1.0東京国立近代美術館https://www.momat.go.jp/enogawaahttps://www.momat.go.jp/en/author/ogawaarich600338<blockquote class="wp-embedded-content" data-secret="SWrt8Z0ZVO"><a href="https://www.momat.go.jp/en/magazine/145">Kawamata Tadashi, Plan No.6 from TETRA-HOUSE 326 PROJECT, 1983</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.momat.go.jp/en/magazine/145/embed#?secret=SWrt8Z0ZVO" width="600" height="338" title="“Kawamata Tadashi, Plan No.6 from TETRA-HOUSE 326 PROJECT, 1983” — 東京国立近代美術館" data-secret="SWrt8Z0ZVO" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> https://www.momat.go.jp/wp-content/uploads/2023/01/f6bbb7edbc9a34e8765202c1ee3b8132.jpg766693A scene is painted in acrylic on a sheet of plywood hung on the wall. Except for the building in the center, the plywood is mostly left bare, and the light blue paint brushwork indicating the sky seems somewhat cursory, suggesting that the painting may be unfinished. Thin pieces of wood resembling disposable chopsticks are clinging to the building, like parasitic organisms taking it over. Is the work, including the sheet of plywood, less a painting and more a sculpture? The artist Kawamata Tadashi, active since the 1980s, is known for his ongoing practice of transforming everyday spaces by enveloping existing structures in temporary constructions of wood and other materials. […]