{"id":125293,"date":"2020-11-03T17:11:27","date_gmt":"2020-11-03T08:11:27","guid":{"rendered":"https:\/\/www.momat.go.jp\/exhibitions\/r1-2"},"modified":"2023-06-12T11:53:03","modified_gmt":"2023-06-12T02:53:03","slug":"r1-2","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/r1-2","title":{"rendered":"2020-2 MOMAT Collection"},"content":{"rendered":"\n<p>Special feature: What Is Like the Present?<\/p>\n\n\n    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_cd897ba47cd753d1dd05cb385f2a3609\"\n                aria-controls=\"nav-block_cd897ba47cd753d1dd05cb385f2a3609\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_cd897ba47cd753d1dd05cb385f2a3609\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section1-1\"\n                       title=\"Scroll to Highlights\"\n                       class=\"momat-anchors__link\">\n                        Highlights                    <\/a>\n                                    <a href=\"#section1-2\"\n                       title=\"Scroll to About the Sections\"\n                       class=\"momat-anchors__link\">\n                        About the Sections                    <\/a>\n                                    <a href=\"#section1-4\"\n                       title=\"Scroll to About the Exhibition\"\n                       class=\"momat-anchors__link\">\n                        About the Exhibition                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div id=\"section1-1\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">The collection exhibition from November 3, 2020\u2013February 23, 2021<\/h2>\n\n\n\n<p>This edition of the MOMAT Collection centers on a special feature titled \u201cWhat Is Like the Present?\u201d, which unfolds over nine rooms. To consider \u201cthe present,\u201d an era defined by the maelstrom of the coronavirus crisis, we have chosen a riddle-like approach with nine solutions in order to consider a century of art history from a variety of perspectives.<\/p>\n\n\n\n<p>A riddle consists of a solution followed by a punch line. As we search for a common punch line to the solutions, which deal with subjects such as personal expressions and isms, art and the state, the subjective and the objective, and works and museums, we might come to the conclusion that distance is important. An artist\u2019s distinctive way of observing the current state of a given phenomenon while maintaining their distance from it promises to provide us with some helpful hints for creatively passing our time in the present. In Room 12, we present new works by Okazaki Kenjiro, which was made during the coronavirus pandemic.<\/p>\n\n\n\n<p>Viewers will also enjoying seeing some old favorites in \u201cHighlights\u201d (Room 1, 4th floor) as well as&nbsp;<em>Soul and Soul<\/em>, a work by the photographer Suzuki Kiyoshi, which is being shown to commemorate the 20th-anniversary of Suzuki\u2019s death (Room 9, 3rd floor). In Room 10 (3rd floor), you will also a find selection of&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style paintings) presented in two terms (the first running from Nov. 3 to Dec. 20, and the second from Dec. 22-Feb. 23). And a small exhibit devoted to sculptures of the male form can be found in Gallery 4 (2nd floor). Please relax and enjoy your visit to the museum.<\/p>\n\n\n\n<p class=\"has-text-align-right\">translated by Christopher Stephens<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">List of Works<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><th><small>room<\/small><\/th><th><small>audio guide (En)<\/small><\/th><th><small>artist<\/small><\/th><th><small>title<\/small><\/th><th><small>\u7f8e\u672f\u5bb6<\/small><\/th><th><small>\u6807\u9898<\/small><\/th><th><small>\uc791\uac00\uc758&nbsp;<\/small><\/th><th><small>\ud45c\uc81c<\/small><\/th><th><small>date<\/small><\/th><th><small>on view from<\/small><\/th><th><small>on view to<\/small><\/th><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HISHIDA, Shunso<\/small><\/td><td><small>Sparrows on Plum Blossoms<\/small><\/td><td><small>\u83f1\u7530\u6625\u8349<\/small><\/td><td><small>\u6885\u4e0e\u96c0<\/small><\/td><td><small>\ud788\uc2dc\ub2e4 \uc28c\uc18c<\/small><\/td><td><small>\ub9e4\ud654\ub098\ubb34\uc640 \ucc38\uc0c8<\/small><\/td><td><small>1911<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/04\/12<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMOTO, Shunkyo<\/small><\/td><td><small>Snow and Pine Trees<\/small><\/td><td><small>\u5c71\u5143\u6625\u4e3e<\/small><\/td><td><small>\u96ea\u677e\u56fe<\/small><\/td><td><small>\uc57c\ub9c8\ubaa8\ud1a0 \uc28c\ucfc4<\/small><\/td><td><small>\ub208 \uc18d\uc758 \uc18c\ub098\ubb34<\/small><\/td><td><small>1908<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWABATA, Ryushi<\/small><\/td><td><small>Divine Light of Love: Morning, Evening<\/small><\/td><td><small>\u5ddd\u7aef\u9f99\u5b50<\/small><\/td><td><small>\u6148\u60b2\u5149\u793c\u8d5e\uff08\u671d\u3001\u5915\uff09<\/small><\/td><td><small>\uac00\uc640\ubc14\ud0c0 \ub958\uc2dc<\/small><\/td><td><small>\uc790\ube44\uc758 \ube5b\uc744 \uc608\ucc2c\ud558\ub2e4(\uc544\uce68, \uc800\ub141)<\/small><\/td><td><small>1918<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Fusen, Tetsu<\/small><\/td><td><small>Seaside Village<\/small><\/td><td><small>\u4e0d\u67d3\u94c1<\/small><\/td><td><small>\u6d77\u6751<\/small><\/td><td><small>\ud6c4\uc13c \ub370\uc4f0<\/small><\/td><td><small>\ubc14\ub2f7\uac00 \ub9c8\uc744<\/small><\/td><td><small>1923<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOSUGI, Hoan (Misei)<\/small><\/td><td><small>Camellia<\/small><\/td><td><small>\u5c0f\u6749\u653e\u5eb5\uff08\u672a\u9192\uff09<\/small><\/td><td><small>\u8336\u82b1<\/small><\/td><td><small>\uace0\uc2a4\uae30 \ud638\uc548(\ubbf8\uc138\uc774)<\/small><\/td><td><small>\ub3d9\ubc31<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOSUGI, Hoan (Misei)<\/small><\/td><td><small>Great Argus Pheasant<\/small><\/td><td><small>\u5c0f\u6749\u653e\u5eb5\uff08\u672a\u9192\uff09<\/small><\/td><td><small>\u9752\u9e3e<\/small><\/td><td><small>\uace0\uc2a4\uae30 \ud638\uc548(\ubbf8\uc138\uc774)<\/small><\/td><td><small>\ud478\ub978 \ub09c\uc0c8<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0003<\/small><\/td><td><small>Henri Rousseau<\/small><\/td><td><small>Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Soci\u00e9t\u00e9 des Artistes Ind\u00e9pendants<\/small><\/td><td><small>\u4ea8\u5229\u00b7\u5362\u68ad<\/small><\/td><td><small>\u81ea\u7531\u5973\u795e\u6307\u5f15\u827a\u672f\u5bb6\u53c2\u52a0\u7b2c22\u5c4a\u72ec\u7acb\u6c99\u9f99<\/small><\/td><td><small>\uc559\ub9ac \ub8e8\uc18c<\/small><\/td><td><small>\uc81c22\ud68c \uc559\ub370\ud321\ub2f9\uc804\uc5d0 \ucc38\uac00\ud558\ub3c4\ub85d \uc608\uc220\uac00\ub4e4\uc744 \uc774\ub044\ub294 \uc790\uc720\uc758 \uc5ec\uc2e0<\/small><\/td><td><small>1905-06<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0001<\/small><\/td><td><small>HARADA, Naojiro<\/small><\/td><td><small>Kannon Bodhisattva Riding the Dragon<\/small><\/td><td><small>\u539f\u7530\u76f4\u6b21\u90ce<\/small><\/td><td><small>\u9a91\u9f99\u89c2\u97f3<\/small><\/td><td><small>\ud558\ub77c\ub2e4 \ub098\uc624\uc9c0\ub85c<\/small><\/td><td><small>\uae30\ub8e1\uad00\uc74c<\/small><\/td><td><small>1890<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0020<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Road Cut through a Hill<\/small><\/td><td><small>\u5cb8\u7530\u5218\u751f<\/small><\/td><td><small>\u9053\u8def\u3001\u571f\u5824\u548c\u56f4\u5899\uff08\u51ff\u5f00\u4e4b\u8def\u7684\u5199\u751f\uff09<\/small><\/td><td><small>\uae30\uc2dc\ub2e4 \ub958\uc138\uc774<\/small><\/td><td><small>\ub3c4\ub85c\uc640 \uc81c\ubc29\uacfc \ub2f4(\uc5b8\ub355\uae38 \uc0ac\uc0dd)<\/small><\/td><td><small>1915<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0039<\/small><\/td><td><small>SAEKI, Yuzo<\/small><\/td><td><small>Gas Lamp and Advertisements<\/small><\/td><td><small>\u4f50\u4f2f\u7950\u4e09<\/small><\/td><td><small>\u7164\u6c14\u706f\u548c\u5e7f\u544a<\/small><\/td><td><small>\uc0ac\uc5d0\ud0a4 \uc720\uc870<\/small><\/td><td><small>\uac00\uc2a4\ub4f1\uacfc \uad11\uace0<\/small><\/td><td><small>1927<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0040<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Sea<\/small><\/td><td><small>\u53e4\u8d3a\u6625\u6c5f<\/small><\/td><td><small>\u6d77<\/small><\/td><td><small>\uace0\uac00 \ud558\ub8e8\uc5d0<\/small><\/td><td><small>\ubc14\ub2e4<\/small><\/td><td><small>1929<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AI-MITSU<\/small><\/td><td><small>Horse<\/small><\/td><td><small>\u53c6\u5149<\/small><\/td><td><small>\u9a6c<\/small><\/td><td><small>\uc544\uc774\ubbf8\uc4f0<\/small><\/td><td><small>\ub9d0<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0044<\/small><\/td><td><small>SAKAMOTO, Hanjiro<\/small><\/td><td><small>Horse Coming out of the Water<\/small><\/td><td><small>\u5742\u672c\u7e41\u4e8c\u90ce<\/small><\/td><td><small>\u4ece\u6c34\u4e2d\u5347\u8d77\u7684\u9a8f\u9a6c<\/small><\/td><td><small>\uc0ac\uce74\ubaa8\ud1a0 \ud55c\uc9c0\ub85c<\/small><\/td><td><small>\ubb3c\uc5d0\uc11c \uac78\uc5b4 \ub098\uc624\ub294 \ub9d0<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Cats<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u732b<\/small><\/td><td><small>\ud6c4\uc9c0\ud0c0 \uc4f0\uad6c\ud558\ub8e8<\/small><\/td><td><small>\uace0\uc591\uc774<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0025<\/small><\/td><td><small>TAKAMURA, Kotaro<\/small><\/td><td><small>Hand<\/small><\/td><td><small>\u9ad8\u6751\u5149\u592a\u90ce<\/small><\/td><td><small>\u624b<\/small><\/td><td><small>\ub2e4\uce74\ubb34\ub77c \uace0\ud0c0\ub85c<\/small><\/td><td><small>\uc190<\/small><\/td><td><small>c.1918<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOKUOKA, Shinsen<\/small><\/td><td><small>Poppy<\/small><\/td><td><small>\u5fb7\u5188\u795e\u6cc9<\/small><\/td><td><small>\u7f42\u7c9f\u82b1<\/small><\/td><td><small>\ub3c4\ucfe0\uc624\uce74 \uc2e0\uc13c<\/small><\/td><td><small>\uc591\uadc0\ube44<\/small><\/td><td><small>1924<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Sketch of Chrysanthemums<\/small><\/td><td><small>\u571f\u7530\u9ea6\u4ed9<\/small><\/td><td><small>\u83ca\u82b1\u5199\u751f<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uad6d\ud654 \uc0ac\uc0dd<\/small><\/td><td><small>c.1933<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Sketch of Chrysanthemums<\/small><\/td><td><small>\u571f\u7530\u9ea6\u4ed9<\/small><\/td><td><small>\u83ca\u82b1\u5199\u751f<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uad6d\ud654 \uc0ac\uc0dd<\/small><\/td><td><small>c.1933<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Sketch of Chrysanthemums<\/small><\/td><td><small>\u571f\u7530\u9ea6\u4ed9<\/small><\/td><td><small>\u83ca\u82b1\u5199\u751f<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uad6d\ud654 \uc0ac\uc0dd<\/small><\/td><td><small>c.1933<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Sketch of Chrysanthemums<\/small><\/td><td><small>\u571f\u7530\u9ea6\u4ed9<\/small><\/td><td><small>\u83ca\u82b1\u5199\u751f<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uad6d\ud654 \uc0ac\uc0dd<\/small><\/td><td><small>c.1933<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAKAMI, Kagaku<\/small><\/td><td><small>Camellias<\/small><\/td><td><small>\u6751\u4e0a\u534e\u5cb3<\/small><\/td><td><small>\u5c71\u8336\u82b1<\/small><\/td><td><small>\ubb34\ub77c\uce74\ubbf8 \uac00\uac00\ucfe0<\/small><\/td><td><small>\ub3d9\ubc31<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MAEDA, Seison<\/small><\/td><td><small>Peonies<\/small><\/td><td><small>\u524d\u7530\u9752\u6751<\/small><\/td><td><small>\u7261\u4e39<\/small><\/td><td><small>\ub9c8\uc5d0\ub2e4 \uc138\uc774\uc190<\/small><\/td><td><small>\ubaa8\ub780<\/small><\/td><td><small>1944<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OMODA, Seiju<\/small><\/td><td><small>Camellia<\/small><\/td><td><small>\u5c0f\u8302\u7530\u9752\u6811<\/small><\/td><td><small>\u8336\u82b1<\/small><\/td><td><small>\uc624\ubaa8\ub2e4 \uc138\uc774\uc8fc<\/small><\/td><td><small>\ub3d9\ubc31<\/small><\/td><td><small>c.1919<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Scroll of Sketches (Winter Peonies)<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u5bd2\u7261\u4e39\u5199\u751f\u56fe\u5377<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\uaca8\uc6b8 \ubaa8\ub780 \uc0ac\uc0dd \ub450\ub8e8\ub9c8\ub9ac<\/small><\/td><td><small>1926<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Camellias<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u91ce\u5c71\u8336<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\ub3d9\ubc31<\/small><\/td><td><small>1923<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul C\u00e9zanne<\/small><\/td><td><small>Grand Bouquet of Flowers<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u585e\u5c1a<\/small><\/td><td><small>\u5927\u82b1\u675f<\/small><\/td><td><small>\ud3f4 \uc138\uc794<\/small><\/td><td><small>\ud070 \uaf43\ub2e4\ubc1c<\/small><\/td><td><small>c.1892-95<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUI, Sotaro<\/small><\/td><td><small>Yellow Flower Vase<\/small><\/td><td><small>\u5b89\u4e95\u66fe\u592a\u90ce<\/small><\/td><td><small>\u9ec4\u8272\u4e4b\u74ee<\/small><\/td><td><small>\uc57c\uc2a4\uc774 \uc18c\ud0c0\ub85c<\/small><\/td><td><small>\ub178\ub780 \ud56d\uc544\ub9ac<\/small><\/td><td><small>1912<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUI, Sotaro<\/small><\/td><td><small>Dahlias<\/small><\/td><td><small>\u5b89\u4e95\u66fe\u592a\u90ce<\/small><\/td><td><small>\u5927\u4e3d\u82b1<\/small><\/td><td><small>\uc57c\uc2a4\uc774 \uc18c\ud0c0\ub85c<\/small><\/td><td><small>\ub2ec\ub9ac\uc544<\/small><\/td><td><small>1916<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJISHIMA, Takeji<\/small><\/td><td><small>Artichoke<\/small><\/td><td><small>\u85e4\u5c9b\u6b66\u4e8c<\/small><\/td><td><small>\u6d0b\u84df\u82b1<\/small><\/td><td><small>\ud6c4\uc9c0\uc2dc\ub9c8 \ub2e4\ucf00\uc9c0<\/small><\/td><td><small>\uc544\ub974\ud2f0\uc1fc<\/small><\/td><td><small>1917<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MUKAI, Junkichi<\/small><\/td><td><small>Dahlias<\/small><\/td><td><small>\u5411\u4e95\u6da6\u5409<\/small><\/td><td><small>\u5927\u4e3d\u82b1<\/small><\/td><td><small>\ubb34\uce74\uc774 \uc900\ud0a4\uce58&nbsp;<\/small><\/td><td><small>\ub2ec\ub9ac\uc544<\/small><\/td><td><small>1919<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANAYAMA, Heizo<\/small><\/td><td><small>Chrysanthemums<\/small><\/td><td><small>\u91d1\u5c71\u5e73\u4e09<\/small><\/td><td><small>\u83ca<\/small><\/td><td><small>\uac00\ub098\uc57c\ub9c8 \ud5e4\uc774\uc870<\/small><\/td><td><small>\uad6d\ud654&nbsp;<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUDA, Kunitaro<\/small><\/td><td><small>Study<\/small><\/td><td><small>\u987b\u7530\u56fd\u592a\u90ce<\/small><\/td><td><small>\u4e66\u658b<\/small><\/td><td><small>\uc2a4\ub2e4 \uad6c\ub2c8\ud0c0\ub85c<\/small><\/td><td><small>\uc11c\uc7ac<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UMEHARA, Ryuzaburo<\/small><\/td><td><small>Roses<\/small><\/td><td><small>\u6885\u539f\u9f99\u4e09\u90ce<\/small><\/td><td><small>\u8537\u8587\u56fe<\/small><\/td><td><small>\uc6b0\uba54\ud558\ub77c \ub958\uc790\ubd80\ub85c<\/small><\/td><td><small>\uc7a5\ubbf8<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0012<\/small><\/td><td><small>OGIWARA, Morie<\/small><\/td><td><small>Woman<\/small><\/td><td><small>\u837b\u539f\u5b88\u536b<\/small><\/td><td><small>\u5973\u5b50<\/small><\/td><td><small>\uc624\uae30\uc640\ub77c \ubaa8\ub9ac\uc5d0<\/small><\/td><td><small>\uc5ec\uc790<\/small><\/td><td><small>1910<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOBARI, Kogan<\/small><\/td><td><small>Cloudiness<\/small><\/td><td><small>\u6237\u5f20\u5b64\u96c1<\/small><\/td><td><small>\u591a\u4e91<\/small><\/td><td><small>\ub3c4\ubc14\ub9ac \uace0\uac04<\/small><\/td><td><small>\ud750\ub9bc<\/small><\/td><td><small>1917<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0017<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Nude Beauty<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u88f8\u4f53\u7f8e\u4eba<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\ub098\uccb4 \ubbf8\uc778<\/small><\/td><td><small>1912<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>A Cornfield in the Sun<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u592a\u9633\u4e0b\u7684\u9ea6\u7530<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\ud0dc\uc591\uc758 \ubcf4\ub9ac\ubc2d<\/small><\/td><td><small>c.1913<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Self-Portrait<\/small><\/td><td><small>\u5cb8\u7530\u5218\u751f<\/small><\/td><td><small>\u81ea\u753b\u50cf<\/small><\/td><td><small>\uae30\uc2dc\ub2e4 \ub958\uc138\uc774<\/small><\/td><td><small>\uc790\ud654\uc0c1<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>An Apple Exists on Top of a Pot<\/small><\/td><td><small>\u5cb8\u7530\u5218\u751f<\/small><\/td><td><small>\u58f6\u4e0a\u653e\u7740\u82f9\u679c<\/small><\/td><td><small>\uae30\uc2dc\ub2e4 \ub958\uc138\uc774<\/small><\/td><td><small>\ud56d\uc544\ub9ac \uc704\uc5d0 \uc0ac\uacfc\uac00 \ub193\uc5ec \uc788\ub2e4<\/small><\/td><td><small>1916<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAMURA, Tsune<\/small><\/td><td><small>Landscape, Island Oshima<\/small><\/td><td><small>\u4e2d\u6751\u5f5d<\/small><\/td><td><small>\u5927\u5c9b\u98ce\u666f<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \uc4f0\ub124<\/small><\/td><td><small>\uc624\uc2dc\ub9c8\uc12c\uc758 \ud48d\uacbd<\/small><\/td><td><small>1914-15<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0029<\/small><\/td><td><small>NAKAMURA, Tsune<\/small><\/td><td><small>Portrait of Vasilii Yaroshenko<\/small><\/td><td><small>\u4e2d\u6751\u5f5d<\/small><\/td><td><small>\u7231\u7f57\u5148\u73c2\u5148\u751f\u7684\u8096\u50cf<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \uc4f0\ub124<\/small><\/td><td><small>\uc5d0\ub85c\uc174\ucf54 \uc528\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1920<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0021<\/small><\/td><td><small>MURAYAMA, Kaita<\/small><\/td><td><small>Roses and a Girl<\/small><\/td><td><small>\u6751\u5c71\u69d0\u591a<\/small><\/td><td><small>\u73ab\u7470\u548c\u5c11\u5973<\/small><\/td><td><small>\ubb34\ub77c\uc57c\ub9c8 \uac00\uc774\ud0c0<\/small><\/td><td><small>\uc7a5\ubbf8\uc640 \uc18c\ub140<\/small><\/td><td><small>1917<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SEKINE, Shoji<\/small><\/td><td><small>Portrait of a Woman<\/small><\/td><td><small>\u5173\u6839\u6b63\u4e8c<\/small><\/td><td><small>\u5987\u4eba\u50cf<\/small><\/td><td><small>\uc138\ud0a4\ub124 \uc1fc\uc9c0<\/small><\/td><td><small>\ubd80\uc778\uc0c1<\/small><\/td><td><small>c.1918<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0027<\/small><\/td><td><small>SEKINE, Shoji<\/small><\/td><td><small>Three Stars<\/small><\/td><td><small>\u5173\u6839\u6b63\u4e8c<\/small><\/td><td><small>\u4e09\u661f<\/small><\/td><td><small>\uc138\ud0a4\ub124 \uc1fc\uc9c0<\/small><\/td><td><small>\uc0bc\ud615\uc81c \ubcc4<\/small><\/td><td><small>1919<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Green Grapes and Tea Bowl<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u767d\u8461\u8404\u4e0e\u8336\u7897<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\uccad\ud3ec\ub3c4\uc640 \ucc3b\uc794<\/small><\/td><td><small>1920<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0030<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Tea Bowl and Fruit<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u8336\u7897\u4e0e\u679c\u5b9e<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\ucc3b\uc794\uacfc \uacfc\uc2e4<\/small><\/td><td><small>1921<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MAKINO, Torao<\/small><\/td><td><small>Sunny Room<\/small><\/td><td><small>\u7267\u91ce\u864e\u96c4<\/small><\/td><td><small>\u660e\u4eae\u7684\u623f\u95f4<\/small><\/td><td><small>\ub9c8\ud0a4\ub178 \ub3c4\ub77c\uc624&nbsp;<\/small><\/td><td><small>\ubc1d\uc740 \ubc29<\/small><\/td><td><small>1931<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIGISHI, Kotaro<\/small><\/td><td><small>Butterflies Flying above Clouds<\/small><\/td><td><small>\u4e09\u5cb8\u597d\u592a\u90ce<\/small><\/td><td><small>\u98de\u821e\u5728\u4e91\u4e0a\u7684\u8774\u8776<\/small><\/td><td><small>\ubbf8\uae30\uc2dc \uace0\ud0c0\ub85c<\/small><\/td><td><small>\uad6c\ub984 \uc704\ub97c \ub098\ub294 \ub098\ube44<\/small><\/td><td><small>1934<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Tokusaburo<\/small><\/td><td><small>Reading<\/small><\/td><td><small>\u5c0f\u6797\u5fb7\u4e09\u90ce<\/small><\/td><td><small>\u8bfb\u4e66<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \ub3c4\ucfe0\uc0ac\ubd80\ub85c<\/small><\/td><td><small>\ub3c5\uc11c<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKUBO, Sakujiro<\/small><\/td><td><small>Play in the Flower Garden<\/small><\/td><td><small>\u5927\u4e45\u4fdd\u4f5c\u6b21\u90ce<\/small><\/td><td><small>\u82b1\u56ed\u4e2d\u7684\u73a9\u800d<\/small><\/td><td><small>\uc624\ucfe0\ubcf4 \uc0ac\ucfe0\uc9c0\ub85c<\/small><\/td><td><small>\ud654\uc6d0\uc5d0\uc11c \ub180\ub2e4<\/small><\/td><td><small>1948<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Ito Ren, \u201cMigishi\u2019s Studio,\u201d Mizue no. 358, December 1934.&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Yamawaki Iwao, \u201cMigishi\u2019s Studio\u00ac\u00ac, Not Finished in Time,\u201d Atelier 11-8, August 1934.&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Improvement of Residential Furniture, third edition, Seikatsu Kaizen Domeikai (League for Improvement of Daily Life), 1928.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cA Salaried\u2019 Workers Japanese\/Western-Style Home Built by Saving Bonuses,\u201d&nbsp; Shufu no tomo 13-1, January 1929.&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>New Architecture for a Convenient Home, Shufunotomo Co., Ltd., 1933.&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Middle-Class Japanese\/Western-Style Homes, Shufunotomo Co., Ltd., 1929.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>What First-Time Home Builders Need to Know About Residential Construction, Shufunotomo Co., Ltd., 1931.&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cConfessions of a Bachelor, The Painter MakinoTorao,\u201d Shukan Asahi 27\u201331, June 30 1935.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walker Evans<\/small><\/td><td><small>Side Walk Scene, Selma<\/small><\/td><td><small>\u6c83\u514b\u00b7\u57c3\u6587\u65af<\/small><\/td><td><small>\u8def\u8fb9\u7684\u666f\u8c61\uff0c\u585e\u5c14\u739b<\/small><\/td><td><small>\uc6cc\ucee4 \uc5d0\ubc18\uc2a4<\/small><\/td><td><small>\uac70\ub9ac\uc758 \uad11\uacbd, \uc140\ub9c8<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walker Evans<\/small><\/td><td><small>Child\u2019s Grave, Alabama<\/small><\/td><td><small>\u6c83\u514b\u00b7\u57c3\u6587\u65af<\/small><\/td><td><small>\u5b69\u5b50\u7684\u5893\uff0c\u963f\u62c9\u5df4\u9a6c\u5dde<\/small><\/td><td><small>\uc6cc\ucee4 \uc5d0\ubc18\uc2a4<\/small><\/td><td><small>\uc5b4\ub9b0\uc774\uc758 \ubb18, \uc568\ub77c\ubc30\ub9c8&nbsp;<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walker Evans<\/small><\/td><td><small>Miners\u2019 Houses, Birmingham<\/small><\/td><td><small>\u6c83\u514b\u00b7\u57c3\u6587\u65af<\/small><\/td><td><small>\u7164\u77ff\u5de5\u7684\u4f4f\u5b85\uff0c\u4f2f\u660e\u7ff0<\/small><\/td><td><small>\uc6cc\ucee4 \uc5d0\ubc18\uc2a4<\/small><\/td><td><small>\ud0c4\uad11\ubd80\uc758 \uc8fc\ud0dd, \ubc84\ubc0d\uc5c4&nbsp;<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walker Evans<\/small><\/td><td><small>Interior of Floyd Burroughs\u2019 Cabin, Alabama<\/small><\/td><td><small>\u6c83\u514b\u00b7\u57c3\u6587\u65af<\/small><\/td><td><small>\u5f17\u6d1b\u4f0a\u5fb7\u00b7\u4f2f\u52d2\u65af\u7684\u5c0f\u5c4b\u5ba4\u5185\uff0c\u963f\u62c9\u5df4\u9a6c\u5dde<\/small><\/td><td><small>\uc6cc\ucee4 \uc5d0\ubc18\uc2a4<\/small><\/td><td><small>\ud50c\ub85c\uc774\ub4dc \ubc84\ub85c\uc6b0\uc988\uc758 \uc624\ub450\ub9c9 \uc548, \uc568\ub77c\ubc30\ub9c8&nbsp;<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Ansel Adams<\/small><\/td><td><small>Spanish American Woman, near Chimayo, New Mexico<\/small><\/td><td><small>\u5b89\u585e\u5c14\u00b7\u4e9a\u5f53\u65af<\/small><\/td><td><small>\u897f\u73ed\u7259\u88d4\u7f8e\u56fd\u4eba\u5973\u6027\uff0c\u5947\u9a6c\u7ea6\u9644\u8fd1\uff0c\u65b0\u58a8\u897f\u54e5\u5dde<\/small><\/td><td><small>\uc564\uc124 \uc560\ub364\uc2a4<\/small><\/td><td><small>\ud788\uc2a4\ud328\ub2c9\uacc4 \ubbf8\uad6d\uc778 \uc5ec\uc131, \uce58\ub9c8\uc694 \ubd80\uadfc, \ub274\uba55\uc2dc\ucf54&nbsp;<\/small><\/td><td><small>1937 (1981 print)<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Ansel Adams<\/small><\/td><td><small>El Capitan Fall, Yosemite National Park, California<\/small><\/td><td><small>\u5b89\u585e\u5c14\u00b7\u4e9a\u5f53\u65af<\/small><\/td><td><small>\u914b\u957f\u5ca9\uff0c\u7ea6\u585e\u7c73\u8482\u56fd\u5bb6\u516c\u56ed\uff0c\u52a0\u5229\u798f\u5c3c\u4e9a\u5dde<\/small><\/td><td><small>\uc564\uc124 \uc560\ub364\uc2a4<\/small><\/td><td><small>\uc5d8 \uce90\ud53c\ud0c4 \uc554\ubcbd, \uc694\uc138\ubbf8\ud2f0 \uad6d\ub9bd\uacf5\uc6d0, \uce98\ub9ac\ud3ec\ub2c8\uc544&nbsp;<\/small><\/td><td><small>c.1940 (1981 print)<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Ansel Adams<\/small><\/td><td><small>Winnowing Grain, Taos, New Mexico<\/small><\/td><td><small>\u5b89\u585e\u5c14\u00b7\u4e9a\u5f53\u65af<\/small><\/td><td><small>\u8c37\u7269\u7b5b\uff0c\u9676\u65af\uff0c\u65b0\u58a8\u897f\u54e5\u5dde<\/small><\/td><td><small>\uc564\uc124 \uc560\ub364\uc2a4<\/small><\/td><td><small>\uace1\uc2dd \ud0a4\uc9c8, \ud0c0\uc624\uc2a4, \ub274\uba55\uc2dc\ucf54&nbsp;<\/small><\/td><td><small>1929 (1980 print)<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Ansel Adams<\/small><\/td><td><small>Georgia O\u2019Keeffe and Orville Cox, Canyon de Chelly Monument, Arizona<\/small><\/td><td><small>\u5b89\u585e\u5c14\u00b7\u4e9a\u5f53\u65af<\/small><\/td><td><small>\u4e54\u6cbb\u5a05\u00b7\u6b27\u59ec\u8299\u548c\u5965\u7ef4\u5c14\u00b7\u8003\u514b\u65af\uff0c\u5207\u5229\u5ce1\u8c37\u56fd\u5bb6\u9057\u5740\uff0c\u4e9a\u5229\u6851\u90a3\u5dde<\/small><\/td><td><small>\uc564\uc124 \uc560\ub364\uc2a4<\/small><\/td><td><small>\uc870\uc9c0\uc544 \uc624\ud0a4\ud504\uc640 \uc624\ube4c \ucf55\uc2a4, \uce90\ub2c8\uc5b8 \ub4dc \uc170\uc774 \uad6d\ub9bd\uacf5\uc6d0, \uc560\ub9ac\uc870\ub098&nbsp;<\/small><\/td><td><small>1937 (1980 print)<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAMURA, Gozo<\/small><\/td><td><small>Cow (Holstein)<\/small><\/td><td><small>\u5ddd\u6751\u543e\u85cf<\/small><\/td><td><small>\u725b\uff08\u8377\u5766\u56e0\u725b\uff09\u6bcd<\/small><\/td><td><small>\uac00\uc640\ubb34\ub77c \uace0\uc870<\/small><\/td><td><small>\uc554\uc18c(\ud640\uc2a4\ud0c0\uc778)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAMURA, Gozo<\/small><\/td><td><small>Ox (Holstein)<\/small><\/td><td><small>\u5ddd\u6751\u543e\u85cf<\/small><\/td><td><small>\u725b\uff08\u8377\u5766\u56e0\u725b\uff09\u516c<\/small><\/td><td><small>\uac00\uc640\ubb34\ub77c \uace0\uc870<\/small><\/td><td><small>\uc218\uc18c(\ud640\uc2a4\ud0c0\uc778)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OBATA, Chiura<\/small><\/td><td><small>Entrance of Masedo River, Yosemite, Calif. from World Landscape Series AMERICA<\/small><\/td><td><small>\u5c0f\u5703\u5343\u6d66<\/small><\/td><td><small>\u9ed8\u585e\u5fb7\u6cb3\u5165\u53e3\u2212\u52a0\u5229\u798f\u5c3c\u4e9a\u5dde\u7ea6\u585e\u7c73\u8482\u3000\u51fa\u81ea\u4e16\u754c\u98ce\u666f\u753b\u96c6\u300a\u7f8e\u56fd\u300b<\/small><\/td><td><small>\uc624\ubc14\ud0c0 \uc9c0\uc6b0\ub77c<\/small><\/td><td><small>\uc138\uacc4 \ud48d\uacbd \ud654\uc9d1 \u300e\uc544\uba54\ub9ac\uce74\u300f \uc911\uc5d0\uc11c, \ub9c8\uc138\ub3c4\uac15\uc758 \uc785\uad6c\u2014\uce98\ub9ac\ud3ec\ub2c8\uc544\uc8fc \uc694\uc138\ubbf8\ud2f0&nbsp;<\/small><\/td><td><small>c.1930<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OBATA, Chiura<\/small><\/td><td><small>Eagle Peak Trail, Yosemite, Calif. from World Landscape Series AMERICA<\/small><\/td><td><small>\u5c0f\u5703\u5343\u6d66<\/small><\/td><td><small>\u9e70\u5cf0\u5c0f\u8def\uff0d\u52a0\u5229\u798f\u5c3c\u4e9a\u5dde\u7ea6\u585e\u7c73\u8482\u3000\u51fa\u81ea\u4e16\u754c\u98ce\u666f\u753b\u96c6\u300a\u7f8e\u56fd\u300b<\/small><\/td><td><small>\uc624\ubc14\ud0c0 \uc9c0\uc6b0\ub77c<\/small><\/td><td><small>\uc138\uacc4 \ud48d\uacbd \ud654\uc9d1 \u300e\uc544\uba54\ub9ac\uce74\u300f \uc911\uc5d0\uc11c,&nbsp; \uc774\uae00 \ud53c\ud06c\uc758 \uc881\uc740 \uae38\u2014\uce98\ub9ac\ud3ec\ub2c8\uc544\uc8fc \uc694\uc138\ubbf8\ud2f0<\/small><\/td><td><small>c.1930<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Dorothy Waugh<\/small><\/td><td><small>National Parks<\/small><\/td><td><small>\u591a\u841d\u897f\u00b7\u6c83<\/small><\/td><td><small>\u56fd\u5bb6\u516c\u56ed<\/small><\/td><td><small>\ub3c4\ub85c\uc2dc \ubcf4&nbsp;<\/small><\/td><td><small>\uad6d\ub9bd\uacf5\uc6d0<\/small><\/td><td><small>c.1935<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Dorothy Waugh<\/small><\/td><td><small>National Parks<\/small><\/td><td><small>\u591a\u841d\u897f\u00b7\u6c83<\/small><\/td><td><small>\u56fd\u5bb6\u516c\u56ed<\/small><\/td><td><small>\ub3c4\ub85c\uc2dc \ubcf4&nbsp;<\/small><\/td><td><small>\uad6d\ub9bd\uacf5\uc6d0<\/small><\/td><td><small>c.1935<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>0051<\/small><\/td><td><small>YASUI, Sotaro<\/small><\/td><td><small>Oirase Stream<\/small><\/td><td><small>\u5b89\u4e95\u66fe\u592a\u90ce<\/small><\/td><td><small>\u5965\u5165\u6fd1\u7684\u6eaa\u6d41<\/small><\/td><td><small>\uc57c\uc2a4\uc774 \uc18c\ud0c0\ub85c<\/small><\/td><td><small>\uc624\uc774\ub77c\uc138 \uacc4\ub958<\/small><\/td><td><small>1933<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHIMIZU, Toshi<\/small><\/td><td><small>Chinatown<\/small><\/td><td><small>\u6e05\u6c34\u767b\u4e4b<\/small><\/td><td><small>\u5510\u4eba\u8857<\/small><\/td><td><small>\uc2dc\ubbf8\uc988 \ub3c4\uc2dc<\/small><\/td><td><small>\ucc28\uc774\ub098\ud0c0\uc6b4<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIGAKI, Eitaro<\/small><\/td><td><small>Undefeated Arm<\/small><\/td><td><small>\u77f3\u57a3\u8363\u592a\u90ce<\/small><\/td><td><small>\u624b\u81c2<\/small><\/td><td><small>\uc774\uc2dc\uac00\ud0a4 \uc5d0\uc774\ud0c0\ub85c<\/small><\/td><td><small>\ud314<\/small><\/td><td><small>1929<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIGAKI, Eitaro<\/small><\/td><td><small>The Noose<\/small><\/td><td><small>\u77f3\u57a3\u8363\u592a\u90ce<\/small><\/td><td><small>\u79c1\u5211<\/small><\/td><td><small>\uc774\uc2dc\uac00\ud0a4 \uc5d0\uc774\ud0c0\ub85c<\/small><\/td><td><small>\ub9b0\uce58<\/small><\/td><td><small>1931<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIGAKI, Eitaro<\/small><\/td><td><small>Standing Woman<\/small><\/td><td><small>\u77f3\u57a3\u8363\u592a\u90ce<\/small><\/td><td><small>\u5973\u5b50\u7acb\u50cf<\/small><\/td><td><small>\uc774\uc2dc\uac00\ud0a4 \uc5d0\uc774\ud0c0\ub85c<\/small><\/td><td><small>\uc11c \uc788\ub294 \uc5ec\uc778<\/small><\/td><td><small>n.d.<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIGAKI, Eitaro<\/small><\/td><td><small>Woman<\/small><\/td><td><small>\u77f3\u57a3\u8363\u592a\u90ce<\/small><\/td><td><small>\u5973<\/small><\/td><td><small>\uc774\uc2dc\uac00\ud0a4 \uc5d0\uc774\ud0c0\ub85c<\/small><\/td><td><small>\uc5ec\uc778<\/small><\/td><td><small>n.d.<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NODA, Hideo<\/small><\/td><td><small>City<\/small><\/td><td><small>\u91ce\u7530\u82f1\u592b<\/small><\/td><td><small>\u90fd\u4f1a<\/small><\/td><td><small>\ub178\ub2e4 \ud788\ub370\uc624<\/small><\/td><td><small>\ub3c4\uc2dc<\/small><\/td><td><small>1934<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>0042<\/small><\/td><td><small>NODA, Hideo<\/small><\/td><td><small>Way Home<\/small><\/td><td><small>\u91ce\u7530\u82f1\u592b<\/small><\/td><td><small>\u5f52\u8def<\/small><\/td><td><small>\ub178\ub2e4 \ud788\ub370\uc624<\/small><\/td><td><small>\uadc0\ub85c<\/small><\/td><td><small>1935<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NODA, Hideo<\/small><\/td><td><small>Sketchbook<\/small><\/td><td><small>\u91ce\u7530\u82f1\u592b<\/small><\/td><td><small>\u5199\u751f\u7c3f<\/small><\/td><td><small>\ub178\ub2e4 \ud788\ub370\uc624<\/small><\/td><td><small>\uc2a4\ucf00\uce58\ubd81<\/small><\/td><td><small>1930\uff53<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUNIYOSHI, Yasuo<\/small><\/td><td><small>Waiting<\/small><\/td><td><small>\u56fd\u5409\u5eb7\u96c4<\/small><\/td><td><small>\u7b49\u5f85<\/small><\/td><td><small>\uad6c\ub2c8\uc694\uc2dc \uc57c\uc2a4\uc624<\/small><\/td><td><small>\uae30\ub2e4\ub9bc<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUNIYOSHI, Yasuo<\/small><\/td><td><small>Between Two Worlds<\/small><\/td><td><small>\u56fd\u5409\u5eb7\u96c4<\/small><\/td><td><small>\u4e24\u4e2a\u4e16\u754c<\/small><\/td><td><small>\uad6c\ub2c8\uc694\uc2dc \uc57c\uc2a4\uc624<\/small><\/td><td><small>\ub450 \uac1c\uc758 \uc138\uacc4<\/small><\/td><td><small>1939<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Georgia O\u2019keeffe<\/small><\/td><td><small>Hollyhock White and Green with Pedernal<\/small><\/td><td><small>\u4e54\u6cbb\u4e9a\u00b7\u6b27\u59ec\u8299<\/small><\/td><td><small>\u8700\u8475\u7684\u767d\u548c\u7eff\uff0d\u4e0e\u76ae\u5fb7\u519c\u5c71\u5728\u4e00\u8d77<\/small><\/td><td><small>\uc870\uc9c0\uc544 \uc624\ud0a4\ud504<\/small><\/td><td><small>\uc811\uc2dc\uaf43\uc758 \ud770\uc0c9\uacfc \ub179\uc0c9\u2014\ud398\ub354\ub110\uc0b0\uc774 \ubcf4\uc778\ub2e4<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Jackson Pollock<\/small><\/td><td><small>Untitled [Head with Polygons]<\/small><\/td><td><small>\u6770\u514b\u900a\u00b7\u6ce2\u6d1b\u514b<\/small><\/td><td><small>\u65e0\u9898\uff08\u6709\u591a\u89d2\u5f62\u7684\u5934\u90e8\uff09<\/small><\/td><td><small>\uc7ad\uc2a8 \ud3f4\ub85d<\/small><\/td><td><small>\ubb34\uc81c(\ub2e4\uac01\ud615\uc774 \uc788\ub294 \uba38\ub9ac)<\/small><\/td><td><small>c.1938-41<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Arshile Gorky<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u963f\u5e0c\u5c14\u00b7\u6208\u5c14\u57fa<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc544\uc2e4 \uace0\ud0a4<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>1940s<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Arshile Gorky<\/small><\/td><td><small>Study for Tree of the Cross (Khatchdzar )<\/small><\/td><td><small>\u963f\u5e0c\u5c14\u00b7\u6208\u5c14\u57fa<\/small><\/td><td><small>\u4e3a\u300a\u5341\u5b57\u67b6\u6811\u300b\u800c\u4f5c\u7684\u4e60\u4f5c<\/small><\/td><td><small>\uc544\uc2e4 \uace0\ud0a4<\/small><\/td><td><small>\u300a\uc2ed\uc790\uac00\uc758 \ub098\ubb34\u300b\ub97c \uc704\ud55c \uc2b5\uc791&nbsp;<\/small><\/td><td><small>c.1946<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Willem de Kooning<\/small><\/td><td><small>Woman in Landscape<\/small><\/td><td><small>\u5a01\u5ec9\u00b7\u5fb7\u00b7\u5e93\u5b81<\/small><\/td><td><small>\u98ce\u666f\u4e2d\u7684\u5973\u5b50<\/small><\/td><td><small>\uc70c\ub818 \ub4dc \ucfe0\ub2dd<\/small><\/td><td><small>\ud48d\uacbd \uc18d\uc758 \uc5ec\uc778<\/small><\/td><td><small>1966<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Rufino Tamayo<\/small><\/td><td><small>Striped Figure<\/small><\/td><td><small>\u9c81\u83f2\u8bfa\u00b7\u5854\u9a6c\u7ea6<\/small><\/td><td><small>\u6761\u7eb9\u4eba\u7269<\/small><\/td><td><small>\ub8e8\ud53c\ub178 \ud0c0\ub9c8\uc694&nbsp;<\/small><\/td><td><small>\uc904\ubb34\ub2ac \uc778\ubb3c<\/small><\/td><td><small>1975<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Hatsusaburo, Illustrated Maps of the Eight Views of Japan, Shufunotomo Co., Ltd., 1930.