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Modern Japanese Art from the Museum Collection¡¡¡¡October 18, 2008¡ÝJanuary 12, 2009

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²»À¼¥¬¥¤¥É Ÿ¼¨´ü´Ö ºî²È̾(ÏÂ) Âê̾(ÏÂ) À©ºîǯ(c.=¡Áǯº¢¡Ë µ»Ë¡ »Ù»ýÂÎ ºî²È̾(±Ñ) Âê̾(±Ñ) Ÿ¼¨¾ì½ê ´ó£¡¦´óÂ÷
­µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å ­µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten
    Ç߸¶Î¶»°Ïº ¥Ê¥ë¥·¥¹ 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Narcissus ËÜ´Û4F ºî¼Ô´ó£
    ²¬ÅÄ»°Ïº½õ ¹È°áÉ׿Í(¾ÓÁü) 1907 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OKADA, Saburosuke Woman in Red (A Portrait) ËÜ´Û4F ´óÂ÷ºîÉÊ
    ºØÆ£Ë­ºî ͼ±Ç¤Îή 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAITO, Toyosaku Stream in the Evening Glow ËÜ´Û4F  
6   ²¼Â¼´Ñ»³ Ìڤδ֤ν© 1907 ºÌ¿§ »æËÜ SHIMOMURA, Kanzan Autumn among Trees ËÜ´Û4F  
5   ¿·³¤ÃÝÂÀϺ ¤æ¤¢¤ß 1907 ¥Ö¥í¥ó¥º   SHINKAI, Taketaro Bathing ËÜ´Û4F  
    ·úÈ«ÂçÌ´ ¤Î¤¾¤­ 1914 ¥Ö¥í¥ó¥º   TATEHATA, Taimu Looking ËÜ´Û4F  
    ÃæÂ¼ÉÔÀÞ ¤¿¤½¤¬¤ì 1916 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Fusetsu Dusk ËÜ´Û4F  
1   ¸¶ÅÄľ¼¡Ïº µ³Î¶´Ñ²» 1890 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HARADA, Naojiro Kannon Bodhisattva Riding the Dragon ËÜ´Û4F ´óÂ÷ºîÉʡʸîÔ¢»û¢¡Ë
    É©ÅĽÕÁð ¿ý¤Ëòí¡Ê¤«¤é¤¹¡Ë 1910 ºÌ¿§ »æËÜ HISHIDA, Shunso Crow and Sparrows ËÜ´Û4F  
11   É©ÅĽÕÁð »Íµ¨»³¿å c.1909 ºÌ¿§ ¸¨ËÜ HISHIDA, Shunso Landscape of the Four Seasons ËÜ´Û4F  
14   Æ£ÅçÉðÆó ¤¦¤Ä¤Ä 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Half Dreaming ËÜ´Û4F  
9   »³²¼¿·ÂÀϺ ÁëºÝ 1908 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMASHITA, Shintaro By the Window ËÜ´Û4F  
    ÏÂÅÄ»°Â¤ ¹©¾ì 1907 ¥Ñ¥¹¥Æ¥ë »æ WADA, Sanzo Factory ËÜ´Û4F  
­µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à¡¡¡¡­µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26)
    ÀÐÀîÀ²É§ ÉãÁü¡¦´é 1922 ºÌ¿§ ¸¨ËÜ ISHIKAWA, Haruhiko Portrait of the Artist's Father ËÜ´Û4F ÀÐÀîÎÆÆó»á´ó£
    ²®¸¶¼é±Ò ʸ³Ð¡Ê¤â¤ó¤¬¤¯¡Ë 1908 ¥Ö¥í¥ó¥º   OGIWARA, Morie Priest Mongaku ËÜ´Û4F  
12   ²®¸¶¼é±Ò ½÷ 1910 ¥Ö¥í¥ó¥º   OGIWARA, Morie Woman ËÜ´Û4F  
  Á° ¾®ÌÐÅÄÀļù ´¨ÎÓ 1927 ºÌ¿§ ¸¨ËÜ OMODA, Seiju Chilly Wood ËÜ´Û4F  
  ¸å ¾®ÌÐÅÄÀļù ÀÐÜØ¡Ê¤¶¤¯¤í¡Ë¤ËÈøÄ¹Ä» À©ºîǯÉÔ¾Ü ºÌ¿§ ¸¨ËÜ OMODA, Seiju Pomegranate and Long-Tailed Cocks ËÜ´Û4F ´óÂ÷ºîÉÊ
    ´ßÅÄέÀ¸ ¸Å²°¡Ê¤³¤ä¡Ë·¯¤Î¾ÓÁü (Áð»ý¤Æ¤ëÃˤξÓÁü) 1916 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Portrait of Yoshio Koya (Portrait of a Man Holding a Plant) ËÜ´Û4F  
    ´ßÅÄέÀ¸ Ôä¤Î¾å¤ËÎӸ餬ºÜ¤Ã¤Æºß¤ë 1916 ÌýºÌ ÈÄ KISHIDA, Ryusei An Apple Exists on Top of a Pot ËÜ´Û4F  
23   ´ßÅÄέÀ¸ Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Reiko, Five Years Old ËÜ´Û4F  
    ´ßÅÄέÀ¸ Îï»ÒÏ»ºÐÇ·Áü 1919 ¿åºÌ¡¢±ôÉ® »æ KISHIDA, Ryusei Portrait of Six-year Old Reiko (Reiko in a Woolen Shawl) ËÜ´Û4F ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£
