{"version":"1.0","provider_name":"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","provider_url":"https:\/\/www.momat.go.jp\/en","author_name":"srvmng","author_url":"https:\/\/www.momat.go.jp\/en\/author\/srvmng","title":"New Acquisition & Special Display| Medardo Rosso, Ecce Puer (Behold the Boy) \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WFcCBajJik\"><a href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/r7-3-g4\">New Acquisition &#038; Special Display| Medardo Rosso, Ecce Puer (Behold the Boy)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/r7-3-g4\/embed#?secret=WFcCBajJik\" width=\"600\" height=\"338\" title=\"&#8220;New Acquisition &#038; Special Display| Medardo Rosso, Ecce Puer (Behold the Boy)&#8221; &#8212; \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" data-secret=\"WFcCBajJik\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2026\/02\/64e132d5dd3b8e373cf5965423daedd2-scaled.jpeg","thumbnail_width":1707,"thumbnail_height":2560,"description":"About We are exhibiting Ecce Puer (Behold the Boy) (c.1920 to 25), by the Italian sculptor Medardo Rosso, for the first time. Rosso began his career in Milan, then moved to Paris at the end of the 19th century. Although he was far from prolific, he made quite a few works that are considered highly important. Ecce Puer (Behold the Boy) depicts a subject Rosso pursued at the end of his career, and it is widely regarded as his finest work. A major distinguishing feature of Rosso\u2019s work is his use of wax. The translucence of this material lets the sculptures catch and diffuse light across their surfaces so that [&hellip;]"}