{"id":125839,"date":"2019-06-04T09:56:33","date_gmt":"2019-06-04T00:56:33","guid":{"rendered":"https:\/\/www.momat.go.jp\/exhibitions\/h31-1"},"modified":"2023-06-12T13:06:31","modified_gmt":"2023-06-12T04:06:31","slug":"h31-1","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/h31-1","title":{"rendered":"2019-1 MOMAT Collection"},"content":{"rendered":"    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_6bad54fcce32a88d0b2eed45da5b5e85\"\n                aria-controls=\"nav-block_6bad54fcce32a88d0b2eed45da5b5e85\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_6bad54fcce32a88d0b2eed45da5b5e85\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section1-1\"\n                       title=\"Scroll to Highlights\"\n                       class=\"momat-anchors__link\">\n                        Highlights                    <\/a>\n                                    <a href=\"#section1-2\"\n                       title=\"Scroll to About the Sections\"\n                       class=\"momat-anchors__link\">\n                        About the Sections                    <\/a>\n                                    <a href=\"#section1-3\"\n                       title=\"Scroll to Event\"\n                       class=\"momat-anchors__link\">\n                        Event                    <\/a>\n                                    <a href=\"#section1-4\"\n                       title=\"Scroll to About the Exhibition\"\n                       class=\"momat-anchors__link\">\n                        About the Exhibition                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div id=\"section1-1\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">The collection exhibition from June 4 -October 20, 2019<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"361\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c565321263cd3690010474f75561b323-e1536825795514.jpeg\" alt=\"\" class=\"wp-image-2391\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c565321263cd3690010474f75561b323-e1536825795514.jpeg 361w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c565321263cd3690010474f75561b323-e1536825795514-200x166.jpeg 200w\" sizes=\"(max-width: 361px) 100vw, 361px\" \/><figcaption class=\"wp-element-caption\">Wada Sanzo,&nbsp;<em>South Wind<\/em>, 1907 (Important Cultural Property)<\/figcaption><\/figure>\n\n\n\n<p>Welcome to the MOMAT Collection! In this exhibition, we introduce currents in Japanese modern and contemporary art from the beginning of the 20th century to the present along with a variety of works from other countries.<\/p>\n\n\n\n<p>In the Highlights section (Room 1, 4th floor), viewers are treated to a host of masterpieces selected from the museum collection. Rooms 2 to 12, arranged in roughly chronological order, have each been assigned a theme, enabling viewers to see the relationship between art and society in each era from a wide range of perspectives.<\/p>\n\n\n\n<p>In two rooms, Room 7 and 8 on the 3rd floor, we present design and crafts associated with a widespread passion for ancient artifacts during the 1950s and 1960s. In Room 11, on the 2nd floor, there is a special exhibit related to the exhibition&nbsp;<em>Takahata Isao: A Legend in Japanese Animation<\/em>, and in Gallery 4 on the 2nd floor, we present a small exhibit entitled&nbsp;<em>Emancipation of Humanity: Focusing on Works by Female Artists<\/em>.<\/p>\n\n\n\n<p>The National Museum of Modern Art, Tokyo relocated to Takebashi and reopened on June 11, 1969. As we mark the 50th anniversary of relocation during this year\u2019s MOMAT Collection exhibition, we present materials from that time in the exhibit&nbsp;<em>Room to Consider the Building<\/em>&nbsp;on the 3rd floor. Once again this year, we are pleased to present a wide range of works from the MOMAT Collection, and we hope you enjoy them to the fullest.<\/p>\n\n\n\n<p class=\"has-text-align-right\">translated by Christopher Stephens<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">List of Works<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><th><small>room<\/small><\/th><th><small>audio guide (En)<\/small><\/th><th><small>artist<\/small><\/th><th><small>title<\/small><\/th><th><small>\u7f8e\u672f\u5bb6<\/small><\/th><th><small>\u6807\u9898<\/small><\/th><th><small>\uc791\uac00\uc758&nbsp;<\/small><\/th><th><small>\ud45c\uc81c<\/small><\/th><th><small>date<\/small><\/th><th><small>on view from<\/small><\/th><th><small>on view to<\/small><\/th><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTAKE, Kokkan<\/small><\/td><td><small>Alarmed<\/small><\/td><td><small>\u5c3e\u7af9\u56fd\u89c2<\/small><\/td><td><small>\u758f\u5ffd<\/small><\/td><td><small>\uc624\ud0c0\ucf00 \uacf3\uce78<\/small><\/td><td><small>\ubc29\uc2ec<\/small><\/td><td><small>1909<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKUCHI, Keigetsu<\/small><\/td><td><small>Dedicating Lanterns<\/small><\/td><td><small>\u83ca\u6c60\u5951\u6708<\/small><\/td><td><small>\u4f9b\u706f<\/small><\/td><td><small>\uae30\ucfe0\uce58 \uac8c\uc774\uac8c\uc4f0<\/small><\/td><td><small>\ub4f1\ubd88 \uacf5\uc591<\/small><\/td><td><small>1910<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0006<\/small><\/td><td><small>SHIMOMURA, Kanzan<\/small><\/td><td><small>Autumn among Trees<\/small><\/td><td><small>\u4e0b\u6751\u89c2\u5c71<\/small><\/td><td><small>\u6811\u6728\u95f4\u7684\u79cb\u5929<\/small><\/td><td><small>\uc2dc\ubaa8\ubb34\ub77c \uac04\uc794<\/small><\/td><td><small>\ub098\ubb34 \uc0ac\uc774\uc758 \uac00\uc744<\/small><\/td><td><small>1907<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAYAMA, Matazo<\/small><\/td><td><small>The Milky Way<\/small><\/td><td><small>\u52a0\u5c71\u53c8\u9020<\/small><\/td><td><small>\u94f6\u6cb3<\/small><\/td><td><small>\uac00\uc57c\ub9c8 \ub9c8\ud0c0\uc870<\/small><\/td><td><small>\uc740\ud558\uc218<\/small><\/td><td><small>1968<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0001<\/small><\/td><td><small>HARADA, Naojiro<\/small><\/td><td><small>Kannon Bodhisattva Riding the Dragon<\/small><\/td><td><small>\u539f\u7530\u76f4\u6b21\u90ce<\/small><\/td><td><small>\u9a91\u9f99\u89c2\u97f3<\/small><\/td><td><small>\ud558\ub77c\ub2e4 \ub098\uc624\uc9c0\ub85c<\/small><\/td><td><small>\uae30\ub8e1\uad00\uc74c<\/small><\/td><td><small>1890<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0029<\/small><\/td><td><small>NAKAMURA, Tsune<\/small><\/td><td><small>Portrait of Vasilii Yaroshenko<\/small><\/td><td><small>\u4e2d\u6751\u5f5d<\/small><\/td><td><small>\u7231\u7f57\u5148\u73c2\u5148\u751f\u7684\u8096\u50cf<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \uc4f0\ub124<\/small><\/td><td><small>\uc608\ub85c\uc13c\ucf54\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1920<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0037<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Five Nudes<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u4e94\u4e2a\u88f8\u5987<\/small><\/td><td><small>\ud6c4\uc9c0\ud0c0 \uc4f0\uad6c\ud558\ub8e8<\/small><\/td><td><small>\ub2e4\uc12f \uba85\uc758 \ub204\ub4dc<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Nude, Resting Her Chin on Her Hand<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u88f8\u5987\uff08\u6258\u816e\u7684\u4eba\uff09<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\ub098\ubd80(\ud131\uc744 \uad38 \uc0ac\ub78c)<\/small><\/td><td><small>1926<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HASEKAWA, Toshiyuki<\/small><\/td><td><small>Portrait of Kishida Kunio<\/small><\/td><td><small>\u9577\u8c37\u5ddd\u5229\u884c<\/small><\/td><td><small>\u5cb8\u7530\u56fd\u58eb\u4e4b\u50cf<\/small><\/td><td><small>\ud558\uc138\uce74\uc640 \ub3c4\uc2dc\uc720\ud0a4<\/small><\/td><td><small>\uae30\uc2dc\ub2e4 \uad6c\ub2c8\uc624 \uc0c1<\/small><\/td><td><small>1930<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIGISHI, Kotaro<\/small><\/td><td><small>Butterflies Flying above Clouds<\/small><\/td><td><small>\u4e09\u5cb8\u597d\u592a\u90ce<\/small><\/td><td><small>\u98de\u821e\u5728\u4e91\u4e0a\u7684\u8774\u8776<\/small><\/td><td><small>\ubbf8\uae30\uc2dc \uace0\ud0c0\ub85c<\/small><\/td><td><small>\uad6c\ub984 \uc704\ub97c \ub098\ub294 \ub098\ube44<\/small><\/td><td><small>1934<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMASHITA, Kikuji<\/small><\/td><td><small>The Tale of Akebono Village<\/small><\/td><td><small>\u5c71\u4e0b\u83ca\u4e8c<\/small><\/td><td><small>\u66d9\u6751\u6545\u4e8b<\/small><\/td><td><small>\uc57c\ub9c8\uc2dc\ud0c0 \uae30\ucfe0\uc9c0<\/small><\/td><td><small>\uc544\ucf00\ubcf4\ub178 \ub9c8\uc744 \uc774\uc57c\uae30<\/small><\/td><td><small>1953<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0062<\/small><\/td><td><small>AI-MITSU<\/small><\/td><td><small>Landscape with an Eye<\/small><\/td><td><small>\u53c6\u5149<\/small><\/td><td><small>\u6709\u773c\u775b\u7684\u98ce\u666f<\/small><\/td><td><small>\uc544\uc774\ubbf8\uc4f0<\/small><\/td><td><small>\ub208\uc774 \uc788\ub294 \ud48d\uacbd<\/small><\/td><td><small>1938<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0003<\/small><\/td><td><small>Henri Rousseau<\/small><\/td><td><small>Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Soci\u00e9t\u00e9 des Artistes Ind\u00e9pendants<\/small><\/td><td><small>\u4ea8\u5229\u00b7\u5362\u68ad<\/small><\/td><td><small>\u81ea\u7531\u5973\u795e\u6307\u5f15\u827a\u672f\u5bb6\u53c2\u52a0\u7b2c22\u5c4a\u72ec\u7acb\u6c99\u9f99<\/small><\/td><td><small>\uc559\ub9ac \ub8e8\uc18c<\/small><\/td><td><small>\uc81c22\ud68c \uc559\ub370\ud321\ub2f9 \uc804\uc5d0 \ucc38\uac00\ud558\ub3c4\ub85d \uc608\uc220\uac00\ub4e4\uc744 \uc774\ub044\ub294 \uc790\uc720\uc758 \uc5ec\uc2e0<\/small><\/td><td><small>1905-06<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Klee<\/small><\/td><td><small>Destroyed Village<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u514b\u5229<\/small><\/td><td><small>\u88ab\u7834\u73af\u7684\u6751\u5e84<\/small><\/td><td><small>\ud30c\uc6b8 \ud074\ub808<\/small><\/td><td><small>\ud30c\uad34\ub41c \ub9c8\uc744<\/small><\/td><td><small>1920<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0012<\/small><\/td><td><small>OGIWARA, Morie<\/small><\/td><td><small>Woman<\/small><\/td><td><small>\u837b\u539f\u5b88\u536b<\/small><\/td><td><small>\u5973\u5b50<\/small><\/td><td><small>\uc624\uae30\uc640\ub77c \ubaa8\ub9ac\uc5d0<\/small><\/td><td><small>\uc5ec\uc790<\/small><\/td><td><small>1910<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANO, Hogai<\/small><\/td><td><small>Dashing Horse under a Cherry Tree<\/small><\/td><td><small>\u72e9\u91ce\u82b3\u5d16<\/small><\/td><td><small>\u6a31\u4e0b\u52c7\u9a79\u56fe<\/small><\/td><td><small>\uac00\ub178 \ud638\uac00\uc774<\/small><\/td><td><small>\ubc9a\ub098\ubb34 \uc544\ub798 \ub2a0\ub984\ud55c \ub9d0<\/small><\/td><td><small>1884<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HASHIMOTO, Gaho<\/small><\/td><td><small>The Isle of Eternal Youth<\/small><\/td><td><small>\u6865\u672c\u96c5\u90a6<\/small><\/td><td><small>\u84ec\u83b1\u5c71<\/small><\/td><td><small>\ud558\uc2dc\ubaa8\ud1a0 \uac00\ud638<\/small><\/td><td><small>\ubd09\ub798\uc0b0<\/small><\/td><td><small>c.1903-07<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOKOYAMA, Taikan<\/small><\/td><td><small>Kikujido<\/small><\/td><td><small>\u6a2a\u5c71\u5927\u89c2<\/small><\/td><td><small>\u83ca\u6148\u7ae5<\/small><\/td><td><small>\uc694\ucf54\uc57c\ub9c8 \ub2e4\uc774\uce78<\/small><\/td><td><small>\uae30\ucfe0\uc9c0\ub3c4(\u83ca\u6148\u7ae5)<\/small><\/td><td><small>c.1897<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TERASAKI, Kogyo<\/small><\/td><td><small>Four Scenes of Mountain Stream: Hills with Clouds, Summer Moon, Autumn Mist, After Rain<\/small><\/td><td><small>\u5bfa\u5d0e\u5e7f\u4e1a<\/small><\/td><td><small>\u6eaa\u56db\u9898\uff08\u4e91\u5cf0\u00b7\u590f\u6708\u00b7\u79cb\u96fe\u00b7\u96e8\u540e\uff09<\/small><\/td><td><small>\ud14c\ub77c\uc0ac\ud0a4 \uace0\uad50<\/small><\/td><td><small>\uacc4\uace1\uc758 \uc0ac\uacc4<\/small><br><small>(\uc6b4\ubd09, \uc5ec\ub984 \ub2ec, \uac00\uc744 \uc548\uac1c, \ube44\uac00 \uc628 \ud6c4)<\/small><\/td><td><small>1909<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANO, Hogai<\/small><\/td><td><small>Lions<\/small><\/td><td><small>\u72e9\u91ce\u82b3\u5d16<\/small><\/td><td><small>\u72ee\u5b50<\/small><\/td><td><small>\uac00\ub178 \ud638\uac00\uc774<\/small><\/td><td><small>\uc0ac\uc790<\/small><\/td><td><small>c.1886<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAI, Gyokudo<\/small><\/td><td><small>Taira Shigemori, Komatsu-no-naifu<\/small><\/td><td><small>\u5ddd\u5408\u7389\u5802<\/small><\/td><td><small>\u5c0f\u677e\u5185\u5e9c\u56fe<\/small><\/td><td><small>\uac00\uc640\uc774 \uad50\ucfe0\ub3c4<\/small><\/td><td><small>\uace0\ub9c8\uc4f0\ub178 \ub098\uc774\ud6c4(\ub2e4\uc774\ub77c\ub178 \uc2dc\uac8c\ubaa8\ub9ac)<\/small><\/td><td><small>1899<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHIMOMURA, Kanzan<\/small><\/td><td><small>Diogenes<\/small><\/td><td><small>\u4e0b\u6751\u89c2\u5c71<\/small><\/td><td><small>\u7b2c\u6b27\u6839\u5c3c<\/small><\/td><td><small>\uc2dc\ubaa8\ubb34\ub77c \uac04\uc794<\/small><\/td><td><small>\ub514\uc624\uac8c\ub124\uc2a4<\/small><\/td><td><small>1903<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKUCHI, Keigetsu<\/small><\/td><td><small>Lamenting over the Tomb of a Sage<\/small><\/td><td><small>\u83ca\u6c60\u5951\u6708<\/small><\/td><td><small>\u540d\u58eb\u7684\u846c\u793c<\/small><\/td><td><small>\uae30\ucfe0\uce58 \uac8c\uc774\uac8c\uc4f0<\/small><\/td><td><small>\uba85\uc0ac\uc870\uc7a5(\u540d\u58eb\u5f14\u846c)<\/small><\/td><td><small>1908<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARADA, Naojiro<\/small><\/td><td><small>Portrait of Gabriel Cornelius von Max<\/small><\/td><td><small>\u539f\u7530\u76f4\u6b21\u90ce<\/small><\/td><td><small>\u52a0\u5e03\u91cc\u57c3\u5c14\u00b7\u51af\u00b7\u9a6c\u514b\u65af\u50cf<\/small><\/td><td><small>\ud558\ub77c\ub2e4 \ub098\uc624\uc9c0\ub85c<\/small><\/td><td><small>\uac00\ube0c\ub9ac\uc5d8 \ub9c9\uc2a4\uc758 \ucd08\uc0c1<\/small><\/td><td><small>c.1884-86<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUME, Keiichiro<\/small><\/td><td><small>An Island in Br\u00e9hat<\/small><\/td><td><small>\u4e45\u7c73\u6842\u4e00\u90ce<\/small><\/td><td><small>\u5e03\u96f7\u963f\u5c9b<\/small><\/td><td><small>\uad6c\uba54 \uac8c\uc774\uce58\ub85c<\/small><\/td><td><small>\ube0c\ub808\uc544 \uc12c<\/small><\/td><td><small>1891<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAZAWA, Hiromitsu<\/small><\/td><td><small>Portrait of Mr. Hisui Sugiura<\/small><\/td><td><small>\u4e2d\u6cfd\u5f18\u5149<\/small><\/td><td><small>\u975e\u6c34\u50cf<\/small><\/td><td><small>\ub098\uce74\uc790\uc640 \ud788\ub85c\ubbf8\uc4f0<\/small><\/td><td><small>\ud788\uc2a4\uc774 \uc2a4\uae30\uc6b0\ub77c\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1901<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHII, Hakutei<\/small><\/td><td><small>Rest on the Grass<\/small><\/td><td><small>\u77f3\u4e95\u67cf\u4ead<\/small><\/td><td><small>\u8349\u576a\u4e0a\u7684\u5c0f\u61a9<\/small><\/td><td><small>\uc774\uc2dc\uc774 \ud558\ucfe0\ud14c\uc774<\/small><\/td><td><small>\ucd08\uc6d0\uc5d0\uc11c\uc758 \ud734\uc2dd<\/small><\/td><td><small>1904<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUMAGAI, Morikazu<\/small><\/td><td><small>Half Naked<\/small><\/td><td><small>\u718a\u8c37\u5b88\u4e00<\/small><\/td><td><small>\u534a\u88f8\u5987<\/small><\/td><td><small>\uad6c\ub9c8\uac00\uc774 \ubaa8\ub9ac\uce74\uc988<\/small><\/td><td><small>\ubc18\ub77c\uc758 \uc5ec\uc790<\/small><\/td><td><small>1904<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AOKI, Shigeru<\/small><\/td><td><small>Destiny<\/small><\/td><td><small>\u9752\u6728\u7e41<\/small><\/td><td><small>\u547d\u8fd0<\/small><\/td><td><small>\uc544\uc624\ud0a4 \uc2dc\uac8c\ub8e8<\/small><\/td><td><small>\uc6b4\uba85<\/small><\/td><td><small>1904<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Hiroshi<\/small><\/td><td><small>Landscape in Paris<\/small><\/td><td><small>\u5409\u7530\u535a<\/small><\/td><td><small>\u5df4\u9ece\u98ce\u666f<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\ud30c\ub9ac \ud48d\uacbd<\/small><\/td><td><small>1905<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>0004<\/small><\/td><td><small>WADA,<\/small><br><small>Sanzo<\/small><\/td><td><small>South Wind<\/small><\/td><td><small>\u548c\u7530\u4e09\u9020<\/small><\/td><td><small>\u5357\u98ce<\/small><\/td><td><small>\uc640\ub2e4 \uc0b0\uc870<\/small><\/td><td><small>\ub0a8\ud48d<\/small><\/td><td><small>1907<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASAI, Chu<\/small><\/td><td><small>Scene in a Mountain Village<\/small><\/td><td><small>\u6d45\u4e95\u5fe0<\/small><\/td><td><small>\u5c71\u6751\u98ce\u666f<\/small><\/td><td><small>\uc544\uc0ac\uc774 \uce04<\/small><\/td><td><small>\uc0b0\ucd0c\ud48d\uacbd<\/small><\/td><td><small>1887<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANOKOGI, Takeshiro<\/small><\/td><td><small>Country Road<\/small><\/td><td><small>\u9e7f\u5b50\u5b5f\u592a\u90ce<\/small><\/td><td><small>\u4e61\u95f4\u7684\u8def<\/small><\/td><td><small>\uac00\ub178\ucf54\uae30 \ub2e4\ucf00\uc2dc\ub85c<\/small><\/td><td><small>\uc2dc\uace8\uae38<\/small><\/td><td><small>c.1895<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MINAMI, Kunzo<\/small><\/td><td><small>Old Scots<\/small><\/td><td><small>\u5357\u85b0\u9020<\/small><\/td><td><small>\u82cf\u683c\u5170\u8001\u4eba<\/small><\/td><td><small>\ubbf8\ub098\ubbf8 \uad70\uc870<\/small><\/td><td><small>\uc2a4\ucf54\ud2c0\ub79c\ub4dc \ub178\uc778<\/small><\/td><td><small>1908<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Adam Waiting for Eve<\/small><\/td><td><small>\u5cb8\u7530\u5218\u751f<\/small><\/td><td><small>\u7b49\u5f85\u590f\u5a03\u7684\u4e9a\u5f53<\/small><\/td><td><small>\uae30\uc2dc\ub2e4 \ub958\uc138\uc774<\/small><\/td><td><small>\uc774\ube0c\ub97c \uae30\ub2e4\ub9ac\ub294 \uc544\ub2f4<\/small><\/td><td><small>1912<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Near Tranomon<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u864e\u4e4b\u95e8\u9644\u8fd1<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub3c4\ub77c\ub178\ubaac \ubd80\uadfc<\/small><\/td><td><small>1912<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAKAMI, Ryoka<\/small><\/td><td><small>Scene of a Botanical Garden<\/small><\/td><td><small>\u5ddd\u4e0a\u51c9\u82b1<\/small><\/td><td><small>\u690d\u7269\u56ed\u98ce\u666f<\/small><\/td><td><small>\uac00\uc640\uce74\ubbf8 \ub8cc\uce74<\/small><\/td><td><small>\uc2dd\ubb3c\uc6d0 \ud48d\uacbd<\/small><\/td><td><small>1913<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Still Life with Gloves<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u624b\u5957\u9759\u7269<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\uc7a5\uac11\uc774 \uc788\ub294 \uc815\ubb3c<\/small><\/td><td><small>1915<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UMEHARA, Ryuzaburo<\/small><\/td><td><small>Still Life<\/small><\/td><td><small>\u6885\u539f\u9f99\u4e09\u90ce<\/small><\/td><td><small>\u9759\u7269<\/small><\/td><td><small>\uc6b0\uba54\ud558\ub77c \ub958\uc790\ubd80\ub85c<\/small><\/td><td><small>\uc815\ubb3c<\/small><\/td><td><small>1916<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MASAMUNE, Tokusaburo<\/small><\/td><td><small>Winter at Moree<\/small><\/td><td><small>\u6b63\u5b97\u5f97\u4e09\u90ce<\/small><\/td><td><small>\u83ab\u91cc\u7684\u51ac\u5929<\/small><\/td><td><small>\ub9c8\uc0ac\ubb34\ub124 \ub3c4\ucfe0\uc0ac\ubd80\ub85c<\/small><\/td><td><small>\ubaa8\ub808\uc758 \uaca8\uc6b8<\/small><\/td><td><small>1922<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAGAWA, Kazumasa<\/small><\/td><td><small>Citrons and Bottles<\/small><\/td><td><small>\u4e2d\u5ddd\u4e00\u653f<\/small><\/td><td><small>\u67da\u5b50\u575b\u56fe<\/small><\/td><td><small>\ub098\uce74\uac00\uc640 \uac00\uc988\ub9c8\uc0ac<\/small><\/td><td><small>\uc720\uc790\uc640 \ubcd1<\/small><\/td><td><small>1925<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul<\/small><br><small>C\u00e9zanne<\/small><\/td><td><small>Grand Bouquet of Flowers<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u585e\u5c1a<\/small><\/td><td><small>\u5927\u82b1\u675f<\/small><\/td><td><small>\ud3f4 \uc138\uc794<\/small><\/td><td><small>\ud070 \uaf43\ub2e4\ubc1c<\/small><\/td><td><small>c.1892-95<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Auguste Rodin<\/small><\/td><td><small>Torso<\/small><\/td><td><small>\u5965\u53e4\u65af\u7279\u00b7\u7f57\u4e39<\/small><\/td><td><small>\u80f4\u4f53<\/small><\/td><td><small>\uc624\uadc0\uc2a4\ud2b8 \ub85c\ub315<\/small><\/td><td><small>\ud1a0\ub974\uc18c<\/small><\/td><td><small>n.d.