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| ²»À¼¥¬¥¤¥É | Ÿ¼¨´ü´Ö | ºî²È̾(ÏÂ) | Âê̾(ÏÂ) | À©ºîǯ(c.=¡Áǯº¢¡Ë | µ»Ë¡ | »Ù»ýÂÎ | ºî²È̾(±Ñ) | Âê̾(±Ñ) | Ÿ¼¨¾ì½ê | ´ó£¡¦´óÂ÷ | |
| µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten | |||||||||||
| Ç߸¶Î¶»°Ïº | ¥Ê¥ë¥·¥¹ | 1913 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Narcissus | ËÜ´Û4F | ºî¼Ô´ó£ | |||
| ²¬ÅÄ»°Ïº½õ | ¹È°áÉ׿Í(¾ÓÁü) | 1907 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | OKADA, Saburosuke | Woman in Red (A Portrait) | ËÜ´Û4F | ´óÂ÷ºîÉÊ | |||
| ºØÆ£Ëºî | ͼ±Ç¤Îή | 1913 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAITO, Toyosaku | Stream in the Evening Glow | ËÜ´Û4F | ||||
| 6 | ²¼Â¼´Ñ»³ | Ìڤδ֤ν© | 1907 | ºÌ¿§ | »æËÜ | SHIMOMURA, Kanzan | Autumn among Trees | ËÜ´Û4F | |||
| 5 | ¿·³¤ÃÝÂÀϺ | ¤æ¤¢¤ß | 1907 | ¥Ö¥í¥ó¥º | SHINKAI, Taketaro | Bathing | ËÜ´Û4F | ||||
| ·úÈ«ÂçÌ´ | ¤Î¤¾¤ | 1914 | ¥Ö¥í¥ó¥º | TATEHATA, Taimu | Looking | ËÜ´Û4F | |||||
| ÃæÂ¼ÉÔÀÞ | ¤¿¤½¤¬¤ì | 1916 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Fusetsu | Dusk | ËÜ´Û4F | ||||
| 1 | ¸¶ÅÄľ¼¡Ïº | µ³Î¶´Ñ²» | 1890 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | HARADA, Naojiro | Kannon Bodhisattva Riding the Dragon | ËÜ´Û4F | ´óÂ÷ºîÉʡʸîÔ¢»û¢¡Ë | ||
| É©ÅĽÕÁð | ¿ý¤Ëòí¡Ê¤«¤é¤¹¡Ë | 1910 | ºÌ¿§ | »æËÜ | HISHIDA, Shunso | Crow and Sparrows | ËÜ´Û4F | ||||
| 11 | É©ÅĽÕÁð | »Íµ¨»³¿å | c.1909 | ºÌ¿§ | ¸¨ËÜ | HISHIDA, Shunso | Landscape of the Four Seasons | ËÜ´Û4F | |||
| 14 | Æ£ÅçÉðÆó | ¤¦¤Ä¤Ä | 1913 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJISHIMA, Takeji | Half Dreaming | ËÜ´Û4F | |||
| 9 | »³²¼¿·ÂÀϺ | ÁëºÝ | 1908 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMASHITA, Shintaro | By the Window | ËÜ´Û4F | |||
| ÏÂÅÄ»°Â¤ | ¹©¾ì | 1907 | ¥Ñ¥¹¥Æ¥ë | »æ | WADA, Sanzo | Factory | ËÜ´Û4F | ||||
| µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à¡¡¡¡µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26) | |||||||||||
| ÀÐÀîÀ²É§ | ÉãÁü¡¦´é | 1922 | ºÌ¿§ | ¸¨ËÜ | ISHIKAWA, Haruhiko | Portrait of the Artist's Father | ËÜ´Û4F | ÀÐÀîÎÆÆó»á´ó£ | |||
| ²®¸¶¼é±Ò | ʸ³Ð¡Ê¤â¤ó¤¬¤¯¡Ë | 1908 | ¥Ö¥í¥ó¥º | OGIWARA, Morie | Priest Mongaku | ËÜ´Û4F | |||||
| 12 | ²®¸¶¼é±Ò | ½÷ | 1910 | ¥Ö¥í¥ó¥º | OGIWARA, Morie | Woman | ËÜ´Û4F | ||||
| Á° | ¾®ÌÐÅÄÀļù | ´¨ÎÓ | 1927 | ºÌ¿§ | ¸¨ËÜ | OMODA, Seiju | Chilly Wood | ËÜ´Û4F | |||
| ¸å | ¾®ÌÐÅÄÀļù | ÀÐÜØ¡Ê¤¶¤¯¤í¡Ë¤ËÈøÄ¹Ä» | À©ºîǯÉÔ¾Ü | ºÌ¿§ | ¸¨ËÜ | OMODA, Seiju | Pomegranate and Long-Tailed Cocks | ËÜ´Û4F | ´óÂ÷ºîÉÊ | ||
| ´ßÅÄÎÀ¸ | ¸Å²°¡Ê¤³¤ä¡Ë·¯¤Î¾ÓÁü (Áð»ý¤Æ¤ëÃˤξÓÁü) | 1916 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KISHIDA, Ryusei | Portrait of Yoshio Koya (Portrait of a Man Holding a Plant) | ËÜ´Û4F | ||||
| ´ßÅÄÎÀ¸ | Ôä¤Î¾å¤ËÎӸ餬ºÜ¤Ã¤Æºß¤ë | 1916 | ÌýºÌ | ÈÄ | KISHIDA, Ryusei | An Apple Exists on Top of a Pot | ËÜ´Û4F | ||||
| 23 | ´ßÅÄÎÀ¸ | Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) | 1918 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KISHIDA, Ryusei | Reiko, Five Years Old | ËÜ´Û4F | |||
| ´ßÅÄÎÀ¸ | Îï»ÒÏ»ºÐÇ·Áü | 1919 | ¿åºÌ¡¢±ôÉ® | »æ | KISHIDA, Ryusei | Portrait of Six-year Old Reiko (Reiko in a Woolen Shawl) | ËÜ´Û4F | ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£ | |||
