{"version":"1.0","provider_name":"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","provider_url":"https:\/\/www.momat.go.jp\/en","author_name":"ogawaa","author_url":"https:\/\/www.momat.go.jp\/en\/author\/ogawaa","title":"Wong Zhaojun [the Chinese princess] \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ybAza7IKfx\"><a href=\"https:\/\/www.momat.go.jp\/en\/collection\/jki878\">Wong Zhaojun [the Chinese princess]<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.momat.go.jp\/en\/collection\/jki878\/embed#?secret=ybAza7IKfx\" width=\"600\" height=\"338\" title=\"&#8220;Wong Zhaojun [the Chinese princess]&#8221; &#8212; \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" data-secret=\"ybAza7IKfx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"Wang Zhaojun, said to be the most beautiful woman in China\u2019s imperial palace, was sent to marry the king of Xiongnu during the reign of Emperor Yuan in the early Han Dynasty. This work shows the palace women watching the noble beauty, who was depicted in an unfavorable light in a portrait because she refused to bribe the painter, as they conceal a variety of emotions. An example of Hishida\u2019s so-called&nbsp;moro-tai&nbsp;(vague-style) technique in which he avoided the use of distinct lines, the artist\u2019s skillful shading creates a fluid texture and dreamy atmosphere. (Designated an Important Cultural Propery on June 5, 1982)","thumbnail_url":"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-momat.png","thumbnail_width":1200,"thumbnail_height":630}