<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MINAMI, Kunzo<\/small><\/td><td><small>Girl<\/small><\/td><td><small>\u5357\u85b0\u9020<\/small><\/td><td><small>\u5c11\u5973<\/small><\/td><td><small>\ubbf8\ub098\ubbf8 \uad70\uc870<\/small><\/td><td><small>\uc18c\ub140<\/small><\/td><td><small>1908<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MINAMI, Kunzo<\/small><\/td><td><small>Girl Seated by the Water<\/small><\/td><td><small>\u5357\u85b0\u9020<\/small><\/td><td><small>\u6c34\u8fb9\u7684\u5c11\u5973<\/small><\/td><td><small>\ubbf8\ub098\ubbf8 \uad70\uc870<\/small><\/td><td><small>\ubb3c\uac00\uc758 \uc18c\ub140<\/small><\/td><td><small>1908<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Study for Human Will<\/small><\/td><td><small>\u5cb8\u7530\u5218\u751f<\/small><\/td><td><small>\u300a\u4eba\u7c7b\u7684\u610f\u5fd7\u300b\u7684\u8349\u7a3f<\/small><\/td><td><small>\uae30\uc2dc\ub2e4 \ub958\uc138\uc774<\/small><\/td><td><small>\u300c\uc778\ub958\uc758 \uc758\uc9c0\u300d\ub97c \uc704\ud55c \uc18c\ubb18<\/small><\/td><td><small>c.1914<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Adam Wanting Eve<\/small><\/td><td><small>\u5cb8\u7530\u5218\u751f<\/small><\/td><td><small>\u5411\u590f\u5a03\u6c42\u7231\u7684\u4e9a\u5f53<\/small><\/td><td><small>\uae30\uc2dc\ub2e4 \ub958\uc138\uc774<\/small><\/td><td><small>\uc774\ube0c\ub97c \uc6d0\ud558\ub294 \uc544\ub2f4<\/small><\/td><td><small>c.1914<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Gauguin<\/small><\/td><td><small>NAVE NAVE FENUA (Land of Sensuous Pleasure)<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u9ad8\u66f4<\/small><\/td><td><small>NAVE NAVE FENUA\uff08\u82b3\u9999\u7684\u571f\u5730\uff09<\/small><\/td><td><small>\ud3f4 \uace0\uac31<\/small><\/td><td><small>NAVE NAVE FENUA (\ud5a5\uae30\ub85c\uc6b4 \ub300\uc9c0)<\/small><\/td><td><small>1893-94<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Paul Gauguin<\/small><\/td><td><small>NOA NOA (Fragrant)<\/small><\/td><td><small>\u4fdd\u7f57\u00b7\u9ad8\u66f4<\/small><\/td><td><small>NOA NOA\uff08\u82b3\u9999\uff09<\/small><\/td><td><small>\ud3f4 \uace0\uac31<\/small><\/td><td><small>NOA NOA (\ud5a5\uae30\ub86d\ub2e4)<\/small><\/td><td><small>1893-94<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Georges Rouault<\/small><\/td><td><small>Miserere No.1: Have mercy upon me, O God, according to thy loving-kindness.<\/small><\/td><td><small>\u4e54\u6cbb\u00b7\u9c81\u5965<\/small><\/td><td><small>Miserere No.1: \u795e\u554a\uff0c\u6c42\u4f60\u6309\u4f60\u7684\u6148\u7231\u601c\u60af\u6211<\/small><\/td><td><small>\uc870\ub974\uc8fc \ub8e8\uc624<\/small><\/td><td><small>\ubbf8\uc81c\ub808\ub808 No. 1(\ud558\ub290\ub2d8, \ud06c\uc2e0 \uc790\ube44\ub85c \uc800\ud76c\ub97c \ubd88\uc30d\ud788 \uc5ec\uae30\uc18c\uc11c)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Georges Rouault<\/small><\/td><td><small>Miserere No.57: \u201cObedient unto death, even the death of the cross.\u201d<\/small><\/td><td><small>\u4e54\u6cbb\u00b7\u9c81\u5965<\/small><\/td><td><small>Miserere No.57: \u201c\u987a\u4ece\u81f3\u6b7b\uff0c\u5e76\u4e14\u88ab\u9489\u5728\u5341\u5b57\u67b6\u4e0a\u201d<\/small><\/td><td><small>\uc870\ub974\uc8fc \ub8e8\uc624<\/small><\/td><td><small>\ubbf8\uc81c\ub808\ub808 No. 57(\uc8fd\uc74c\uc5d0 \uc774\ub974\uae30\uae4c\uc9c0, \uc2ed\uc790\uac00\uc5d0\uc11c \uc8fd\uc74c\uc5d0 \uc774\ub974\uae30\uae4c\uc9c0 \uc21c\uc885\ud558\uc2dc\ub294)<\/small><\/td><td><small>1926<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Georges Rouault<\/small><\/td><td><small>Miserere No.20: Beneath a forgotten crucifix.<\/small><\/td><td><small>\u4e54\u6cbb\u00b7\u9c81\u5965<\/small><\/td><td><small>Miserere No.20: \u5728\u88ab\u9057\u5fd8\u7684\u8036\u7a23\u53d7\u96be\u50cf\u4e0b<\/small><\/td><td><small>\uc870\ub974\uc8fc \ub8e8\uc624<\/small><\/td><td><small>\ubbf8\uc81c\ub808\ub808 No. 20(\uc78a\ud600\uc9c4 \uc2ed\uc790\uac00\uc758 \uc608\uc218 \uc544\ub798\uc5d0\uc11c)<\/small><\/td><td><small>1926<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Georges Rouault<\/small><\/td><td><small>Miserere No.52: The law is law, hard though it be.<\/small><\/td><td><small>\u4e54\u6cbb\u00b7\u9c81\u5965<\/small><\/td><td><small>Miserere No.52: \u6cd5\u5f8b\u5c31\u662f\u6cd5\u5f8b\uff0c\u867d\u7136\u82db\u9177<\/small><\/td><td><small>\uc870\ub974\uc8fc \ub8e8\uc624<\/small><\/td><td><small>\ubbf8\uc81c\ub808\ub808 No. 52(\uc545\ubc95\ub3c4 \ubc95\uc774\ub2e4)<\/small><\/td><td><small>1926<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shirakaba, vol. 9, no. 3, March 1918 [cover: Bernard Leach]&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u767d\u6866\u300b\u7b2c9\u5377\u7b2c3\u53f7\u3000\uff081918\u5e743\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2dc\ub77c\uce74\ubc14(\u767d\u6a3a)\u300f \uc81c9\uad8c \uc81c3\ud638 (1918\ub144 3\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cMember recruitment for Shirakaba Museum,\u201d Shirakaba, vol. 9, no. 7, July 1918<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u767d\u6866\u300b\u7b2c9\u5377\u7b2c7\u53f7\u3000\uff081918\u5e747\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2dc\ub77c\uce74\ubc14(\u767d\u6a3a)\u300f\uc81c9\uad8c \uc81c7\ud638 (1918\ub144 7\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shirakaba, vol.9, no.7, July 1918 [plate: Paul C\u00e9zanne, The Luncheon on the Grass]<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u767d\u6866\u300b\u7b2c9\u5377\u7b2c7\u53f7\u3000\uff081918\u5e747\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2dc\ub77c\uce74\ubc14(\u767d\u6a3a)\u300f \uc81c9\uad8c \uc81c7\ud638 (1918\ub144 7\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shirakaba, vol. 12, no. 2, February 1921 [plate: Vincent van Gogh, Sunflowers (Yamamoto Koyata\u2019s old possession, destroyed by fire in the World War II)]&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u767d\u6866\u300b\u7b2c12\u5377\u7b2c2\u53f7\u3000\uff081921\u5e742\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2dc\ub77c\uce74\ubc14(\u767d\u6a3a)\u300f \uc81c12\uad8c \uc81c2\ud638 (1921\ub144 2\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shirakaba, vol. 9, no. 7, July 1918 [cover: Kishida Ryusei]&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u767d\u6866\u300b\u7b2c9\u5377\u7b2c7\u53f7\u3000\uff081918\u5e747\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2dc\ub77c\uce74\ubc14(\u767d\u6a3a)\u300f\uc81c9\uad8c \uc81c7\ud638 (1918\ub144 7\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cMember recruitment for Shirakaba Museum,\u201d Shirakaba, vol. 10, no. 3, March1919&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u767d\u6866\u300b\u7b2c10\u5377\u7b2c3\u53f7\u3000\uff081919\u5e743\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2dc\ub77c\uce74\ubc14(\u767d\u6a3a)\u300f \uc81c10\uad8c \uc81c3\ud638 (1919\ub144 3\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cEditor\u2019s note,\u201d Shirakaba, vol. 12, no. 1, January 1921<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u767d\u6866\u300b\u7b2c12\u5377\u7b2c1\u53f7\u3000\uff081921\u5e741\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2dc\ub77c\uce74\ubc14(\u767d\u6a3a)\u300f\uc81c12\uad8c \uc81c1\ud638 (1921\ub144 1\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shirakaba, vol. 12, no. 2, February 1921 [plate: Paul C\u00e9zanne, Landscape (collection of Ohara Museum of Art [permanent deposition from Shirakaba Art Museum])]<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u767d\u6866\u300b\u7b2c12\u5377\u7b2c2\u53f7\u3000\uff081921\u5e742\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2dc\ub77c\uce74\ubc14(\u767d\u6a3a)\u300f\uc81c12\uad8c \uc81c2\ud638 (1921\ub144 2\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.1 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b1<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 1<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.2 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b2<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 2<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.3 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b3<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 3<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.4 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b4<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 4<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.5 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b5<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 5<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.6 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b6<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 6<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.7 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b7<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 