û2F | ||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " | ËÜ´Û2F | ||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." | ËÜ´Û2F | ||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." | ËÜ´Û2F | ||||
| Áð´Ö×½À¸ | ²Ì¤Æ¤·¤Ê¤¤ÌÖ ¡ô4 | 1959 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KUSAMA, Yayoi | Infinity Net No.4 | ËÜ´Û2F | ´óÂ÷ºîÉÊ | ||
| Áð´Ö×½À¸ | No. H. Red | 1961 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KUSAMA, Yayoi | No. H. Red | ËÜ´Û2F | |||
| ¥¯¥é¥Ã¥°¡¢ ¥È¥Ë¡¼ | ¥á¡¼¥¿¡¼(·×¬´ï) | 2003 | ÌÚ | CRAGG, Tony | The Meter | ËÜ´Û2F | ||||
| ¾®ÎÓÀµ¿Í | Unnamed #7 | 1997 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOBAYASHI, Masato | Unnamed #7 | ËÜ´Û2F | |||
| 90 | ¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ | È¿±Ç¡¿»×º÷ | 2000 | ÃòÅ´ | GORMLEY, Antony | Reflection | ËÜ´Û2F | |||
| ¼ÆÅÄÉÒͺ | ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡Ë̳¤Æ»À¥Ãª·´À¥ÃªÄ® | 1988 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | SHIBATA, Toshio | Setana-cho, Setana-gun, Hokkaido from "Quintessence of Japan" | ËÜ´Û2F | ||||
| ¼ÆÅÄÉÒͺ | ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡Ê¡Å縩Æî²ñÄÅ·´ÅÄÅç | 1988 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | SHIBATA, Toshio | Tajima, Minamiaizu-gun, Fukushima Prefecture from "Quintessence of Japan" | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| ¼ÆÅÄÉÒͺ | ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡µÜºê¸©À¾ÅÔ»Ô | 1990 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | SHIBATA, Toshio | Saito City, Miyazaki Prefecture from "Quintessence of Japan" | ËÜ´Û2F | ||||
| ¼ÆÅÄÉÒͺ | ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡Ê¡Å縩ÁêÇÏ·´ÈÓ´Û¼ | 1990 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | SHIBATA, Toshio | Iidate-mura, Soma-gun, Fukushima Prefecture from "Quintessence of Japan" | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| ¿ûÌÚ»Öͺ | ³¦±ä¶ÊÃÏ | 1980 | ¥È¥¿¥óÈÄ | SUGA, Kishio | Kai-en-kyoku-chi | ËÜ´Û2F | ¾®ÅçµÁͺ»á´ó£ | |||
| ÎëÌÚÍýºö | ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ | 2000 | ¥¿¥¤¥×C¥×¥ê¥ó¥È | SUZUKI, Risaku | Mont Sainte-Victoire | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| ÎëÌÚÍýºö | ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ | 2001 | ¥¿¥¤¥×C¥×¥ê¥ó¥È | SUZUKI, Risaku | Mont Sainte-Victoire | ËÜ´Û2F | ||||
| ÎëÌÚÍýºö | ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ | 2001 | ¥¿¥¤¥×C¥×¥ê¥ó¥È | SUZUKI, Risaku | Mont Sainte-Victoire | ËÜ´Û2F | ||||
| ÎëÌÚÍýºö | ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ | 2001 | ¥¿¥¤¥×C¥×¥ê¥ó¥È | SUZUKI, Risaku | Mont Sainte-Victoire | ËÜ´Û2F | ||||
| ÎëÌÚÍýºö | ¥µ¥ó¥È¡¦¥ô¥£¥¯¥È¥ï¡¼¥ë»³ | 2001 | ¥¿¥¤¥×C¥×¥ê¥ó¥È | SUZUKI, Risaku | Mont Sainte-Victoire | ËÜ´Û2F | ||||
| 88 | ¥ê¥Ò¥¿¡¼¡¢ ¥²¥ë¥Ï¥ë¥È | Ãê¾Ý³¨²è(ÀÖ) | 1994 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | RICHTER, Gerhard | Abstract Picture (Red) | ËÜ´Û2F | ||
| ¥í¥ó¥°¡¢ ¥ê¥Á¥ã¡¼¥É | Åìµþ¤ÎÀФÎÀþ | 1983 | ÀÐ | LONG, Richard | Tokyo Stone Line | ËÜ´Û2F | ||||
| ²°³°Ä¦¹ï Outdoor Sculptures |
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| ÌÚ¼¸ÂÀϺ | ¼·¤Ä¤Îµ§¤ê | 1969 | ÀÐ | KIMURA, Kentaro | Seven Prayers | ËÜ´Û²°³° | ||||
| ¿ÅÄÈþÇÈ | Chiaroscuro | 1979 | ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹ | TADA, Minami | Chiaroscuro | ËÜ´Û²°³° | ||||
| 84 | ¥Î¥°¥Á¡¢ ¥¤¥µ¥à | Ìç | 1969 | ¹ÝÅ´¡¢ºÌ¿§ | NOGUCHI, Isamu | Gate | ËÜ´Û²°³° | |||
| ¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î | ¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ | 1969-70 | ¥Ö¥í¥ó¥º | MARINI, Marino | The Idea of an Image | ËÜ´Û²°³° | ||||