![]() | |
![]() |
| ²»À¼¥¬¥¤¥É | Ÿ¼¨´ü´Ö | ºî²È̾(ÏÂ) | Âê̾(ÏÂ) | À©ºîǯ(c.=¡Áǯº¢¡Ë | µ»Ë¡ | »Ù»ýÂÎ | ºî²È̾(±Ñ) | Âê̾(±Ñ) | Ÿ¼¨ ¾ì½ê |
´ó£¡¦´óÂ÷ |
| µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten |
||||||||||
| ¸å | º£Â¼»ç¹È | »þ½¡ | 1908 | ºÌ¿§ | ¸¨ËÜ | IMAMURA, Shiko | Hojo Tokimune Consulting Mugaku Sogen about the Mongol Invasion | ËÜ´Û4F | ||
| ¸å | ÈøÃݹñ´Ñ | ÌýÃÇ | 1909 | ºÌ¿§ | ¸¨ËÜ | OTAKE, Kokkan | Alarmed | ËÜ´Û4F | ||
| 2·î3Æü¤Þ¤ÇŸ¼¨ | ¾®¿ùÊüè¿(̤ÀÃ) | ¿å¶¿ | 1911 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOSUGI, Hoan(Misei) | Waterside Village | ËÜ´Û4F | ||
| ²¼Â¼´Ñ»³ | Â縶¸æ¹¬(¤ª¤ª¤Ï¤é¤´¤³¤¦) | 1908 | ºÌ¿§ | ¸¨ËÜ | SHIMOMURA, Kanzan | Ohara-Goko, from the Tale of Heike | ËÜ´Û4F | |||
| 10 | ÃæÂô¹°¸÷ | ¤ª¤â¤¤¤Ç | 1909 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAZAWA, Hiromitsu | Reminiscences | ËÜ´Û4F | ||
| 1 | ¸¶ÅÄľ¼¡Ïº | µ³Î¶´Ñ²» | 1890 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | HARADA, Naojiro | Kannon Bodhisattva Riding the Dragon | ËÜ´Û4F | ¸îÔ¢»û¢¡Ê´óÂ÷ºîÉÊ¡Ë | |
| 7 | Á° | É©ÅĽÕÁð | ¸¼óÊî»§ | 1907 | ºÌ¿§ | ¸¨ËÜ | HISHIDA, Shunso | Bodhisattva Genju | ËÜ´Û4F | |
| ¸å | É©ÅĽÕÁð | Çߤ˿ý | 1910 | ºÌ¿§ | ¸¨ËÜ | HISHIDA, Shunso | Sparrows on Plum Blossoms | ËÜ´Û4F | Æ£±ºÃÒ»Ò»á´ó£ | |
| Æ£°æ¹ÀÍ´ | ߬ | 1912 | ÂçÍýÀÐ | FUJII, Koyu | Deep Water | ËÜ´Û4F | ||||
| 14 | Æ£ÅçÉðÆó | ¤¦¤Ä¤Ä | 1913 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJISHIMA, Takeji | Half Dreaming | ËÜ´Û4F | ||
| Æ£ÅçÉðÆó | ¥¢¥ë¥Á¥·¥ç | 1917 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJISHIMA, Takeji | Artichoke | ËÜ´Û4F | |||
| Æî·°Â¤ | ¾¯½÷ | 1909 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MINAMI, Kunzo | Girl | ËÜ´Û4F | Æî·ú»á´ó£ | ||
| °Â°æÁ¾ÂÀϺ | ²«¿§¤¤á± | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YASUI, Sotaro | Yellow Flower Vase | ËÜ´Û4F | |||
| 9 | »³²¼¿·ÂÀϺ | ÁëºÝ | 1908 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMASHITA, Shintaro | By the Window | ËÜ´Û4F | ||
| Á° | »³¸µ½Õµó | ³¤ÊÕÀã¾¾¿Þ | ÌÀ¼£¸å´ü | ºÌ¿§ | »æËÜ | YAMAMOTO, Shunkyo | Snow and Pine by the Sea | ËÜ´Û4F | ´óÂ÷ºîÉÊ | |
| ·ë¾ëÁÇÌÀ | Óó(¤µ¤¨¤º¤ê) | 1911 | ºÌ¿§ | »æËÜ | YUKI, Somei | Bird Twittering | ËÜ´Û4F | |||
| µÈÅÄÇî | ¿··î | 1907 | ¿åºÌ | »æ | YOSHIDA, Hiroshi | Crescent | ËÜ´Û4F | |||
| 3 | ¥ë¥½¡¼¡¢ ¥¢¥ó¥ê | Âè22²ó¥¢¥ó¥Ç¥Ñ¥ó¥À¥óŸ¤Ë»²²Ã¤¹¤ë¤è¤¦·Ý½Ñ²Èã¤òƳ¤¯¼«Í³¤Î½÷¿À | 1905-06 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ROUSSEAU, Henri | Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Societe des Artistes Independants | ËÜ´Û4F | ||
| Á° | ÅÏÊÕ¾ÊÄâ | ÀãÃæ±õòóÇ·¿Þ | 1909 | ºÌ¿§ | ¸¨ËÜ | WATANABE, Seitei | Mandarin Ducks in the Snow | ËÜ´Û4F | ||
| 2·î5Æü¤«¤éŸ¼¨ | ÏÂÅıѺî | ¤ª¤¦¤Ê | 1908 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | WADA, Eisaku | Old Woman | ËÜ´Û4F | ||
| 4 | ÏÂÅÄ»°Â¤ | ÆîÉ÷ | 1907 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | WADA, Sanzo | South Wind | ËÜ´Û4F | ||
| µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26) |
||||||||||
| ¡¡ | ²®¸¶¼é±Ò | ½÷¤Îƹ | 1907 | ¥Ö¥í¥ó¥º | OGIWARA, Morie | Torso of a Woman | ËÜ´Û4F | |||
| ¡¡ | ²®¸¶¼é±Ò | ʸ³Ð | 1908 | ¥Ö¥í¥ó¥º | OGIWARA, Morie | Priest Mongaku | ËÜ´Û4F | |||