24   ¥³¥³¥·¥å¥«¡¢ ¥ª¥¹¥«¡¼ ¥¢¥ë¥Þ¡¦¥Þ¡¼¥é¡¼¤Î¾ÓÁü 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOKOSCHKA, Oskar Portrait of Alma Mahler ËÜ´Û4F  
    ¾®ÎӸŷ µ¡¿¥(¤Ï¤¿¤ª¤ê) 1926 ºÌ¿§ ¸¨ËÜ KOBAYASHI, Kokei Weaving ËÜ´Û4F  
27   ´Øº¬ÀµÆó »°À± 1919 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SEKINE, Shoji Three Stars ËÜ´Û4F  
25   ¹â¼¸÷ÂÀϺ ¼ê c.1918 ¥Ö¥í¥ó¥º   TAKAMURA, Kotaro Hand ËÜ´Û4F  
18   ÅÚÅÄÇþÑ¢ Åç¤Î½÷ 1912 ºÌ¿§ ¸¨ËÜ TSUCHIDA, Bakusen Women of an Island ËÜ´Û4F  
    ÆÁ²¬¿ÀÀô ¶¸½÷ c.1919 ºÌ¿§ ¸¨ËÜ TOKUOKA, Shinsen Mad Woman ËÜ´Û4F ÆÁ²¬À¯»Ò»á´ó£
    ¼»³ÜÇ¿ ¥³¥¹¥Á¥å¡¼¥à¤Î̼ 1917 ÌÚú »æ MURAYAMA, Kaita Girl in Costume ËÜ´Û4F  
17   èßÅ´¸ÞϺ ÍçÂÎÈþ¿Í 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Nude Beauty ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£
    ¥í¥À¥ó¡¢¥ª¡¼¥®¥å¥¹¥È ¥È¥ë¥½¡¼ À©ºîǯÉÔ¾Ü ¥Ö¥í¥ó¥º   RODIN, Auguste Torso ËÜ´Û4F ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£
­¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È¡¡­¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ÃÏÃæ³¤·²Áü 1941/65 ÂçÍýÀÐ   ARP, Jean(Hans) Mediterranean Group ËÜ´Û4F  
    ÂçÂô¾»½õ ´ä¤È¿Í 1940 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OSAWA, Shosuke Men and Rocks ËÜ´Û4F ºî¼Ô´ó£
    ²¬ËÜÂÀϺ ¥³¥ó¥È¥ë¥Ý¥¢¥ó 1935/54 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OKAMOTO, Taro Counterpoint ËÜ´Û4F  
    ËÌÏÆ¾º ÆÈ³è¡Ê¤¦¤É¡Ë 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KITAWAKI, Noboru Spikenards ËÜ´Û4F ËÌÏÆ¤«¤Í»á´ó£
    ËÌÏÆ¾º ¸ÉÆÈ¤Ê½ªËö 1938 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KITAWAKI, Noboru Solitary End ËÜ´Û4F ËÌÏÆ¤«¤Í»á´ó£
    ÌÚÆâ¹î ½÷¤Î´é 1929 ¥Æ¥é¥³¥Ã¥¿   KINOUCHI, Yoshi Head of a Woman ËÜ´Û4F ºî¼Ô´ó£
    ¥°¥ê¥¹¡¢ ¥Û¥¢¥ó ±ßÂî 1921 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ GRIS, Juan The Gueridon ËÜ´Û4F  
    ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ¾®¤µ¤Ê½©¤ÎÉ÷·Ê 1920 ÌýºÌ »æ(¥Ü¡¼¥É¤ËŽÉÕ) KLEE, Paul Small Autumn Landscape ËÜ´Û4F ÃçÅÄÄêÇ·½õ¡¢¹¥¹¾»á´ó£
38   ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý 1925 ÌýºÌ ¸ü»æ KLEE, Paul Abstraction with Reference to a Flowering Tree ËÜ´Û4F  
    ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Î¥Æ¥é¥¹ 1937 ÌýºÌ ÌÊÉÛ KLEE, Paul Flower Terrace ËÜ´Û4F  
39 12·î21Æü¤Þ¤ÇŸ¼¨ º´ÇìÍ´»° ¥¬¥¹Åô¤È¹­¹ð 1927 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAEKI, Yuzo Gas Lamp and Advertisements ËÜ´Û4F  
  12·î23Æü¤«¤éŸ¼¨ º´ÇìÍ´»° ¥â¥é¥ó¤Î»û 1928 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAEKI, Yuzo Church at Morin ËÜ´Û4F  
    ĹëÀîÍø¹Ô ¥¿¥ó¥¯³¹Æ» 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HASEKAWA, Toshiyuki Road to the Tank ËÜ´Û4F ´óÂ÷ºîÉÊ
    ¼»³ÃεÁ ¥³¥ó¥¹¥È¥ë¥¯¥Á¥ª¥ó 1925 ÌýºÌ¡¢»æ¡¢ÌÚ¡¢ÉÛ¡¢¶â°¡¢Èé   MURAYAMA, Tomoyoshi Construction ËÜ´Û4F ÉÍÆÁÂÀϺ»á´ó£
    ¥ä¥¦¥ì¥ó¥¹¥­¡¼¡¢ ¥¢¥ì¥¯¥»¥¤¡¦¥Õ¥©¥ó µßÀ¤¼ç¤Î´é c.1921 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ JAWLENSKY, Alexej von Saviour's Face ËÜ´Û4F  
