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Modern Japanese Art from the Museum Collection¡¡¡¡January 2-March 20, 2008

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­µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten
  ¸å º£Â¼»ç¹È »þ½¡ 1908 ºÌ¿§ ¸¨ËÜ IMAMURA, Shiko Hojo Tokimune Consulting Mugaku Sogen about the Mongol Invasion ËÜ´Û4F  
  ¸å ÈøÃݹñ´Ñ ÌýÃÇ 1909 ºÌ¿§ ¸¨ËÜ OTAKE, Kokkan Alarmed ËÜ´Û4F  
  2·î3Æü¤Þ¤ÇŸ¼¨ ¾®¿ùÊüè¿(̤ÀÃ) ¿å¶¿ 1911 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOSUGI, Hoan(Misei) Waterside Village ËÜ´Û4F  
    ²¼Â¼´Ñ»³ Â縶¸æ¹¬(¤ª¤ª¤Ï¤é¤´¤³¤¦) 1908 ºÌ¿§ ¸¨ËÜ SHIMOMURA, Kanzan Ohara-Goko, from the Tale of Heike ËÜ´Û4F  
10   ÃæÂô¹°¸÷ ¤ª¤â¤¤¤Ç 1909 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAZAWA, Hiromitsu Reminiscences ËÜ´Û4F  
1   ¸¶ÅÄľ¼¡Ïº µ³Î¶´Ñ²» 1890 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HARADA, Naojiro Kannon Bodhisattva Riding the Dragon ËÜ´Û4F ¸îÔ¢»û¢¡Ê´óÂ÷ºîÉÊ¡Ë
7 Á° É©ÅĽÕÁð ¸­¼óÊî»§ 1907 ºÌ¿§ ¸¨ËÜ HISHIDA, Shunso Bodhisattva Genju ËÜ´Û4F  
  ¸å É©ÅĽÕÁð Çߤ˿ý 1910 ºÌ¿§ ¸¨ËÜ HISHIDA, Shunso Sparrows on Plum Blossoms ËÜ´Û4F Æ£±ºÃÒ»Ò»á´ó£
    Æ£°æ¹ÀÍ´ ߬ 1912 ÂçÍýÀÐ   FUJII, Koyu Deep Water ËÜ´Û4F  
14   Æ£ÅçÉðÆó ¤¦¤Ä¤Ä 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Half Dreaming ËÜ´Û4F  
    Æ£ÅçÉðÆó ¥¢¥ë¥Á¥·¥ç 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Artichoke ËÜ´Û4F  
    Æî·°Â¤ ¾¯½÷ 1909 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MINAMI, Kunzo Girl ËÜ´Û4F Æî·ú»á´ó£
    °Â°æÁ¾ÂÀϺ ²«¿§¤¤á± 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro Yellow Flower Vase ËÜ´Û4F  
9   »³²¼¿·ÂÀϺ ÁëºÝ 1908 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMASHITA, Shintaro By the Window ËÜ´Û4F  
  Á° »³¸µ½Õµó ³¤ÊÕÀã¾¾¿Þ ÌÀ¼£¸å´ü ºÌ¿§ »æËÜ YAMAMOTO, Shunkyo Snow and Pine by the Sea ËÜ´Û4F ´óÂ÷ºîÉÊ
    ·ë¾ëÁÇÌÀ Óó(¤µ¤¨¤º¤ê) 1911 ºÌ¿§ »æËÜ YUKI, Somei Bird Twittering ËÜ´Û4F  
    µÈÅÄÇî ¿··î 1907 ¿åºÌ »æ YOSHIDA, Hiroshi Crescent ËÜ´Û4F  
3   ¥ë¥½¡¼¡¢ ¥¢¥ó¥ê Âè22²ó¥¢¥ó¥Ç¥Ñ¥ó¥À¥óŸ¤Ë»²²Ã¤¹¤ë¤è¤¦·Ý½Ñ²Èã¤òƳ¤¯¼«Í³¤Î½÷¿À 1905-06 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ROUSSEAU, Henri Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Societe des Artistes Independants ËÜ´Û4F  
  Á° ÅÏÊÕ¾ÊÄâ ÀãÃæ±õòóÇ·¿Þ 1909 ºÌ¿§ ¸¨ËÜ WATANABE, Seitei Mandarin Ducks in the Snow ËÜ´Û4F  
  2·î5Æü¤«¤éŸ¼¨ ÏÂÅÄ±Ñºî ¤ª¤¦¤Ê 1908 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ WADA, Eisaku Old Woman ËÜ´Û4F  
4   ÏÂÅÄ»°Â¤ ÆîÉ÷ 1907 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ WADA, Sanzo South Wind ËÜ´Û4F  
­µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à
­µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26)
  ¡¡ ²®¸¶¼é±Ò ½÷¤Îƹ 1907 ¥Ö¥í¥ó¥º   OGIWARA, Morie Torso of a Woman ËÜ´Û4F  