| ¡¡ | ¾®ÌîÃݶ¬ | ¸Ðî´Ç·¿Þ | ÂçÀµ¸å´ü | ºÌ¿§ | »æËÜ | ONO, Chikkyo | Lakeside | ËÜ´Û4F | ´óÂ÷ºîÉÊ | |
| 20 | ´ßÅÄÎÀ¸ | ƻϩ¤ÈÅÚ¼ê¤Èʽ(ÀÚÄÌÇ·¼ÌÀ¸) | 1915 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KISHIDA, Ryusei | Road Cut through a Hill | ËÜ´Û4F | ||
| 23 | ´ßÅÄÎÀ¸ | Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) | 1918 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KISHIDA, Ryusei | Reiko, Five Years Old | ËÜ´Û4F | ||
| Á° | µÈÀîÎî²Ú | ±©°áËÝæÌ | 1923 | ºÌ¿§ | ¸¨ËÜ | KIKKAWA, Reika | Fluttering Robes of Feathers | ËÜ´Û4F | ÎëÌÚ¿·µÈ»á´ó£ | |
| 24 | ¥³¥³¥·¥å¥«¡¢ ¥ª¥¹¥«¡¼ | ¥¢¥ë¥Þ¡¦¥Þ¡¼¥é¡¼¤Î¾ÓÁü | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOKOSCHKA, Oskar | Portrait of Alma Mahler | ËÜ´Û4F | ||
| Á° | ¾®ÎӸŷ | µ¡¿¥(¤Ï¤¿¤ª¤ê) | 1926 | ºÌ¿§ | ¸¨ËÜ | KOBAYASHI, Kokei | Weaving | ËÜ´Û4F | ||
| 27 | ´Øº¬ÀµÆó | »°À± | 1919 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SEKINE, Shoji | Three Stars | ËÜ´Û4F | ||
| 25 | ¹â¼¸÷ÂÀϺ | ¼ê | c.1918 | ¥Ö¥í¥ó¥º | TAKAMURA, Kotaro | Hand | ËÜ´Û4F | |||
| ·úÈ«ÂçÌ´ | ¤Ê¤¬¤ì | 1911 | ¥Ö¥í¥ó¥º | TATEHATA, Taimu | Stream | ËÜ´Û4F | ||||
| ¸å | ¸ÍÄ¥¸É´ç | °ËƦ»³¤Î³¤ | ÂçÀµ»þÂå | ºÌ¿§ | »æËÜ | TOBARI, Kogan | Sea of Izusan | ËÜ´Û4F | »³Ëܹ§»á´ó£ | |
| ¸å | ÉÚÅÄÞäÀç | Á°ÀÖÊÉ¿Þ | ÂçÀµ»þÂå | ËϲèøºÌ | ¸¨ËÜ | TOMITA, Keisen | First visit to the Red Criff | ËÜ´Û4F | ´óÂ÷ºîÉÊ | |
| ÃæÀ¸µ | ·ª¿§¤Î˹»Ò | 1920 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAGAWA, Kigen | Nutbrown Hat | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| ÃæÂ¼×³ | ÂçÅçÉ÷·Ê | 1914-15 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Tsune | Landscape, Island Oshima | ËÜ´Û4F | |||
| 29 | ÃæÂ¼×³ | ¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü | 1920 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Tsune | Portrait of Vasilii Yaroshenko | ËÜ´Û4F | ÂçΤ°ìÂÀϺ»á´ó£ | |
| ¸å | ®¿å¸æ½® | Àõ½Õ | 1918 | ºÌ¿§ | ¸¨ËÜ | HAYAMI, Gyoshu | Early Spring | ËÜ´Û4F | ||
| 33 | Á° | ®¿å¸æ½® | Ìç(̾¼ç¤Î²È) | 1924 | ºÌ¿§ | »æËÜ | HAYAMI, Gyoshu | Gate (Residence of the Village Head) | ËÜ´Û4F | |
| 36 | Ê¿Ê¡É´Êæ | ¹Ó°ë(¤¢¤ê¤½) | 1926 | ºÌ¿§ | »æËÜ | HIRAFUKU, Hyakusui | Rough Coast | ËÜ´Û4F | ||
| 28 | Á° | ¼¾å²Ú³Ù | Æü¹â²ÏÀ¶É±¿Þ | 1919 | ºÌ¿§ | ¸¨ËÜ | MURAKAMI, Kagaku | Kiyohime at the Hidaka River | ËÜ´Û4F | |
| 21 | ¼»³ÜÇ¿ | ¥Ð¥é¤È¾¯½÷ | 1917 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MURAYAMA, Kaita | Roses and a Girl | ËÜ´Û4F | »³Ëܹ§»á´ó£ | |
| ¸å | ²£»³Âç´Ñ | Êë¿§ | 1922 | Ëϲè | ¸¨ËÜ | YOKOYAMA, Taikan | Evening Twilight | ËÜ´Û4F | ||
| 17 | èßÅ´¸ÞϺ | ÍçÂÎÈþ¿Í | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YOROZU, Tetsugoro | Nude Beauty | ËÜ´Û4F | ȬÌÚÀµ¼£»á´ó£ | |
| 22 | èßÅ´¸ÞϺ | ¤â¤¿¤ì¤ÆÎ©¤Ä¿Í | 1917 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YOROZU, Tetsugoro | Leaning Woman | ËÜ´Û4F | ȬÌÚÀµ¼£»á´ó£ | |
| ¥í¥À¥ó¡¢¥ª¡¼¥®¥å¥¹¥È | ¥È¥ë¥½¡¼ | ÉÔ¾Ü | ¥Ö¥í¥ó¥º | RODIN, Auguste | Torso | ËÜ´Û4F | ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£ | |||
| ¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È ¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City |