    ÍÛÒùÆó Åõ²¼ÊúÍÊÁü¡Ê¤È¤¦¤«¤Û¤¦¤è¤¦¤¾¤¦¡Ë 1924 ¥Ö¥í¥ó¥º   YO, Kanji Embracement under the Light ËÜ´Û4F  
    µÈ¸¶¼£ÎÉ ²Ð»³ 1943 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro Volcanoes ËÜ´Û4F  
    µÈ¸¶¼£ÎÉ ºîÉÊ2 c.1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro Work 2 ËÜ´Û4F  
22   èßÅ´¸ÞϺ ¤â¤¿¤ì¤ÆÎ©¤Ä¿Í 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Leaning Woman ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£
£´F ÆÃ½¸¥³¡¼¥Ê¡¼¡¡ Topic in Focus ¡¡¿·½ÉÃæÂ¼²°¤Ë¤Ä¤É¤Ã¤¿¿Í¡¹¡½ÂçÀµ»þÂå¤Î·Ý½Ñ¥µ¥í¥ó Artists Who Gathered at Shinjuku Nakamuraya¡½Art Salon in the Taisho Period
    ²®¸¶¼é±Ò ½÷¤Îƹ 1907 ¥Ö¥í¥ó¥º   OGIWARA, Morie Torso of a Woman ËÜ´Û4F  
    ÁêÇϹõ¸÷ ¡ØÌÛ°Ü¡ÙÂè3ÈÇ 1938   ½ñÀÒ SOMA, Kokko Mokui ËÜ´Û4F  
    ÄáÅĸãϺ ÌÕÌܤΥ¨¥í¥·¥§¥ó¥³ 1920 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TSURUTA, Goro Blind Yaroshenko ËÜ´Û4F ³ô¼°²ñ¼ÒÃæÂ¼²°Â¢
    ¸ÍÄ¥¸É´ç ÆÞ¤ê 1917 ¥Ö¥í¥ó¥º   TOBARI, Kogan Cloudiness ËÜ´Û4F  
    ¸ÍÄ¥¸É´ç ΩÁü c.1914 ¥Ö¥í¥ó¥º   TOBARI, Kogan Statue ËÜ´Û4F  
    Ãæ¸¶ÄðÆóϺ ¼ã¤­¥«¥Õ¥«¥¹¿Í 1919 ¥Ö¥í¥ó¥º   NAKAHARA, Teijiro Young Caucasian ËÜ´Û4F  
    ÃæÂ¼×³ ¼«²èÁü c.1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Self-Portrait ËÜ´Û4F ´óÂ÷ºîÉÊ
    ÃæÂ¼×³ ¾®½÷ 1914 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune A Girl ËÜ´Û4F ³ô¼°²ñ¼ÒÃæÂ¼²°Â¢
    ÃæÂ¼×³ ÂçÅçÉ÷·Ê 1914-15 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Landscape, Island Oshima ËÜ´Û4F  
29   ÃæÂ¼×³ ¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü 1920 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Portrait of Vasilii Yaroshenko ËÜ´Û4F ÂçΤ°ìÂÀϺ»á´ó£
29   ÃæÂ¼×³ ¡Ø·Ý½Ñ¤Î̵¸Â´¶¡§´¶ÁÛµÚ½ñ´Ê½¸¡Ù 1926   ½ñÀÒ NAKAMURA, Tsune Infinity of Art: Remarks and Letters ËÜ´Û4F  
    Ìø·É½õ Çò¥·¥ã¥Ä¤ÎÃË 1914 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YANAGI, Keisuke Man in a White Shirt ËÜ´Û4F  
­¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï¡¡¡¡­¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings
    Ç߸¶Î¶»°Ïº ºùÅç(ÀÄ) 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Mt. Sakurajima (Blue) ËÜ´Û3F Àî¸ý¾¾ÂÀϺ»á´ó£
55   Ç߸¶Î¶»°Ïº ¾ë»³ 1937 ÌýºÌ¡¢´ä³¨¶ñ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Landscape, Shiroyama ËÜ´Û3F ºî¼Ô´ó£
57   ¾®ÁÒÍ·µµ Íá½÷¡¡¤½¤Î°ì 1938 ºÌ¿§ ¸¨ËÜ OGURA, Yuki Bathing Women 1 ËÜ´Û3F ºî¼Ô´ó£
  ¸å Àî¹ç¶ÌƲ Ä«¤â¤ä 1938 ºÌ¿§ ¸¨ËÜ KAWAI, Gyokudo Morning Mist ËÜ´Û3F  
    Àîºê¾®¸× Æ¸ÍØ 1933 ºÌ¿§ »æËÜ KAWASAKI, Shoko Children's Song ËÜ´Û3F ºî¼Ô´ó£
45 ¸å Àîüζ»Ò ³ÑÆÍÇ·´¬¡Ê¤Ä¤Î¤Ä¤­¤Î¤Þ¤­¡Ë(±Û¸åÆó½½Â¼¹Ô»ö) 1922 ºÌ¿§ »æËÜ KAWABATA, Ryushi Scroll of Bullfight ËÜ´Û3F  
46   ¾®½ÐÆê½Å Íç½÷¤ÈÇòÉÛ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOIDE, Narashige Nude on White Cloth ËÜ´Û3F  
    ¾®¿ùÊüè¿(̤ÀÃ) ÀÄó 1938 ºÌ¿§ »æËÜ KOSUGI, Hoan (Misei) Great Argus Pheasant ËÜ´Û3F  
