{"id":125384,"date":"2020-06-16T09:37:30","date_gmt":"2020-06-16T00:37:30","guid":{"rendered":"https:\/\/www.momat.go.jp\/exhibitions\/r1-1"},"modified":"2023-06-14T13:53:49","modified_gmt":"2023-06-14T04:53:49","slug":"r1-1","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/r1-1","title":{"rendered":"2020-1 MOMAT Collection"},"content":{"rendered":"    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_ee26a11f43eed8dd8c0f14add19266a4\"\n                aria-controls=\"nav-block_ee26a11f43eed8dd8c0f14add19266a4\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_ee26a11f43eed8dd8c0f14add19266a4\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section1-1\"\n                       title=\"Scroll to Highlights\"\n                       class=\"momat-anchors__link\">\n                        Highlights                    <\/a>\n                                    <a href=\"#section1-2\"\n                       title=\"Scroll to About the Sections\"\n                       class=\"momat-anchors__link\">\n                        About the Sections                    <\/a>\n                                    <a href=\"#section1-5\"\n                       title=\"Scroll to About the Exhibition\"\n                       class=\"momat-anchors__link\">\n                        About the Exhibition                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div id=\"section1-1\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">The collection exhibition from June 16\u2013October 25, 2020<\/h2>\n\n\n\n<p>Welcome to the MOMAT Collection! We originally planned to hold a special exhibition in conjunction with the Olympic and Paralympic Games, but both have been postponed until next year. Instead, we will once more present exhibits that could scarcely be viewed this spring due to countermeasures against the COVID-19 pandemic, with some of the works replaced by others.<\/p>\n\n\n\n<p>In Room 1 on the fourth floor is an area focusing on the relocation to Kanazawa, Ishikawa Prefecture of the Crafts Gallery, which until this spring served as an exhibition facility for decorative arts in Tokyo, along with various craft works. Also, Room 9 and the first half of Room 10 on the third floor features a special exhibit on the Bauhaus. This German school of fine and applied arts, which enormously influenced the development of modern design, marked the centenary of its opening last year.<\/p>\n\n\n\n<p>Room 4 on the fourth floor has a special exhibit on Ohara Koson (Shoson), known for bird-and-flower woodcuts produced in the early years of the Showa Era (i.e. the late 1920s and early 1930s), while Gallery 4 on the second floor features a small-scale exhibit on the avant-garde painter Kitawaki Noboru, active in Kyoto in the 1930s and 1940s. We invite you to enjoy all these special exhibits at your leisure.<\/p>\n\n\n\n<p class=\"has-text-align-right\">translated by Christopher Stephens<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><small>List of Works<\/small><\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><th><small>room<\/small><\/th><th><small>audio guide (En)<\/small><\/th><th><small>artist<\/small><\/th><th><small>title<\/small><\/th><th><small>\u7f8e\u672f\u5bb6<\/small><\/th><th><small>\u6807\u9898<\/small><\/th><th><small>\uc791\uac00\uc758&nbsp;<\/small><\/th><th><small>\ud45c\uc81c<\/small><\/th><th><small>date<\/small><\/th><th><small>on view from<\/small><\/th><th><small>on view to<\/small><\/th><\/tr><tr><td><small>4F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UEDA, Shoji<\/small><\/td><td><small>Kako\u2019s and Mimi\u2019s World<\/small><\/td><td><small>\u690d\u7530\u6b63\u6cbb<\/small><\/td><td><small>\u548c\u5b50\u548c\u5145\u7684\u4e16\u754c<\/small><\/td><td><small>\uc6b0\uc5d0\ub2e4 \uc1fc\uc9c0<\/small><\/td><td><small>\uac00\ucf54\uc640 \ubbf8\ubbf8\uc758 \uc138\uacc4<\/small><\/td><td><small>1949<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UEDA, Shoji<\/small><\/td><td><small>Ken Domon and Ryosuke Ishizu<\/small><\/td><td><small>\u690d\u7530\u6b63\u6cbb<\/small><\/td><td><small>\u571f\u95e8\u62f3\u548c\u77f3\u6d25\u826f\u4ecb<\/small><\/td><td><small>\uc6b0\uc5d0\ub2e4 \uc1fc\uc9c0<\/small><\/td><td><small>\ub3c4\ubaac \uac90\uacfc \uc774\uc2dc\uc988 \ub8cc\uc2a4\ucf00<\/small><\/td><td><small>1949<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HISHIDA, Shunso<\/small><\/td><td><small>Sparrows on Plum Blossoms<\/small><\/td><td><small>\u83f1\u7530\u6625\u8349<\/small><\/td><td><small>\u6885\u4e0e\u96c0<\/small><\/td><td><small>\ud788\uc2dc\ub2e4 \uc28c\uc18c<\/small><\/td><td><small>\ub9e4\ud654\ub098\ubb34\uc640 \ucc38\uc0c8<\/small><\/td><td><small>1911<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/06\/21<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YUKI, Somei<\/small><\/td><td><small>Bird Twittering<\/small><\/td><td><small>\u7ed3\u57ce\u7d20\u660e<\/small><\/td><td><small>\u556d<\/small><\/td><td><small>\uc720\ud0a4 \uc18c\uba54\uc774<\/small><\/td><td><small>\uc0c8\uc18c\ub9ac<\/small><\/td><td><small>1911<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/06\/21<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKKAWA, Reika<\/small><\/td><td><small>Virgin at Mt. Hakoya<\/small><\/td><td><small>\u5409\u5ddd\u7075\u534e<\/small><\/td><td><small>\u85d0\u59d1\u5c04\u4e4b\u5904\u5b50<\/small><\/td><td><small>\uae43\uce74\uc640 \ub808\uc774\uce74<\/small><\/td><td><small>\ub9c9\uace0\uc57c\uc0b0\uc758 \ucc98\ub140<\/small><\/td><td><small>1918<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/06\/21<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOMITA, Keisen<\/small><\/td><td><small>Paper Making<\/small><\/td><td><small>\u5bcc\u7530\u6eaa\u4ed9<\/small><\/td><td><small>\u6284\u7eb8<\/small><\/td><td><small>\ub3c4\ubbf8\ud0c0 \uac8c\uc774\uc13c<\/small><\/td><td><small>\uc885\uc774 \ub728\uae30<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/06\/21<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0057<\/small><\/td><td><small>OGURA, Yuki<\/small><\/td><td><small>Bathing Women<\/small><\/td><td><small>\u5c0f\u4ed3\u6e38\u9f9f<\/small><\/td><td><small>\u6d74\u5973 \u5176\u4e00<\/small><\/td><td><small>\uc624\uad6c\ub77c \uc720\ud0a4<\/small><\/td><td><small>\ubaa9\uc695\ud558\ub294 \uc5ec\uc778 \uadf8 \uccab \ubc88\uc9f8<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/06\/21<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOMIMOTO, Kenkichi<\/small><\/td><td><small>Ornamental octagonal box, four-petal flower pattern, overglaze enamels, gold and silver<\/small><\/td><td><small>\u5bcc\u672c\u5baa\u5409<\/small><\/td><td><small>\u8272\u7ed8\u91d1\u94f6\u5f69\u56db\u74e3\u82b1\u7eb9\u516b\u89d2\u76d2<\/small><\/td><td><small>\ub3c4\ubbf8\ubaa8\ud1a0 \uac90\ud0a4\uce58<\/small><\/td><td><small>\ub2e4\ucc44\uc0c9 \uae08\uc740\ucc44 \ub124\uc78e\uaf43\ubb34\ub2ac \ud314\uac01 \uc7a5\uc2dd\ud568&nbsp;<\/small><\/td><td><small>1955<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Hans Coper&nbsp;<\/small><\/td><td><small>Spade Form<\/small><\/td><td><small>\u6c49\u65af\u00b7\u5e93\u4f2f<\/small><\/td><td><small>\u9ed1\u6843\u5f62\u72b6<\/small><\/td><td><small>\ud55c\uc2a4 \ucf54\ud37c<\/small><\/td><td><small>\uc2a4\ud398\uc774\ub4dc \ud3fc<\/small><\/td><td><small>c.1970<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORINO, Hiroaki<\/small><\/td><td><small>Sea Cobalt<\/small><\/td><td><small>\u68ee\u91ce\u6cf0\u660e<\/small><\/td><td><small>\u6d77\u78a7<\/small><\/td><td><small>\ubaa8\ub9ac\ub178 \ud788\ub85c\uc544\ud0a4<\/small><\/td><td><small>\ubc14\ub2e4\uc640 \uac19\uc740 \ud478\ub978\ube5b<\/small><\/td><td><small>1972<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUKAMI, Sueharu<\/small><\/td><td><small>Porcelain cylinder, Shin<\/small><\/td><td><small>\u6df1\u89c1\u9676\u6cbb<\/small><\/td><td><small>\u201c\u6668\u201d\u94ed\u9676\u7b52<\/small><\/td><td><small>\ud6c4\uce74\ubbf8 \uc2a4\uc5d0\ud558\ub8e8<\/small><\/td><td><small>\uc6d0\ud1b5\ud615 \ub3c4\uc790\uae30 \u201c\uc2e0\u201d<\/small><\/td><td><small>1991<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>INAGAKI, Toshijiro<\/small><\/td><td><small>Kimono, Wind, stencil dyeing on tsumugi silk<\/small><\/td><td><small>\u7a3b\u57a3\u7a14\u6b21\u90ce<\/small><\/td><td><small>\u201c\u98ce\u201d\u94ed\u7eb8\u578b\u5370\u67d3\u4fe1\u5dde\u7ef8\u548c\u670d<\/small><\/td><td><small>\uc774\ub098\uac00\ud0a4 \ub3c4\uc2dc\uc9c0\ub85c<\/small><\/td><td><small>\uc2e0\uc288\uba85\uc8fc \ubc14\ud0d5 \ud615\uc9c0\uc5fc\uc0c9 \uae30\ubaa8\ub178 \u201c\ubc14\ub78c\u201d<\/small><\/td><td><small>1953<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISA, Toshihiko<\/small><\/td><td><small>Le vent dans la plaine, Images from Claude Debussy\u2019s Preludes I<\/small><\/td><td><small>\u4f0a\u7802\u5229\u5f66<\/small><\/td><td><small>\u6765\u81ea\u5fb7\u5f6a\u897f\u4f5c\u54c1\u300a\u524d\u594f\u66f2\u2160\u300b \u7684\u610f\u8c61 \u5e73\u539f\u4e4b\u98ce<\/small><\/td><td><small>\uc774\uc0ac \ub3c4\uc2dc\ud788\ucf54<\/small><\/td><td><small>\ub4dc\ubdd4\uc2dc \uc791\uace1 \u300a\uc804\uc8fc\uace1 I\u300b\uc758 \uc774\ubbf8\uc9c0\ub85c\ubd80\ud130: \ub4e4\uc744 \uc2a4\uce58\ub294 \ubc14\ub78c<\/small><\/td><td><small>1984-86<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISA, Toshihiko<\/small><\/td><td><small>Voiles, Images from Claude Debussy\u2019s Preludes I<\/small><\/td><td><small>\u4f0a\u7802\u5229\u5f66<\/small><\/td><td><small>\u6765\u81ea\u5fb7\u5f6a\u897f\u4f5c\u54c1\u300a\u524d\u594f\u66f2\u2160\u300b \u7684\u610f\u8c61 \u5e06<\/small><\/td><td><small>\uc774\uc0ac \ub3c4\uc2dc\ud788\ucf54<\/small><\/td><td><small>\ub4dc\ubdd4\uc2dc \uc791\uace1 \u300a\uc804\uc8fc\uace1 I\u300b\uc758 \uc774\ubbf8\uc9c0\ub85c\ubd80\ud130: \ub3db<\/small><\/td><td><small>1984-86<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOGA, Fumi<\/small><\/td><td><small>Sash, Hateruma Island, Saga-nishiki type weave<\/small><\/td><td><small>\u53e4\u8d3a\u6587<\/small><\/td><td><small>\u4f50\u8d3a\u9526\u677e\u76ae\u83f1\u7eb9\u5e26 \u6ce2\u7167\u95f4<\/small><\/td><td><small>\uace0\uac00 \ud6c4\ubbf8<\/small><\/td><td><small>\uc0ac\uac00 \ube44\ub2e8 \uc18c\ub098\ubb34 \uaecd\uc9c8\uc744 \ub2ee\uc740 \ub9c8\ub984\ubaa8\ubb34\ub2ac \ud5c8\ub9ac\ub760 \u201c\ud558\ud14c\ub8e8\ub9c8 \uc12c\u201d<\/small><\/td><td><small>1989<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUDA, Gonroku<\/small><\/td><td><small>Box, design of chrysanthemum and stream, maki-e<\/small><\/td><td><small>\u677e\u7530\u6743\u516d<\/small><\/td><td><small>\u83ca\u6c34\u7eb9\u76d2\u5b50<\/small><\/td><td><small>\ub9c8\uc4f0\ub2e4 \uace4\ub85c\ucfe0<\/small><\/td><td><small>\uad6d\ud654\uc640 \ubb3c\ubb34\ub2ac \uc7a5\uc2dd\ud568<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OBA, Shogyo<\/small><\/td><td><small>Ornamental box, Morning, hyomon and maki-e<\/small><\/td><td><small>\u5927\u573a\u677e\u9c7c<\/small><\/td><td><small>\u5e73\u8131\u6f06\u76d2 \u6668<\/small><\/td><td><small>\uc624\ubc14 \uc1fc\uad50<\/small><\/td><td><small>\ud3c9\ubb38 \uc0c1\uc790 \u201c\uc544\uce68\u201d<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUDA, Gonroku<\/small><\/td><td><small>Two-tier table, black pine and bird design, bachiru inlay and maki-e<\/small><\/td><td><small>\u677e\u7530\u6743\u516d<\/small><\/td><td><small>\u5c71\u96c0\u7eb9\u83b3\u7ed8\u69d9\u53cc\u5c42\u684c<\/small><\/td><td><small>\ub9c8\uc4f0\ub2e4 \uace4\ub85c\ucfe0<\/small><\/td><td><small>\ub9c8\ud0a4\uc5d0 \ub098\ud55c\uc1a1\uacfc \ubc15\uc0c8\ubb34\ub2ac 2\ub2e8 \ud0c1\uc790<\/small><\/td><td><small>1972<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHONO, Shounsai<\/small><\/td><td><small>Flower basket with handle, sozen type<\/small><\/td><td><small>\u751f\u91ce\u7965\u4e91\u658b<\/small><\/td><td><small>\u767d\u7af9\u5236\u5b97\u5168\u67c4\u82b1\u7bee<\/small><\/td><td><small>\uc1fc\ub178 \uc1fc\uc6b4\uc0ac\uc774<\/small><\/td><td><small>\ud770 \ub300\ub098\ubb34 \uc190\uc7a1\uc774 \uaf43\ubc14\uad6c\ub2c8<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURA, Morihito<\/small><\/td><td><small>Incense container, Crab<\/small><\/td><td><small>\u6842\u76db\u4ec1<\/small><\/td><td><small>\u76d2\u5b50&nbsp; \u87f9<\/small><\/td><td><small>\uac00\uc4f0\ub77c \ubaa8\ub9ac\ud788\ud1a0<\/small><\/td><td><small>\ud569\uc790 \u201c\uac8c\u201d<\/small><\/td><td><small>1980<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UGAJIN, Yonezo<\/small><\/td><td><small>Ryokuei<\/small><\/td><td><small>\u5b87\u8d3a\u795e\u7c73\u85cf<\/small><\/td><td><small>\u7eff\u6620<\/small><\/td><td><small>\uc6b0\uac00\uc9c4 \uc694\ub124\uc870<\/small><\/td><td><small>\ud478\ub978\ube5b\uc774 \ube44\uce58\ub2e4<\/small><\/td><td><small>1980<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHII, Koji<\/small><\/td><td><small>Reef<\/small><\/td><td><small>\u77f3\u4e95\u5eb7\u6cbb<\/small><\/td><td><small>\u7901<\/small><\/td><td><small>\uc774\uc2dc\uc774 \uace0\uc9c0<\/small><\/td><td><small>\uc554\ucd08<\/small><\/td><td><small>1992<\/small><\/td><td><small>2020\/06\/23<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YANAGIHARA, Mutsuo<\/small><\/td><td><small>Vase, gold and silver designs on a dark blue ground<\/small><\/td><td><small>\u67f3\u539f \u7766\u592b<\/small><\/td><td><small>\u7ec0\u91c9\u91d1\u94f6\u5f69\u82b1\u74f6<\/small><\/td><td><small>\uc57c\ub098\uae30\ud558\ub77c \ubb34\uc4f0\uc624<\/small><\/td><td><small>\uac10\uc0c9 \uc720\uc57d \uae08\uc740\ucc44 \uaf43\ubcd1<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUMAKURA, Junkichi<\/small><\/td><td><small>Musical Thoughts<\/small><\/td><td><small>\u718a\u4ed3\u987a\u5409<\/small><\/td><td><small>\u4e50\u60f3<\/small><\/td><td><small>\uad6c\ub9c8\ucfe0\ub77c \uc900\ud0a4\uce58<\/small><\/td><td><small>\uc545\uc0c1<\/small><\/td><td><small>1980<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORI, Masahiro<\/small><\/td><td><small>Shell bowl<\/small><\/td><td><small>\u68ee\u6b63\u6d0b<\/small><\/td><td><small>\u8d1d\u58f3\u7897<\/small><\/td><td><small>\ubaa8\ub9ac \ub9c8\uc0ac\ud788\ub85c<\/small><\/td><td><small>\uc870\uac00\ube44\ubaa8\uc591 \uadf8\ub987<\/small><\/td><td><small>1982<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORI, Masahiro<\/small><\/td><td><small>Shell plate<\/small><\/td><td><small>\u68ee\u6b63\u6d0b<\/small><\/td><td><small>\u8d1d\u58f3\u76d8<\/small><\/td><td><small>\ubaa8\ub9ac \ub9c8\uc0ac\ud788\ub85c<\/small><\/td><td><small>\uc870\uac00\ube44\ubaa8\uc591 \uc811\uc2dc<\/small><\/td><td><small>1982<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MOTONO, Toichi<\/small><\/td><td><small>Composed Landscape A<\/small><\/td><td><small>\u672c\u91ce\u4e1c\u4e00<\/small><\/td><td><small>\u6784\u9020\u7684\u98ce\u666f A<\/small><\/td><td><small>\ubaa8\ud1a0\ub178 \ub3c4\uc774\uce58<\/small><\/td><td><small>\uad6c\uc870\uc758 \ud48d\uacbd A<\/small><\/td><td><small>1956<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MOTONO, Toichi<\/small><\/td><td><small>Composed Landscape B<\/small><\/td><td><small>\u672c\u91ce\u4e1c\u4e00<\/small><\/td><td><small>\u6784\u9020\u7684\u98ce\u666f B<\/small><\/td><td><small>\ubaa8\ud1a0\ub178 \ub3c4\uc774\uce58<\/small><\/td><td><small>\uad6c\uc870\uc758 \ud48d\uacbd B<\/small><\/td><td><small>1956<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUTA, Teruji<\/small><\/td><td><small>Kimono, pine tree design, stencil dyeing on crepe silk<\/small><\/td><td><small>\u94c3\u7530\u7167\u6b21<\/small><\/td><td><small>\u201c\u677e\u201d\u94ed\u7eb8\u578b\u5370\u67d3\u5355\u637b\u7ec9\u7ee2\u548c\u670d<\/small><\/td><td><small>\uc2a4\uc988\ud0c0 \ub370\ub8e8\uc9c0<\/small><\/td><td><small>\uc694\ucca0\uc774 \uc788\ub294 \uc9c0\ub9ac\uba58 \ubc14\ud0d5 \ud615\uc9c0\uc5fc\uc0c9 \uae30\ubaa8\ub178 \u201c\uc18c\ub098\ubb34\u201d<\/small><\/td><td><small>1962<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUDA, Gonroku<\/small><\/td><td><small>Lidded bowl, motif of Longevity, maki-e<\/small><\/td><td><small>\u677e\u7530\u6743\u516d<\/small><\/td><td><small>\u957f\u751f\u4e4b\u5668<\/small><\/td><td><small>\ub9c8\uc4f0\ub2e4 \uace4\ub85c\ucfe0<\/small><\/td><td><small>\uc7a5\uc218 \ubaa8\ud2f0\ud504 \uadf8\ub987&nbsp;<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUDA, Gonroku<\/small><\/td><td><small>Low table, cherry blossom and bird design, maki-e<\/small><\/td><td><small>\u677e\u7530\u6743\u516d<\/small><\/td><td><small>\u83b3\u7ed8\u6a31\u9e1f\u56fe\u8336\u51e0<\/small><\/td><td><small>\ub9c8\uc4f0\ub2e4 \uace4\ub85c\ucfe0<\/small><\/td><td><small>\ub9c8\ud0a4\uc5d0 \ubc9a\uaf43\uacfc \uc0c8\ubb34\ub2ac \ub0ae\uc740 \ud0c1\uc790<\/small><\/td><td><small>1956<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAGUCHI, Yoshikuni<\/small><\/td><td><small>Ornamental box, solar eclipse design, maki-e<\/small><\/td><td><small>\u7530\u53e3\u5584\u56fd<\/small><\/td><td><small>\u65e5\u98df\u83b3\u7ed8\u76d2<\/small><\/td><td><small>\ub2e4\uad6c\uce58 \uc694\uc2dc\ucfe0\ub2c8<\/small><\/td><td><small>\ub9c8\ud0a4\uc5d0 \uc77c\uc2dd\ubb34\ub2ac \uc7a5\uc2dd\ud568<\/small><\/td><td><small>1963<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIYAZAKI, Shutaro<\/small><\/td><td><small>A set of vases of round, triangular and square shapes, nejiri-ami (weave)<\/small><\/td><td><small>\u5bab\u5d0e\u73e0\u592a\u90ce<\/small><\/td><td><small>\u626d\u7f16\u82b1\u7bee \u5706\u00b7\u4e09\u89d2\u00b7\u56db\u89d2<\/small><\/td><td><small>\ubbf8\uc57c\uc790\ud0a4 \uc288\ud0c0\ub85c<\/small><\/td><td><small>\uaf2c\uc544 \uc5ee\uc5b4 \ub9cc\ub4e0 \uaf43\ubc14\uad6c\ub2c8: \uc6d0, \uc0bc\uac01, \uc0ac\uac01<\/small><\/td><td><small>1998<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OCHI, Kenzo<\/small><\/td><td><small>Black Vase<\/small><\/td><td><small>\u8d8a\u667a \u5065\u4e09<\/small><\/td><td><small>\u9ed1\u8272\u82b1\u5668<\/small><\/td><td><small>\uc624\uce58 \uac90\uc870<\/small><\/td><td><small>\uac80\uc740 \uaf43\ubcd1<\/small><\/td><td><small>1958<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJITA, Kyohei<\/small><\/td><td><small>Decorative casket, Longevity<\/small><\/td><td><small>\u85e4\u7530 \u4e54\u5e73<\/small><\/td><td><small>\u201c\u5929\u5bff\u201d\u94ed\u9970\u76d2<\/small><\/td><td><small>\ud6c4\uc9c0\ud0c0 \uad50\ud5e4\uc774<\/small><\/td><td><small>\uc7a5\uc2dd\ud568 \u201c\ucc9c\uc218\u201d<\/small><\/td><td><small>1984<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0001<\/small><\/td><td><small>HARADA, Naojiro<\/small><\/td><td><small>Kannon Bodhisattva Riding the Dragon<\/small><\/td><td><small>\u539f\u7530\u76f4\u6b21\u90ce<\/small><\/td><td><small>\u9a91\u9f99\u89c2\u97f3<\/small><\/td><td><small>\ud558\ub77c\ub2e4 \ub098\uc624\uc9c0\ub85c<\/small><\/td><td><small>\uae30\ub8e1\uad00\uc74c<\/small><\/td><td><small>1890<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul<\/small><br><small>C\u00e9zanne&nbsp;<\/small><\/td><td><small>Grand Bouquet of Flowers<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u585e\u5c1a<\/small><\/td><td><small>\u5927\u82b1\u675f<\/small><\/td><td><small>\ud3f4 \uc138\uc794<\/small><\/td><td><small>\ud070 \uaf43\ub2e4\ubc1c<\/small><\/td><td><small>c.1892-95<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Georges Braque<\/small><\/td><td><small>Female Torso<\/small><\/td><td><small>\u4e54\u6cbb\u00b7\u5e03\u62c9\u514b<\/small><\/td><td><small>\u5973\u6027\u80f4\u4f53<\/small><\/td><td><small>\uc870\ub974\uc8fc \ube0c\ub77c\ud06c<\/small><\/td><td><small>\uc5ec\uc778\uc758 \ud1a0\ub974\uc18c<\/small><\/td><td><small>1910-11<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0020<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Road Cut through a Hill<\/small><\/td><td><small>\u5cb8\u7530\u5218\u751f<\/small><\/td><td><small>\u9053\u8def\u3001\u571f\u5824\u548c\u56f4\u5899\uff08\u51ff\u5f00\u4e4b\u8def\u7684\u5199\u751f\uff09<\/small><\/td><td><small>\uae30\uc2dc\ub2e4 \ub958\uc138\uc774<\/small><\/td><td><small>\ub3c4\ub85c\uc640 \uc81c\ubc29\uacfc \ub2f4(\uc5b8\ub355\uae38 \uc0ac\uc0dd)<\/small><\/td><td><small>1915<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0022<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Leaning Woman<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u501a\u7acb\u8005<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\uae30\ub300\uc120 \uc0ac\ub78c<\/small><\/td><td><small>1917<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0040<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Sea<\/small><\/td><td><small>\u53e4\u8d3a\u6625\u6c5f<\/small><\/td><td><small>\u6d77<\/small><\/td><td><small>\uace0\uac00 \ud558\ub8e8\uc5d0<\/small><\/td><td><small>\ubc14\ub2e4<\/small><\/td><td><small>1929<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Georgia O\u2019Keeffe<\/small><\/td><td><small>Hollyhock White and Green with Pedernal<\/small><\/td><td><small>\u4e54\u6cbb\u4e9a\u00b7\u6b27\u59ec\u8299<\/small><\/td><td><small>\u8700\u8475\u7684\u767d\u548c\u7eff\uff0d\u4e0e\u76ae\u5fb7\u519c\u5c71\u5728\u4e00\u8d77<\/small><\/td><td><small>\uc870\uc9c0\uc544 \uc624\ud0a4\ud504<\/small><\/td><td><small>\uc811\uc2dc\uaf43\uc758 \ud770\uc0c9\uacfc \ub179\uc0c9, \ud398\ub354\ub110\uc0b0<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURA, Yuki (Yukiko)<\/small><\/td><td><small>Work<\/small><\/td><td><small>\u6842\u96ea\uff08\u96ea\u5b50\uff09<\/small><\/td><td><small>\u4f5c\u54c1<\/small><\/td><td><small>\uac00\uc4f0\ub77c \uc720\ud0a4(\uc720\ud0a4\ucf54)<\/small><\/td><td><small>\uc791\ud488<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MARUKI, Toshi&nbsp; (AKAMATSU, Toshiko)<\/small><\/td><td><small>Emancipation of Humanity<\/small><\/td><td><small>\u4e38\u6728\u4fca\uff08\u8d64\u677e\u4fca\u5b50\uff09<\/small><\/td><td><small>\u88ab\u89e3\u653e\u7684\u4eba\u6027<\/small><\/td><td><small>\ub9c8\ub8e8\ud0a4 \ub3c4\uc2dc(\uc544\uce74\ub9c8\uc4f0 \ub3c4\uc2dc\ucf54)<\/small><\/td><td><small>\ud574\ubc29\ub418\uc5b4 \uac00\ub294 \uc778\uac04\uc131<\/small><\/td><td><small>1947<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0086<\/small><\/td><td><small>Francis Bacon<\/small><\/td><td><small>Sphinx-Portrait of Muriel Belcher<\/small><\/td><td><small>\u5f17\u6717\u897f\u65af\u00b7\u57f9\u6839<\/small><\/td><td><small>\u65af\u82ac\u514b\u65af\u2014\u7f2a\u91cc\u5c14\u00b7\u8d1d\u5c14\u5f7b\u8096\u50cf<\/small><\/td><td><small>\ud504\ub79c\uc2dc\uc2a4 \ubca0\uc774\ucee8<\/small><\/td><td><small>\uc2a4\ud551\ud06c\uc2a4\u2013\ubba4\ub9ac\uc5d8 \ubca8\ucc98\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1979<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gerhard Richter&nbsp;<\/small><\/td><td><small>Sils Maria<\/small><\/td><td><small>\u683c\u54c8\u5fb7\u00b7\u91cc\u5e0c\u7279<\/small><\/td><td><small>\u9521\u5c14\u65af\u739b\u5229\u4e9a<\/small><\/td><td><small>\uac8c\ub974\ud558\ub974\ud2b8 \ub9ac\ud788\ud130<\/small><\/td><td><small>\uc2e4\uc2a4 \ub9c8\ub9ac\uc544<\/small><\/td><td><small>2003<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKADA, Sadanosuke<\/small><\/td><td><small>Head of Woman<\/small><\/td><td><small>\u4ef2\u7530\u5b9a\u4e4b\u52a9<\/small><\/td><td><small>\u5973\u4eba\u7684\u5934<\/small><\/td><td><small>\ub098\uce74\ub2e4 \uc0ac\ub2e4\ub178\uc2a4\ucf00<\/small><\/td><td><small>\uc5ec\uc790\uc758 \uba38\ub9ac<\/small><\/td><td><small>1924<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUNAKOSHI, Yasutake<\/small><\/td><td><small>Haranojo Castle<\/small><\/td><td><small>\u821f\u8d8a\u4fdd\u6b66<\/small><\/td><td><small>\u539f\u4e4b\u57ce<\/small><\/td><td><small>\ud6c4\ub098\ucf54\uc2dc \uc57c\uc2a4\ud0c0\ucf00<\/small><\/td><td><small>\ud558\ub77c\ub178\uc870 \uc131<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUME, Keiichiro<\/small><\/td><td><small>An Island Brehat<\/small><\/td><td><small>\u4e45\u7c73\u6842\u4e00\u90ce<\/small><\/td><td><small>\u5e03\u96f7\u963f\u5c9b<\/small><\/td><td><small>\uad6c\uba54 \uac8c\uc774\uc774\uce58\ub85c<\/small><\/td><td><small>\ube0c\ub808\uc544\uc12c<\/small><\/td><td><small>1891<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>0002<\/small><\/td><td><small>KURODA, Seiki<\/small><\/td><td><small>Dead Leaves<\/small><\/td><td><small>\u9ed1\u7530\u6e05\u8f89<\/small><\/td><td><small>\u843d\u53f6<\/small><\/td><td><small>\uad6c\ub85c\ub2e4 \uc138\uc774\ud0a4<\/small><\/td><td><small>\ub099\uc5fd<\/small><\/td><td><small>1891<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUI, Sotaro<\/small><\/td><td><small>House in Spring<\/small><\/td><td><small>\u5b89\u4e95\u66fe\u592a\u90ce<\/small><\/td><td><small>\u6625\u4e4b\u5bb6<\/small><\/td><td><small>\uc57c\uc2a4\uc774 \uc18c\ud0c0\ub85c<\/small><\/td><td><small>\ubd04\ucca0\uc758 \uc9d1<\/small><\/td><td><small>1911<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTA, Kijiro<\/small><\/td><td><small>Season on Fresh Green<\/small><\/td><td><small>\u592a\u7530\u559c\u4e8c\u90ce<\/small><\/td><td><small>\u65b0\u7eff\u7684\u65f6\u5019<\/small><\/td><td><small>\uc624\ud0c0 \uae30\uc9c0\ub85c<\/small><\/td><td><small>\uc2e0\ub85d\uc758 \uacc4\uc808<\/small><\/td><td><small>1911<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTA, Kijiro<\/small><\/td><td><small>Mulberry Picking<\/small><\/td><td><small>\u592a\u7530\u559c\u4e8c\u90ce<\/small><\/td><td><small>\u91c7\u6851<\/small><\/td><td><small>\uc624\ud0c0 \uae30\uc9c0\ub85c<\/small><\/td><td><small>\ubf55\uc78e \ub530\uae30<\/small><\/td><td><small>1916<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTA, Kijiro<\/small><\/td><td><small>Rice-Planting<\/small><\/td><td><small>\u592a\u7530\u559c\u4e8c\u90ce<\/small><\/td><td><small>\u79cd\u7530<\/small><\/td><td><small>\uc624\ud0c0 \uae30\uc9c0\ub85c<\/small><\/td><td><small>\ubaa8\ub0b4\uae30<\/small><\/td><td><small>1916<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MINAMI, Kunzo<\/small><\/td><td><small>One Day in June<\/small><\/td><td><small>\u5357\u85b0\u9020<\/small><\/td><td><small>\u516d\u6708\u7684\u4e00\u5929<\/small><\/td><td><small>\ubbf8\ub098\ubbf8 \uad70\uc870<\/small><\/td><td><small>6\uc6d4\uc758 \ud558\ub8e8<\/small><\/td><td><small>1912<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAKAMI, Ryoka<\/small><\/td><td><small>Railroad<\/small><\/td><td><small>\u5ddd\u4e0a\u51c9\u82b1<\/small><\/td><td><small>\u94c1\u8def<\/small><\/td><td><small>\uac00\uc640\uce74\ubbf8 \ub8cc\uce74<\/small><\/td><td><small>\ucca0\ub85c<\/small><\/td><td><small>1912<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAITO, Toyosaku<\/small><\/td><td><small>Stream in the Evening Glow<\/small><\/td><td><small>\u658b\u85e4\u4e30\u4f5c<\/small><\/td><td><small>\u5915\u9633\u4e0b\u7684\u6cb3\u6d41<\/small><\/td><td><small>\uc0ac\uc774\ud1a0 \ub3c4\uc694\uc0ac\ucfe0&nbsp;<\/small><\/td><td><small>\uc800\ub141\ub180 \uc544\ub798\uc758 \uac15<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Hiroshi<\/small><\/td><td><small>Near Shokonsha Shrine<\/small><\/td><td><small>\u5409\u7530\u535a<\/small><\/td><td><small>\u62db\u9b42\u793e\u9644\u8fd1<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc1fc\ucf58\uc0e4 \uc2e0\uc0ac \ubd80\uadfc<\/small><\/td><td><small>1895<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Hiroshi<\/small><\/td><td><small>Nishinohashi Bridge,Yozawa<\/small><\/td><td><small>\u5409\u7530\u535a<\/small><\/td><td><small>\u517b\u6cfd \u897f\u4e4b\u6865<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc694\uc790\uc640\uc758 \ub2c8\uc2dc\ub178\ud558\uc2dc \ub2e4\ub9ac<\/small><\/td><td><small>1896<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Fujio<\/small><\/td><td><small>Fuchu on a National Holiday<\/small><\/td><td><small>\u5409\u7530\u85e4\u8fdc<\/small><\/td><td><small>\u56fd\u6c11\u8282\u65e5\u7684\u5e9c\u4e2d<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud6c4\uc9c0\uc624<\/small><\/td><td><small>\uad6d\uacbd\uc77c\uc758 \ud6c4\ucd94 \uc9c0\uc5ed<\/small><\/td><td><small>1902-03<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Fujio<\/small><\/td><td><small>Barekshire Hill in May<\/small><\/td><td><small>\u5409\u7530\u85e4\u8fdc<\/small><\/td><td><small>\u4f2f\u514b\u90e1\u7684\u4e94\u6708<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud6c4\uc9c0\uc624<\/small><\/td><td><small>\ubc84\ud06c\uc154 \ud790\uc758 5\uc6d4<\/small><\/td><td><small>1905<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MARUYAMA, Banka<\/small><\/td><td><small>The Highlands in the Fog<\/small><\/td><td><small>\u4e38\u5c71\u665a\u971e<\/small><\/td><td><small>\u96fe\u4e4b\u9ad8\u539f<\/small><\/td><td><small>\ub9c8\ub8e8\uc57c\ub9c8 \ubc18\uce74<\/small><\/td><td><small>\uc548\uac1c \uc18d\uc758 \uace0\uc6d0<\/small><\/td><td><small>c.1905<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AKAGI, Yasunobu<\/small><\/td><td><small>White Sand<\/small><\/td><td><small>\u8d64\u57ce\u6cf0\u8212<\/small><\/td><td><small>\u767d\u6c99<\/small><\/td><td><small>\uc544\uce74\uae30 \uc57c\uc2a4\ub178\ubd80<\/small><\/td><td><small>\ud770 \ubaa8\ub798<\/small><\/td><td><small>1912<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOSAKA, Shiden<\/small><\/td><td><small>Green Dale<\/small><\/td><td><small>\u5c0f\u5742\u829d\u7530<\/small><\/td><td><small>\u6eaa\u5c71\u79ef\u7fe0<\/small><\/td><td><small>\uace0\uc0ac\uce74 \uc2dc\ub374<\/small><\/td><td><small>\ucd08\ub85d\ube5b \uacc4\uace1<\/small><\/td><td><small>1911<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0003<\/small><\/td><td><small>Henri Rousseau&nbsp;<\/small><\/td><td><small>Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Soci\u00e9t\u00e9 des Artistes Ind\u00e9pendants<\/small><\/td><td><small>\u4ea8\u5229\u00b7\u5362\u68ad<\/small><\/td><td><small>\u81ea\u7531\u5973\u795e\u6307\u5f15\u827a\u672f\u5bb6\u53c2\u52a0\u7b2c22\u5c4a\u72ec\u7acb\u6c99\u9f99<\/small><\/td><td><small>\uc559\ub9ac \ub8e8\uc18c<\/small><\/td><td><small>\uc81c22\ud68c \uc559\ub370\ud321\ub2f9\uc804\uc5d0 \ucc38\uac00\ud558\ub3c4\ub85d \uc608\uc220\uac00\ub4e4\uc744 \uc774\ub044\ub294 \uc790\uc720\uc758 \uc5ec\uc2e0<\/small><\/td><td><small>1905-06<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0024<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>Portrait of Alma Mahler<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u963f\u5c14\u739b\u00b7\u9a6c\u52d2\u7684\u8096\u50cf<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\uc54c\ub9c8 \ub9d0\ub7ec\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1912<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0017<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Nude Beauty<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u88f8\u4f53\u7f8e\u4eba<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\ub098\uccb4 \ubbf8\uc778<\/small><\/td><td><small>1912<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KONO, Michisei<\/small><\/td><td><small>Portrait of Yoshiko<\/small><\/td><td><small>\u6cb3\u91ce\u901a\u52bf<\/small><\/td><td><small>\u597d\u5b50\u50cf<\/small><\/td><td><small>\uace0\ub178 \ubbf8\uce58\uc138\uc774<\/small><\/td><td><small>\uc694\uc2dc\ucf54\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1916<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OGIWARA, Morie<\/small><\/td><td><small>Priest Mongaku<\/small><\/td><td><small>\u837b\u539f\u5b88\u536b<\/small><\/td><td><small>\u6587\u89c9<\/small><\/td><td><small>\uc624\uae30\uc640\ub77c \ubaa8\ub9ac\uc5d0<\/small><\/td><td><small>\uc2b9\ub824 \ubaac\uac00\ucfe0<\/small><\/td><td><small>1908<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0012<\/small><\/td><td><small>OGIWARA, Morie<\/small><\/td><td><small>Woman<\/small><\/td><td><small>\u837b\u539f\u5b88\u536b<\/small><\/td><td><small>\u5973\u5b50<\/small><\/td><td><small>\uc624\uae30\uc640\ub77c \ubaa8\ub9ac\uc5d0<\/small><\/td><td><small>\uc5ec\uc790<\/small><\/td><td><small>1910<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The Face of Woman (No.1 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 1. \u5973\u5b50\u7684\u8138<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 1. \uc5ec\uc790\uc758 \uc5bc\uad74<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The New Columbus and the St. George (No.2 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 2. \u65b0\u54e5\u4f26\u5e03\u4e0e\u5723\u4e54\u6cbb<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 2. \uc0c8\ub85c\uc6b4 \ucf5c\ub7fc\ubc84\uc2a4\uc640 \uc131 \uac8c\uc624\ub974\uae30\uc6b0\uc2a4&nbsp;<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The Last Judgement (No.3 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 3. \u6700\u540e\u7684\u5ba1\u5224<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 3. \ucd5c\ud6c4\uc758 \uc2ec\ud310<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The Path to the Grave (No.4 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 4. \u524d\u5f80\u575f\u5893\u7684\u8def<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 4. \ubb34\ub364\uc73c\ub85c \ud5a5\ud558\ub294 \uae38&nbsp;<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The Couple in Candle Light (No.5 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 5. \u70db\u5149\u4e2d\u7684\u4e8c\u4eba<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 5. \ucd1b\ubd88 \uc606\uc758 \ub450 \uc0ac\ub78c<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The Apple of Eve (No.6 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 6 .\u590f\u5a03\u7684\u82f9\u679c<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 6. \uc774\ube0c\uc758 \uc0ac\uacfc<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>At the Separate Ways (No.7 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 7. \u5728\u6b67\u8def<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 7. \uac08\ub9bc\uae38\uc5d0\uc11c&nbsp;<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The man with Raised Arms and the Form of Death (No.8 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b8. \u4e3e\u8d77\u53cc\u81c2\u7684\u7537\u5b50\u4e0e\u6b7b\u4ea1\u7684\u59ff\u6001<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 8.\uc591\ud314\uc744 \ub4e0 \ub0a8\uc790\uc640 \uc8fd\uc74c\uc758 \ud615\uc0c1<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>Encounter (No.9 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 9. \u76f8\u9022<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 9. \ub9cc\ub0a8<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>Woman Prays Over a Phantom (No.10 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 10. \u8986\u76d6\u5728\u5f71\u5b50\u4e0a\u7684\u5973\u4eba<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 10. \ud658\uc601\uc5d0 \ub36e\uc778 \uc5ec\uc790&nbsp;<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The Woman Triumphs over Death (No.11 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 11. \u5728\u6b7b\u8005\u4e0a\u6b22\u5e86\u80dc\u5229\u7684\u5973\u4eba<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 11. \uc8fd\uc740 \uc790 \uc704\uc5d0\uc11c \uc2b9\ub9ac\ub97c \ub9cc\ub07d\ud558\ub294 \uc5ec\uc790&nbsp;<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Oskar Kokoschka&nbsp;<\/small><\/td><td><small>The Pure Face (No.12 of The Fettered Columbus)<\/small><\/td><td><small>\u5965\u65af\u5361\u00b7\u67ef\u514b\u897f\u5361<\/small><\/td><td><small>\u7248\u753b\u96c6\u300a\u88ab\u675f\u7f1a\u7684\u54e5\u4f26\u5e03\u300b 12. \u7eaf\u6d01\u7684\u8138<\/small><\/td><td><small>\uc624\uc2a4\uce74 \ucf54\ucf54\uc288\uce74<\/small><\/td><td><small>\ud310\ud654\uc9d1 \u300e\uc18d\ubc15\ub41c \ucf5c\ub7fc\ubc84\uc2a4\u300f \uc911, 12. \uccad\uc544\ud55c \uc5bc\uad74<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Two Carp]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e24\u6761\u9ca4\u9c7c]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc789\uc5b4 \ub450 \ub9c8\ub9ac]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Two Goldfish]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e24\u6761\u91d1\u9c7c]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uae08\ubd95\uc5b4 \ub450 \ub9c8\ub9ac]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Peacock]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u5b54\u96c0]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uacf5\uc791]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Tit on Vine of Wild Grapes]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u5c71\u96c0\u548c\u8461\u8404]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ubc15\uc0c8\uc640 \uc655\uba38\ub8e8]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Morning Glories]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u7275\u725b\u82b1]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ub098\ud314\uaf43]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Two Bullfinches on a Plum Branch]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e24\u53ea\u7ea2\u8179\u7070\u96c0\u4e0e\u7ea2\u6885]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uba4b\uc7c1\uc774 \ub450 \ub9c8\ub9ac\uc640 \ud64d\ub9e4]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Tiger Lilies and Butterfly]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u5377\u4e39\u4e0e\u8776]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ucc38\ub098\ub9ac\uc640 \ub098\ube44]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Hollyhocks and Dragonflies]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u8700\u8475\u4e0e\u873b\u8713]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc811\uc2dc\uaf43\uacfc \uc7a0\uc790\ub9ac]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Eagle in flight]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u98de\u9e6b]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ub0a0\uc544\uac00\ub294 \ub3c5\uc218\ub9ac]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Five White Herons]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e94\u53ea\u767d\u9e6d]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ubc31\ub85c \ub2e4\uc12f \ub9c8\ub9ac]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Turtledove under a Bough of Weeping Cherry]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u5c71\u6591\u9e20\u4e0e\u679d\u5782\u6a31]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc5fc\uc8fc\ube44\ub458\uae30\uc640 \uc218\uc591\ubc9a\ub098\ubb34]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Hydrangeas]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u7ee3\u7403\u82b1]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc218\uad6d]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Rabbits]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e24\u53ea\u5154\u5b50]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ud1a0\ub07c \ub450 \ub9c8\ub9ac]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Horned Owl]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u96d5\u9e2e]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ubd80\uc5c9\uc774]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Irises]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u71d5\u5b50\u82b1]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc81c\ube44\ubd93\uaf43]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Kingfisher over Irises]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u7fe0\u9e1f\u4e0e\u71d5\u5b50\u82b1]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ubb3c\ucd1d\uc0c8\uc640 \uc81c\ube44\ubd93\uaf43]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Nine Ducks]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e5d\u53ea\u9e2d\u5b50]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc624\ub9ac \uc544\ud649 \ub9c8\ub9ac]<\/small><\/td><td><small>1931<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Three Carp]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e09\u6761\u9ca4]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc789\uc5b4 \uc138 \ub9c8\ub9ac]<\/small><\/td><td><small>c.1935<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Two Blue Flycatchers with Nandina in Snow]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e24\u53ea\u767d\u8179\u84dd\u9e5f\u4e0e\u5357\u5929\u7af9\uff08\u96ea\u4e2d\uff09]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc720\ub9ac\uc0c8 \ub450 \ub9c8\ub9ac\uc640 \ub0a8\ucc9c(\ub208 \uc18d)]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[A Pair of Mandarin Ducks]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e00\u5bf9\u9e33\u9e2f]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc6d0\uc559 \ub450 \ub9c8\ub9ac]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Tits over Be\uff47onias]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u5c71\u96c0\u4e0e\u79cb\u6d77\u68e0]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ubc15\uc0c8\uc640 \ucd94\ud574\ub2f9]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Two Crows and the Moon]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u4e24\u53ea\u4e4c\u9e26\u4e0e\u6708\u4eae]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uae4c\ub9c8\uadc0 \ub450 \ub9c8\ub9ac\uc640 \ub2ec]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Hawk]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u9e70]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ub9e4]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Wild Geese]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u96c1]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uae30\ub7ec\uae30]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Snipes]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u9e6c]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ub3c4\uc694\uc0c8]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Wild Geese in Snow]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u96ea\u4e2d\u53cc\u96c1]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ub208 \uc18d\uc758 \uae30\ub7ec\uae30 \ub450 \ub9c8\ub9ac]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Wagtail on a Magnolia Branch]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u9e61\u9e30\u4e0e\u6728\u5170]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ud560\ubbf8\uc0c8\uc640 \ubaa9\ub828]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Bush Warbler and Peony]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u6811\u83ba\u4e0e\u7261\u4e39]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ud718\ud30c\ub78c\uc0c8\uc640 \ubaa8\ub780]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Herons with Willow Branches]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u67f3\u4e0e\u767d\u9e6d]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ubc84\ub4dc\ub098\ubb34\uc640 \ubc31\ub85c]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Parrot on a Pomegranate Branch]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u77f3\u69b4\u4e0e\u9e66\u9e49]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\uc11d\ub958\ub098\ubb34\uc640 \uc575\ubb34\uc0c8]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[Swans]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u5929\u9e45]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ubc31\uc870]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHARA, Koson (Shoson)<\/small><\/td><td><small>[The Moon and Herons]<\/small><\/td><td><small>\u5c0f\u539f\u53e4\u6751\uff08\u7965\u6751\uff09<\/small><\/td><td><small>[\u6708\u4e0e\u9e6d]<\/small><\/td><td><small>\uc624\ud558\ub77c \uace0\uc190(\uc1fc\uc190)<\/small><\/td><td><small>[\ub2ec\uacfc \ud574\uc624\ub77c\uae30]<\/small><\/td><td><small>1926-1945<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YABE, Tomoe<\/small><\/td><td><small>Nude<\/small><\/td><td><small>\u77e2\u90e8\u53cb\u536b<\/small><\/td><td><small>\u88f8\u5987<\/small><\/td><td><small>\uc57c\ubca0 \ub3c4\ubaa8\uc5d0<\/small><\/td><td><small>\ub098\ubd80<\/small><\/td><td><small>1920<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KURODA, Jutaro<\/small><\/td><td><small>Women of the Harbour<\/small><\/td><td><small>\u9ed1\u7530\u91cd\u592a\u90ce<\/small><\/td><td><small>\u6e2f\u4e4b\u5973<\/small><\/td><td><small>\uad6c\ub85c\ub2e4 \uc8fc\ud0c0\ub85c<\/small><\/td><td><small>\ud56d\uad6c\uc758 \uc5ec\uc778<\/small><\/td><td><small>1922<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MAETA, Kanji<\/small><\/td><td><small>Nude<\/small><\/td><td><small>\u524d\u7530\u5bbd\u6cbb<\/small><\/td><td><small>\u88f8\u5987<\/small><\/td><td><small>\ub9c8\uc5d0\ud0c0 \uac04\uc9c0<\/small><\/td><td><small>\ub098\ubd80<\/small><\/td><td><small>1925<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Fernand<\/small><br><small>L\u00e9ger<\/small><\/td><td><small>Woman and Flower<\/small><\/td><td><small>\u8d39\u5c14\u5357\u00b7\u83b1\u70ed<\/small><\/td><td><small>\u5973\u4eba\u548c\u82b1<\/small><\/td><td><small>\ud398\ub974\ub0ad \ub808\uc81c<\/small><\/td><td><small>\uc5ec\uc790\uc640 \uaf43<\/small><\/td><td><small>1926<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOGO, Seiji<\/small><\/td><td><small>Street Performers<\/small><\/td><td><small>\u4e1c\u4e61\u9752\u513f<\/small><\/td><td><small>\u6d41\u6d6a\u827a\u4eba<\/small><\/td><td><small>\ub3c4\uace0 \uc138\uc774\uc9c0<\/small><\/td><td><small>\uc720\ub791 \uc545\uc0ac<\/small><\/td><td><small>1926<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOKOYAMA, Junnosuke<\/small><\/td><td><small>Nude<\/small><\/td><td><small>\u6a2a\u5c71\u6da6\u4e4b\u52a9<\/small><\/td><td><small>\u88f8\u5987<\/small><\/td><td><small>\uc694\ucf54\uc57c\ub9c8 \uc900\ub178\uc2a4\ucf00<\/small><\/td><td><small>\ub098\ubd80<\/small><\/td><td><small>1926<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOJIMA, Zenzaburo<\/small><\/td><td><small>Woman with a Mirror<\/small><\/td><td><small>\u513f\u5c9b\u5584\u4e09\u90ce<\/small><\/td><td><small>\u62ff\u955c\u5b50\u7684\u5973\u4eba<\/small><\/td><td><small>\uace0\uc9c0\ub9c8 \uc820\uc790\ubd80\ub85c&nbsp;<\/small><\/td><td><small>\uac70\uc6b8\uc744 \ub4e0 \uc5ec\uc790<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IHARA, Usaburo<\/small><\/td><td><small>Group in a Room<\/small><\/td><td><small>\u4f0a\u539f\u5b87\u4e09\u90ce<\/small><\/td><td><small>\u5ba4\u5185\u7fa4\u50cf<\/small><\/td><td><small>\uc774\ud558\ub77c \uc6b0\uc0ac\ubd80\ub85c<\/small><\/td><td><small>\uc2e4\ub0b4\uc758 \uad70\uc0c1<\/small><\/td><td><small>1928-29<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORI, Yoshio<\/small><\/td><td><small>Woman Leaning on Her Elbow<\/small><\/td><td><small>\u68ee\u82b3\u96c4<\/small><\/td><td><small>\u652f\u7740\u8098\u90e8\u7684\u5973\u4eba<\/small><\/td><td><small>\ubaa8\ub9ac \uc694\uc2dc\uc624<\/small><\/td><td><small>\ud314\uafc8\uce58\ub97c \uad38 \uc5ec\uc790&nbsp;<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YABASHI, Rokuro<\/small><\/td><td><small>Ruins<\/small><\/td><td><small>\u77e2\u6865\u516d\u90ce<\/small><\/td><td><small>\u5e9f\u589f<\/small><\/td><td><small>\uc57c\ubc14\uc2dc \ub85c\ucfe0\ub85c<\/small><\/td><td><small>\ud3d0\ud5c8<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAGUCHI, Kaoru<\/small><\/td><td><small>Travel to Ancient Rome<\/small><\/td><td><small>\u5c71\u53e3\u85ab<\/small><\/td><td><small>\u53e4\u7f57\u9a6c\u4e4b\u65c5<\/small><\/td><td><small>\uc57c\ub9c8\uad6c\uce58 \uac00\uc624\ub8e8<\/small><\/td><td><small>\uace0\ub300 \ub85c\ub9c8\ub85c\uc758 \uc5ec\ud589<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OSAWA, Shosuke<\/small><\/td><td><small>Men and Rocks<\/small><\/td><td><small>\u5927\u6cfd\u660c\u52a9<\/small><\/td><td><small>\u5ca9\u4e0e\u4eba<\/small><\/td><td><small>\uc624\uc0ac\uc640 \uc1fc\uc2a4\ucf00<\/small><\/td><td><small>\ubc14\uc704\uc640 \uc0ac\ub78c<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUDA, Ryumon<\/small><\/td><td><small>Head of Christine<\/small><\/td><td><small>\u4fdd\u7530\u9f99\u95e8<\/small><\/td><td><small>\u514b\u91cc\u65af\u8482\u5a1c\u5934\u50cf<\/small><\/td><td><small>\uc57c\uc2a4\ub2e4 \ub958\ubaac<\/small><\/td><td><small>\ud06c\ub9ac\uc2a4\ud2f4\ub290\uc758 \uba38\ub9ac<\/small><\/td><td><small>c.1923<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANEKO, Kuheiji<\/small><\/td><td><small>Portrait of Miss C<\/small><\/td><td><small>\u91d1\u5b50\u4e5d\u5e73\u6b21<\/small><\/td><td><small>C\u5c0f\u59d0\u50cf<\/small><\/td><td><small>\uac00\ub124\ucf54 \uad6c\ud5e4\uc774\uc9c0<\/small><\/td><td><small>C\uc591\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1925<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKATA, Hiroatsu<\/small><\/td><td><small>Portrait of Madame Foulon<\/small><\/td><td><small>\u9ad8\u7530\u535a\u539a<\/small><\/td><td><small>\u5bcc\u9686\u592b\u4eba\u50cf<\/small><\/td><td><small>\ub2e4\uce74\ud0c0 \ud788\ub85c\uc544\uc4f0<\/small><\/td><td><small>\ud480\ub871 \ubd80\uc778\uc0c1<\/small><\/td><td><small>1931<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HASHIMOTO, Kansetsu<\/small><\/td><td><small>The Huangpu River on December 8, 1941<\/small><\/td><td><small>\u6865\u672c\u5173\u96ea<\/small><\/td><td><small>\u5341\u4e8c\u6708\u516b\u65e5\u7684\u9ec4\u6d66\u6c5f\u4e0a<\/small><\/td><td><small>\ud558\uc2dc\ubaa8\ud1a0 \uac04\uc138\uc4f0<\/small><\/td><td><small>12\uc6d4 8\uc77c \ud669\ud3ec\uac15&nbsp;<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Mortal Combat of a Unit in New Guinea<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u25cb\u25cb\u90e8\u961f\u7684\u6b7b\u6597\u2014\u2014\u65b0\u51e0\u5185\u4e9a\u6218\u7ebf<\/small><\/td><td><small>\ud6c4\uc9c0\ud0c0 \uc4f0\uad6c\ud558\ub8e8<\/small><\/td><td><small>\u25cb\u25cb\ubd80\ub300\uc758 \uc0ac\ud22c\u2212\ub274\uae30\ub2c8 \uc804\uc120<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUMI, Yoshihiko<\/small><\/td><td><small>Landing Party Marching into the International Settlement on December 8, 1941<\/small><\/td><td><small>\u677e\u89c1\u5409\u5f66<\/small><\/td><td><small>\u5341\u4e8c\u6708\u516b\u65e5\u8fdb\u9a7b\u79df\u754c<\/small><\/td><td><small>\ub9c8\uc4f0\ubbf8 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>12\uc6d4 8\uc77c \uc870\uacc4\ub85c\uc758 \uc9c4\uc8fc<\/small><\/td><td><small>c.1942<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Battle of the Coral Sea<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u73ca\u745a\u6d77\u6d77\u6218<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \uac90\uc774\uce58<\/small><\/td><td><small>\uc0b0\ud638\ud574 \ud574\uc804&nbsp;<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBORI, Yasuo<\/small><\/td><td><small>Naval Battle off Santa Isabel Island<\/small><\/td><td><small>\u5c0f\u5800\u5b89\u96c4<\/small><\/td><td><small>\u5723\u4f0a\u838e\u8d1d\u5c14\u5c9b\u6d77\u57df\u7684\u6d77\u6218<\/small><\/td><td><small>\uace0\ubcf4\ub9ac \uc57c\uc2a4\uc624<\/small><\/td><td><small>\uc774\uc0ac\ubca8\uc12c\uc758 \ud574\uc804<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIYAMOTO, Saburo<\/small><\/td><td><small>Surprise Attack of Naval Paratroops at Manado<\/small><\/td><td><small>\u5bab\u672c\u4e09\u90ce<\/small><\/td><td><small>\u6d77\u519b\u964d\u843d\u4f1e\u90e8\u961f\u7f8e\u5a1c\u591a\u5947\u88ad<\/small><\/td><td><small>\ubbf8\uc57c\ubaa8\ud1a0 \uc0ac\ubd80\ub85c<\/small><\/td><td><small>\ud574\uad70 \ub099\ud558\uc0b0\ubd80\ub300\uc758 \uba54\ub098\ub3c4 \uae30\uc2b5<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMASHITA, Kikuji<\/small><\/td><td><small>Colonial Factory<\/small><\/td><td><small>\u5c71\u4e0b\u83ca\u4e8c<\/small><\/td><td><small>\u6b96\u6c11\u5730\u5de5\u5382<\/small><\/td><td><small>\uc57c\ub9c8\uc2dc\ud0c0 \uae30\ucfe0\uc9c0<\/small><\/td><td><small>\uc2dd\ubbfc\uc9c0 \uacf5\uc7a5<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUSAWA, Iwami<\/small><\/td><td><small>Starveling<\/small><\/td><td><small>\u53e4\u6cfd\u5ca9\u7f8e<\/small><\/td><td><small>\u997f\u9b3c<\/small><\/td><td><small>\ud6c4\ub8e8\uc0ac\uc640 \uc774\uc640\ubbf8<\/small><\/td><td><small>\uc544\uadc0<\/small><\/td><td><small>1952<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OYAMADA, Jiro<\/small><\/td><td><small>Dining Table<\/small><\/td><td><small>\u5c0f\u5c71\u7530\u4e8c\u90ce<\/small><\/td><td><small>\u9910\u684c<\/small><\/td><td><small>\uc624\uc57c\ub9c8\ub2e4 \uc9c0\ub85c<\/small><\/td><td><small>\uc2dd\ud0c1<\/small><\/td><td><small>1955<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>0069<\/small><\/td><td><small>OKAMOTO, Taro<\/small><\/td><td><small>Men Aflame<\/small><\/td><td><small>\u5188\u672c\u592a\u90ce<\/small><\/td><td><small>\u71c3\u70e7\u7684\u4eba<\/small><\/td><td><small>\uc624\uce74\ubaa8\ud1a0 \ub2e4\ub85c<\/small><\/td><td><small>\ubd88\ud0c0\ub294 \uc0ac\ub78c<\/small><\/td><td><small>1955<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKANO, Jun<\/small><\/td><td><small>Dining Table<\/small><\/td><td><small>\u4e2d\u91ce\u6df3<\/small><\/td><td><small>\u9910\u684c<\/small><\/td><td><small>\ub098\uce74\ub178 \uc900<\/small><\/td><td><small>\uc2dd\ud0c1<\/small><\/td><td><small>1956<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAZUKI, Yasuo<\/small><\/td><td><small>Farewell<\/small><\/td><td><small>\u9999\u6708\u6cf0\u7537<\/small><\/td><td><small>\u544a\u522b<\/small><\/td><td><small>\uac00\uc988\ud0a4 \uc57c\uc2a4\uc624<\/small><\/td><td><small>\uace0\ubcc4<\/small><\/td><td><small>1958<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>EBIHARA, Kinosuke<\/small><\/td><td><small>Rainy Day<\/small><\/td><td><small>\u6d77\u8001\u539f\u559c\u4e4b\u52a9<\/small><\/td><td><small>\u96e8\u5929<\/small><\/td><td><small>\uc5d0\ube44\ud558\ub77c \uae30\ub178\uc2a4\ucf00<\/small><\/td><td><small>\ube44\uc624\ub294 \ub0a0<\/small><\/td><td><small>1963<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IKEDA, Tatsuo<\/small><\/td><td><small>Advertising Balloon<\/small><\/td><td><small>\u6c60\u7530\u9f99\u96c4<\/small><\/td><td><small>\u5e7f\u544a\u6c14\u7403<\/small><\/td><td><small>\uc774\ucf00\ub2e4 \ub2e4\uc4f0\uc624<\/small><\/td><td><small>\uc560\ub4dc\ubc8c\ub8ec<\/small><\/td><td><small>1955<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ABE, Nobuya (Yoshibumi)<\/small><\/td><td><small>Study for Burial<\/small><\/td><td><small>\u963f\u90e8\u5c55\u4e5f\uff08\u82b3\u6587\uff09<\/small><\/td><td><small>\u4e3a\u300a\u57cb\u846c\u300b\u800c\u4f5c\u7684\u4e60\u4f5c<\/small><\/td><td><small>\uc544\ubca0 \ub178\ubd80\uc57c(\uc694\uc2dc\ubd80\ubbf8)<\/small><\/td><td><small>\u300a\ub9e4\uc7a5\u300b\uc744 \uc704\ud55c \uc2b5\uc791<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Chimei<\/small><\/td><td><small>Elegy for a New Conscript: Sentinel<\/small><\/td><td><small>\u6ee8\u7530\u77e5\u660e<\/small><\/td><td><small>\u521d\u5e74\u5175\u54c0\u6b4c\uff08\u6b65\u54e8\uff09<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc9c0\uba54\uc774<\/small><\/td><td><small>\ucd08\ub144\ubcd1 \uc560\uac00(\ubcf4\ucd08)<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHII, Shigeo<\/small><\/td><td><small>Messengers<\/small><\/td><td><small>\u77f3\u4e95\u8302\u96c4<\/small><\/td><td><small>\u4f7f\u8005<\/small><\/td><td><small>\uc774\uc2dc\uc774 \uc2dc\uac8c\uc624<\/small><\/td><td><small>\uc0ac\uc790<\/small><\/td><td><small>1959<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHII, Shigeo<\/small><\/td><td><small>Prisoner<\/small><\/td><td><small>\u77f3\u4e95\u8302\u96c4<\/small><\/td><td><small>\u864f\u56da<\/small><\/td><td><small>\uc774\uc2dc\uc774 \uc2dc\uac8c\uc624<\/small><\/td><td><small>\ud3ec\ub85c<\/small><\/td><td><small>1961<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Chimei<\/small><\/td><td><small>Landscape<\/small><\/td><td><small>\u6ee8\u7530\u77e5\u660e<\/small><\/td><td><small>\u98ce\u666f<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc9c0\uba54\uc774<\/small><\/td><td><small>\ud48d\uacbd<\/small><\/td><td><small>1953<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Chimei<\/small><\/td><td><small>Elegy for a New Conscript: Sentinel<\/small><\/td><td><small>\u6ee8\u7530\u77e5\u660e<\/small><\/td><td><small>\u521d\u5e74\u5175\u54c0\u6b4c\uff08\u6b65\u54e8\uff09<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc9c0\uba54\uc774<\/small><\/td><td><small>\ucd08\ub144\ubcd1 \uc560\uac00(\ubcf4\ucd08)<\/small><\/td><td><small>1954<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Chimei<\/small><\/td><td><small>Elegy for a New Conscript: Landscape (A Corner)<\/small><\/td><td><small>\u6ee8\u7530\u77e5\u660e<\/small><\/td><td><small>\u521d\u5e74\u5175\u54c0\u6b4c\uff08\u4e00\u89d2\uff09<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc9c0\uba54\uc774<\/small><\/td><td><small>\ucd08\ub144\ubcd1 \uc560\uac00: \ud48d\uacbd(\ud55c\uad6c\uc11d)<\/small><\/td><td><small>1954<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Chimei<\/small><\/td><td><small>Crowd of the Blind<\/small><\/td><td><small>\u6ee8\u7530\u77e5\u660e<\/small><\/td><td><small>\u7fa4\u76f2<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc9c0\uba54\uc774<\/small><\/td><td><small>\uad70\ub9f9(\u7fa4\u76f2)<\/small><\/td><td><small>1960<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ONOSATO, Toshinobu<\/small><\/td><td><small>Circles in Black and White<\/small><\/td><td><small>\u5c0f\u91ce\u91cc\u5229\u4fe1<\/small><\/td><td><small>\u9ed1\u767d\u7684\u5706<\/small><\/td><td><small>\uc624\ub178\uc0ac\ud1a0 \ub3c4\uc2dc\ub178\ubd80<\/small><\/td><td><small>\ud751\ubc31\uc758 \uc6d0<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ONOSATO, Toshinobu<\/small><\/td><td><small>Work 100-B<\/small><\/td><td><small>\u5c0f\u91ce\u91cc\u5229\u4fe1<\/small><\/td><td><small>\u4f5c\u54c1 100-B<\/small><\/td><td><small>\uc624\ub178\uc0ac\ud1a0 \ub3c4\uc2dc\ub178\ubd80<\/small><\/td><td><small>\uc791\ud488 100-B<\/small><\/td><td><small>1963<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>EI-KYU<\/small><\/td><td><small>Dawn<\/small><\/td><td><small>\u745b\u4e5d<\/small><\/td><td><small>\u9ece\u660e<\/small><\/td><td><small>\uc5d0\uc774\ud050<\/small><\/td><td><small>\uc5ec\uba85<\/small><\/td><td><small>1957<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>EI-KYU<\/small><\/td><td><small>Spots among Blue<\/small><\/td><td><small>\u745b\u4e5d<\/small><\/td><td><small>\u84dd\u8272\u4e2d\u7684\u5706<\/small><\/td><td><small>\uc5d0\uc774\ud050<\/small><\/td><td><small>\ud30c\ub791 \uc18d\uc758 \uc6d0<\/small><\/td><td><small>1958<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKUHATA, Mokuma<\/small><\/td><td><small>Roulette<\/small><\/td><td><small>\u83ca\u7551\u8302\u4e45\u9a6c<\/small><\/td><td><small>\u8f6e\u76d8\u8d4c<\/small><\/td><td><small>\uae30\ucfe0\ud558\ud0c0 \ubaa8\ucfe0\ub9c8<\/small><\/td><td><small>\ub8f0\ub81b<\/small><\/td><td><small>1963<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AI-O<\/small><\/td><td><small>Adam and Eve<\/small><\/td><td><small>\u53c6\u5455<\/small><\/td><td><small>\u4e9a\u5f53\u4e0e\u590f\u5a03<\/small><\/td><td><small>\uc544\uc774\uc624<\/small><\/td><td><small>\uc544\ub2f4\uacfc \uc774\ube0c<\/small><\/td><td><small>1963-67<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSURUOKA, Masao<\/small><\/td><td><small>Blue Curtain<\/small><\/td><td><small>\u9e64\u5188\u653f\u7537<\/small><\/td><td><small>\u84dd\u5e18<\/small><\/td><td><small>\uc4f0\ub8e8\uc624\uce74 \ub9c8\uc0ac\uc624&nbsp;<\/small><\/td><td><small>\ud478\ub978 \ucee4\ud2bc<\/small><\/td><td><small>1964<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>0078<\/small><\/td><td><small>YOSHIHARA, Jiro<\/small><\/td><td><small>White on Black<\/small><\/td><td><small>\u5409\u539f\u6cbb\u826f<\/small><\/td><td><small>\u9ed1\u5e95\u767d<\/small><\/td><td><small>\uc694\uc2dc\ud558\ub77c \uc9c0\ub85c<\/small><\/td><td><small>\uac80\uc815 \ubc14\ud0d5\uc5d0 \ud558\uc591<\/small><\/td><td><small>1965<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TANAKA, Atsuko<\/small><\/td><td><small>Work 