||||||||||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ÃÏÃæ³¤·²Áü | 1941/65 | ÂçÍýÀÐ | ARP, Jean(Hans) | Mediterranean Group | ËÜ´Û4F | ||||
| ÀгÀ±ÉÂÀϺ | ÏÓ | 1929 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ISHIGAKI, Eitaro | Undefeated Arm | ËÜ´Û4F | ÀгÀ°½»Ò»á´ó£ | ||
| 43 | ¡¡ | ¥«¥ó¥Ç¥£¥ó¥¹¥¡¼¡¢ ¥ï¥·¥ê¡¼ | Á´ÂÎ | 1940 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KANDINSKY, Wassily | The Whole | ËÜ´Û4F | |
| ËÌÀî̱¼¡ | ¥é¥ó¥Á¥§¥í¤Î±´ | 1938 | ¥Æ¥ó¥Ú¥é | »æ | KITAGAWA, Tamiji | Song of Ranchero | ËÜ´Û4F | |||
| ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ¾®¤µ¤Ê½©¤ÎÉ÷·Ê | 1920 | ÌýºÌ | »æ(¥Ü¡¼¥É¤ËŽÉÕ) | KLEE, Paul | Small Autumn Landscape | ËÜ´Û4F | ÃçÅÄÄêÇ·½õ¡¢¹¥¹¾»á´ó£ | ||
| 38 | ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý | 1925 | ÌýºÌ | ¸ü»æ | KLEE, Paul | Abstraction with Reference to a Flowering Tree | ËÜ´Û4F | ||
| ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ²Ö¤Î¥Æ¥é¥¹ | 1937 | ÌýºÌ | ÌÊÉÛ | KLEE, Paul | Flower Terrace | ËÜ´Û4F | |||
| ¥°¥ê¥¹¡¢ ¥Û¥¢¥ó | ±ßÂî | 1921 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | GRIS, Juan | The Gueridon | ËÜ´Û4F | |||
| 40 | ¸Å²ì½Õ¹¾ | ³¤ | 1929 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOGA, Harue | Sea | ËÜ´Û4F | ||
| 39 | º´ÇìÍ´»° | ¥¬¥¹Åô¤È¹¹ð | 1927 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAEKI, Yuzo | Gas Lamp and Advertisements | ËÜ´Û4F | ||
| ½»Ã«Èغ¬ | ¹©¾ì¤Ë±÷¤±¤ë°¦¤ÎÆü²Ý | 1923 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SUMIYA, Iwane | Daily Task of Love in a Factory | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| ¥É¥í¡¼¥Í¡¼¡¢ ¥í¥Ù¡¼¥ë | ¥ê¥º¥à ÍæÀû | 1935 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | DELAUNAY, Robert | Rythm-Spiral | ËÜ´Û4F | |||
| 42 | ÌîÅıÑÉ× | µ¢Ï© | 1935 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NODA, Hideo | Way to Home | ËÜ´Û4F | ||
| ĹëÀîÍø¹Ô | ´ßÅĹñ»ÎÁü | 1930 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | HASEKAWA, Toshiyuki | Portrait of Kunio Kishida | ËÜ´Û4F | ÌÚ¼Åì²ð»á´ó£ | ||
| ĹëÀîÍø¹Ô | ¿·½ÉÉ÷·Ê | c.1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | HASEKAWA, Toshiyuki | View of Shinjuku | ËÜ´Û4F | |||
| 41 | Ê¡Âô°ìϺ | Poisson d'Avril(»Í·îÇϼ¯) | 1930 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUKUZAWA, Ichiro | April Fool | ËÜ´Û4F | ºî¼Ô´ó£ | |
| Á°ÅÄ´²¼£ | ÍçÉØ | 1925 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MAETA, Kanji | Nude | ËÜ´Û4F | |||
| »°´ß¹¥ÂÀϺ | ±À¤Î¾å¤òÈô¤Öij | 1934 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MIGISHI, Kotaro | Butterflies Flying above Clouds | ËÜ´Û4F | |||
| ¼»³ÃεÁ | ¤¢¤ë¥æ¥À¥ä¿Í¤Î¾¯½÷Áü | 1922 | ÌýºÌ¡¢»æ¡¢ÌÚ¡¢¥³¥é¡¼¥¸¥å | MURAYAMA, Tomoyoshi | Portrait of a Jewish Girl | ËÜ´Û4F | ÉÍÆÁÂÀϺ»á´ó£ | |||
| ¼»³ÃεÁ | ¥³¥ó¥¹¥È¥ë¥¯¥Á¥ª¥ó | 1925 | ÌýºÌ¡¢»æ¡¢ÌÚ¡¢ÉÛ¡¢¶â°¡¢Èé | MURAYAMA, Tomoyoshi | Construction | ËÜ´Û4F | ÉÍÆÁÂÀϺ»á´ó£ | |||
| ¥ê¥Ò¥¿¡¼¡¢ ¥Ï¥ó¥¹ | ¿§¤Î¥ª¡¼¥±¥¹¥È¥ì¡¼¥·¥ç¥ó | 1923 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | RICHTER, Hans | Orchestration of Color | ËÜ´Û4F | ºî¼Ô°ä£ | ||
| £´F ÆÃ½¸¥³¡¼¥Ê¡¼ Topic in Focus ÌÀ¼£¡¦ÂçÀµ¤ÎÅÀÉÁɽ¸½¡¡Pointillism in Japan, 1868-1926 |
||||||||||
