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Modern Japanese Art from the Museum Collection
June 3¡ÝAugust 3, 2008

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²»À¼¥¬¥¤¥É Ÿ¼¨´ü´Ö ºî²È̾(ÏÂ) Âê̾(ÏÂ) À©ºîǯ(c.=¡Áǯº¢¡Ë µ»Ë¡ »Ù»ýÂÎ ºî²È̾(±Ñ) Âê̾(±Ñ) Ÿ¼¨¾ì½ê ´ó£¡¦´óÂ÷  
­µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å ­µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten
    ÀÄÌÚÈË ±¿Ì¿ 1904 ÌýºÌ ÈÄ AOKI, Shigeru Destiny ËÜ´Û4F    
  Á° º£Â¼»ç¹È »þ½¡ 1908 ºÌ¿§ ¸¨ËÜ IMAMURA, Shiko Hojo Tokimune Consulting Mugaku Sogen about the Mongol Invasion ËÜ´Û4F    
  ¸å º£Â¼»ç¹È Å« c.1900 ºÌ¿§ ¸¨ËÜ IMAMURA, Shiko Flute ËÜ´Û4F    
    Ç߸¶Î¶»°Ïº ²«¶â¤Î¼ó¾þ¤ê 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Gold Necklace ËÜ´Û4F ºî¼Ô´ó£  
    ÂÀÅÄ´îÆóϺ ¿·ÎФκ¢ 1911 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OTA, Kijiro Season on Fresh Green ËÜ´Û4F ÂÀÅĵƻ޻á´ó£  
13   ÈøÃÝÃÝÔ³ ¤ª¤È¤Å¤ì 1910 ºÌ¿§ »æËÜ OTAKE, Chikuha The Visit ËÜ´Û4F    
    ºäËÜÈËÆóϺ »°·îº¢¤ÎËÒ¾ì 1915 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAKAMOTO, Hanjiro Dairy Farm about March ËÜ´Û4F ´óÂ÷ºîÉÊ  
5   ¿·³¤ÃÝÂÀϺ ¤æ¤¢¤ß 1907 ¥Ö¥í¥ó¥º   SHINKAI, Taketaro Bathing ËÜ´Û4F    
    ÄÔ±Ê ¥ê¥ó¥´ºé¤¯ 1916 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TSUJI, Hisashi Apple Trees in Bloom ËÜ´Û4F ºî¼Ô´ó£  
    »ûºê¹­¶È Þä»ÍÂê(±À¤ÎÊö¡¦²Æ¤Î·î¡¦½©Ì¸¡¦±«¸å) 1909 ºÌ¿§ »æËÜ TERASAKI, Kogyo Four Scenes of Mountain Stream: Hills with Clouds, Summer Moon, Autumn Mist, After Rain ËÜ´Û4F    
    ÃæÂô¹°¸÷ ²Æ 1907 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAZAWA, Hiromitsu Summer ËÜ´Û4F    
1   ¸¶ÅÄľ¼¡Ïº µ³Î¶´Ñ²» 1890 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HARADA, Naojiro Kannon Bodhisattva Riding the Dragon ËÜ´Û4F ¸îÔ¢»û¢¡Ê´óÂ÷ºîÉÊ¡Ë  
14   Æ£ÅçÉðÆó ¤¦¤Ä¤Ä 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Half Dreaming ËÜ´Û4F    
    Æî·°Â¤ Ï»·î¤ÎÆü 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MINAMI, Kunzo One Day in June ËÜ´Û4F    
    »³ËÜŤ ¿åÍá 1918 ÌÚÈÇ(¿¿§)   YAMAMOTO, Kanae Bathing ËÜ´Û4F »³¸ýµ®µ×ÃË¡¢Èþ·Ã»á´ó£  
    »³¸µ½Õµó ±ö¸¶¤Î±ü 1909 ºÌ¿§ ¸¨ËÜ YAMAMOTO, Shunkyo Recesses of Shiobara ËÜ´Û4F    
    »³ËÜ¿¹Ç·½õ ¶Ê±º 1908 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMAMOTO, Morinosuke Inlet ËÜ´Û4F    
4   ÏÂÅÄ»°Â¤ ÆîÉ÷ 1907 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ WADA, Sanzo South Wind ËÜ´Û4F    
­µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à¡¡¡¡­µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26)
  Á° ¾®Àî°òÁ¬ »ô±î¤È¥«¥Ã¥Ñ¤ÎÁ褤(²ÏƸɴ¿Þ¤ÎÆâ¡¡Âè25¿Þ) 1923-37 ËϲèøºÌ »æËÜ OGAWA, Usen Quarrel between a Monkey and a Water Imp (No.25 of "Water Imps in Hundred Settings") ËÜ´Û4F    
12   ²®¸¶¼é±Ò ½÷ 1910 ¥Ö¥í¥ó¥º   OGIWARA, Morie Woman ËÜ´Û4F    
  ¸å ¾®ÌÐÅÄÀļù ¾¾¹¾É÷·Ê 1920 ºÌ¿§ »æËÜ OMODA, Seiju A Scene in Matsue ËÜ´Û4F    
  Á° ¾®ÌÐÅÄÀļù ½Ð±À¹¾³Ñ¹Á¡Ê¤¤¤º¤â¤¨¤º¤ß¤³¤¦¡Ë 1921 ºÌ¿§ »æËÜ OMODA, Seiju The Port of Ezumi in Izumo ËÜ´Û4F    
20   ´ßÅÄέÀ¸ ƻϩ¤ÈÅÚ¼ê¤Èʽ(ÀÚÄÌÇ·¼ÌÀ¸) 1915 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Road Cut through a Hill ËÜ´Û4F    
23   ´ßÅÄέÀ¸ Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Reiko, Five Years Old ËÜ´Û4F    
  ¸å ´ßÅÄέÀ¸ Åß±»²Ø»Ò¿Þ¡Ê¤È¤¦¤¬¤ó¤Ê¤¹¤º¡Ë 1926 ºÌ¿§ ¸¨ËÜ KISHIDA, Ryusei Wax Gourd and Egg Plants ËÜ´Û4F ´óÂ÷ºîÉÊ  
27   ´Øº¬ÀµÆó »°À± 1919 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SEKINE, Shoji Three Stars ËÜ´Û4F    