| 24 | ¥³¥³¥·¥å¥«¡¢ ¥ª¥¹¥«¡¼ | ¥¢¥ë¥Þ¡¦¥Þ¡¼¥é¡¼¤Î¾ÓÁü | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOKOSCHKA, Oskar | Portrait of Alma Mahler | ËÜ´Û4F | |||
| ¾®ÎӸŷ | µ¡¿¥(¤Ï¤¿¤ª¤ê) | 1926 | ºÌ¿§ | ¸¨ËÜ | KOBAYASHI, Kokei | Weaving | ËÜ´Û4F | ||||
| 27 | ´Øº¬ÀµÆó | »°À± | 1919 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SEKINE, Shoji | Three Stars | ËÜ´Û4F | |||
| 25 | ¹â¼¸÷ÂÀϺ | ¼ê | c.1918 | ¥Ö¥í¥ó¥º | TAKAMURA, Kotaro | Hand | ËÜ´Û4F | ||||
| 18 | ÅÚÅÄÇþÑ¢ | Åç¤Î½÷ | 1912 | ºÌ¿§ | ¸¨ËÜ | TSUCHIDA, Bakusen | Women of an Island | ËÜ´Û4F | |||
| ÆÁ²¬¿ÀÀô | ¶¸½÷ | c.1919 | ºÌ¿§ | ¸¨ËÜ | TOKUOKA, Shinsen | Mad Woman | ËÜ´Û4F | ÆÁ²¬À¯»Ò»á´ó£ | |||
| ¼»³ÜÇ¿ | ¥³¥¹¥Á¥å¡¼¥à¤Î̼ | 1917 | ÌÚú | »æ | MURAYAMA, Kaita | Girl in Costume | ËÜ´Û4F | ||||
| 17 | èßÅ´¸ÞϺ | ÍçÂÎÈþ¿Í | 1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YOROZU, Tetsugoro | Nude Beauty | ËÜ´Û4F | ȬÌÚÀµ¼£»á´ó£ | ||
| ¥í¥À¥ó¡¢¥ª¡¼¥®¥å¥¹¥È | ¥È¥ë¥½¡¼ | À©ºîǯÉÔ¾Ü | ¥Ö¥í¥ó¥º | RODIN, Auguste | Torso | ËÜ´Û4F | ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£ | ||||
| ¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È¡¡¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City | |||||||||||
| ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë | ÃÏÃæ³¤·²Áü | 1941/65 | ÂçÍýÀÐ | ARP, Jean(Hans) | Mediterranean Group | ËÜ´Û4F | |||||
| ÂçÂô¾»½õ | ´ä¤È¿Í | 1940 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | OSAWA, Shosuke | Men and Rocks | ËÜ´Û4F | ºî¼Ô´ó£ | |||
| ²¬ËÜÂÀϺ | ¥³¥ó¥È¥ë¥Ý¥¢¥ó | 1935/54 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | OKAMOTO, Taro | Counterpoint | ËÜ´Û4F | ||||
| ËÌÏÆ¾º | ÆÈ³è¡Ê¤¦¤É¡Ë | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KITAWAKI, Noboru | Spikenards | ËÜ´Û4F | ËÌÏÆ¤«¤Í»á´ó£ | |||
| ËÌÏÆ¾º | ¸ÉÆÈ¤Ê½ªËö | 1938 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KITAWAKI, Noboru | Solitary End | ËÜ´Û4F | ËÌÏÆ¤«¤Í»á´ó£ | |||
| ÌÚÆâ¹î | ½÷¤Î´é | 1929 | ¥Æ¥é¥³¥Ã¥¿ | KINOUCHI, Yoshi | Head of a Woman | ËÜ´Û4F | ºî¼Ô´ó£ | ||||
| ¥°¥ê¥¹¡¢ ¥Û¥¢¥ó | ±ßÂî | 1921 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | GRIS, Juan | The Gueridon | ËÜ´Û4F | ||||
| ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ¾®¤µ¤Ê½©¤ÎÉ÷·Ê | 1920 | ÌýºÌ | »æ(¥Ü¡¼¥É¤ËŽÉÕ) | KLEE, Paul | Small Autumn Landscape | ËÜ´Û4F | ÃçÅÄÄêÇ·½õ¡¢¹¥¹¾»á´ó£ | |||
| 38 | ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý | 1925 | ÌýºÌ | ¸ü»æ | KLEE, Paul | Abstraction with Reference to a Flowering Tree | ËÜ´Û4F | |||
| ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë | ²Ö¤Î¥Æ¥é¥¹ | 1937 | ÌýºÌ | ÌÊÉÛ | KLEE, Paul | Flower Terrace | ËÜ´Û4F | ||||
| 39 | 12·î21Æü¤Þ¤ÇŸ¼¨ | º´ÇìÍ´»° | ¥¬¥¹Åô¤È¹¹ð | 1927 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAEKI, Yuzo | Gas Lamp and Advertisements | ËÜ´Û4F | ||
| 12·î23Æü¤«¤éŸ¼¨ | º´ÇìÍ´»° | ¥â¥é¥ó¤Î»û | 1928 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAEKI, Yuzo | Church at Morin | ËÜ´Û4F | |||
| ĹëÀîÍø¹Ô | ¥¿¥ó¥¯³¹Æ» | 1930 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | HASEKAWA, Toshiyuki | Road to the Tank | ËÜ´Û4F | ´óÂ÷ºîÉÊ | |||
| ¼»³ÃεÁ | ¥³¥ó¥¹¥È¥ë¥¯¥Á¥ª¥ó | 1925 | ÌýºÌ¡¢»æ¡¢ÌÚ¡¢ÉÛ¡¢¶â°¡¢Èé | MURAYAMA, Tomoyoshi | Construction | ËÜ´Û4F | ÉÍÆÁÂÀϺ»á´ó£ | ||||