| ¡¡ | ÂÀÅÄ´îÆóϺ | ¿·ÎФκ¢ | 1911 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | OTA, Kijiro | Season on Fresh Green | ËÜ´Û4F | ÂÀÅĵƻ޻á´ó£ | |
| ¡¡ | ÂÀÅÄ´îÆóϺ | ÅÄ¿¢ | 1916 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | OTA, Kijiro | Rice-Planting | ËÜ´Û4F | ÂÀÅĵƻ޻á´ó£ | |
| ¡¡ | Àî¾åÎÃ²Ö | Å´Ï© | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KAWAKAMI, Ryoka | Railroad | ËÜ´Û4F | ¼ò°æ²¯¿Ò»á´ó£ | |
| µ×ÊÆ·Ë°ìϺ | ¥Ö¥ì¥¢Åç | 1891 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KUME, Keiichiro | An Island Brehat | ËÜ´Û4F | ´óÂ÷ºîÉÊ | ||
| 2 | ¹õÅÄÀ¶µ± | ÍîÍÕ | 1891 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KURODA, Seiki | Dead Leaves | ËÜ´Û4F | ÅÄÃæÀéÂå»á´ó£ | |
| ºØÆ£Ëºî | ͼ±Ç¤Îή | 1913 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAITO, Toyosaku | Stream in the Evening Glow | ËÜ´Û4F | |||
| ÄÔ±Ê | ÄØ¤È»Æ»³ÍÓ | 1916 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | TSUJI, Hisashi | Camellias and Kids | ËÜ´Û4F | ºî¼Ô´ó£ | ||
| ÃæÂô¹°¸÷ | ¤Þ¤Ò¤ë | 1910 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAZAWA, Hiromitsu | Midday | ËÜ´Û4F | |||
| °Â°æÁ¾ÂÀϺ | ½Õ¤Î²È | 1911 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YASUI, Sotaro | House in Spring | ËÜ´Û4F | |||
| ¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï ¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings |
||||||||||
| Àл³ÂÀÇð | ¶á¹ÙÆó·Ê(°æÁðÌ²®·¦) | 1930 | ºÌ¿§ | »æËÜ | ISHIYAMA, Taihaku | The Suburbs of Tokyo: Igusano, Ogikubo | ËÜ´Û3F | |||
| °ËÅ쿼¿å | Àã¤Î¾¬ | 1931 | ºÌ¿§ | »æËÜ | ITO, Shinsui | Snowy Evening | ËÜ´Û3F | ÊÂÌÚ½¡¼·»á´ó£ | ||
| ¸å | ¾å¼¾¾±à | Àã | 1942 | ºÌ¿§ | ¸¨ËÜ | UEMURA, Shoen | Snow | ËÜ´Û3F | ||
| Ç߸¶Î¶»°Ïº | ºùÅç(ÀÄ) | 1935 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Mt. Sakurajima (Blue) | ËÜ´Û3F | Àî¸ý¾¾ÂÀϺ»á´ó£ | ||
| ²¬ÅÄ»°Ïº½õ | ÉØ¿ÍȾ¿ÈÁü | 1936 | ÌýºÌ¡¢¤½¤Î¾ | »æ | OKADA, Saburosuke | Portrait of a Woman | ËÜ´Û3F | |||
| 58 | ¾®ÁÒÍ·µµ | Íá½÷¡¡¤½¤ÎÆó | 1939 | ºÌ¿§ | ¸¨ËÜ | OGURA, Yuki | After Bathing | ËÜ´Û3F | ºî¼Ô´ó£ | |
| 49 | ¾®ÌÐÅÄÀļù | Ãîµû²è´¬ | 1931 | ºÌ¿§ | »æËÜ | OMODA, Seiju | Scroll of Insects and Fishes | ËÜ´Û3F | ||
| 48 | ¸å | ÅÌÚÀ¶Êý | »°Í·Äâ±ßÄ«Áü | 1930 | ºÌ¿§ | ¸¨ËÜ | KABURAKI, Kiyokata | Portrait of San'yutei Encho | ËÜ´Û3F | |
| Á° | ÅÌÚÀ¶Êý | ½éÅß¤Î²Ö | 1935 | ºÌ¿§ | ¸¨ËÜ | KABURAKI, Kiyokata | Early Winter Flowers | ËÜ´Û3F | ËÙ±Ûͧµ¬»Ò»á´ó£ | |
| Á° | ÅÌÚÀ¶Êý | ½éÅìÉ÷ | 1942 | ºÌ¿§ | ¸¨ËÜ | KABURAKI, Kiyokata | New Year's Day | ËÜ´Û3F | ||
| Àî¹ç¶ÌƲ | ½Ë¾¹Æü(¤·¤å¤¯¤·¤ç¤¦¤Ó) | 1942 | ºÌ¿§ | ¸¨ËÜ | KAWAI, Gyokudo | Day Celebrating Victory | ËÜ´Û3F | |||
| 46 | ¾®½ÐÆê½Å | Íç½÷¤ÈÇòÉÛ | 1929 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOIDE, Narashige | Nude on White Cloth | ËÜ´Û3F | ||
| Á° | ¾®ÎӸŷ | ¶¶ | 1942 | ºÌ¿§ | ¸¨ËÜ | KOBAYASHI, Kokei | Bridge | ËÜ´Û3F | ||
| 44 | ºäËÜÈËÆóϺ | ¿å¤è¤ê¾å¤ëÇÏ | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAKAMOTO, Hanjiro | Horse Coming out of the Water | ËÜ´Û3F | ||
| ¿ÜÅĹñÂÀϺ | ½ñºØ | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SUDA, Kunitaro | Study | ËÜ´Û3F | ¿ÜÅÄ´²»á´ó£ | ||
| ¹âÅÄÇî¸ü | ¥Õ¡¼¥í¥óÉ׿ÍÁü | 1931 | ¥Ö¥í¥ó¥º | TAKATA, Hiroatsu | Portrait of Madame Foulon | ËÜ´Û3F | ||||