  ¡¡ ²®¸¶¼é±Ò ʸ³Ð 1908 ¥Ö¥í¥ó¥º   OGIWARA, Morie Priest Mongaku ËÜ´Û4F  
  ¡¡ ¾®ÌîÃݶ¬ ¸Ðî´Ç·¿Þ ÂçÀµ¸å´ü ºÌ¿§ »æËÜ ONO, Chikkyo Lakeside ËÜ´Û4F ´óÂ÷ºîÉÊ
20   ´ßÅÄέÀ¸ ƻϩ¤ÈÅÚ¼ê¤Èʽ(ÀÚÄÌÇ·¼ÌÀ¸) 1915 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Road Cut through a Hill ËÜ´Û4F  
23   ´ßÅÄέÀ¸ Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Reiko, Five Years Old ËÜ´Û4F  
  Á° µÈÀîÎî²Ú ±©°áËÝæÌ 1923 ºÌ¿§ ¸¨ËÜ KIKKAWA, Reika Fluttering Robes of Feathers ËÜ´Û4F ÎëÌÚ¿·µÈ»á´ó£
24   ¥³¥³¥·¥å¥«¡¢ ¥ª¥¹¥«¡¼ ¥¢¥ë¥Þ¡¦¥Þ¡¼¥é¡¼¤Î¾ÓÁü 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOKOSCHKA, Oskar Portrait of Alma Mahler ËÜ´Û4F  
  Á° ¾®ÎӸŷ µ¡¿¥(¤Ï¤¿¤ª¤ê) 1926 ºÌ¿§ ¸¨ËÜ KOBAYASHI, Kokei Weaving ËÜ´Û4F  
27   ´Øº¬ÀµÆó »°À± 1919 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SEKINE, Shoji Three Stars ËÜ´Û4F  
25   ¹â¼¸÷ÂÀϺ ¼ê c.1918 ¥Ö¥í¥ó¥º   TAKAMURA, Kotaro Hand ËÜ´Û4F  
    ·úÈ«ÂçÌ´ ¤Ê¤¬¤ì 1911 ¥Ö¥í¥ó¥º   TATEHATA, Taimu Stream ËÜ´Û4F  
  ¸å ¸ÍÄ¥¸É´ç °ËƦ»³¤Î³¤ ÂçÀµ»þÂå ºÌ¿§ »æËÜ TOBARI, Kogan Sea of Izusan ËÜ´Û4F »³Ëܹ§»á´ó£
  ¸å ÉÚÅÄÞäÀç Á°ÀÖÊÉ¿Þ ÂçÀµ»þÂå ËϲèøºÌ ¸¨ËÜ TOMITA, Keisen First visit to the Red Criff ËÜ´Û4F ´óÂ÷ºîÉÊ
    ÃæÀ¸µ ·ª¿§¤Î˹»Ò 1920 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAGAWA, Kigen Nutbrown Hat ËÜ´Û4F ºî¼Ô´ó£
    ÃæÂ¼×³ ÂçÅçÉ÷·Ê 1914-15 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Landscape, Island Oshima ËÜ´Û4F  
29   ÃæÂ¼×³ ¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü 1920 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Portrait of Vasilii Yaroshenko ËÜ´Û4F ÂçΤ°ìÂÀϺ»á´ó£
  ¸å ®¿å¸æ½® Àõ½Õ 1918 ºÌ¿§ ¸¨ËÜ HAYAMI, Gyoshu Early Spring ËÜ´Û4F  
33 Á° ®¿å¸æ½® Ìç(̾¼ç¤Î²È) 1924 ºÌ¿§ »æËÜ HAYAMI, Gyoshu Gate (Residence of the Village Head) ËÜ´Û4F  
36   Ê¿Ê¡É´Êæ ¹Ó°ë(¤¢¤ê¤½) 1926 ºÌ¿§ »æËÜ HIRAFUKU, Hyakusui Rough Coast ËÜ´Û4F  
28 Á° ¼¾å²Ú³Ù Æü¹â²ÏÀ¶É±¿Þ 1919 ºÌ¿§ ¸¨ËÜ MURAKAMI, Kagaku Kiyohime at the Hidaka River ËÜ´Û4F  
21   ¼»³ÜÇ¿ ¥Ð¥é¤È¾¯½÷ 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MURAYAMA, Kaita Roses and a Girl ËÜ´Û4F »³Ëܹ§»á´ó£
  ¸å ²£»³Âç´Ñ Êë¿§ 1922 ËÏ²è ¸¨ËÜ YOKOYAMA, Taikan Evening Twilight ËÜ´Û4F  
17   èßÅ´¸ÞϺ ÍçÂÎÈþ¿Í 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Nude Beauty ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£
22   èßÅ´¸ÞϺ ¤â¤¿¤ì¤ÆÎ©¤Ä¿Í 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Leaning Woman ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£
    ¥í¥À¥ó¡¢¥ª¡¼¥®¥å¥¹¥È ¥È¥ë¥½¡¼ ÉÔ¾Ü ¥Ö¥í¥ó¥º   RODIN, Auguste Torso ËÜ´Û4F ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£
­¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È
­¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ÃÏÃæ³¤·²Áü 1941/65 ÂçÍýÀÐ   ARP, Jean(Hans) Mediterranean Group ËÜ´Û4F  
    ÀгÀ±ÉÂÀϺ ÏÓ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ISHIGAKI, Eitaro Undefeated Arm ËÜ´Û4F ÀгÀ°½»Ò»á´ó£