| ¥ä¥¦¥ì¥ó¥¹¥¡¼¡¢ ¥¢¥ì¥¯¥»¥¤¡¦¥Õ¥©¥ó | µßÀ¤¼ç¤Î´é | c.1921 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | JAWLENSKY, Alexej von | Saviour's Face | ËÜ´Û4F | ||||
| ÍÛÒùÆó | Åõ²¼ÊúÍÊÁü¡Ê¤È¤¦¤«¤Û¤¦¤è¤¦¤¾¤¦¡Ë | 1924 | ¥Ö¥í¥ó¥º | YO, Kanji | Embracement under the Light | ËÜ´Û4F | |||||
| µÈ¸¶¼£ÎÉ | ²Ð»³ | 1943 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YOSHIHARA, Jiro | Volcanoes | ËÜ´Û4F | ||||
| µÈ¸¶¼£ÎÉ | ºîÉÊ2 | c.1934 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YOSHIHARA, Jiro | Work 2 | ËÜ´Û4F | ||||
| 22 | èßÅ´¸ÞϺ | ¤â¤¿¤ì¤ÆÎ©¤Ä¿Í | 1917 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YOROZU, Tetsugoro | Leaning Woman | ËÜ´Û4F | ȬÌÚÀµ¼£»á´ó£ | ||
| £´F ÆÃ½¸¥³¡¼¥Ê¡¼¡¡ Topic in Focus ¡¡¿·½ÉÃæÂ¼²°¤Ë¤Ä¤É¤Ã¤¿¿Í¡¹¡½ÂçÀµ»þÂå¤Î·Ý½Ñ¥µ¥í¥ó Artists Who Gathered at Shinjuku Nakamuraya¡½Art Salon in the Taisho Period | |||||||||||
| ²®¸¶¼é±Ò | ½÷¤Îƹ | 1907 | ¥Ö¥í¥ó¥º | OGIWARA, Morie | Torso of a Woman | ËÜ´Û4F | |||||
| ÁêÇϹõ¸÷ | ¡ØÌÛ°Ü¡ÙÂè3ÈÇ | 1938 | ½ñÀÒ | SOMA, Kokko | Mokui | ËÜ´Û4F | |||||
| ÄáÅĸãϺ | ÌÕÌܤΥ¨¥í¥·¥§¥ó¥³ | 1920 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | TSURUTA, Goro | Blind Yaroshenko | ËÜ´Û4F | ³ô¼°²ñ¼ÒÃæÂ¼²°Â¢ | |||
| ¸ÍÄ¥¸É´ç | ÆÞ¤ê | 1917 | ¥Ö¥í¥ó¥º | TOBARI, Kogan | Cloudiness | ËÜ´Û4F | |||||
| ¸ÍÄ¥¸É´ç | ΩÁü | c.1914 | ¥Ö¥í¥ó¥º | TOBARI, Kogan | Statue | ËÜ´Û4F | |||||
| Ãæ¸¶ÄðÆóϺ | ¼ã¤¥«¥Õ¥«¥¹¿Í | 1919 | ¥Ö¥í¥ó¥º | NAKAHARA, Teijiro | Young Caucasian | ËÜ´Û4F | |||||
| ÃæÂ¼×³ | ¼«²èÁü | c.1912 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Tsune | Self-Portrait | ËÜ´Û4F | ´óÂ÷ºîÉÊ | |||
| ÃæÂ¼×³ | ¾®½÷ | 1914 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Tsune | A Girl | ËÜ´Û4F | ³ô¼°²ñ¼ÒÃæÂ¼²°Â¢ | |||
| ÃæÂ¼×³ | ÂçÅçÉ÷·Ê | 1914-15 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Tsune | Landscape, Island Oshima | ËÜ´Û4F | ||||
| 29 | ÃæÂ¼×³ | ¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü | 1920 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAKAMURA, Tsune | Portrait of Vasilii Yaroshenko | ËÜ´Û4F | ÂçΤ°ìÂÀϺ»á´ó£ | ||
| 29 | ÃæÂ¼×³ | ¡Ø·Ý½Ñ¤Î̵¸Â´¶¡§´¶ÁÛµÚ½ñ´Ê½¸¡Ù | 1926 | ½ñÀÒ | NAKAMURA, Tsune | Infinity of Art: Remarks and Letters | ËÜ´Û4F | ||||
| Ìø·É½õ | Çò¥·¥ã¥Ä¤ÎÃË | 1914 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YANAGI, Keisuke | Man in a White Shirt | ËÜ´Û4F | ||||
| ¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï¡¡¡¡¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings | |||||||||||
| Ç߸¶Î¶»°Ïº | ºùÅç(ÀÄ) | 1935 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Mt. Sakurajima (Blue) | ËÜ´Û3F | Àî¸ý¾¾ÂÀϺ»á´ó£ | |||
| 55 | Ç߸¶Î¶»°Ïº | ¾ë»³ | 1937 | ÌýºÌ¡¢´ä³¨¶ñ | ¥¥ã¥ó¥Ð¥¹ | UMEHARA, Ryuzaburo | Landscape, Shiroyama | ËÜ´Û3F | ºî¼Ô´ó£ | ||
| 57 | ¾®ÁÒÍ·µµ | Íá½÷¡¡¤½¤Î°ì | 1938 | ºÌ¿§ | ¸¨ËÜ | OGURA, Yuki | Bathing Women 1 | ËÜ´Û3F | ºî¼Ô´ó£ | ||
| ¸å | Àî¹ç¶ÌƲ | Ä«¤â¤ä | 1938 | ºÌ¿§ | ¸¨ËÜ | KAWAI, Gyokudo | Morning Mist | ËÜ´Û3F | |||
| Àîºê¾®¸× | Æ¸ÍØ | 1933 | ºÌ¿§ | »æËÜ | KAWASAKI, Shoko | Children's Song | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| 45 | ¸å | Àîüζ»Ò | ³ÑÆÍÇ·´¬¡Ê¤Ä¤Î¤Ä¤¤Î¤Þ¤¡Ë(±Û¸åÆó½½Â¼¹Ô»ö) | 1922 | ºÌ¿§ | »æËÜ | KAWABATA, Ryushi | Scroll of Bullfight | ËÜ´Û3F | ||
| 46 | ¾®½ÐÆê½Å | Íç½÷¤ÈÇòÉÛ | 1929 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOIDE, Narashige | Nude on White Cloth | ËÜ´Û3F | |||