66-SA<\/small><\/td><td><small>\u7530\u4e2d\u6566\u5b50<\/small><\/td><td><small>\u4f5c\u54c1 66-SA<\/small><\/td><td><small>\ub2e4\ub098\uce74 \uc544\uc4f0\ucf54<\/small><\/td><td><small>\uc791\ud488 66-SA<\/small><\/td><td><small>1966<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ABE, Nobuya (Yoshibumi)<\/small><\/td><td><small>R3 (Study) 1971<\/small><\/td><td><small>\u963f\u90e8\u5c55\u4e5f\uff08\u82b3\u6587\uff09<\/small><\/td><td><small>R3\uff08\u4e60\u4f5c\uff091971<\/small><\/td><td><small>\uc544\ubca0 \ub178\ubd80\uc57c(\uc694\uc2dc\ubd80\ubbf8)<\/small><\/td><td><small>R3(\uc2b5\uc791)1971<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUGAI, Kumi<\/small><\/td><td><small>Festival W<\/small><\/td><td><small>\u83c5\u4e95\u6c72<\/small><\/td><td><small>\u8282\u65e5 W<\/small><\/td><td><small>\uc2a4\uac00\uc774 \uad6c\ubbf8<\/small><\/td><td><small>\ud398\uc2a4\ud2f0\ubc8c W<\/small><\/td><td><small>1971<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>L\u00e1szl\u00f3 Moholy-Nagy<\/small><\/td><td><small>Photogram, L\u00e1szl\u00f3&nbsp; and Lucia from 10 Photograms 1922-1926<\/small><\/td><td><small>\u62c9\u5179\u6d1b\u00b7\u83ab\u970d\u5229-\u7eb3\u5409<\/small><\/td><td><small>\u9ed1\u5f71\u7167\u7247\uff0c\u62c9\u5179\u6d1b\u4e0e\u9732\u897f\u5a05&nbsp; \u51fa\u81ea\u9ed1\u5f71\u7167\u7247\u96c6\u300a10\u5e45\u9ed1\u5f71\u7167\u7247 1922-1926\u300b<\/small><\/td><td><small>\ub77c\uc2ac\ub85c \ubaa8\ud640\ub9ac \ub098\uc9c0&nbsp;<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a10\uc810\uc758 \ud3ec\ud1a0\uadf8\ub7a8 1922~1926\u300b \uc911, \ud3ec\ud1a0\uadf8\ub7a8, \ub77c\uc2ac\ub85c\uc640 \ub8e8\uce58\uc544<\/small><\/td><td><small>1922-26 (1973 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>L\u00e1szl\u00f3 Moholy-Nagy<\/small><\/td><td><small>Photogram from 10 Photograms 1922-1926<\/small><\/td><td><small>\u62c9\u5179\u6d1b\u00b7\u83ab\u970d\u5229-\u7eb3\u5409<\/small><\/td><td><small>\u9ed1\u5f71\u7167\u7247&nbsp; \u51fa\u81ea\u9ed1\u5f71\u7167\u7247\u96c6\u300a10\u5e45\u9ed1\u5f71\u7167\u7247 1922-1926\u300b<\/small><\/td><td><small>\ub77c\uc2ac\ub85c \ubaa8\ud640\ub9ac \ub098\uc9c0&nbsp;<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a10\uc810\uc758 \ud3ec\ud1a0\uadf8\ub7a8 1922~1926\u300b \uc911, \ud3ec\ud1a0\uadf8\ub7a8<\/small><\/td><td><small>1922-26 (1973 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Herbert Bayer&nbsp;<\/small><\/td><td><small>Pont Transbordeur, Marseille<\/small><\/td><td><small>\u8d6b\u4f2f\u7279\u00b7\u62dc\u8036<\/small><\/td><td><small>\u8fd0\u8f93\u6865\uff0c\u9a6c\u8d5b<\/small><\/td><td><small>\ud5e4\ub974\ubca0\ub974\ud2b8 \ubc14\uc774\uc5b4<\/small><\/td><td><small>\uc6b4\ubc18\uad50, \ub9c8\ub974\uc138\uc774\uc720<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Edmund Collein&nbsp;<\/small><\/td><td><small>Bauatelier Gropius from the portfolio BAUHAUS I \/ II 20 Photographs 1919-1933<\/small><\/td><td><small>\u57c3\u5fb7\u8499\u00b7\u79d1\u83b1\u56e0<\/small><\/td><td><small>\u683c\u7f57\u76ae\u4e4c\u65af\u7684\u5efa\u7b51\u5de5\u4f5c\u5ba4&nbsp; \u4f5c\u54c1\u96c6\u300a\u5305\u8c6a\u65af I\/\u216120\u5e45\u7167\u7247 1919-1933\u300b\u4e4b&nbsp;<\/small><\/td><td><small>\uc5d0\ud2b8\ubb38\ud2b8 \ucf5c\ub77c\uc778<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\ubc14\uc6b0\ud558\uc6b0\uc2a4 I\/\u2161 20\uc810\uc758 \uc0ac\uc9c4 1919~1933\u300b \uc911,&nbsp; \uadf8\ub85c\ud53c\uc6b0\uc2a4\uc758 \uac74\ucd95 \uc544\ud2c0\ub9ac\uc5d0&nbsp;<\/small><\/td><td><small>1927-28 (1985 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Hajo Rose<\/small><\/td><td><small>Self Portrait from the portfolio BAUHAUS I \/ II 20 Photographs 1919-1933<\/small><\/td><td><small>\u8c6a\u7ea6\u00b7\u7f57\u6cfd<\/small><\/td><td><small>\u81ea\u62cd\u8096\u50cf&nbsp; \u4f5c\u54c1\u96c6\u300a\u5305\u8c6a\u65af I\/\u216120\u5e45\u7167\u7247 1919-1933\u300b\u4e4b&nbsp;<\/small><\/td><td><small>\ud558\uc694 \ub85c\uc81c<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\ubc14\uc6b0\ud558\uc6b0\uc2a4 I\/\u2161 20\uc810\uc758 \uc0ac\uc9c4 1919~1933\u300b \uc911, \uc140\ud504 \ud3ec\ud2b8\ub808\uc774\ud2b8(\ud3ec\ud1a0\ubabd\ud0c0\uc8fc)<\/small><\/td><td><small>1931 (1985 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>W. David Feist&nbsp;<\/small><\/td><td><small>Man with Pipe (Kurt Stolp) from the portfolio BAUHAUS I \/ II 20 Photographs 1919-1933<\/small><\/td><td><small>\u5927\u536b\u00b7W\u00b7\u6cd5\u4f0a\u65af\u7279<\/small><\/td><td><small>\u62bd\u70df\u6597\u7684\u7684\u7537\u4eba\uff08\u79d1\u7279\u00b7\u65bd\u6258\u5c14\u666e\uff09&nbsp; \u4f5c\u54c1\u96c6\u300a\u5305\u8c6a\u65af I\/\u216120\u5e45\u7167\u7247 1919-1933\u300b\u4e4b&nbsp;<\/small><\/td><td><small>W. \ub370\uc774\ube44\ub4dc \ud30c\uc774\uc2a4\ud2b8<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\ubc14\uc6b0\ud558\uc6b0\uc2a4 I\/\u2161 20\uc810\uc758 \uc0ac\uc9c4 1919~1933\u300b \uc911, \ud30c\uc774\ud504\ub97c \ubb38 \ub0a8\uc790(\ucfe0\ub974\ud2b8 \uc288\ud1a8\ud504)<\/small><\/td><td><small>1929 (1985 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Herbert Bayer&nbsp;<\/small><\/td><td><small>Glass Eyes from the portfolio BAUHAUS I \/ II 20 Photographs 1919-1933<\/small><\/td><td><small>\u8d6b\u4f2f\u7279\u00b7\u62dc\u8036<\/small><\/td><td><small>\u4e49\u773c&nbsp; \u51fa\u81ea\u4f5c\u54c1\u96c6\u300a\u5305\u8c6a\u65af I\/\u216120\u5e45\u7167\u7247 1919-1933\u300b<\/small><\/td><td><small>\ud5e4\ub974\ubca0\ub974\ud2b8 \ubc14\uc774\uc5b4<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\ubc14\uc6b0\ud558\uc6b0\uc2a4 I\/\u2161 20\uc810\uc758 \uc0ac\uc9c4 1919~1933\u300b \uc911, \uc758\uc548<\/small><\/td><td><small>c.1928 (1985 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gyorgy Kepes&nbsp;<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u6377\u5c14\u5409\u2022\u51ef\u6d3e\u4ec0<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc870\ub974\uc8fc \ucf00\ud398\uc288<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>c.1938<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Harry Callahan&nbsp;<\/small><\/td><td><small>Eleanor, Chicago, 1949<\/small><\/td><td><small>\u54c8\u91cc\u00b7\u5361\u62c9\u6c49&nbsp;<\/small><\/td><td><small>\u827e\u8389\u8bfa\uff0c\u829d\u52a0\u54e5\uff0c1949<\/small><\/td><td><small>\ud574\ub9ac \uce98\ub7ec\ud578<\/small><\/td><td><small>\uc5d8\ub9ac\ub178\uc5b4, \uc2dc\uce74\uace0, 1949<\/small><\/td><td><small>1949<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Aaron Siskind<\/small><\/td><td><small>Jerome, Arizona 21 from 75th Anniversary Portfolio<\/small><\/td><td><small>\u827e\u4f26\u00b7\u897f\u65af\u91d1\u5fb7<\/small><\/td><td><small>\u6770\u7f57\u59c6\uff0c\u4e9a\u5229\u6851\u90a321 \u51fa\u81ea\u300a75\u5468\u5e74\u4f5c\u54c1\u96c6\u300b<\/small><\/td><td><small>\uc560\ub7f0 \uc2dc\uc2a4\ud0a8\ub4dc<\/small><\/td><td><small>\u300a75\uc8fc\ub144 \ud3ec\ud2b8\ud3f4\ub9ac\uc624\u300b \uc911, \uc81c\ub86c, \uc560\ub9ac\uc870\ub098 21<\/small><\/td><td><small>1949 (1979 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Aaron Siskind<\/small><\/td><td><small>St. Louis 9 from 75th Anniversary Portfolio<\/small><\/td><td><small>\u827e\u4f26\u00b7\u897f\u65af\u91d1\u5fb7<\/small><\/td><td><small>\u5723\u8def\u6613\u65af9 \u51fa\u81ea\u300a75\u5468\u5e74\u4f5c\u54c1\u96c6\u300b<\/small><\/td><td><small>\uc560\ub7f0 \uc2dc\uc2a4\ud0a8\ub4dc<\/small><\/td><td><small>\u300a75\uc8fc\ub144 \ud3ec\ud2b8\ud3f4\ub9ac\uc624\u300b \uc911, \uc138\uc778\ud2b8 \ub8e8\uc774\uc2a4 9<\/small><\/td><td><small>1955 (1979 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHTSUJI, Kiyoji<\/small><\/td><td><small>Sendagaya from Kiyoji Ohtsuji Portfolio<\/small><\/td><td><small>\u5927\u8fbb\u6e05\u53f8<\/small><\/td><td><small>\u5343\u9a6e\u8c37 \u51fa\u81ea\u300a\u5927\u8fbb\u6e05\u53f8\u4f5c\u54c1\u96c6\u300b<\/small><\/td><td><small>\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\u300a\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc \ud3ec\ud2b8\ud3f4\ub9ac\uc624\u300b \uc911, \uc13c\ub2e4\uac00\uc57c&nbsp;<\/small><\/td><td><small>1956 (1997 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHTSUJI, Kiyoji<\/small><\/td><td><small>Tokyo<\/small><\/td><td><small>\u5927\u8fbb\u6e05\u53f8<\/small><\/td><td><small>\u4e1c\u4eac<\/small><\/td><td><small>\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\ub3c4\ucfc4<\/small><\/td><td><small>1950s (1998 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHTSUJI, Kiyoji<\/small><\/td><td><small>Yoshishige Saito\u2019s Work, Yurakucho Asahi Gallery<\/small><\/td><td><small>\u5927\u8fbb\u6e05\u53f8<\/small><\/td><td><small>\u658b\u85e4\u4e49\u91cd\u4f5c\u54c1\uff0c\u6709\u4e50\u753a\u671d\u65e5\u753b\u5eca<\/small><\/td><td><small>\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\uc0ac\uc774\ud1a0 \uc694\uc2dc\uc2dc\uac8c\uc758 \uc791\ud488, \uc720\ub77c\ucfe0\ucd08 \uc544\uc0ac\ud788 \uac24\ub7ec\ub9ac&nbsp;<\/small><\/td><td><small>1986 (1998 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>From Chicago, Chicago<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u300a\u829d\u52a0\u54e5\u3001\u829d\u52a0\u54e5\u300b\u7cfb\u5217<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\u300a\uc2dc\uce74\uace0, \uc2dc\uce74\uace0\u300b \uc911\uc5d0\uc11c<\/small><\/td><td><small>1958-61 (1992 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>From Chicago, Chicago<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u300a\u829d\u52a0\u54e5\u3001\u829d\u52a0\u54e5\u300b\u7cfb\u5217<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\u300a\uc2dc\uce74\uace0, \uc2dc\uce74\uace0\u300b \uc911\uc5d0\uc11c<\/small><\/td><td><small>1958-61 (1992 print)<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>2. The Old Shoin, Viewed from the North-East from Katsura<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u4f5c\u54c1\u96c6\u300a\u6842\u300b\u4e4b \u4e8c\u3001\u773a\u671b\u53e4\u4e66\u9662\u4e8c\u4e4b\u95f4\u5357\u9762\u3001\u4e00\u4e4b\u95f4\u4e0e\u5730\u7089\u4e4b\u95f4<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\uac00\uc4f0\ub77c\u300b \uc911 2, \uace0\uc11c\uc6d0\uc5d0\uc11c \uc81c2\uc2e4\uc758 \ub0a8\uba74, \uc81c1\uc2e4, \ud654\ub355\uc774 \uc788\ub294 \ubc29\uc744 \ubc14\ub77c\ubcf4\ub2e4&nbsp;<\/small><\/td><td><small>1981-82<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>L\u00e1szl\u00f3 Moholy-Nagy<\/small><\/td><td><small>Photogram<\/small><\/td><td><small>\u62c9\u5179\u6d1b\u00b7\u83ab\u970d\u5229-\u7eb3\u5409<\/small><\/td><td><small>\u9ed1\u5f71\u7167\u7247<\/small><\/td><td><small>\ub77c\uc2ac\ub85c \ubaa8\ud640\ub9ac \ub098\uc9c0&nbsp;<\/small><\/td><td><small>\ud3ec\ud1a0\uadf8\ub7a8<\/small><\/td><td><small>1923-24<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>L\u00e1szl\u00f3 Moholy-Nagy<\/small><\/td><td><small>Photogram from 10 Photograms 1922-1926<\/small><\/td><td><small>\u62c9\u5179\u6d1b\u00b7\u83ab\u970d\u5229-\u7eb3\u5409<\/small><\/td><td><small>\u9ed1\u5f71\u7167\u7247 \u51fa\u81ea\u9ed1\u5f71\u7167\u7247\u96c6\u300a10\u5e45\u9ed1\u5f71\u7167\u7247 1922-1926\u300b<\/small><\/td><td><small>\ub77c\uc2ac\ub85c \ubaa8\ud640\ub9ac \ub098\uc9c0&nbsp;<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a10\uc810\uc758 \ud3ec\ud1a0\uadf8\ub7a8 1922~1926\u300b \uc911, \ud3ec\ud1a0\uadf8\ub7a8<\/small><\/td><td><small>1922-26 (1973 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Herbert Bayer&nbsp;<\/small><\/td><td><small>Metamorphosis<\/small><\/td><td><small>\u8d6b\u4f2f\u7279\u00b7\u62dc\u8036<\/small><\/td><td><small>\u53d8\u5f62<\/small><\/td><td><small>\ud5e4\ub974\ubca0\ub974\ud2b8 \ubc14\uc774\uc5b4<\/small><\/td><td><small>\uba54\ud0c0\ubaa8\ub974\ud3ec\uc81c<\/small><\/td><td><small>1936 (1968 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gerd Balzer&nbsp;<\/small><\/td><td><small>Prellerhaus Balconies, Bauhaus Dessau from the portfolio BAUHAUS I \/ II 20 Photographs 1919-1933<\/small><\/td><td><small>\u683c\u5c14\u5fb7\u00b7\u5df4\u5c14\u7b56<\/small><\/td><td><small>\u5b66\u751f\u5de5\u4f5c\u5ba4\u697c\u7684\u9633\u53f0\uff0c\u5fb7\u7ecd\u5305\u8c6a\u65af\u5b66\u6821&nbsp; \u51fa\u81ea\u4f5c\u54c1\u96c6\u300a\u5305\u8c6a\u65af I\/\u216120\u5e45\u7167\u7247 1919-1933\u300b<\/small><\/td><td><small>\uac8c\ub974\ud2b8 \ubc1c\ucc98&nbsp;<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\ubc14\uc6b0\ud558\uc6b0\uc2a4 I\/\u2161 20\uc810\uc758 \uc0ac\uc9c4 1919~1933\u300b \uc911, \ubc14\uc6b0\ud558\uc6b0\uc2a4 \ud559\uc0dd \uc544\ud2c0\ub9ac\uc5d0 \uac74\ubb3c\uc758 \ubc1c\ucf54\ub2c8, \ub370\uc0ac\uc6b0<\/small><\/td><td><small>1933 (1985 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Katt Both<\/small><\/td><td><small>Atikah Cigarettes from the portfolio BAUHAUS I \/ II 20 Photographs 1919-1933<\/small><\/td><td><small>\u5361\u7279\u00b7\u535a\u7279<\/small><\/td><td><small>\u963f\u63d0\u5361\u9999\u70df&nbsp; \u51fa\u81ea\u4f5c\u54c1\u96c6\u300a\u5305\u8c6a\u65af I\/\u216120\u5e45\u7167\u7247 1919-1933\u300b<\/small><\/td><td><small>\ucea3 \ubcf4\ud2b8&nbsp;<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\ubc14\uc6b0\ud558\uc6b0\uc2a4 I\/\u2161 20\uc810\uc758 \uc0ac\uc9c4 1919~1933\u300b \uc911, \uc544\ud2f0\uce74 \uc2dc\uac00\ub81b<\/small><\/td><td><small>1930-31 (1985 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walter Funkat&nbsp;<\/small><\/td><td><small>Glass Spheres, Metal Festival from the portfolio BAUHAUS I \/ II 20 Photographs 1919-1933<\/small><\/td><td><small>\u74e6\u5c14\u7279\u00b7\u4e30\u5361\u7279<\/small><\/td><td><small>\u73bb\u7483\u7403\u4f53\u3001\u91d1\u5c5e\u97f3\u4e50\u8282&nbsp; \u51fa\u81ea\u4f5c\u54c1\u96c6\u300a\u5305\u8c6a\u65af I\/\u216120\u5e45\u7167\u7247 1919-1933\u300b<\/small><\/td><td><small>\ubc1c\ud130 \ud47c\uce74\ud2b8<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\ubc14\uc6b0\ud558\uc6b0\uc2a4 I\/\u2161 20\uc810\uc758 \uc0ac\uc9c4 1919~1933\u300b \uc911, \uc720\ub9ac \uad6c\uccb4, \uba54\ud0c8 \ud398\uc2a4\ud2f0\ubc8c<\/small><\/td><td><small>1929 (1985 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>T. Lux Feininger&nbsp;<\/small><\/td><td><small>Bauhaus Band from the portfolio BAUHAUS I \/ II 20 Photographs 1919-1933<\/small><\/td><td><small>T\u2022\u5362\u514b\u65af\u2022\u8d39\u5b81\u683c<\/small><\/td><td><small>\u5305\u8c6a\u65af\u4e50\u961f&nbsp; \u51fa\u81ea\u4f5c\u54c1\u96c6\u300a\u5305\u8c6a\u65af I\/\u216120\u5e45\u7167\u7247 1919-1933\u300b<\/small><\/td><td><small>T. \ub8e9\uc2a4 \ud30c\uc774\ub2dd\uac70&nbsp;<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\ubc14\uc6b0\ud558\uc6b0\uc2a4 I\/\u2161 20\uc810\uc758 \uc0ac\uc9c4 1919~1933\u300b \uc911, \ubc14\uc6b0\ud558\uc6b0\uc2a4 \ubc34\ub4dc&nbsp;<\/small><\/td><td><small>c.1928 (1985 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gy\u00f6rgy Kepes&nbsp;<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u6377\u5c14\u5409\u2022\u51ef\u6d3e\u4ec0<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc870\ub974\uc8fc \ucf00\ud398\uc288<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>1939<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Harry Callahan&nbsp;<\/small><\/td><td><small>Eleanor, Chicago, 1947<\/small><\/td><td><small>\u54c8\u91cc\u00b7\u5361\u62c9\u6c49&nbsp;<\/small><\/td><td><small>\u57c3\u8389\u8bfa\uff0c\u829d\u52a0\u54e5\uff0c1947<\/small><\/td><td><small>\ud574\ub9ac \uce98\ub7ec\ud578<\/small><\/td><td><small>\uc5d8\ub9ac\ub178\uc5b4, \uc2dc\uce74\uace0, 1947<\/small><\/td><td><small>1947<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Aaron Siskind<\/small><\/td><td><small>Gloucester 1h from 75th Anniversary Portfolio<\/small><\/td><td><small>\u827e\u4f26\u00b7\u897f\u65af\u91d1\u5fb7<\/small><\/td><td><small>\u683c\u6d1b\u65af\u7279 1h&nbsp; \u51fa\u81ea\u300a75\u5468\u5e74\u4f5c\u54c1\u96c6\u300b<\/small><\/td><td><small>\uc560\ub7f0 \uc2dc\uc2a4\ud0a8\ub4dc<\/small><\/td><td><small>\u300a75\uc8fc\ub144 \ud3ec\ud2b8\ud3f4\ub9ac\uc624\u300b \uc911, \uae00\ub85c\uc2a4\ud130 1h<\/small><\/td><td><small>1944 (1979 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Aaron Siskind<\/small><\/td><td><small>Feet 102 from 75th Anniversary Portfolio<\/small><\/td><td><small>\u827e\u4f26\u00b7\u897f\u65af\u91d1\u5fb7<\/small><\/td><td><small>\u8db3 102&nbsp; \u51fa\u81ea\u300a75\u5468\u5e74\u4f5c\u54c1\u96c6\u300b<\/small><\/td><td><small>\uc560\ub7f0 \uc2dc\uc2a4\ud0a8\ub4dc<\/small><\/td><td><small>\u300a75\uc8fc\ub144 \ud3ec\ud2b8\ud3f4\ub9ac\uc624\u300b \uc911, \ubc1c 102<\/small><\/td><td><small>1957 (1979 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHTSUJI, Kiyoji<\/small><\/td><td><small>Pattern on Ice from Kiyoji Ohtsuji Portfolio<\/small><\/td><td><small>\u5927\u8fbb\u6e05\u53f8<\/small><\/td><td><small>\u6c34\u7eb9&nbsp; \u51fa\u81ea\u300a\u5927\u8fbb\u6e05\u53f8\u4f5c\u54c1\u96c6\u300b<\/small><\/td><td><small>\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\u300a\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc \ud3ec\ud2b8\ud3f4\ub9ac\uc624\u300b \uc911, \uc5bc\uc74c \uc704\uc758 \ubb34\ub2ac<\/small><\/td><td><small>1956 (1997 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHTSUJI, Kiyoji<\/small><\/td><td><small>Pattern on Ice from Kiyoji Ohtsuji Portfolio<\/small><\/td><td><small>\u5927\u8fbb\u6e05\u53f8<\/small><\/td><td><small>\u51b0\u7eb9&nbsp; \u51fa\u81ea\u300a\u5927\u8fbb\u6e05\u53f8\u4f5c\u54c1\u96c6\u300b<\/small><\/td><td><small>\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\u300a\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc \ud3ec\ud2b8\ud3f4\ub9ac\uc624\u300b \uc911, \uc5bc\uc74c \uc704\uc758 \ubb34\ub2ac<\/small><\/td><td><small>1956 (1997 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHTSUJI, Kiyoji<\/small><\/td><td><small>Airplane<\/small><\/td><td><small>\u5927\u8fbb\u6e05\u53f8<\/small><\/td><td><small>\u98de\u673a<\/small><\/td><td><small>\uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\ud56d\uacf5\uae30<\/small><\/td><td><small>1957 (1998 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>4. Formal Stone Pavement, Stone and Moss in Front of the Main Entrance of the Old Shoin from Katsura<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u4f5c\u54c1\u96c6\u300a\u6842\u300b\u4e4b \u56db\u3001\u53e4\u4e66\u9662\u7384\u5173\u524d\u7684\u77f3\u677f\u8def\u3001\u77f3\u5934\u548c\u9752\u82d4<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300a\uac00\uc4f0\ub77c\u300b \uc911 4,&nbsp; \uace0\uc11c\uc6d0 \uc785\uad6c\uc758 \ub3cc\uae38\u30fb\ub3cc\uacfc \uc774\ub07c<\/small><\/td><td><small>1954<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>From Chicago, Chicago<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u300a\u829d\u52a0\u54e5\u3001\u829d\u52a0\u54e5\u300b\u7cfb\u5217<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\u300a\uc2dc\uce74\uace0, \uc2dc\uce74\uace0\u300b \uc911\uc5d0\uc11c<\/small><\/td><td><small>1958-61 (1992 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>From Chicago, Chicago<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u300a\u829d\u52a0\u54e5\u3001\u829d\u52a0\u54e5\u300b\u7cfb\u5217<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\u300a\uc2dc\uce74\uace0, \uc2dc\uce74\uace0\u300b \uc911\uc5d0\uc11c<\/small><\/td><td><small>1958-61 (1992 print)<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>Snow Steps<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u96ea\u7684\u8db3\u8ff9<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\ub208 \uc704\uc758 \ubc1c\uc790\uad6d<\/small><\/td><td><small>1994-95<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Marcel Breuer et al.<\/small><\/td><td><small>Catalogue: Staatliches Bauhaus in Weimar 1919-1923<\/small><\/td><td><small>\u9a6c\u6b47\u00b7\u5e03\u52b3\u8036 \u7b49<\/small><\/td><td><small>\u300a\u9b4f\u739b\u56fd\u7acb\u5305\u8c6a\u65af\u5b66\u68211919-1923\u300b<\/small><\/td><td><small>\ub9c8\ub974\uc140 \ube0c\ub85c\uc774\uc5b4 \uc678&nbsp;<\/small><\/td><td><small>\u300e\ubc14\uc774\ub9c8\ub974 \uad6d\ub9bd \ubc14\uc6b0\ud558\uc6b0\uc2a4 1919~1923\u300f<\/small><\/td><td><small>1923<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walter Gropius et al.