43 ¡¡ ¥«¥ó¥Ç¥£¥ó¥¹¥­¡¼¡¢ ¥ï¥·¥ê¡¼ Á´ÂÎ 1940 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KANDINSKY, Wassily The Whole ËÜ´Û4F  
    ËÌÀî̱¼¡ ¥é¥ó¥Á¥§¥í¤Î±´ 1938 ¥Æ¥ó¥Ú¥é »æ KITAGAWA, Tamiji Song of Ranchero ËÜ´Û4F  
    ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ¾®¤µ¤Ê½©¤ÎÉ÷·Ê 1920 ÌýºÌ »æ(¥Ü¡¼¥É¤ËŽÉÕ) KLEE, Paul Small Autumn Landscape ËÜ´Û4F ÃçÅÄÄêÇ·½õ¡¢¹¥¹¾»á´ó£
38   ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý 1925 ÌýºÌ ¸ü»æ KLEE, Paul Abstraction with Reference to a Flowering Tree ËÜ´Û4F  
    ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Î¥Æ¥é¥¹ 1937 ÌýºÌ ÌÊÉÛ KLEE, Paul Flower Terrace ËÜ´Û4F  
    ¥°¥ê¥¹¡¢ ¥Û¥¢¥ó ±ßÂî 1921 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ GRIS, Juan The Gueridon ËÜ´Û4F  
40   ¸Å²ì½Õ¹¾ ³¤ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOGA, Harue Sea ËÜ´Û4F  
39   º´ÇìÍ´»° ¥¬¥¹Åô¤È¹­¹ð 1927 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAEKI, Yuzo Gas Lamp and Advertisements ËÜ´Û4F  
    ½»Ã«Èغ¬ ¹©¾ì¤Ë±÷¤±¤ë°¦¤ÎÆü²Ý 1923 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUMIYA, Iwane Daily Task of Love in a Factory ËÜ´Û4F ºî¼Ô´ó£
    ¥É¥í¡¼¥Í¡¼¡¢ ¥í¥Ù¡¼¥ë ¥ê¥º¥à ÍæÀû 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ DELAUNAY, Robert Rythm-Spiral ËÜ´Û4F  
42   ÌîÅıÑÉ× µ¢Ï© 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NODA, Hideo Way to Home ËÜ´Û4F  
    ĹëÀîÍø¹Ô ´ßÅĹñ»ÎÁü 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HASEKAWA, Toshiyuki Portrait of Kunio Kishida ËÜ´Û4F ÌÚ¼Åì²ð»á´ó£
    ĹëÀîÍø¹Ô ¿·½ÉÉ÷·Ê c.1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HASEKAWA, Toshiyuki View of Shinjuku ËÜ´Û4F  
41   Ê¡Âô°ìϺ Poisson d'Avril(»Í·îÇϼ¯) 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUKUZAWA, Ichiro April Fool ËÜ´Û4F ºî¼Ô´ó£
    Á°ÅÄ´²¼£ ÍçÉØ 1925 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MAETA, Kanji Nude ËÜ´Û4F  
    »°´ß¹¥ÂÀϺ ±À¤Î¾å¤òÈô¤Öij 1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MIGISHI, Kotaro Butterflies Flying above Clouds ËÜ´Û4F  
    ¼»³ÃεÁ ¤¢¤ë¥æ¥À¥ä¿Í¤Î¾¯½÷Áü 1922 ÌýºÌ¡¢»æ¡¢ÌÚ¡¢¥³¥é¡¼¥¸¥å   MURAYAMA, Tomoyoshi Portrait of a Jewish Girl ËÜ´Û4F ÉÍÆÁÂÀϺ»á´ó£
    ¼»³ÃεÁ ¥³¥ó¥¹¥È¥ë¥¯¥Á¥ª¥ó 1925 ÌýºÌ¡¢»æ¡¢ÌÚ¡¢ÉÛ¡¢¶â°¡¢Èé   MURAYAMA, Tomoyoshi Construction ËÜ´Û4F ÉÍÆÁÂÀϺ»á´ó£
    ¥ê¥Ò¥¿¡¼¡¢ ¥Ï¥ó¥¹ ¿§¤Î¥ª¡¼¥±¥¹¥È¥ì¡¼¥·¥ç¥ó 1923 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ RICHTER, Hans Orchestration of Color ËÜ´Û4F ºî¼Ô°ä£
£´F ÆÃ½¸¥³¡¼¥Ê¡¼ Topic in Focus
ÌÀ¼£¡¦ÂçÀµ¤ÎÅÀÉÁɽ¸½¡¡Pointillism in Japan, 1868-1926
  ¡¡ ÂÀÅÄ´îÆóϺ ¿·ÎФκ¢ 1911 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OTA, Kijiro Season on Fresh Green ËÜ´Û4F ÂÀÅĵƻ޻á´ó£
  ¡¡ ÂÀÅÄ´îÆóϺ ÅÄ¿¢ 1916 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OTA, Kijiro Rice-Planting ËÜ´Û4F ÂÀÅĵƻ޻á´ó£