26   ÅÚÅÄÇþÑ¢ Åò½÷ 1918 ºÌ¿§ ¸¨ËÜ TSUCHIDA, Bakusen Serving Girl at a Spa ËÜ´Û4F    
34   ÆÁ²¬¿ÀÀô Ï¡ 1925 ºÌ¿§ ¸¨ËÜ TOKUOKA, Shinsen Lotus ËÜ´Û4F ÆÁ²¬Ë¼»Ò»á´ó£  
    ¸ÍÄ¥¸É´ç ÆÞ¡Ê¤¯¤â¡Ë¤ê 1917 ¥Ö¥í¥ó¥º   TOBARI, Kogan Cloudiness ËÜ´Û4F    
    ¸ÍÄ¥¸É´ç ÁÇÉÁ ÉÔ¾Ü ±ôÉ®¡¢¿åºÌ »æ TOBARI, Kogan Drawing ËÜ´Û4F ´î¿Éð»ÍϺ»á´ó£  
    ¸ÍÄ¥¸É´ç ÁÇÉÁ ÉÔ¾Ü ±ôÉ®¡¢¿åºÌ »æ TOBARI, Kogan Drawing ËÜ´Û4F ´î¿Éð»ÍϺ»á´ó£  
  Á° ÉÙ¼èÉ÷Ʋ ÀÅʪ 1921 ºÌ¿§ ¸¨ËÜ TOMITORI, Fudo Still Life ËÜ´Û4F ´óÂ÷ºîÉÊ  
    ÃæÂ¼×³ ÂçÅçÉ÷·Ê 1914-15 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Landscape, Island Oshima ËÜ´Û4F    
29   ÃæÂ¼×³ ¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü 1920 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Portrait of Vasilii Yaroshenko ËÜ´Û4F ÂçΤ°ìÂÀϺ»á´ó£  
  ¸å ®¿å¸æ½® ¤Ò¤è¤³ 1924 ºÌ¿§ ¸¨ËÜ HAYAMI, Gyoshu Chickens ËÜ´Û4F    
  Á° Ê¿Ê¡É´Êæ ·øÅġʤ«¤¿¤À¡Ë¤Î°ìµÙ 1929 ºÌ¿§ »æËÜ HIRAFUKU, Hyakusui Priest Ikkyu at Katada ËÜ´Û4F    
21   ¼»³ÜÇ¿ ¥Ð¥é¤È¾¯½÷ 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MURAYAMA, Kaita Roses and a Girl ËÜ´Û4F »³Ëܹ§»á´ó£  
    ¿¹Åűͧ ¥Õ¥é¥ó¥¹É÷·Ê 1914-15 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MORITA, Tsunetomo French Landscape ËÜ´Û4F ¼¯Å缡Ϻ»á´ó£  
  ¸å ²£»³Âç´Ñ Å컳 1924 ËÏ²è ¸¨ËÜ YOKOYAMA, Taikan Higashiyama ËÜ´Û4F    
17   èßÅ´¸ÞϺ ÍçÂÎÈþ¿Í 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Nude Beauty ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£  
    ¥í¥À¥ó¡¢¥ª¡¼¥®¥å¥¹¥È ¥È¥ë¥½¡¼ ÉÔ¾Ü ¥Ö¥í¥ó¥º   RODIN, Auguste Torso ËÜ´Û4F ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£  
­¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È¡¡­¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ÃÏÃæ³¤·²Áü 1941/65 ÂçÍýÀÐ   ARP, Jean(Hans) Mediterranean Group ËÜ´Û4F    
    Àаæ¸÷Éö ÇÀ²È¤ÎÄíÀè 1930 ¿åºÌ »æ ISHII, Kofu Farmhaouse Garden ËÜ´Û4F ÀаæËüΤ»Ò»á´ó£  
    Àаæ¸÷Éö ¥Ö¥í¥ó¥¸Â¼ ­µ 1930 ¿åºÌ »æ ISHII, Kofu Voulangi I ËÜ´Û4F ÀаæËüΤ»Ò»á´ó£  
    ¥¤¥Ã¥Æ¥ó¡¢ ¥è¥Ï¥Í¥¹ ¡Ö¥è¥Ï¥Í¥¹¡¦¥¤¥Ã¥Æ¥óÈDz轸¡×¤è¤ê 1. ¥Á¥í¥ëÉ÷·Ê 1919 ¥ê¥È¥°¥é¥Õ   ITTEN, Johannes 1. Tirolean Landscape from "the Portfolio by Johannes Itten" ËÜ´Û4F    
    ¥¤¥Ã¥Æ¥ó¡¢ ¥è¥Ï¥Í¥¹ ¡Ö¥è¥Ï¥Í¥¹¡¦¥¤¥Ã¥Æ¥óÈDz轸¡×¤è¤ê 4. ¼ã¤¤½÷ 1919 ¥ê¥È¥°¥é¥Õ   ITTEN, Johannes 4. Young Woman from "the Portfolio by Johannes Itten" ËÜ´Û4F    
    ¥¤¥Ã¥Æ¥ó¡¢ ¥è¥Ï¥Í¥¹ ¡Ö¥è¥Ï¥Í¥¹¡¦¥¤¥Ã¥Æ¥óÈDz轸¡×¤è¤ê 9. ¥³¥ó¥Ý¥¸¥·¥ç¥ó 1919 ¥ê¥È¥°¥é¥Õ   ITTEN, Johannes 9. Composition from "the Portfolio by Johannes Itten" ËÜ´Û4F    
    ³¤Ï·¸¶´îÇ·½õ ¥²¥ì¥ó¥Ç 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EBIHARA, Kinosuke Skiing Ground ËÜ´Û4F ±öÂôº»²Ï»á´ó£  
    ²¸ÃϹ§»ÍϺ ¤¢¤«¤ë¤¤»þ 1915 ÌÚÈÇ(¿¿§)   ONCHI, Koshiro Light Time ËÜ´Û4F    
    ²¸ÃϹ§»ÍϺ ¿ÍÂÎ 1924 ÌÚÈÇ   ONCHI, Koshiro Human Body ËÜ´Û4F    
    ²¸ÃϹ§»ÍϺ ¿ÍÂιͻ¡(ȱ) 1927 ÌÚÈÇ(¿¿§)   ONCHI, Koshiro Consideration of Human Body (Hair) ËÜ´Û4F    
43   ¥«¥ó¥Ç¥£¥ó¥¹¥­¡¼¡¢ ¥ï¥·¥ê¡¼ Á´ÂÎ 1940 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KANDINSKY, Wassily The Whole ËÜ´Û4F    
    ¹ñµÈ¹¯Íº ½©¤Î¤¿¤½¤¬¤ì 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KUNIYOSHI, Yasuo Dusk in Autumn ËÜ´Û4F    
    ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Î¥Æ¥é¥¹ 1937 ÌýºÌ ÌÊÉÛ KLEE, Paul Flower Terrace ËÜ´Û4F    
    ¥°¥ê¥¹¡¢ ¥Û¥¢¥ó ±ßÂî 1921 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ GRIS, Juan The Gueridon ËÜ´Û4F    
40   ¸Å²ì½Õ¹¾ ³¤ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOGA, Harue Sea ËÜ´Û4F    
