{"id":105181,"date":"2022-12-21T21:09:40","date_gmt":"2022-12-21T12:09:40","guid":{"rendered":"https:\/\/www.momat.go.jp\/collection\/oi0002"},"modified":"2023-11-27T13:06:58","modified_gmt":"2023-11-27T04:06:58","slug":"oi0002","status":"publish","type":"collections","link":"https:\/\/www.momat.go.jp\/en\/collection\/oi0002","title":{"rendered":"Road Cut through a Hill"},"content":{"rendered":"\n

Depicting a scene near Yoyogi where Kishida lived at the time, the painter tried to come close to nature again with an eye that had gone through influence of classical Western paintings. According the artist himself, it was a time when he began to escape from \u201cinfluence of classical\u201d Western paintings, and \u201cthe desire to directly face the mass of nature itself\u201d returned. Closely composed and showing a unique spatial grasp that overwhelms the viewer, this is a highly prominent piece among paintings of the Taisho period (1912-26).<\/p>\n\n\n\n

(Designated an Important Cultural Property on June 22, 1971)<\/p>\n","protected":false},"featured_media":44651,"template":"","genre":[314],"acf":[],"yoast_head":"\nRoad Cut through a Hill \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/collection\/oi0002\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Road Cut through a Hill \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"Depicting a scene near Yoyogi where Kishida lived at the time, the painter tried to come close to nature again with an eye that had gone through influence of classical Western paintings. 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