44   ºäËÜÈËÆóϺ ¿å¤è¤ê¾å¤ëÇÏ 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAKAMOTO, Hanjiro Horse Coming out of the Water ËÜ´Û3F  
    º´Æ£¸¼¡¹(Ä«»³¡Ë ư 1929 ÌÚ   SATO, Gengen(Chozan) Movement ËÜ´Û3F  
  Á° ÅçÅÄËÏÀç Æ£ÅÄÅì¸Ð¤È¶¶Ëܺ¸Æâ 1938 ºÌ¿§ ¸¨ËÜ SHIMADA, Bokusen Fujita Toko and Hashimoto Sanai ËÜ´Û3F  
    ¿ÜÅĹñÂÀϺ ½ñºØ 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUDA, Kunitaro Study ËÜ´Û3F ¿ÜÅÄ´²»á´ó£
    ¹âÅÄÇî¸ü ¥Õ¡¼¥í¥óÉ׿ÍÁü 1931 ¥Ö¥í¥ó¥º   TAKATA, Hiroatsu Portrait of Madame Foulon ËÜ´Û3F  
  Á° ÃÝÆâÀ´Ë± Èô߯¡Ê¤Ò¤Ð¤¯¡Ë 1930-1940ǯÂå ºÌ¿§ ¸¨ËÜ TAKEUCHI, Seiho High Waterfall ËÜ´Û3F ´óÂ÷ºîÉÊ
    Ê¿¶ûÅÄÃæ µ´¤ÎÏÓÁêËÐ c.1923 ÌÚ   HIRAKUSHI, Denchu Ogres' Arm Wrestling ËÜ´Û3F Ê¡¸¶ÎÛÂÀϺ»á´ó£
    Ê¡ÅÄË­»ÍϺ ¸Î»³¿·½© 1926 ºÌ¿§ »æËÜ FUKUDA, Toyoshiro Autumn Arrives in My Home Village ËÜ´Û3F  
    Æ£ÅçÉðÆó Ëã¸È¸¥Ôè¡Ê¤Þ¤³¤±¤ó¤¸¤å¡Ë 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Magu, a Nymph in an Ancient Chinese Legend ËÜ´Û3F Éð×¢¶³»Ò»á´ó£
  Á° Á°ÅÄÀÄî· ¿ÀÂåÇ·´¬ 1924 ËÏ²è »æËÜ MAEDA, Seison Scroll of the Myth "Umisachi-Yamasachi" ËÜ´Û3F  
  ¸å Á°ÅÄÀÄî· ¶¿Î¤¤ÎÀè³Ð 1947 ËϲèøºÌ »æËÜ MAEDA, Seison Pioneers at Home ËÜ´Û3F  
  Á° ¾¾²¬±ÇµÖ ¸åÄ»±©±¡¤È¿Àºê¤ÎÍ·½÷ã 1937 ºÌ¿§ »æËÜ MATSUOKA, Eikyu Ex-emperor Gotoba and the Prostitutes of Kanzaki ËÜ´Û3F ÎëÌÚ¿·µÈ»á´ó£
  ¸å ²£»³Âç´Ñ Ȭ¹É(¤Ï¤Ã¤³¤¦¡Ë¤ËÍԡʤ«¤¬¤ä¡Ë¤¯ 1944 ºÌ¿§ »æËÜ YOKOYAMA, Taikan Shining Above the World ËÜ´Û3F ´óÂ÷ºîÉÊ
  Á° ²£»³Âç´Ñ Ä«¿§ ¾¼Ï»þÂå Ëϲ衢¶âºÌ »æËÜ YOKOYAMA, Taikan Morning Colors ËÜ´Û3F ´óÂ÷ºîÉÊ
­·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ¡¡¡¡­· Art during and after the War
62   ðϸ÷ ´ã¤Î¤¢¤ëÉ÷·Ê 1938 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ AI-MITSU Landscape with an Eye ËÜ´Û3F  
    ËãÀ¸»°Ïº ÀÖ¤¤¶õ 1956 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ASO, Saburo Red Sky ËÜ´Û3F  
    ¾åÌîÀ¿ ÇÑÔÒ(Ĺºê) B 1962 ÌÚÈÇ   UENO, Makoto Ruins, Nagasaki B ËÜ´Û3F  
    ¾åÌîÀ¿ ÇÑÔÒ(Ĺºê) A 1962 ÌÚÈÇ   UENO, Makoto Ruins, Nagasaki A ËÜ´Û3F  
    Ë̼À¾Ë¾ ¿À°Òȯư 1944 ¥Ö¥í¥ó¥º   KITAMURA, Seibo Exercising Divine Power ËÜ´Û3F  
    ¾®°ëÎÉÊ¿ ¥Ó¥ë¥ÞÆÈΩ¼°Åµ¿Þ 1944 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOISO, Ryohei Independence Ceremony of Burma ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    ÎëÌÚÎÉ»° ´µ¼Ô¸åÁ÷¤Èµß¸îÈɤζ쿴 1943 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUZUKI, Ryozo Evacuation of the Wounded and the Hardworking Relief Unit ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    ÉÍÅÄÃÎÌÀ ½éǯʼ°¥²Î(Êâ¾¥) 1951 ƼÈÇ   HAMADA, Chimei Elegy of Raw Recruits: Sentinel ËÜ´Û3F  
    ÉÍÅÄÃÎÌÀ ½éǯʼ°¥²Î(Êâ¾¥) 1951 ƼÈÇ   HAMADA, Chimei Elegy of Raw Recruits: Sentinel ËÜ´Û3F ºî¼Ô´ó£
    ÉÍÅÄÃÎÌÀ ½éǯʼ°¥²Î(Êâ¾¥) 1954 ƼÈÇ   HAMADA, Chimei Elegy of Raw Recruits: Sentinel ËÜ´Û3F »³¸ýµ®µ×ÃË¡¢Èþ·Ã»á´ó£
    Ê¡Âô°ìϺ µí 1936 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUKUZAWA, Ichiro Oxen ËÜ´Û3F ºî¼Ô´ó£