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Eight Views of Japan, Osaka mainichi shinbunsha, 1927.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTA, Kijiro<\/small><\/td><td><small>Season on Fresh Green<\/small><\/td><td><small>\u592a\u7530\u559c\u4e8c\u90ce<\/small><\/td><td><small>\u65b0\u7eff\u7684\u65f6\u5019<\/small><\/td><td><small>\uc624\ud0c0 \uae30\uc9c0\ub85c<\/small><\/td><td><small>\uc2e0\ub85d\uc758 \uacc4\uc808<\/small><\/td><td><small>1911<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTA, Kijiro<\/small><\/td><td><small>On Army Memorial Day<\/small><\/td><td><small>\u592a\u7530\u559c\u4e8c\u90ce<\/small><\/td><td><small>\u9646\u519b\u7eaa\u5ff5\u65e5<\/small><\/td><td><small>\uc624\ud0c0 \uae30\uc9c0\ub85c<\/small><\/td><td><small>\uc721\uad70\uae30\ub150\uc77c\uc5d0&nbsp;<\/small><\/td><td><small>1945<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Street in Paris<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u5df4\u9ece\u7684\u98ce\u666f<\/small><\/td><td><small>\ud6c4\uc9c0\ud0c0 \uc4f0\uad6c\ud558\ub8e8<\/small><\/td><td><small>\ud30c\ub9ac\uc758 \ud48d\uacbd<\/small><\/td><td><small>1918<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Fierce Advance of the Ogaki Unit<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u5927\u67ff\u90e8\u961f\u7684\u594b\u6218<\/small><\/td><td><small>\ud6c4\uc9c0\ud0c0 \uc4f0\uad6c\ud558\ub8e8<\/small><\/td><td><small>\uc624\uac00\ud0a4 \ubd80\ub300\uc758 \ubd84\ud22c<\/small><\/td><td><small>1944<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>A Girl<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u5c11\u5973<\/small><\/td><td><small>\ud6c4\uc9c0\ud0c0 \uc4f0\uad6c\ud558\ub8e8<\/small><\/td><td><small>\uc18c\ub140<\/small><\/td><td><small>1956<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHIMIZU, Toshi<\/small><\/td><td><small>Engineering Corps Constructing a Bridge in Malaya<\/small><\/td><td><small>\u6e05\u6c34\u767b\u4e4b<\/small><\/td><td><small>\u5de5\u5175\u961f\u67b6\u6865\u4f5c\u4e1a<\/small><\/td><td><small>\uc2dc\ubbf8\uc988 \ub3c4\uc2dc<\/small><\/td><td><small>\uacf5\ubcd1\ub300\uc758 \uac00\uad50 \uc791\uc5c5<\/small><\/td><td><small>c.1944<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKUBO, Sakujiro<\/small><\/td><td><small>Convoy<\/small><\/td><td><small>\u5927\u4e45\u4fdd\u4f5c\u6b21\u90ce<\/small><\/td><td><small>\u62a4\u9001\u8239\u961f<\/small><\/td><td><small>\uc624\ucfe0\ubcf4 \uc0ac\ucfe0\uc9c0\ub85c<\/small><\/td><td><small>\uc120\ub2e8 \ud638\uc1a1<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MUKAI, Junkichi<\/small><\/td><td><small>Annihilation on Parit Sulong<\/small><\/td><td><small>\u5411\u4e95\u6da6\u5409<\/small><\/td><td><small>\u5df4\u529b\u58eb\u9686\u6b7c\u706d\u6218<\/small><\/td><td><small>\ubb34\uce74\uc774 \uc900\ud0a4\uce58&nbsp;<\/small><\/td><td><small>\ud328\ub9bf \uc220\ub871 \uc12c\uba78\uc804<\/small><\/td><td><small>c.1944<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MUKAI, Junkichi<\/small><\/td><td><small>Early Autumn at Hida<\/small><\/td><td><small>\u5411\u4e95\u6da6\u5409<\/small><\/td><td><small>\u98de\u9a52\u7acb\u79cb<\/small><\/td><td><small>\ubb34\uce74\uc774 \uc900\ud0a4\uce58&nbsp;<\/small><\/td><td><small>\ud788\ub2e4\uc758 \uc785\ucd94&nbsp;<\/small><\/td><td><small>1962<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOISO, Ryohei<\/small><\/td><td><small>Dancers in the Studio<\/small><\/td><td><small>\u5c0f\u77f6\u826f\u5e73<\/small><\/td><td><small>\u7ec3\u529f\u623f\u91cc\u7684\u821e\u8e48\u6f14\u5458\u4eec<\/small><\/td><td><small>\uace0\uc774\uc18c \ub8cc\ud5e4\uc774<\/small><\/td><td><small>\uc5f0\uc2b5\uc7a5\uc758 \ubb34\uc6a9\uc218\ub4e4&nbsp;<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOISO, Ryohei<\/small><\/td><td><small>Marching through Niangziguan<\/small><\/td><td><small>\u5c0f\u77f6\u826f\u5e73<\/small><\/td><td><small>\u51fa\u5f81\u5a18\u5b50\u5173<\/small><\/td><td><small>\uace0\uc774\uc18c \ub8cc\ud5e4\uc774<\/small><\/td><td><small>\ub0e5\ucbd4\uad00\uc73c\ub85c \ucd9c\uc815\ud558\ub2e4<\/small><\/td><td><small>1941<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUMOTO, Shunsuke<\/small><\/td><td><small>Nikolai Cathedral and Hijiri-Bridge<\/small><\/td><td><small>\u677e\u672c\u7ae3\u4ecb<\/small><\/td><td><small>\u4e1c\u4eac\u590d\u6d3b\u4e3b\u6559\u5ea7\u5802\u4e0e\u5723\u6865<\/small><\/td><td><small>\ub9c8\uc4f0\ubaa8\ud1a0 \uc28c\uc2a4\ucf00<\/small><\/td><td><small>\ub2c8\ucf5c\ub77c\uc774\uc131\ub2f9\uacfc \ud788\uc9c0\ub9ac\ub2e4\ub9ac&nbsp;<\/small><\/td><td><small>1941<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MARUKI, Toshi&nbsp; (AKAMATSU, Toshiko)<\/small><\/td><td><small>Emancipation of Humanity<\/small><\/td><td><small>\u4e38\u6728\u4fca\uff08\u8d64\u677e\u4fca\u5b50\uff09<\/small><\/td><td><small>\u88ab\u89e3\u653e\u7684\u4eba\u6027<\/small><\/td><td><small>\ub9c8\ub8e8\ud0a4 \ub3c4\uc2dc(\uc544\uce74\ub9c8\uc4f0 \ub3c4\uc2dc\ucf54)<\/small><\/td><td><small>\ud574\ubc29\ub418\uc5b4\uac00\ub294 \uc778\uac04\uc131<\/small><\/td><td><small>1947<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUMOTO, Shunsuke<\/small><\/td><td><small>Building<\/small><\/td><td><small>\u677e\u672c\u7ae3\u4ecb<\/small><\/td><td><small>\u5efa\u7b51<\/small><\/td><td><small>\ub9c8\uc4f0\ubaa8\ud1a0 \uc28c\uc2a4\ucf00<\/small><\/td><td><small>\uac74\ubb3c<\/small><\/td><td><small>1948<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKAMOTO, Taro<\/small><\/td><td><small>Dawn<\/small><\/td><td><small>\u5188\u672c\u592a\u90ce<\/small><\/td><td><small>\u9ece\u660e<\/small><\/td><td><small>\uc624\uce74\ubaa8\ud1a0 \ub2e4\ub85c<\/small><\/td><td><small>\uc0c8\ubcbd<\/small><\/td><td><small>1948<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Parabola<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u629b\u7269\u7ebf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ud3ec\ubb3c\uc120<\/small><\/td><td><small>1949<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOMAI, Tetsuro<\/small><\/td><td><small>Momentary Illusion<\/small><\/td><td><small>\u9a79\u4e95\u54f2\u90ce<\/small><\/td><td><small>\u77ac\u606f\u5e7b\u5f71<\/small><\/td><td><small>\uace0\ub9c8\uc774 \ub370\uc4f0\ub85c<\/small><\/td><td><small>\ucc30\ub098\uc758 \ud658\uc601<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SEIMIYA, Naobumi<\/small><\/td><td><small>Countenance of Sorrow<\/small><\/td><td><small>\u6e05\u5bab\u8d28\u6587<\/small><\/td><td><small>\u60b2\u4f24\u7684\u8138<\/small><\/td><td><small>\uc138\uc774\ubbf8\uc57c \ub098\uc624\ubd80\ubbf8<\/small><\/td><td><small>\uc2ac\ud508 \uc5bc\uad74<\/small><\/td><td><small>1957<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>EI-KYU<\/small><\/td><td><small>Dawn<\/small><\/td><td><small>\u745b\u4e5d<\/small><\/td><td><small>\u9ece\u660e<\/small><\/td><td><small>\uc5d0\uc774\ud050<\/small><\/td><td><small>\uc5ec\uba85<\/small><\/td><td><small>1957<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>EI-KYU<\/small><\/td><td><small>Travellers<\/small><\/td><td><small>\u745b\u4e5d<\/small><\/td><td><small>\u65c5\u4eba<\/small><\/td><td><small>\uc5d0\uc774\ud050<\/small><\/td><td><small>\uc5ec\ud589\uc790<\/small><\/td><td><small>1957<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAMBATA, Tatsuoki<\/small><\/td><td><small>Generation<\/small><\/td><td><small>\u96be\u6ce2\u7530\u9f99\u8d77<\/small><\/td><td><small>\u53d1\u751f<\/small><\/td><td><small>\ub09c\ubc14\ud0c0 \ub2e4\uc4f0\uc624\ud0a4<\/small><\/td><td><small>\ubc1c\uc0dd<\/small><\/td><td><small>1959<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YANAGIHARA, Yoshitatsu<\/small><\/td><td><small>Song of the Dog<\/small><\/td><td><small>\u67f3\u539f\u4e49\u8fbe<\/small><\/td><td><small>\u72ac\u4e4b\u6b4c<\/small><\/td><td><small>\uc57c\ub098\uae30\ud558\ub77c \uc694\uc2dc\ud0c0\uc4f0<\/small><\/td><td><small>\uac1c\uc758 \ub178\ub798<\/small><\/td><td><small>1961<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>Room to Consider the Building<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Sol Lewitt<\/small><\/td><td><small>Wall Drawing#769: A 36-inch (90cm) grid covering the black wall. All two-part combinations using arcs from corners and sides, and straight and not straight lines, systematically.<\/small><\/td><td><small>\u7d22\u5c14\u00b7\u52d2\u7ef4\u7279<\/small><\/td><td><small>\u5899\u7ed8#769\u3000\u8986\u76d6\u9ed1\u8272\u5899\u58c1\u7684\u8fb9\u957f36\u82f1\u5bf8\uff0890cm\uff09\u7684\u65b9\u683c\u3002\u4ece\u89d2\u548c\u8fb9\u4f38\u51fa\u7684\u5706\u5f27\u3001\u76f4\u7ebf\u3001\u975e\u76f4\u7ebf\u4e24\u4e24\u7ec4\u6210\u7684\u6240\u6709\u6709\u6761\u7406\u7684\u7ec4\u5408\u3002<\/small><\/td><td><small>\uc194 \ub974\uc717<\/small><\/td><td><small>\uc6d4 \ub4dc\ub85c\uc789 #769: \uac80\uc740 \ubcbd\uc744 \ub36e\ub294 \ud3ed 36\uc778\uce58(90cm)\uc758 \uadf8\ub9ac\ub4dc. \uac01 \ubaa8\uc11c\ub9ac\uc640 \ubcc0\uc5d0\uc11c \uc2dc\uc791\ud558\ub294 \uc6d0\ud638, \uc9c1\uc120, \ube44\uc9c1\uc120 \uc911\uc5d0\uc11c 2\uc885\ub958\ub97c \uccb4\uacc4\uc801\uc73c\ub85c \uc0ac\uc6a9\ud55c \uc870\ud569 \uc804\ubd80.&nbsp;<\/small><\/td><td><small>1994<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Vito Acconci<\/small><\/td><td><small>Centers<\/small><\/td><td><small>\u7ef4\u6258\u00b7\u963f\u5b54\u5947<\/small><\/td><td><small>\u4e2d\u592e<\/small><\/td><td><small>\ube44\ud1a0 \uc544\ucf58\uce58<\/small><\/td><td><small>\uc13c\ud130\uc988&nbsp;<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.1 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe1<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 1<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.2 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe2<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 2<\/small><\/td><td><small>1951\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.3 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe3<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 3<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.5 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe5<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 5<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.6 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe6<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 6<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.7 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe7<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 7<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.8 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe8<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 8<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.9 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe9<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 9<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.11 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe11<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 11<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.12 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe12<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 12<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.14 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe14<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 14<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURAGAWA, Hiroshi<\/small><\/td><td><small>Illustration no.15 to the Novel The Wall by Abe Kobo<\/small><\/td><td><small>\u6842\u5ddd\u5bbd<\/small><\/td><td><small>\u5b89\u90e8\u516c\u623f\u8457\u300a\u5899\u300b\u63d2\u56fe15<\/small><\/td><td><small>\uac00\uc4f0\ub77c\uac00\uc640 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc544\ubca0 \uace0\ubcf4 \uc800 \u300e\ubcbd\u300f \uc0bd\ud654 15<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MOTONAGA, Sadamasa<\/small><\/td><td><small>Work<\/small><\/td><td><small>\u5143\u6c38\u5b9a\u6b63<\/small><\/td><td><small>\u4f5c\u54c1<\/small><\/td><td><small>\ubaa8\ud1a0\ub098\uac00 \uc0ac\ub2e4\ub9c8\uc0ac<\/small><\/td><td><small>\uc791\ud488<\/small><\/td><td><small>1961<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>0083<\/small><\/td><td><small>TAKAMATSU, Jiro<\/small><\/td><td><small>No.273 (Shadow)<\/small><\/td><td><small>\u9ad8\u677e\u6b21\u90ce<\/small><\/td><td><small>No.273\uff08\u5f71\u5b50\uff09<\/small><\/td><td><small>\ub2e4\uce74\ub9c8\uc4f0 \uc9c0\ub85c<\/small><\/td><td><small>No.273\uff08\uadf8\ub9bc\uc790\uff09<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ENOKURA, Koji<\/small><\/td><td><small>Interference (STORY-No.18)<\/small><\/td><td><small>\u698e\u4ed3\u5eb7\u4e8c<\/small><\/td><td><small>\u5e72\u6d89(STORY-No.18)<\/small><\/td><td><small>\uc5d0\ub178\ucfe0\ub77c \uace0\uc9c0<\/small><\/td><td><small>\uac04\uc12d((STORY-No.18)<\/small><\/td><td><small>1991<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Katsuro<\/small><\/td><td><small>Work 9<\/small><\/td><td><small>\u5409\u7530\u514b\u6717<\/small><\/td><td><small>\u4f5c\u54c1 9<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \uac00\uc4f0\ub85c<\/small><\/td><td><small>\uc791\ud488 9<\/small><\/td><td><small>1970<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Katsuro<\/small><\/td><td><small>Work 19<\/small><\/td><td><small>\u5409\u7530\u514b\u6717<\/small><\/td><td><small>\u4f5c\u54c1 19<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \uac00\uc4f0\ub85c<\/small><\/td><td><small>\uc791\ud488 19<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Kosuke<\/small><\/td><td><small>Present Situation-Framing B<\/small><\/td><td><small>\u6728\u6751\u5149\u4f51<\/small><\/td><td><small>\u73b0\u5728\u4f4d\u7f6e\u2212Framing B<\/small><\/td><td><small>\uae30\ubb34\ub77c \uace0\uc2a4\ucf00<\/small><\/td><td><small>\ud604\uc7ac \uc704\uce58\u2014\ud504\ub808\uc774\ubc0d B<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Kosuke<\/small><\/td><td><small>Present Situation-Framing C<\/small><\/td><td><small>\u6728\u6751\u5149\u4f51<\/small><\/td><td><small>\u73b0\u5728\u4f4d\u7f6e\u2212Framing C<\/small><\/td><td><small>\uae30\ubb34\ub77c \uace0\uc2a4\ucf00<\/small><\/td><td><small>\ud604\uc7ac \uc704\uce58\u2014\ud504\ub808\uc774\ubc0d C<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Dog 2.5 Meters Wide<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>2.5\u7c73\u7684\u72d7<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>2.5m\uc758 \uac1c<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Materials about Isamu Wakabayashi : Watercolors, Drawings and Plans<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u82e5\u6797\u594b\u8d44\u6599<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34 \uad00\ub828 \uc790\ub8cc&nbsp;<\/small><\/td><td><small>1955-86<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Drawing 64-80<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u7d20\u63cf 64-80<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc18c\ubb18 64-80<\/small><\/td><td><small>1964<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Drawing 67-37<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u7d20\u63cf 67-37<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc18c\ubb18 67-37<\/small><\/td><td><small>1967<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Drawing 67-100<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u7d20\u63cf 67-100<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc18c\ubb18 67-100<\/small><\/td><td><small>1967<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Drawing 68-52<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u7d20\u63cf 68-52<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc18c\ubb18 68-52<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Drawing 64-69<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u7d20\u63cf 64-69<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc18c\ubb18 64-69<\/small><\/td><td><small>1964<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Drawing 68-5<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u7d20\u63cf 68-5<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc18c\ubb18 68-5<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Drawing 68-10<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u7d20\u63cf 68-10<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc18c\ubb18 68-10<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WAKABAYASHI, Isamu<\/small><\/td><td><small>Drawing 70-99-14<\/small><\/td><td><small>\u82e5\u6797\u594b<\/small><\/td><td><small>\u7d20\u63cf 70-99-14<\/small><\/td><td><small>\uc640\uce74\ubc14\uc57c\uc2dc \uc774\uc0ac\ubb34<\/small><\/td><td><small>\uc18c\ubb18 70-99-14<\/small><\/td><td><small>1970<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>GOCHO, Shigeo<\/small><\/td><td><small>SELF AND OTHERS [3]<\/small><\/td><td><small>\u725b\u80a0\u8302\u96c4<\/small><\/td><td><small>SELF AND OTHERS [3]<\/small><\/td><td><small>\uace0\ucd08 \uc2dc\uac8c\uc624<\/small><\/td><td><small>SELF AND OTHERS [3]<\/small><\/td><td><small>1977\uff082003 print)&nbsp;<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>GOCHO, Shigeo<\/small><\/td><td><small>SELF AND OTHERS [8]<\/small><\/td><td><small>\u725b\u80a0\u8302\u96c4<\/small><\/td><td><small>SELF AND OTHERS [8]<\/small><\/td><td><small>\uace0\ucd08 \uc2dc\uac8c\uc624<\/small><\/td><td><small>SELF AND OTHERS [8]<\/small><\/td><td><small>1977\uff082003 print)&nbsp;<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>GOCHO, Shigeo<\/small><\/td><td><small>SELF AND OTHERS [16]<\/small><\/td><td><small>\u725b\u80a0\u8302\u96c4<\/small><\/td><td><small>SELF AND OTHERS [16]<\/small><\/td><td><small>\uace0\ucd08 \uc2dc\uac8c\uc624<\/small><\/td><td><small>SELF AND OTHERS [16]<\/small><\/td><td><small>1977\uff082003 print)&nbsp;<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>GOCHO, Shigeo<\/small><\/td><td><small>SELF AND OTHERS [18]<\/small><\/td><td><small>\u725b\u80a0\u8302\u96c4<\/small><\/td><td><small>SELF AND OTHERS [18]<\/small><\/td><td><small>\uace0\ucd08 \uc2dc\uac8c\uc624<\/small><\/td><td><small>SELF AND OTHERS [18]<\/small><\/td><td><small>1977\uff082003 print)&nbsp;<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>GOCHO, Shigeo<\/small><\/td><td><small>SELF AND OTHERS [32]<\/small><\/td><td><small>\u725b\u80a0\u8302\u96c4<\/small><\/td><td><small>SELF AND OTHERS [32]<\/small><\/td><td><small>\uace0\ucd08 \uc2dc\uac8c\uc624<\/small><\/td><td><small>SELF AND OTHERS [32]<\/small><\/td><td><small>1977\uff082003 print)&nbsp;<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>GOCHO, Shigeo<\/small><\/td><td><small>SELF AND OTHERS [59]<\/small><\/td><td><small>\u725b\u80a0\u8302\u96c4<\/small><\/td><td><small>SELF AND OTHERS [59]<\/small><\/td><td><small>\uace0\ucd08 \uc2dc\uac8c\uc624<\/small><\/td><td><small>SELF AND OTHERS [59]<\/small><\/td><td><small>1977\uff082003 print)&nbsp;<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>GOCHO, Shigeo<\/small><\/td><td><small>SELF AND OTHERS [60]<\/small><\/td><td><small>\u725b\u80a0\u8302\u96c4<\/small><\/td><td><small>SELF AND OTHERS [60]<\/small><\/td><td><small>\uace0\ucd08 \uc2dc\uac8c\uc624<\/small><\/td><td><small>SELF AND OTHERS [60]<\/small><\/td><td><small>1977\uff082003 print)&nbsp;<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Children in Coal Mining Town, Junai, Ibaraki from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u7164\u77ff\u4e4b\u5b50\u3000\u8328\u57ce\uff0c\u91cd\u5185\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ud0c4\uad11\uc758 \uc544\uc774, \uc774\ubc14\ub77c\ud0a4 \uc8fc\ub098\uc774&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Miners, Junai, Ibaraki from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u77ff\u5de5\u3000\u8328\u57ce\uff0c\u91cd\u5185\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uad11\ubd80, \uc774\ubc14\ub77c\ud0a4 \uc8fc\ub098\uc774&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Miner, Junai, Ibaraki from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u77ff\u5de5\u3000\u8328\u57ce\uff0c\u91cd\u5185\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uad11\ubd80, \uc774\ubc14\ub77c\ud0a4 \uc8fc\ub098\uc774&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Miner, Junai, Ibaraki from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u77ff\u5de5\u3000\u8328\u57ce\uff0c\u91cd\u5185\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uad11\ubd80, \uc774\ubc14\ub77c\ud0a4 \uc8fc\ub098\uc774&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Miners, Junai, Ibaraki from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u77ff\u5de5\u3000\u8328\u57ce\uff0c\u91cd\u5185\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uad11\ubd80, \uc774\ubc14\ub77c\ud0a4 \uc8fc\ub098\uc774&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Scene from Slides for Instructing Accident Prevention, Katsuki, Fukuoka from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u9884\u9632\u707e\u5bb3\u7684\u5e7b\u706f\u7247\u3000\u798f\u5188\uff0c\u9999\u6708\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uc7ac\ud574 \ubc29\uc9c0 \uc2ac\ub77c\uc774\ub4dc \uc911, \ud6c4\ucfe0\uc624\uce74 \uac00\uc4f0\ud0a4&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Lorry, Katsuki, Fukuoka from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u77ff\u8f66\u3000\u798f\u5188\uff0c\u9999\u6708\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uad11\ucc28, \ud6c4\ucfe0\uc624\uce74 \uac00\uc4f0\ud0a4&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Dwelling of Miner Family, Iwaki, Fukushima from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u77ff\u533a\u4f4f\u5b85\u3000\u798f\u5c9b\uff0c\u78d0\u57ce\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ud0c4\uad11\ucd0c\uc758 \uc8fc\ud0dd, \ud6c4\ucfe0\uc2dc\ub9c8 \uc774\uc640\ud0a4&nbsp;<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Dwellings of Miners Takahagi, Ibaraki from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u77ff\u533a\u4f4f\u5b85\u3000\u8328\u57ce\uff0c\u9ad8\u837b\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ud0c4\uad11\ucd0c\uc758 \uc8fc\ud0dd, \uc774\ubc14\ub77c\ud0a4 \ub2e4\uce74\ud558\uae30&nbsp;<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Children in Coal Mining Town, Iwaki, Fukushima from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u7164\u77ff\u4e4b\u5b50\u3000\u798f\u5c9b\uff0c\u78d0\u57ce\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ud0c4\uad11\uc758 \uc544\uc774, \ud6c4\ucfe0\uc2dc\ub9c8 \uc774\uc640\ud0a4<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Summer Festival, Matsushima, Nagasaki from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u76c2\u5170\u76c6\u8282\u3000\u957f\u5d0e\uff0c\u677e\u5c9b\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ubc31\uc911\ub9de\uc774, \ub098\uac00\uc0ac\ud0a4 \ub9c8\uc4f0\uc2dc\ub9c8<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Geisha, Chikuho, Fukuoka from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u827a\u4f0e\u3000\u798f\u5188\uff0c\u7b51\u4e30\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uac8c\uc774\uc0e4, \ud6c4\ucfe0\uc624\uce74 \uc9c0\ucfe0\ud638&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Flags in the Festival for Wishing Safety, Katsuki, Fukuoka from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u7948\u613f\u796d\u7684\u90e8\u961f\u65d7\u3000\u798f\u5188\uff0c\u9999\u6708\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uae30\uc6d0\uc81c\uc758 \ubd80\ub300\uae30, \ud6c4\ucfe0\uc624\uce74 \uac00\uc4f0\ud0a4&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>An Accident, Sunagawa, Hokkaido from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u4e8b\u6545\u3000\u5317\u6d77\u9053\uff0c\u7802\u5ddd\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ud0c4\uad11 \uc0ac\uace0, \ud64b\uce74\uc774\ub3c4 \uc2a4\ub098\uac00\uc640&nbsp;<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Railway, Katsuki, Fukuoka from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u94c1\u9053\u3000\u798f\u5188\uff0c\u9999\u6708\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uc120\ub85c, \ud6c4\ucfe0\uc624\uce74 \uac00\uc4f0\ud0a4&nbsp;<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>At Ayame-so, Yano Hot Spring, Hiroshima from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u5728\u83d6\u84b2\u5e84\u3000\u5e7f\u5c9b\uff0c\u77e2\u91ce\u6e29\u6cc9\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uc544\uc57c\uba54\uc7a5\uc5d0\uc11c, \ud788\ub85c\uc2dc\ub9c8 \uc57c\ub178\uc628\ucc9c<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Superstar, Kiyoshi Aoyama, Miyoshitoei-Theatre, Yokohama from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u5c0f\u751f\uff0c\u540d\u89d2\u3000\u9752\u5c71\u6e05\u3000\u6a2a\u6ee8\uff0c\u4e09\u5409\u4e1c\u6620\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uc778\uae30 \ubc30\uc6b0 \uc544\uc624\uc57c\ub9c8 \uae30\uc694\uc2dc, \uc694\ucf54\ud558\ub9c8 \uc0b0\ud0a4\uce58\ud1a0\uc5d0\uc774 \uadf9\uc7a5<\/small><\/td><td><small>1972<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Tipping, Miyoshitoei-Theatre from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u8d4f\u94b1\u3000\u4e09\u5409\u4e1c\u6620\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ud301, \uc0b0\ud0a4\uce58\ud1a0\uc5d0\uc774 \uadf9\uc7a5<\/small><\/td><td><small>1972<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Tipping, Kaita Onsen(Hot Springs), Hiroshima from Soul and Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u8d4f\u94b1\u3000\u5e7f\u5c9b\uff0c\u6d77\u7530\u6e29\u6cc9\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ud301, \ud788\ub85c\uc2dc\ub9c8 \uac00\uc774\ud0c0\uc628\ucc9c<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Myself in a Dressing Room, Takamatsu, Shikoku from Soul to Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u6211\u81ea\u5df1\u3000my self\u3000\u5728\u540e\u53f0\u3000\u56db\u56fd\uff0c\u9ad8\u677e\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ubd84\uc7a5\uc2e4\uc5d0\uc11c\uc758 \ub098 \uc790\uc2e0, \uc2dc\ucf54\ucfe0 \ub2e4\uce74\ub9c8\uc4f0&nbsp;<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>Night, Pusan, Korea from Soul to Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u591c\u3000\u91dc\u5c71\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \ubc24, \ubd80\uc0b0&nbsp;<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Woman, Pusan from Soul to Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u5973\u3000\u91dc\u5c71\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uc5ec\uc790, \ubd80\uc0b0&nbsp;<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Woman, Kawasaki from Soul to Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u5973\u3000\u5ddd\u5d0e\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uc5ec\uc790, \uac00\uc640\uc0ac\ud0a4<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Kiyoshi<\/small><\/td><td><small>A Woman, Kawasaki from Soul to Soul<\/small><\/td><td><small>\u94c3\u6728\u6e05<\/small><\/td><td><small>\u5973\u3000\u5ddd\u5d0e\u3000\u51fa\u81ea\u300a\u6f02\u6cca\u4e4b\u6b4c\u300b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uae30\uc694\uc2dc\u3000<\/small><\/td><td><small>\u300e\uc720\ub791\uc758 \ub178\ub798\u300f \uc911\uc5d0\uc11c, \uc5ec\uc790, \uac00\uc640\uc0ac\ud0a4&nbsp;<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAI, Gyokudo<\/small><\/td><td><small>Taira Shigemori, Komatsu-no-naifu<\/small><\/td><td><small>\u5ddd\u5408\u7389\u5802<\/small><\/td><td><small>\u5c0f\u677e\u5185\u5e9c\uff08\u5e73\u91cd\u76db\uff09\u56fe<\/small><\/td><td><small>\uac00\uc640\uc774 \uad50\ucfe0\ub3c4<\/small><\/td><td><small>\uace0\ub9c8\uc4f0\ub178 \ub098\uc774\ud6c4(\ubb34\uc0ac \ub2e4\uc774\ub77c \uc2dc\uac8c\ubaa8\ub9ac)<\/small><\/td><td><small>1899<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHIMOMURA, Kanzan<\/small><\/td><td><small>Emperor\u2019s Visit to Kenreimon-in, from the Tale of Heike<\/small><\/td><td><small>\u4e0b\u6751\u89c2\u5c71<\/small><\/td><td><small>\u5927\u539f\u5fa1\u5e78<\/small><\/td><td><small>\uc2dc\ubaa8\ubb34\ub77c \uac04\uc794<\/small><\/td><td><small>\uc624\ud558\ub77c \ud589\ucc28<\/small><\/td><td><small>1908<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKUCHI, Keigetsu<\/small><\/td><td><small>Dedicating Lanterns<\/small><\/td><td><small>\u83ca\u6c60\u5951\u6708<\/small><\/td><td><small>\u4f9b\u706f<\/small><\/td><td><small>\uae30\ucfe0\uce58 \uac8c\uc774\uac8c\uc4f0<\/small><\/td><td><small>\ub4f1\ubd88 \uacf5\uc591<\/small><\/td><td><small>1910<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKKAWA, Reika<\/small><\/td><td><small>Mountaineering Ascetic En no Ozunu<\/small><\/td><td><small>\u5409\u5ddd\u7075\u534e<\/small><\/td><td><small>\u5f79\u5c0f\u89d2<\/small><\/td><td><small>\uae43\uce74\uc640 \ub808\uc774\uce74<\/small><\/td><td><small>\uc8fc\uc220\uc0ac \uc5d4\ub178 \uc624\uc988\ub204<\/small><\/td><td><small>c.1921<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKKAWA, Reika<\/small><\/td><td><small>Fluttering Robes of Feathers<\/small><\/td><td><small>\u5409\u5ddd\u7075\u534e<\/small><\/td><td><small>\u7fbd\u8863\u7ffb\u7ffb<\/small><\/td><td><small>\uae43\uce74\uc640 \ub808\uc774\uce74<\/small><\/td><td><small>\ub098\ubd80\ub07c\ub294 \uae43\uc637&nbsp;<\/small><\/td><td><small>1923<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUDA, Yukihiko<\/small><\/td><td><small>Solar Eclipse<\/small><\/td><td><small>\u5b89\u7530\u976b\u5f66<\/small><\/td><td><small>\u65e5\u98df<\/small><\/td><td><small>\uc57c\uc2a4\ub2e4 \uc720\ud0a4\ud788\ucf54<\/small><\/td><td><small>\uc77c\uc2dd<\/small><\/td><td><small>1925<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUDA, Yukihiko<\/small><\/td><td><small>Injured Yamatotakeru at the Spring<\/small><\/td><td><small>\u5b89\u7530\u976b\u5f66<\/small><\/td><td><small>\u5c45\u9192\u6cc9<\/small><\/td><td><small>\uc57c\uc2a4\ub2e4 \uc720\ud0a4\ud788\ucf54<\/small><\/td><td><small>\uc804\uc124\uc758 \uc0d8 \uc774\uc0ac\uba54\ub178\uc774\uc988\ubbf8<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUDA, Yukihiko<\/small><\/td><td><small>The Six Poetic Geniuses<\/small><\/td><td><small>\u5b89\u7530\u976b\u5f66<\/small><\/td><td><small>\u516d\u6b4c\u4ed9<\/small><\/td><td><small>\uc57c\uc2a4\ub2e4 \uc720\ud0a4\ud788\ucf54<\/small><\/td><td><small>\uc721\uac00\uc120(6\uc778\uc758 \uc800\uba85\ud55c \uc2dc\uc778)<\/small><\/td><td><small>1933<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUDA, Yukihiko<\/small><\/td><td><small>Meeting at Hong Men<\/small><\/td><td><small>\u5b89\u7530\u976b\u5f66<\/small><\/td><td><small>\u9e3f\u95e8\u4f1a<\/small><\/td><td><small>\uc57c\uc2a4\ub2e4 \uc720\ud0a4\ud788\ucf54<\/small><\/td><td><small>\ud64d\ubb38\uc758 \ud68c&nbsp;<\/small><\/td><td><small>1955<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUOKA, Eikyu<\/small><\/td><td><small>Minamoto Yoshitsune at Yashima<\/small><\/td><td><small>\u677e\u5188\u6620\u4e18<\/small><\/td><td><small>\u5c4b\u5c9b\u7684\u6e90\u4e49\u7ecf<\/small><\/td><td><small>\ub9c8\uc4f0\uc624\uce74 \uc5d0\uc774\ud050<\/small><\/td><td><small>\uc57c\uc2dc\ub9c8\uc758 \ubb34\uc0ac \ubbf8\ub098\ubaa8\ud1a0 \uc694\uc2dc\uc4f0\ub124&nbsp;<\/small><\/td><td><small>1929<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOMITA, Keisen<\/small><\/td><td><small>The Nachi Fall<\/small><\/td><td><small>\u5bcc\u7530\u6eaa\u4ed9<\/small><\/td><td><small>\u90a3\u667a\u7011\u5e03<\/small><\/td><td><small>\ub3c4\ubbf8\ud0c0 \uac8c\uc774\uc13c<\/small><\/td><td><small>\ub098\uce58 \ud3ed\ud3ec<\/small><\/td><td><small>1935<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAMURA, Gakuryo<\/small><\/td><td><small>A Pretty Bank of Clouds<\/small><\/td><td><small>\u4e2d\u6751\u5cb3\u9675<\/small><\/td><td><small>\u4e30\u5e61\u4e91<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \uac00\ucfe0\ub8cc<\/small><\/td><td><small>\uae43\ubc1c\ucc98\ub7fc \ub098\ubd80\ub07c\ub294 \uad6c\ub984&nbsp;<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ARAI, Hirokata<\/small><\/td><td><small>Avalokitesvara and Mary<\/small><\/td><td><small>\u8352\u4e95\u5bbd\u65b9<\/small><\/td><td><small>\u89c2\u97f3\u6469\u5229\u8036<\/small><\/td><td><small>\uc544\ub77c\uc774 \ud788\ub85c\uce74\ud0c0<\/small><\/td><td><small>\uad00\uc74c\uacfc \ub9c8\ub9ac\uc544&nbsp;<\/small><\/td><td><small>1939<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHIMADA, Bokusen<\/small><\/td><td><small>Portrait of Soko Yamaga<\/small><\/td><td><small>\u5c9b\u7530\u58a8\u4ed9<\/small><\/td><td><small>\u5c71\u9e7f\u7d20\u884c\u5148\u751f<\/small><\/td><td><small>\uc2dc\ub9c8\ub2e4 \ubcf4\ucfe0\uc13c<\/small><\/td><td><small>\uc720\ud559\uc790 \uc57c\ub9c8\uac00 \uc18c\ucf54<\/small><\/td><td><small>1942<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTA, Chou<\/small><\/td><td><small>Rai San\u2019yo and His Mother<\/small><\/td><td><small>\u592a\u7530\u542c\u96e8<\/small><\/td><td><small>\u8d56\u5c71\u9633\u6bcd\u5b50<\/small><\/td><td><small>\uc624\ud0c0 \uc870\uc6b0<\/small><\/td><td><small>\uc720\ud559\uc790 \ub77c\uc774 \uc0b0\uc694\uc640 \uadf8\uc758 \uc5b4\uba38\ub2c8&nbsp;<\/small><\/td><td><small>1942<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIMURA, Tadao<\/small><\/td><td><small>Hachiman Taro, Minamoto Yoshiie<\/small><\/td><td><small>\u5409\u6751\u5fe0\u592b<\/small><\/td><td><small>\u516b\u5e61\u592a\u90ce\uff08\u6e90\u4e49\u5bb6\uff09<\/small><\/td><td><small>\uc694\uc2dc\ubb34\ub77c \ub2e4\ub2e4\uc624&nbsp;<\/small><\/td><td><small>\ud558\uce58\ub9cc \ub2e4\ub85c(\ubb34\uc0ac \ubbf8\ub098\ubaa8\ud1a0 \uc694\uc2dc\uc774\uc5d0)<\/small><\/td><td><small>1942<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0060<\/small><\/td><td><small>UEMURA, Shoen<\/small><\/td><td><small>Shizuka Gozen, shirabyoshi dancer<\/small><\/td><td><small>\u4e0a\u6751\u677e\u56ed<\/small><\/td><td><small>\u9759<\/small><\/td><td><small>\uc6b0\uc5d0\ubb34\ub77c \uc1fc\uc5d4<\/small><\/td><td><small>\uc2dc\uc988\uce74<\/small><\/td><td><small>1944<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MAEDA, Seison<\/small><\/td><td><small>Pioneers at Home<\/small><\/td><td><small>\u524d\u7530\u9752\u6751<\/small><\/td><td><small>\u4e61\u91cc\u7684\u5148\u89c9<\/small><\/td><td><small>\ub9c8\uc5d0\ub2e4 \uc138\uc774\uc190<\/small><\/td><td><small>\uace0\ud5a5\uc758 \uc120\ud559<\/small><\/td><td><small>1947<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0074<\/small><\/td><td><small>MAEDA, Seison<\/small><\/td><td><small>Stone Coffin<\/small><\/td><td><small>\u524d\u7530\u9752\u6751<\/small><\/td><td><small>\u77f3\u68fa<\/small><\/td><td><small>\ub9c8\uc5d0\ub2e4 \uc138\uc774\uc190<\/small><\/td><td><small>\uc11d\uad00<\/small><\/td><td><small>1962<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HIRAYAMA, Ikuo<\/small><\/td><td><small>The Glorious Imperial Palace of Fujiwara-kyo<\/small><\/td><td><small>\u5e73\u5c71\u90c1\u592b<\/small><\/td><td><small>\u8d6b\u8d6b\u4e4e\u85e4\u539f\u4eac\u4e4b\u5927\u6bbf<\/small><\/td><td><small>\ud788\ub77c\uc57c\ub9c8 \uc774\ucfe0\uc624<\/small><\/td><td><small>\ube5b\ub098\ub294 \ud6c4\uc9c0\uc640\ub77c\ucfc4\uc758 \uad81\uc804<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATAOKA, Tamako<\/small><\/td><td><small>Features of Utagawa Kunisada and Tsuruya Namboku&nbsp; IV<\/small><\/td><td><small>\u7247\u5188\u7403\u5b50<\/small><\/td><td><small>\u9762\u5bb9\uff08\u6b4c\u5ddd\u56fd\u8d1e\u4e0e\u7b2c\u56db\u4ee3\u9e64\u5c4b\u5357\u5317\uff09<\/small><\/td><td><small>\uac00\ud0c0\uc624\uce74 \ub2e4\ub9c8\ucf54<\/small><\/td><td><small>\uc5bc\uad74(\ud654\uac00 \uc6b0\ud0c0\uac00\uc640 \uad6c\ub2c8\uc0ac\ub2e4\uc640 \uc791\uac00 \uc81c4\ub300 \uc4f0\ub8e8\uc57c \ub09c\ubcf4\ucfe0)<\/small><\/td><td><small>1982<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAUCHI, Tamon<\/small><\/td><td><small>Winter and Spring from Four Seasons in the Nikko Mountains<\/small><\/td><td><small>\u5c71\u5185\u591a\u95e8<\/small><\/td><td><small>\u65e5\u5149\u5c71\u56db\u5b63\uff08\u51ac\u00b7\u6625\uff09<\/small><\/td><td><small>\uc57c\ub9c8\uc6b0\uce58 \ub2e4\ubaac<\/small><\/td><td><small>\ub2db\ucf54\uc0b0\uc758 \uc0ac\uacc4(\uaca8\uc6b8\u00b7\ubd04)<\/small><\/td><td><small>1911<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Kokei<\/small><\/td><td><small>Elysian Well<\/small><\/td><td><small>\u5c0f\u6797\u53e4\u5f84\u3000<\/small><\/td><td><small>\u6781\u4e50\u4e95<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \uace0\ucf00\uc774<\/small><\/td><td><small>\uadf9\ub77d\uc758 \uc6b0\ubb3c<\/small><\/td><td><small>1912<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Kokei<\/small><\/td><td><small>Apples<\/small><\/td><td><small>\u5c0f\u6797\u53e4\u5f84\u3000<\/small><\/td><td><small>\u82f9\u679c<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \uace0\ucf00\uc774<\/small><\/td><td><small>\uc0ac\uacfc<\/small><\/td><td><small>1942<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORITA, Tsunetomo<\/small><\/td><td><small>Landscape around Yoyogi<\/small><\/td><td><small>\u68ee\u7530\u6052\u53cb<\/small><\/td><td><small>\u4ee3\u4ee3\u6728\u540e\u8857\u98ce\u666f<\/small><\/td><td><small>\ubaa8\ub9ac\ud0c0 \uc4f0\ub124\ud1a0\ubaa8<\/small><\/td><td><small>\uc694\uc694\uae30 \ub4b7\uace8\ubaa9 \ud48d\uacbd&nbsp;<\/small><\/td><td><small>c.1920-21<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORITA, Tsunetomo<\/small><\/td><td><small>Rice Field in Winter<\/small><\/td><td><small>\u68ee\u7530\u6052\u53cb<\/small><\/td><td><small>\u51ac\u7530<\/small><\/td><td><small>\ubaa8\ub9ac\ud0c0 \uc4f0\ub124\ud1a0\ubaa8<\/small><\/td><td><small>\uaca8\uc6b8 \ub17c<\/small><\/td><td><small>1920\uff53<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORITA, Tsunetomo<\/small><\/td><td><small>Album of Works Made during Four Years<\/small><\/td><td><small>\u68ee\u7530\u6052\u53cb<\/small><\/td><td><small>\u540e\u56db\u5c81\u5e16<\/small><\/td><td><small>\ubaa8\ub9ac\ud0c0 \uc4f0\ub124\ud1a0\ubaa8<\/small><\/td><td><small>4\ub144 \ud654\ucca9&nbsp;<\/small><\/td><td><small>1929-32<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OMODA, Seiju<\/small><\/td><td><small>The Port of Ezumi in Izumo<\/small><\/td><td><small>\u5c0f\u8302\u7530\u9752\u6811<\/small><\/td><td><small>\u51fa\u4e91\u6c5f\u89d2\u6e2f<\/small><\/td><td><small>\uc624\ubaa8\ub2e4 \uc138\uc774\uc8fc<\/small><\/td><td><small>\uc774\uc988\ubaa8\uc758 \uc5d0\uc988\ubbf8 \ud56d\uad6c<\/small><\/td><td><small>1921<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOMITORI, Fudo<\/small><\/td><td><small>Still Life<\/small><\/td><td><small>\u5bcc\u53d6\u98ce\u5802<\/small><\/td><td><small>\u9759\u7269<\/small><\/td><td><small>\ub3c4\ubbf8\ud1a0\ub9ac \ud6c4\ub3c4<\/small><\/td><td><small>\uc815\ubb3c<\/small><\/td><td><small>1921<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Colonnade on the Hill<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u5c71\u4e18\u4e0a\u7684\u6811<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\uc5b8\ub355\uc758 \uac00\ub85c\uc218<\/small><\/td><td><small>1922<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIYAMA, Taihaku<\/small><\/td><td><small>The Suburbs of Tokyo: Igusano, Ogikubo<\/small><\/td><td><small>\u77f3\u5c71\u592a\u67cf<\/small><\/td><td><small>\u8fd1\u90ca\u4e8c\u666f\uff08\u4e95\u8349\u91ce\u3001\u837b\u6d3c\uff09<\/small><\/td><td><small>\uc774\uc2dc\uc57c\ub9c8 \ub2e4\uc774\ud558\ucfe0<\/small><\/td><td><small>\ub3c4\ucfc4 \uadfc\uad50\uc758 \ub450 \ud48d\uacbd(\uc774\uad6c\uc0ac\ub178, \uc624\uae30\ucfe0\ubcf4)<\/small><\/td><td><small>1930<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAKAMI, Kagaku<\/small><\/td><td><small>Spring Thaw<\/small><\/td><td><small>\u6751\u4e0a\u534e\u5cb3<\/small><\/td><td><small>\u6625\u6ce5<\/small><\/td><td><small>\ubb34\ub77c\uce74\ubbf8 \uac00\uac00\ucfe0<\/small><\/td><td><small>\ub208 \ub179\uc740 \ubd04<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKUMURA, Togyu<\/small><\/td><td><small>Ducks<\/small><\/td><td><small>\u5965\u6751\u571f\u725b<\/small><\/td><td><small>\u9e2d<\/small><\/td><td><small>\uc624\ucfe0\ubb34\ub77c \ub3c4\uaddc<\/small><\/td><td><small>\uc624\ub9ac<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAI, Gyokudo<\/small><\/td><td><small>Morning Mist<\/small><\/td><td><small>\u5ddd\u5408\u7389\u5802<\/small><\/td><td><small>\u671d\u972d<\/small><\/td><td><small>\uac00\uc640\uc774 \uad50\ucfe0\ub3c4<\/small><\/td><td><small>\uc544\uce68 \uc548\uac1c<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>Ice Field<\/small><\/td><td><small>\u5409\u5188\u575a\u4e8c<\/small><\/td><td><small>\u51b0\u539f<\/small><\/td><td><small>\uc694\uc2dc\uc624\uce74 \uac90\uc9c0<\/small><\/td><td><small>\ube59\uc6d0<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUKUDA, Toyoshiro<\/small><\/td><td><small>Landscape<\/small><\/td><td><small>\u798f\u7530\u4e30\u56db\u90ce<\/small><\/td><td><small>\u5c71\u6cb3<\/small><\/td><td><small>\ud6c4\ucfe0\ub2e4 \ub3c4\uc694\uc2dc\ub85c<\/small><\/td><td><small>\uc0b0\ud558<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0077<\/small><\/td><td><small>TOKUOKA, Shinsen<\/small><\/td><td><small>Harvested Rice Field<\/small><\/td><td><small>\u5fb7\u5188\u795e\u6cc9<\/small><\/td><td><small>\u5208\u7530<\/small><\/td><td><small>\ub3c4\ucfe0\uc624\uce74 \uc2e0\uc13c<\/small><\/td><td><small>\ubcbc\ub97c \ubca0\ub0b8 \ub17c<\/small><\/td><td><small>1960<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASADA, Benji<\/small><\/td><td><small>Mandarin Ducks<\/small><\/td><td><small>\u9ebb\u7530\u8fa8\u81ea<\/small><\/td><td><small>\u9e33<\/small><\/td><td><small>\uc544\uc0ac\ub2e4 \ubca4\uc9c0&nbsp;<\/small><\/td><td><small>\uc6d0\uc559<\/small><\/td><td><small>1962<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAYAMA, Tatsuo<\/small><\/td><td><small>Northern Country<\/small><\/td><td><small>\u9ad8\u5c71\u8fb0\u96c4<\/small><\/td><td><small>\u5317\u56fd<\/small><\/td><td><small>\ub2e4\uce74\uc57c\ub9c8 \ub2e4\uc4f0\uc624<\/small><\/td><td><small>\ubd81\ucabd \uc9c0\ubc29&nbsp;<\/small><\/td><td><small>1966<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UEDA, Gagyu<\/small><\/td><td><small>Winter Tree<\/small><\/td><td><small>\u4e0a\u7530\u5367\u725b<\/small><\/td><td><small>\u51ac\u6811<\/small><\/td><td><small>\uc6b0\uc5d0\ub2e4 \uac00\uaddc<\/small><\/td><td><small>\uaca8\uc6b8 \ub098\ubb34&nbsp;<\/small><\/td><td><small>1967<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NISHIUCHI, Toshio<\/small><\/td><td><small>Birds among the Plum Blossoms<\/small><\/td><td><small>\u897f\u5185\u5229\u592b<\/small><\/td><td><small>\u6885\u82b1\u6e38\u79bd<\/small><\/td><td><small>\ub2c8\uc2dc\uc6b0\uce58 \ub3c4\uc2dc\uc624<\/small><\/td><td><small>\ub9e4\ud654\uc640 \uc0c8&nbsp;<\/small><\/td><td><small>1976<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HIGASHIYAMA, Kaii<\/small><\/td><td><small>White Morning<\/small><\/td><td><small>\u4e1c\u5c71\u9b41\u5937<\/small><\/td><td><small>\u767d\u8272\u7684\u65e9\u6668<\/small><\/td><td><small>\ud788\uac00\uc2dc\uc57c\ub9c8 \uac00\uc774\uc774<\/small><\/td><td><small>\ud558\uc580 \uc544\uce68<\/small><\/td><td><small>1980<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAYAMA, Matazo<\/small><\/td><td><small>Tokyo 1984<\/small><\/td><td><small>\u52a0\u5c71\u53c8\u9020<\/small><\/td><td><small>\u4e00\u4e5d\u516b\u56db\u00b7\u4e1c\u4eac<\/small><\/td><td><small>\uac00\uc57c\ub9c8 \ub9c8\ud0c0\uc870<\/small><\/td><td><small>1984 \ub3c4\ucfc4<\/small><\/td><td><small>1984<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>3F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>David Smith&nbsp;<\/small><\/td><td><small>Circle IV<\/small><\/td><td><small>\u5927\u536b\u00b7\u53f2\u5bc6\u65af<\/small><\/td><td><small>\u5706 IV<\/small><\/td><td><small>\ub370\uc774\ube44\ub4dc \uc2a4\ubbf8\uc2a4<\/small><\/td><td><small>\uc11c\ud074 IV<\/small><\/td><td><small>1962<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Jan Schoonhoven<\/small><\/td><td><small>R70-47<\/small><\/td><td><small>\u626c\u00b7\u65af\u6d2a\u970d\u82ac<\/small><\/td><td><small>R70-47<\/small><\/td><td><small>\uc580 \uc2a4\ud63c\ud638\ud39c<\/small><\/td><td><small>R70-47<\/small><\/td><td><small>1970<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOMAI, Tetsuro<\/small><\/td><td><small>Two Trees<\/small><\/td><td><small>\u9a79\u4e95\u54f2\u90ce<\/small><\/td><td><small>\u4e24\u68f5\u6811<\/small><\/td><td><small>\uace0\ub9c8\uc774 \ub370\uc4f0\ub85c<\/small><\/td><td><small>\ub098\ubb34 \ub450 \uadf8\ub8e8&nbsp;<\/small><\/td><td><small>1970<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOMAI, Tetsuro<\/small><\/td><td><small>Interior<\/small><\/td><td><small>\u9a79\u4e95\u54f2\u90ce<\/small><\/td><td><small>\u5ba4\u5185<\/small><\/td><td><small>\uace0\ub9c8\uc774 \ub370\uc4f0\ub85c<\/small><\/td><td><small>\uc2e4\ub0b4<\/small><\/td><td><small>1970<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOMAI, Tetsuro<\/small><\/td><td><small>Trees<\/small><\/td><td><small>\u9a79\u4e95\u54f2\u90ce<\/small><\/td><td><small>\u6811<\/small><\/td><td><small>\uace0\ub9c8\uc774 \ub370\uc4f0\ub85c<\/small><\/td><td><small>\ub098\ubb34<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOMAI, Tetsuro<\/small><\/td><td><small>Landscape<\/small><\/td><td><small>\u9a79\u4e95\u54f2\u90ce<\/small><\/td><td><small>\u98ce\u666f<\/small><\/td><td><small>\uace0\ub9c8\uc774 \ub370\uc4f0\ub85c<\/small><\/td><td><small>\ud48d\uacbd<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SEIMIYA, Naobumi<\/small><\/td><td><small>At Twilight<\/small><\/td><td><small>\u6e05\u5bab\u8d28\u6587<\/small><\/td><td><small>\u508d\u665a<\/small><\/td><td><small>\uc138\uc774\ubbf8\uc57c \ub098\uc624\ubd80\ubbf8<\/small><\/td><td><small>\ud669\ud63c<\/small><\/td><td><small>1972<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SEIMIYA, Naobumi<\/small><\/td><td><small>Back Gate at Dusk<\/small><\/td><td><small>\u6e05\u5bab\u8d28\u6587<\/small><\/td><td><small>\u508d\u665a\u7684\u540e\u95e8<\/small><\/td><td><small>\uc138\uc774\ubbf8\uc57c \ub098\uc624\ubd80\ubbf8<\/small><\/td><td><small>\ud669\ud63c\uc758 \ud6c4\ubb38<\/small><\/td><td><small>1975<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YUHARA, Kazuo<\/small><\/td><td><small>Untitled No.3-71<\/small><\/td><td><small>\u6c64\u539f\u548c\u592b<\/small><\/td><td><small>\u65e0\u9898 No.3-71<\/small><\/td><td><small>\uc720\ud558\ub77c \uac00\uc988\uc624<\/small><\/td><td><small>\ubb34\uc81c No.3-71<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YUHARA, Kazuo<\/small><\/td><td><small>Work No.3-77<\/small><\/td><td><small>\u6c64\u539f\u548c\u592b<\/small><\/td><td><small>\u4f5c\u54c1 No.3-77<\/small><\/td><td><small>\uc720\ud558\ub77c \uac00\uc988\uc624<\/small><\/td><td><small>\uc791\ud488 No.3-77<\/small><\/td><td><small>1977<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKIGUCHI, Shuzo<\/small><\/td><td><small>Liberty Passport for Ashikawa Yoko<\/small><\/td><td><small>\u6cf7\u53e3\u4fee\u9020<\/small><\/td><td><small>\u81ea\u7531\u62a4\u7167\uff08\u82a6\u5ddd\u7f8a\u5b50\u6536\uff09<\/small><\/td><td><small>\ub2e4\ud0a4\uad6c\uce58 \uc288\uc870<\/small><\/td><td><small>\ub9ac\ubc84\ud2f0 \ud328\uc2a4\ud3ec\ud2b8(\uc544\uc2dc\uce74\uc640 \uc694\ucf54 \uc55e)<\/small><\/td><td><small>1978<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Joel Shapiro<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u4e54\u5c14\u00b7\u590f\u76ae\u6d1b<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc870\uc5d8 \uc0e4\ud53c\ub85c<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>1979<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAKAGAMI, Chiyuki<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u5742\u4e0aChiyuki<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc0ac\uce74\uac00\ubbf8 \uc9c0\uc720\ud0a4<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>c.1980<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAKAGAMI, Chiyuki<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u5742\u4e0aChiyuki<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc0ac\uce74\uac00\ubbf8 \uc9c0\uc720\ud0a4<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>c.1980<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUGA, Kishio<\/small><\/td><td><small>Sai-ku<\/small><\/td><td><small>\u83c5\u6728\u5fd7\u96c4<\/small><\/td><td><small>\u7ec6\u7a7a<\/small><\/td><td><small>\uc2a4\uac00 \uae30\uc2dc\uc624<\/small><\/td><td><small>\uc0ac\uc774\ucfe0(\u7d30\u7a7a)<\/small><\/td><td><small>1983<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUGA, Kishio<\/small><\/td><td><small>Bun-kan-shu-ritsu<\/small><\/td><td><small>\u83c5\u6728\u5fd7\u96c4<\/small><\/td><td><small>\u5206\u95f4\u96c6\u7acb<\/small><\/td><td><small>\uc2a4\uac00 \uae30\uc2dc\uc624<\/small><\/td><td><small>\ubd84\uce78\uc288\ub9ac\uc4f0(\u5206\u9593\u96c6\u7acb)<\/small><\/td><td><small>1989<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Erwin Heerich<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u57c3\u5c14\u6e29\u00b7\u9ed1\u91cc\u5e0c<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc5d0\ub974\ube48 \ud5e4\ub9ac\ud788<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>1984<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Erwin Heerich<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u57c3\u5c14\u6e29\u00b7\u9ed1\u91cc\u5e0c<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc5d0\ub974\ube48 \ud5e4\ub9ac\ud788<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>1984<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASO, Saburo<\/small><\/td><td><small>Clouds<\/small><\/td><td><small>\u9ebb\u751f\u4e09\u90ce<\/small><\/td><td><small>\u4e91<\/small><\/td><td><small>\uc544\uc18c \uc0ac\ubd80\ub85c<\/small><\/td><td><small>\uad6c\ub984<\/small><\/td><td><small>1985<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASO, Saburo<\/small><\/td><td><small>Sky A<\/small><\/td><td><small>\u9ebb\u751f\u4e09\u90ce<\/small><\/td><td><small>\u7a7aA<\/small><\/td><td><small>\uc544\uc18c \uc0ac\ubd80\ub85c<\/small><\/td><td><small>\ud558\ub298 A<\/small><\/td><td><small>1986<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>1988<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>1988<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama<\/small><\/td><td><small>1988<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>2006<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>2006<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>2006<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>2006<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>2006<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>2006<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Abraham David Christian<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\u4e9a\u4f2f\u62c9\u7f55\u00b7\u5927\u536b\u00b7\u514b\u91cc\u65af\u8482\u5b89<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>\uc544\ube0c\ub77c\ud568 \ub2e4\ube44\ub4dc \ud06c\ub9ac\uc2a4\ud2f0\uc548<\/small><\/td><td><small>Hayama Seven<\/small><\/td><td><small>2006<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>I AM STILL ALIVE [To Sasanuma Toshiki, December 22, 1989]<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>I AM STILL ALIVE [\u7b39\u6cbc\u4fca\u6811\u6536 1989\u5e7412\u670822\u65e5]<\/small><\/td><td><small>\uac00\uc640\ub77c \uc628<\/small><\/td><td><small>I AM STILL ALIVE [\uc0ac\uc0ac\ub204\ub9c8 \ub3c4\uc2dc\ud0a4 \uc55e, 1989\ub144 12\uc6d4 22\uc77c]<\/small><\/td><td><small>1989<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>INUMAKI, Kenji<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u72d7\u5377\u8d24\u4e8c<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc774\ub204\ub9c8\ud0a4 \uac90\uc9c0&nbsp;<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>1990<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>INUMAKI, Kenji<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u72d7\u5377\u8d24\u4e8c<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc774\ub204\ub9c8\ud0a4 \uac90\uc9c0&nbsp;<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>1990<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>INUMAKI, Kenji<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u72d7\u5377\u8d24\u4e8c<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc774\ub204\ub9c8\ud0a4 \uac90\uc9c0&nbsp;<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>1990<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Kentaro<\/small><\/td><td><small>Prayer 7<\/small><\/td><td><small>\u6728\u6751\u8d24\u592a\u90ce<\/small><\/td><td><small>\u7948\u7977 7<\/small><\/td><td><small>\uae30\ubb34\ub77c \uac90\ud0c0\ub85c<\/small><\/td><td><small>\uae30\ub3c4 7<\/small><\/td><td><small>1993<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Kentaro<\/small><\/td><td><small>Prayer 6<\/small><\/td><td><small>\u6728\u6751\u8d24\u592a\u90ce<\/small><\/td><td><small>\u7948\u7977 6<\/small><\/td><td><small>\uae30\ubb34\ub77c \uac90\ud0c0\ub85c<\/small><\/td><td><small>\uae30\ub3c4 6<\/small><\/td><td><small>1993<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKAZAKI, Kazuo<\/small><\/td><td><small>HISASHI<\/small><\/td><td><small>\u5188\u5d0e\u548c\u90ce<\/small><\/td><td><small>HISASHI<\/small><\/td><td><small>\uc624\uce74\uc790\ud0a4 \uac00\uc988\uc624<\/small><\/td><td><small>HISASHI<\/small><\/td><td><small>1994\/2017(cast)<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAGAWA, Yoshinobu<\/small><\/td><td><small>seed on the table 94009<\/small><\/td><td><small>\u4e2d\u5ddd\u4f73\u5ba3<\/small><\/td><td><small>seed on the table 94009<\/small><\/td><td><small>\ub098\uce74\uac00\uc640 \uc694\uc2dc\ub178\ubd80<\/small><\/td><td><small>seed on the table 94009<\/small><\/td><td><small>1994<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAGAWA, Yoshinobu<\/small><\/td><td><small>seed on the table 94027<\/small><\/td><td><small>\u4e2d\u5ddd\u4f73\u5ba3<\/small><\/td><td><small>seed on the table 94027<\/small><\/td><td><small>\ub098\uce74\uac00\uc640 \uc694\uc2dc\ub178\ubd80<\/small><\/td><td><small>seed on the table 94027<\/small><\/td><td><small>1994<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAGAWA, Yoshinobu<\/small><\/td><td><small>seed on the table 97001<\/small><\/td><td><small>\u4e2d\u5ddd\u4f73\u5ba3<\/small><\/td><td><small>seed on the table 97001<\/small><\/td><td><small>\ub098\uce74\uac00\uc640 \uc694\uc2dc\ub178\ubd80<\/small><\/td><td><small>seed on the table 97001<\/small><\/td><td><small>1997<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAYANAGI, Eri<\/small><\/td><td><small>Pocket-gauze<\/small><\/td><td><small>\u9ad8\u67f3\u60e0\u91cc<\/small><\/td><td><small>\u7eb1\u5e03\u624b\u5e15<\/small><\/td><td><small>\ub2e4\uce74\uc57c\ub098\uae30 \uc5d0\ub9ac<\/small><\/td><td><small>\ud734\ub300\uc6a9 \uac00\uc81c \uc190\uc218\uac74<\/small><\/td><td><small>1998<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Magdalena Abakanowicz<\/small><\/td><td><small>Anonymous Portrait No.5<\/small><\/td><td><small>\u739b\u683c\u8fbe\u83b1\u5a1c\u00b7\u963f\u5df4\u5361\u8bfa\u7ef4\u5947<\/small><\/td><td><small>\u533f\u540d\u7684\u8096\u50cf No.5<\/small><\/td><td><small>\ub9c9\ub2ec\ub808\ub098 \uc544\ubc14\uce74\ub178\ube44\uce58<\/small><\/td><td><small>\uc775\uba85\uc758 \ucd08\uc0c1 No.5<\/small><\/td><td><small>2004<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Magdalena Abakanowich<\/small><\/td><td><small>Anonymous Portrait No.8<\/small><\/td><td><small>\u739b\u683c\u8fbe\u83b1\u5a1c\u00b7\u963f\u5df4\u5361\u8bfa\u7ef4\u5947<\/small><\/td><td><small>\u533f\u540d\u7684\u8096\u50cf No.8<\/small><\/td><td><small>\ub9c9\ub2ec\ub808\ub098 \uc544\ubc14\uce74\ub178\ube44\uce58<\/small><\/td><td><small>\uc775\uba85\uc758 \ucd08\uc0c1 No.8<\/small><\/td><td><small>2004<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shooshie Sulaiman<\/small><\/td><td><small>Let\u2019s learn propaganda: SINGA PURA: registered 1<\/small><\/td><td><small>\u82cf\u897f\u00b7\u82cf\u83b1\u66fc<\/small><\/td><td><small>\u5b66\u4e60\u653f\u6cbb\u5ba3\u4f20\u5427\uff1aSINGA PURA\uff1a\u5df2\u767b\u8bb0 1<\/small><\/td><td><small>\uc288\uc2dc \uc220\ub77c\uc774\ub9cc<\/small><\/td><td><small>\ud504\ub85c\ud30c\uac04\ub2e4\ub97c \ubc30\uc6b0\uc790: \uc2f1\uac00\ud478\ub77c: \ub4f1\ub85d \uc644\ub8cc 1&nbsp;<\/small><\/td><td><small>2012<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Thomas Ruff<\/small><\/td><td><small>Interior<\/small><\/td><td><small>\u6258\u9a6c\u65af\u00b7\u9c81\u592b<\/small><\/td><td><small>\u5ba4\u5185<\/small><\/td><td><small>\ud1a0\ub9c8\uc2a4 \ub8e8\ud504&nbsp;<\/small><\/td><td><small>\uc2e4\ub0b4<\/small><\/td><td><small>1979<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Thomas Ruff<\/small><\/td><td><small>Interior<\/small><\/td><td><small>\u6258\u9a6c\u65af\u00b7\u9c81\u592b<\/small><\/td><td><small>\u5ba4\u5185<\/small><\/td><td><small>\ud1a0\ub9c8\uc2a4 \ub8e8\ud504&nbsp;<\/small><\/td><td><small>\uc2e4\ub0b4<\/small><\/td><td><small>1980<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Thomas Ruff<\/small><\/td><td><small>Interior<\/small><\/td><td><small>\u6258\u9a6c\u65af\u00b7\u9c81\u592b<\/small><\/td><td><small>\u5ba4\u5185<\/small><\/td><td><small>\ud1a0\ub9c8\uc2a4 \ub8e8\ud504&nbsp;<\/small><\/td><td><small>\uc2e4\ub0b4<\/small><\/td><td><small>1981<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Thomas Ruff<\/small><\/td><td><small>Interior<\/small><\/td><td><small>\u6258\u9a6c\u65af\u00b7\u9c81\u592b<\/small><\/td><td><small>\u5ba4\u5185<\/small><\/td><td><small>\ud1a0\ub9c8\uc2a4 \ub8e8\ud504&nbsp;<\/small><\/td><td><small>\uc2e4\ub0b4<\/small><\/td><td><small>1983<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIWA, Mitsuko<\/small><\/td><td><small>Interior<\/small><\/td><td><small>\u4e09\u8f6e\u7f8e\u6d25\u5b50<\/small><\/td><td><small>\u5ba4\u5185<\/small><\/td><td><small>\ubbf8\uc640 \ubbf8\uc4f0\ucf54&nbsp;<\/small><\/td><td><small>\uc2e4\ub0b4<\/small><\/td><td><small>2001<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>1.Ceaselessly the River Flows from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>1. \u901d\u5ddd\u6d41\u6c34\u4e0d\u7edd\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 1. \uac15\uc758 \ud750\ub984\uc740 \uba48\ucd94\ub294 \uc77c\uc774 \uc5c6\ub2e4&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>2.Like the Dew on the Morning Glory are Man and His House, Who Knows Which Will Survive the Other? from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>2. \u4e92\u4e89\u65e0\u5e38\u7684\u6837\u5b50\uff0c\u8bf4\u8d77\u6765\u65e0\u5f02\u4e8e\u5587\u53ed\u82b1\u4e0a\u7684\u9732\u73e0\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 2. \uc0ac\ub78c\ub3c4 \uc9d1\ub3c4 \ubb34\uc0c1\ud558\uc5ec, \ub098\ud314\uaf43\uc5d0 \ub0b4\ub9b0 \uc774\uc2ac\uacfc \ub2e4\ub984 \uc5c6\ub2e4<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>3.The Flames Driven by the Wind Went Leaping on from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>3. \u52b2\u98ce\u52a9\u708e\uff0c\u98de\u9a70\u822c\u5ef6\u70e7\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 3. \ubc14\ub78c\uc774 \ubd88\uc5b4 \ubd88\uaf43\ub3c4 \ub0a0\uc544\uac00\ub4ef \uaebc\uc838\uac04\ub2e4&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>4.Household Treasures Were Blosn up into the Air from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>4. \u5bb6\u4e2d\u8d44\u8d22\u6089\u6570\u88ab\u522e\u4e0a\u4e86\u5929\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 4. \uac00\uc7ac\ub3c4\uad6c\ub3c4 \ub0a8\uae40\uc5c6\uc774 \uc804\ubd80 \uc0ac\ub77c\uc84c\ub2e4<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>5.The Old Capital Was Already a Waste and the New One not Yet Made from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>5. \u53e4\u90fd\u4e1a\u5df2\u8352\u5e9f\uff0c\u65b0\u90fd\u8fd8\u672a\u6210\u578b\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 5. \uc61b \ub3c4\uc74d\uc740 \ud669\ud3d0\ud574\uc9c0\uace0 \uc0c8 \ub3c4\uc74d\uc740 \uc9c0\uc5b4\uc9c0\uc9c0 \uc54a\uc558\ub2e4<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>6.By the Walls and in the Highways You Could See Everywhere the Bodies of Those Who Had Died of Starvation from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>6. \u9053\u8def\u65c1\uff0c\u997f\u6b7b\u8005\u591a\u5f97\u6570\u4e0d\u8fc7\u6765\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 6. \uae38\uac70\ub9ac\uc5d0\ub294 \uc544\uc0ac\ud55c \uc2dc\uc2e0\uc774 \uc218\uc5c6\uc774 \ub9ce\ub2e4&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>7.The Hills Crumbled Down and Filled the Rivers, and the Sea Surged up and Overwhelmed the Land from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>7. \u5c71\u5d29\u6cb3\u57cb\uff0c\u6d77\u6c34\u503e\u659c\u6d78\u6f2b\u9646\u5730\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 7. \uc0b0\uc740 \uc0b0\uc0ac\ud0dc\ub85c \uac15\uc744 \ub9c9\uace0 \ubc14\ub2e4\ub294 \ud574\uc77c\ub85c \uc721\uc9c0\ub97c \uc7a0\uae30\uac8c \ud55c\ub2e4<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>8.If you Follow the Fashions Around You, You will Have Little Comfort, and if you do not You Will be Called Crazy from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>8. \u4e0d\u968f\u6ce2\u9010\u6d41\uff0c\u4f1a\u88ab\u89c6\u4e3a\u72c2\u4eba&nbsp;&nbsp; \u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 8. \uc138\uac04\uc5d0 \ub9de\ucd94\uc790\ub2c8 \uc790\uc2e0\uc774 \uad34\ub86d\uace0 \ub9de\ucd94\uc9c0 \uc54a\uc73c\ub824\ub2c8 \ubbf8\uce60 \ub4ef \ud558\ub2e4&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>9.Is Only Ten Feet Square and less than Seven Feet High\u2026 from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>9. \u5927\u5c0f\u4ec5\u65b9\u4e08\uff0c\u9ad8\u4e0d\u8db3\u4e03\u5c3a\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b&nbsp;<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 9. \ub113\uc774\ub294 \uc57d 3\ud3c9, \ub192\uc774\ub294 \uc57d 7\ucc99\uc5d0 \ubd88\uacfc\ud558\ub2e4&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>10.On the Southwest if a Bamboo Shelf On the Which Stand Three or Four Boack Leather Cases from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>10. \u897f\u5357\u540a\u7740\u7af9\u68da\uff0c\u4e0a\u9762\u653e\u7740\u4e09\u53ea\u76ae\u9762\u7684\u7af9\u7b3c\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b&nbsp;<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 10. \uc11c\ub0a8\ucabd\uc5d0\ub294 \ub300\ub098\ubb34 \uc120\ubc18\uc744 \uac78\uace0, \uac80\uc740 \uac00\uc8fd \ubc14\uad6c\ub2c8\ub97c 3\uac1c \ub450\uc5c8\ub2e4<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>11.In the Winter the Snow ad it Piles up and Melts Seems Like an Allegory of Our Evil Karma. from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>11. \u51ac\u65f6\u96ea\u52a8\u4eba\uff0c\u79ef\u96ea\u6d88\u96ea\u53ef\u6bd4\u4eba\u4e16\u7f6a\u969c\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b&nbsp;<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 11. \uaca8\uc6b8\uc5d0\ub294 \ub208\uc744 \uc990\uae34\ub2e4. \ub208\uc774 \uc313\uc600\ub2e4 \uc0ac\ub77c\uc9c0\ub294 \ubaa8\uc2b5\uc740 \uc5c5\ubcf4\uc5d0 \ube44\uc720\ud560 \uc218 \uc788\uc73c\ub9ac\ub77c&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>12.And The Keeper of the Hills Has a Boy Who Sometimes Comes to Bear Me Company from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>12 \u90a3\u91cc\u6709\u4f4d\u5c0f\u7ae5\u65f6\u5e38\u6765\u8bbf\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b&nbsp;<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 12. \uadf8\uacf3\uc5d0 \uc5b4\ub9b0\uc544\uc774\uac00 \uc788\uc5b4 \uac00\ub054 \uc655\ub798\ud55c\ub2e4&nbsp;&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>13.I Have Built Mine For my Own Needs and Not for Other People from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>13. \u6211\u5982\u4eca\u662f\u4e3a\u4e00\u8eab\u7ed3\u5e90\uff0c\u975e\u4e3a\u4ed6\u4eba\u3000 \u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b&nbsp;<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 13. \ub098\ub294 \ud0c0\uc778\uc774 \uc544\ub2cc \ub098\ub9cc\uc744 \uc704\ud574 \uc774 \uc554\uc790\ub97c \uc9c0\uc5c8\ub2e4&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>14.Fish do not Get Tired of the Water; But if you are not a Fish You cannot Understand Their Feelings from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>14. \u9c7c\u4e0d\u538c\u6c34\uff0c\u9c7c\u5916\u4e4b\u7269\u54ea\u77e5\u9c7c\u4e4b\u5fc3\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b&nbsp;<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 14. \ubb3c\uace0\uae30\ub294 \ubb3c\uc744 \uc2eb\uc99d\ub0b4\uc9c0 \uc54a\ub294\ub2e4. \ubb3c\uace0\uae30\uac00 \uc544\ub2c8\uba74 \uadf8 \ub9c8\uc74c\uc744 \uc54c \uc218 \uc5c6\ub2e4<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>15.Now the Moon of my Life has Reached its last Phase and my Remaining Years Draw Nearer to THeir Close from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>15. \u751f\u6daf\u5982\u6708\u5f71\u897f\u503e\uff0c\u773c\u770b\u5c31\u5c06\u5165\u5c71\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b&nbsp;<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 15. \ub2ec\uc774 \uae30\uc6b8\uc5b4 \uc0b0\ub9c8\ub8e8\uc5d0 \uac78\ub9b0 \uac83\ucc98\ub7fc \ub098\uc758 \ub0a8\uc740 \uc0b6\ub3c4 \uae38\uc9c0 \uc54a\ub2e4&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KARASAWA, Hitoshi<\/small><\/td><td><small>16.Have I Put on the Form of a Recluse While Yet My Heart Has Remained Impure? from The Ten Foot Square Hut<\/small><\/td><td><small>\u67c4\u6cfd\u9f50<\/small><\/td><td><small>16. \u4f60\u5f62\u4f3c\u5723\u4eba\uff0c\u5fc3\u67d3\u6d4a\u79fd\u3000 \u51fa\u81ea\u7248\u753b\u96c6\u300a\u65b9\u4e08\u8bb0\u300b&nbsp;<\/small><\/td><td><small>\uac00\ub77c\uc0ac\uc640 \ud788\ud1a0\uc2dc&nbsp;<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ud638\uc870\ud0a4\u300f \uc911\uc5d0\uc11c, 16. \ub108\uc758 \uac89\ubaa8\uc2b5\uc740 \uc131\uc790\uc774\uc9c0\ub9cc \ub9c8\uc74c\uc740 \ud0c1\ud574\uc838 \uc788\ub2e4&nbsp;<\/small><\/td><td><small>1993\/94<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAOKA, Saburo<\/small><\/td><td><small>Bent Oxygen<\/small><\/td><td><small>\u6751\u5188\u4e09\u90ce<\/small><\/td><td><small>\u5f2f\u6298\u7684\u6c27\u6c14<\/small><\/td><td><small>\ubb34\ub77c\uc624\uce74 \uc0ac\ubd80\ub85c&nbsp;<\/small><\/td><td><small>\uaebe\uc778 \uc0b0\uc18c&nbsp;<\/small><\/td><td><small>1985<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAOKA, Saburo<\/small><\/td><td><small>A Torch Cutting\u20131380\u00b0C\u00d711000mm<\/small><\/td><td><small>\u6751\u5188\u4e09\u90ce<\/small><\/td><td><small>\u7194\u65ad\u2014\u20141380\u00b0C\u00d711000mm<\/small><\/td><td><small>\ubb34\ub77c\uc624\uce74 \uc0ac\ubd80\ub85c&nbsp;<\/small><\/td><td><small>\uac00\uc2a4 \uc808\ub2e8\u20141380\u00b0C\u00d711000mm<\/small><\/td><td><small>1986<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAOKA, Saburo<\/small><\/td><td><small>Negative Table: Joint (Crater)<\/small><\/td><td><small>\u6751\u5188\u4e09\u90ce<\/small><\/td><td><small>\u8d1f\u7684\u684c\u5b50\u2212\u5173\u8282\uff08\u5751\uff09<\/small><\/td><td><small>\ubb34\ub77c\uc624\uce74 \uc0ac\ubd80\ub85c&nbsp;<\/small><\/td><td><small>\uc74c\uc758 \ud14c\uc774\ube14 \uad00\uc808(\ud06c\ub808\uc774\ud130)<\/small><\/td><td><small>1998<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAOKA, Saburo<\/small><\/td><td><small>Negative Corner<\/small><\/td><td><small>\u6751\u5188\u4e09\u90ce<\/small><\/td><td><small>\u8d1f\u7684\u89d2\u843d<\/small><\/td><td><small>\ubb34\ub77c\uc624\uce74 \uc0ac\ubd80\ub85c&nbsp;<\/small><\/td><td><small>\uc74c\uc758 \ucf54\ub108<\/small><\/td><td><small>1998<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORI, Bushiro<\/small><\/td><td><small>The Letter \/ to the Earth \/ He Left Behind I<\/small><\/td><td><small>\u6bdb\u5229\u6b66\u58eb\u90ce<\/small><\/td><td><small>\u4ed6\/\u7ed9\u5730\u7403\u7684\/\u7559\u4fe1 \u5176\u4e00<\/small><\/td><td><small>\ubaa8\ub9ac \ubd80\uc2dc\ub85c<\/small><\/td><td><small>\uadf8\uac00\/\uc9c0\uad6c\uc5d0 \ub0a8\uae30\ub294\/\ud3b8\uc9c0 \uadf8 \uccab \ubc88\uc9f8&nbsp;<\/small><\/td><td><small>1998<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Katsuro<\/small><\/td><td><small>Touch \u201cBody-47\u2033<\/small><\/td><td><small>\u5409\u7530\u514b\u6717<\/small><\/td><td><small>\u89e6\u201c\u4f53-47\u201d<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \uac00\uc4f0\ub85c<\/small><\/td><td><small>\ub2ff\ub2e4 \u201c\uc2e0\uccb4-47\u2033<\/small><\/td><td><small>1989<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Katsuro<\/small><\/td><td><small>Touch: \u201cOn the Table\u201d from Touch: \u201cOn the Table\u201d<\/small><\/td><td><small>\u5409\u7530\u514b\u6717<\/small><\/td><td><small>\u89e6\u201c\u684c\u4e0a\u201d\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u89e6\u201c\u684c\u4e0a\u201d\u300b<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \uac00\uc4f0\ub85c<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ub2ff\ub2e4 \u201c\ud14c\uc774\ube14 \uc704\uc5d0\uc11c\u201d\u300f \uc911\uc5d0\uc11c, \ub2ff\ub2e4 \u201c\ud14c\uc774\ube14 \uc704\uc5d0\uc11c\u201d<\/small><\/td><td><small>1995<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2020\/12\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Katsuro<\/small><\/td><td><small>Touch: \u201cOn the Table\u201d I from Touch: \u201cOn the Table\u201d<\/small><\/td><td><small>\u5409\u7530\u514b\u6717<\/small><\/td><td><small>\u89e6\u201c\u684c\u4e0a\u201d I\u3000\u51fa\u81ea\u7248\u753b\u96c6\u300a\u89e6\u201c\u684c\u4e0a\u201d\u300b<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \uac00\uc4f0\ub85c<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\ub2ff\ub2e4 \u201c\ud14c\uc774\ube14 \uc704\uc5d0\uc11c\u201d\u300f \uc911\uc5d0\uc11c,&nbsp; \ub2ff\ub2e4 \u201c\ud14c\uc774\ube14 \uc704\uc5d0\uc11c\u201d I<\/small><\/td><td><small>1994<\/small><\/td><td><small>2020\/12\/22<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAMIZAWA, Fumio<\/small><\/td><td><small>River