1.0National Crafts Museumhttps://www.momat.go.jp/craft-museum/ensrvmnghttps://www.momat.go.jp/craft-museum/en/author/srvmngrich600338<blockquote class="wp-embedded-content" data-secret="w5i9mzWXVf"><a href="https://www.momat.go.jp/craft-museum/en/exhibitions/555">Tectonic Shifts in Printing, Printmaking and Graphic Design 1957-1979</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.momat.go.jp/craft-museum/en/exhibitions/555/embed#?secret=w5i9mzWXVf" width="600" height="338" title="“Tectonic Shifts in Printing, Printmaking and Graphic Design 1957-1979” — National Crafts Museum" data-secret="w5i9mzWXVf" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> https://www.momat.go.jp/craft-museum/wp-content/uploads/sites/2/2024/02/864e5c977e5c909680ced15b63b06019.jpg1024768About With the advent of the mass communication era, postwar Japan saw dramatic advancements in printing technology and increasingly close ties between art and popular culture, and much attention was focused on art created with duplicative media. The fields of printing, printmaking, and graphic design are in proximity, with both areas of overlap and decisive differences, much like tectonic plates meeting along active fault lines. During these postwar years, various “tectonic shifts” occurred in the form of endeavors to actively redefine, freely interconnect, or underscore differences among these fields. One platform for these endeavors was the International Biennial Exhibition of Prints in Tokyo.Taking place on an international scale, this exhibition, […]