| ¾®¿ùÊüè¿(̤ÀÃ) | ÀÄó | 1938 | ºÌ¿§ | »æËÜ | KOSUGI, Hoan (Misei) | Great Argus Pheasant | ËÜ´Û3F | ||||
| 44 | ºäËÜÈËÆóϺ | ¿å¤è¤ê¾å¤ëÇÏ | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SAKAMOTO, Hanjiro | Horse Coming out of the Water | ËÜ´Û3F | |||
| º´Æ£¸¼¡¹(Ä«»³¡Ë | ư | 1929 | ÌÚ | SATO, Gengen(Chozan) | Movement | ËÜ´Û3F | |||||
| Á° | ÅçÅÄËÏÀç | Æ£ÅÄÅì¸Ð¤È¶¶Ëܺ¸Æâ | 1938 | ºÌ¿§ | ¸¨ËÜ | SHIMADA, Bokusen | Fujita Toko and Hashimoto Sanai | ËÜ´Û3F | |||
| ¿ÜÅĹñÂÀϺ | ½ñºØ | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SUDA, Kunitaro | Study | ËÜ´Û3F | ¿ÜÅÄ´²»á´ó£ | |||
| ¹âÅÄÇî¸ü | ¥Õ¡¼¥í¥óÉ׿ÍÁü | 1931 | ¥Ö¥í¥ó¥º | TAKATA, Hiroatsu | Portrait of Madame Foulon | ËÜ´Û3F | |||||
| Á° | ÃÝÆâÀ´Ë± | Èô߯¡Ê¤Ò¤Ð¤¯¡Ë | 1930-1940ǯÂå | ºÌ¿§ | ¸¨ËÜ | TAKEUCHI, Seiho | High Waterfall | ËÜ´Û3F | ´óÂ÷ºîÉÊ | ||
| Ê¿¶ûÅÄÃæ | µ´¤ÎÏÓÁêËÐ | c.1923 | ÌÚ | HIRAKUSHI, Denchu | Ogres' Arm Wrestling | ËÜ´Û3F | Ê¡¸¶ÎÛÂÀϺ»á´ó£ | ||||
| Ê¡ÅÄË»ÍϺ | ¸Î»³¿·½© | 1926 | ºÌ¿§ | »æËÜ | FUKUDA, Toyoshiro | Autumn Arrives in My Home Village | ËÜ´Û3F | ||||
| Æ£ÅçÉðÆó | Ëã¸È¸¥Ôè¡Ê¤Þ¤³¤±¤ó¤¸¤å¡Ë | 1937 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJISHIMA, Takeji | Magu, a Nymph in an Ancient Chinese Legend | ËÜ´Û3F | Éð×¢¶³»Ò»á´ó£ | |||
| Á° | Á°ÅÄÀÄî· | ¿ÀÂåÇ·´¬ | 1924 | Ëϲè | »æËÜ | MAEDA, Seison | Scroll of the Myth "Umisachi-Yamasachi" | ËÜ´Û3F | |||
| ¸å | Á°ÅÄÀÄî· | ¶¿Î¤¤ÎÀè³Ð | 1947 | ËϲèøºÌ | »æËÜ | MAEDA, Seison | Pioneers at Home | ËÜ´Û3F | |||
| Á° | ¾¾²¬±ÇµÖ | ¸åÄ»±©±¡¤È¿Àºê¤ÎÍ·½÷ã | 1937 | ºÌ¿§ | »æËÜ | MATSUOKA, Eikyu | Ex-emperor Gotoba and the Prostitutes of Kanzaki | ËÜ´Û3F | ÎëÌÚ¿·µÈ»á´ó£ | ||
| ¸å | ²£»³Âç´Ñ | Ȭ¹É(¤Ï¤Ã¤³¤¦¡Ë¤ËÍԡʤ«¤¬¤ä¡Ë¤¯ | 1944 | ºÌ¿§ | »æËÜ | YOKOYAMA, Taikan | Shining Above the World | ËÜ´Û3F | ´óÂ÷ºîÉÊ | ||
| Á° | ²£»³Âç´Ñ | Ä«¿§ | ¾¼Ï»þÂå | Ëϲ衢¶âºÌ | »æËÜ | YOKOYAMA, Taikan | Morning Colors | ËÜ´Û3F | ´óÂ÷ºîÉÊ | ||
| ·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ¡¡¡¡· Art during and after the War | |||||||||||
| 62 | ðϸ÷ | ´ã¤Î¤¢¤ëÉ÷·Ê | 1938 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | AI-MITSU | Landscape with an Eye | ËÜ´Û3F | |||
| ËãÀ¸»°Ïº | ÀÖ¤¤¶õ | 1956 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ASO, Saburo | Red Sky | ËÜ´Û3F | ||||
| ¾åÌîÀ¿ | ÇÑÔÒ(Ĺºê) B | 1962 | ÌÚÈÇ | UENO, Makoto | Ruins, Nagasaki B | ËÜ´Û3F | |||||
| ¾åÌîÀ¿ | ÇÑÔÒ(Ĺºê) A | 1962 | ÌÚÈÇ | UENO, Makoto | Ruins, Nagasaki A | ËÜ´Û3F | |||||
| Ë̼À¾Ë¾ | ¿À°Òȯư | 1944 | ¥Ö¥í¥ó¥º | KITAMURA, Seibo | Exercising Divine Power | ËÜ´Û3F | |||||
| ¾®°ëÎÉÊ¿ | ¥Ó¥ë¥ÞÆÈΩ¼°Åµ¿Þ | 1944 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | KOISO, Ryohei | Independence Ceremony of Burma | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |||
| ÎëÌÚÎÉ»° | ´µ¼Ô¸åÁ÷¤Èµß¸îÈɤζ쿴 | 1943 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | SUZUKI, Ryozo | Evacuation of the Wounded and the Hardworking Relief Unit | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |||
| ÉÍÅÄÃÎÌÀ | ½éǯʼ°¥²Î(Êâ¾¥) | 1951 | ƼÈÇ | HAMADA, Chimei | Elegy of Raw Recruits: Sentinel | ËÜ´Û3F | |||||
| ÉÍÅÄÃÎÌÀ | ½éǯʼ°¥²Î(Êâ¾¥) | 1951 | ƼÈÇ | HAMADA, Chimei | Elegy of Raw Recruits: Sentinel | ËÜ´Û3F | ºî¼Ô´ó£ | ||||