  ¡¡ Àî¾åÎÃ²Ö Å´Ï© 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAWAKAMI, Ryoka Railroad ËÜ´Û4F ¼ò°æ²¯¿Ò»á´ó£
    µ×ÊÆ·Ë°ìϺ ¥Ö¥ì¥¢Åç 1891 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KUME, Keiichiro An Island Brehat ËÜ´Û4F ´óÂ÷ºîÉÊ
2   ¹õÅÄÀ¶µ± ÍîÍÕ 1891 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KURODA, Seiki Dead Leaves ËÜ´Û4F ÅÄÃæÀéÂå»á´ó£
    ºØÆ£Ë­ºî ͼ±Ç¤Îή 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAITO, Toyosaku Stream in the Evening Glow ËÜ´Û4F  
    ÄÔ±Ê ÄØ¤È»Æ»³ÍÓ 1916 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TSUJI, Hisashi Camellias and Kids ËÜ´Û4F ºî¼Ô´ó£
    ÃæÂô¹°¸÷ ¤Þ¤Ò¤ë 1910 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAZAWA, Hiromitsu Midday ËÜ´Û4F  
    °Â°æÁ¾ÂÀϺ ½Õ¤Î²È 1911 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro House in Spring ËÜ´Û4F  
­¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï
­¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings
    Àл³ÂÀÇð ¶á¹ÙÆó·Ê(°æÁðÌ²®·¦) 1930 ºÌ¿§ »æËÜ ISHIYAMA, Taihaku The Suburbs of Tokyo: Igusano, Ogikubo ËÜ´Û3F  
    °ËÅ쿼¿å Àã¤Î¾¬ 1931 ºÌ¿§ »æËÜ ITO, Shinsui Snowy Evening ËÜ´Û3F ÊÂÌÚ½¡¼·»á´ó£
  ¸å ¾å¼¾¾±à Àã 1942 ºÌ¿§ ¸¨ËÜ UEMURA, Shoen Snow ËÜ´Û3F  
    Ç߸¶Î¶»°Ïº ºùÅç(ÀÄ) 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Mt. Sakurajima (Blue) ËÜ´Û3F Àî¸ý¾¾ÂÀϺ»á´ó£
    ²¬ÅÄ»°Ïº½õ ÉØ¿ÍȾ¿ÈÁü 1936 ÌýºÌ¡¢¤½¤Î¾ »æ OKADA, Saburosuke Portrait of a Woman ËÜ´Û3F  
58   ¾®ÁÒÍ·µµ Íá½÷¡¡¤½¤ÎÆó 1939 ºÌ¿§ ¸¨ËÜ OGURA, Yuki After Bathing ËÜ´Û3F ºî¼Ô´ó£
49   ¾®ÌÐÅÄÀļù Ãîµû²è´¬ 1931 ºÌ¿§ »æËÜ OMODA, Seiju Scroll of Insects and Fishes ËÜ´Û3F  
48 ¸å Å­ÌÚÀ¶Êý »°Í·Äâ±ßÄ«Áü 1930 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Portrait of San'yutei Encho ËÜ´Û3F  
  Á° Å­ÌÚÀ¶Êý ½éÅß¤Î²Ö 1935 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Early Winter Flowers ËÜ´Û3F ËÙ±Ûͧµ¬»Ò»á´ó£
  Á° Å­ÌÚÀ¶Êý ½éÅìÉ÷ 1942 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata New Year's Day ËÜ´Û3F  
    Àî¹ç¶ÌƲ ½Ë¾¹Æü(¤·¤å¤¯¤·¤ç¤¦¤Ó) 1942 ºÌ¿§ ¸¨ËÜ KAWAI, Gyokudo Day Celebrating Victory ËÜ´Û3F  
46   ¾®½ÐÆê½Å Íç½÷¤ÈÇòÉÛ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOIDE, Narashige Nude on White Cloth ËÜ´Û3F  
  Á° ¾®ÎӸŷ ¶¶ 1942 ºÌ¿§ ¸¨ËÜ KOBAYASHI, Kokei Bridge ËÜ´Û3F  
44   ºäËÜÈËÆóϺ ¿å¤è¤ê¾å¤ëÇÏ 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAKAMOTO, Hanjiro Horse Coming out of the Water ËÜ´Û3F  
    ¿ÜÅĹñÂÀϺ ½ñºØ 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUDA, Kunitaro Study ËÜ´Û3F ¿ÜÅÄ´²»á´ó£
    ¹âÅÄÇî¸ü ¥Õ¡¼¥í¥óÉ׿ÍÁü 1931 ¥Ö¥í¥ó¥º   TAKATA, Hiroatsu Portrait of Madame Foulon ËÜ´Û3F  
52   °Â°æÁ¾ÂÀϺ ¶âÍÖ 1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro Portrait of Chin-Jung ËÜ´Û3F  
  ¸å ²£»³Âç´Ñ Ëþ¤ÁÍè¤ëīĬ 1943 ºÌ¿§ ¸¨ËÜ YOKOYAMA, Taikan High Tide ËÜ´Û3F ÅìÛ굱ͺ»á¾8̾´ó£
