{"version":"1.0","provider_name":"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","provider_url":"https:\/\/www.momat.go.jp\/en","author_name":"ogawaa","author_url":"https:\/\/www.momat.go.jp\/en\/author\/ogawaa","title":"Yoshida Katsuro, Touch \u201cBody\uff0d47\u201d , 1989 \uff08\u898b\u308b\u805e\u304f\u8aad\u3080\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qOn7LjN2d3\"><a href=\"https:\/\/www.momat.go.jp\/en\/magazine\/047\">Yoshida Katsuro, Touch \u201cBody\uff0d47\u201d , 1989<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.momat.go.jp\/en\/magazine\/047\/embed#?secret=qOn7LjN2d3\" width=\"600\" height=\"338\" title=\"&#8220;Yoshida Katsuro, Touch \u201cBody\uff0d47\u201d , 1989&#8221; &#8212; \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" data-secret=\"qOn7LjN2d3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2021\/03\/7bb3a5d4e8d4dd4633ea8c035db76aa3-scaled.jpg","thumbnail_width":1701,"thumbnail_height":2560,"description":"Yoshida Katsuro (1943\u20131999) produced a diverse body of work, originally making minimal modifications to basic materials such as wood, iron, and light bulbs and emerging as a central figure in the movement known as Mono-ha (the \u201cSchool of Things\u201d) in the late 1960s and early 1970s. In the 1970s he began making prints, using plates derived from photographs. Yoshida won the grand prize at the 1st International Biennial Exhibition of Prints in Seoul (1970, National Museum of Korea). In the 1980s he began painting, and his most noted work in this medium is the&nbsp;Touch&nbsp;series, to which&nbsp;Touch \u201cBody\uff0d47\u201d&nbsp;belongs. Black dots and lines writhe across a canvas primed in light ocher. The [&hellip;]"}