{"id":125030,"date":"2022-09-21T14:03:07","date_gmt":"2022-09-21T05:03:07","guid":{"rendered":"https:\/\/www.momat.go.jp\/exhibitions\/532"},"modified":"2023-06-12T10:56:25","modified_gmt":"2023-06-12T01:56:25","slug":"532","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/532","title":{"rendered":"Laugh Off This Hopeless World: Fukuzawa Ichiro"},"content":{"rendered":"    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_81748872fc616d3e681b46a991852a77\"\n                aria-controls=\"nav-block_81748872fc616d3e681b46a991852a77\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_81748872fc616d3e681b46a991852a77\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section1-1\"\n                       title=\"Scroll to About\"\n                       class=\"momat-anchors__link\">\n                        About                    <\/a>\n                                    <a href=\"#section1-2\"\n                       title=\"Scroll to Contents\"\n                       class=\"momat-anchors__link\">\n                        Contents                    <\/a>\n                                    <a href=\"#section1-3\"\n                       title=\"Scroll to Exhibition Catalogue\"\n                       class=\"momat-anchors__link\">\n                        Exhibition Catalogue                    <\/a>\n                                    <a href=\"#section1-4\"\n                       title=\"Scroll to Hours &amp; Admissions\"\n                       class=\"momat-anchors__link\">\n                        Hours &amp; Admissions                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div id=\"section1-1\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-columns is-layout-flex wp-container-3\">\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\">A retrospective of an avant-garde painter who incorporated social criticism into his enigmatic images<\/h2>\n\n\n\n<p>Fukuzawa Ichiro (1898-1992) is an artist who led the Western-style painting community in Japan from the prewar years of the Showa period to after World War II. In the prewar period, he introduced French Surrealism to Japan. At the same time, he expressed symbolic messages of social criticism and became a leader of avant-garde art movements. Despite oppression during the war, in the postwar era, he once again worked on large group portraits from a critical viewpoint on the society and received the Order of Culture in his later years.<\/p>\n\n\n\n<p>In the history of modern art in Japan, so far, Fukuzawa has almost always been discussed as the man who introduced Surrealism. However, in this exhibition, we shall focus on how he confronted the society throughout his lifetime as an artist. There are approximately 100 works presented from such a point of view including his early works with a touch of satire in the enigmatic images, his most important work,&nbsp;<em>Group of Figures Defeated&nbsp;in Battle&nbsp;<\/em>(1948), which is often referred to as the starting point of postwar art, and the series through which he attempted social criticism by adopting Western and Oriental images of Hell. Through his works versatile yet based on a consistent critical mind, we hope you will have an opportunity to consider the present-day significance of Fukuzawa\u2019s artistic career, which he spent keenly observing the human being with intellectual humor.<\/p>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-download\">\n        <a class=\"wp-block-button__link\" href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/532-list-en.pdf\" target=\"_blank\">\n            List of Works (PDF)        <\/a>\n    <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/02\/2018_fukuzawa-poster-1.jpg\" alt=\"\"\/><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div id=\"section1-2\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Contents<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 1. Misanthropy: Studying in Paris<\/h3>\n\n\n\n<p>Fukuzawa Ichiro studied sculpture under Asakura Fumio while enrolled in the Faculty of Literature at Tokyo Imperial University. From 1924 to 1931, he went to study in Paris and during that time, he proceeded from sculpture to painting. His early works produced having studied Western art broadly from classical art to contemporary works already demonstrate expressions clearly distinguished from ordinary realism.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 2. Surrealism and Satire<\/h3>\n\n\n\n<p>While studying in France, Fukuzawa came across&nbsp;<em>La Femme 100 T\u00eates&nbsp;<\/em>(1929), a series of collages by the Surrealist artist Max Ernst. Inspired by Ernst\u2019s methodology of combining illustrations from old books and magazines dating from around the late nineteenth century in a peculiar way to produce absurd images, Fukuzawa did many oil paintings, attaching satirical connotations to them. These works were presented at The First Dokuritsu Bijutsu Kyokai Exhibition held in 1931 and attracted considerable attention.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 3. After Returning to Japan<\/h3>\n\n\n\n<p>Once Fukuzawa returned to Japan in 1931, while applying Surrealistic methods he had acquired in Paris, he began to paint characteristic satirical works with a cynical eye on the society. He probably wanted to observe the society from a free viewpoint with a critical eye unrestricted by any particular ideology.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 4. Activism (Active Humanism)<\/h3>\n\n\n\n<p>Having been suppressed by the government, proletarian art movements were annihilated around 1934 and those engaged in expression were smothered in a sense of helplessness. Amidst such circumstances, in the domain of literature, Komatsu Kiyoshi and others advocated activism (active humanism). As an artist, Fukuzawa sympathized with this thought and practiced humanism in his paintings. That is to say, amidst a situation in which freedom of expression was narrowed down, Fukuzawa stuck determinedly to his individual viewpoint. Works such as&nbsp;<em>Oxen<\/em>&nbsp;(1936) had a considerable influence on the young artists and Fukuzawa secured a position as a key figure in avant-garde art movements.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 5.