    º´ÇìÍ´»° ¥¬¡¼¥ÉÉ÷·Ê c.1926 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAEKI, Yuzo A Scene under the Girder Bridge ËÜ´Û4F ´óÂ÷ºîÉÊ  
    ¥¿¥ó¥®¡¼¡¢¥¤¥ô ϸ¼Ô(¤í¤¦¤·¤ã¡Ë¤Î¼ª 1938 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TANGUY, Yves The Ears of a Deaf ËÜ´Û4F    
    Åì¶¿ÀÄ»ù ¥µ¥ë¥¿¥ó¥Ð¥ó¥¯ 1926 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TOGO, Seiji Street Performers ËÜ´Û4F    
42   ÌîÅıÑÉ× µ¢Ï© 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NODA, Hideo Way to Home ËÜ´Û4F    
    ĹëÀîÍø¹Ô ¥¿¥ó¥¯³¹Æ» 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HASEKAWA, Toshiyuki Road to the Tank ËÜ´Û4F ´óÂ÷ºîÉÊ  
    Æ£ÅĻ̼£ ¥Ñ¥êÉ÷·Ê 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu Street in Paris ËÜ´Û4F    
    »°´ß¹¥ÂÀϺ ±À¤Î¾å¤òÈô¤Öij 1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MIGISHI, Kotaro Butterflies Flying above Clouds ËÜ´Û4F    
    ÌøÀ¥ÀµÌ´ ˼ÁíÆîü 1922 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YANASE, Masamu Southern Part of the Boso Peninsula ËÜ´Û4F ´óÂ÷ºîÉÊ  
    µÈ¸¶¼£ÎÉ ³¤ÊÕ¤ÎÀÅʪ 1931 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro Still Life by the Sea ËÜ´Û4F    
    µÈ¸¶¼£ÎÉ ºîÉÊ2 c.1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro Work 2 ËÜ´Û4F    
22   èßÅ´¸ÞϺ ¤â¤¿¤ì¤ÆÎ©¤Ä¿Í 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Leaning Woman ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£  
£´F ÆÃ½¸¥³¡¼¥Ê¡¼¡¡ Topic in Focus ¡¡º£Â¼»ç¹È¡Ý¡Ö³¨´¬ÊªÌϼ̡פȡְõÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¡¡
Shiko Imamura: Cop£é£å£ó After Ancient Scroll£ó and Sketches From the Trip to India
    º£Â¼»ç¹È ³¨´¬ÊªÌϼ̡¡Éð¼ÔÇ·´¬ 1898 ºÌ¿§ »æËÜ IMAMURA, Shiko Scroll of Warriors, copy after ancient scroll ËÜ´Û4F    
  Á° º£Â¼»ç¹È ³¨´¬ÊªÌϼ̡¡½ÕÆü¸¢¸½µ­(¤«¤¹¤¬¤´¤ó¤²¤ó¤­)(¶°ì) ÉÔ¾Ü ºÌ¿§ »æËÜ IMAMURA, Shiko Scroll of the Story of the Kasuga Gongen Shrine 1, copy after ancient scroll ËÜ´Û4F    
  ¸å º£Â¼»ç¹È ³¨´¬ÊªÌϼ̡¡È¼ÂçǼ¸À³¨´¬(¶°ì) c.1899 ºÌ¿§ »æËÜ IMAMURA, Shiko Scroll of Ban Dainagon 1, copy after ancient scroll ËÜ´Û4F    
  Á° º£Â¼»ç¹È ³¨´¬ÊªÌϼ̡¡¸å»°Ç¯¡Ê¤´¤µ¤ó¤Í¤ó¡Ë³¨´¬(¶°ì) 1899 ºÌ¿§ »æËÜ IMAMURA, Shiko Scroll of the Gosannen Battle 1, copy after ancient scroll ËÜ´Û4F    
  ¸å º£Â¼»ç¹È ³¨´¬ÊªÌϼ̡¡¸å»°Ç¯¡Ê¤´¤µ¤ó¤Í¤ó¡Ë³¨´¬(¶»°) 1899 ºÌ¿§ »æËÜ IMAMURA, Shiko Scroll of the Gosannen Battle 3, copy after ancient scroll ËÜ´Û4F    
    º£Â¼»ç¹È ³¨´¬ÊªÌϼ̡¡Àл³±ïµ¯ 1899 ËÏ²è »æËÜ IMAMURA, Shiko Scroll of the Story of the Ishiyama Temple, copy after ancient scroll ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡¿·²ÅÔ³¡Ê¥·¥ó¥¬¥Ý¡¼¥ë¡ËÅÚ¿Í¿å¾åÀ¸³è 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Huts on the Water in Singapore from "Sketches from the Trip¡¡to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡ÈàÆî¡Ê¥Ú¥Ê¥ó¡Ë¹Ù³° 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Suburb of Penang from "Sketches from the Trip to India " ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡ÈàÆî¡Ê¥Ú¥Ê¥ó¡Ë¸ø±à¥Î¿¢Êª 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Plants in a Park in Penang from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡Íö¹×¡Ê¥é¥ó¥°¡¼¥ó¡Ë½ê¸« 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko A Scene in Rangoon from"Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡Íö¹×¡Ê¥é¥ó¥°¡¼¥ó¡Ë½ê¸« 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko A Scene in