| ÉÍÅÄÃÎÌÀ | ½éǯʼ°¥²Î(Êâ¾¥) | 1954 | ƼÈÇ | HAMADA, Chimei | Elegy of Raw Recruits: Sentinel | ËÜ´Û3F | »³¸ýµ®µ×ÃË¡¢Èþ·Ã»á´ó£ | ||||
| Ê¡Âô°ìϺ | µí | 1936 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUKUZAWA, Ichiro | Oxen | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| Æ£ÈøÎ¶»ÍϺ | ¥ß¥È¥¹(·²Áü½¬ºî) | 1943 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | FUJIO, Ryushiro | Mythos, Study for Figures | ËÜ´Û3F | Æ£ÈøÉ´¹ç»Ò»á´ó£ | |||
| »³ÅÄ¿·°ì | ¿ÎÀî(¤¸¤ó¤»¤ó)ÐÚκ¡Ê¤Õ¤ê¤ç¡Ë¼ýÍÆ½ê¤Ë±÷¤±¤ë±Ñ¹ëʼ¤Îºî¶È | 1943 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMADA, Shin'ichi | British and Australian Captives Working in Incheon, Korea | ËÜ´Û3F | ̵´ü¸ÂÂßÍ¿ | |||
| ¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ ¡¡¸ Art in the 1950s and 1960s | |||||||||||
| ±Í¶å | Åıà | 1959 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | EI-KYU | Pastoral | ËÜ´Û3F | ´óÂ÷ºîÉÊ | |||
| ²¬ËÜÂÀϺ | È¿À¤³¦ | 1964 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | OKAMOTO, Taro | Anti-World | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| ¶áÆ£¹°ÌÀ | »³¤ò±Û¤¹Ä» | 1961 | ºÌ¿§ | »æËÜ | KONDO, Komei | Birds Flying over Mountains | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| ºØÆ£µÁ½Å | ºîÉÊ 4 | 1964 | ÌýºÌ¡¦¹çÈÄ | SAITO, Yoshishige | Work 4 | ËÜ´Û3F | |||||
| ¿ûÌÚ»Öͺ | ·Êα¼Ð·Ñ¡Ê¤±¤¤¤ê¤å¤¦¤·¤ã¤±¤¤¡Ë | 2004 | ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥× | SUGA, Kishio | Kei-ryu-sha-kei | ËÜ´Û3F | |||||
| ¿ù»³Ç« | ã֡ʤ¤å¤¦¡Ë | 1964 | ºÌ¿§ | ¥¥ã¥ó¥Ð¥¹ | SUGIYAMA, Yasushi | Heaven | ËÜ´Û3F | ||||
| ü⻳äͺ | ã֡ʤ¤å¤¦¡Ë | 1964 | ºÌ¿§ | »æËÜ | TAKAYAMA, Tatsuo | Heaven | ËÜ´Û3F | ||||
| ·úÈ«³Ð¤ | Organ No.12 | 1966 | ¹ÝÅ´ | TATEHATA, Kakuzo | Organ No.12 | ËÜ´Û3F | |||||
| ÆñÇÈÅÄζµ¯ | ¥³¥ó¥Ý¥¸¥·¥ç¥ó | 1965 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NAMBATA, Tatsuoki | Composition | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| Ê¿»³°êÉ× | ¹âࢡʤ¿¤«¤Ò¤«¡Ë¤ëÆ£¸¶µþ¤ÎÂçÅ | 1969 | ºÌ¿§ | »æËÜ | HIRAYAMA, Ikuo | The Glorious Imperial Place of Fujiwara-kyo | ËÜ´Û3F | ´óÂ÷ºîÉÊ | |||
| »³¸ýĹÃË | ãí¡Ê¤Ê¤ß¡Ë | 1968 | ÌýºÌ | ¹çÈÄ | YAMAGUCHI, Takeo | Parallel | ËÜ´Û3F | ||||
| »³ÅÄÀµÎ¼ | Work C-73 | 1960 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMADA, Masaaki | Work C-73 | ËÜ´Û3F | ||||
| »³ÅÄÀµÎ¼ | Work C-77 | 1960 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | YAMADA, Masaaki | Work C-77 | ËÜ´Û3F | ||||
| ¥é¥¤¥ó¥Ï¡¼¥È¡¢ ¥¢¥É | Ãê¾Ý³¨²è | 1958 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | REINHARDT, Ad | Abstract Painting | ËÜ´Û3F | ||||
| ÈDz襳¡¼¥Ê¡¼ Prints Section¡¡¡¡ÆÃ½¸¡¡»³ËÜÍÆ»Ò¡Ö¸÷¤ÎÂçÃϡס¡Yoko Yamamoto, The Earth of Light | |||||||||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²æ¡¹¤Ï¤É¤³¤«¤éÍ褿¤«? | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "Where Do We Come From?" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¥¿¥Ò¥Á¤Î»°¿Í | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "Three Tahitian Women" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¤«¤°¤ï¤·¤ÂçÃÏ | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "TE NAVE NAVE FENUA (The Delicious Earth) from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²æ¡¹¤È¤Ï²¿¤«? | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After " What Are We?" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¤ª¤ä¡¢Åʡʤä¡Ë¤¤¤Æ¤¤¤ë¤Î | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "Aha oe feii? (Why! Are You Jealous)" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ÀÖ¤¤²Ö¤ÈÆý˼ | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "Red Flower and Breasts" From "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²Ð¤ÎÍÙ¤ê | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "The Fire Dance" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²æ¡¹¤Ï¤É¤³¤Ø¹Ô¤¯¤Î¤«? | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "Where Are We Going?" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ½Õ¤ÎÌܳФá | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After " Spring Awakining" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ²«¿§¤¤¥¥ê¥¹¥È | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "The Yellow Christ" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¥¤¡¼¥¼¥ó¥Ï¥¤¥à¤Îº×ÃŲè | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "Isenheim Altarpiece" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¥°¥é¥ó¥É¡¦¥¸¥ã¥Ã¥ÈÅç¤ÎÆüÍËÆü¤Î¸á¸å | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "Sunday Afternoon on the Island of La Grande Jatte" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê After ¿À¤ÎÆü | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | After "Mahana no atua (The Day of the God)" from "The Earth of Light" | ËÜ´Û3F | |||||
| »³ËÜÍÆ»Ò | ¡Ö¸÷¤ÎÂçÃϡפè¤ê¡¡½÷²¦ | 1996 | ƼÈÇ¡¢¼êºÌ¿§ | YAMAMOTO, Yoko | Queen from "The Earth of Light" | ËÜ´Û3F | |||||
| ¼Ì¿¿¥³¡¼¥Ê¡¼ Photograph Section ÆÃ½¸¡¡Åì¾¾¾ÈÌÀ ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤È¡Öµþ¡× | |||||||||||
| Shomei Tomatsu ¡ÈSparkling Winds¡ÝOkinawa¡É and ¡ÈKyoto¡É | |||||||||||
| Åì¾¾¾ÈÌÀ | ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤è¤ê¡¡°¤²ÅÅç¡Ê¤¢¤«¤¸¤Þ¡Ë | 1973(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Akajima Island from"Sparkling Winds-Okinawa" | ËÜ´Û3F | ºî¼Ô´ó£ | ||||
| Åì¾¾¾ÈÌÀ | ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤è¤ê¡¡µ×¹âÅç¡Ê¤¯¤À¤«¤¸¤Þ¡Ë | (1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Kudakajima island from"Sparkling Winds-Okinawa" | ËÜ´Û3F | ºî¼Ô´ó£ | ||||
| Åì¾¾¾ÈÌÀ | ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤è¤ê¡¡µÜ¸ÅÅç | 1977(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Miyakojima Island from"Sparkling Winds-Okinawa" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤è¤ê¡¡ºÂ´ÖÌ£Åç¡Ê¤¶¤Þ¤ß¤¸¤Þ¡Ë | 1977(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Zamamijima island from "Sparkling Winds-Okinawa" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤è¤ê¡¡¾®ÉÍÅç¡Ê¤³¤Ï¤Þ¤¸¤Þ¡Ë | 1977(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Kohamajima island from"Sparkling Winds-Okinawa" | ËÜ´Û3F | ºî¼Ô´ó£ | ||||
