{"version":"1.0","provider_name":"National Crafts Museum","provider_url":"https:\/\/www.momat.go.jp\/craft-museum\/en","author_name":"srvmng","author_url":"https:\/\/www.momat.go.jp\/craft-museum\/en\/author\/srvmng","title":"The Encounter Between Lucie Rie and Collector Paul Dauer\u00a0 \uff08\u898b\u308b\u805e\u304f\u8aad\u3080\uff09- National Crafts Museum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"uopW3XihGY\"><a href=\"https:\/\/www.momat.go.jp\/craft-museum\/en\/magazine\/640-20251110\">The Encounter Between Lucie Rie and Collector Paul Dauer\u00a0<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.momat.go.jp\/craft-museum\/en\/magazine\/640-20251110\/embed#?secret=uopW3XihGY\" width=\"600\" height=\"338\" title=\"&#8220;The Encounter Between Lucie Rie and Collector Paul Dauer\u00a0&#8221; &#8212; National Crafts Museum\" data-secret=\"uopW3XihGY\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.momat.go.jp\/craft-museum\/wp-content\/uploads\/sites\/2\/2025\/10\/magazine_640_20251110.jpg","thumbnail_width":1530,"thumbnail_height":765,"description":"Lucie Rie: Elegant Vessels Fusing East and West is an exhibition that explores the evolution of Lucie Rie\u2019s practice, from her early works made during her years in Vienna to her engagement with ceramic artists from around the world, including Hamada Shoji, which ultimately led to the development of her signature decorative style.&nbsp; Our museum contributed five works to the exhibition, including two from the Sharon and Paul Dauer Collection, which became part of our holdings in 2024. The two newly acquired works were Bowl (work number 49, c. 1968), a slightly larger vessel with a raised foot ring and sgraffito (in which layers of glaze or slip are scratched [&hellip;]"}