    µÈ²¬·øÆó ɹ¸¶ 1940 ºÌ¿§ »æËÜ YOSHIOKA, Kenji Ice Field ËÜ´Û3F ºî¼Ô´ó£
    µÈ¼ÃéÉ× ÅõäÆÂç¿Ã 1936 ºÌ¿§ ¸¨ËÜ YOSHIMURA, Tadao Shigemori Taira, minister of lantern ËÜ´Û3F  
­·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ
­· Art during and after the War
62   ðϸ÷ ´ã¤Î¤¢¤ëÉ÷·Ê 1938 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ AI-MITSU Landscape with an Eye ËÜ´Û3F  
    ðϸ÷ ij 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ AI-MITSU Butterfly ËÜ´Û3F  
    ËãÀ¸»°Ïº Êì»ÒÁü 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ASO, Saburo Mother and Child ËÜ´Û3F ²¬Åıɰì»á´ó£
    ÀаæÌÐͺ ²ü¸·¾õÂÖ 1957 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ISHII, Shigeo State of Martial Law ËÜ´Û3F ÀаæÌмù»á´ó£
    ¾®»³ÅÄÆóϺ ¿©Âî 1955 ÌýºÌ ÈÄ OYAMADA, Jiro Dining Table ËÜ´Û3F  
63   ¹á·îÂÙÃË ¿å¶À 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAZUKI, Yasuo Water Mirror ËÜ´Û3F  
79   ²Ï¸¶²¹ ÕÔ¤ó¤À½÷ 1954 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAWARA, On Pregnant Woman ËÜ´Û3F ºî¼Ô´ó£
64   ËÌÏÆ¾º ¥¯¥©¡¦¥ô¥¡¥Ç¥£¥¹ 1949 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KITAWAKI, Noboru Quo Vadis ËÜ´Û3F ËÌÏÆ¤«¤Í»á´ó£
    ÄᲬÀ¯ÃË ÀĤ¤¥«¡¼¥Æ¥ó 1964 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TSURUOKA, Masao Blue Curtain ËÜ´Û3F  
    Ë­Ê¡ÃÎÆÁ ΩÁü 1960 ÌÚ   TOYOFUKU, Tomonori Statue ËÜ´Û3F  
  Á° Æ£ÅĻ̼£ ¥µ¥¤¥Ñ¥óÅçÆ±Ë¦¿ÃÀá¤òÁ´¤¦¤¹ 1945 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu Compatriots on Saipan Island Remain Faithful to the End ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
  ¸å ¾¾ºä¹¯ ¥¦¥¨¡¼¥­Å繶άÀï(¤½¤Î1) 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MATSUZAKA, Ko Capture of Wake Island I ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
  ¸å ¾¾ºä¹¯ ¥¦¥¨¡¼¥­Å繶άÀï(¤½¤Î2) 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MATSUZAKA, Ko Cap£ôure of Wake Island II ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    ¾¾Ëܽײð ¥Ë¥³¥é¥¤Æ²¤ÈÀ»¶¶ 1941 ÌýºÌ ÈÄ MATSUMOTO, Shunsuke Nikolai Cathedral and Hijiri-Bridge ËÜ´Û3F  
  ¸å »°¹ñµ× ¥Ð¥êÅç²­³¤Àï c.1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MIKUNI, Hisashi Naval Battle Off Bali Island ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
  Á° »°ÎØÚêÀª ¥Ä¥é¥®Ìë½±Àï 1943 ºÌ¿§ »æËÜ MIWA, Chosei Night Attack at the Strait of Turagi ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
­¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ
­¸ Art in the 1950s and 1960s
    ±Í¶å ¤ì¤¤¤á¤¤ 1957 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EI-KYU Dawn ËÜ´Û3F  
69   ²¬ËÜÂÀϺ dz¤¨¤ë¿Í 1955 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OKAMOTO, Taro Men Aflame ËÜ´Û3F ºî¼Ô´ó£
    ¶â»³¹¯´î ¥¢¥¤¥í¥ó¤Î¤¢¤ëÀÅʪ 1952 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KANAYAMA, Yasuki Still Life with lrons ËÜ´Û3F ´Ý»³ÀµÉð»á´ó£