Rangoon from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡Íö¹×¡Ê¥é¥ó¥°¡¼¥ó¡Ë¤ÎÄ® 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Natives' District in Rangoon from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡²àÌí¡Ê¥¬¥ä¡¼¡Ë½ê¸« 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko A Scene in Gaya from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡²àÌí¡Ê¥¬¥ä¡Ý¡Ë½ê¸« 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko A Scene in Gaya from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡²àÌí¡Ê¥¬¥ä¡¼¡Ë½ê¸« 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko A Scene in Gaya from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡²àÌí¡Ê¥¬¥ä¡¼¡Ë¥ÎÄ® 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko The Town of Gaya from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡µí¼Ö 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Oxcart from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡°õÅÙÉ÷·Ê 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko A Scene in India from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡Áɽ£¡Ê¤½¤·¤å¤¦¡Ë 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Suzhou from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡Áɽ£¡Ê¤½¤·¤å¤¦¡Ë¥ÎÄ®¤Ï¤Å¤ì 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Suburb of Suzhou from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡À¾¸Ð¡Ê¤»¤¤¤³¡Ë 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Lake Xi from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡À¾¸Ð¡Ê¤»¤¤¤³¡Ë¸É»³¥ÎÅã 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Tower on Gushan Mountain, Lake Xi from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡À¾¸Ð¡Ê¤»¤¤¤³¡Ë 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Lake Xi from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡Äù¾¡Ê¤Á¤ó¤³¤¦¡Ë¥Î¼ 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko The Village of Zhenjiang from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡Äù¾¡Ê¤Á¤ó¤³¤¦¡Ë¶â»³»û 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Jinshansi Temple, Zhenjiang from "Sketches from the Trip to India" ËÜ´Û4F    
    º£Â¼»ç¹È ¡Ö°õÅÙι¹Ô¥¹¥±¥Ã¥ÁÄ¢¡×¤è¤ê¡¡Æîµþ¡Ê¥Ê¥ó¥­¥ó¡Ë¾ëÊÉ 1914 ËÏ¡¢ºÌ¿§ »æ IMAMURA, Shiko Town Wall of Nanjing from "Sketches from the Trip to India" ËÜ´Û4F    
­¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï¡¡­¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings
    ÀаæÄá»° ½Ó´²(ƬÉô»îºî) 1930 ¥Ö¥í¥ó¥º   ISHII, Tsuruzo Priest Shunkan (Study for Head) ËÜ´Û3F    
    °ËÅ쿼¿å Ϫ 1931 ºÌ¿§ »æËÜ ITO, Shinsui Dewdrops ËÜ´Û3F ÊÂÌÚ½¡¼·»á´ó£  
    ¾å¼¾¾±à ¿·ê¥(¤Ë¤¤¤Ü¤¿¤ë) 1944 ºÌ¿§ ¸¨ËÜ UEMURA, Shoen Firefly ËÜ´Û3F    
    Ç߸¶Î¶»°Ïº Ĺ°Â³¹ 1940 ÌýºÌ¡¢´ä³¨¶ñ »æ UMEHARA, Ryuzaburo Chang An Streets, Beijing ËÜ´Û3F ºî¼Ô´ó£  
59   Ç߸¶Î¶»°Ïº Ë̵þ½©Å· 1942 ÌýºÌ¡¢´ä³¨¶ñ »æ UMEHARA, Ryuzaburo Autumn in Beijing ËÜ´Û3F Àî¸ý¾¾ÂÀϺ»á´ó£  
    ²¬ÅÄ»°Ïº½õ ÉØ¿ÍȾ¿ÈÁü 1936 ÌýºÌ¡¢¤½¤Î¾ »æ OKADA, Saburosuke Portrait of a Woman ËÜ´Û3F    
    ¾®ÁÒÍ·µµ ¾®½÷ 1956 ºÌ¿§ »æËÜ OGURA, Yuki Girl ËÜ´Û3F    
  ¸å Å­ÌÚÀ¶Êý ÌÀ¼£É÷¯½½Æó¥ö·î(¼··î) 1935 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Monthly Manners and Customs of the Meiji Period, July ËÜ´Û3F    
  ¸å Å­ÌÚÀ¶Êý ÌÀ¼£É÷¯½½Æó¥ö·î(Ȭ·î) 1935 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Monthly Manners and Customs of the Meiji Period, August ËÜ´Û3F    