<\/small><\/td><td><small>Magazine Bauhaus(vol.1, no.1)<\/small><\/td><td><small>\u74e6\u5c14\u7279\u00b7\u683c\u7f57\u76ae\u4e4c\u65af \u7b49<\/small><\/td><td><small>\u673a\u5173\u6742\u5fd7\u300a\u5305\u8c6a\u65af\u300b\uff08\u7b2c1\u5377\u7b2c1\u53f7\uff09<\/small><\/td><td><small>\ubc1c\ud130 \uadf8\ub85c\ud53c\uc6b0\uc2a4 \uc678&nbsp;<\/small><\/td><td><small>\uae30\uad00\uc9c0 \u300e\ubc14\uc6b0\ud558\uc6b0\uc2a4\u300f(\uc81c1\uad8c \uc81c1\ud638)<\/small><\/td><td><small>1926<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Herbert Bayer&nbsp;<\/small><\/td><td><small>Exhibition catalogue of the Soci\u00e9t\u00e9 des Artistes D\u00e9corateurs, Section Allemande<\/small><\/td><td><small>\u8d6b\u4f2f\u7279\u00b7\u62dc\u8036<\/small><\/td><td><small>\u5df4\u9ece\u88c5\u9970\u827a\u672f\u5bb6\u534f\u4f1a\u5c55\u300a\u5fb7\u56fd\u90e8\u95e8\u300b\u5c55\u54c1\u76ee\u5f55<\/small><\/td><td><small>\ud5e4\ub974\ubca0\ub974\ud2b8 \ubc14\uc774\uc5b4<\/small><\/td><td><small>\ud30c\ub9ac \uc7a5\uc2dd\uc608\uc220\uac00\ud611\ud68c\uc804 \u300e\ub3c5\uc77c \ubd80\ubb38\u300f \uce74\ud0c8\ub85c\uadf8<\/small><\/td><td><small>1930<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Kurt Schmidt&nbsp;<\/small><\/td><td><small>Pamphlet:Thonet Stahlrohrm\u00f6bel<\/small><\/td><td><small>\u5e93\u5c14\u7279\u00b7\u65bd\u5bc6\u7279<\/small><\/td><td><small>\u300a\u7d22\u8010\u7279\u7684\u94a2\u7ba1\u5bb6\u5177\u300b<\/small><\/td><td><small>\ucfe0\ub974\ud2b8 \uc288\ubbf8\ud2b8<\/small><\/td><td><small>\u300e\ud1a0\ub137\uc758 \uc2a4\ud2f8 \ud30c\uc774\ud504 \uac00\uad6c\u300f<\/small><\/td><td><small>1930-31<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Otto Lindig&nbsp;<\/small><\/td><td><small>Cocoa pot<\/small><\/td><td><small>\u5965\u6258\u00b7\u6797\u8fea\u5e0c<\/small><\/td><td><small>\u53ef\u53ef\u58f6<\/small><\/td><td><small>\uc624\ud1a0 \ub9b0\ub514\ud788<\/small><\/td><td><small>\ucf54\ucf54\uc544\ud31f<\/small><\/td><td><small>c.1920-24<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Theodor Bogler&nbsp;<\/small><\/td><td><small>Teapot<\/small><\/td><td><small>\u7279\u5965\u591a\u5c14\u00b7\u4f2f\u683c\u52d2<\/small><\/td><td><small>\u8336\u58f6<\/small><\/td><td><small>\ud14c\uc624\ub3c4\ub974 \ubcf4\uae00\ub7ec<\/small><\/td><td><small>\ud2f0\ud31f<\/small><\/td><td><small>1925-26<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Marcel Breuer<\/small><\/td><td><small>Club chair B3 Wassily<\/small><\/td><td><small>\u9a6c\u6b47\u00b7\u5e03\u52b3\u8036<\/small><\/td><td><small>\u4ff1\u4e50\u90e8\u6905 B3\u201c\u74e6\u897f\u91cc\u201d<\/small><\/td><td><small>\ub9c8\ub974\uc140 \ube0c\ub85c\uc774\uc5b4&nbsp;<\/small><\/td><td><small>\ud074\ub7fd \uccb4\uc5b4 B3(\ubc14\uc2e4\ub9ac)<\/small><\/td><td><small>1927<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Ludwig Mies van der Rohe&nbsp;<\/small><\/td><td><small>MR 10, Chair<\/small><\/td><td><small>\u8def\u5fb7\u7ef4\u5e0c\u00b7\u5bc6\u65af\u00b7\u51e1\u00b7\u5fb7\u00b7\u7f57<\/small><\/td><td><small>MR10 \u6905\u5b50<\/small><\/td><td><small>\ub8e8\ud2b8\ube44\ud788 \ubbf8\uc2a4 \ubc18 \ub370\uc5b4 \ub85c\uc5d0&nbsp;<\/small><\/td><td><small>MR 10 \uc758\uc790<\/small><\/td><td><small>1927<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Otto Lindig&nbsp;<\/small><\/td><td><small>Tea set<\/small><\/td><td><small>\u5965\u6258\u00b7\u6797\u8fea\u5e0c<\/small><\/td><td><small>\u8336\u5177\u5957\u88c5<\/small><\/td><td><small>\uc624\ud1a0 \ub9b0\ub514\ud788<\/small><\/td><td><small>\ud2f0 \uc138\ud2b8&nbsp;<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Erich Dieckmann&nbsp;<\/small><\/td><td><small>Chair for a child<\/small><\/td><td><small>\u57c3\u91cc\u5e0c\u00b7\u8fea\u514b\u66fc<\/small><\/td><td><small>\u513f\u7ae5\u7528\u6905\u5b50<\/small><\/td><td><small>\uc5d0\ub9ac\ud788 \ub514\ud06c\ub9cc<\/small><\/td><td><small>\uc5b4\ub9b0\uc774\uc6a9 \uc758\uc790<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Marcel Breuer<\/small><\/td><td><small>Side chair B6<\/small><\/td><td><small>\u9a6c\u6b47\u00b7\u5e03\u52b3\u8036<\/small><\/td><td><small>\u9910\u6905 B6<\/small><\/td><td><small>\ub9c8\ub974\uc140 \ube0c\ub85c\uc774\uc5b4&nbsp;<\/small><\/td><td><small>\uc0ac\uc774\ub4dc \uccb4\uc5b4 B6<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Marcel Breuer<\/small><\/td><td><small>Tea trolley<\/small><\/td><td><small>\u9a6c\u6b47\u00b7\u5e03\u52b3\u8036<\/small><\/td><td><small>\u8336\u5177\u8f66<\/small><\/td><td><small>\ub9c8\ub974\uc140 \ube0c\ub85c\uc774\uc5b4&nbsp;<\/small><\/td><td><small>\ud2f0 \ud2b8\ub864\ub9ac<\/small><\/td><td><small>1932<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAWAKI, Iwao<\/small><\/td><td><small>Steel pipe chair at the House of Mine<\/small><\/td><td><small>\u5c71\u80c1\u5ca9<\/small><\/td><td><small>\u94a2\u7ba1\u6905\u5b50\uff08\u5cf0\u90b8\uff09<\/small><\/td><td><small>\uc57c\ub9c8\uc640\ud0a4 \uc774\uc640\uc624&nbsp;<\/small><\/td><td><small>\uc2a4\ud2f8 \ud30c\uc774\ud504 \uc758\uc790(\ubbf8\ub124 \uc800\ud0dd)<\/small><\/td><td><small>1934<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Wilhelm Wagenfeld&nbsp;<\/small><\/td><td><small>Kubus<\/small><\/td><td><small>\u5a01\u5ec9\u2022\u74e6\u6839\u83f2\u5c14\u5fb7<\/small><\/td><td><small>\u7acb\u65b9\u4f53<\/small><\/td><td><small>\ube4c\ud5ec\ub984 \ubc14\uac90\ud3a0\ud2b8&nbsp;<\/small><\/td><td><small>\ud050\ube0c<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAMURA, Toyochika<\/small><\/td><td><small>Vase, bronze<\/small><\/td><td><small>\u9ad8\u6751\u4e30\u5468<\/small><\/td><td><small>\u9752\u94dc\u82b1\u74f6<\/small><\/td><td><small>\ub2e4\uce74\ubb34\ub77c \ub3c4\uc694\uce58\uce74<\/small><\/td><td><small>\uccad\ub3d9 \uaf43\ubcd1<\/small><\/td><td><small>c.1926<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAMURA, Toyochika<\/small><\/td><td><small>Vase, bronze<\/small><\/td><td><small>\u9ad8\u6751\u4e30\u5468<\/small><\/td><td><small>\u9752\u94dc\u82b1\u74f6<\/small><\/td><td><small>\ub2e4\uce74\ubb34\ub77c \ub3c4\uc694\uce58\uce74<\/small><\/td><td><small>\uccad\ub3d9 \uaf43\ubcd1<\/small><\/td><td><small>c.1926<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAKOSHI, Michimori<\/small><\/td><td><small>Framed panel with a squirrel motif<\/small><\/td><td><small>\u6751\u8d8a\u9053\u5b88<\/small><\/td><td><small>\u5e26\u6846\u9576\u677f \u677e\u9f20<\/small><\/td><td><small>\ubb34\ub77c\ucf54\uc2dc \ubbf8\uce58\ubaa8\ub9ac<\/small><\/td><td><small>\ub2e4\ub78c\uc950 \uc7a5\uc2dd\ud310<\/small><\/td><td><small>1930s<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOYODA, Katsuaki<\/small><\/td><td><small>Vase with spiral lines, bronze, casting<\/small><\/td><td><small>\u4e30\u7530\u80dc\u79cb<\/small><\/td><td><small>\u94dc\u94f8\u82b1\u74f6 B<\/small><\/td><td><small>\ub3c4\uc694\ub2e4 \uac00\uc4f0\uc544\ud0a4<\/small><\/td><td><small>\uccad\ub3d9\uc8fc\uc870 \uaf43\ubcd1 \u201cB\u201d<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAZAKI, Kakutaro<\/small><\/td><td><small>Cigarette case and ash tray with handle<\/small><\/td><td><small>\u5c71\u5d0e\u89c9\u592a\u90ce<\/small><\/td><td><small>\u70df\u5177<\/small><\/td><td><small>\uc57c\ub9c8\uc790\ud0a4 \uac00\ucfe0\ud0c0\ub85c&nbsp;<\/small><\/td><td><small>\ub07d\uc5f0\ub3c4\uad6c<\/small><\/td><td><small>c.1935<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>Woman Sitting on a Chair<\/small><\/td><td><small>\u5409\u5188\u575a\u4e8c<\/small><\/td><td><small>\u9760\u7740\u6905\u5b50\u7684\u5973\u4eba<\/small><\/td><td><small>\uc694\uc2dc\uc624\uce74 \uac90\uc9c0<\/small><\/td><td><small>\uc758\uc790\uc5d0 \uae30\ub304 \uc5ec\uc778<\/small><\/td><td><small>1931<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>A Rest<\/small><\/td><td><small>\u5409\u5188\u575a\u4e8c<\/small><\/td><td><small>\u5c0f\u61a9<\/small><\/td><td><small>\uc694\uc2dc\uc624\uce74 \uac90\uc9c0<\/small><\/td><td><small>\uc9e7\uc740 \ud734\uc2dd<\/small><\/td><td><small>1933<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Klee&nbsp;<\/small><\/td><td><small>Small Autumn Landscape<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229<\/small><\/td><td><small>\u5c0f\u5c0f\u79cb\u5929\u7684\u98ce\u666f<\/small><\/td><td><small>\ud30c\uc6b8 \ud074\ub808<\/small><\/td><td><small>\uc791\uc740 \uac00\uc744 \ud48d\uacbd<\/small><\/td><td><small>1920<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Klee&nbsp;<\/small><\/td><td><small>Flower Terrace<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229<\/small><\/td><td><small>\u82b1\u7684\u9633\u53f0<\/small><\/td><td><small>\ud30c\uc6b8 \ud074\ub808<\/small><\/td><td><small>\uaf43\uc758 \ud14c\ub77c\uc2a4<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0043<\/small><\/td><td><small>Wassily Kandinsky&nbsp;<\/small><\/td><td><small>The Whole<\/small><\/td><td><small>\u74e6\u897f\u91cc\u00b7\u5eb7\u5b9a\u65af\u57fa<\/small><\/td><td><small>\u5168\u4f53<\/small><\/td><td><small>\ube44\uc2e4\ub9ac \uce78\ub518\uc2a4\ud0a4<\/small><\/td><td><small>\uc804\uccb4<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Klee&nbsp;<\/small><\/td><td><small>The Saint of the Inner Light<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229<\/small><\/td><td><small>\u4ece\u5185\u9762\u53d1\u5149\u7684\u5723\u5973<\/small><\/td><td><small>\ud30c\uc6b8 \ud074\ub808<\/small><\/td><td><small>\ub0b4\uba74\uc758 \ube5b\uc744 \ubc1c\ud558\ub294 \uc131\ub140<\/small><\/td><td><small>1921<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Klee&nbsp;<\/small><\/td><td><small>Hoffmannesque Fairy-Tale Scene<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229<\/small><\/td><td><small>\u970d\u592b\u66fc\u5f0f\u7684\u6545\u4e8b<\/small><\/td><td><small>\ud30c\uc6b8 \ud074\ub808<\/small><\/td><td><small>\ud638\ud504\ub9cc \ud48d \uc774\uc57c\uae30<\/small><\/td><td><small>1921<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Klee&nbsp;<\/small><\/td><td><small>Postcard for the Bauhaus Exhibition The Sublime Aspect 1923<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229<\/small><\/td><td><small>\u5305\u8c6a\u65af\u5c55\u660e\u4fe1\u7247\u201c\u5d07\u9ad8\u7684\u4e00\u9762\u201d\uff081932\u5e74\uff09<\/small><\/td><td><small>\ud30c\uc6b8 \ud074\ub808<\/small><\/td><td><small>\ubc14\uc6b0\ud558\uc6b0\uc2a4\uc804\uc744 \uc704\ud55c \uadf8\ub9bc\uc5fd\uc11c \u201c\uc22d\uace0\ud55c \uba74\u201d(1923\ub144)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Klee&nbsp;<\/small><\/td><td><small>Prickle, the Clown<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229<\/small><\/td><td><small>\u6709\u523a\u7684\u5c0f\u4e11<\/small><\/td><td><small>\ud30c\uc6b8 \ud074\ub808<\/small><\/td><td><small>\uac00\uc2dc \ub3cb\uce5c \uad11\ub300<\/small><\/td><td><small>1931<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Copies after P. Klee\u2019s Last Snow (1927) and The Twittering Machine (1922)<\/small><\/td><td><small>\u53e4\u8d3a\u6625\u6c5f<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229\u4f5c\u54c1\u300a\u6700\u540e\u7684\u96ea\u300b\uff081927\u5e74\uff09\u4e0e\u300a\u9e23\u556d\u7684\u673a\u68b0\u300b\uff081922\u5e74\uff09\u7684\u6479\u5199<\/small><\/td><td><small>\uace0\uac00 \ud558\ub8e8\uc5d0<\/small><\/td><td><small>P. \ud074\ub808 \uc791 \u300a\ub9c8\uc9c0\ub9c9 \ub208\u300b(1927\ub144) \ubc0f \u300a\uc9c0\uc800\uadc0\ub294 \uae30\uacc4\u300b(1922\ub144)\uc758 \ubaa8\uc0ac<\/small><\/td><td><small>date unknown<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Copy after P. Klee\u2019s Kairuan (1914)<\/small><\/td><td><small>\u53e4\u8d3a\u6625\u6c5f<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229\u4f5c\u54c1\u300a\u51ef\u9c81\u4e07\u300b\uff081914\u5e74\uff09\u7684\u6479\u5199<\/small><\/td><td><small>\uace0\uac00 \ud558\ub8e8\uc5d0<\/small><\/td><td><small>P. \ud074\ub808 \uc791 \u300a\uce74\uc774\ub8e8\uc548\u300b(1914\ub144)\uc758 \ubaa8\uc0ac<\/small><\/td><td><small>c.1925<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Copies after P. Klee\u2019s Times of the Plants or \u2018Time and Plants (1927) and Scenic \u2013 Physiognomic(1923)<\/small><\/td><td><small>\u53e4\u8d3a\u6625\u6c5f<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229\u4f5c\u54c1\u300a\u690d\u7269\u7684\u65f6\u95f4\u6216\u201c\u65f6\u95f4\u4e0e\u690d\u7269\u201d\u300b\uff081927\u5e74\uff09\u53ca\u300a\u50cf\u98ce\u666f\u4e00\u6837\u2014\u2014\u89c2\u76f8\u5b66\u5f0f\u300b\uff081923\u5e74\uff09\u7684\u6479\u5199<\/small><\/td><td><small>\uace0\uac00 \ud558\ub8e8\uc5d0<\/small><\/td><td><small>P. \ud074\ub808 \uc791 \u300a\uc2dd\ubb3c\uc758 \uc2dc\uac04 \ud639\uc740 \u201c\uc2dc\uac04\uacfc \uc2dd\ubb3c\u201d\u300b(1927\ub144) \ubc0f \u300a\ud48d\uacbd\ucc98\ub7fc\u2013\uc778\uc0c1\ud559\uc801\uc73c\ub85c\u300b(1923\ub144)\uc758 \ubaa8\uc0ac<\/small><\/td><td><small>date unknown<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Copy after P. Klee\u2019s The Full Moon (1919)<\/small><\/td><td><small>\u53e4\u8d3a\u6625\u6c5f<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229\u4f5c\u54c1\u300a\u6ee1\u6708\u300b\uff081919\u5e74\uff09\u7684\u6479\u5199<\/small><\/td><td><small>\uace0\uac00 \ud558\ub8e8\uc5d0<\/small><\/td><td><small>P. \ud074\ub808 \uc791 \u300a\ub9cc\uc6d4\u300b(1919\ub144)\uc758 \ubaa8\uc0ac<\/small><\/td><td><small>date unknown<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Cahiers d\u2019Art, no. 7, 1928.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cExhibition of 20th Century Design.\u201d Gendai No Me, Newsletter of The National<\/small><br><small>Museum of Modern Art, no. 28, March 1957.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cAbout Bauhaus Exhibition no. 1.\u201d<\/small><br><small>Gendai No Me, Newsletter of The National Museum of Modern Art, Tokyo, no. 195, February 1971.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cAbout Bauhaus Exhibition no. 2.\u201d<\/small><br><small>Gendai No Me, Newsletter of The National Museum of Modern Art, Tokyo, no. 196, March 1971.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Toyoguchi Katsuhei. Standardized Furniture. Togaku-sha, 1935.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Daum Fr\u00e8res<\/small><\/td><td><small>Long-necked vase, trees in the rain design<\/small><\/td><td><small>\u591a\u59c6\u5144\u5f1f<\/small><\/td><td><small>\u98ce\u96e8\u6811\u6797\u7eb9\u9e64\u9888\u82b1\u74f6<\/small><\/td><td><small>\ub3d4 \ud615\uc81c<\/small><\/td><td><small>\ube44\ubc14\ub78c \uc18d\uc758 \uc232\ubb34\ub2ac \uae34\ubaa9 \uaf43\ubcd1<\/small><\/td><td><small>c.1903<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Daum Fr\u00e8res<\/small><\/td><td><small>Bowl, trees in the rain design<\/small><\/td><td><small>\u591a\u59c6\u5144\u5f1f<\/small><\/td><td><small>\u98ce\u96e8\u6811\u6797\u6587\u94b5<\/small><\/td><td><small>\ub3d4 \ud615\uc81c<\/small><\/td><td><small>\ube44\ubc14\ub78c \uc18d\uc758 \uc232\ubb34\ub2ac \ubc1c<\/small><\/td><td><small>c.1903<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Daum Fr\u00e8res<\/small><\/td><td><small>Vase, trees in the rain design<\/small><\/td><td><small>\u591a\u59c6\u5144\u5f1f<\/small><\/td><td><small>\u98ce\u96e8\u6811\u6797\u7eb9\u82b1\u74f6<\/small><\/td><td><small>\ub3d4 \ud615\uc81c<\/small><\/td><td><small>\ube44\ubc14\ub78c \uc18d\uc758 \uc232\ubb34\ub2ac \uaf43\ubcd1<\/small><\/td><td><small>c.1903<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Daum Fr\u00e8res<\/small><\/td><td><small>Cylindrical vase, trees in the rain design<\/small><\/td><td><small>\u591a\u59c6\u5144\u5f1f<\/small><\/td><td><small>\u98ce\u96e8\u6811\u6797\u7eb9\u5706\u7b52\u578b\u82b1\u74f6<\/small><\/td><td><small>\ub3d4 \ud615\uc81c<\/small><\/td><td><small>\ube44\ubc14\ub78c \uc18d\uc758 \uc232\ubb34\ub2ac \uc6d0\ud1b5\ud615 \uaf43\ubcd1<\/small><\/td><td><small>c.1903<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AKATSUKA, Jitoku<\/small><\/td><td><small>Inkstone case, Evergreen, maki-e<\/small><\/td><td><small>\u8d64\u585a\u81ea\u5f97<\/small><\/td><td><small>\u5e38\u7eff\u83b3\u7ed8\u781a\u7bb1<\/small><\/td><td><small>\uc544\uce74\uc4f0\uce74 \uc9c0\ud1a0\ucfe0<\/small><\/td><td><small>\ub9c8\ud0a4\uc5d0 \u2018\uc0c1\ub85d\u2019 \ubcbc\ub8e8\ud568<\/small><\/td><td><small>c.1926-36<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AKATSUKA, Jitoku<\/small><\/td><td><small>Paper case, Evergreen, maki-e<\/small><\/td><td><small>\u8d64\u585a\u81ea\u5f97<\/small><\/td><td><small>\u5e38\u7eff\u83b3\u7ed8\u6599\u7eb8\u7bb1<\/small><\/td><td><small>\uc544\uce74\uc4f0\uce74 \uc9c0\ud1a0\ucfe0<\/small><\/td><td><small>\ub9c8\ud0a4\uc5d0 \u2018\uc0c1\ub85d\u2019 \uc885\uc774\ud568<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKASUGI, Yososhichi<\/small><\/td><td><small>A pair of two brass vases with carved motifs of bamboo and Kannon<\/small><\/td><td><small>\u4e2d\u6749\u4e0e\u4e09\u4e03<\/small><\/td><td><small>\u9ec4\u94dc\u5236\u7af9\u6797\u89c2\u97f3\u96d5\u523b\u82b1\u74f6<\/small><\/td><td><small>\ub098\uce74\uc988\ud0a4 \uc694\uc18c\uc2dc\uce58<\/small><\/td><td><small>\ud669\ub3d9\uc81c \uc8fd\ub9bc \uad00\uc74c \uc870\uac01 \ud654\ubcd1<\/small><\/td><td><small>1890<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TERASAKI, Kogyo<\/small><\/td><td><small>Hills with Clouds, Summer Moon from Four Scenes of Mountain Stream<\/small><\/td><td><small>\u5bfa\u5d0e\u5e7f\u4e1a<\/small><\/td><td><small>\u201c\u6eaa\u56db\u9898\u201d\u4e4b \u4e91\u5cf0\u00b7\u590f\u6708<\/small><\/td><td><small>\ub370\ub77c\uc0ac\ud0a4 \uace0\uad50<\/small><\/td><td><small>\u300a\uacc4\uace1\uc758 \ub124 \ud48d\uacbd\u300b \uc911, \uc6b4\ubd09, \uc5ec\ub984 \ub2ec<\/small><\/td><td><small>1909<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKUCHI, Keigetsu<\/small><\/td><td><small>Dragonflies<\/small><\/td><td><small>\u83ca\u6c60\u5951\u6708<\/small><\/td><td><small>\u94c1\u6d46\u873b\u8713<\/small><\/td><td><small>\uae30\ucfe0\uce58 \uac8c\uc774\uac8c\uc4f0<\/small><\/td><td><small>\uac80\ubb3c\uc7a0\uc790\ub9ac<\/small><\/td><td><small>1913<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0034<\/small><\/td><td><small>TOKUOKA, Shinsen<\/small><\/td><td><small>Lotus<\/small><\/td><td><small>\u5fb7\u5188\u795e\u6cc9<\/small><\/td><td><small>\u83b2<\/small><\/td><td><small>\ub3c4\ucfe0\uc624\uce74 \uc2e0\uc13c<\/small><\/td><td><small>\uc5f0<\/small><\/td><td><small>1925<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOKOYAMA, Taikan<\/small><\/td><td><small>After Rain, Moonlit Night<\/small><\/td><td><small>\u6a2a\u5c71\u5927\u89c2<\/small><\/td><td><small>\u96e8\u540e\u00b7\u6708\u591c<\/small><\/td><td><small>\uc694\ucf54\uc57c\ub9c8 \ub2e4\uc774\uce78<\/small><\/td><td><small>\ube44\uac00 \uc628 \ub4a4, \ub2ec\ubc24<\/small><\/td><td><small>c.1925<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKEUCHI, Seiho<\/small><\/td><td><small>Birds at Roost<\/small><\/td><td><small>\u7af9\u5185\u6816\u51e4<\/small><\/td><td><small>\u5f52\u5de2\u7684\u9e2d\u5b50\u548c\u4e4c\u9e26<\/small><\/td><td><small>\ub2e4\ucf00\uc6b0\uce58 \uc138\uc774\ud638<\/small><\/td><td><small>\uc219\uc555\uc219\uc544<\/small><\/td><td><small>1926<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIYAMA, Taihaku<\/small><\/td><td><small>Deep Gorge<\/small><\/td><td><small>\u77f3\u5c71\u592a\u67cf<\/small><\/td><td><small>\u5e7d\u6eaa<\/small><\/td><td><small>\uc774\uc2dc\uc57c\ub9c8 \ub2e4\uc774\ud558\ucfe0<\/small><\/td><td><small>\uae4a\uc740 \uacc4\uace1<\/small><\/td><td><small>1927<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMOTO, Kyujin<\/small><\/td><td><small>Early Summer Rain<\/small><\/td><td><small>\u5c71\u672c\u4e18\u4eba<\/small><\/td><td><small>\u4e94\u6708\u96e8<\/small><\/td><td><small>\uc57c\ub9c8\ubaa8\ud1a0 \uaddc\uc9c4<\/small><\/td><td><small>\uc774\ub978 \uc7a5\ub9c8<\/small><\/td><td><small>1929<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAI, Gyokudo<\/small><\/td><td><small>Autumn Rain<\/small><\/td><td><small>\u5ddd\u5408\u7389\u5802<\/small><\/td><td><small>\u5f69\u96e8<\/small><\/td><td><small>\uac00\uc640\uc774 \uad50\ucfe0\ub3c4<\/small><\/td><td><small>\uac00\uc744\ube44<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAI, Kenji<\/small><\/td><td><small>Misty Rain<\/small><\/td><td><small>\u6cb3\u5408\u5065\u4e8c<\/small><\/td><td><small>\u96fe\u96e8<\/small><\/td><td><small>\uac00\uc640\uc774 \uac90\uc9c0<\/small><\/td><td><small>\uc548\uac1c\ube44<\/small><\/td><td><small>1947<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHII, Tsuruzo<\/small><\/td><td><small>Mountains<\/small><\/td><td><small>\u77f3\u4e95\u9e64\u4e09<\/small><\/td><td><small>\u5c71\u5cb3<\/small><\/td><td><small>\uc774\uc2dc\uc774 \uc4f0\ub8e8\uc870<\/small><\/td><td><small>\uc0b0\uc545<\/small><\/td><td><small>c.1912\/26<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Shinsui<\/small><\/td><td><small>The Pine of Karasaki from Eight Views of Omi<\/small><\/td><td><small>\u4f0a\u4e1c\u6df1\u6c34<\/small><\/td><td><small>\u201c\u8fd1\u6c5f\u516b\u666f\u201d\u4e4b \u5510\u5d0e\u7684\u677e\u6811<\/small><\/td><td><small>\uc774\ud1a0 \uc2e0\uc2a4\uc774<\/small><\/td><td><small>\u300a\uc624\ubbf8 \ud314\uacbd\u300b \uc911, \uac00\ub77c\uc0ac\ud0a4\uc758 \uc18c\ub098\ubb34&nbsp;<\/small><\/td><td><small>1918<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Shinsui<\/small><\/td><td><small>Ukimido Shrine of Katada from Eight Views of Omi<\/small><\/td><td><small>\u4f0a\u4e1c\u6df1\u6c34<\/small><\/td><td><small>\u201c\u8fd1\u6c5f\u516b\u666f\u201d\u4e4b \u575a\u7530\u6d6e\u5fa1\u5802<\/small><\/td><td><small>\uc774\ud1a0 \uc2e0\uc2a4\uc774<\/small><\/td><td><small>\u300a\uc624\ubbf8 \ud314\uacbd\u300b \uc911, \uac00\ud0c0\ub2e4\uc758 \uc6b0\ud0a4\ubbf8 \ubd88\ub2f9<\/small><\/td><td><small>1918<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Shinsui<\/small><\/td><td><small>The Railes Bridge of Seta from Eight Views of Omi<\/small><\/td><td><small>\u4f0a\u4e1c\u6df1\u6c34<\/small><\/td><td><small>\u201c\u8fd1\u6c5f\u516b\u666f\u201d\u4e4b \u6fd1\u7530\u7684\u5510\u6865<\/small><\/td><td><small>\uc774\ud1a0 \uc2e0\uc2a4\uc774<\/small><\/td><td><small>\u300a\uc624\ubbf8 \ud314\uacbd\u300b \uc911, \uc138\ud0c0\uc758 \ub2e4\ub9ac<\/small><\/td><td><small>1918<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWASE, Hasui<\/small><\/td><td><small>Fields of Toyama from Twelve Tokyo Scenes<\/small><\/td><td><small>\u5ddd\u6fd1\u5df4\u6c34<\/small><\/td><td><small>\u201c\u4e1c\u4eac\u5341\u4e8c\u9898\u201d\u4e4b \u6237\u5c71\u4e4b\u539f<\/small><\/td><td><small>\uac00\uc640\uc138 \ud558\uc2a4\uc774<\/small><\/td><td><small>\u300a\ub3c4\ucfc4\uc758 \uc5f4\ub450 \ud48d\uacbd\u300b \uc911, \ub3c4\uc57c\ub9c8\uc758 \ud3c9\uc6d0<\/small><\/td><td><small>1920<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWASE, Hasui<\/small><\/td><td><small>The Village of Ushibori<\/small><\/td><td><small>\u5ddd\u6fd1\u5df4\u6c34<\/small><\/td><td><small>\u725b\u5800<\/small><\/td><td><small>\uac00\uc640\uc138 \ud558\uc2a4\uc774<\/small><\/td><td><small>\uc6b0\uc2dc\ubcf4\ub9ac \ub9c8\uc744<\/small><\/td><td><small>1930<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWASE, Hasui<\/small><\/td><td><small>Imai Bridge in Passing Shower<\/small><\/td><td><small>\u5ddd\u6fd1\u5df4\u6c34<\/small><\/td><td><small>\u4eca\u4e95\u6865\u7684\u9aa4\u96e8<\/small><\/td><td><small>\uac00\uc640\uc138 \ud558\uc2a4\uc774<\/small><\/td><td><small>\uc18c\ub098\uae30 \uc18d\uc758 \uc774\ub9c8\uc774 \ub2e4\ub9ac&nbsp;<\/small><\/td><td><small>1932<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOBARI, Kogan<\/small><\/td><td><small>Mill in the Mountain<\/small><\/td><td><small>\u6237\u5f20\u5b64\u96c1<\/small><\/td><td><small>\u5c71\u4e2d\u7684\u6c34\u8f66<\/small><\/td><td><small>\ub3c4\ubc14\ub9ac \uace0\uac04<\/small><\/td><td><small>\uc0b0\uc18d\uc758 \ubb3c\ub808\ubc29\uc544<\/small><\/td><td><small>1921<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HEMMI, Takashi<\/small><\/td><td><small>Morning at the Seaside<\/small><\/td><td><small>\u9038\u89c1\u4eab<\/small><\/td><td><small>\u6d77\u8fb9\u7684\u65e9\u6668<\/small><\/td><td><small>\ud5e8\ubbf8 \ub2e4\uce74\uc2dc<\/small><\/td><td><small>\ud574\ubcc0\uc758 \uc544\uce68<\/small><\/td><td><small>1929<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HEMMI, Takashi<\/small><\/td><td><small>Park<\/small><\/td><td><small>\u9038\u89c1\u4eab<\/small><\/td><td><small>\u516c\u56ed\uff08\u516c\u56ed\u5c0f\u666f\uff09<\/small><\/td><td><small>\ud5e8\ubbf8 \ub2e4\uce74\uc2dc<\/small><\/td><td><small>\uacf5\uc6d0<\/small><\/td><td><small>1931<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KASAMATSU, Shiro<\/small><\/td><td><small>Pagoda in Evening Rain (Yanaka, Tokyo)<\/small><\/td><td><small>\u7b20\u677e\u7d2b\u6d6a<\/small><\/td><td><small>\u96e8\u4e2d\u7684\u5854\uff08\u4e1c\u4eac\u8c37\u4e2d\uff09<\/small><\/td><td><small>\uac00\uc0ac\ub9c8\uc4f0 \uc2dc\ub85c<\/small><\/td><td><small>\ube57\uc18d\uc758 \ud0d1(\ub3c4\ucfc4 \uc57c\ub098\uce74)<\/small><\/td><td><small>1932<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KASAMATSU, Shiro<\/small><\/td><td><small>Imai Bridge, Gyotoku, in Late Autumn from Eight Views in the Suburbs of Tokyo<\/small><\/td><td><small>\u7b20\u677e\u7d2b\u6d6a<\/small><\/td><td><small>\u201c\u4e1c\u4eac\u8fd1\u90ca\u516b\u666f\u201d\u4e4b\u884c\u5fb7\u4eca\u4e95\u6865\u7684\u6df1\u79cb<\/small><\/td><td><small>\uac00\uc0ac\ub9c8\uc4f0 \uc2dc\ub85c<\/small><\/td><td><small>\u300a\ub3c4\ucfc4 \uadfc\uad50 \ud314\uacbd\u300b \uc911, \ub2a6\uac00\uc744\uc744 \ub9de\uc740 \uad50\ud1a0\ucfe0\uc758 \uc774\ub9c8\uc774 \ub2e4\ub9ac<\/small><\/td><td><small>1939<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KASAMATSU, Shiro<\/small><\/td><td><small>Suenaga District in Rain from Eight Views in the Suburbs of Tokyo<\/small><\/td><td><small>\u7b20\u677e\u7d2b\u6d6a<\/small><\/td><td><small>\u201c\u4e1c\u4eac\u8fd1\u90ca\u516b\u666f\u201d\u4e4b \u672b\u957f\u7684\u96e8<\/small><\/td><td><small>\uac00\uc0ac\ub9c8\uc4f0 \uc2dc\ub85c<\/small><\/td><td><small>\u300a\ub3c4\ucfc4 \uadfc\uad50 \ud314\uacbd\u300b \uc911, \ube44\uc624\ub294 \uc2a4\uc5d0\ub098\uac00 \uac70\ub9ac<\/small><\/td><td><small>1939<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKUYAMA, Gihachiro<\/small><\/td><td><small>Nagaura Highway in Rain from Eight Views of Nanao, Noto, New Series<\/small><\/td><td><small>\u5965\u5c71\u4eea\u516b\u90ce<\/small><\/td><td><small>\u201c\u80fd\u767b\u65b0\u4e03\u5c3e\u516b\u666f\u201d\u4e4b \u957f\u6d66\u8857\u9053\u7684\u96e8<\/small><\/td><td><small>\uc624\ucfe0\uc57c\ub9c8 \uae30\ud558\uce58\ub85c&nbsp;<\/small><\/td><td><small>\u300a\uc2e0\u65b0 \ub178\ud1a0\ubc18\ub3c4\uc758 \ub098\ub098\uc624 \ud314\uacbd\u300b \uc911, \ube44 \uc624\ub294 \ub098\uac00\uc6b0\ub77c \uac00\ub3c4<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKUYAMA, Gihachiro<\/small><\/td><td><small>Gobenden Viewed from Wakuratogetsukyo Bridge from Eight Views of Nanao, Noto, New Series<\/small><\/td><td><small>\u5965\u5c71\u4eea\u516b\u90ce<\/small><\/td><td><small>\u201c\u80fd\u767b\u65b0\u4e03\u5c3e\u516b\u666f\u201d\u4e4b \u4ece\u548c\u4ed3\u6e21\u6708\u6865\u62dc\u89c1\u5fa1\u4fbf\u6bbf<\/small><\/td><td><small>\uc624\ucfe0\uc57c\ub9c8 \uae30\ud558\uce58\ub85c&nbsp;<\/small><\/td><td><small>\u300a\uc2e0\u65b0 \ub178\ud1a0\ubc18\ub3c4\uc758 \ub098\ub098\uc624 \ud314\uacbd\u300b \uc911, \uc640\ucfe0\ub77c\uc758 \ub3c4\uac8c\uc4f0 \ub2e4\ub9ac\uc5d0\uc11c \ubc14\ub77c\ubcf8 \ud3b8\uc804<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKUYAMA, Gihachiro<\/small><\/td><td><small>Village of Myogi from Japanese Landscape<\/small><\/td><td><small>\u5965\u5c71\u4eea\u516b\u90ce<\/small><\/td><td><small>\u201c\u65e5\u672c\u98ce\u666f\u7248\u753b\u201d\u4e4b \u5999\u4e49\u6751<\/small><\/td><td><small>\uc624\ucfe0\uc57c\ub9c8 \uae30\ud558\uce58\ub85c&nbsp;<\/small><\/td><td><small>\u300a\uc77c\ubcf8 \ud48d\uacbd \ud310\ud654\u300b \uc911, \ubb18\uae30 \ub9c8\uc744<\/small><\/td><td><small>1953<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWANISHI, Hide<\/small><\/td><td><small>Garden under Snow from Small Works<\/small><\/td><td><small>\u5ddd\u897f\u82f1<\/small><\/td><td><small>\u201c\u5c0f\u54c1\u201d\u4e4b \u96ea\u666f<\/small><\/td><td><small>\uac00\uc640\ub2c8\uc2dc \ud788\ub370<\/small><\/td><td><small>\u300a\uc18c\ud488\u300b \uc911, \uc124\uacbd<\/small><\/td><td><small>date unknown<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWANISHI, Hide<\/small><\/td><td><small>Flowering Cherries from Small Works<\/small><\/td><td><small>\u5ddd\u897f\u82f1<\/small><\/td><td><small>\u201c\u5c0f\u54c1\u201d\u4e4b \u6a31<\/small><\/td><td><small>\uac00\uc640\ub2c8\uc2dc \ud788\ub370<\/small><\/td><td><small>\u300a\uc18c\ud488\u300b \uc911, \ubc9a\uaf43<\/small><\/td><td><small>date unknown<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Flute<\/small><\/td><td><small>\u4eca\u6751\u7d2b\u7ea2<\/small><\/td><td><small>\u7b1b<\/small><\/td><td><small>\uc774\ub9c8\ubb34\ub77c \uc2dc\ucf54<\/small><\/td><td><small>\ud53c\ub9ac<\/small><\/td><td><small>c.1900<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOKUOKA, Shinsen<\/small><\/td><td><small>Mad Woman<\/small><\/td><td><small>\u5fb7\u5188\u795e\u6cc9<\/small><\/td><td><small>\u72c2\u5973<\/small><\/td><td><small>\ub3c4\ucfe0\uc624\uce74 \uc2e0\uc13c<\/small><\/td><td><small>\uad11\ub140<\/small><\/td><td><small>c.1919<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOKUOKA, Shinsen<\/small><\/td><td><small>Bleak and Desolate<\/small><\/td><td><small>\u5fb7\u5188\u795e\u6cc9<\/small><\/td><td><small>\u8427\u6761<\/small><\/td><td><small>\ub3c4\ucfe0\uc624\uce74 \uc2e0\uc13c<\/small><\/td><td><small>\uc18c\uc870(\uace0\uc694\ud558\uace0 \uc4f8\uc4f8\ud568)<\/small><\/td><td><small>1928<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOKOYAMA, Taikan<\/small><\/td><td><small>Moonlight<\/small><\/td><td><small>\u6a2a\u5c71\u5927\u89c2<\/small><\/td><td><small>\u6708\u660e<\/small><\/td><td><small>\uc694\ucf54\uc57c\ub9c8 \ub2e4\uc774\uce78<\/small><\/td><td><small>\ub2ec\ube5b<\/small><\/td><td><small>c.1935<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOKOYAMA, Taikan<\/small><\/td><td><small>A Forlorn Wind Blows over the Cold Yi River<\/small><\/td><td><small>\u6a2a\u5c71\u5927\u89c2<\/small><\/td><td><small>\u98ce\u8427\u8427\u516e\u6613\u6c34\u5bd2<\/small><\/td><td><small>\uc694\ucf54\uc57c\ub9c8 \ub2e4\uc774\uce78<\/small><\/td><td><small>\ubc14\ub78c\uc740 \uc4f8\uc4f8\ud558\uace0 \uc5ed\uc218\ub294 \ucc28\uac00\uc6cc\ub77c<\/small><\/td><td><small>1955<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTA, Chou<\/small><\/td><td><small>Women Observing Stars<\/small><\/td><td><small>\u592a\u7530\u542c\u96e8<\/small><\/td><td><small>\u89c2\u661f\u7684\u5973\u5b50<\/small><\/td><td><small>\uc624\ud0c0 \uc870\uc6b0<\/small><\/td><td><small>\ubcc4\uc744 \ubcf4\ub294 \uc5ec\uc778<\/small><\/td><td><small>1936<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAMURA, Daizaburo<\/small><\/td><td><small>The Noh Play Miidera<\/small><\/td><td><small>\u4e2d\u6751\u5927\u4e09\u90ce<\/small><\/td><td><small>\u4e09\u4e95\u5bfa<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \ub2e4\uc774\uc790\ubd80\ub85c<\/small><\/td><td><small>\ubbf8\uc774\ub370\ub77c<\/small><\/td><td><small>1939&nbsp;<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Kokei<\/small><\/td><td><small>Malangfu, the Goddess of Mercy Incarnate<\/small><\/td><td><small>\u5c0f\u6797\u53e4\u5f84\u3000<\/small><\/td><td><small>\u9a6c\u90ce\u5987<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \uace0\ucf00\uc774<\/small><\/td><td><small>\ub9c8\ub791\ubd80 \uc5ec\uc2e0<\/small><\/td><td><small>1943<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KODAMA, Kibo<\/small><\/td><td><small>Scrolls of Landscape in France: Sea<\/small><\/td><td><small>\u513f\u7389\u5e0c\u671b<\/small><\/td><td><small>\u6cd5\u5170\u897f\u5c71\u6c34\u753b\u5377\uff08\u6d77\uff09<\/small><\/td><td><small>\uace0\ub2e4\ub9c8 \uae30\ubcf4<\/small><\/td><td><small>\ud504\ub791\uc2a4\uc758 \uc0b0\uc218 \ub450\ub8e8\ub9c8\ub9ac \uadf8\ub9bc(\ubc14\ub2e4)<\/small><\/td><td><small>1958<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAYAMA, Matazo<\/small><\/td><td><small>The Milky Way<\/small><\/td><td><small>\u52a0\u5c71\u53c8\u9020<\/small><\/td><td><small>\u94f6\u6cb3<\/small><\/td><td><small>\uac00\uc57c\ub9c8 \ub9c8\ud0c0\uc870<\/small><\/td><td><small>\uc740\ud558\uc218<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KONDO, Komei<\/small><\/td><td><small>Infinity<\/small><\/td><td><small>\u8fd1\u85e4\u5f18\u660e<\/small><\/td><td><small>\u65e0\u9650<\/small><\/td><td><small>\uace4\ub3c4 \uace0\uba54\uc774<\/small><\/td><td><small>\ubb34\ud55c<\/small><\/td><td><small>1997<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>3F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>David Smith&nbsp;<\/small><\/td><td><small>Circle IV<\/small><\/td><td><small>\u5927\u536b\u00b7\u53f2\u5bc6\u65af<\/small><\/td><td><small>\u5706 IV<\/small><\/td><td><small>\ub370\uc774\ube44\ub4dc \uc2a4\ubbf8\uc2a4<\/small><\/td><td><small>\uc11c\ud074 IV<\/small><\/td><td><small>1962<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YANAGIHARA, Yoshitatsu<\/small><\/td><td><small>Milestone, Pigeon<\/small><\/td><td><small>\u67f3\u539f\u4e49\u8fbe<\/small><\/td><td><small>\u8def\u6807\uff0c\u9e3d\u5b50<\/small><\/td><td><small>\uc57c\ub098\uae30\ud558\ub77c \uc694\uc2dc\ud0c0\uc4f0<\/small><\/td><td><small>\uc774\uc815\ud45c, \ube44\ub458\uae30<\/small><\/td><td><small>1974<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MARUYAMA, Naofumi<\/small><\/td><td><small>MAS<\/small><\/td><td><small>\u4e38\u5c71\u76f4\u6587<\/small><\/td><td><small>MAS<\/small><\/td><td><small>\ub9c8\ub8e8\uc57c\ub9c8 \ub098\uc624\ud6c4\ubbf8<\/small><\/td><td><small>MAS<\/small><\/td><td><small>1992<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AKIOKA, Miho<\/small><\/td><td><small>Flow<\/small><\/td><td><small>\u79cb\u5188\u7f8e\u5e06<\/small><\/td><td><small>\u6d41<\/small><\/td><td><small>\uc544\ud0a4\uc624\uce74 \ubbf8\ud638<\/small><\/td><td><small>\ud750\ub984<\/small><\/td><td><small>1988<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AKIOKA, Miho<\/small><\/td><td><small>Languor<\/small><\/td><td><small>\u79cb\u5188\u7f8e\u5e06<\/small><\/td><td><small>\u6ede<\/small><\/td><td><small>\uc544\ud0a4\uc624\uce74 \ubbf8\ud638<\/small><\/td><td><small>\uc6c5\ub369\uc774<\/small><\/td><td><small>1988<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AKIOKA, Miho<\/small><\/td><td><small>Flutter<\/small><\/td><td><small>\u79cb\u5188\u7f8e\u5e06<\/small><\/td><td><small>\u98a4<\/small><\/td><td><small>\uc544\ud0a4\uc624\uce74 \ubbf8\ud638<\/small><\/td><td><small>\uc0b4\ub791\uc784<\/small><\/td><td><small>1988<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KODAMA, Yasue<\/small><\/td><td><small>ambient light \u2013 sakura<\/small><\/td><td><small>\u513f\u7389\u9756\u679d<\/small><\/td><td><small>ambient light \u2015 sakura<\/small><\/td><td><small>\uace0\ub2e4\ub9c8 \uc57c\uc2a4\uc5d0<\/small><\/td><td><small>ambient light \u2015 sakura<\/small><\/td><td><small>2002<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KODAMA, Yasue<\/small><\/td><td><small>ambient light \u2013 sakura<\/small><\/td><td><small>\u513f\u7389\u9756\u679d<\/small><\/td><td><small>ambient light \u2015 sakura<\/small><\/td><td><small>\uace0\ub2e4\ub9c8 \uc57c\uc2a4\uc5d0<\/small><\/td><td><small>ambient light \u2015 sakura<\/small><\/td><td><small>2002<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KODAMA, Yasue<\/small><\/td><td><small>ambient light \u2013 sakura<\/small><\/td><td><small>\u513f\u7389\u9756\u679d<\/small><\/td><td><small>ambient light \u2015 sakura<\/small><\/td><td><small>\uace0\ub2e4\ub9c8 \uc57c\uc2a4\uc5d0<\/small><\/td><td><small>ambient light \u2015 sakura<\/small><\/td><td><small>2002<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KODAMA, Yasue<\/small><\/td><td><small>ambient light \u2013 sakura<\/small><\/td><td><small>\u513f\u7389\u9756\u679d<\/small><\/td><td><small>ambient light \u2015 sakura<\/small><\/td><td><small>\uace0\ub2e4\ub9c8 \uc57c\uc2a4\uc5d0<\/small><\/td><td><small>ambient light \u2015 sakura<\/small><\/td><td><small>2002<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKABAYASHI, Tadayoshi<\/small><\/td><td><small>Transposition \u201989-Ground-I<\/small><\/td><td><small>\u4e2d\u6797\u5fe0\u826f<\/small><\/td><td><small>\u8f6c\u4f4d\u201989-\u5730\u2212I<\/small><\/td><td><small>\ub098\uce74\ubc14\uc57c\uc2dc \ub2e4\ub2e4\uc694\uc2dc<\/small><\/td><td><small>\uc804\uc704\u201989\u2013\ub545\u2013I<\/small><\/td><td><small>1989<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKABAYASHI, Tadayoshi<\/small><\/td><td><small>Transposition \u201989-Ground-III<\/small><\/td><td><small>\u4e2d\u6797\u5fe0\u826f<\/small><\/td><td><small>\u8f6c\u4f4d\u201989-\u5730\u2212III<\/small><\/td><td><small>\ub098\uce74\ubc14\uc57c\uc2dc \ub2e4\ub2e4\uc694\uc2dc<\/small><\/td><td><small>\uc804\uc704\u201989\u2013\ub545\u2013III<\/small><\/td><td><small>1989<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKABAYASHI, Tadayoshi<\/small><\/td><td><small>Transposition \u201984-Ground-I<\/small><\/td><td><small>\u4e2d\u6797\u5fe0\u826f<\/small><\/td><td><small>\u8f6c\u4f4d\u201984-\u5730\u2212I<\/small><\/td><td><small>\ub098\uce74\ubc14\uc57c\uc2dc \ub2e4\ub2e4\uc694\uc2dc<\/small><\/td><td><small>\uc804\uc704\u201984\u2013\ub545\u2013I<\/small><\/td><td><small>1984<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKABAYASHI, Tadayoshi<\/small><\/td><td><small>Transposition \u201987-Ground-II<\/small><\/td><td><small>\u4e2d\u6797\u5fe0\u826f<\/small><\/td><td><small>\u8f6c\u4f4d\u201987-\u5730\u2212II<\/small><\/td><td><small>\ub098\uce74\ubc14\uc57c\uc2dc \ub2e4\ub2e4\uc694\uc2dc<\/small><\/td><td><small>\uc804\uc704\u201987\u2013\ub545\u2013II<\/small><\/td><td><small>1987<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NOMIYAMA, Gyoji<\/small><\/td><td><small>Withered Leaves<\/small><\/td><td><small>\u91ce\u89c1\u5c71\u6653\u6cbb<\/small><\/td><td><small>\u67af\u53f6<\/small><\/td><td><small>\ub178\ubbf8\uc57c\ub9c8 \uad50\uc9c0<\/small><\/td><td><small>\ub9c8\ub978 \uc78e<\/small><\/td><td><small>1971-72<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NOMIYAMA, Gyoji<\/small><\/td><td><small>The Withered<\/small><\/td><td><small>\u91ce\u89c1\u5c71\u6653\u6cbb<\/small><\/td><td><small>\u67af\u840e\u7684\u4e1c\u897f<\/small><\/td><td><small>\ub178\ubbf8\uc57c\ub9c8 \uad50\uc9c0<\/small><\/td><td><small>\ub9c8\ub978 \uac83<\/small><\/td><td><small>1970-71<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Auguste Rodin<\/small><\/td><td><small>Torso<\/small><\/td><td><small>\u5965\u53e4\u65af\u7279\u00b7\u7f57\u4e39<\/small><\/td><td><small>\u80f4\u4f53<\/small><\/td><td><small>\uc624\uadc0\uc2a4\ud2b8 \ub85c\ub315<\/small><\/td><td><small>\ud1a0\ub974\uc18c<\/small><\/td><td><small>date unknown<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Anthony Caro<\/small><\/td><td><small>Lap<\/small><\/td><td><small>\u5b89\u4e1c\u5c3c\u00b7\u5361\u7f57<\/small><\/td><td><small>Lap<\/small><\/td><td><small>\uc564\uc11c\ub2c8 \uce74\ub85c<\/small><\/td><td><small>Lap<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Henry Moore&nbsp;<\/small><\/td><td><small>Reclining Figure<\/small><\/td><td><small>\u4ea8\u5229\u00b7\u6469\u5c14<\/small><\/td><td><small>\u6a2a\u8eba\u7684\u4eba\u7269<\/small><\/td><td><small>\ud5e8\ub9ac \ubb34\uc5b4<\/small><\/td><td><small>\uac00\ub85c\ub204\uc6b4 \uc778\ubb3c<\/small><\/td><td><small>1977<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Sol Lewitt<\/small><\/td><td><small>Complex Forms No.6<\/small><\/td><td><small>\u7d22\u5c14\u00b7\u52d2\u7ef4\u7279<\/small><\/td><td><small>\u5f62\u6001\u7684\u590d\u5408 NO.6<\/small><\/td><td><small>\uc194 \ub974\uc717<\/small><\/td><td><small>\ud615\ud0dc\uc758 \ubcf5\ud569 No.6<\/small><\/td><td><small>1987<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Tony Cragg&nbsp;<\/small><\/td><td><small>The Meter<\/small><\/td><td><small>\u6258\u5c3c\u00b7\u514b\u62c9\u683c<\/small><\/td><td><small>\u8ba1\u91cf\u5668<\/small><\/td><td><small>\ud1a0\ub2c8 \ud06c\ub799<\/small><\/td><td><small>\ubbf8\ud130(\uacc4\uce21\uae30)<\/small><\/td><td><small>2003<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Markus Lupertz&nbsp;<\/small><\/td><td><small>Head of Hera<\/small><\/td><td><small>\u9a6c\u5e93\u65af\u00b7\u5415\u4f69\u5c14\u5179<\/small><\/td><td><small>\u8d6b\u62c9\u7684\u5934\u90e8<\/small><\/td><td><small>\ub9c8\ub974\ucfe0\uc2a4 \ub93c\ud398\ub974\uce20<\/small><\/td><td><small>\ud5e4\ub77c\uc758 \uba38\ub9ac<\/small><\/td><td><small>2003<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Bruce Nauman<\/small><\/td><td><small>Wall-Floor Positions<\/small><\/td><td><small>\u5e03\u9c81\u65af\u00b7\u7459\u66fc<\/small><\/td><td><small>\u5899\u4e0e\u5730\u677f\u95f4\u7684\u59ff\u52bf<\/small><\/td><td><small>\ube0c\ub8e8\uc2a4 \ub098\uc6b0\uba3c<\/small><\/td><td><small>\ubcbd\uacfc \ubc14\ub2e5\uc5d0\uc11c\uc758 \uc790\uc138<\/small><\/td><td><small>1968<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Robert Smithson<\/small><\/td><td><small>Spiral Jetty<\/small><\/td><td><small>\u7f57\u4f2f\u7279\u00b7\u53f2\u5bc6\u68ee<\/small><\/td><td><small>Spiral Jetty<\/small><\/td><td><small>\ub85c\ubc84\ud2b8 \uc2a4\ubbf8\uc2a4\uc2a8<\/small><\/td><td><small>\ub098\uc120\ud615\uc758 \ubc29\ud30c\uc81c<\/small><\/td><td><small>1970<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHIMADA, Shozo<\/small><\/td><td><small>Europa<\/small><\/td><td><small>\u5c9b\u7530\u7ae0\u4e09<\/small><\/td><td><small>\u6b27\u7f57\u5df4<\/small><\/td><td><small>\uc2dc\ub9c8\ub2e4 \uc1fc\uc870<\/small><\/td><td><small>\uc5d0\uc6b0\ub85c\ud398<\/small><\/td><td><small>1967<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAMIJO, Yoko<\/small><\/td><td><small>Heaven and Earth (An Omen)<\/small><\/td><td><small>\u4e0a\u6761\u9633\u5b50<\/small><\/td><td><small>\u7384\u9ec4\uff08\u5146\uff09<\/small><\/td><td><small>\uac00\ubbf8\uc870 \uc694\ucf54<\/small><\/td><td><small>\ud558\ub298\uacfc \ub545(\uc9d5\uc870)<\/small><\/td><td><small>1977<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>0087<\/small><\/td><td><small>KOBAYASHI, Masato<\/small><\/td><td><small>Painting = Sky<\/small><\/td><td><small>\u5c0f\u6797\u6b63\u4eba<\/small><\/td><td><small>\u7ed8\u753b=\u7a7a<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \ub9c8\uc0ac\ud1a0<\/small><\/td><td><small>\ud68c\ud654=\ud558\ub298<\/small><\/td><td><small>1985-86<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TATSUNO, Toeko<\/small><\/td><td><small>Work 86-P-1<\/small><\/td><td><small>\u8fb0\u91ce\u767b\u60e0\u5b50<\/small><\/td><td><small>Work 86-P-1<\/small><\/td><td><small>\ub2e4\uc4f0\ub178 \ub3c4\uc5d0\ucf54<\/small><\/td><td><small>Work 86-P-1<\/small><\/td><td><small>1986<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Takanobu<\/small><\/td><td><small>Water Fountain<\/small><\/td><td><small>\u5c0f\u6797\u5b5d\u4e98<\/small><\/td><td><small>Water Fountain<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \ub2e4\uce74\ub178\ubd80<\/small><\/td><td><small>Water Fountain<\/small><\/td><td><small>1994<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>0089<\/small><\/td><td><small>Georg Baselitz<\/small><\/td><td><small>Self-Portrait I<\/small><\/td><td><small>\u683c\u5965\u5c14\u683c\u00b7\u5df4\u6cfd\u5229\u8328<\/small><\/td><td><small>\u81ea\u753b\u50cfI<\/small><\/td><td><small>\uac8c\uc624\ub974\uadf8 \ubc14\uc824\ub9ac\uce20<\/small><\/td><td><small>\uc790\ud654\uc0c1I<\/small><\/td><td><small>1996<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUGITO, Hiroshi<\/small><\/td><td><small>the secret tower<\/small><\/td><td><small>\u6749\u6237\u6d0b<\/small><\/td><td><small>the secret tower<\/small><\/td><td><small>\uc2a4\uae30\ud1a0 \ud788\ub85c\uc2dc<\/small><\/td><td><small>the secret tower<\/small><\/td><td><small>1998<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Henry Moore&nbsp;<\/small><\/td><td><small>Homage to Rodin<\/small><\/td><td><small>\u4ea8\u5229\u00b7\u6469\u5c14<\/small><\/td><td><small>\u7f57\u4e39\u8d5e<\/small><\/td><td><small>\ud5e8\ub9ac \ubb34\uc5b4<\/small><\/td><td><small>\ub85c\ub315\uc744 \uae30\ub9ac\uba70&nbsp;<\/small><\/td><td><small>date unknown<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>0090<\/small><\/td><td><small>Antony Gormley&nbsp;<\/small><\/td><td><small>Reflection<\/small><\/td><td><small>\u5b89\u4e1c\u5c3c\u00b7\u6208\u59c6\u96f7<\/small><\/td><td><small>\u53cd\u6620\/\u601d\u7d22<\/small><\/td><td><small>\uc548\ud1a0\ub2c8 \uacf0\ub9ac<\/small><\/td><td><small>\ubc18\uc601\/\uc0ac\uc0c9<\/small><\/td><td><small>2001<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>terrace<\/small><\/td><td><small>0084<\/small><\/td><td><small>Isamu Noguchi&nbsp;<\/small><\/td><td><small>Gate<\/small><\/td><td><small>\u91ce\u53e3\u52c7<\/small><\/td><td><small>\u95e8<\/small><\/td><td><small>\uc774\uc0ac\ubb34 \ub178\uad6c\uce58<\/small><\/td><td><small>\ubb38<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TADA, Minami<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>\u591a\u7530\u7f8e\u6ce2<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>\ub2e4\ub2e4 \ubbf8\ub098\ubbf8<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>1979<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Kentaro<\/small><\/td><td><small>Seven Prayers<\/small><\/td><td><small>\u6728\u6751\u8d24\u592a\u90ce<\/small><\/td><td><small>\u4e03\u4e2a\u7948\u7977<\/small><\/td><td><small>\uae30\ubb34\ub77c \uac90\ud0c0\ub85c<\/small><\/td><td><small>\uc77c\uacf1 \uac1c\uc758 \uae30\uc6d0<\/small><\/td><td><small>1969<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Marino Marini&nbsp;<\/small><\/td><td><small>The Idea of an Image<\/small><\/td><td><small>\u9a6c\u91cc\u8bfa\u00b7\u9a6c\u91cc\u5c3c<\/small><\/td><td><small>\u67d0\u4e2a\u5f62\u8c61\u7684\u6784\u60f3<\/small><\/td><td><small>\ub9c8\ub9ac\ub178 \ub9c8\ub9ac\ub2c8<\/small><\/td><td><small>\uc5b4\ub5a4 \uc774\ubbf8\uc9c0\uc758 \uad6c\uc0c1<\/small><\/td><td><small>1969-70<\/small><\/td><td><small>2020\/06\/16<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Important Cultural Properties on display<\/h2>\n\n\n\n<p>The National Museum of Modern Art, Tokyo Collection (main building) contains 15 items that have been designated by the Japanese government as Important Cultural Properties. These include nine&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style) paintings, five oil paintings, and one sculpture. (One of the&nbsp;<em>Nihon-ga<\/em>&nbsp;paintings and one of the oil paintings are on long-term loan to the museum.)<\/p>\n\n\n\n<p><strong>The following Important Cultural Properties are shown in this period:<\/strong><\/p>\n\n\n\n<ul>\n<li>Harada Naojiro ,&nbsp;<em>Kannon Bodhisattva Riding the Dragon<\/em>, 1890, Long term loan (Gokokuji Temple Collection)<\/li>\n\n\n\n<li>Yorozu Tetsugoro,&nbsp;<em>Nude Beauty<\/em>, 1912<\/li>\n\n\n\n<li>Kishida Ryusei,&nbsp;<em>Road Cut through a Hill<\/em>, 1915<\/li>\n\n\n\n<li>Please visit the Important Cultural Property section&nbsp;<a href=\"https:\/\/www.momat.go.jp\/en\/masterpieces\">Masterpieces<\/a> for more information about the pieces.<\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div id=\"section1-2\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Sections<\/h2>\n\n\n\n<p><small>MOMAT Collection<\/small><small>&nbsp;<\/small>comprises twelve\uff08or thirteen\uff09rooms and two spaces for relaxation on three floors. In addition, sculptures are shown near the terrace on the second floor and in the front yard. The light blue areas in the cross section above make up&nbsp;<small>MOMAT Collection<\/small>. The space for relaxation \u201cA Room With a View\u201d is on the fourth floor.<\/p>\n\n\n\n<p>The entrance of the collection exhibition&nbsp;<em>MOMAT Collection<\/em>&nbsp;is on the fourth floor. Please take the elevator or walk up stairs to the fourth floor from the entrance hall on the first floor.<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h3 class=\"wp-block-heading\">4F (Fourth floor)<\/h3>\n\n\n\n<p><strong>Room 1 Highlights&nbsp;<\/strong>* This section presents a consolidation of splendid works from the collection, with a focus on Master Pieces.<br><strong>Room 2\u2013 5 1900s\uff0d1940s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">A Room With A View<br>Reference Corner is currently out of service.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 1 (Exhibit Dates: June 16\u2013June 21) <small><strong>Highlights<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"472\" height=\"379\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/47e2c6bf7ef0f3bffaee39ed3ace2c16.jpg\" alt=\"\" class=\"wp-image-6626\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/47e2c6bf7ef0f3bffaee39ed3ace2c16.jpg 472w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/47e2c6bf7ef0f3bffaee39ed3ace2c16-200x161.jpg 200w\" sizes=\"(max-width: 472px) 100vw, 472px\" \/><figcaption class=\"wp-element-caption\">Koga Harue,&nbsp;<em>Sea<\/em>, 1929<\/figcaption><\/figure>\n\n\n\n<p>The MOMAT Collection exhibition, drawn from the museum\u2019s holdings, consists of over 200 works displayed over a 3,000-square meter area. The exhibition starts with the \u201cHighlights\u201d section, consisting of some of the collection\u2019s most essential works.<\/p>\n\n\n\n<p>In the&nbsp;<em>Nihon-ga<\/em>&nbsp;(modern Japanese-style painting) genre, we present Ogura Yuki\u2019s&nbsp;<em>Bathing Women<\/em>. This is an epoch-making work in that a female artist painted nude figures, which was highly unusual in Nihon-ga at that time.<\/p>\n\n\n\n<p>Oil paintings on view include Harada Naojiro\u2019s&nbsp;<em>Kannon Bodhisattva Riding the Dragon<\/em>&nbsp;(an Important Cultural Property), Kishida Ryusei\u2019s&nbsp;<em>Road Cut through a Hill<\/em>, and other works critical to the development of modern Japanese painting. Other highlights include works by female painters such as Katsura Yuki and Maruki Toshi. Paintings by non-Japanese artists include work by Paul C\u00e9zanne, purchased in fiscal 2014 with a special budgetary allocation; Francis Bacon, whose paintings in Japanese public collections number only five; and a landscape by Gerhard Richter recently placed on long-term loan to the museum.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 1 (Exhibit Dates: June 23\u2013October 25)<small><strong> Highlights<\/strong><\/small><\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-7\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"297\" height=\"158\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/95fbc614e1455090b1acd22d0836c1ff.jpg\" alt=\"\u9060\u304f\u306b\u5c71\u3002\u524d\u65b9\u306b\u30bf\u30c1\u30a2\u30aa\u30a4\u306e\u767d\u3044\u82b1\u3002\" class=\"wp-image-6633\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/95fbc614e1455090b1acd22d0836c1ff.jpg 297w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/95fbc614e1455090b1acd22d0836c1ff-200x106.jpg 200w\" sizes=\"(max-width: 297px) 100vw, 297px\" \/><figcaption class=\"wp-element-caption\">Georgia O&#8217;Keeffe,&nbsp;<em>Hollyhock White and Green with Pedernal<\/em>, 1937<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>The MOMAT Collection exhibition, drawn from the museum\u2019s holdings, consists of over 200 works displayed over a 3,000-square meter area. The exhibition starts with the \u201cHighlights\u201d section, consisting of some of the collection\u2019s most essential works.<\/p>\n\n\n\n<p>The glass cases contain exhibits, including craft works, relating to the relocation of the Crafts Gallery to Kanazawa, Ishikawa Prefecture. The Crafts Gallery, which after the renovation of the former headquarters of the Imperial Guards in Kitanomaru Park served as an exhibition venue for decorative arts from 1977 until this spring, will open as the National Crafts Museum at its new location in Kanazawa.<\/p>\n\n\n\n<p>Meawhile, in the oil painting area, paintings on view include Kishida Ryusei\u2019s&nbsp;<em>Road Cut through a Hill<\/em>&nbsp;and other works critical to the development of modern Japanese painting. Other highlights include works by female painters such as Katsura Yuki and Maruki Toshi. Paintings by non-Japanese artists include work by Paul C\u00e9zanne, purchased in fiscal 2014 with a special budgetary allocation; Francis Bacon, whose paintings in Japanese public collections number only five; and a landscape by Gerhard Richter recently placed on long-term loan to the museum.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 2 <small><strong>Light, Color, and Emotion \u2013 Focus on Pointillism<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"318\" height=\"336\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b283b467af85b798808774f829aa75e1.jpg\" alt=\"\" class=\"wp-image-6645\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b283b467af85b798808774f829aa75e1.jpg 318w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b283b467af85b798808774f829aa75e1-189x200.jpg 189w\" sizes=\"(max-width: 318px) 100vw, 318px\" \/><figcaption class=\"wp-element-caption\">Ota Kijiro,&nbsp;<em>Rice-Planting<\/em>, 1916<\/figcaption><\/figure>\n\n\n\n<p>Pointillism is a style in which images are rendered with groups of dots or short brushstrokes, placed side by side or layered. This technique was developed in 19th-century Europe, particularly by Impressionists such as Claude Monet (1840\u20131926) and Neo-Impressionists such as Georges Seurat (1859\u20131891) who pursued \u201cdivided brushstroke\u201d techniques based on optical theory, as a means of depicting light without losing the true luminosity of colors under sunlight. It was also an effective way for painters to express their emotions through brushwork. Meanwhile, Japanese painters in the late 19th and early 20th centuries were already accustomed to ink painting in which rocks, moss on tree trunks, leaves and so forth are rendered using dots and short strokes of ink. When they encountered the new modern Western styles, they were inspired to focus on pointillistic expression as a means of capturing vivid natural scenery in sunlight and the artist\u2019s subjective impressions. In this room, we present works by painters who employed pointillism and stippling (short brushstrokes) as they sought to convey momentary impressions from, and emotions evoked by, the natural world.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 3 <small><strong><em>Muses Inspiring Artists<\/em><\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"267\" height=\"400\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/a1e841f9775b9e06e859277c2d53520d.jpg\" alt=\"\" class=\"wp-image-6655\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/a1e841f9775b9e06e859277c2d53520d.jpg 267w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/a1e841f9775b9e06e859277c2d53520d-134x200.jpg 134w\" sizes=\"(max-width: 267px) 100vw, 267px\" \/><figcaption class=\"wp-element-caption\">Ogiwara Morie,&nbsp;<em>Woman<\/em>, 1910<br>Photo: OTANI Ichiro<\/figcaption><\/figure>\n\n\n\n<p>In one of Henri Rousseau\u2019s paintings, the goddess of liberty blows a bugle, beckoning painters to take part in the Exhibition of the Society of Independent Artists. Three years after this painting, Rousseau produced another entitled&nbsp;<em>Muse Inspiring the Poet<\/em>&nbsp;(1909), with which the title of this section paraphrases. The painting depicts the poet Guillaume Apollinaire and the female painter Marie Laurencin, a source of inspiration for him, standing side by side. Around the same time, in Japan the sculptor Ogiwara Morie was expressing his unprofessed feelings for his patron Soma Kokko, the female proprietor of Shinjuku Nakamuraya, in works such as&nbsp;<em>Priest Mongaku<\/em>&nbsp;and&nbsp;<em>Woman<\/em>. There are many other examples, especially during this period, of women who were muses to male artists, as Alma Mahler was to Oskar Kokoschka. Today, we are likely to ask the question: \u201cWell, what about the opposite? Who inspired female artists?\u201d Under the keen gazes of the women depicted in these paintings, viewers may be inspired to rethink aspects of gender roles in art.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 4 <small><strong>Ohara Koson (Shoson)<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/M00096_019-1.jpg\" alt=\"\" class=\"wp-image-6660\" width=\"407\" height=\"600\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/M00096_019-1.jpg 542w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/M00096_019-1-136x200.jpg 136w\" sizes=\"(max-width: 407px) 100vw, 407px\" \/><figcaption class=\"wp-element-caption\">Ohara Koson (Shoson),&nbsp;<em>[Hydrangeas]<\/em>, 1926-1945<br>(Exhibit Dates: June 16\u2013August 23, 2020)<\/figcaption><\/figure>\n\n\n\n<p><em>Ukiyo-e<\/em>, popular with city dwellers during the Edo Period (1603-1868), gradually declined from the Meiji Era (1868-1912) onward as new printing techniques from the West, such as lithography and photography, made inroads in Japan. However, there was also a contingent of printmakers that aimed to revitalize the traditions of&nbsp;<em>ukiyo-e<\/em>. It grew increasingly prominent during the Taisho Era (1912-1926) and came to be known as the&nbsp;<em>Shin-hanga&nbsp;<\/em>(new prints) movement, producing many works that were exported and prized overseas. Among the best-known figures are Hashiguchi Goyo and Ito Shinsui, who specialized in&nbsp;<em>bijinga<\/em>&nbsp;(lit. \u201cpictures of beautiful women\u201d), and landscape printmaker Kawase Hasui, but this exhibit focuses on Ohara Koson (a.k.a. Shoson), known for his works in the flower-and-bird genre. He began as a&nbsp;<em>Nihonga<\/em>&nbsp;(modern Japanese-style painting) artist and went by the name Koson, but in 1926 he adopted the name Shoson and went on to gain popularity with a large number of flower-and-bird prints both realistic and decorative in character, produced at the&nbsp;<em>Shin-hanga<\/em>&nbsp;printmaking studio Watanabe Hangaten. Thereafter he was largely forgotten in Japan, but there are large collections of his works in the Netherlands and the US, and recently he has been enjoying a critical reappraisal in his home country as well. The MOMAT collection contains works formerly belonging to&nbsp;<em>ukiyo-e<\/em>&nbsp;scholar Fujikake Shizuya, and here we present 32 of them, divided into a first and a second term.<\/p>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Room 5 <small><strong>Everything Old Is New Again?