| 52 | °Â°æÁ¾ÂÀϺ | ¶âÍÖ | 1934 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YASUI, Sotaro | Portrait of Chin-Jung | ËÜ´Û3F | ||
| ¸å | ²£»³Âç´Ñ | Ëþ¤ÁÍè¤ëīĬ | 1943 | ºÌ¿§ | ¸¨ËÜ | YOKOYAMA, Taikan | High Tide | ËÜ´Û3F | ÅìÛ굱ͺ»á¾8̾´ó£ | |
| µÈ²¬·øÆó | ɹ¸¶ | 1940 | ºÌ¿§ | »æËÜ | YOSHIOKA, Kenji | Ice Field | ËÜ´Û3F | ºî¼Ô´ó£ | ||
| µÈ¼ÃéÉ× | ÅõäÆÂç¿Ã | 1936 | ºÌ¿§ | ¸¨ËÜ | YOSHIMURA, Tadao | Shigemori Taira, minister of lantern | ËÜ´Û3F | |||
| ·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ · Art during and after the War |
||||||||||
| 62 | ðϸ÷ | ´ã¤Î¤¢¤ëÉ÷·Ê | 1938 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | AI-MITSU | Landscape with an Eye | ËÜ´Û3F | ||
| ðϸ÷ | ij | 1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | AI-MITSU | Butterfly | ËÜ´Û3F | |||
| ËãÀ¸»°Ïº | Êì»ÒÁü | 1959 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ASO, Saburo | Mother and Child | ËÜ´Û3F | ²¬Åıɰì»á´ó£ | ||
| ÀаæÌÐͺ | ²ü¸·¾õÂÖ | 1957 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ISHII, Shigeo | State of Martial Law | ËÜ´Û3F | ÀаæÌмù»á´ó£ | ||
| ¾®»³ÅÄÆóϺ | ¿©Âî | 1955 | ÌýºÌ | ÈÄ | OYAMADA, Jiro | Dining Table | ËÜ´Û3F | |||
| 63 | ¹á·îÂÙÃË | ¿å¶À | 1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KAZUKI, Yasuo | Water Mirror | ËÜ´Û3F | ||
| 79 | ²Ï¸¶²¹ | ÕÔ¤ó¤À½÷ | 1954 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KAWARA, On | Pregnant Woman | ËÜ´Û3F | ºî¼Ô´ó£ | |
| 64 | ËÌÏÆ¾º | ¥¯¥©¡¦¥ô¥¡¥Ç¥£¥¹ | 1949 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KITAWAKI, Noboru | Quo Vadis | ËÜ´Û3F | ËÌÏÆ¤«¤Í»á´ó£ | |
| ÄᲬÀ¯ÃË | ÀĤ¤¥«¡¼¥Æ¥ó | 1964 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | TSURUOKA, Masao | Blue Curtain | ËÜ´Û3F | |||
| ËÊ¡ÃÎÆÁ | ΩÁü | 1960 | ÌÚ | TOYOFUKU, Tomonori | Statue | ËÜ´Û3F | ||||
| Á° | Æ£ÅĻ̼£ | ¥µ¥¤¥Ñ¥óÅçÆ±Ë¦¿ÃÀá¤òÁ´¤¦¤¹ | 1945 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJITA, Tsuguharu | Compatriots on Saipan Island Remain Faithful to the End | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| ¸å | ¾¾ºä¹¯ | ¥¦¥¨¡¼¥Å繶άÀï(¤½¤Î1) | 1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MATSUZAKA, Ko | Capture of Wake Island I | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| ¸å | ¾¾ºä¹¯ | ¥¦¥¨¡¼¥Å繶άÀï(¤½¤Î2) | 1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MATSUZAKA, Ko | Cap£ôure of Wake Island II | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| ¾¾Ëܽײð | ¥Ë¥³¥é¥¤Æ²¤ÈÀ»¶¶ | 1941 | ÌýºÌ | ÈÄ | MATSUMOTO, Shunsuke | Nikolai Cathedral and Hijiri-Bridge | ËÜ´Û3F | |||
| ¸å | »°¹ñµ× | ¥Ð¥êÅç²³¤Àï | c.1942 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | MIKUNI, Hisashi | Naval Battle Off Bali Island | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| Á° | »°ÎØÚêÀª | ¥Ä¥é¥®Ìë½±Àï | 1943 | ºÌ¿§ | »æËÜ | MIWA, Chosei | Night Attack at the Strait of Turagi | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |
| ¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ ¸ Art in the 1950s and 1960s |
||||||||||
| ±Í¶å | ¤ì¤¤¤á¤¤ | 1957 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | EI-KYU | Dawn | ËÜ´Û3F | |||
| 69 | ²¬ËÜÂÀϺ | dz¤¨¤ë¿Í | 1955 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | OKAMOTO, Taro | Men Aflame | ËÜ´Û3F | ºî¼Ô´ó£ | |