81   ²Ã»³Ëô¤ À鱩Äá 1970 ºÌ¿§ ¸¨ËÜ KAYAMA, Matazo A Thousand Cranes ËÜ´Û3F ²Ã»³¤ß¤É¤ê»á´ó£
    ºØÆ£µÁ½Å ºîÉÊ 2 1963 ÌýºÌ ¹çÈÄ SAITO, Yoshishige Work 2 ËÜ´Û3F  
    ¿ûÌÚ»Öͺ ·Êα¼Ð·Ñ 2004 ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥×   SUGA, Kishio Kei-ryu-sha-kei ËÜ´Û3F  
    ÆÁ²¬¿ÀÀô Éٻλ³ c.1965 ºÌ¿§ »æËÜ TOKUOKA, Shinsen Mt. Fuji ËÜ´Û3F ÆÁ²¬Ë¼»Ò»á´ó£
    ÆñÇÈÅÄζµ¯ ¥³¥ó¥Ý¥¸¥·¥ç¥ó 1965 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAMBATA, Tatsuoki Composition ËÜ´Û3F ºî¼Ô´ó£
    Ì»³¶Ç¼£ É÷·Ê(¥é¥¤¡¦¥ì¡¦¥í¡¼¥º) 1960 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NOMIYAMA, Gyoji Landscape (L'Hay-les-Roses) ËÜ´Û3F ºî¼Ô´ó£
66   Ê¡ÅÄʿȬϺ ±« 1953 ºÌ¿§ »æËÜ FUKUDA, Heihachiro Rain ËÜ´Û3F  
    Æ£ÅĻ̼£ ¿ß˼ 1951 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu Kichen ËÜ´Û3F ´óÂ÷ºîÉÊ
    Æ£ÅĻ̼£ ¾¯½÷ 1956 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu A Girl ËÜ´Û3F Åĸ¶½¤»á´ó£
    ¸þ°æÎÉµÈ µÂ¤Î¾ë 1960 ¥¢¥ë¥ß¥Ë¥¦¥à   MUKAI, Ryokichi Castle of Ants ËÜ´Û3F  
    »³¸ýĹÃË Å¾ 1961 ÌýºÌ ¹çÈÄ YAMAGUCHI, Takeo Turn ËÜ´Û3F  
    »³ÅÄÀµÎ¼ Work C-77 1960 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMADA, Masaaki Work C-77 ËÜ´Û3F  
    »³ÅÄÀµÎ¼ Work C-73 1960 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMADA, Masaaki Work C-73 ËÜ´Û3F  
    ²£»³Áà ǦÌîÉٻΠ1965 ºÌ¿§ »æËÜ YOKOYAMA, Misao Mt.Fuji Viewed from Oshino ËÜ´Û3F ´óÂ÷ºîÉÊ
    ²£»³Áà À¶ÀãÉٻΠc.1966 ºÌ¿§ »æËÜ YOKOYAMA, Misao Mt.Fuji Covered with Snow ËÜ´Û3F ´óÂ÷ºîÉÊ
78   µÈ¸¶¼£ÎÉ ¹õÃϤËÇò 1965 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro White on Black ËÜ´Û3F ºî¼Ô´ó£
ÈDz襳¡¼¥Ê¡¼ Prints Section
ÆÃ½¸¡§²ÃǼ¸÷±÷¨¡¥â¥Î¥¯¥í¡¼¥à¤ÎÎÕ¸÷¡¡1960¡¾62¡¡¡¡Mitsuo Kano
    ²ÃǼ¸÷±÷ ή¤ì¤Î¤Ê¤«¤Ç A 1960 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo In the Stream A ËÜ´Û3F  
    ²ÃǼ¸÷±÷ ²Ö¡¦ÄÀÌÛ 1960 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo Flowers: Silence ËÜ´Û3F  
    ²ÃǼ¸÷±÷ ²Ö¡¦ÄÀÌÛ 1960 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo Flowers: Silence¡¡ ËÜ´Û3F  
    ²ÃǼ¸÷±÷ ì®(¤³¤À¤Þ) 1960-61 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo Echo ËÜ´Û3F ºî¼Ô´ó£
    ²ÃǼ¸÷±÷ ή¤ì¤Î¤Ê¤«¤Ç 1961 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo In the Stream ËÜ´Û3F  
    ²ÃǼ¸÷±÷ À±¡¦È¿çí³Ø(¤Ï¤ó¤¹¤¦¤¬¤¯) 1962 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo Star: Rumination ËÜ´Û3F  
    ²ÃǼ¸÷±÷ À±¡¦È¿çí³Ø 1962 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo Star: Rumination ËÜ´Û3F  
    ²ÃǼ¸÷±÷ À±¡¦È¿çí³Ø 1962 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo Star: Rumination ËÜ´Û3F  
    ²ÃǼ¸÷±÷ À±¡¦È¿çí³Ø 1962 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo Star: Rumination ËÜ´Û3F  
    ²ÃǼ¸÷±÷ À±¡¦È¿çí³Ø 1962 ¥¤¥ó¥¿¥ê¥ª   KANO, Mitsuo Star: Rumination ËÜ´Û3F  
¼Ì¿¿¥³¡¼¥Ê¡¼ Photograph Section