  Á° Å­ÌÚÀ¶Êý ÁãÎӻҡʤ½¤¦¤ê¤ó¤·¡Ë 1935 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Sorinshi, the pseudonym of Chikamatsu Monzaemon ËÜ´Û3F    
    Àîüζ»Ò ¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡ÆüÈæÃ«¸ø±à 1922-23 ºÌ¿§ ¸¨ËÜ KAWABATA, Ryushi Hibiya Park from "Famous Views in Tokyo" ËÜ´Û3F ´óÂ÷ºîÉÊ  
    Àîüζ»Ò ¶â³Õ±ê¾å 1950 ºÌ¿§ »æËÜ KAWABATA, Ryushi Kinkakuji-Temple on Fire ËÜ´Û3F ¾¾Åİ˻°Íº»á´ó£  
    ¾åºå²í¿Í ¤ªÃã¤Î¿åÊաʤ¢¤¿¤ê¡Ë¤ÎÅ´¶¶ 1950 ÌÚÈÇ   KOSAKA, Gajin Iron Bridge Near Ochanomizu ËÜ´Û3F ¾åºå¤«¤Ä»á´ó£  
    ¾®ÎӸŷ ÅâéæµÐ(¤È¤¦¤â¤í¤³¤·) 1939 ºÌ¿§ »æËÜ KOBAYASHI, Kokei Indian Corn Plants ËÜ´Û3F    
    ²¼Â¼´Ñ»³ ¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡ÆüËܶ¶ 1922-23 ºÌ¿§ ¸¨ËÜ SHIMOMURA, Kanzan Nihombashi Bridge from "Famous Views in Tokyo" ËÜ´Û3F ´óÂ÷ºîÉÊ  
    ¿ÜÅĹñÂÀϺ Êâ¤àÏÉ 1940 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUDA, Kunitaro Walking Eagle ËÜ´Û3F    
    ÆÁ²¬¿ÀÀô °ò¿Þ 1943 ºÌ¿§ ¸¨ËÜ TOKUOKA, Shinsen Taros ËÜ´Û3F ÆÁ²¬À¯»Ò»á´ó£  
    Ê¿Äͱ¿°ì ¸á¸å¤ÎÈôÀС¢ÆàÎÉ 1960 ÌÚÈÇ   HIRATSUKA, Un'ichi Stepping Stones in the Afternoon, Nara ËÜ´Û3F ºî¼Ô´ó£  
    Æ£°æ¹ÀÍ´ Ûàȱ¡Ê¤¹¤­¤¬¤ß¡Ë 1937 ¥Ö¥í¥ó¥º   FUJII, Koyu Hair Combing ËÜ´Û3F    
    »°Ã«½½»å»Ò ͼ 1934 ºÌ¿§ ¸¨ËÜ MITANI, Toshiko Evening ËÜ´Û3F    
51   °Â°æÁ¾ÂÀϺ ±üÆþÀ¥¡Ê¤ª¤¤¤é¤»¡Ë¤ÎÞäή 1933 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro Oirase Stream ËÜ´Û3F    
52   °Â°æÁ¾ÂÀϺ ¶âÍÖ 1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro Portrait of Chin-Jung ËÜ´Û3F    
    °ÂÅÄðÖɧ ¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡Ý¯ÅÄÌç 1922-23 ºÌ¿§ ¸¨ËÜ YASUDA, Yukihiko Sakurada Gate from "Famous Views in Tokyo" ËÜ´Û3F ´óÂ÷ºîÉÊ  
    °ÂÅÄðÖɧ Ï»²ÎÀç 1933 ºÌ¿§ ¸¨ËÜ YASUDA, Yukihiko The Six Poetic Geniuses ËÜ´Û3F ËÙ±Ûͧµ¬»Ò»á´ó£  
    ²£»³Âç´Ñ ¡ÖÅìÅÔ̾½ê¡×¤è¤ê¡¡ÉÔǦÃÓ 1922-23 ºÌ¿§ ¸¨ËÜ YOKOYAMA, Taikan Shinobazu Pond from "Famous Views in Tokyo" ËÜ´Û3F ´óÂ÷ºîÉÊ  
    µÈ²¬·øÆó ¾®·Æ 1933 ºÌ¿§ »æËÜ YOSHIOKA, Kenji A Rest ËÜ´Û3F ºî¼Ô´ó£  
­·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ¡¡¡¡­· Art during and after the War
62   ðϸ÷ ´ã¤Î¤¢¤ëÉ÷·Ê 1938 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ AI-MITSU Landscape with an Eye ËÜ´Û3F    
    ËãÀ¸»°Ïº ¼«²èÁü 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ASO, Saburo Self-Portrait ËÜ´Û3F    
    ´äÅÄÀìÂÀϺ ¾®µÙ»ß 1944 ºÌ¿§ »æËÜ IWATA, Sentaro Timeout on the Battlefield ËÜ´Û3F ̵´ü¸ÂÂßÍ¿  
    ³¤Ï·¸¶´îÇ·½õ ½Þ¶µ¼Ô 1951 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EBIHARA, Kinosuke Martyr ËÜ´Û3F    
63   ¹á·îÂÙÃË ¿å¶À 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAZUKI, Yasuo Water Mirror ËÜ´Û3F    
79   ²Ï¸¶²¹ ÕԡʤϤé¡Ë¤ó¤À½÷ 1954 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAWARA, On Pregnant Woman ËÜ´Û3F ºî¼Ô´ó£  
64   ËÌÏÆ¾º ¥¯¥©¡¦¥ô¥¡¥Ç¥£¥¹ 1949 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KITAWAKI, Noboru Quo Vadis ËÜ´Û3F ËÌÏÆ¤«¤Í»á´ó£  
    ÁâÎÉÔ÷ Ì©ÊĤ»¤ëÁÒ¸Ë 1957 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ CHO, Yang Gyu Sealed Warehouse ËÜ´Û3F ºî¼Ô´ó£  
    Ê¡Âô°ìϺ ¼ù³¤ 1948 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUKUZAWA, Ichiro Deep Forest ËÜ´Û3F ºî¼Ô´ó£  
    Æ£ÅĻ̼£ ·°¡Ê¤«¤ª¤ë¡Ë¶õÄòÂâŨ¿Ø¤Ë¶¯¹ÔÃåΦʳÀ魯 1945 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu Fierce Fighting of Kaoru Paratroops After Landing on the Enemy's Position ËÜ´Û3F ̵´ü¸ÂÂßÍ¿  
    ¾¾Ëܽײð Y»Ô¤Î¶¶ 1943 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MATSUMOTO, Shunsuke Bridge in Y-City ËÜ´Û3F    