| Åì¾¾¾ÈÌÀ | ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤è¤ê¡¡µÜ¸ÅÅç | 1978(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Miyakojima island from"Sparkling Winds-Okinawa" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤è¤ê¡¡µÜ¸ÅÅç | 1978(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Miyakojima island from"Sparkling Winds-Okinawa" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Ö¸÷¤ëÉ÷¡¦²Æì¡×¤è¤ê¡¡ÇȾȴÖÅç¡Ê¤Ï¤Æ¤ë¤Þ¤¸¤Þ¡Ë | 1979(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Haterumajima island from"Sparkling Winds-Okinawa" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Öµþ¡×¤è¤ê¡¡»þÂåº×¡¡µÀ±à | 1982(1996ǯ¥×¥ê¥ó¥È) | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Jidai-matsuri Festival, Gion from"Kyoto" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Öµþ¡×¤è¤ê¡¡Âçǰʩ¶¸¸À¡¡¿ÀÀô±ñ | 1982 | (1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Dainenbutsu-kyogen, Shinsen-en Temple from"Kyoto" | ËÜ´Û3F | ºî¼Ô´ó£ | |||
| Åì¾¾¾ÈÌÀ | ¡Öµþ¡×¤è¤ê¡¡À¤ÏÃÌò¡¡Æî»³¾ë¼¡Ê¤ß¤Ê¤ß¤ä¤Þ¤·¤í¤à¤é¡Ë | 1982(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Caretaker, Minamiyamashiro-mura from"Kyoto" | ËÜ´Û3F | ºî¼Ô´ó£ | ||||
| Åì¾¾¾ÈÌÀ | ¡Öµþ¡×¤è¤ê¡¡°ªº×¡¡µþÅÔ¸æ½ê | 1982(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Aoi-Matsuri Festival from"Kyoto" | ËÜ´Û3F | ºî¼Ô´ó£ | ||||
| Åì¾¾¾ÈÌÀ | ¡Öµþ¡×¤è¤ê¡¡À»¸î±¡ | 1983(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Shogo-in Temple from"Kyoto" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Öµþ¡×¤è¤ê¡¡À¶¿å»û´É¼ç | 1983(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | hief Priest at Kiyomizu-dera Temple from"Kyoto" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Öµþ¡×¤è¤ê¡¡Éú¸«°ð²ÙÂç¼Ò¡¦À®Ç¯º× | 1984(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Seinen-sai Ceremony, Fushimiinari-taisha Shrine from"Kyoto" | ËÜ´Û3F | |||||
| Åì¾¾¾ÈÌÀ | ¡Öµþ¡×¤è¤ê¡¡ÃÒÀѱ¡¡Ê¤Á¤·¤ã¤¯¤¤¤ó¡Ë¡¦ÁÎÀµÃÂÀ¸²ñ | 1984(1996ǯ¥×¥ê¥ó¥È¡Ë | ¥¿¥¤¥×C¥×¥ê¥ó¥È | TOMATSU, Shomei | Sojotanjo-e Ceremony, Chishaku-in Temple from"Kyoto" | ËÜ´Û3F | |||||
| Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß¡¡¹ Contemporary Art after the 1970s | |||||||||||
| ¥¢¥ë¥Ð¡¼¥¹¡¢ ¥¸¥ç¥»¥Õ | ÀµÊý·Á»¾²Î | 1959 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ALBERS, Josef | Homage to the Square | ËÜ´Û2F | ||||
| ¥ª¥Î¥µ¥È¡¦¥È¥·¥Î¥Ö¡Ê¾®ÌîÎ¤Íø¿®¡Ë | ¼Ð¤á¤Îʬ³ä | 1978 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | ONOSATO, Toshinobu | Oblique Division | ËÜ´Û2F | Æ£²¬»þɧ»á´ó£¡½ºÊ±Ñ»Ò¤ò¼Å¤ó¤Ç | |||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | Matsuzaki Bay in the Rain from Route 136. From "Eight Views of Japan." | ËÜ´Û2F | |||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " | ËÜ´Û2F | |||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." | ËÜ´Û2F | |||||
| ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó | ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î | 2007 | ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ | OPIE, Julian | Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." | ËÜ´Û2F | |||||
| ²Ï¸¶²¹ | DEC. 14, 1966 | 1966 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | KAWARA, On | DEC. 14, 1966 | ËÜ´Û2F | ´óÂ÷ºîÉÊ | |||
| ²Ï¸¶²¹ | 27 JUL. 1988 | 1988 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | KAWARA, On | 27 JUL. 1988 | ËÜ´Û2F | ´óÂ÷ºîÉÊ | |||
| ²Ï¸¶²¹ | One Million Years | 1999 | ½ñÀÒ(£²ºýÁÈ) | KAWARA, On | One Million Years | ËÜ´Û2F | ´óÂ÷ºîÉÊ | ||||
| ²Ï¸¶²¹ | One Million Years (Past and Future) | 2002 | CD(24ËçÁÈ) | KAWARA, On | One Million Years (Past and Future) | ËÜ´Û2F | ´óÂ÷ºîÉÊ | ||||
| 85 | Áð´Ö×½À¸ | ̽³¦¡Ê¤á¤¤¤«¤¤¡Ë¤Ø¤Îƻɸ | 1976 | µÍʪÆþ¤êË¥À½ÉÛ¡¢·¤¡¢ÌÚ¡¢ºÌ¿§ | KUSAMA, Yayoi | A Signpost to Hades | ËÜ´Û2F | ||||