ÆÃ½¸¡§¡¡ÂçÄÔÀ¶»Ê¡¡Kiyoji Otsuji
    ÂçÄÔÀ¶»Ê ¤Þ¤ë¤á¤Æ¶Ì¤Ë¤Ê¤Ã¤¿¥á¥âÍÑ»æ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A Crumpled Ball of Memo Paper ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¤³¤³¤Ë¤³¤ó¤Ê¥â¥Î¤¬¤¢¤Ã¤¿¤Î¤«¤È¡¢¤¤¤í¤¤¤íȯ¸«¤·¤¿¼Ì¿¿ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji Ah, They Were There! ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê Çˤꤹ¤Æ¤¿¤¢¤È¤Ç½¦¤Ã¤¿Âç»ö¤Ê¥Ç¡¼¥¿¤Î¤¢¤ëÉõÅû 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji An Envelope Containing Important Data, Picked Up After Being Torn Up and Thrown Away. ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¥¸¥ã¥ó¥¯È¢¤Î°ì¤Ä¤Ç¡¢»Í½½Ç¯Ì²¤Ã¤¿¤Þ¤Þ¤Î¥¹¥¤¥Ã¥Á¤¬Æó¤ÄÆþ¤Ã¤Æ¤¤¤ë¡£ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji One of the Junk Boxes Containing Two Forty-Year-Old Switches. ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ²õ¤µ¤ì¤ë²È 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A House Being Pulled Down ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¤Ê¤ó¤Ç¤â¤Ê¤¤¼Ì¿¿ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji Trivial Photo ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¤Ê¤ó¤Ç¤â¤Ê¤¤¼Ì¿¿ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji Trivial Photo ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¤Ê¤ó¤Ç¤â¤Ê¤¤¼Ì¿¿ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji Trivial Photo ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¤Ê¤ó¤Ç¤â¤Ê¤¤¼Ì¿¿ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji Trivial Photo ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¤¦¤Þ¤¯ºî¤Ã¤Æ¤ä¤í¤¦¤È»×¤¦¤Î¤Ç¡¢È¬Ç¯¤¿¤Ã¤Æ¤â¼ê¤ò¤Ä¤±¤é¤ì¤Ê¤¤¥×¥é¥â¥Ç¥ë¤Î¼Ì¿¿¡£ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A Photograph of the Plastic Model That I Can't Put Together after Eight Years Because I Want Make a Neat Job of It. ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ͧ¿Í¤«¤éÌã¤Ã¤¿¥á¥­¥·¥³¤È¥¤¥¿¥ê¡¼¤ÎÅÚ»º¡£¤Ê¤¼¤«¼Î¤Æ¤é¤ì¤Ê¤¤»þ·×¤ÎÆâ¡¡¢ºòǯ½©¤ËÈ´¤±¤Æ¤·¤Þ¤Ã¤¿»ä¤Î±±»õ¡¢¤½¤Î¾¤Î¥»¥Ã¥È¡£ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji A Set Including Mexican and Italian Souvenirs from Friends, the Clock Mechanism That I Can't Throw Away for Some Reason, and One of My Molar Tooth That Fell Out Last Fall. ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¤À¤¤¤¸¤ÊÅ£ 1975 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji Important Nails ËÜ´Û3F  
    ÂçÄÔÀ¶»Ê ¸«¤¨¤Ì°ÕÌ£¤ò¸«¤Ì°ÕÌ£¤È 1980 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OTSUJI, Kiyoji What You Can't See and What You Won't See and ËÜ´Û3F  
Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß
­¹ Contemporary Art after the 1970s
    ¹ÓÀºî Ħ¹ï¤¹¤ë No.1 1961-62 ¥¢¥¯¥ê¥ê¥Ã¥¯¡¢±ôÉ®¡¢¿§±ôÉ® ¥­¥ã¥ó¥Ð¥¹ ARAKAWA, Shusaku Sculpting No.1 ËÜ´Û2F  