    Æ£ÈøÎ¶»ÍϺ ¥ß¥È¥¹(·²Áü½¬ºî) 1943 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJIO, Ryushiro Mythos, Study for Figures ËÜ´Û3F Æ£ÈøÉ´¹ç»Ò»á´ó£
    »³ÅÄ¿·°ì ¿ÎÀî(¤¸¤ó¤»¤ó)ÐÚκ¡Ê¤Õ¤ê¤ç¡Ë¼ýÍÆ½ê¤Ë±÷¤±¤ë±Ñ¹ëʼ¤Îºî¶È 1943 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMADA, Shin'ichi British and Australian Captives Working in Incheon, Korea ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
­¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ ¡¡­¸ Art in the 1950s and 1960s
    ±Í¶å Åıà 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EI-KYU Pastoral ËÜ´Û3F ´óÂ÷ºîÉÊ
    ²¬ËÜÂÀϺ È¿À¤³¦ 1964 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OKAMOTO, Taro Anti-World ËÜ´Û3F ºî¼Ô´ó£
    ¶áÆ£¹°ÌÀ »³¤ò±Û¤¹Ä» 1961 ºÌ¿§ »æËÜ KONDO, Komei Birds Flying over Mountains ËÜ´Û3F ºî¼Ô´ó£
    ºØÆ£µÁ½Å ºîÉÊ 4 1964 ÌýºÌ¡¦¹çÈÄ   SAITO, Yoshishige Work 4 ËÜ´Û3F  
    ¿ûÌÚ»Öͺ ·Êα¼Ð·Ñ¡Ê¤±¤¤¤ê¤å¤¦¤·¤ã¤±¤¤¡Ë 2004 ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥×   SUGA, Kishio Kei-ryu-sha-kei ËÜ´Û3F  
    ¿ù»³Ç« ã֡ʤ­¤å¤¦¡Ë 1964 ºÌ¿§ ¥­¥ã¥ó¥Ð¥¹ SUGIYAMA, Yasushi Heaven ËÜ´Û3F  
    ü⻳äͺ ã֡ʤ­¤å¤¦¡Ë 1964 ºÌ¿§ »æËÜ TAKAYAMA, Tatsuo Heaven ËÜ´Û3F  
    ·úÈ«³Ð¤ Organ No.12 1966 ¹ÝÅ´   TATEHATA, Kakuzo Organ No.12 ËÜ´Û3F  
    ÆñÇÈÅÄζµ¯ ¥³¥ó¥Ý¥¸¥·¥ç¥ó 1965 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAMBATA, Tatsuoki Composition ËÜ´Û3F ºî¼Ô´ó£
    Ê¿»³°êÉ× ¹âࢡʤ¿¤«¤Ò¤«¡Ë¤ëÆ£¸¶µþ¤ÎÂçÅ 1969 ºÌ¿§ »æËÜ HIRAYAMA, Ikuo The Glorious Imperial Place of Fujiwara-kyo ËÜ´Û3F ´óÂ÷ºîÉÊ
    »³¸ýĹÃË ãí¡Ê¤Ê¤ß¡Ë 1968 ÌýºÌ ¹çÈÄ YAMAGUCHI, Takeo Parallel ËÜ´Û3F  
    »³ÅÄÀµÎ¼ Work C-73 1960 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMADA, Masaaki Work C-73 ËÜ´Û3F  
    »³ÅÄÀµÎ¼ Work C-77 1960 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMADA, Masaaki Work C-77 ËÜ´Û3F  
    ¥é¥¤¥ó¥Ï¡¼¥È¡¢ ¥¢¥É Ãê¾Ý³¨²è 1958 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ REINHARDT, Ad Abstract Painting ËÜ´Û3F  
ÈDz襳¡¼¥Ê¡¼ Prints Section¡¡¡¡ÆÃ½¸¡¡»³ËÜÍÆ»Ò¡Ö¸÷¤ÎÂçÃϡס¡Yoko Yamamoto, The Earth of Light
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²æ¡¹¤Ï¤É¤³¤«¤éÍ褿¤«? 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "Where Do We Come From?" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¥¿¥Ò¥Á¤Î»°¿Í 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "Three Tahitian Women" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¤«¤°¤ï¤·¤­ÂçÃÏ 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "TE NAVE NAVE FENUA (The Delicious Earth) from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²æ¡¹¤È¤Ï²¿¤«? 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After " What Are We?" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¤ª¤ä¡¢Åʡʤä¡Ë¤¤¤Æ¤¤¤ë¤Î 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "Aha oe feii? (Why! Are You Jealous)" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ÀÖ¤¤²Ö¤ÈÆý˼ 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "Red Flower and Breasts" From "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²Ð¤ÎÍÙ¤ê 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "The Fire Dance" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²æ¡¹¤Ï¤É¤³¤Ø¹Ô¤¯¤Î¤«? 