{"version":"1.0","provider_name":"National Crafts Museum","provider_url":"https:\/\/www.momat.go.jp\/craft-museum\/en","author_name":"srvmng","author_url":"https:\/\/www.momat.go.jp\/craft-museum\/en\/author\/srvmng","title":"The Power of Decoration\u2015A Viewpoint on Contemporary K\u00f4gei (Studio Crafts) \uff08\u5c55\u89a7\u4f1a\uff09- National Crafts Museum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AWvCIXGmvn\"><a href=\"https:\/\/www.momat.go.jp\/craft-museum\/en\/exhibitions\/461\">The Power of Decoration\u2015A Viewpoint on Contemporary K\u00f4gei (Studio Crafts)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.momat.go.jp\/craft-museum\/en\/exhibitions\/461\/embed#?secret=AWvCIXGmvn\" width=\"600\" height=\"338\" title=\"&#8220;The Power of Decoration\u2015A Viewpoint on Contemporary K\u00f4gei (Studio Crafts)&#8221; &#8212; National Crafts Museum\" data-secret=\"AWvCIXGmvn\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.momat.go.jp\/craft-museum\/wp-content\/uploads\/sites\/2\/2023\/01\/yerd_194_1.jpeg","thumbnail_width":206,"thumbnail_height":150,"description":"About the Exhibition Recent years have seen a flowering of excessively decorated craftworks that seem as if artists\u2019 aim is the act of decorating itself, rather than producing ornamented objects. It seems as though these pieces show signs of the wish to restore primitive relationships between human beings and things through contact with materials. This show explores the possibilities of k\u00f4gei (studio crafts) in the 21st century with decoration as a hint. List of Exhibits Cat.No. Room No. Artist Birth\u30fcDeath Title Date Material\u30fbTechnique Collection\uff08the other\uff1dprivate\uff09 1 2 AOKI Katsuyo 1972- Tell the Story 2006 ceramics &nbsp; 2 2 AOKI Katsuyo 1972- Mirror, Mirror 2006 ceramics &nbsp; 3 4 AONO Chiho [&hellip;]"}