    ¹ÓÀºî ¿Þ¼°¤ÎÍß˾ 1985 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ ARAKAWA, Shusaku The Desire of the Diagram ËÜ´Û2F  
    º£°æ½ÓËþ ÇÈÞ¹¿Þ(¥ô¥§¥Í¥Ä¥£¥¢»¾²Î) 1993 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ IMAI, Toshimitsu Wave (Hommage to Venice) ËÜ´Û2F ºî¼Ô´ó£
    ¾åÌîÂÙϺ ¤¤¤Î¤Á¤Î»¾²Î 1981 ºÌ¿§ ¸¨ËÜ UENO, Yasuo Paean to Life ËÜ´Û2F ¾åÌî½Ê»Ò»á´ó£
    ±ÝÁÒ¹¯Æó ͽÃû(ÉÛ) 1975 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   ENOKURA, Koji Omen (Cloth) ËÜ´Û2F  
    ±ÝÁÒ¹¯Æó ͽÃû(ÌÚ) 1976 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   ENOKURA, Koji Omen (Wood) ËÜ´Û2F  
    ²¬Â¼·Ë»°Ïº Çò¾Ý¿Þ 1989 ´ä³¨¶ñ ÈÄ OKAMURA, Keizaburo White Elephant ËÜ´Û2F »¿Èþ¾®¼Ë¡§¾åÅÄÔ¢¾¼¡¦¾åÅĹî»Ò»á´ó£
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Matsuzaki Bay in the Rain from Route 136. From Eight Views of Japan. ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à 2007 ±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." ËÜ´Û2F  
    µÆÈªÌе×ÇÏ ÅÛÎì·Ï¿Þ¡Ý±ß¶À¤Ë¤è¤ëNos.15, 16 1962 ¥«¥·¥å¡¼ ÈÄ KIKUHATA, Mokuma Genealogy of Slaves-Round Mirror Nos.15, 16 ËÜ´Û2F  
    µÆÈªÌе×ÇÏ ¥ë¡¼¥ì¥Ã¥È 1963 ¥¨¥Ê¥á¥ë ÈÄ KIKUHATA, Mokuma Roulette ËÜ´Û2F  
    µÆÈªÌе×ÇÏ Å·²Ï½½ 1997 ÌýºÌ¡¢ÌªÏ¹ ¥­¥ã¥ó¥Ð¥¹ KIKUHATA, Mokuma The Galaxy No.10 ËÜ´Û2F  
90   ¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ È¿±Ç¡¿»×º÷ 2000 ÃòÅ´   GORMLEY, Antony Reflection ËÜ´Û2F  
    ¹â¾¾¼¡Ïº ¤Í¤¸¤ì¤¿Ãì 1969 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   TAKAMATSU, Jiro Distorted Pillar ËÜ´Û2F  
83   ¹â¾¾¼¡Ïº No.273(±Æ) 1969 ¥é¥Ã¥«¡¼ ÌÚ TAKAMATSU, Jiro No.273 (Shadow) ËÜ´Û2F  
    ÃæÀ¾²ÆÇ· ±¤ 1959 ¥é¥Ã¥«¡¼¡¢¥¨¥Ê¥á¥ë¡¢º½ ¹çÈÄ NAKANISHI, Natsuyuki Rhyme ËÜ´Û2F  
    ÃæÀ¾²ÆÇ· ±¤ 1960 ¥é¥Ã¥«¡¼¡¢¥¨¥Ê¥á¥ë¡¢º½ ¹çÈÄ NAKANISHI, Natsuyuki Rhyme ËÜ´Û2F  
    ÃæÀ¾²ÆÇ· »ç¡¦¤à¤é¤µ¤­ XVII 1983 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKANISHI, Natsuyuki Purple-Violet XVII ËÜ´Û2F  
    ÌΠƻϩ¾å¤ÎÆü»þ 1970 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   NOMURA, Hitoshi Time on a Curved Line ËÜ´Û2F  
    »°À¥²ÆÇ·²ð ´ñ·Ê 2006 ËÏ¡¢¸ÕÊ´¡¢¥¢¥¯¥ê¥ë Ï»æ MISE, Natsunosuke Kikei, the fantastic scenery ËÜ´Û2F ´óÂ÷ºîÉÊ
    ¼²¬»°Ïº Àޤ줿»ÀÁÇ 1985 ±ô¡¢»ÀÁÇ¡¢¥¬¥é¥¹ÉÓ¡¢ÅÔ»Ô¥¬¥¹(1963ǯ¤ËÃíÆþ¡¢Éõ°õ)   MURAOKA, Saburo Bent Oxygen ËÜ´Û2F  
    ¥ê¥Ò¥¿¡¼¡¢ ¥²¥ë¥Ï¥ë¥È 9¤Ä¤Î¥ª¥Ö¥¸¥§ 1969 ¥ª¥Õ¥»¥Ã¥È   RICHTER, Gerhard Nine Objects ËÜ´Û2F  
²°³°Ä¦¹ï
Outdoor Sculptures
    ÌÚ¼¸­ÂÀϺ ¼·¤Ä¤Îµ§¤ê 1969 ÀÐ   KIMURA, Kentaro Seven Prayers ËÜ´Û²°³°  
    ¿ÅÄÈþÇÈ Chiaroscuro 1979 ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹   TADA, Minami Chiaroscuro ËÜ´Û²°³°  
84   ¥Î¥°¥Á¡¢ ¥¤¥µ¥à Ìç 1969 ¹ÝÅ´¡¢ºÌ¿§   NOGUCHI, Isamu Gate ËÜ´Û²°³°  
    ¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î ¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ 1969-70 ¥Ö¥í¥ó¥º   MARINI, Marino The Idea of an Image ËÜ´Û²°³°