| ¶â»³¹¯´î | ¥¢¥¤¥í¥ó¤Î¤¢¤ëÀÅʪ | 1952 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KANAYAMA, Yasuki | Still Life with lrons | ËÜ´Û3F | ´Ý»³ÀµÉð»á´ó£ | ||
| 81 | ²Ã»³Ëô¤ | À鱩Äá | 1970 | ºÌ¿§ | ¸¨ËÜ | KAYAMA, Matazo | A Thousand Cranes | ËÜ´Û3F | ²Ã»³¤ß¤É¤ê»á´ó£ | |
| ºØÆ£µÁ½Å | ºîÉÊ 2 | 1963 | ÌýºÌ | ¹çÈÄ | SAITO, Yoshishige | Work 2 | ËÜ´Û3F | |||
| ¿ûÌÚ»Öͺ | ·Êα¼Ð·Ñ | 2004 | ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥× | SUGA, Kishio | Kei-ryu-sha-kei | ËÜ´Û3F | ||||
| ÆÁ²¬¿ÀÀô | Éٻλ³ | c.1965 | ºÌ¿§ | »æËÜ | TOKUOKA, Shinsen | Mt. Fuji | ËÜ´Û3F | ÆÁ²¬Ë¼»Ò»á´ó£ | ||
| ÆñÇÈÅÄζµ¯ | ¥³¥ó¥Ý¥¸¥·¥ç¥ó | 1965 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAMBATA, Tatsuoki | Composition | ËÜ´Û3F | ºî¼Ô´ó£ | ||
| Ì»³¶Ç¼£ | É÷·Ê(¥é¥¤¡¦¥ì¡¦¥í¡¼¥º) | 1960 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NOMIYAMA, Gyoji | Landscape (L'Hay-les-Roses) | ËÜ´Û3F | ºî¼Ô´ó£ | ||
| 66 | Ê¡ÅÄʿȬϺ | ±« | 1953 | ºÌ¿§ | »æËÜ | FUKUDA, Heihachiro | Rain | ËÜ´Û3F | ||
| Æ£ÅĻ̼£ | ¿ß˼ | 1951 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJITA, Tsuguharu | Kichen | ËÜ´Û3F | ´óÂ÷ºîÉÊ | ||
| Æ£ÅĻ̼£ | ¾¯½÷ | 1956 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJITA, Tsuguharu | A Girl | ËÜ´Û3F | Åĸ¶½¤»á´ó£ | ||
| ¸þ°æÎÉµÈ | µÂ¤Î¾ë | 1960 | ¥¢¥ë¥ß¥Ë¥¦¥à | MUKAI, Ryokichi | Castle of Ants | ËÜ´Û3F | ||||
| »³¸ýĹÃË | ž | 1961 | ÌýºÌ | ¹çÈÄ | YAMAGUCHI, Takeo | Turn | ËÜ´Û3F | |||
| »³ÅÄÀµÎ¼ | Work C-77 | 1960 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMADA, Masaaki | Work C-77 | ËÜ´Û3F | |||
| »³ÅÄÀµÎ¼ | Work C-73 | 1960 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMADA, Masaaki | Work C-73 | ËÜ´Û3F | |||
| ²£»³Áà | ǦÌîÉٻΠ| 1965 | ºÌ¿§ | »æËÜ | YOKOYAMA, Misao | Mt.Fuji Viewed from Oshino | ËÜ´Û3F | ´óÂ÷ºîÉÊ | ||
| ²£»³Áà | À¶ÀãÉٻΠ| c.1966 | ºÌ¿§ | »æËÜ | YOKOYAMA, Misao | Mt.Fuji Covered with Snow | ËÜ´Û3F | ´óÂ÷ºîÉÊ | ||
| 78 | µÈ¸¶¼£ÎÉ | ¹õÃϤËÇò | 1965 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | YOSHIHARA, Jiro | White on Black | ËÜ´Û3F | ºî¼Ô´ó£ | |
| ÈDz襳¡¼¥Ê¡¼ Prints Section ÆÃ½¸¡§²ÃǼ¸÷±÷¨¡¥â¥Î¥¯¥í¡¼¥à¤ÎÎÕ¸÷¡¡1960¡¾62¡¡¡¡Mitsuo Kano |
||||||||||
| ²ÃǼ¸÷±÷ | ή¤ì¤Î¤Ê¤«¤Ç A | 1960 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | In the Stream A | ËÜ´Û3F | ||||
| ²ÃǼ¸÷±÷ | ²Ö¡¦ÄÀÌÛ | 1960 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | Flowers: Silence | ËÜ´Û3F | ||||
| ²ÃǼ¸÷±÷ | ²Ö¡¦ÄÀÌÛ | 1960 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | Flowers: Silence¡¡ | ËÜ´Û3F | ||||
| ²ÃǼ¸÷±÷ | ì®(¤³¤À¤Þ) | 1960-61 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | Echo | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| ²ÃǼ¸÷±÷ | ή¤ì¤Î¤Ê¤«¤Ç | 1961 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | In the Stream | ËÜ´Û3F | ||||
| ²ÃǼ¸÷±÷ | À±¡¦È¿çí³Ø(¤Ï¤ó¤¹¤¦¤¬¤¯) | 1962 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | Star: Rumination | ËÜ´Û3F | ||||
| ²ÃǼ¸÷±÷ | À±¡¦È¿çí³Ø | 1962 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | Star: Rumination | ËÜ´Û3F | ||||
| ²ÃǼ¸÷±÷ | À±¡¦È¿çí³Ø | 1962 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | Star: Rumination | ËÜ´Û3F | ||||