    ÌðÂô¸¹·î ¹¶Î¬Ä¾¸å¤Î¥·¥ó¥¬¥Ý¡¼¥ë·³¹Á c.1942 ºÌ¿§ »æËÜ YAZAWA, Gengetsu Singapore Naval Port Just After Occupation ËÜ´Û3F ̵´ü¸ÂÂßÍ¿  
    Ìø¸¶µÁã ¸¤¤Î±´ 1961 ¥Ö¥í¥ó¥º   YANAGIHARA, Yoshitatsu Song of the Dog ËÜ´Û3F ºî¼Ô´ó£  
­¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ ¡¡­¸ Art in the 1950s and 1960s
    ¹Ó°æÎ¶ÃË ¼ë¤ÎÃæ¤Î¼ë 1955 ÌýºÌ ¥Ï¡¼¥É¥Ü¡¼¥É ARAI, Tatsuo Vermilion in Vermilion ËÜ´Û3F    
    ´ä¶¶±Ñ±ó ¿ª¡Ê¤·¤ç¤¯¡Ë 1959 ºÌ¿§ »æËÜ IWAHASHI, Eien Erosion ËÜ´Û3F    
    ±Í¶å ÀÖ¤¤ÎØ 1954 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EI-KYU Red Circle ËÜ´Û3F    
69   ²¬ËÜÂÀϺ dz¤¨¤ë¿Í 1955 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OKAMOTO, Taro Men Aflame ËÜ´Û3F ºî¼Ô´ó£  
    ÊÒ²¬µå»Ò ³é¶Ä¡Ê¤«¤Ä¤®¤ç¤¦¡Ë 1960 ºÌ¿§ »æËÜ KATAOKA, Tamako Great Longing ËÜ´Û3F    
    º«Ìî×ñ À¸Ä¹¤Î·ÁÂÖ No.1 1954 Àйѡ¢¥«¥·¥å¡¼   KONNO, Hisashi Form of Growth No.1 ËÜ´Û3F    
    Çòȱ°ìͺ Å··ÅÀ±Ì¿»°Ïº(¤Æ¤ó¤±¤¤¤»¤¤¤Ø¤ó¤á¤¤¤µ¤ó¤í¤¦)(¿åÞ÷ÅÁ¹ë·æ¤ÎÆâ) 1964 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SHIRAGA, Kazuo Hemmei Sanro, a hero of a Chinese story ËÜ´Û3F ºî¼Ô´ó£  
    ÅÄÃæÆØ»Ò ºîÉÊ 66 - SA 1966 ¥Ó¥Ë¡¼¥ë¼ù»é ¥­¥ã¥ó¥Ð¥¹ TANAKA, Atsuko Work 66 - SA ËÜ´Û3F    
    ÆñÇÈÅÄζµ¯ Å·ÂΤα¿¹Ô 1956 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAMBATA, Tatsuoki Movement of Heavenly Body ËÜ´Û3F ºî¼Ô´ó£  
    ¿·ºÊ¼Â ´ã¤Î¾ë 1965 ÂçÍýÀС¢ÌÚ¡¢¹ÝÅ´   NIIZUMA, Minoru Castle of the Eye ËÜ´Û3F    
75   Ê¿»³°êÉ× ·úΩ¶â¹ä¿´¿Þ 1963 ºÌ¿§ »æËÜ HIRAYAMA, Ikuo Enlightenment ËÜ´Û3F    
    ¼°æÀµÀ¿ ´é 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MURAI, Masanari Face ËÜ´Û3F    
    »³¸ýĹÃË ¹½À® 1955 ÌýºÌ ¹çÈÄ YAMAGUCHI, Takeo Composition ËÜ´Û3F    
    µÈÅÄÁ±É§ ÉٻηîÌÀ 1964 ºÌ¿§ »æËÜ YOSHIDA, Yoshihiko Mt. Fuji in Moonlight ËÜ´Û3F    
78   µÈ¸¶¼£ÎÉ ¹õÃϤËÇò 1965 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro White on Black ËÜ´Û3F ºî¼Ô´ó£  
ÈDz襳¡¼¥Ê¡¼ Prints Section¡¡¡¡ÆÃ½¸¡¡¹â¶¶ÎÏͺ¡¡Rikio Takahashi
    ¹â¶¶ÎÏͺ Lyric(Spring) 1957 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Lyric(Spring) ËÜ´Û3F ±üÅÄÀ¾Åλһá´ó£  
    ¹â¶¶ÎÏͺ Passing Nun(Buddhist) 1958 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Passing Nun(Buddhist) ËÜ´Û3F ±üÅÄÀ¾Åλһá´ó£  
    ¹â¶¶ÎÏͺ ²»³Ú(ǽ A) 1960 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Music (Noh Play A) ËÜ´Û3F ºî¼Ô´ó£  
    ¹â¶¶ÎÏͺ Series Kyoto No.23 1962 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Series Kyoto No.23 ËÜ´Û3F ±üÅÄÀ¾Åλһá´ó£  
    ¹â¶¶ÎÏͺ ǽ 1963 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Noh Play ËÜ´Û3F ºî¼Ô´ó£  
    ¹â¶¶ÎÏͺ Nest Water 1966 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Nest Water ËÜ´Û3F ±üÅÄÀ¾Åλһá´ó£  
    ¹â¶¶ÎÏͺ Summer Vacation 1966 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Summer Vacation ËÜ´Û3F ±üÅÄÀ¾Åλһá´ó£  
    ¹â¶¶ÎÏͺ Series Kyoto No.35 1966 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Series Kyoto No.35 ËÜ´Û3F ±üÅÄÀ¾Åλһá´ó£  
    ¹â¶¶ÎÏͺ Snow Garden 1977 ÌÚÈÇ(¿¿§)   TAKAHASHI, Rikio Snow Garden ËÜ´Û3F ±üÅÄÀ¾Åλһá´ó£  
¼Ì¿¿¥³¡¼¥Ê¡¼ Photograph Section ÆÃ½¸¡§¡¡¼Ì¿¿¤ÎÊ£¿ôÀ­¡¡Multipleness of Photography
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û3F    
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û3F    
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û3F    
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û3F    
