{"id":103419,"date":"2022-12-21T21:05:30","date_gmt":"2022-12-21T12:05:30","guid":{"rendered":"https:\/\/www.momat.go.jp\/collection\/o00442"},"modified":"2023-11-24T11:36:53","modified_gmt":"2023-11-24T02:36:53","slug":"o00442","status":"publish","type":"collections","link":"https:\/\/www.momat.go.jp\/en\/collection\/o00442","title":{"rendered":"Landscape with an Eye"},"content":{"rendered":"\n<p>What is this hulking mass with its striking single eye? A close look reveals that the boundary between it and the sky was corrected many times. Overlapping, flowing curved lines and vestiges of scraped-off paint can also be seen. The work may appear to be unfinished, but the artist has signed it on the lower right, indicating that this was the final form he intended. Here there is a nameless something that cannot be identified. Stare at it long enough in hopes of unraveling its mystery, and you may gradually begin imagining various things. In some ways this is a vicarious experience of the artist\u2019s protracted battle with the painting.<\/p>\n","protected":false},"featured_media":60730,"template":"","genre":[314],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Landscape with an Eye \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/collection\/o00442\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Landscape with an Eye \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"What is this hulking mass with its striking single eye? A close look reveals that the boundary between it and the sky was corrected many times. Overlapping, flowing curved lines and vestiges of scraped-off paint can also be seen. The work may appear to be unfinished, but the artist has signed it on the lower right, indicating that this was the final form he intended. Here there is a nameless something that cannot be identified. Stare at it long enough in hopes of unraveling its mystery, and you may gradually begin imagining various things. 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