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "Where Are We Going?" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ½Õ¤ÎÌܳФá 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After " Spring Awakining" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²«¿§¤¤¥­¥ê¥¹¥È 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "The Yellow Christ" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¥¤¡¼¥¼¥ó¥Ï¥¤¥à¤Îº×ÃŲè 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "Isenheim Altarpiece" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¥°¥é¥ó¥É¡¦¥¸¥ã¥Ã¥ÈÅç¤ÎÆüÍËÆü¤Î¸á¸å 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "Sunday Afternoon on the Island of La Grande Jatte" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¿À¤ÎÆü 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko After "Mahana no atua (The Day of the God)" from "The Earth of Light" ËÜ´Û3F  
    »³ËÜÍÆ»Ò ¡Ö¸÷¤ÎÂçÃϡפè¤ê¡¡½÷²¦ 1996 ƼÈÇ¡¢¼êºÌ¿§   YAMAMOTO, Yoko Queen from "The Earth of Light" ËÜ´Û3F  
¼Ì¿¿¥³¡¼¥Ê¡¼ Photograph Section ÆÃ½¸¡¡Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤È¡Öµþ¡×
Shomei Tomatsu ¡ÈSparkling Winds¡ÝOkinawa¡É and ¡ÈKyoto¡É
    Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤è¤ê¡¡°¤²ÅÅç¡Ê¤¢¤«¤¸¤Þ¡Ë 1973(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Akajima Island from"Sparkling Winds-Okinawa" ËÜ´Û3F ºî¼Ô´ó£
    Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤è¤ê¡¡µ×¹âÅç¡Ê¤¯¤À¤«¤¸¤Þ¡Ë (1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Kudakajima island from"Sparkling Winds-Okinawa" ËÜ´Û3F ºî¼Ô´ó£
    Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤è¤ê¡¡µÜ¸ÅÅç 1977(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Miyakojima Island from"Sparkling Winds-Okinawa" ËÜ´Û3F  
    Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤è¤ê¡¡ºÂ´ÖÌ£Åç¡Ê¤¶¤Þ¤ß¤¸¤Þ¡Ë 1977(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Zamamijima island from "Sparkling Winds-Okinawa" ËÜ´Û3F  
    Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤è¤ê¡¡¾®ÉÍÅç¡Ê¤³¤Ï¤Þ¤¸¤Þ¡Ë 1977(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Kohamajima island from"Sparkling Winds-Okinawa" ËÜ´Û3F ºî¼Ô´ó£
    Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤è¤ê¡¡µÜ¸ÅÅç 1978(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Miyakojima island from"Sparkling Winds-Okinawa" ËÜ´Û3F  
    Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤è¤ê¡¡µÜ¸ÅÅç 1978(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Miyakojima island from"Sparkling Winds-Okinawa" ËÜ´Û3F  
    Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²­Æì¡×¤è¤ê¡¡ÇȾȴÖÅç¡Ê¤Ï¤Æ¤ë¤Þ¤¸¤Þ¡Ë 1979(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Haterumajima island from"Sparkling Winds-Okinawa" ËÜ´Û3F  
    Åì¾¾¾ÈÌÀ ¡Öµþ¡×¤è¤ê¡¡»þÂåº×¡¡µÀ±à 1982(1996ǯ¥×¥ê¥ó¥È) ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Jidai-matsuri Festival, Gion from"Kyoto" ËÜ´Û3F
    Åì¾¾¾ÈÌÀ ¡Öµþ¡×¤è¤ê¡¡Âçǰʩ¶¸¸À¡¡¿ÀÀô±ñ 1982 (1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È TOMATSU, Shomei Dainenbutsu-kyogen, Shinsen-en Temple from"Kyoto" ËÜ´Û3F ºî¼Ô´ó£
    Åì¾¾¾ÈÌÀ ¡Öµþ¡×¤è¤ê¡¡À¤ÏÃÌò¡¡Æî»³¾ë¼¡Ê¤ß¤Ê¤ß¤ä¤Þ¤·¤í¤à¤é¡Ë 1982(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Caretaker, Minamiyamashiro-mura from"Kyoto" ËÜ´Û3F ºî¼Ô´ó£
    Åì¾¾¾ÈÌÀ ¡Öµþ¡×¤è¤ê¡¡°ªº×¡¡µþÅÔ¸æ½ê 1982(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Aoi-Matsuri Festival from"Kyoto" ËÜ´Û3F ºî¼Ô´ó£
    Åì¾¾¾ÈÌÀ ¡Öµþ¡×¤è¤ê¡¡À»¸î±¡ 1983(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È   TOMATSU, Shomei Shogo-in Temple from"Kyoto" ËÜ´Û3F  
    Åì¾¾¾ÈÌÀ ¡Öµþ¡×¤è¤ê¡¡À¶¿å»û´É¼ç 1983(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È TOMATSU, Shomei   hief Priest at Kiyomizu-dera Temple from"Kyoto" ËÜ´Û3F  
    Åì¾¾¾ÈÌÀ ¡Öµþ¡×¤è¤ê¡¡Éú¸«°ð²ÙÂç¼Ò¡¦À®Ç¯º× 1984(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È TOMATSU, Shomei   Seinen-sai Ceremony, Fushimiinari-taisha Shrine from"Kyoto" ËÜ´Û3F
    Åì¾¾¾ÈÌÀ ¡Öµþ¡×¤è¤ê¡¡ÃÒÀѱ¡¡Ê¤Á¤·¤ã¤¯¤¤¤ó¡Ë¡¦ÁÎÀµÃÂÀ¸²ñ 1984(1996ǯ¥×¥ê¥ó¥È¡Ë ¥¿¥¤¥×C¥×¥ê¥ó¥È TOMATSU, Shomei   Sojotanjo-e Ceremony, Chishaku-in Temple from"Kyoto" ËÜ´Û3F  
Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß¡¡­¹ Contemporary Art after the 1970s
    ¥¢¥ë¥Ð¡¼¥¹¡¢ ¥¸¥ç¥»¥Õ ÀµÊý·Á»¾²Î 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ALBERS, Josef Homage to the Square ËÜ´Û2F  
    ¥ª¥Î¥µ¥È¡¦¥È¥·¥Î¥Ö¡Ê¾®ÌîÎ¤Íø¿®¡Ë ¼Ð¤á¤Îʬ³ä 1978 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ONOSATO, Toshinobu Oblique Division ËÜ´Û2F Æ£²¬»þɧ»á´ó£¡½ºÊ±Ñ»Ò¤ò¼Å¤ó¤Ç
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Matsuzaki Bay in the Rain from Route 136. From "Eight Views of Japan." ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à 2007 ±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." ËÜ´Û2F  
    ²Ï¸¶²¹ DEC. 14, 1966 1966 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ KAWARA, On DEC. 14, 1966 ËÜ´Û2F ´óÂ÷ºîÉÊ
    ²Ï¸¶²¹ 27 JUL. 1988 1988 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ KAWARA, On 27 JUL. 1988 ËÜ´Û2F ´óÂ÷ºîÉÊ
    ²Ï¸¶²¹ One Million Years 1999 ½ñÀÒ(£²ºýÁÈ)   KAWARA, On One Million Years ËÜ´Û2F ´óÂ÷ºîÉÊ
    ²Ï¸¶²¹ One Million Years (Past and Future) 2002 CD(24ËçÁÈ)   KAWARA, On One Million Years (Past and Future) ËÜ´Û2F ´óÂ÷ºîÉÊ
85   Áð´Ö×½À¸ ̽³¦¡Ê¤á¤¤¤«¤¤¡Ë¤Ø¤Îƻɸ 1976 µÍʪÆþ¤êË¥À½ÉÛ¡¢·¤¡¢ÌÚ¡¢ºÌ¿§   KUSAMA, Yayoi A Signpost to Hades ËÜ´Û2F  
90   ¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ È¿±Ç¡¿»×º÷ 2000 ÃòÅ´   GORMLEY, Antony Reflection ËÜ´Û2F  
