{"id":120979,"date":"2022-12-21T22:07:25","date_gmt":"2022-12-21T13:07:25","guid":{"rendered":"https:\/\/www.momat.go.jp\/collection\/s00317"},"modified":"2023-11-27T10:37:50","modified_gmt":"2023-11-27T01:37:50","slug":"s00317","status":"publish","type":"collections","link":"https:\/\/www.momat.go.jp\/en\/collection\/s00317","title":{"rendered":"Protrusion #076"},"content":{"rendered":"\n

Suga Kishio was among the most important artists in the Mono-ha (lit. \u201cSchool of Things\u201d) movement that emerged in the late 1960s and early 1970s. He positioned natural objects such as pieces of wood and stones, and materials such as metal and paper, in spaces in an almost unprocessed state, referred to resulting scenes as \u201csituations\u201d which he presented as works. Here pieces of wood are fitted in a frame, like a puzzle, some of them \u201cprotruding\u201d upward. Typical of Suga\u2019s work, it enables close examination of relationships among objects and relationships between the objects and the surrounding space through subtle interventions by the artist.<\/p>\n","protected":false},"featured_media":87498,"template":"","genre":[318],"acf":[],"yoast_head":"\nProtrusion #076 \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/collection\/s00317\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Protrusion #076 \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"Suga Kishio was among the most important artists in the Mono-ha (lit. \u201cSchool of Things\u201d) movement that emerged in the late 1960s and early 1970s. He positioned natural objects such as pieces of wood and stones, and materials such as metal and paper, in spaces in an almost unprocessed state, referred to resulting scenes as \u201csituations\u201d which he presented as works. Here pieces of wood are fitted in a frame, like a puzzle, some of them \u201cprotruding\u201d upward. Typical of Suga\u2019s work, it enables close examination of relationships among objects and relationships between the objects and the surrounding space through subtle interventions by the artist.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.momat.go.jp\/en\/collection\/s00317\" \/>\n<meta property=\"og:site_name\" content=\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/momat.pr\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-27T01:37:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/03\/S00317_0001.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"503\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@MOMAT_museum\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.momat.go.jp\/en\/collection\/s00317\",\"url\":\"https:\/\/www.momat.go.jp\/en\/collection\/s00317\",\"name\":\"Protrusion #076 \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"isPartOf\":{\"@id\":\"https:\/\/www.momat.go.jp\/#website\"},\"datePublished\":\"2022-12-21T13:07:25+00:00\",\"dateModified\":\"2023-11-27T01:37:50+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.momat.go.jp\/en\/collection\/s00317#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.momat.go.jp\/en\/collection\/s00317\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.momat.go.jp\/en\/collection\/s00317#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.momat.go.jp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\",\"item\":\"https:\/\/www.momat.go.jp\/collection\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Protrusion #076\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.momat.go.jp\/#website\",\"url\":\"https:\/\/www.momat.go.jp\/\",\"name\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"description\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\u306f\u3001\u6771\u4eac\u306e\u4e2d\u5fc3\u90e8\u3001\u7687\u5c45\u3001\u5317\u306e\u4e38\u516c\u5712\u3001\u5343\u9ce5\u30f6\u6df5\u306a\u3069\u3001\u65e5\u672c\u6587\u5316\u3084\u81ea\u7136\u8c4a\u304b\u306a\u74b0\u5883\u306b\u4f4d\u7f6e\u3059\u308b\u65e5\u672c\u3067\u6700\u521d\u306e\u56fd\u7acb\u7f8e\u8853\u9928\u3067\u3059\u3002\",\"publisher\":{\"@id\":\"https:\/\/www.momat.go.jp\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.momat.go.jp\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.momat.go.jp\/#organization\",\"name\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"url\":\"https:\/\/www.momat.go.jp\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.momat.go.jp\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-ag.png\",\"contentUrl\":\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-ag.png\",\"width\":1200,\"height\":630,\"caption\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\"},\"image\":{\"@id\":\"https:\/\/www.momat.go.jp\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/momat.pr\",\"https:\/\/twitter.com\/MOMAT_museum\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Protrusion #076 \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.momat.go.jp\/en\/collection\/s00317","og_locale":"en_US","og_type":"article","og_title":"Protrusion #076 \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","og_description":"Suga Kishio was among the most important artists in the Mono-ha (lit. \u201cSchool of Things\u201d) movement that emerged in the late 1960s and early 1970s. 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