1.0東京国立近代美術館https://www.momat.go.jp/ensrvmnghttps://www.momat.go.jp/en/author/srvmngrich600338<blockquote class="wp-embedded-content" data-secret="6Sajm2Bud9"><a href="https://www.momat.go.jp/en/exhibitions/r7-2-g4">Enokura Koji: A Retrospective</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.momat.go.jp/en/exhibitions/r7-2-g4/embed#?secret=6Sajm2Bud9" width="600" height="338" title="“Enokura Koji: A Retrospective” — 東京国立近代美術館" data-secret="6Sajm2Bud9" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> https://www.momat.go.jp/wp-content/uploads/2025/10/exhibitions_r7-2-g4_01.jpg15301304About The late 1960s and 1970s were a period of drastic transformation for Japanese postwar art. Young artists began to move away from conventional formats such as painting and sculpture, and turned to a fundamental questioning of human perception and the conditions of existence. Enokura Koji, a major figure in this shift, is often associated with the movement known as Mono-ha (the “School of Things”).  Over the course of his career, Enokura produced a diverse body of work including installations, photography, prints, and paintings. His explorations of physical phenomena such as permeation and contact evoke bodily awareness, directing attention to our own physical existence in the world. He exhibited in […]