{"version":"1.0","provider_name":"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","provider_url":"https:\/\/www.momat.go.jp\/en","author_name":"admin_momat","author_url":"https:\/\/www.momat.go.jp\/en\/author\/admin_momat","title":"Hayakawa Yoshio: \"The Face\" and \"The Form\" \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AJJizoC4ai\"><a href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/463\">Hayakawa Yoshio: &#8220;The Face&#8221; and &#8220;The Form&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/463\/embed#?secret=AJJizoC4ai\" width=\"600\" height=\"338\" title=\"&#8220;Hayakawa Yoshio: &#8220;The Face&#8221; and &#8220;The Form&#8221;&#8221; &#8212; \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" data-secret=\"AJJizoC4ai\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"About Artists Hayakawa Yoshio was born in 1917 in Osaka, and led the postwar graphic design world in Japan for many years. He had a far-reaching influence on younger designers, and was active until his sudden death in March 2009. Characterized by an urban sense that may be called \u201cJapanesque modernism,\u201d his numerous pieces of commercial advertisement and graphic art show unrestrained conception, bold composition and an outstanding sense of color. Hayakawa steadfastly maintained his stance as an illustrator full of intuitive personality. Events &amp; Education Lecture part.1 = Nagai Kazumasapart.2 = Nagatomo Keisuke + Nadamoto Tadahito + Hirano Keiko + Yamaguchi Harumi and Moroyama Masanori (Curator) Booking: Required (deadline [&hellip;]","thumbnail_url":"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-momat.png","thumbnail_width":1200,"thumbnail_height":630}