1.0東京国立近代美術館https://www.momat.go.jp/enadmin_momathttps://www.momat.go.jp/en/author/admin_momatrich600338<blockquote class="wp-embedded-content" data-secret="Po21mRMuYI"><a href="https://www.momat.go.jp/en/exhibitions/521">Marcel Breuer’s Furniture: Improvement for good</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.momat.go.jp/en/exhibitions/521/embed#?secret=Po21mRMuYI" width="600" height="338" title="“Marcel Breuer’s Furniture: Improvement for good” — 東京国立近代美術館" data-secret="Po21mRMuYI" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> https://www.momat.go.jp/wp-content/uploads/2023/01/521-00.jpg640907Outline Without ample cushions and pompous upholstering, Club Chair B3 or Wassily chair renovated the traditional ponderous image of chairs. It was first shown in 1925 by Marcel Breuer (1902–1981) at the tender age of twenty-three. The designer was after the war to be known also as the architect of the UNESCO headquarters in Paris and the former Whitney Museum of American Art (now the Met Breuer, an annex to the Metropolitan Museum of Art). Prior to showing the chair, Breuer had clearly identified a new direction of his design work: to focus on function rather than the formal and ornamental elements that dominated traditional styles. The idea was considered to be the most […]