| ²ÃǼ¸÷±÷ | À±¡¦È¿çí³Ø | 1962 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | Star: Rumination | ËÜ´Û3F | ||||
| ²ÃǼ¸÷±÷ | À±¡¦È¿çí³Ø | 1962 | ¥¤¥ó¥¿¥ê¥ª | KANO, Mitsuo | Star: Rumination | ËÜ´Û3F | ||||
| ¼Ì¿¿¥³¡¼¥Ê¡¼ Photograph Section ÆÃ½¸¡§¡¡ÂçÄÔÀ¶»Ê¡¡Kiyoji Otsuji |
||||||||||
| ÂçÄÔÀ¶»Ê | ¤Þ¤ë¤á¤Æ¶Ì¤Ë¤Ê¤Ã¤¿¥á¥âÍÑ»æ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A Crumpled Ball of Memo Paper | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¤³¤³¤Ë¤³¤ó¤Ê¥â¥Î¤¬¤¢¤Ã¤¿¤Î¤«¤È¡¢¤¤¤í¤¤¤íȯ¸«¤·¤¿¼Ì¿¿ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | Ah, They Were There! | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | Çˤꤹ¤Æ¤¿¤¢¤È¤Ç½¦¤Ã¤¿Âç»ö¤Ê¥Ç¡¼¥¿¤Î¤¢¤ëÉõÅû | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | An Envelope Containing Important Data, Picked Up After Being Torn Up and Thrown Away. | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¥¸¥ã¥ó¥¯È¢¤Î°ì¤Ä¤Ç¡¢»Í½½Ç¯Ì²¤Ã¤¿¤Þ¤Þ¤Î¥¹¥¤¥Ã¥Á¤¬Æó¤ÄÆþ¤Ã¤Æ¤¤¤ë¡£ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | One of the Junk Boxes Containing Two Forty-Year-Old Switches. | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ²õ¤µ¤ì¤ë²È | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A House Being Pulled Down | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¤Ê¤ó¤Ç¤â¤Ê¤¤¼Ì¿¿ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | Trivial Photo | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¤Ê¤ó¤Ç¤â¤Ê¤¤¼Ì¿¿ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | Trivial Photo | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¤Ê¤ó¤Ç¤â¤Ê¤¤¼Ì¿¿ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | Trivial Photo | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¤Ê¤ó¤Ç¤â¤Ê¤¤¼Ì¿¿ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | Trivial Photo | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¤¦¤Þ¤¯ºî¤Ã¤Æ¤ä¤í¤¦¤È»×¤¦¤Î¤Ç¡¢È¬Ç¯¤¿¤Ã¤Æ¤â¼ê¤ò¤Ä¤±¤é¤ì¤Ê¤¤¥×¥é¥â¥Ç¥ë¤Î¼Ì¿¿¡£ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A Photograph of the Plastic Model That I Can't Put Together after Eight Years Because I Want Make a Neat Job of It. | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ͧ¿Í¤«¤éÌã¤Ã¤¿¥á¥¥·¥³¤È¥¤¥¿¥ê¡¼¤ÎÅÚ»º¡£¤Ê¤¼¤«¼Î¤Æ¤é¤ì¤Ê¤¤»þ·×¤ÎÆâ¡¡¢ºòǯ½©¤ËÈ´¤±¤Æ¤·¤Þ¤Ã¤¿»ä¤Î±±»õ¡¢¤½¤Î¾¤Î¥»¥Ã¥È¡£ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | A Set Including Mexican and Italian Souvenirs from Friends, the Clock Mechanism That I Can't Throw Away for Some Reason, and One of My Molar Tooth That Fell Out Last Fall. | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¤À¤¤¤¸¤ÊÅ£ | 1975 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | Important Nails | ËÜ´Û3F | ||||
| ÂçÄÔÀ¶»Ê | ¸«¤¨¤Ì°ÕÌ£¤ò¸«¤Ì°ÕÌ£¤È | 1980 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | OTSUJI, Kiyoji | What You Can't See and What You Won't See and | ËÜ´Û3F | ||||
| Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß ¹ Contemporary Art after the 1970s |
||||||||||
| ¹ÓÀºî | Ħ¹ï¤¹¤ë No.1 | 1961-62 | ¥¢¥¯¥ê¥ê¥Ã¥¯¡¢±ôÉ®¡¢¿§±ôÉ® | ¥¥ã¥ó¥Ð¥¹ | ARAKAWA, Shusaku | Sculpting No.1 | ËÜ´Û2F | |||
| ¹ÓÀºî | ¿Þ¼°¤ÎÍß˾ | 1985 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | ARAKAWA, Shusaku | The Desire of the Diagram | ËÜ´Û2F | |||