7<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.8 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b8<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 8<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.9 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b9<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 9<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.10 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b10<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 10<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.11 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b11<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 11<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.12 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b12<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 12<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.13 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b13<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 13<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.14 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b14<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 14<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.15 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b15<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 15<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.16 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b16<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 16<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.18 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b18<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 18<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.19 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b19<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 19<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.20 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b20<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 20<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.21 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b21<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 21<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.22 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b22<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 22<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.23 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b23<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 23<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.24 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b24<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 24<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.25 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b25<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 25<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.26 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b26<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 26<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.27 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b27<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 27<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.28 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b28<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 28<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.29 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b29<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 29<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.30 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b30<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 30<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.31 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b31<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 31<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.32 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b32<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 32<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.33 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b33<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 33<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Illustration no.34 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b34<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 34<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Shohachi<\/small><\/td><td><small>Study for illustration no.35 to the Novel Bokuto Kidan by Nagai Kafu<\/small><\/td><td><small>\u6728\u6751\u5e84\u516b<\/small><\/td><td><small>\u6c38\u4e95\u8377\u98ce\u8457\u300a\u6ff9\u4e1c\u7eee\u8c2d\u300b\u63d2\u753b35\u7684\u753b\u7a3f<\/small><\/td><td><small>\uae30\ubb34\ub77c \uc1fc\ud558\uce58<\/small><\/td><td><small>\ub098\uac00\uc774 \uac00\ud6c4 \uc800, \u300e\ubb35\ub3d9\uae30\ub2f4\u300f \uc0bd\ud654 35\ub97c \uc704\ud55c \ubc11\uadf8\ub9bc<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ODA, Kazuma<\/small><\/td><td><small>Tamanoi in Snow from Eight Scene Around Tokyo<\/small><\/td><td><small>\u7ec7\u7530\u4e00\u78e8<\/small><\/td><td><small>\u201c\u753b\u96c6\u4e1c\u4eac\u8fd1\u90ca\u516b\u666f\u201d\u4e4b\u3000\u7389\u4e4b\u4e95\u96ea\u666f<\/small><\/td><td><small>\uc624\ub2e4 \uac00\uc988\ub9c8<\/small><\/td><td><small>\u300c\ud654\uc9d1 \ub3c4\ucfc4 \uadfc\uad50 \ud314\uacbd\u300d \uc911, \ub2e4\ub9c8\ub178\uc774\uc758 \uc124\uacbd<\/small><\/td><td><small>1932<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWASE, Hasui<\/small><\/td><td><small>The Village of Terashima on a Snowy Evening from Twelve Tokyo Scenes<\/small><\/td><td><small>\u5ddd\u6fd1\u5df4\u6c34<\/small><\/td><td><small>\u300a\u4e1c\u4eac\u5341\u4e8c\u9898\u300b \u4e4b\u3000\u96ea\u4e2d\u65e5\u66ae\u7684\u5bfa\u5c9b\u6751<\/small><\/td><td><small>\uac00\uc640\uc138 \ud558\uc2a4\uc774<\/small><\/td><td><small>\u300c\ub3c4\ucfc4 12\uc81c\u300d \uc911, \ub208 \ub365\ud78c \uc800\ub141\uc758 \ub370\ub77c\uc2dc\ub9c8 \ub9c8\uc744<\/small><\/td><td><small>1920<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUNIYOSHI, Yasuo<\/small><\/td><td><small>Village<\/small><\/td><td><small>\u56fd\u5409\u5eb7\u96c4<\/small><\/td><td><small>\u6751\u843d<\/small><\/td><td><small>\uad6c\ub2c8\uc694\uc2dc \uc57c\uc2a4\uc624<\/small><\/td><td><small>\ucd0c\ub77d<\/small><\/td><td><small>1921<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAYAMA, Tomoyoshi<\/small><\/td><td><small>Portrait of a Jewish Girl<\/small><\/td><td><small>\u6751\u5c71\u77e5\u4e49<\/small><\/td><td><small>\u4e00\u4e2a\u72b9\u592a\u5c11\u5973\u50cf<\/small><\/td><td><small>\ubb34\ub77c\uc57c\ub9c8 \ub3c4\ubaa8\uc694\uc2dc<\/small><\/td><td><small>\uc5b4\ub5a4 \uc720\ub300\uc778 \uc18c\ub140\uc758 \uc0c1<\/small><\/td><td><small>1922<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAMBARA, Tai<\/small><\/td><td><small>Subject from The Poem of Ecstasy by Skryabin<\/small><\/td><td><small>\u795e\u539f\u6cf0<\/small><\/td><td><small>\u4ee5\u65af\u514b\u91cc\u4e9a\u5bbe\u7684\u300a\u72c2\u559c\u4e4b\u8bd7\u300b\u4e3a\u9898<\/small><\/td><td><small>\uac04\ubc14\ub77c \ub2e4\uc774<\/small><\/td><td><small>\uc2a4\ud06c\ub7b4\ube48&nbsp; \u300c\ubc95\uc5f4\uc758 \uc2dc\u300d\uc5d0\uc11c \uc790\uadf9\uc744 \ubc1b\uc544 \uba85\ud568<\/small><\/td><td><small>1922<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MAETA,<\/small><br><small>Kanji<\/small><\/td><td><small>Labourer<\/small><\/td><td><small>\u524d\u7530\u5bbd\u6cbb<\/small><\/td><td><small>\u52b3\u52a8\u8005<\/small><\/td><td><small>\ub9c8\uc5d0\ud0c0 \uac04\uc9c0<\/small><\/td><td><small>\ub178\ub3d9\uc790<\/small><\/td><td><small>c.1925<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>0039<\/small><\/td><td><small>SAEKI, Yuzo<\/small><\/td><td><small>Gas Lamp and Advertisements<\/small><\/td><td><small>\u4f50\u4f2f\u7950\u4e09<\/small><\/td><td><small>\u7164\u6c14\u706f\u548c\u5e7f\u544a<\/small><\/td><td><small>\uc0ac\uc5d0\ud0a4 \uc720\uc870<\/small><\/td><td><small>\uac00\uc2a4\ub4f1\uacfc \uad11\uace0<\/small><\/td><td><small>1927<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAGUCHI, Kigai<\/small><\/td><td><small>Still Life, Mandolin<\/small><\/td><td><small>\u5ddd\u53e3\u8f68\u5916<\/small><\/td><td><small>\u9759\u7269\uff08\u66fc\u9640\u6797\uff09<\/small><\/td><td><small>\uac00\uc640\uad6c\uce58 \uae30\uac00\uc774<\/small><\/td><td><small>\uc815\ubb3c(\ub9cc\ub3cc\ub9b0)<\/small><\/td><td><small>1927-31<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIGISHI, Kotaro<\/small><\/td><td><small>Boy Clown<\/small><\/td><td><small>\u4e09\u5cb8\u597d\u592a\u90ce<\/small><\/td><td><small>\u5c11\u5e74\u9053\u5316<\/small><\/td><td><small>\ubbf8\uae30\uc2dc \uace0\ud0c0\ub85c<\/small><\/td><td><small>\uc18c\ub144 \uad11\ub300<\/small><\/td><td><small>1929<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAGUCHI, Takeo<\/small><\/td><td><small>Two Figures<\/small><\/td><td><small>\u5c71\u53e3\u957f\u7537<\/small><\/td><td><small>\u4e8c\u4eba\u50cf<\/small><\/td><td><small>\uc57c\ub9c8\uad6c\uce58 \ub2e4\ucf00\uc624<\/small><\/td><td><small>\ub450 \uc778\ubb3c<\/small><\/td><td><small>1930<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAGUCHI, Takeo<\/small><\/td><td><small>Pond<\/small><\/td><td><small>\u5c71\u53e3\u957f\u7537<\/small><\/td><td><small>\u6c60<\/small><\/td><td><small>\uc57c\ub9c8\uad6c\uce58 \ub2e4\ucf00\uc624<\/small><\/td><td><small>\uc5f0\ubabb<\/small><\/td><td><small>1936<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SABURI, Makoto<\/small><\/td><td><small>Afternoon<\/small><\/td><td><small>\u4f50\u5206\u771f<\/small><\/td><td><small>\u4e0b\u5348<\/small><\/td><td><small>\uc0ac\ubd80\ub9ac \ub9c8\ucf54\ud1a0<\/small><\/td><td><small>\uc624\ud6c4<\/small><\/td><td><small>1932<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NODA, Hideo<\/small><\/td><td><small>City<\/small><\/td><td><small>\u91ce\u7530\u82f1\u592b<\/small><\/td><td><small>\u90fd\u4f1a<\/small><\/td><td><small>\ub178\ub2e4 \ud788\ub370\uc624<\/small><\/td><td><small>\ub3c4\uc2dc<\/small><\/td><td><small>1934<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NODA, Hideo<\/small><\/td><td><small>Circus<\/small><\/td><td><small>\u91ce\u7530\u82f1\u592b<\/small><\/td><td><small>\u9a6c\u620f\u56e2<\/small><\/td><td><small>\ub178\ub2e4 \ud788\ub370\uc624<\/small><\/td><td><small>\uc11c\ucee4\uc2a4<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAI, Masanari<\/small><\/td><td><small>Urban<\/small><\/td><td><small>\u6751\u4e95\u6b63\u8bda<\/small><\/td><td><small>Urban<\/small><\/td><td><small>\ubb34\ub77c\uc774 \ub9c8\uc0ac\ub098\ub9ac<\/small><\/td><td><small>Urban<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IMANISHI, Chutsu<\/small><\/td><td><small>Still Life<\/small><\/td><td><small>\u4eca\u897f\u4e2d\u901a<\/small><\/td><td><small>\u9759\u7269<\/small><\/td><td><small>\uc774\ub9c8\ub2c8\uc2dc \uc8fc\uc4f0<\/small><\/td><td><small>\uc815\ubb3c<\/small><\/td><td><small>1940<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Hans Richter<\/small><\/td><td><small>Orchestration of Color<\/small><\/td><td><small>\u6c49\u65af\u00b7\u674e\u5e0c\u7279<\/small><\/td><td><small>\u8272\u5f69\u7684\u7f16\u6392<\/small><\/td><td><small>\ud55c\uc2a4 \ub9ac\ud788\ud130<\/small><\/td><td><small>\uc0c9\uc758 \uc624\ucf00\uc2a4\ud2b8\ub808\uc774\uc158<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Kurt Schwitters<\/small><\/td><td><small>From E.+E. Schwitters<\/small><\/td><td><small>\u5e93\u5c14\u7279\u00b7\u65bd\u5a01\u7279\u65af<\/small><\/td><td><small>\u6765\u81ea\u300aE.+E.\u65bd\u5a01\u7279\u65af\u300b<\/small><\/td><td><small>\ucfe0\ub974\ud2b8 \uc288\ube44\ud130\uc2a4<\/small><\/td><td><small>E. +E. \uc288\ube44\ud130\uc2a4\ub85c\ubd80\ud130<\/small><\/td><td><small>1947<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKADA, Sadanosuke<\/small><\/td><td><small>Head of Woman<\/small><\/td><td><small>\u4ef2\u7530\u5b9a\u4e4b\u52a9<\/small><\/td><td><small>\u5973\u4eba\u7684\u5934<\/small><\/td><td><small>\ub098\uce74\ub2e4 \uc0ac\ub2e4\ub178\uc2a4\ucf00<\/small><\/td><td><small>\uc5ec\uc790\uc758 \uba38\ub9ac<\/small><\/td><td><small>1924<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YO, Kanji<\/small><\/td><td><small>Head of a Certain Retired General<\/small><\/td><td><small>\u9633\u54b8\u4e8c<\/small><\/td><td><small>\u67d0\u4f4d\u505c\u804c\u5c06\u519b\u7684\u8138<\/small><\/td><td><small>\uc694 \uac04\uc9c0<\/small><\/td><td><small>\uc5b4\ub290 \ud734\uc9c1 \uc7a5\uad70\uc758 \uc5bc\uad74<\/small><\/td><td><small>1929<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walker Evans<\/small><\/td><td><small>Untitled (1st Avenue below 14th Street, New York City)<\/small><\/td><td><small>\u6c83\u514b\u00b7\u57c3\u6587\u65af<\/small><\/td><td><small>\u65e0\u9898\uff08\u7ebd\u7ea6\u5e02\u7b2c\u4e00\u5927\u9053\u7b2c14\u8857\uff09<\/small><\/td><td><small>\uc6cc\ucee4 \uc5d0\ubc18\uc2a4<\/small><\/td><td><small>\ubb34\uc81c(1st Avenue 14th Street, \ub274\uc695)<\/small><\/td><td><small>1931<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walker Evans<\/small><\/td><td><small>Side Walk Scne, Selma<\/small><\/td><td><small>\u6c83\u514b\u00b7\u57c3\u6587\u65af<\/small><\/td><td><small>\u8def\u8fb9\u7684\u666f\u8c61\u3001\u585e\u5c14\u739b<\/small><\/td><td><small>\uc6cc\ucee4 \uc5d0\ubc18\uc2a4<\/small><\/td><td><small>\uac70\ub9ac\uc758 \uad11\uacbd, \uc140\ub9c8<\/small><\/td><td><small>1936<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walker Evans<\/small><\/td><td><small>New Orleans Street Corner<\/small><\/td><td><small>\u6c83\u514b\u00b7\u57c3\u6587\u65af<\/small><\/td><td><small>\u65b0\u5965\u5c14\u826f\u7684\u8857\u89d2<\/small><\/td><td><small>\uc6cc\ucee4 \uc5d0\ubc18\uc2a4<\/small><\/td><td><small>\ub274\uc62c\ub9ac\uc5b8\uc2a4 \uae38\ubaa8\ud241\uc774<\/small><\/td><td><small>1935<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Walker Evans<\/small><\/td><td><small>Untitled (Shoe Shine)<\/small><\/td><td><small>\u6c83\u514b\u00b7\u57c3\u6587\u65af<\/small><\/td><td><small>\u65e0\u9898\uff08\u64e6\u978b\uff09<\/small><\/td><td><small>\uc6cc\ucee4 \uc5d0\ubc18\uc2a4<\/small><\/td><td><small>\ubb34\uc81c(\uad6c\ub450\ub2e6\uae30)<\/small><\/td><td><small>c.1936<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>0059<\/small><\/td><td><small>UMEHARA, Ryuzaburo<\/small><\/td><td><small>Autumn in Beijing<\/small><\/td><td><small>\u6885\u539f\u9f99\u4e09\u90ce<\/small><\/td><td><small>\u5317\u4eac\u7684\u79cb\u5929<\/small><\/td><td><small>\uc6b0\uba54\ud558\ub77c \ub958\uc790\ubd80\ub85c<\/small><\/td><td><small>\ubca0\uc774\uc9d5\uc758 \uac00\uc744 \ud558\ub298<\/small><\/td><td><small>1942<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIHARA, Jiro<\/small><\/td><td><small>Volcanoes<\/small><\/td><td><small>\u5409\u539f\u6cbb\u826f<\/small><\/td><td><small>\u706b\u5c71<\/small><\/td><td><small>\uc694\uc2dc\ud558\ub77c \uc9c0\ub85c<\/small><\/td><td><small>\ud654\uc0b0<\/small><\/td><td><small>1943<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUNIYOSHI, Yasuo<\/small><\/td><td><small>Somebody Tore My Poster<\/small><\/td><td><small>\u56fd\u5409\u5eb7\u96c4<\/small><\/td><td><small>\u8c01\u6495\u7834\u4e86\u6211\u7684\u6d77\u62a5<\/small><\/td><td><small>\uad6c\ub2c8\uc694\uc2dc \uc57c\uc2a4\uc624<\/small><\/td><td><small>\ub204\uad70\uac00\uac00 \ub0b4 \ud3ec\uc2a4\ud130\ub97c \ucc22\uc5c8\ub2e4<\/small><\/td><td><small>1943<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUMOTO, Shunsuke<\/small><\/td><td><small>Bridge in Y-City<\/small><\/td><td><small>\u677e\u672c\u7ae3\u4ecb<\/small><\/td><td><small>Y\u5e02\u7684\u6865<\/small><\/td><td><small>\ub9c8\uc4f0\ubaa8\ud1a0 \uc28c\uc2a4\ucf00<\/small><\/td><td><small>Y\uc2dc\uc758 \ub2e4\ub9ac<\/small><\/td><td><small>1943<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUI, Sotaro<\/small><\/td><td><small>Portrait of Mr. Abe Yoshishige<\/small><\/td><td><small>\u5b89\u4e95\u66fe\u592a\u90ce<\/small><\/td><td><small>\u5b89\u500d\u80fd\u6210\u4e4b\u50cf<\/small><\/td><td><small>\uc57c\uc2a4\uc774 \uc18c\ud0c0\ub85c<\/small><\/td><td><small>\uc544\ubca0 \uc694\uc2dc\uc2dc\uac8c\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1944<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUMOTO, Shunsuke<\/small><\/td><td><small>Self-Portrait<\/small><\/td><td><small>\u677e\u672c\u7ae3\u4ecb<\/small><\/td><td><small>\u81ea\u753b\u50cf<\/small><\/td><td><small>\ub9c8\uc4f0\ubaa8\ud1a0 \uc28c\uc2a4\ucf00<\/small><\/td><td><small>\uc790\ud654\uc0c1<\/small><\/td><td><small>1942<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUMOTO, Shunsuke<\/small><\/td><td><small>Boy with a Fruit<\/small><\/td><td><small>\u677e\u672c\u7ae3\u4ecb<\/small><\/td><td><small>\u62ff\u7740\u6c34\u679c\u7684\u5c11\u5e74<\/small><\/td><td><small>\ub9c8\uc4f0\ubaa8\ud1a0 \uc28c\uc2a4\ucf00<\/small><\/td><td><small>\uacfc\uc77c\uc744 \ub4e0 \uc18c\ub144<\/small><\/td><td><small>c.1942<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIWA,<\/small><br><small>Chosei<\/small><\/td><td><small>Night Attack at the Strait of Turagi<\/small><\/td><td><small>\u4e09\u8f6e\u6641\u52bf<\/small><\/td><td><small>\u56fe\u62c9\u5409\u591c\u88ad\u6218<\/small><\/td><td><small>\ubbf8\uc640 \uc870\uc138\uc774<\/small><\/td><td><small>\ud234\ub77c\uae30 \uc57c\uc2b5<\/small><\/td><td><small>1943<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IWATA, Sentaro<\/small><\/td><td><small>Timeout on the Battlefield<\/small><\/td><td><small>\u5ca9\u7530\u4e13\u592a\u90ce<\/small><\/td><td><small>\u5c0f\u61a9<\/small><\/td><td><small>\uc774\uc640\ud0c0 \uc13c\ud0c0\ub85c<\/small><\/td><td><small>\uc7a0\uae50 \uba48\ucda4<\/small><\/td><td><small>1944<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Fierce Fighting on Guadalcanal<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u8840\u6218\u74dc\u8fbe\u5c14\u5361\u7eb3\u5c14\u5c9b<\/small><\/td><td><small>\ud6c4\uc9c0\ud0c0 \uc4f0\uad6c\ud558\ub8e8<\/small><\/td><td><small>\uacfc\ub2ec\uce74\ub0a0\uc5d0\uc11c\uc758 \ud608\uc804<\/small><\/td><td><small>1944<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OGAWARA, Shu<\/small><\/td><td><small>Bombing Chengdu<\/small><\/td><td><small>\u5c0f\u5ddd\u539f\u4fee<\/small><\/td><td><small>\u7a7a\u88ad\u6210\u90fd<\/small><\/td><td><small>\uc624\uac00\uc640\ub77c \uc288<\/small><\/td><td><small>\uccad\ub450 \ud3ed\uaca9<\/small><\/td><td><small>1945<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Sergeant Nobe\u2019s Suicide Attack on Two B-29\u2019s Over Kitakyushu<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u91ce\u8fb9\u519b\u66f9\u673a\u5728\u5317\u4e5d\u5dde\u4e0a\u7a7a\u81ea\u6740\u5f0f\u649e\u843d\u4e24\u67b6B29\u673a<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \uac90\uc774\uce58<\/small><\/td><td><small>\uae30\ud0c0\ud050\uc288 \uc0c1\uacf5\uc5d0\uc11c \ub178\ubca0 \uc911\uc0ac\uac00 \uc790\uc0b4 \uacf5\uaca9\uc73c\ub85c B29\uae30 2\ub300\ub97c \uaca9\ucd94\ud558\ub2e4<\/small><\/td><td><small>1945<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Pablo Picasso<\/small><\/td><td><small>Beach at La Garoupe<\/small><\/td><td><small>\u5df4\u52c3\u7f57\u00b7\u6bd5\u52a0\u7d22<\/small><\/td><td><small>\u6208\u82e5\u666e\u7684\u6d77\u6c34\u6d74\u573a<\/small><\/td><td><small>\ud30c\ube14\ub85c \ud53c\uce74\uc18c<\/small><\/td><td><small>\uac00\ub8f9\uc758 \ud574\uc218\uc695\uc7a5<\/small><\/td><td><small>1955<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKAMOTO, Taro<\/small><\/td><td><small>Decoration<\/small><\/td><td><small>\u5188\u672c\u592a\u90ce<\/small><\/td><td><small>\u88c5\u9970<\/small><\/td><td><small>\uc624\uce74\ubaa8\ud1a0 \ub2e4\ub85c<\/small><\/td><td><small>\uc7a5\uc2dd<\/small><\/td><td><small>1954<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UEKI, Shigeru<\/small><\/td><td><small>Work<\/small><\/td><td><small>\u690d\u6728\u8302<\/small><\/td><td><small>\u4f5c\u54c1<\/small><\/td><td><small>\uc6b0\uc5d0\ud0a4 \uc2dc\uac8c\ub8e8<\/small><\/td><td><small>\uc791\ud488<\/small><\/td><td><small>1954<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TATEHATA, Kakuzo<\/small><\/td><td><small>Figure<\/small><\/td><td><small>\u5efa\u7560\u89c9\u9020<\/small><\/td><td><small>\u8c8c<\/small><\/td><td><small>\ub2e4\ud14c\ud558\ud0c0 \uac00\ucfe0\uc870<\/small><\/td><td><small>\uc5bc\uad74<\/small><\/td><td><small>1955<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUJI,<\/small><br><small>Shindo<\/small><\/td><td><small>Tree<\/small><\/td><td><small>\u8fbb\u664b\u5802<\/small><\/td><td><small>\u6811<\/small><\/td><td><small>\uc4f0\uc9c0 \uc2e0\ub3c4<\/small><\/td><td><small>\ub098\ubb34<\/small><\/td><td><small>1956<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAI, Masanari<\/small><\/td><td><small>Singing<\/small><\/td><td><small>\u6751\u4e95\u6b63\u8bda<\/small><\/td><td><small>\u6b4c\u8005<\/small><\/td><td><small>\ubb34\ub77c\uc774 \ub9c8\uc0ac\ub098\ub9ac<\/small><\/td><td><small>\ub178\ub798\ud558\ub294 \uc0ac\ub78c<\/small><\/td><td><small>1956<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MURAI, Masanari<\/small><\/td><td><small>Girl<\/small><\/td><td><small>\u6751\u4e95\u6b63\u8bda<\/small><\/td><td><small>\u4e61\u6751\u59d1\u5a18<\/small><\/td><td><small>\ubb34\ub77c\uc774 \ub9c8\uc0ac\ub098\ub9ac<\/small><\/td><td><small>\uc2dc\uace8 \ucc98\ub140<\/small><\/td><td><small>1957<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITADAI, Shozo \/ OHTSUJI, Kiyoji<\/small><\/td><td><small>From APN portfolio (7)<\/small><\/td><td><small>\u5317\u4ee3\u7701\u4e09 \/ \u5927\u8fbb\u6e05\u53f8<\/small><\/td><td><small>\u300aAPN\u300b\u4f5c\u54c1\u96c6\u4e4b\uff087\uff09<\/small><\/td><td><small>\uae30\ud0c0\ub2e4\uc774 \uc1fc\uc870, \uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\u300eAPN\u300f \ud3ec\ud2b8\ud3f4\ub9ac\uc624 (7)<\/small><\/td><td><small>1953-54<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITADAI, Shozo \/ OHTSUJI, Kiyoji<\/small><\/td><td><small>From APN portfolio (6)<\/small><\/td><td><small>\u5317\u4ee3\u7701\u4e09 \/ \u5927\u8fbb\u6e05\u53f8<\/small><\/td><td><small>\u300aAPN\u300b\u4f5c\u54c1\u96c6\u4e4b\uff086\uff09<\/small><\/td><td><small>\uae30\ud0c0\ub2e4\uc774 \uc1fc\uc870, \uc624\uc4f0\uc9c0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\u300eAPN\u300f \ud3ec\ud2b8\ud3f4\ub9ac\uc624 (6)<\/small><\/td><td><small>1953-54<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Osamu<\/small><\/td><td><small>Vase with two openings<\/small><\/td><td><small>\u94c3\u6728\u6cbb<\/small><\/td><td><small>\u53cc\u5934\u58f6<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uc624\uc0ac\ubb34<\/small><\/td><td><small>\uc30d\ub450\ud56d\uc544\ub9ac<\/small><\/td><td><small>1951<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUZUKI, Osamu<\/small><\/td><td><small>Going Away<\/small><\/td><td><small>\u94c3\u6728\u6cbb<\/small><\/td><td><small>\u6ce5\u50cf \u79bb\u522b<\/small><\/td><td><small>\uc2a4\uc988\ud0a4 \uc624\uc0ac\ubb34<\/small><\/td><td><small>\u6ce5\u50cf \ud589\uc778<\/small><\/td><td><small>1964<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKABE, Mineo<\/small><\/td><td><small>Vase, wooven cord pattern<\/small><\/td><td><small>\u5188\u90e8\u5cad\u7537<\/small><\/td><td><small>\u634f\u5851\u5fd7\u91ce\u7ef3\u7eb9\u82b1\u5668<\/small><\/td><td><small>\uc624\uce74\ubca0 \ubbf8\ub124\uc624<\/small><\/td><td><small>\uc2dc\ub178 \ub3c4\uc790\uae30 \uaf43\ubcd1, \uc0c8\ub07c\uc904 \ubb34\ub2ac, \ub124\ub9ac\ucf54\ubbf8 \uae30\ubc95<\/small><\/td><td><small>1956<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUHARA, Kimei<\/small><\/td><td><small>Vase, Harbor, stoneware<\/small><\/td><td><small>\u5b89\u539f\u559c\u660e<\/small><\/td><td><small>\u70e7\u7ed3\u82b1\u5668 \u6d77\u6e2f<\/small><\/td><td><small>\uc57c\uc2a4\ud558\ub77c \uae30\uba54\uc774<\/small><\/td><td><small>\ub3c4\uc790\uae30 \uaf43\ubcd1 \u2018\ud56d\uad6c\u2019, \uc57c\ud0a4\uc2dc\uba54 \uae30\ubc95<\/small><\/td><td><small>1954<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARA, Hiromu<\/small><\/td><td><small>Today\u2019s focus : on the history of Japanese art<\/small><\/td><td><small>\u539f\u5f18<\/small><\/td><td><small>\u73b0\u4ee3\u4e4b\u773c\uff1a\u8bba\u65e5\u672c\u7f8e\u672f\u53f2<\/small><\/td><td><small>\ud558\ub77c \ud788\ub85c\ubb34<\/small><\/td><td><small>\ud604\ub300\uc758 \ub208 : \uc77c\ubcf8\ubbf8\uc220\uc0ac\uc5d0\uc11c<\/small><\/td><td><small>1954<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARA, Hiromu<\/small><\/td><td><small>Exhibition of Japanese sculpture : contemporary sculpture versus Haniwa, bronze buddhist statues, and masks of the Asuka and the Nara periods<\/small><\/td><td><small>\u539f\u5f18<\/small><\/td><td><small>\u65e5\u672c\u96d5\u523b\uff1a\u53e4\u4ee3\uff08\u57f4\u8f6e\/\u91d1\u94dc\u4f5b\/\u4f0e\u4e50\u9762\uff09\u4e0e\u73b0\u4ee3<\/small><\/td><td><small>\ud558\ub77c \ud788\ub85c\ubb34<\/small><\/td><td><small>\uc77c\ubcf8\uc758 \uc870\uac01 : \u4e0a\u4ee3(\ud558\ub2c8\uc640 \ud1a0\uc6b0, \uae08\ub3d9 \ubd88\uc0c1, \uae30\uac00\ucfe0 \uac00\uba74\uadf9 \ud0c8)\uc640 \u73fe\u4ee3<\/small><\/td><td><small>1956<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARA, Hiromu<\/small><\/td><td><small>Today\u2019s focus : on the history of Japanese art<\/small><\/td><td><small>\u539f\u5f18<\/small><\/td><td><small>\u73b0\u4ee3\u4e4b\u773c\uff1a\u8bba\u65e5\u672c\u7f8e\u672f\u53f2<\/small><\/td><td><small>\ud558\ub77c \ud788\ub85c\ubb34<\/small><\/td><td><small>\ud604\ub300\uc758 \ub208 : \uc77c\ubcf8\ubbf8\uc220\uc0ac\uc5d0\uc11c<\/small><\/td><td><small>1954<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARA, Hiromu<\/small><\/td><td><small>Today\u2019s focus : primitive art seen through eyes of the present<\/small><\/td><td><small>\u539f\u5f18<\/small><\/td><td><small>\u73b0\u4ee3\u4e4b\u773c\uff1a\u8bba\u539f\u59cb\u7f8e\u672f<\/small><\/td><td><small>\ud558\ub77c \ud788\ub85c\ubb34<\/small><\/td><td><small>\ud604\ub300\uc758 \ub208 : \uc6d0\uc2dc\ubbf8\uc220\uc5d0\uc11c<\/small><\/td><td><small>1960<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Isamu Noguchi<\/small><\/td><td><small>Akari 1A<\/small><\/td><td><small>\u91ce\u53e3\u52c7<\/small><\/td><td><small>Akari 1A<\/small><\/td><td><small>\uc774\uc0ac\ubb34 \ub178\uad6c\uce58<\/small><\/td><td><small>Akari 1A<\/small><\/td><td><small>1952<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Haniwa Research, a feature article. Zokei Geijutsu vol. 3, no. 6, June 1941.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201c\u7279\u96c6\u57f4\u8f6e\u7814\u7a76\u201d\u3000\u300a\u9020\u578b\u827a\u672f\u300b\u7b2c3\u5377\u7b2c6\u53f7\u3000\uff081941\u5e746\u6708\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc870\ud615\uc608\uc220\u300f \uc81c3\uad8c \uc81c6\ud638 \uc911 \u300c\ud2b9\uc9d1 \ud558\ub2c8\uc640 \uc5f0\uad6c\u300d (1941\ub144 6\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Noma Seiroku, text; Sakamoto Manshichi, photographs. Hainiwa\u2019s Beauty. Juraku-sha, 1942.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u57f4\u8f6e\u7f8e\u300b\u3000\u91ce\u95f4\u6e05\u516d\uff08\u8457\uff09\/\u5742\u672c\u4e07\u4e03\uff08\u6444\u5f71\uff09\u3000\u805a\u4e50\u793e\u3000\uff081942\u5e74\uff09\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\ud558\ub2c8\uc640\uc758 \ubbf8\u300f \ub178\ub9c8 \uc138\uc774\ub85c\ucfe0(\uc800), \uc0ac\uce74\ubaa8\ud1a0 \ub9cc\uc2dc\uce58(\ucd2c\uc601), \uc8fc\ub77c\ucfe0\uc0e4 \ucd9c\ud310(1942\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Seikatsu BijutuSeikatsu Bijutsu<\/small><br><small>Vol.3 , no.10, Oct. 1943<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u751f\u6d3b\u827a\u672f\u300b3\u5377\u7b2c10\u53f7\uff081943\u5e7410\u6708\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc0dd\ud65c\ubbf8\uc220\u300f3 \uad8c 10 \ud638\uff081943\ub14410 \uc6d4\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Kuno Takeshi. Earthenware and Haniwa, Mizue Library. Bijutsu Shuppansha, 1951.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u6c34\u753b\u6587\u5e93\u3000\u571f\u5668\u4e0e\u57f4\u8f6e\u300b\u3000\u4e45\u91ce\u5065\uff08\u8457\uff09\u3000\u7f8e\u672f\u51fa\u7248\u793e\u3000\uff081951\u5e74\uff09\u3000\u3000\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\ubbf8\uc988\uc5d0 \ubd84\ucf54-\ud1a0\uae30\uc640 \ud558\ub2c8\uc640\u300f \uad6c\ub178 \ub2e4\ucf00\uc2dc(\uc800), \ubbf8\uc220\ucd9c\ud310\uc0ac(1951\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Haniwa, a feature article, MUSEUM no. 2, Kokuritsu Hakubutsukan, May 1951.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201c\u57f4\u8f6e\u7279\u96c6\u201d\u3000\u300aMUSEUM\u300b2\u53f7\u3000\u56fd\u7acb\u535a\u7269\u9986\u3000\uff081951\u5e745\u6708\uff09\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300eMUSEUM\u300f 2\ud638 \uc911 \u300c\ud558\ub2c8\uc640 \ud2b9\uc9d1\u300d \uad6d\ub9bd\ubc15\ubb3c\uad00(1951\ub144 5\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gendai No Me, Newsletter of The National Museum of Modern Art, no. 1, Dec. 1954&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\u65b0\u95fb \u73b0\u4ee3\u4e4b\u773c\u300b1\u53f7\u3000\uff081954\u5e7412\u6708\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uad6d\ub9bd\uadfc\ub300\ubbf8\uc220\uad00 \ub274\uc2a4 \ud604\ub300\uc758 \ub208\u300f 1\ud638 (1954\ub144 12\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gendai No Me, Newsletter of The National Museum of Modern Art, no. 2, Jan. 1955&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\u65b0\u95fb \u73b0\u4ee3\u4e4b\u773c\u300b2\u53f7\u3000\uff081955\u5e741\u6708\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uad6d\ub9bd\uadfc\ub300\ubbf8\uc220\uad00 \ub274\uc2a4 \ud604\ub300\uc758 \ub208\u300f 2\ud638 (1955\ub144 1\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gendai No Me, Newsletter of The National Museum of Modern Art, no. 3, Feb. 1955&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\u65b0\u95fb \u73b0\u4ee3\u4e4b\u773c\u300b3\u53f7\u3000\uff081955\u5e742\u6708\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uad6d\ub9bd\uadfc\ub300\ubbf8\uc220\uad00 \ub274\uc2a4 \ud604\ub300\uc758 \ub208\u300f 3\ud638 (1955\ub144 2\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>National Museum of Modern Art, supervision; Taniguchi Yoshiro, ed. Modern Eyes: From Japanese Art History. Toto Bunka Shuppan, 1955.