&nbsp; Wartime Avant-garde<\/h3>\n\n\n\n<p>On April 5, 1941, Fukuzawa was arrested on suspicion of violation of the Peace Preservation Law together with the poet and art critic Takiguchi Shuzo. There was suspicion that Surrealism was related to Communism. Although the two men were released in November that year, from then on, they were obliged to cooperate with the war efforts. However, Fukuzawa\u2019s activities during the wartime need to be reconsidered.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 6. Myths Reflecting Social Conditions of the Time (1)<\/h3>\n\n\n\n<p>Resuming activity after World War II, Fukuzawa expressed the disorderly social conditions in the form of \u201cInferno\u201d from the<em>&nbsp;Divine Comedy<\/em>&nbsp;written in Italy at the beginning of the fourteenth century by Dante. During this time,&nbsp;<em>Group of Figures Defeated<\/em><em>&nbsp;in Battle&nbsp;<\/em>(1948) was produced as an extension of the series based on Dante.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 7. Primitivism as Criticism on Civilization<\/h3>\n\n\n\n<p>Fukuzawa left for Europe in 1952 and traveled on to Brazil and Mexico before returning to Japan in 1954. The primitive vitality of the people and formed objects he witnessed in Latin America stimulated his inspiration remarkably. Perhaps Fukuzawa found what Japan was lacking there.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 8. In U.S.A.<\/h3>\n\n\n\n<p>In 1965, Fukuzawa traveled around the United States of America. It was just when the African American Civil Rights Movement was on the rise. Fukuzawa captured the energy of the movement seeking freedom in a series of works painted in an agile touch employing acrylic paint. Fukuzawa also took witty shots of the New Yorkers on such occasions.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 9. Myths Reflecting Social Conditions of the Time (2)<\/h3>\n\n\n\n<p>In the 1970s, Fukuzawa once again began working on a series featuring Hell based on Dante\u2019s&nbsp;<em>Divine Comedy<\/em>. Furthermore, based on&nbsp;<em>Ojoyoshu (The Essentials of Rebirth in the Pure Land)<\/em>&nbsp;by the Buddhist monk Genshin, Fukuzawa depicted Oriental Hell and based on those works, he produced humorous portrayals of present-day social conditions likened to Hell.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 10. Warnings to the Twenty-first Century<\/h3>\n\n\n\n<p>Fukuzawa\u2019s message to the present-day society was more than satire on current affairs. Based on the classics, he presented it as a universal issue for the human beings. This attitude remained consistent until his later years. His works suggest a warning against the demoralization of people\u2019s minds and the downfall of civilization. While seeking subject matter in the past, here too, Fukuzawa seems to be overlapping it with the situation in present-day Japan.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section1-3\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Exhibition Catalogue<\/h2>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-gray-arrow\">\n        <a class=\"wp-block-button__link\" href=\"https:\/\/kinbiopac.momat.go.jp\/opac\/opac_details\/?lang=0&amp;amode=11&amp;bibid=LB00237568\" target=\"_blank\">\n            Catalogue Information        <\/a>\n    <\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div id=\"section1-4\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Hours &amp; Admissions<\/h2>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Art Museum Special Exhibition Gallery<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>March 12 &#8211; May 26, 2019<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00-17:00 ( Fridays and Saturdays open until 20:00 )<br>*Last admission : 30 minutes before closing.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Mondays ( except March 25, April 1, 29, and May 6, 2019 ), and May 7, 2019<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults: \u00a51,200\uff08 900 \uff09<br>College \/ University students: \u00a5800\uff08 500 \uff09<\/p>\n\n\n\n<ul>\n<li>Including the admission fee for MOMAT collection. Offer valid only on the same day.<\/li>\n\n\n\n<li>The price in brackets is for the group of 20 persons or more.<\/li>\n\n\n\n<li>All prices include tax.<\/li>\n\n\n\n<li>High school students and under 18 are free of charge.<\/li>\n\n\n\n<li>Persons with disability and one person accompanying them are admitted free of charge.<\/li>\n<\/ul>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organizer<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Cooperated by<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The Museum of Modern Art, Gunma<br>Tomioka City Museum \/ Fukuzawa Ichiro Memorial Gallery<br>FUKUZAWA Ichiro Memorial Foundation<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"235\" height=\"57\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/banner_C.jpeg\" alt=\"\" class=\"wp-image-2222\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/banner_C.jpeg 235w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/banner_C-200x49.jpeg 200w\" sizes=\"(max-width: 235px) 100vw, 235px\" \/><\/figure>\n","protected":false},"featured_media":82543,"template":"","exhibition_type":[261],"exhibition_year":[364,308],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Laugh Off This Hopeless World: Fukuzawa Ichiro \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/532\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Laugh Off This Hopeless World: Fukuzawa Ichiro \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"A retrospective of an avant-garde painter who incorporated social criticism into his enigmatic images Fukuzawa Ichiro (1898-1992) is an artist who led the Western-style painting community in Japan from the prewar years of the Showa period to after World War II. 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In the prewar period, he introduced French Surrealism to Japan. At the same time, he expressed symbolic messages of social criticism and became a leader of avant-garde art movements. Despite oppression during the war, in the postwar era, he once again worked on large group portraits from a critical viewpoint on the society and received the Order of Culture in his later years. 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