1.0東京国立近代美術館https://www.momat.go.jp/enogawaahttps://www.momat.go.jp/en/author/ogawaarich600338<blockquote class="wp-embedded-content" data-secret="fOWmMGjUiI"><a href="https://www.momat.go.jp/en/magazine/206">Germaine Richier,The Ant,1953</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.momat.go.jp/en/magazine/206/embed#?secret=fOWmMGjUiI" width="600" height="338" title="“Germaine Richier,The Ant,1953” — 東京国立近代美術館" data-secret="fOWmMGjUiI" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> https://www.momat.go.jp/wp-content/uploads/2023/12/S00496.jpg534800On a rectangular base sits a creature resembling a fusion of a human female and an ant, its arms stretched upward. In anatomical terms, it does not have an ant’s six legs extending from the thorax, but rather two arms and two legs like a human being. These limbs, however, are extremely thin and end in branched claws, like the legs of an ant. Richier referred to sculptures like this one, which combine human forms with elements of plants, animals, or insects, as “hybrids.” Strictly speaking, the creature is not seated directly on the base. Instead, its body is supported by a thin rod extending from the base to the […]