on a Wall, or For the Left Hand That Is Considerate to the Right Hand<\/small><\/td><td><small>\u9ad8\u89c1\u6cfd\u6587\u96c4<\/small><\/td><td><small>\u5899\u4e0a\u7684\u6cb3\u6d41\uff0c\u6216\u8005\u4e3a\u4e86\u6302\u5ff5\u53f3\u624b\u7684\u5de6\u624b<\/small><\/td><td><small>\ub2e4\uce74\ubbf8\uc790\uc640 \ud6c4\ubbf8\uc624<\/small><\/td><td><small>\ubcbd \uc704\uc758 \uac15 \ud639\uc740 \uc624\ub978\uc190\uc744 \ubc30\ub824\ud558\ub294 \uc67c\uc190\uc744 \uc704\ud574&nbsp;<\/small><\/td><td><small>1991-92<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUCHITANI, Takeshi<\/small><\/td><td><small>Inner and Outer Air B-b<\/small><\/td><td><small>\u571f\u8c37\u6b66<\/small><\/td><td><small>\u5185\u6c14\u4e0e\u5916\u6c14 B-b<\/small><\/td><td><small>\uc4f0\uce58\ud0c0\ub2c8 \ub2e4\ucf00\uc2dc<\/small><\/td><td><small>\ub0b4\ubd80\uc758 \uacf5\uae30\uc640 \uc678\ubd80\uc758 \uacf5\uae30 B-b<\/small><\/td><td><small>1993<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>0088<\/small><\/td><td><small>Gerhard Richter<\/small><\/td><td><small>Abstract Picture (Red)<\/small><\/td><td><small>\u683c\u54c8\u5fb7\u00b7\u91cc\u5e0c\u7279<\/small><\/td><td><small>\u62bd\u8c61\u7ed8\u753b\uff08\u7ea2\uff09<\/small><\/td><td><small>\uac8c\ub974\ud558\ub974\ud2b8 \ub9ac\ud788\ud130<\/small><\/td><td><small>\ucd94\uc0c1 \ud68c\ud654(\ubd89\uc740\uc0c9)<\/small><\/td><td><small>1994<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gerhard Richter<\/small><\/td><td><small>Sils Maria<\/small><\/td><td><small>\u683c\u54c8\u5fb7\u00b7\u91cc\u5e0c\u7279<\/small><\/td><td><small>\u9521\u5c14\u65af\u739b\u5229\u4e9a<\/small><\/td><td><small>\uac8c\ub974\ud558\ub974\ud2b8 \ub9ac\ud788\ud130<\/small><\/td><td><small>\uc2e4\uc2a4 \ub9c8\ub9ac\uc544<\/small><\/td><td><small>2003<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>USAMI, Keiji<\/small><\/td><td><small>Dome, The Outside Opening in the Inside<\/small><\/td><td><small>\u5b87\u4f50\u7f8e\u572d\u53f8<\/small><\/td><td><small>\u534a\u7403\u5f62\uff0c\u5185\u5728\u7684\u5916<\/small><\/td><td><small>\uc6b0\uc0ac\ubbf8 \uac8c\uc774\uc9c0<\/small><\/td><td><small>\ub3d4: \uc548\uc73c\ub85c \uc5f4\ub9b0 \ubc16<\/small><\/td><td><small>1997<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MARUYAMA, Naofumi<\/small><\/td><td><small>Garden 1<\/small><\/td><td><small>\u4e38\u5c71\u76f4\u6587<\/small><\/td><td><small>Garden 1<\/small><\/td><td><small>\ub9c8\ub8e8\uc57c\ub9c8 \ub098\uc624\ud6c4\ubbf8<\/small><\/td><td><small>Garden 1<\/small><\/td><td><small>2003<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIKAWA, Yukie<\/small><\/td><td><small>Impermanence Seijyo<\/small><\/td><td><small>\u77f3\u5ddd\u987a\u60e0<\/small><\/td><td><small>Impermanence \u9752\u5973<\/small><\/td><td><small>\uc774\uc2dc\uce74\uc640 \uc720\ud0a4\uc5d0<\/small><\/td><td><small>Impermanence \uccad\ub140(\uc11c\ub9ac\uc758 \uc2e0)<\/small><\/td><td><small>2014<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKAZAKI, Kenjiro<\/small><\/td><td><small>TOPICA PICTUS<\/small><\/td><td><small>\u5188\u5d0e\u4e7e\u4e8c\u90ce<\/small><\/td><td><small>TOPICA PICTUS<\/small><\/td><td><small>\uc624\uce74\uc790\ud0a4 \uac90\uc9c0\ub85c&nbsp;<\/small><\/td><td><small>TOPICA PICTUS<\/small><\/td><td><small>2020<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Bruce Nauman<\/small><\/td><td><small>Bouncing in the Corner No.1<\/small><\/td><td><small>\u5e03\u9c81\u65af\u00b7\u7459\u66fc<\/small><\/td><td><small>\u89d2\u843d\u8df3\u8dc3No.1<\/small><\/td><td><small>\ube0c\ub8e8\uc2a4 \ub098\uc6b0\uba3c<\/small><\/td><td><small>\ucf54\ub108\uc5d0\uc11c \ud280\ub2e4 No.1<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>0090<\/small><\/td><td><small>Antony Gormley<\/small><\/td><td><small>Reflection<\/small><\/td><td><small>\u5b89\u4e1c\u5c3c\u00b7\u6208\u59c6\u96f7<\/small><\/td><td><small>\u53cd\u6620\/\u601d\u7d22<\/small><\/td><td><small>\uc548\ud1a0\ub2c8 \uacf0\ub9ac<\/small><\/td><td><small>\ubc18\uc601\/\uc0ac\uc0c9<\/small><\/td><td><small>2001<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>terrace<\/small><\/td><td><small>0084<\/small><\/td><td><small>Isamu Noguchi<\/small><\/td><td><small>Gate<\/small><\/td><td><small>\u91ce\u53e3\u52c7<\/small><\/td><td><small>\u95e8<\/small><\/td><td><small>\uc774\uc0ac\ubb34 \ub178\uad6c\uce58<\/small><\/td><td><small>\ubb38<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TADA, Minami<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>\u591a\u7530\u7f8e\u6ce2<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>\ub2e4\ub2e4 \ubbf8\ub098\ubbf8<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>1979<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Marino Marini<\/small><\/td><td><small>The Idea of an Image<\/small><\/td><td><small>\u9a6c\u91cc\u8bfa\u00b7\u9a6c\u91cc\u5c3c<\/small><\/td><td><small>\u67d0\u4e2a\u5f62\u8c61\u7684\u6784\u60f3<\/small><\/td><td><small>\ub9c8\ub9ac\ub178 \ub9c8\ub9ac\ub2c8<\/small><\/td><td><small>\uc5b4\ub5a4 \uc774\ubbf8\uc9c0\uc758 \uad6c\uc0c1<\/small><\/td><td><small>1969-70<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Kentaro<\/small><\/td><td><small>Seven Prayers<\/small><\/td><td><small>\u6728\u6751\u8d24\u592a\u90ce<\/small><\/td><td><small>\u4e03\u4e2a\u7948\u7977<\/small><\/td><td><small>\uae30\ubb34\ub77c \uac90\ud0c0\ub85c<\/small><\/td><td><small>\uc77c\uacf1 \uac1c\uc758 \uae30\uc6d0<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/11\/03<\/small><\/td><td><small>2021\/02\/23<\/small><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Important Cultural Properties on display<\/h2>\n\n\n\n<p>The National Museum of Modern Art, Tokyo Collection (main building) contains 15 items that have been designated by the Japanese government as Important Cultural Properties. These include nine&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style) paintings, five oil paintings, and one sculpture. (One of the&nbsp;<em>Nihon-ga<\/em>&nbsp;paintings and one of the oil paintings are on long-term loan to the museum.)<\/p>\n\n\n\n<p><strong>The following Important Cultural Properties are shown in this period:<\/strong><\/p>\n\n\n\n<ul>\n<li>Harada Naojiro,&nbsp;<em>Kannon Bodhisattva Riding the Dragon<\/em>, 1890, Long term loan (Gokokuji Temple Collection)<\/li>\n\n\n\n<li>Yorozu Tetsugoro,&nbsp;<em>Nude Beauty<\/em>, 1912<\/li>\n\n\n\n<li>Kishida Ryusei,&nbsp;<em>Road Cut through a Hill<\/em>, 1915<\/li>\n\n\n\n<li>Nakamura Tsune,&nbsp;<em>Portrait of&nbsp; Vasilii Yaroshenko<\/em>, 1920<\/li>\n\n\n\n<li>Wada Sanzo,&nbsp;<em>South Wind<\/em>, 1907 (on display at Gallery 4)<\/li>\n\n\n\n<li>Please visit the Important Cultural Property section&nbsp;<a href=\"https:\/\/www.momat.go.jp\/en\/masterpieces\">Masterpieces&nbsp;<\/a>for more information about the pieces.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div id=\"section1-2\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Sections<\/h2>\n\n\n\n<p><small>MOMAT Collection<\/small><small>&nbsp;<\/small>comprises twelve\uff08or thirteen\uff09rooms and two spaces for relaxation on three floors. In addition, sculptures are shown near the terrace on the second floor and in the front yard. The light blue areas in the cross section above make up&nbsp;<small>MOMAT Collection<\/small>. The space for relaxation \u201cA Room With a View\u201d is on the fourth floor.<\/p>\n\n\n\n<p>The entrance of the collection exhibition&nbsp;<em>MOMAT Collection<\/em>&nbsp;is on the fourth floor. Please take the elevator or walk up stairs to the fourth floor from the entrance hall on the first floor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4F (Fourth floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"382\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-1.jpg\" alt=\"\" class=\"wp-image-125299\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-1.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-1-200x75.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-1-768x287.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Room 1 Highlights&nbsp;<\/strong>* This section presents a consolidation of splendid works from the collection, with a focus on Master Pieces.<br><strong>Room 2\u2013 5 1900s\uff0d1940s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">A Room With A View<br>Reference Corner is currently out of service.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 1 <small><strong>Highlights<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"588\" height=\"380\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/TOPSlide_O00849_125dpi.jpeg\" alt=\"\" class=\"wp-image-6603\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/TOPSlide_O00849_125dpi.jpeg 588w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/TOPSlide_O00849_125dpi-200x129.jpeg 200w\" sizes=\"(max-width: 588px) 100vw, 588px\" \/><figcaption class=\"wp-element-caption\">Saeki Yuzo,&nbsp;<em>Gas Lamp and Advertisements<\/em>, 1927<\/figcaption><\/figure>\n\n\n\n<p>The MOMAT Collection exhibition, drawn from the museum\u2019s holdings, consists of over 200 works displayed over a 3,000-square meter area. The exhibition starts with the \u201cHighlights\u201d section, consisting of some of the collection\u2019s most essential works.<\/p>\n\n\n\n<p>In the&nbsp;<em>Nihon-ga<\/em>&nbsp;(modern Japanese-style painting) genre, during the first term of the exhibition (November 3 \u2013 December 20) Yamamoto Shunkyo\u2019s&nbsp;<em>Snow and Pine Trees&nbsp;<\/em>will be on view, and during the second term (December 22 \u2013 February 23) we present the hanging scroll&nbsp;<em>Divine Light of Love: Morning, Evening<\/em>&nbsp;by Kawabata Ryushi, who had transitioned from Western-style painting to&nbsp;<em>Nihon-ga<\/em>, as well as Kosugi Hoan(Misei)\u2019s folding screen and other works. Outside the display cases, some of the most important works in the MOMAT collection will be exhibited, including Harada Naojiro\u2019s&nbsp;<em>Kannon Bodhisattva Riding the Dragon<\/em>&nbsp;and Kishida Ryusei\u2019s&nbsp;<em>Road Cut through a Hill<\/em>&nbsp;(both Important Cultural Properties of Japan), Koga Harue\u2019s&nbsp;<em>Sea<\/em>, Henri Rousseau\u2019s&nbsp;<em>Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Soci\u00e9t\u00e9 des Artistes<\/em>, and Takamura Kotaro\u2019s&nbsp;<em>Hand<\/em>, as well as&nbsp;<em>Cats<\/em>&nbsp;by Fujita Tsuguharu, on which restoration work has recently been completed.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 2<small><strong> #MuseumBouquet<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"502\" height=\"400\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/626ae17c56d8783c2908e3ceacb15d46-1.jpg\" alt=\"\" class=\"wp-image-6214\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/626ae17c56d8783c2908e3ceacb15d46-1.jpg 502w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/626ae17c56d8783c2908e3ceacb15d46-1-200x159.jpg 200w\" sizes=\"(max-width: 502px) 100vw, 502px\" \/><figcaption class=\"wp-element-caption\">Paul C\u00e9zanne,&nbsp;<em>Grand Bouquet of Flowers<\/em>, c.1892-95<\/figcaption><\/figure>\n\n\n\n<p>This spring, when many museums were forced to close as a countermeasure against the spread of COVID-19, the hashtag #MuseumBouquet was spreading on social media. Many museums around the world selected images of flowers from their collections and uploaded them to content-sharing platforms, with the goal of bringing some small measure of hope and comfort to people stuck at home. At the time we were among the museums posting images, such as C\u00e9zanne\u2019s&nbsp;<em>Grand Bouquet of Flowers<\/em>. In this exhibit, we are pleased to present flower paintings from Japan, dating from the 1910s through the 1940s, along with the work of C\u00e9zanne.<\/p>\n\n\n\n<p>However, we are not simply trying to soothe viewers with flower paintings. As is widely known, C\u00e9zanne had an enormous influence on Japanese painters in the early 20th century, in terms of his approach to apprehending the natural world and his principles of composition. At the same time, Japan has a tradition of bird and flower painting going back to ancient times. Even when depicting the same subject (flowers), painters focus on a widely varying range of aspects. As you enjoy these paintings, please note the similarities and differences in their depictions.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 3 <small><strong><em>Art and Life<\/em><\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R3_O01072_125dpi.jpeg\" alt=\"\" class=\"wp-image-6611\" width=\"441\" height=\"629\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R3_O01072_125dpi.jpeg 588w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R3_O01072_125dpi-140x200.jpeg 140w\" sizes=\"(max-width: 441px) 100vw, 441px\" \/><figcaption class=\"wp-element-caption\">Sekine Shoji,&nbsp;<em>Three Stars<\/em>, 1919<\/figcaption><\/figure>\n\n\n\n<p>The sculptor and poet Takamura Kotaro wrote in a review of the 1913 Bunten (official exhibition sponsored by the Ministry of Education): \u201cI can look at a work, see whether it has \u2018life,\u2019 and by extension know directly whether the artist has&nbsp;<em>la vie&nbsp;<\/em>[French for \u2018life\u2019]. At the same time, when I see an artist and whether or not he has&nbsp;<em>la vie<\/em>, I can immediately imagine whether or not his work has value.\u201d When Takamura speaks of a work having \u201clife,\u201d he does not mean that the rendered or sculpted object looks alive, but rather that some invisible aspect of the artist\u2019s inner life is expressed.<\/p>\n\n\n\n<p>Art movements in the Taisho Era (1912-1926) revolved around the expression of \u201clife.\u201d Examples include the work of Yorozu Tetsugoro, which seemingly states that the artist\u2019s touch connects directly to life\u2019s essence, and that of Sekine Shoji, which expresses powerful emotion even at the cost of leaving the work looking unfinished. Meanwhile, Kishida Ryusei said that when precise, detailed rendering produced realistic beauty, it was because the painter\u2019s \u201cinner beauty\u201d was aligned with the tangible phenomena of nature.<\/p>\n\n\n\n<p>During these years when \u201clife\u201d was central to art, in real life artists were afflicted with all manner of illnesses. All of the works presented in this room are by artists who died younger than we might imagine.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 4 <small><strong>Sunny Homes<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"463\" height=\"588\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/5827c711604b38f8c03e0f4cba1cdedd-e1601968491600.jpeg\" alt=\"\" class=\"wp-image-6621\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/5827c711604b38f8c03e0f4cba1cdedd-e1601968491600.jpeg 463w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/5827c711604b38f8c03e0f4cba1cdedd-e1601968491600-157x200.jpeg 157w\" sizes=\"(max-width: 463px) 100vw, 463px\" \/><figcaption class=\"wp-element-caption\">Makino Torao,&nbsp;<em>Sunny Room<\/em>, 1931<\/figcaption><\/figure>\n\n\n\n<p>Throughout the modern era, tuberculosis was the most common life-threatening disease. The only effective treatment was nourishment, rest, sunlight, and fresh air to breathe. For this reason, sanatoriums for recuperating patients needed to enable them to sunbathe and be exposed to outdoor air. It has been pointed out that Le Corbusier (1887-1965) and Alvar Aalto (1898-1976), who later became titans of modernist architecture, drew on their experience designing sanatoriums to create a new architectural vocabulary with elements such as flat roofs, balconies, and large windows.<\/p>\n\n\n\n<p>In Japan, houses with large windows blending Japanese and Western architectural styles become popular among middle- and upper-class families in the 1920s. This was in part a reflection the promotion of \u201csunny homes\u201d on a national scale, as a preventive measure against various diseases including tuberculosis. Works such as Makino Torao\u2019s&nbsp;<em>Sunny Room<\/em>&nbsp;and Kobayashi Tokusaburo\u2019s&nbsp;<em>Reading<\/em>&nbsp;convey the new lifestyles of those times. In this room, we present artworks and historical materials related to the theme of \u201csunny homes.\u201d&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 5 <small><strong>Art and the State: The Federal Art Project<\/strong><\/small><\/h4>\n\n\n\n<p>In the 1930s, United States President Franklin D. Roosevelt enacted a group of programs known as the New Deal, aimed at rebuilding the nation\u2019s economy after the onset of the Great Depression in 1929. Part of it was the Works Progress Administration (WPA), which implemented Federal Project Number One to support people in creative fields, in part through the Federal Art Project (1935-43) for visual artists. The WPA commissioned murals and sculptures in public buildings such as train stations, government offices, and libraries, and launched an art education program and art survey and documentation program, hiring many artists for important positions. Leading figures in postwar art such as Jackson Pollock and Willem de Kooning (November 3 \u2013 December 20), as well as Japanese artists working and exhibiting in the US such as Kuniyoshi Yasuo and Ishigaki Eitaro, participated in the program, which not only enabled artists to continue their careers but also resulted in many precious documents of American life and culture at the time.<\/p>\n\n\n\n<p>In this room, we are pleased to present art that grew out of the Federal Art Project of the 1930s, which offers opportunities to consider the nature of relationships between art (artists) and the state.