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û3F    
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û3F    
    °ËÆ£µÁɧ KAGE 8723 1987 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ITO, Yoshihiko KAGE 8723 ËÜ´Û3F    
    °ËÆ£µÁɧ KAGE 8724 1987 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ITO, Yoshihiko KAGE 8724 ËÜ´Û3F    
    ÂçÄÔÀ¶»Ê ¡ÖÂçÄÔÀ¶»Ê¥Ý¡¼¥È¥Õ¥©¥ê¥ª¡×¤è¤ê¡¡ÀéÂÌ¥öë 1956 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   OHTSUJI, Kiyoji Sendagaya from "Kiyoji Ohtsuji Portfolio" ËÜ´Û3F    
    ËÌÌ ¡Öour face¡×¤è¤ê Ï²λ³¸©¹âÌÀ콤³Ø±¡¤Î¿¿¸ÀÌ©¶µÁÎη35¿Í¤ò½Å¤Í¤¿¾ÓÁü 2003 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   KITANO, Ken Piling Portraits of 35 Esoteric Buddhist Monks of the Shingon Sect Studying at KOHYA Mountain Specialty School, Wakayama from ¡Èour face¡É ËÜ´Û3F    
    ËÌÌ ¡Öour face¡×¤è¤ê Ë̳¤Æ»ÅìÀîÄ®ÍÄ»ù¥»¥ó¥¿¡¼¤Î»Ò¶¡¤¿¤Á63¿Í¤ò½Å¤Í¤¿¾ÓÁü 2004 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   KITANO, Ken Piling Portraits of 63 Children at the Child Center of Higashikawa Town, Hokkaido from ¡Èour face¡É ËÜ´Û3F    
    ¥¹¥Æ¥£¡¼¥°¥ê¥Ã¥Ä¡¢ ¥¢¥ë¥Õ¥ì¥Ã¥É »°ÅùÁ¥¼¼ 1907¡Ê1911ǯ¥×¥ê¥ó¥È¡Ë ¥Õ¥©¥È¥°¥é¥ô¥å¡¼¥ë   STIEGLITZ, Alfred The Steerage ËÜ´Û3F ¥¸¥ç¡¼¥¸¥¢¡¦¥ª¥­¡¼¥Õ»á´ó£  
    ¥¹¥Æ¥£¡¼¥°¥ê¥Ã¥Ä¡¢ ¥¢¥ë¥Õ¥ì¥Ã¥É »°ÅùÁ¥¼¼ 1907¡Ê1915ǯ¥×¥ê¥ó¥È¡Ë ¥Õ¥©¥È¥°¥é¥ô¥å¡¼¥ë   STIEGLITZ, Alfred The Steerage ËÜ´Û3F ¥¸¥ç¡¼¥¸¥¢¡¦¥ª¥­¡¼¥Õ»á´ó£  
    ¥¹¥Æ¥£¡¼¥°¥ê¥Ã¥Ä¡¢ ¥¢¥ë¥Õ¥ì¥Ã¥É »°ÅùÁ¥¼¼ 1907(1924-32ǯº¢¥×¥ê¥ó¥È¡Ë ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   STIEGLITZ, Alfred The Steerage ËÜ´Û3F ¥¸¥ç¡¼¥¸¥¢¡¦¥ª¥­¡¼¥Õ»á´ó£  
    ¹âÌÚÍ³Íø»Ò ¡Öº®Í𤹤ë°úÎϡפè¤ê Fourty-One Weeks, Negara 1992 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   TAKAGI, Yuriko Fourty-One Weeks, Negara from "Confused Gravitation" ËÜ´Û3F    
    Åļ¾´±Ñ Æ» 1976-81 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   TAMURA, Akihide Road ËÜ´Û3F ºî¼Ô´ó£  
    ¥Ù¥Ã¥Ò¥ã¡¼¡¢ ¥Ù¥ë¥ó¥È ¡õ ¥Ò¥é ¥¬¥¹¥¿¥ó¥¯¡Ý¥¤¥®¥ê¥¹¡¢¥Ù¥ë¥®¡¼¡¢¥Õ¥é¥ó¥¹¡¢¥É¥¤¥Ä 1981 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   BECHER, Bernd & Hilla Gas Holders - Great Britain, Belgium, France, Germany ËÜ´Û3F    
Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß¡¡­¹ Contemporary Art after the 1970s
    ¥¢¥ë¥Ð¡¼¥¹¡¢ ¥¸¥ç¥»¥Õ ÀµÊý·Á»¾²Î 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ALBERS, Josef Homage to the Square ËÜ´Û2F    
    ¥¢¥ë¥Ð¡¼¥¹¡¢ ¥¸¥ç¥»¥Õ ¡Ö·ÁÀ®¡¦Ï¢ÀÜ¡¡ÂèII½¸¡×¤è¤ê 6 1972 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   ALBERS, Josef 6. from "Formulation: Articulation II" ËÜ´Û2F ¥ê¡¼¡¦V.¥¤¡¼¥¹¥È¥Þ¥ó»á´ó£  
    ¥¢¥ë¥Ð¡¼¥¹¡¢ ¥¸¥ç¥»¥Õ ¡Ö·ÁÀ®¡¦Ï¢ÀÜ¡¡ÂèII½¸¡×¤è¤ê 9 1972 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   ALBERS, Josef 9. from "Formulation: Articulation II" ËÜ´Û2F ¥ê¡¼¡¦V.¥¤¡¼¥¹¥È¥Þ¥ó»á´ó£  
    ¥¢¥ë¥Ð¡¼¥¹¡¢ ¥¸¥ç¥»¥Õ ¡Ö·ÁÀ®¡¦Ï¢ÀÜ¡¡ÂèII½¸¡×¤è¤ê 17 1972 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   ALBERS, Josef 17. from "Formulation: Articulation II" ËÜ´Û2F ¥ê¡¼¡¦V.¥¤¡¼¥¹¥È¥Þ¥ó»á´ó£  
    ¥¢¥ë¥Ð¡¼¥¹¡¢ ¥¸¥ç¥»¥Õ ¡Ö·ÁÀ®¡¦Ï¢ÀÜ¡¡ÂèII½¸¡×¤è¤ê 21 1972 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   ALBERS, Josef 21. from "Formulation: Articulation II" ËÜ´Û2F ¥ê¡¼¡¦V.¥¤¡¼¥¹¥È¥Þ¥ó»á´ó£  
    ±ÝÁÒ¹¯Æó ´³¾Ä(STORY-No.18) 1991 ¥¢¥¯¥ê¥ê¥Ã¥¯ ÌÊÉÛ¡¢ÌÚ ENOKURA, Koji Interference (STORY-No.18) ËÜ´Û2F    
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Matsuzaki Bay in the Rain from Route 136. From "Eight Views of Japan." ËÜ´Û2F    
