{"version":"1.0","provider_name":"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","provider_url":"https:\/\/www.momat.go.jp\/en","author_name":"admin_momat","author_url":"https:\/\/www.momat.go.jp\/en\/author\/admin_momat","title":"Kaburaki Kiyokata: A Retrospective \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"V7PfNwBojn\"><a href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/546\">Kaburaki Kiyokata: A Retrospective<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/546\/embed#?secret=V7PfNwBojn\" width=\"600\" height=\"338\" title=\"&#8220;Kaburaki Kiyokata: A Retrospective&#8221; &#8212; \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" data-secret=\"V7PfNwBojn\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/02\/2022_kiyokata-poster-scaled.jpg","thumbnail_width":1807,"thumbnail_height":2560,"description":"About From left: Kaburaki Kiyokata&nbsp;Hama-cho Gashi Zone, 1930,&nbsp;Tsukiji Akashi-cho Town, 1927,&nbsp;Shintomi-cho Town, 1930 \u00a9Nemoto Akio Our museum has acquired one of the masterpieces by Kaburaki Kiyokata (1878\u20131972),&nbsp;Tsukiji Akashi-cho Town&nbsp;(1927) that had been missing for many years, along with&nbsp;Shintomi-cho Town&nbsp;and&nbsp;Hama-cho Gashi Zone&nbsp;(both 1930), a trilogy rediscovered in 2018. This is a major retrospective of the painter that presents 109 Japanese-style paintings including the trilogy. Staying mindful of his early career as an&nbsp;ukiyo-e-style illustrator, Kaburaki always borrowed motifs for his works from the life of the common people, literature, and public entertainment until his last years. Paying attention to the \u201cunchangingness\u201d of his interest, this exhibition presents his works in parallel arrangement [&hellip;]"}