| 90 | ¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ | È¿±Ç¡¿»×º÷ | 2000 | ÃòÅ´ | GORMLEY, Antony | Reflection | ËÜ´Û2F | ||||
| ¼ÆÅÄÉÒͺ | ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡Ä¹ÌÆîº´µ×·´Àî¾å¼ | 1988 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | SHIBATA, Toshio | Kawakami-mura, Minamisaku-gun, Nagano Prefecture from "Quintessence of Japan" | ËÜ´Û2F | ºî¼Ô´ó£ | ||||
| ¼ÆÅÄÉÒͺ | ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡·²Çϸ©»³ÅÄ·´Âç´Ö¡¹Ä® | 1989 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | SHIBATA, Toshio | Omama-cho, Yamada-gun, Gunma Prefecture from "Quintessence of Japan" | ËÜ´Û2F | |||||
| ¼ÆÅÄÉÒͺ | ¡ÖÆüËÜŵ·¿¡×¤è¤ê¡¡ÆàÎɸ©µÈÌî·´½½ÄÅÀî¼ | 1990 | ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È | SHIBATA, Toshio | Totsukawa-mura, Yoshino-gun, Nara Prefecture from "Quintessence of Japan" | ËÜ´Û2F | ºî¼Ô´ó£ | ||||
| ¿û°æµâ | ¥Õ¥§¥¹¥Æ¥£¥ô¥¡¥ë W | 1971 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | SUGAI, Kumi | Festival W | ËÜ´Û2F | ¿û°æ¸÷»Ò»á°ä£ | |||
| äÌîÅÐ·Ã»Ò | UNTITLED-28 | 1974 | ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó | TATSUNO, Toeko | UNTITLED-28 | ËÜ´Û2F | |||||
| äÌîÅÐ·Ã»Ò | UNTITLED-35 | 1974 | ¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó | TATSUNO, Toeko | UNTITLED-35 | ËÜ´Û2F | ºî¼Ô´ó£ | ||||
| äÌîÅÐ·Ã»Ò | WORK 77-16-1 | 1977 | ÀÖ±ôÉ®¡¢¥·¥ë¥¯¥¹¥¯¥ê¡¼¥ó | »æ | TATSUNO, Toeko | WORK 77-16-1 | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| äÌîÅÐ·Ã»Ò | Work 84-P-1 | 1984 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | TATSUNO, Toeko | Work 84-P-1 | ËÜ´Û2F | ||||
| äÌîÅÐ·Ã»Ò | UNTITLED 94-6 | 1994 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | TATSUNO, Toeko | UNTITLED 94-6 | ËÜ´Û2F | ºî¼Ô´ó£ | |||
| äÌîÅÐ·Ã»Ò | UNTITLED 95-9 | 1995 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | TATSUNO, Toeko | UNTITLED 95-9 | ËÜ´Û2F | ||||
| Ì»³¶Ç¼£ | ¸ý¤¦¤ë¤µ¤¤·Ê¿§ | 1999 | ÌýºÌ | ¥¥ã¥ó¥Ð¥¹ | NOMIYAMA, Gyoji | A Nagging Scene | ËÜ´Û2F | ||||
| 82 | »°ÌÚÉÙͺ | EAR | 1965 | ¥¢¥ë¥ß¥Ë¥¦¥à | MIKI, Tomio | EAR | ËÜ´Û2F | ||||
| ÌÓÍøÉð»ÎϺ | ̵Âê(Âç6ÅÀ¥·¥ê¡¼¥º 1) | 1981 | Àйѡ¢¥°¥é¥Õ¥¡¥¤¥È | MORI, Bushiro | Untitled ( Series of Six Large Pieces, I) | ËÜ´Û2F | ÌÓÍøÊݻһá´ó£ | ||||
| ÌÓÍøÉð»ÎϺ | ̵Âê(Âç6ÅÀ¥·¥ê¡¼¥º 10) | 1981 | Àйѡ¢¥°¥é¥Õ¥¡¥¤¥È | MORI, Bushiro | Untitled ( Series of Six Large Pieces, X) | ËÜ´Û2F | ÌÓÍøÊݻһá´ó£ | ||||
| ÌÓÍøÉð»ÎϺ | Èà¤Î¡¿ÃÏµå¤Ø¤Î¡¿ÃÖ¼ê»æ¡¡¤½¤Î1 | 1998 | ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë | MORI, Bushiro | The Letter Left Behind/of Him/ to the Earth I | ËÜ´Û2F | |||||
| ¥é¥¤¥ê¡¼¡¢ ¥Ö¥ê¥¸¥Ã¥È | »¾²Î | 1973 | ¥¢¥¯¥ê¥ê¥Ã¥¯ | ¥¥ã¥ó¥Ð¥¹ | RILEY, Bridget | Paean | ËÜ´Û2F | ||||
| ²°³°Ä¦¹ï¡¡Outdoor Sculptures | |||||||||||
| ÌÚ¼¸ÂÀϺ | ¼·¤Ä¤Îµ§¤ê | 1969 | ÀÐ | KIMURA, Kentaro | Seven Prayers | ËÜ´Û²°³° | |||||
| ¿ÅÄÈþÇÈ | Chiaroscuro | 1979 | ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹ | TADA, Minami | Chiaroscuro | ËÜ´Û²°³° | |||||
| 84 | ¥Î¥°¥Á¡¢ ¥¤¥µ¥à | Ìç | 1969 | ¹ÝÅ´¡¢ºÌ¿§ | NOGUCHI, Isamu | Gate | ËÜ´Û²°³° | ||||
| ¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î | ¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ | 1969-70 | ¥Ö¥í¥ó¥º | MARINI, Marino | The Idea of an Image | ËÜ´Û²°³° | |||||