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " ËÜ´Û2F    
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à 2007 ±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." ËÜ´Û2F    
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." ËÜ´Û2F    
    ¥¯¥é¥Ã¥°¡¢ ¥È¥Ë¡¼ ¥á¡¼¥¿¡¼(·×¬´ï) 2003 ÌÚ   CRAGG, Tony The Meter ËÜ´Û2F    
90   ¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ È¿±Ç¡¿»×º÷ 2000 ÃòÅ´   GORMLEY, Antony Reflection ËÜ´Û2F    
    ¹â¾¾¼¡Ïº ±ó¶áË¡¤Î°Ø»Ò¤È¥Æ¡¼¥Ö¥ë 1966-67 ÌÚ¡¢¥é¥Ã¥«¡¼   TAKAMATSU, Jiro Chairs and the Table in Perspective ËÜ´Û2F    
    ¹â¾¾¼¡Ïº µÕ±ó¶áË¡¤Î¥Ù¥ó¥Á 1967 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   TAKAMATSU, Jiro Benches in Reversed Perspective ËÜ´Û2F    
83   ¹â¾¾¼¡Ïº No.273(±Æ) 1969 ¥é¥Ã¥«¡¼ ÌÚ TAKAMATSU, Jiro No.273 (Shadow) ËÜ´Û2F    
    È«»³Ä¾ºÈ Àî¤ÎÏ¢ºî 1993-96 ¥¿¥¤¥×C¥×¥ê¥ó¥È   HATAKEYAMA, Naoya River Series ËÜ´Û2F    
    ¥Ó¥å¥ì¥ó¡¢ ¥À¥Ë¥¨¥ë ¥Õ¥ì¡¼¥à¤ÎÃæ¤Î¥Õ¥ì¡¼¥à¤ÎÃæ¤Î¥Õ¥ì¡¼¥à No.43 ¥ß¥É¥ê 1988 ¥«¥Ã¥Æ¥£¥ó¥°¥·¡¼¥È¡¢¥¬¥é¥¹   BUREN, Daniel A Frame in a Frame in a Frame No.43 Midori ËÜ´Û2F    
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F    
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F ºî¼Ô´ó£  
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F    
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F ºî¼Ô´ó£  
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F ºî¼Ô´ó£  
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F ºî¼Ô´ó£  
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F ºî¼Ô´ó£  
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F    
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F    
    ¥Õ¥ì¥¯¥¹¥Ê¡¼¡¢¥í¥é¥ó ̵Âê 2001 ¥¤¥ó¥¯¡¢Àи´ »æ FLEXNER, Roland Untitled ËÜ´Û2F    
82   »°ÌÚÉÙͺ EAR 1965 ¥¢¥ë¥ß¥Ë¥¦¥à   MIKI, Tomio EAR ËÜ´Û2F    
    ¼²¬»°Ïº Àޤ줿»ÀÁÇ 1985 ±ô¡¢»ÀÁÇ¡¢¥¬¥é¥¹ÉÓ¡¢ÅÔ»Ô¥¬¥¹(1963ǯ¤ËÃíÆþ¡¢Éõ°õ)   MURAOKA, Saburo Bent Oxygen ËÜ´Û2F    
    ¼²¬»°Ïº ÍÐÃÇ¡½1380¡ëC¡ß11000mm 1986 ¹ÝÅ´   MURAOKA, Saburo A Torch Cutting¡½1380¡ëC¡ß11000mm ËÜ´Û2F    
    »³Ãæ¿®É× ¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (1) 1980 ¥¿¥¤¥×C¥×¥ê¥ó¥È   YAMANAKA, Nobuo Manhattan in Pinhole (1) ËÜ´Û2F    
    »³Ãæ¿®É× ¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (7) 1980 ¥¿¥¤¥×C¥×¥ê¥ó¥È   YAMANAKA, Nobuo Manhattan in Pinhole (7) ËÜ´Û2F    
    »³Ãæ¿®É× ¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (12) 1980 ¥¿¥¤¥×C¥×¥ê¥ó¥È   YAMANAKA, Nobuo Manhattan in Pinhole (12) ËÜ´Û2F    
    »³Ãæ¿®É× ¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (13) 1980 ¥¿¥¤¥×C¥×¥ê¥ó¥È   YAMANAKA, Nobuo Manhattan in Pinhole (13) ËÜ´Û2F    
    »³Ãæ¿®É× ¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (15) 1980 ¥¿¥¤¥×C¥×¥ê¥ó¥È   YAMANAKA, Nobuo Manhattan in Pinhole (15) ËÜ´Û2F    
    »³Ãæ¿®É× ¥Þ¥ó¥Ï¥Ã¥¿¥ó¤ÎÂÀÍÛ (31) 1980 ¥¿¥¤¥×C¥×¥ê¥ó¥È   YAMANAKA, Nobuo Manhattan in Pinhole (31) ËÜ´Û2F    
²°³°Ä¦¹ï¡¡Outdoor Sculptures
    ÌÚ¼¸­ÂÀϺ ¼·¤Ä¤Îµ§¤ê 1969 ÀÐ   KIMURA, Kentaro Seven Prayers ËÜ´Û²°³°    
    ¿ÅÄÈþÇÈ Chiaroscuro 1979 ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹   TADA, Minami Chiaroscuro ËÜ´Û²°³°    
84   ¥Î¥°¥Á¡¢ ¥¤¥µ¥à Ìç 1969 ¹ÝÅ´¡¢ºÌ¿§   NOGUCHI, Isamu Gate ËÜ´Û²°³°    
    ¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î ¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ 1969-70 ¥Ö¥í¥ó¥º   MARINI, Marino The Idea of an Image ËÜ´Û²°³°