{"id":100479,"date":"2022-12-21T21:00:04","date_gmt":"2022-12-21T12:00:04","guid":{"rendered":"https:\/\/www.momat.go.jp\/collection\/ji0007"},"modified":"2024-08-05T11:33:43","modified_gmt":"2024-08-05T02:33:43","slug":"ji0007","status":"publish","type":"collections","link":"https:\/\/www.momat.go.jp\/en\/collection\/ji0007","title":{"rendered":"Mother and Child"},"content":{"rendered":"\n<p>A baby leans forward with one hand holding its mother\u2019s kimono at the neck, and the mother holds the baby tight in her arms with an affectionate gaze. One common scene in everyday life has been elevated to a noble mother-and-child painting. Her mother\u2019s death made Shoen often turn to the subject of motherhood. With this memorable piece first shown at the Imperial Academy\u2019s art exhibition in autumn of the year of her mother\u2019s death, Shoen broke new ground in her later years. Her portrayal of the skin, chignons and clothes shows her sensitivity and techniques that the painter acquired producing bijinga (\u2018pictures of beautiful women\u2019).<\/p>\n\n\n\n<p>(Designated an Important Cultural Property on June 27, 2011)<\/p>\n","protected":false},"featured_media":56458,"template":"","genre":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mother and Child \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/collection\/ji0007\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mother and Child \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"A baby leans forward with one hand holding its mother\u2019s kimono at the neck, and the mother holds the baby tight in her arms with an affectionate gaze. One common scene in everyday life has been elevated to a noble mother-and-child painting. Her mother\u2019s death made Shoen often turn to the subject of motherhood. With this memorable piece first shown at the Imperial Academy\u2019s art exhibition in autumn of the year of her mother\u2019s death, Shoen broke new ground in her later years. Her portrayal of the skin, chignons and clothes shows her sensitivity and techniques that the painter acquired producing bijinga (\u2018pictures of beautiful women\u2019). 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