{"id":96670,"date":"2023-02-10T17:07:36","date_gmt":"2023-02-10T08:07:36","guid":{"rendered":"https:\/\/www.momat.go.jp\/collection\/jki878"},"modified":"2023-11-20T15:13:51","modified_gmt":"2023-11-20T06:13:51","slug":"jki878","status":"publish","type":"collections","link":"https:\/\/www.momat.go.jp\/en\/collection\/jki878","title":{"rendered":"Wong Zhaojun [the Chinese princess]"},"content":{"rendered":"\n<p>Wang Zhaojun, said to be the most beautiful woman in China\u2019s imperial palace, was sent to marry the king of Xiongnu during the reign of Emperor Yuan in the early Han Dynasty. This work shows the palace women watching the noble beauty, who was depicted in an unfavorable light in a portrait because she refused to bribe the painter, as they conceal a variety of emotions. An example of Hishida\u2019s so-called&nbsp;<em>moro-tai<\/em>&nbsp;(vague-style) technique in which he avoided the use of distinct lines, the artist\u2019s skillful shading creates a fluid texture and dreamy atmosphere.<\/p>\n\n\n\n<p>(Designated an Important Cultural Propery on June 5, 1982)<\/p>\n","protected":false},"featured_media":0,"template":"","genre":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wong Zhaojun [the Chinese princess] \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/collection\/jki878\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wong Zhaojun [the Chinese princess] \uff08\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"Wang Zhaojun, said to be the most beautiful woman in China\u2019s imperial palace, was sent to marry the king of Xiongnu during the reign of Emperor Yuan in the early Han Dynasty. This work shows the palace women watching the noble beauty, who was depicted in an unfavorable light in a portrait because she refused to bribe the painter, as they conceal a variety of emotions. An example of Hishida\u2019s so-called&nbsp;moro-tai&nbsp;(vague-style) technique in which he avoided the use of distinct lines, the artist\u2019s skillful shading creates a fluid texture and dreamy atmosphere. 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