<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>&#x6771;&#x4EAC;&#x56FD;&#x7ACB;&#x8FD1;&#x4EE3;&#x7F8E;&#x8853;&#x9928;</provider_name><provider_url>https://www.momat.go.jp/en</provider_url><author_name>admin_momat</author_name><author_url>https://www.momat.go.jp/en/author/admin_momat</author_url><title>The Challenges and Joys of Steel: David Smith's Circle &#x2163; and Other Sculptures &#xFF08;&#x5C55;&#x89A7;&#x4F1A;&#xFF09;- &#x6771;&#x4EAC;&#x56FD;&#x7ACB;&#x8FD1;&#x4EE3;&#x7F8E;&#x8853;&#x9928;</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="xsK1K1K4Jd"&gt;&lt;a href="https://www.momat.go.jp/en/exhibitions/r2-2-g4"&gt;The Challenges and Joys of Steel: David Smith&#x2019;s Circle &#x2163; and Other Sculptures&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.momat.go.jp/en/exhibitions/r2-2-g4/embed#?secret=xsK1K1K4Jd" width="600" height="338" title="&#x201C;The Challenges and Joys of Steel: David Smith&#x2019;s Circle &#x2163; and Other Sculptures&#x201D; &#x2014; &#x6771;&#x4EAC;&#x56FD;&#x7ACB;&#x8FD1;&#x4EE3;&#x7F8E;&#x8853;&#x9928;" data-secret="xsK1K1K4Jd" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l&lt;n.length;l++)n[l].style.display="none";for(l=0;l&lt;i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><thumbnail_url>https://www.momat.go.jp/wp-content/uploads/2021/06/S0233279.jpg</thumbnail_url><thumbnail_width>533</thumbnail_width><thumbnail_height>800</thumbnail_height><description>About The National Museum of Modern Art, Tokyo recently purchased&nbsp;Circle IV&nbsp;(1962) by David Smith (1906-1965), one of the most renowned American postwar sculptors. This work is the centerpiece of this mini-exhibit that examines the importance of steel, newly adopted as a sculptural material, in the development of postwar sculpture. In contrast to traditional sculpture processes such as carving wood or stone, shaping clay, or casting in bronze, Smith welded steel plates and frames to connect geometric planes and lines and generate dynamic spaces, broadly expanding the possibilities of sculpture. This approach was further developed by the British sculptor Anthony Caro. Meanwhile, in Japan, sculptors working with steel emerged in the [&hellip;]</description></oembed>