| º£°æ½ÓËþ | ÇÈÞ¹¿Þ(¥ô¥§¥Í¥Ä¥£¥¢»¾²Î) | 1993 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | IMAI, Toshimitsu | Wave (Hommage to Venice) | ËÜ´Û2F | ºî¼Ô´ó£ | ||
| ¾åÌîÂÙϺ | ¤¤¤Î¤Á¤Î»¾²Î | 1981 | ºÌ¿§ | ¸¨ËÜ | UENO, Yasuo | Paean to Life | ËÜ´Û2F | ¾åÌî½Ê»Ò»á´ó£ | ||
| ±ÝÁÒ¹¯Æó | ͽÃû(ÉÛ) | 1975 | ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó | ENOKURA, Koji | Omen (Cloth) | ËÜ´Û2F | ||||
| ±ÝÁÒ¹¯Æó | ͽÃû(ÌÚ) | 1976 | ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó | ENOKURA, Koji | Omen (Wood) | ËÜ´Û2F | ||||
| ²¬Â¼·Ë»°Ïº | Çò¾Ý¿Þ | 1989 | ´ä³¨¶ñ | ÈÄ | OKAMURA, Keizaburo | White Elephant | ËÜ´Û2F | »¿Èþ¾®¼Ë¡§¾åÅÄÔ¢¾¼¡¦¾åÅĹî»Ò»á´ó£ | ||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | Matsuzaki Bay in the Rain from Route 136. From Eight Views of Japan. | ËÜ´Û2F | ||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " | ËÜ´Û2F | ||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." | ËÜ´Û2F | ||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." | ËÜ´Û2F | ||||
| µÆÈªÌе×ÇÏ | ÅÛÎì·Ï¿Þ¡Ý±ß¶À¤Ë¤è¤ëNos.15, 16 | 1962 | ¥«¥·¥å¡¼ | ÈÄ | KIKUHATA, Mokuma | Genealogy of Slaves-Round Mirror Nos.15, 16 | ËÜ´Û2F | |||
| µÆÈªÌе×ÇÏ | ¥ë¡¼¥ì¥Ã¥È | 1963 | ¥¨¥Ê¥á¥ë | ÈÄ | KIKUHATA, Mokuma | Roulette | ËÜ´Û2F | |||
| µÆÈªÌе×ÇÏ | Å·²Ï½½ | 1997 | ÌýºÌ¡¢ÌªÏ¹ | ¥¥ã¥ó¥Ð¥¹ | KIKUHATA, Mokuma | The Galaxy No.10 | ËÜ´Û2F | |||
| 90 | ¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ | È¿±Ç¡¿»×º÷ | 2000 | ÃòÅ´ | GORMLEY, Antony | Reflection | ËÜ´Û2F | |||
| ¹â¾¾¼¡Ïº | ¤Í¤¸¤ì¤¿Ãì | 1969 | ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó | TAKAMATSU, Jiro | Distorted Pillar | ËÜ´Û2F | ||||
| 83 | ¹â¾¾¼¡Ïº | No.273(±Æ) | 1969 | ¥é¥Ã¥«¡¼ | ÌÚ | TAKAMATSU, Jiro | No.273 (Shadow) | ËÜ´Û2F | ||
| ÃæÀ¾²ÆÇ· | ±¤ | 1959 | ¥é¥Ã¥«¡¼¡¢¥¨¥Ê¥á¥ë¡¢º½ | ¹çÈÄ | NAKANISHI, Natsuyuki | Rhyme | ËÜ´Û2F | |||
| ÃæÀ¾²ÆÇ· | ±¤ | 1960 | ¥é¥Ã¥«¡¼¡¢¥¨¥Ê¥á¥ë¡¢º½ | ¹çÈÄ | NAKANISHI, Natsuyuki | Rhyme | ËÜ´Û2F | |||
| ÃæÀ¾²ÆÇ· | »ç¡¦¤à¤é¤µ¤ XVII | 1983 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKANISHI, Natsuyuki | Purple-Violet XVII | ËÜ´Û2F | |||
| ÌΠ| ƻϩ¾å¤ÎÆü»þ | 1970 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | NOMURA, Hitoshi | Time on a Curved Line | ËÜ´Û2F | ||||
| »°À¥²ÆÇ·²ð | ´ñ·Ê | 2006 | ËÏ¡¢¸ÕÊ´¡¢¥¢¥¯¥ê¥ë | Ï»æ | MISE, Natsunosuke | Kikei, the fantastic scenery | ËÜ´Û2F | ´óÂ÷ºîÉÊ | ||
| ¼²¬»°Ïº | Àޤ줿»ÀÁÇ | 1985 | ±ô¡¢»ÀÁÇ¡¢¥¬¥é¥¹ÉÓ¡¢ÅÔ»Ô¥¬¥¹(1963ǯ¤ËÃíÆþ¡¢Éõ°õ) | MURAOKA, Saburo | Bent Oxygen | ËÜ´Û2F | ||||
| ¥ê¥Ò¥¿¡¼¡¢ ¥²¥ë¥Ï¥ë¥È | 9¤Ä¤Î¥ª¥Ö¥¸¥§ | 1969 | ¥ª¥Õ¥»¥Ã¥È | RICHTER, Gerhard | Nine Objects | ËÜ´Û2F | ||||
| ²°³°Ä¦¹ï Outdoor Sculptures |
||||||||||
| ÌÚ¼¸ÂÀϺ | ¼·¤Ä¤Îµ§¤ê | 1969 | ÀÐ | KIMURA, Kentaro | Seven Prayers | ËÜ´Û²°³° | ||||
| ¿ÅÄÈþÇÈ | Chiaroscuro | 1979 | ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹ | TADA, Minami | Chiaroscuro | ËÜ´Û²°³° | ||||
| 84 | ¥Î¥°¥Á¡¢ ¥¤¥µ¥à | Ìç | 1969 | ¹ÝÅ´¡¢ºÌ¿§ | NOGUCHI, Isamu | Gate | ËÜ´Û²°³° | |||
| ¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î | ¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ | 1969-70 | ¥Ö¥í¥ó¥º | MARINI, Marino | The Idea of an Image | ËÜ´Û²°³° | ||||