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u73b0\u4ee3\u4e4b\u773c\u3000\u8bba\u65e5\u672c\u7f8e\u672f\u53f2\u300b\u3000\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\uff08\u76d1\u4fee\uff09\/\u8c37\u53e3\u5409\u90ce\uff08\u7f16\u8f91\uff09\u3000\u4e1c\u90fd\u6587\u5316\u51fa\u7248\u682a\u5f0f\u4f1a\u793e\u3000\uff081955\u5e74\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\ud604\ub300\uc758 \ub208-\uc77c\ubcf8\ubbf8\uc220\uc0ac\uc5d0\uc11c\u300f \uad6d\ub9bd\uadfc\ub300\ubbf8\uc220\uad00(\uac10\uc218), \ub2e4\ub2c8\uad6c\uce58 \uc694\uc2dc\ub85c(\ud3b8\uc9d1), \ub3c4\ud1a0\ubb38\ud654\ucd9c\ud310\uc8fc\uc2dd\ud68c\uc0ac(1955\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Miki Fumio, ed. Beauty of Haniwa, Asahi Photography Book no. 28. Asahi Shimbun, 1956.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u671d\u65e5\u5199\u771f\u96c628\u3000\u57f4\u8f6e\u4e4b\u7f8e\u300b\u3000\u4e09\u6728\u6587\u96c4\uff08\u7f16\u8f91\uff09\u3000\u671d\u65e5\u65b0\u95fb\u793e\u3000\uff081956\u5e74\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc544\uc0ac\ud788 \uc0ac\uc9c4 \ubd81 28 \ud558\ub2c8\uc640\uc758 \uc544\ub984\ub2e4\uc6c0\u300f \ubbf8\ud0a4 \ud6c4\ubbf8\uc624(\ud3b8\uc9d1), \uc544\uc0ac\ud788\uc2e0\ubb38\uc0ac(1956\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>National Museum Newsletter no. 53, Oct. 1951. (National Museum Newsletter, compact edition. Tokyo Bijutsu, 1970.)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u56fd\u7acb\u535a\u7269\u9986\u65b0\u95fb\u300b\u7b2c53\u53f7\u3000\uff081951\u5e7410\u6708\uff09\u3000[\u300a\u56fd\u7acb\u535a\u7269\u9986\u65b0\u95fb\u7f29\u5370\u7248\u300b\u3000\u4e1c\u4eac\u7f8e\u672f\u3000\uff081970\u5e74\uff09]<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uad6d\ub9bd\ubc15\ubb3c\uad00 \ub274\uc2a4\u300f \uc81c53\ud638(1951\ub144 10\uc6d4) [\u300e\uad6d\ub9bd\ubc15\ubb3c\uad00 \ub274\uc2a4 \ucd95\uc1c4\ud310\u300f \ub3c4\ucfc4\ubbf8\uc220 \ucd9c\ud310(1970\ub144)]<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>0066<\/small><\/td><td><small>FUKUDA, Heihachiro<\/small><\/td><td><small>Rain<\/small><\/td><td><small>\u798f\u7530\u5e73\u516b\u90ce<\/small><\/td><td><small>\u96e8<\/small><\/td><td><small>\ud6c4\ucfe0\ub2e4 \ud5e4\uc774\ud558\uce58\ub85c<\/small><\/td><td><small>\ube44<\/small><\/td><td><small>1953<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>0074<\/small><\/td><td><small>MAEDA, Seison<\/small><\/td><td><small>Stone Coffin<\/small><\/td><td><small>\u524d\u7530\u9752\u6751<\/small><\/td><td><small>\u77f3\u68fa<\/small><\/td><td><small>\ub9c8\uc5d0\ub2e4 \uc138\uc774\uc190<\/small><\/td><td><small>\uc11d\uad00<\/small><\/td><td><small>1962<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UDA,<\/small><br><small>Tekison<\/small><\/td><td><small>\u201cShoiken\u201d, the Katsura Detached Palace<\/small><\/td><td><small>\u5b87\u7530\u837b\u90a8<\/small><\/td><td><small>\u6842\u79bb\u5bab\u7b11\u610f\u8f69<\/small><\/td><td><small>\uc6b0\ub2e4 \ub370\ud0a4\uc190<\/small><\/td><td><small>\uac00\uc4f0\ub77c\ub9ac\ud050 \ub2e4\uc2e4 \u2018\uc1fc\uc774\ucf04\u2019<\/small><\/td><td><small>1964<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>CHOKAI, Seiji<\/small><\/td><td><small>Fields<\/small><\/td><td><small>\u9e1f\u6d77\u9752\u513f<\/small><\/td><td><small>\u519c\u7530<\/small><\/td><td><small>\ucd08\uce74\uc774 \uc138\uc774\uc9c0<\/small><\/td><td><small>\ubc2d<\/small><\/td><td><small>1953<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MADOKORO, Saori<\/small><\/td><td><small>Myth\u2015Birth of Gods<\/small><\/td><td><small>\u95f4\u6240\u7eb1\u7ec7<\/small><\/td><td><small>\u795e\u8bdd \u8bf8\u795e\u7684\u8bde\u751f<\/small><\/td><td><small>\ub9c8\ub3c4\ucf54\ub85c \uc0ac\uc624\ub9ac<\/small><\/td><td><small>\uc2e0\ud654-\uc2e0\ub4e4\uc758 \ud0c4\uc0dd<\/small><\/td><td><small>1956<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKATANI, Tai<\/small><\/td><td><small>Potter\u2019s Clay<\/small><\/td><td><small>\u4e2d\u8c37\u6cf0<\/small><\/td><td><small>\u9676\u571f<\/small><\/td><td><small>\ub098\uce74\ud0c0\ub2c8 \ub2e4\uc774<\/small><\/td><td><small>\ub3c4\ud1a0<\/small><\/td><td><small>1958<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TONEYAMA, Kojin<\/small><\/td><td><small>Stone Monument<\/small><\/td><td><small>\u5229\u6839\u5c71\u5149\u4eba<\/small><\/td><td><small>\u77f3\u7891<\/small><\/td><td><small>\ub3c4\ub124\uc57c\ub9c8 \uace0\uc9c4<\/small><\/td><td><small>\ube44\uc11d<\/small><\/td><td><small>1961<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ENOKIDO, Shoe<\/small><\/td><td><small>Nara<\/small><\/td><td><small>\u698e\u6237\u5e84\u536b<\/small><\/td><td><small>\u5948\u826f<\/small><\/td><td><small>\uc5d0\ub178\ud0a4\ub3c4 \uc1fc\uc5d0<\/small><\/td><td><small>\ub098\ub77c(\u5948\u826f)<\/small><\/td><td><small>1967<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>INOKUMA, Gen\u2019ichiro<\/small><\/td><td><small>An Amazing Landscape (B)<\/small><\/td><td><small>\u732a\u718a\u5f26\u4e00\u90ce<\/small><\/td><td><small>\u4ee4\u4eba\u60ca\u8bb6\u7684\u98ce\u666f\uff08B\uff09<\/small><\/td><td><small>\uc774\ub178\ucfe0\ub9c8 \uac90\uc774\uce58\ub85c<\/small><\/td><td><small>\ub180\ub784 \ub9cc\ud55c \ud48d\uacbd (B)<\/small><\/td><td><small>1969<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIYAWAKI, Aiko<\/small><\/td><td><small>Work<\/small><\/td><td><small>\u5bab\u80c1\u7231\u5b50<\/small><\/td><td><small>\u4f5c\u54c1<\/small><\/td><td><small>\ubbf8\uc57c\uc640\ud0a4 \uc544\uc774\ucf54<\/small><\/td><td><small>\uc791\ud488<\/small><\/td><td><small>1968<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAITO, Kiyoshi<\/small><\/td><td><small>Gate<\/small><\/td><td><small>\u9f50\u85e4\u6e05<\/small><\/td><td><small>\u95e8<\/small><\/td><td><small>\uc0ac\uc774\ud1a0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\ubb38<\/small><\/td><td><small>1955<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAITO, Kiyoshi<\/small><\/td><td><small>Toshodaiji Temple<\/small><\/td><td><small>\u9f50\u85e4\u6e05<\/small><\/td><td><small>\u5510\u62db\u63d0\u5bfa<\/small><\/td><td><small>\uc0ac\uc774\ud1a0 \uae30\uc694\uc2dc<\/small><\/td><td><small>\ub3c4\uc1fc\ub2e4\uc774\uc9c0 \uc808<\/small><\/td><td><small>1959<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SEKINO, Jun\u2019ichiro<\/small><\/td><td><small>Roofs<\/small><\/td><td><small>\u5173\u91ce\u51c6\u4e00\u90ce<\/small><\/td><td><small>\u750d<\/small><\/td><td><small>\uc138\ud0a4\ub178 \uc900\uc774\uce58\ub85c<\/small><\/td><td><small>\uae30\uc640\uc9c0\ubd95<\/small><\/td><td><small>1957<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HIRATSUKA, Un\u2019ichi<\/small><\/td><td><small>Corridor, Katsura Detached Palace, Kyoto<\/small><\/td><td><small>\u5e73\u585a\u8fd0\u4e00<\/small><\/td><td><small>\u957f\u5eca\u3001\u6842\u79bb\u5bab\u3001\u4eac\u90fd<\/small><\/td><td><small>\ud788\ub77c\uc4f0\uce74 \uc6b4\uc774\uce58<\/small><\/td><td><small>\ub0ad\ud558, \uac00\uc4f0\ub77c\ub9ac\ud050, \uad50\ud1a0<\/small><\/td><td><small>1966<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HIRATSUKA, Un\u2019ichi<\/small><\/td><td><small>Gangi-Bridge in Hasso Hermitage, Nara<\/small><\/td><td><small>\u5e73\u585a\u8fd0\u4e00<\/small><\/td><td><small>\u516b\u7a97\u5eb5\u96c1\u6728\u6865\u3001\u5948\u826f<\/small><\/td><td><small>\ud788\ub77c\uc4f0\uce74 \uc6b4\uc774\uce58<\/small><\/td><td><small>\ub098\ub77c \ud56b\uc18c\uc548 \uac04\uae30 \ub2e4\ub9ac<\/small><\/td><td><small>1961<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>8. Formal Stone Pavement in Front of the Waiting Bench from Katsura<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u4f5c\u54c1\u96c6\u201c\u6842\u201d \u4e4b \u516b\u3001\u957f\u6905\u524d\u7684\u89c4\u5219\u77f3\u677f\u8def\/\u4ece\u5357\u671b\u5317\u65b9<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300c\uac00\uc4f0\ub77c\u300d \uc911, 8. \ud734\uac8c\uc18c \uc55e \ub3cc\uae38, \ub0a8\ucabd\uc5d0\uc11c \ubd81\ud5a5\uc744 \ubcf4\ub2e4<\/small><\/td><td><small>1954(1989 print)<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>10. Tea Room of the Shokintei Pavilion from Katsura<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u4f5c\u54c1\u96c6\u201c\u6842\u201d\u4e4b \u5341\u3001\u677e\u7434\u4ead\u8336\u5ba4\u5185\u90e8\u4e1c\u9762<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300c\uac00\uc4f0\ub77c\u300d \uc911, 10. \uc1fc\ud0a8\ud14c\uc774 \ub2e4\uc2e4 \ub0b4\ubd80 \ub3d9\ucabd \uba74<\/small><\/td><td><small>1954(1989 print)<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>1. Underside of the Roof of the Gepparo Pavilion from Katsura<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u4f5c\u54c1\u96c6\u201c\u6842\u201d\u4e4b \u4e00\u3001\u6708\u6ce2\u697c\u7684\u9601\u697c<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300c\uac00\uc4f0\ub77c\u300d \uc911, 1. \uac9f\ud30c\ub85c \ub2e4\uc2e4\uc758 \ub178\ucd9c \uc9c0\ubd95 \uc544\ub798\uba74<\/small><\/td><td><small>1954(1989 print)<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIMOTO, Yasuhiro<\/small><\/td><td><small>9. Stepping Stones Leading from the Cycad Hill to the Waiting Bench from