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">3F (Third floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"364\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-1.jpg\" alt=\"\" class=\"wp-image-125304\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-1.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-1-200x71.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-1-768x273.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Room 6-8 1940s-1960s<br>\u3000From the Beginning to the Middle of the Showa Period<br>Room 9 Photography and Video<br>Room 10&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style Painting)<\/strong><\/p>\n\n\n\n<p>Room to Consider the Building<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 6 <small><strong>Art and the State: War<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"588\" height=\"736\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R6_X00072_125dpi.jpeg\" alt=\"\" class=\"wp-image-6638\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R6_X00072_125dpi.jpeg 588w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R6_X00072_125dpi-160x200.jpeg 160w\" sizes=\"(max-width: 588px) 100vw, 588px\" \/><figcaption class=\"wp-element-caption\">Shimizu Toshi,&nbsp;<em>Engineering Corps Constructing a Bridge in Malaya<\/em>, c.1944<\/figcaption><\/figure>\n\n\n\n<p>The Sino-Japanese War began in 1937. The National Mobilization Law was enacted the following year, forcing Japanese citizens to cooperate with the war effort. Artists were no exception. Many were sent to the front and made pictures documenting the war. There was also a crackdown on free and avant-garde expression, and the national government imposed increasingly draconian controls, leading exhibitions to be banned and art groups dissolved.<\/p>\n\n\n\n<p>Federal Project Number One, implemented by the American WPA (Works Progress Administration), introduced in the previous room, was certainly a federal economic initiative to support artists, but the murals, public sculptures, and photographs produced through the program were also a testimony to the success of the New Deal and in a way played the role of national propaganda.<\/p>\n\n\n\n<p>Whether in Japan or the United States, it is valid to say that the relationship between art and the state is not monolithic, and perhaps there is always an inherent danger of \u201csupport\u201d for the arts metamorphosing into \u201ccontrol.\u201d<\/p>\n\n\n\n<p>In this room, we present artists\u2019 works produced during World War II and those produced before (or after) this time. We invite you to view the effects war had on artists, and consider in greater depth the nature of relationships between art and the state.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 7 <small><strong>Wounds Healing<\/strong><\/small><\/h4>\n\n\n\n<p><br>In this room, during the previous term we presented images of people that conveyed prevailing feelings of unease and anxiety when memories of World War II were still fresh, under the title \u201cRestless Bodies.\u201d By contrast, the current exhibit focuses on works that communicate a sense of hope, the will to move forward even while faced with adversity due to the war and societal changes.<\/p>\n\n\n\n<p>From 1945 to 1952, Japan was occupied by the Allied Powers, and among the restrictions imposed were those applying to creative activities. Half of the works on display in this room were produced during this period. Nothing here directly conveys a critical message, but the works are imbued with a sense of artists\u2019 drive to move forward, expressed in various ways.<\/p>\n\n\n\n<p>In terms of art from after the Occupation, we present works by artists such as Nambata Tatsuoki and Ei-Kyu that evoke anticipation of new beginnings. Another highlight is Yanagihara Yoshitatsu\u2019s statue of a woman standing determinedly with her fist firmly clenched.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 8 <small><strong>Distance<\/strong><\/small><\/h4>\n\n\n\n<p>Currently, we are strongly advised to maintain distance from others to halt the spread of the coronavirus. \u201cSocial distancing\u201d means staying about far enough apart that we cannot touch one another even if we reach out our arms. We have become more aware than ever before of spaces between us and alienation from society, which is exacerbated by advisories to \u201cStay Home.\u201d<\/p>\n\n\n\n<p>In this room, we present works produced in the 1960s and 70s with the theme of \u201cdistance.\u201d In an era when society was evolving at a rapid pace, with lifestyles changing drastically due to rapid economic growth, conflict over the 1960 US-Japan Security Treaty, student protests, and the spectacle of Expo \u201970 Osaka, artists sought through their work to gauge \u201cdistance\u201d from the world and others.<\/p>\n\n\n\n<p>When we form relationships with people and things around us, some distance is a prerequisite\u2013\u2013otherwise \u201cI\u201d will become \u201cyou.\u201d It is only possible for \u201cme\u201d to be myself when there is a degree of separation from society and others. Vito Acconci\u2019s work creates, through the action of pointing, an inescapable relationship between the artist and the viewer in front of the screen, and at the same time reminds us that there remains a gap there that can never be bridged.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 9 <small><strong>Suzuki Kiyoshi,&nbsp;<em>Soul and Soul<\/em><\/strong><\/small><\/h4>\n\n\n\n<p>Suzuki Kiyoshi is known for a series of unique photo books.&nbsp;<em>Soul and Soul<\/em>, self-published by Suzuki in 1972, was the first of eight photo books, which he also structured and designed himself. Raised in a coal-mining town in Fukushima Prefecture, Suzuki developed an interest in photography after coming across Domon Ken\u2019s&nbsp;<em>The Children of Chikuho<\/em>, a photo book dealing with coal mining in Chikuho, Fukuoka Prefecture. While attending a photography school, Suzuki began taking pictures of the Joban Coal Mine in his hometown. This debut work, which was serialized in a photography magazine as part of a series on coal mining, later formed the first half of&nbsp;<em>Soul and Soul<\/em>.<\/p>\n\n\n\n<p>In light of this background, Suzuki\u2019s photo book might be seen as having an autobiographical quality. Moreover, his utterly personal approach to the social theme of coal mining is consistent with the&nbsp;<em>kompora<\/em>&nbsp;(short for \u201ccontemporary\u201d) trend that was championed by young photographers of the era.<\/p>\n\n\n\n<p>The most notable point, however, is the multilayered world expressed in the work, which is interwoven out of a chain of images. This aspect reflects the young photographer\u2019s ambitious attempt to explore the potential of the photo-book medium.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 10 (First half: November 3\u2013December 20) <small><strong>Depicting History<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"588\" height=\"859\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R10_01_J00696_125dpi.jpeg\" alt=\"\" class=\"wp-image-6650\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R10_01_J00696_125dpi.jpeg 588w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R10_01_J00696_125dpi-137x200.jpeg 137w\" sizes=\"(max-width: 588px) 100vw, 588px\" \/><figcaption class=\"wp-element-caption\">Kawai Gyokudo,&nbsp;<em>Taira Shigemori, Komatsu-no-naifu<\/em>, 1899<\/figcaption><\/figure>\n\n\n\n<p>Many&nbsp;<em>Nihon-ga<\/em>&nbsp;(modern Japanese-style) paintings depict figures and scenes from the mythology and history of Japan and East Asia. Because such works served to make people aware of the nation\u2019s history or to convey various teachings, they were particularly prevalent during the Meiji Era (1868-1912) and the early years of the Showa Era (1926-1945) when Japan was approaching the brink of war.<\/p>\n\n\n\n<p>Of course, to depict myth and history requires knowledge of the customs of the past. For this reason Yasuda Yukihiko\u2019s bookshelf was full of archaeological materials, and Kikkawa Reika and Matsuoka Eikyu actually put on historical costumes and armor, which they then sketched or photographed. Their enthusiasm for studying past customs certainly seems to have far exceeded the call of national duty or reverence for their country.<\/p>\n\n\n\n<p>Here we present&nbsp;<em>Nihon-ga<\/em>&nbsp;works related to myth and history. We hope you will enjoy these varied perspectives on history, starting with works from the Meiji Era and ranging from the work of Kataoka Tamako, who was interested in the physiognomy of people of old times, to that of Hirayama Ikuo, who focused on regions with deeply layered history and rendered them in a fantastical style.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 10 (Second half: December 22, 2020\u2013February 23, 2021) <small><strong>Waiting for Spring<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R10_02_J00438_125dpi-533x1024-1.jpeg\" alt=\"\" class=\"wp-image-6665\" width=\"400\" height=\"768\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R10_02_J00438_125dpi-533x1024-1.jpeg 533w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/R10_02_J00438_125dpi-533x1024-1-104x200.jpeg 104w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Kobayashi Kokei,&nbsp;<em>Elysian Well<\/em>, 1912<\/figcaption><\/figure>\n\n\n\n<p>In this room we present a selection of works that convey the seasons progressing from&nbsp;winter to early spring.<\/p>\n\n\n\n<p>Yokoyama&nbsp;Taikan, one of Japan\u2019s most widely known&nbsp;<em>Nihon-ga<\/em>&nbsp;(modern Japanese-style painting) painters, said in 1931: \u201cThe subjects of all works of art are the natural world and human life, and there is nothing to depict besides these things\u2013\u2013the seasons, natural phenomena, human emotions. This is a truth that will never change.\u201d The seasonal patterns of kimono in paintings of people, and the flowers, trees, or seasonal events in landscapes and genre paintings, give us a sense of the season. In this sense,&nbsp;Taikan&nbsp;perhaps spoke for all&nbsp;<em>Nihon-ga<\/em>&nbsp;painters with this statement.<\/p>\n\n\n\n<p>However, it is important to note that many works of modern art, not included in this exhibit, do not fit this definition.&nbsp;Taikan&nbsp;himself dealt with various unconventional&nbsp;<em>Nihon-ga<\/em>&nbsp;subjects in his younger days, and after World War II young painters abandoned traditional values and broadened the scope of&nbsp;<em>Nihon-ga<\/em>.&nbsp;The seasons are not necessarily a constant presence in&nbsp;<em>Nihon-ga<\/em>, and these works can be viewed in a different light if we consider that their subject matter reflects individual choices or the prevailing expectations of their era.&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2F (Second floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"390\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-2.jpg\" alt=\"\" class=\"wp-image-125309\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-2.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-2-200x76.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-2-768x293.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Room 11-12 1970s-2010s<br>\u3000From the End of the Showa Period to the Present<\/strong><\/p>\n\n\n\n<p><strong>Gallery 4<\/strong><\/p>\n\n\n\n<p>* A space of about 250 square meters. This gallery offers cutting-edge thematic exhibitions from the Museum Collection, and special exhibitions featuring photographs or design.<\/p>\n\n\n\n<p><em><strong><a href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/malesculpture2020\">Male Sculpture<\/a>\u3000<\/strong><\/em>(November 25, 2020-February 23, 2021)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 11 <small><strong>Now Is the Time for Small Art<\/strong><\/small><\/h4>\n\n\n\n<p>When we were being told to \u201cStay Home\u201d to curb the spread of the pandemic, many of us decided it would be a good time to make something. Museums tend to exhibit large-scale works that would be hard to produce in a typical house, but for this section of the collection exhibition, we have deliberately brought together small-scale works from the 1970s and later. Of course, artists do not make only large pieces, and it is not true that larger is simply better. A large work requires a particular sort of compositional sense, but that does not mean small works are any easier to create. When art is to be shown in a spacious venue, like a museum, it may actually be more difficult to make small works that manage to hold their own in a large space. One might describe an art museum\u2019s role as exhibiting what can only be seen&nbsp;<em>here<\/em>, in a museum. Moving forward, however, museums may need to more actively present small but superb works, which can give a direct idea of how the creative process plays out at home.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 12 <small><strong>On Contemporaneity and Time Lag: Art From the 1980s to Today<\/strong><\/small><\/h4>\n\n\n\n<p>The works in this room were selected based on several themes loosely connected to the present situation. From our current vantage point in the midst of this situation, we are unable to step back and see the challenges we face from a distance. As a result, viewers may feel there is something arbitrary or ambiguous in the selection of themes and works.<\/p>\n\n\n\n<p>Getting distance from things leads to seeing the big picture, viewing things objectively and in historical context. It has been said that for museums to select works, conserve them, and pass them on to posterity, this distance is a crucial factor. Unfortunately, this inevitably results in a time lag. It will be a little while before we are able to add to our collection (and show in collection exhibitions) various works of art created in 2020 in reaction to the present situation (the challenges we currently face are severe, potentially affecting our future possibilities and museums\u2019 very reasons for being.)<\/p>\n\n\n\n<p>At the same time, we must not overlook the actuality of artists who are highly sensitively attuned to the world and continue producing art even now. In the current exhibition, we are pleased to present the latest work by Okazaki Kenjiro, one of our leading contemporary artists, who has been staying in his studio and working intensively since March 2020.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section1-4\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Exhibition<\/h2>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery, from the fourth to second floors<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>November 3, 2020\u2013February 23, 2021<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00 \u2013 17:00<br>*Last admission is 30 minutes before closing.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Closed on Mondays (except November 23 and January 11, 2021), November 24, December 28, 2020-January 1, 2021 and January 12, 2021<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Ticket<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p><strong>Advance ticket is recommended to avoid lines forming at the entrance.<\/strong><br>Online purchase:&nbsp;<a href=\"https:\/\/www.tiqets.com\/en\/the-national-museum-of-modern-art-tokyo-tickets-l147840\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u3010Tiqets\u3011<\/a><a href=\"https:\/\/www.e-tix.jp\/momat\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u3010e-tix\u3011<\/a><br>Tickets can be purchased on site at the ticket counters, subject to their availability.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults \u00a5500 (400)<br>College and university students \u00a5250 (200)<br>*The price in brackets is for the group of 20 persons or more. All prices include tax.<br>Free for high school students, under 18, seniors (65 and over), Campus Members, MOMAT passport holder.<br>*Show your Membership Card of the MOMAT Supporters or the MOMAT Members to get free admission (a MOMAT Members Card admits two persons free).<br>*Persons with disability and one person accompanying them are admitted free of charge.<br>*Members of the MOMAT Corporate Partners are admitted free with their staff ID.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Discounts<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Evening Discount (From 17:00 on Fridays and Saturdays)<br>Adults \u00a5300<br>College and university students \u00a5150<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organized by<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n<\/div><\/div>\n","protected":false},"featured_media":6624,"template":"","exhibition_type":[255],"exhibition_year":[307],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2020-2 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/r1-2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2020-2 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"Special feature: What Is Like the Present? The collection exhibition from November 3, 2020\u2013February 23, 2021 This edition of the MOMAT Collection centers on a special feature titled \u201cWhat Is Like the Present?\u201d, which unfolds over nine rooms. To consider \u201cthe present,\u201d an era defined by the maelstrom of the coronavirus crisis, we have chosen a riddle-like approach with nine solutions in order to consider a century of art history from a variety of perspectives. A riddle consists of a solution followed by a punch line. 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