<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"418\" height=\"321\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/095157d0bcadc71a027918bd441c0eb4.jpg\" alt=\"\" class=\"wp-image-6670\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/095157d0bcadc71a027918bd441c0eb4.jpg 418w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/095157d0bcadc71a027918bd441c0eb4-200x154.jpg 200w\" sizes=\"(max-width: 418px) 100vw, 418px\" \/><figcaption class=\"wp-element-caption\">Maeta Kanji,&nbsp;<em>Nude<\/em>,1925<\/figcaption><\/figure>\n\n\n\n<p>In the world of&nbsp;<em>Yo-ga<\/em>&nbsp;(Japanese Western-style painting), both the 1920s and the late 1930s saw crazes for classicism, i.e. fascination with the art of Greco-Roman antiquity. The first time, it was in response to the \u201creturn to order\u201d taking place in Europe after World War I. The trend may seem regressive or reactionary from the perspective of the avant-garde, which sought the overthrow of old-fashioned values, but at the time the ideal proportions of classical art were seen as connected to the rational aesthetics of modernism, and reappraised in this light. Such qualities are often noted in the work of Kuroda Jutaro and Togo Seiji. Underlying this development was the recovery from the unthinkable devastation of World War I in Europe, and from the 1923 Great Kanto Earthquake in Japan. Later, in the late 1930s, imagery of classical antiquity had overtones of longing for a lost utopia as the stormclouds of World War II gathered. The timing of these classical revivals suggest that people may turn to \u201cclassical\u201d ideals when they harbor a sense of crisis.<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h3 class=\"wp-block-heading\">3F (Third floor)<\/h3>\n\n\n\n<p><strong>Room 6-8 1940s-1960s<br>\u3000From the Beginning to the Middle of the Showa Period<br>Room 9 Photography and Video<br>Room 10&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style Painting)<\/strong><\/p>\n\n\n\n<p>Room to Consider the Building<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 6 <small><strong>1943 The 2nd Great East Asia War Art Exhibition<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"537\" height=\"377\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/X00103_20191125new_web.jpg\" alt=\"\" class=\"wp-image-6680\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/X00103_20191125new_web.jpg 537w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/X00103_20191125new_web-200x140.jpg 200w\" sizes=\"(max-width: 537px) 100vw, 537px\" \/><figcaption class=\"wp-element-caption\">Nakamura Ken&#8217;ichi,&nbsp;<em>Battle of the Coral Sea<\/em>, 1943<\/figcaption><\/figure>\n\n\n\n<p>Military art, also known as war record paintings, was art officially commissioned by the Japanese military to document World War II in the Asia-Pacific region. The military chose themes, painters were dispatched to battle zones to gather material and produce works, and after completion the wartime authorities collected the works and exhibited them in various locations around Japan. Here, we present paintings from the 2nd Great East Asia War Art Exhibition, held at the Tokyo Metropolitan Art Museum in December 1943 and January 1944. This was one of the largest exhibitions of such art during the war, and also traveled to Osaka, Kyoto, Fukuoka, Sasebo, and Nagoya over the course of six months. During 1943 Japan\u2019s situation had worsened, with various setbacks including withdrawal from Guadalcanal, the total annihilation of the forces defending Attu, and the departure of students for the front, while at home people\u2019s living conditions were growing increasingly severe. Nonetheless, according to the Tokyo exhibition\u2019s organizers, the number of attendees exceeded 150,000 in one month.<\/p>\n\n\n\n<p>All of the works in this room were originally shown at the 2nd Great East Asia War Art Exhibition. What did people see, what did they think about, when they viewed the works at that time, and how do they appear to us today?<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 7 <small><strong>Restless Bodies<\/strong><\/small><\/h4>\n\n\n\n<p>At a time when the aftereffects of the Pacific War were still very pronounced, a variety of artists made works depicting introspective and depressed people as a way of quietly expressing their opposition to the turbulent social conditions.<\/p>\n\n\n\n<p>Kazuki Yasuo was interned in Siberia after the war. After being sent home, he adopted a completely different artistic style, focusing on people who had suffered at the hands of society. These works might also be seen as self-portraits of a grief-stricken artist who fell victim to harsh circumstances.<\/p>\n\n\n\n<p>Oyamada Jiro and Nakano Jun make use of dining tables, the artists fill the canvas with vivid brushstrokes, depicting dark scenes that are far removed from the pleasure of eating and enjoying each other\u2019s company. The gloomy expressions and fragmented lifeless bodies reflect the atmosphere in a society faced with the reality that life is interchangeable.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 8 <small><strong>Circles and the Avant-Garde<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6c6a6e9ea4fd824b59b81a127804fd2d.jpg\" alt=\"\" class=\"wp-image-6685\" width=\"429\" height=\"522\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6c6a6e9ea4fd824b59b81a127804fd2d.jpg 572w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6c6a6e9ea4fd824b59b81a127804fd2d-164x200.jpg 164w\" sizes=\"(max-width: 429px) 100vw, 429px\" \/><figcaption class=\"wp-element-caption\">EI-KYU,&nbsp;<em>Dawn<\/em>, 1957<\/figcaption><\/figure>\n\n\n\n<p>Surveying Japanese art of the 1960s and the years immediately before and after, one gets a sense of energy and excitement pervading avant-garde art, like that which propelled movements such as American Abstract Expressionism.<\/p>\n\n\n\n<p>In Japanese abstraction, in terms of motifs, one notices the prevalence of circles. For example, Onosato Toshinobu said that for him, the circle was of vital importance as the \u201coriginal, primal form of all things.\u201d Meanwhile, both Sugai Kumi and Yoshihara Jiro made not imitating others a personal credo, and it is interesting that both arrived after extensive explorations at the simple geometric figure of the circle. Furthermore, Sugai\u2019s and Yoshihara\u2019s circles are all in primary or other basic colors, and are painted so as to leave a minimum of visible brushstrokes. In this stance we can see a reaction to or backlash against the Art Informel (a French term meaning \u201cnon-formal art,\u201d broadly describing a school of gestural abstraction) that arrived on Japanese shores in the 1950s.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 9 <small><strong>The Bauhaus and Its Legacy<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"281\" height=\"377\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b8b74a713cf61b833f7946731c15188c-e1469088449522.jpg\" alt=\"\" class=\"wp-image-6690\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b8b74a713cf61b833f7946731c15188c-e1469088449522.jpg 281w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b8b74a713cf61b833f7946731c15188c-e1469088449522-149x200.jpg 149w\" sizes=\"(max-width: 281px) 100vw, 281px\" \/><figcaption class=\"wp-element-caption\">L\u00e1szl\u00f3 Moholy-Nagy,&nbsp;<em>Photogram<\/em>, 1923-24<br>(Exhibit Dates: August 25\u2013October 25, 2020)<\/figcaption><\/figure>\n\n\n\n<p>Established in Germany in 1919, the Bauhaus was a school of art and design that offered comprehensive arts education focusing on architecture, and exerted an enormous and enduring influence on the development of modern design. L\u00e1szl\u00f3 Moholy-Nagy, a Hungarian national who began teaching there in 1923, and added photography to the school curriculum. He defined photography as an \u201cart of light,\u201d and opened up new possibilities in photography as a visual medium, including the camera-less technique of photograms and the photomontage.<\/p>\n\n\n\n<p>In 1937 Moholy-Nagy was invited to Chicago, where he opened the New Bauhaus (incorporated into the Illinois Institute of Technology in 1955). He carried on the Bauhaus legacy while pursuing a new design education model that fused art, science and technology. This school is also known as one of the United States\u2019 most forward-looking institutions of photographic education, and its philosophy and practices were absorbed into the Japanese photography world through the activities of Bauhaus graduate Ishimoto Yasuhiro and the writings of Moholy-Nagy.<\/p>\n\n\n\n<p>This special exhibit is in conjunction with the&nbsp;<em>come to bauhaus!<\/em>&nbsp;exhibition touring five museums in Japan to commemorate the 100th anniversary of the Bauhaus\u2019s foundation. Related exhibits are also on view in Room 10 and in the Art Library.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 10 (First half: June 16\u2013August 23) <small><strong>Landscape in Fine and Decorative Arts \/ Special Bauhaus Exhibit<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-17 is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"378\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/2291ff8c04cc40e215a4a2e82a423940-1.jpg\" alt=\"\" class=\"wp-image-6705\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/2291ff8c04cc40e215a4a2e82a423940-1.jpg 378w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/2291ff8c04cc40e215a4a2e82a423940-1-200x159.jpg 200w\" sizes=\"(max-width: 378px) 100vw, 378px\" \/><figcaption class=\"wp-element-caption\">Takeuchi Seiho,&nbsp;<em>Birds at Roost<\/em>, 1926<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"225\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f68308393e3f8a3de16461bfd7c0c39c.jpg\" alt=\"\" class=\"wp-image-6700\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f68308393e3f8a3de16461bfd7c0c39c.jpg 225w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f68308393e3f8a3de16461bfd7c0c39c-150x200.jpg 150w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><figcaption class=\"wp-element-caption\">Daum Fr\u00e8res,&nbsp;<em>Cylindrical vase, trees in the rain design<\/em>, c.1903<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>The exhibit in the rear of this room focuses on how natural phenomena such as rain, wind, snow, clouds, water, and the atmosphere have been rendered in modern Japanese landscape paintings, prints and decorative arts. In the late 19<sup>th<\/sup>&nbsp;century, ukiyo-e prints inspired Western artists and contributed to the emergence of new modes of expression. Meanwhile, Japanese painters and artisans were encountering Western styles and transforming their own work. Aspects of this endeavor can be seen in landscape paintings where ink and diluted watercolor are used in combination, and in the blurred, outline-free&nbsp;<em>morotai<\/em>&nbsp;style developed by Yokoyama Taikan and others.<\/p>\n\n\n\n<p>In the space closer at hand is our Special Bauhaus Exhibit. The Bauhaus was an art and design school that first opened in Weimar, Germany in 1919 and later moved to Dessau and then to Berlin, where it was forced to close in 1933 under Nazi repression. In the 14 years of its short existence, the Bauhaus had some of the greatest artists of the day as teachers, maintained a focus on developments in contemporary society, and offered a unique education aimed at building new relationships between society and art. Its innovative philosophy and practices were transmitted both directly and indirectly to Japan through various people and objects. In this room, we present points of contact between the Bauhaus and Japan circa 1930, when the country was looking to the West for examples of \u201cmodernity.\u201d<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">Room 10 (Second half: August 25\u2013October 25) <small><strong>The Moon on an Autumn Night<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f6ace023fa9901e5bf30e77f4c7ded71-1.jpg\" alt=\"\" class=\"wp-image-6710\" width=\"245\" height=\"375\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f6ace023fa9901e5bf30e77f4c7ded71-1.jpg 326w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f6ace023fa9901e5bf30e77f4c7ded71-1-130x200.jpg 130w\" sizes=\"(max-width: 245px) 100vw, 245px\" \/><figcaption class=\"wp-element-caption\">Nakamura Daizaburo,&nbsp;<em>The Noh Play Miidera<\/em>, 1939<\/figcaption><\/figure>\n\n\n\n<p>In the space closer at hand is our Special Bauhaus Exhibit. The Bauhaus was an art and design school that first opened in Weimar, Germany in 1919 and later moved to Dessau and then to Berlin, where it was forced to close in 1933 under Nazi repression. In the 14 years of its short existence, the Bauhaus had some of the greatest artists of the day as teachers, maintained a focus on developments in contemporary society, and offered a unique education aimed at building new relationships between society and art. Its innovative philosophy and practices were transmitted both directly and indirectly to Japan through various people and objects. In this room, we present points of contact between the Bauhaus and Japan circa 1930, when the country was looking to the West for examples of \u201cmodernity.\u201d<\/p>\n\n\n\n<p>The glass case area in the rear of the room contains&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style) painters\u2019 works dealing with the moon. The moon is at its most brilliant in autumn, when the air becomes clear and pure. The late Heian Period (794\u20131185) poet Saigyo wrote a famous ode to the autumn moon: \u201cGazing at the autumn moon, its clear purity illuminates pain deep in the heart.\u201d Why is it that many people, from ancient times to today, can sympathize with this feeling of sadness or longing when looking up at the moon? Modern artists have tried to unravel the mystery of the moon\u2019s magical power over human beings.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h3 class=\"wp-block-heading\">2F (Second floor)<\/h3>\n\n\n\n<p><strong>Room 11-12 1970s-2010s<br>\u3000From the End of the Showa Period to the Present<\/strong><\/p>\n\n\n\n<p><strong>Gallery 4<\/strong><\/p>\n\n\n\n<p>* A space of about 250 square meters. This gallery offers cutting-edge thematic exhibitions from the Museum Collection, and special exhibitions featuring photographs or design.<\/p>\n\n\n\n<p><em><strong><a href=\"https:\/\/www.momat.go.jp\/en\/magazine\/027\">Kitawaki Noboru: To See the Universe in a Seed<\/a><\/strong><\/em><\/p>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Room 11 <small><strong>The Seeing Eye, the Feeling Heart and Nature<\/strong><\/small><\/h4>\n\n\n\n<p>In this room we present work by painters, a printmaker and a sculptor who gaze at the natural world, produce work face-to-face with nature, and in doing so probe into the meaning of creating two- and three-dimensional works of art. Here elements of nature such as trees, leaves, flowers and birds are reinterpreted and emerge as new images through the filter of the artist\u2019s mind. For example, Akioka Miho takes photographs intentionally out of focus, enlarges and prints them, producing spaces with no point of focus and only rays of light intersecting, wavering and shimmering. Nonetheless, they convey the sensation of sitting in a forest where the wind sways the trees and the leaves rustle. In Kodama Yasue\u2019s&nbsp;<em>ambient light \u2013 sakura<\/em>, cherry blossoms appear faintly against brilliant backgrounds glowing with inner luminosity, and by moving their eyes up and down, back and forth over these works, viewers can gain from the subtle discrepancies a sense of blossoms floating in space. Please feel free to view the works dynamically \u2013 draw near, step back, look up and down \u2013 and experience nature as expressed by the artists.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 12 <small><strong>Sculpture or Painting? Figurative or Abstract?<\/strong><\/small><\/h4>\n\n\n\n<p>Since the Renaissance, there has been ongoing contention over the relative superiority and inferiority of painting (two-dimensional) and sculpture (three-dimensional). Here sculptures occupy the front half of the room, and paintings the rear half.<\/p>\n\n\n\n<p>The sculptures on view are Western works from the museum\u2019s collection, with Anthony Caro\u2019s&nbsp;<em>Lap<\/em>&nbsp;as a centerpiece.&nbsp;<em>Lap<\/em>, assembled from colored steel components, is a vibrant and rewarding work that draws on existing sculptural traditions and connects to various paths along which sculpture subsequently developed.<\/p>\n\n\n\n<p>In conjunction with the exhibition&nbsp;<em>Peter Doig<\/em>, the paintings presented have figurative leanings, they are primarily by Japanese artists and date from the late 1960s through the 1990s. Like painting and sculpture, figurative and abstract have often been viewed as a dichotomy and their merits compared, especially since the 20th century. Today, it seems unproductive to debate whether figurative art is superior to abstract art or vice versa, but viewing these works in terms of interpretations of figurative\/abstract, which vary depending on the artist and the era, may open up intriguing new perspectives.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section1-5\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Exhibition<\/h2>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery, from the fourth to second floors<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>June 16\u2013October 25, 2020<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00 \u2013 17:00 *Last admission is 30 minutes before closing.<br>MOMAT Collection and Gallery G4 open until 20:00 on Fridays and Saturdays.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Closed on Mondays (except August 10 and September 21 ), August 11 and September 23, 2020<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Ticket<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p><strong>Advance ticket is recommended to avoid lines forming at the entrance.<\/strong><br>Online purchase:&nbsp;<a href=\"https:\/\/www.tiqets.com\/en\/the-national-museum-of-modern-art-tokyo-tickets-l147840\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u3010Tiqets\u3011<\/a>&nbsp;<a href=\"https:\/\/www.e-tix.jp\/momat\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u3010e-tix\u3011<\/a><br>Tickets can be purchased on site at the ticket counters, subject to their availability.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults \u00a5500 (400)<br>College and university students \u00a5250 (200)<br>*The price in brackets is for the group of 20 persons or more. All prices include tax.<br>Free for high school students, under 18, seniors (65 and over), Campus Members, MOMAT passport holder.<br>*Show your Membership Card of the MOMAT Supporters or the MOMAT Members to get free admission (a MOMAT Members Card admits two persons free).<br>*Persons with disability and one person accompanying them are admitted free of charge.<br>*Members of the MOMAT Corporate Partners are admitted free with their staff ID.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organized by<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-arrow\">\n        <a class=\"wp-block-button__link\" href=\"15153\">\n            Introduction to the Collection        <\/a>\n    <\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"featured_media":6663,"template":"","exhibition_type":[255],"exhibition_year":[307],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2020-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/r1-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2020-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"The collection exhibition from June 16\u2013October 25, 2020 Welcome to the MOMAT Collection! We originally planned to hold a special exhibition in conjunction with the Olympic and Paralympic Games, but both have been postponed until next year. Instead, we will once more present exhibits that could scarcely be viewed this spring due to countermeasures against the COVID-19 pandemic, with some of the works replaced by others. In Room 1 on the fourth floor is an area focusing on the relocation to Kanazawa, Ishikawa Prefecture of the Crafts Gallery, which until this spring served as an exhibition facility for decorative arts in Tokyo, along with various craft works. 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