    ¼ÆÅÄÉÒͺ ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡Ä¹ÌÆîº´µ×·´Àî¾å¼ 1988 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   SHIBATA, Toshio Kawakami-mura, Minamisaku-gun, Nagano Prefecture from "Quintessence of Japan" ËÜ´Û2F ºî¼Ô´ó£
    ¼ÆÅÄÉÒͺ ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡·²Çϸ©»³ÅÄ·´Âç´Ö¡¹Ä® 1989 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   SHIBATA, Toshio Omama-cho, Yamada-gun, Gunma Prefecture from "Quintessence of Japan" ËÜ´Û2F  
    ¼ÆÅÄÉÒͺ ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡ÆàÎɸ©µÈÌî·´½½ÄÅÀî¼ 1990 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   SHIBATA, Toshio Totsukawa-mura, Yoshino-gun, Nara Prefecture from "Quintessence of Japan" ËÜ´Û2F ºî¼Ô´ó£
    ¿û°æµâ ¥Õ¥§¥¹¥Æ¥£¥ô¥¡¥ë W 1971 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ SUGAI, Kumi Festival W ËÜ´Û2F ¿û°æ¸÷»Ò»á°ä£
    äÌîÅÐ·Ã»Ò UNTITLED-28 1974 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   TATSUNO, Toeko UNTITLED-28 ËÜ´Û2F  
    äÌîÅÐ·Ã»Ò UNTITLED-35 1974 ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó   TATSUNO, Toeko UNTITLED-35 ËÜ´Û2F ºî¼Ô´ó£
    äÌîÅÐ·Ã»Ò WORK 77-16-1 1977 ÀÖ±ôÉ®¡¢¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó »æ TATSUNO, Toeko WORK 77-16-1 ËÜ´Û2F ºî¼Ô´ó£
    äÌîÅÐ·Ã»Ò Work 84-P-1 1984 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TATSUNO, Toeko Work 84-P-1 ËÜ´Û2F  
    äÌîÅÐ·Ã»Ò UNTITLED 94-6 1994 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TATSUNO, Toeko UNTITLED 94-6 ËÜ´Û2F ºî¼Ô´ó£
    äÌîÅÐ·Ã»Ò UNTITLED 95-9 1995 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ TATSUNO, Toeko UNTITLED 95-9 ËÜ´Û2F  
    Ì»³¶Ç¼£ ¸ý¤¦¤ë¤µ¤¤·Ê¿§ 1999 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NOMIYAMA, Gyoji A Nagging Scene ËÜ´Û2F  
82   »°ÌÚÉÙͺ EAR 1965 ¥¢¥ë¥ß¥Ë¥¦¥à   MIKI, Tomio EAR ËÜ´Û2F  
    ÌÓÍøÉð»ÎϺ ̵Âê(Âç6ÅÀ¥·¥ê¡¼¥º 1) 1981 Àйѡ¢¥°¥é¥Õ¥¡¥¤¥È   MORI, Bushiro Untitled ( Series of Six Large Pieces, I) ËÜ´Û2F ÌÓÍøÊݻһá´ó£
    ÌÓÍøÉð»ÎϺ ̵Âê(Âç6ÅÀ¥·¥ê¡¼¥º 10) 1981 Àйѡ¢¥°¥é¥Õ¥¡¥¤¥È   MORI, Bushiro Untitled ( Series of Six Large Pieces, X) ËÜ´Û2F ÌÓÍøÊݻһá´ó£
    ÌÓÍøÉð»ÎϺ Èà¤Î¡¿ÃÏµå¤Ø¤Î¡¿ÃÖ¼ê»æ¡¡¤½¤Î1 1998 ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë   MORI, Bushiro The Letter Left Behind/of Him/ to the Earth I ËÜ´Û2F  
    ¥é¥¤¥ê¡¼¡¢ ¥Ö¥ê¥¸¥Ã¥È »¾²Î 1973 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ RILEY, Bridget Paean ËÜ´Û2F  
²°³°Ä¦¹ï¡¡Outdoor Sculptures
    ÌÚ¼¸­ÂÀϺ ¼·¤Ä¤Îµ§¤ê 1969 ÀÐ   KIMURA, Kentaro Seven Prayers ËÜ´Û²°³°  
    ¿ÅÄÈþÇÈ Chiaroscuro 1979 ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹   TADA, Minami Chiaroscuro ËÜ´Û²°³°  
84   ¥Î¥°¥Á¡¢ ¥¤¥µ¥à Ìç 1969 ¹ÝÅ´¡¢ºÌ¿§   NOGUCHI, Isamu Gate ËÜ´Û²°³°  
    ¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î ¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ 1969-70 ¥Ö¥í¥ó¥º   MARINI, Marino The Idea of an Image ËÜ´Û²°³°