Katsura<\/small><\/td><td><small>\u77f3\u5143\u6cf0\u535a<\/small><\/td><td><small>\u4f5c\u54c1\u96c6\u201c\u6842\u201d\u4e4b \u4e5d\u3001\u4ece\u82cf\u94c1\u5c71\u901a\u5411\u957f\u6905\u7684\u8e0f\u811a\u77f3<\/small><\/td><td><small>\uc774\uc2dc\ubaa8\ud1a0 \uc57c\uc2a4\ud788\ub85c<\/small><\/td><td><small>\ud3ec\ud2b8\ud3f4\ub9ac\uc624 \u300c\uac00\uc4f0\ub77c\u300d \uc911, 9. \uc18c\ucca0 \ub3d9\uc0b0\uc5d0\uc11c \ud734\uac8c\uc18c\ub85c \uc774\uc5b4\uc9c0\ub294 \uc9d5\uac80\ub3cc<\/small><\/td><td><small>1954(1989 print)<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Shoji<\/small><\/td><td><small>Square dish, lattice pattern in black, opaque glaze<\/small><\/td><td><small>\u6ee8\u7530\u5e84\u53f8<\/small><\/td><td><small>\u5931\u900f\u91c9\u683c\u7eb9\u65b9\u76d8\u5b50<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc1fc\uc9c0<\/small><\/td><td><small>\uc0ac\uac01 \uc811\uc2dc, \uc2e4\ud22c\uc720, \uaca9\uc790 \ubb34\ub2ac&nbsp;<\/small><\/td><td><small>1958<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Shoji<\/small><\/td><td><small>Square dish, rope impressed inlay pattern, brown ash glaze<\/small><\/td><td><small>\u6ee8\u7530\u5e84\u53f8<\/small><\/td><td><small>\u9974\u91c9\u7ef3\u7eb9\u65b9\u76d8\u5b50<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc1fc\uc9c0<\/small><\/td><td><small>\uc0ac\uac01 \uc811\uc2dc, \uc774\uc720, \uc0c8\ub07c\uc904 \ubb34\ub2ac&nbsp;&nbsp;<\/small><\/td><td><small>1958<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANESHIGE, Toyo<\/small><\/td><td><small>Water container with fire marks, Bizen ware<\/small><\/td><td><small>\u91d1\u91cd\u9676\u9633<\/small><\/td><td><small>\u5907\u524d\u7eef\u8977\u7b52\u578b\u6c34\u6307<\/small><\/td><td><small>\uac00\ub124\uc2dc\uac8c \ub3c4\uc694<\/small><\/td><td><small>\ube44\uc820 \ub3c4\uc790\uae30 \ubb3c\ud1b5, \ubd88\uc904\uae30 \ubb34\ub2ac<\/small><\/td><td><small>1959<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIURA, Koheiji<\/small><\/td><td><small>Large dish, Zebra Crossing<\/small><\/td><td><small>\u4e09\u6d66\u5c0f\u5e73\u4e8c<\/small><\/td><td><small>\u94c1\u7ed8\u5927\u76d8 \u4eba\u884c\u6a2a\u9053<\/small><\/td><td><small>\ubbf8\uc6b0\ub77c \uace0\ud5e4\uc774\uc9c0<\/small><\/td><td><small>\ucca0\ud654 \uc7a5\uc2dd \ud070 \uc811\uc2dc \u2018\ud6a1\ub2e8\ubcf4\ub3c4\u2019<\/small><\/td><td><small>1967<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAMEKURA, Yusaku<\/small><\/td><td><small>The 18th Olympic Games<\/small><\/td><td><small>\u9f9f\u4ed3\u96c4\u7b56<\/small><\/td><td><small>\u4e1c\u4eac\u5965\u8fd0\u4f1a<\/small><\/td><td><small>\uac00\uba54\ucfe0\ub77c \uc720\uc0ac\ucfe0<\/small><\/td><td><small>\ub3c4\ucfc4 \uc62c\ub9bc\ud53d<\/small><\/td><td><small>1961 (1990 reprint)<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAMEKURA, Yusaku<\/small><\/td><td><small>The 18th Olympic Games<\/small><\/td><td><small>\u9f9f\u4ed3\u96c4\u7b56<\/small><\/td><td><small>\u4e1c\u4eac\u5965\u8fd0\u4f1a<\/small><\/td><td><small>\uac00\uba54\ucfe0\ub77c \uc720\uc0ac\ucfe0<\/small><\/td><td><small>\ub3c4\ucfc4 \uc62c\ub9bc\ud53d<\/small><\/td><td><small>1962 (1990 reprint)<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Isamu Noguchi. From My Camera. Bijutsu Techo no. 34, Sept. 1950.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u91ce\u53e3\u52c7\u201c\u8bba\u6211\u7684\u76f8\u673a\u201d\u3000\u300a\u7f8e\u672f\u624b\u5e16\u300b\u7b2c34\u53f7 \u3000\uff081950\u5e749\u6708\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\uc774\uc0ac\ubb34 \ub178\uad6c\uce58 \u300e\ubbf8\uc220\uc218\ucca9\u300f \uc81c34\ud638 \uc911 \u300c\ub098\uc758 \uce74\uba54\ub77c\uc5d0\uc11c\u300d (1950\ub144 9\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Noma Seiroku, text; Sakamoto Manshichi and Fujimoto Shihachi, photographs; Saito Kiyoshi, book design. Clay Art\u2014Dogu, Earthenware and Haniwa. Bijutsu Shuppansha, 1954.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u571f\u4e4b\u827a\u672f\u3000\u571f\u5076\/\u571f\u5668\/\u57f4\u8f6e\u300b\u3000\u91ce\u95f4\u6e05\u516d\uff08\u8457\uff09\/\u5742\u672c\u4e07\u4e03\u3001\u85e4\u672c\u56db\u516b\uff08\u6444\u5f71\uff09\/\u9f50\u85e4\u6e05\uff08\u5c01\u9762\u88c5\u5e27\uff09\u3000\u7f8e\u672f\u51fa\u7248\u793e\u3000\uff081954\u5e74\uff09\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\ud759\uc758 \uc608\uc220-\ud1a0\uc6b0\u2219\ud1a0\uae30\u2219\ud558\ub2c8\uc640\u300f \ub178\ub9c8 \uc138\uc774\ub85c\ucfe0(\uc800), \uc0ac\uce74\ubaa8\ud1a0 \ub9cc\uc2dc\uce58\u2219\ud6c4\uc9c0\ubaa8\ud1a0 \uc2dc\ud558\uce58(\ucd2c\uc601), \uc0ac\uc774\ud1a0 \uae30\uc694\uc2dc(\ud45c\uc9c0 \uc7a5\uc815), \ubbf8\uc220\ucd9c\ud310\uc0ac(1954\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>This is Japan, no. 2. The Asahi Shimbun Newspaper publishing.co, Nov. 1954.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300aThis is Japan\u300b\u7b2c2\u53f7\u3000\u671d\u65e5\u65b0\u95fb\u793e\u3000\uff081954\u5e7411\u6708\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300eThis is Japan\u300f \uc81c2\ud638, \uc544\uc0ac\ud788\uc2e0\ubb38\uc0ac(1954\ub144 11\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>This is Japan, no. 6. The Asahi Shimbun Newspaper publishing.co, Sept. 1958.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300aThis is Japan\u300b\u7b2c6\u53f7\u3000\u671d\u65e5\u65b0\u95fb\u793e\u3000\uff081958\u5e749\u6708\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300eThis is Japan\u300f \uc81c6\ud638, \uc544\uc0ac\ud788\uc2e0\ubb38\uc0ac(1958\ub144 9\uc6d4)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Okamoto Taro. Japanese Tradition. Kobunsha, 1956.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u65e5\u672c\u4f20\u7edf\u300b\u3000\u5188\u672c\u592a\u90ce\uff08\u8457\uff09\u3000\u5149\u6587\u793e\u3000\uff081956\u5e74\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc77c\ubcf8\uc758 \uc804\ud1b5\u300f \uc624\uce74\ubaa8\ud1a0 \ub2e4\ub85c(\uc800), \uace0\ubd84\uc0e4 \ucd9c\ud310(1956\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Okamoto Taro, Takiguchi Shuzo et al. Modern People\u2019s Eyes\u2014Criticism on Traditional Art. Gendai-sha, 1956.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u73b0\u4ee3\u4eba\u4e4b\u773c\u3000\u4f20\u7edf\u7f8e\u672f\u7684\u6279\u5224\u300b\u3000\u5188\u672c\u592a\u90ce\u3001\u6cf7\u53e3\u4fee\u9020\u4ed6\uff08\u8457\uff09\u3000\u73b0\u4ee3\u793e\u3000\uff081956\u5e74\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\ud604\ub300\uc778\uc758 \ub208-\uc804\ud1b5\ubbf8\uc220 \ube44\ud310\u300f \uc624\uce74\ubaa8\ud1a0 \ub2e4\ub85c\u2219\ub2e4\ud0a4\uad6c\uce58 \uc288\uc870 \uc678(\uc800), \uac90\ub2e4\uc774\uc0e4 \ucd9c\ud310(1956\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Japan. Sankei International, 1956.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300aJapan\u300b\u3000\u4ea7\u7ecf\u56fd\u9645\u3000\uff081956\u5e74\uff09&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300eJapan\u300f \uc0b0\ucf00\uc774\uc778\ud130\ub0b4\uc154\ub110(1956\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Futagawa Yukio. \u201cYamashiro, Kyoto\u201d from Private Japanese Houses. Bijutsu Shuppansha, 1959.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201c\u4eac\/\u5c71\u57ce\u201d \u51fa\u81ea\u4e8c\u5ddd\u5e78\u592b\u300a\u65e5\u672c\u7684\u6c11\u623f\u300b \u7f8e\u672f\u51fa\u7248\u793e\u3000\uff081959\u5e74\uff09\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\ud6c4\ud0c0\uac00\uc640 \uc720\ud0a4\uc624 \u300e\uc77c\ubcf8\uc758 \ubbfc\uac00\u300f \uc911 \u300c\uad50\u2219\uc57c\ub9c8\uc2dc\ub85c\u300d, \ubbf8\uc220\ucd9c\ud310\uc0ac(1959\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Futagawa Yukio. \u201cKawachi, Yamato\u201d from Private Japanese Houses. Bijutsu Shuppansha, 1957.<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201c\u5927\u548c\/\u6cb3\u5185\u201d\u51fa\u81ea\u4e8c\u5ddd\u5e78\u592b\u300a\u65e5\u672c\u7684\u6c11\u623f\u300b \u7f8e\u672f\u51fa\u7248\u793e\u3000\uff081957\u5e74\uff09\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\ud6c4\ud0c0\uac00\uc640 \uc720\ud0a4\uc624 \u300e\uc77c\ubcf8\uc758 \ubbfc\uac00\u300f \uc911 \u300c\uc57c\ub9c8\ud1a0\u2219\uac00\uc640\uce58\u300d, \ubbf8\uc220\ucd9c\ud310\uc0ac(1957\ub144)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>Room to Consider the Building<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>The National Museum of Modern Art, Tokyo 1969 6.11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u4e1c\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u99861969\u300b\uff08\u65b0\u9986\u5f00\u9986\u7eaa\u5ff5\u518c\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\ub3c4\ucfc4 \uad6d\ub9bd\uadfc\ub300\ubbf8\uc220\uad00 1969\u300f (\uc2e0\uad00 \uac1c\uad00 \uae30\ub150 \ucc45\uc790)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>Room to Consider the Building<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>The National Museum of Modern Art, Tokyo 1969&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u4e1c\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u99861969\u300b\uff08\u65b0\u9986\u5f00\u9986\u7eaa\u5ff5\u518c\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\ub3c4\ucfc4 \uad6d\ub9bd\uadfc\ub300\ubbf8\uc220\uad00 1969\u300f (\uc2e0\uad00 \uac1c\uad00 \uae30\ub150 \ucc45\uc790)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>Room to Consider the Building<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Gendai No Me, Newsletter of The National Museum of Modern Art, Tokyo, no. 175, Jun.&nbsp; 1969&nbsp;<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u73b0\u4ee3\u4e4b\u773c\u300b175\u671f\u3000\u4e1c\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\u65f6\u4e8b\u901a\u8baf 1969\u5e746\u6708\uff08\u65b0\u9986\u5f00\u9986\u7eaa\u5ff5\u520a\uff09<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\ud604\ub300\uc758 \ub208\u300f 175\ud638 \ub3c4\ucfc4 \uad6d\ub9bd\uadfc\ub300\ubbf8\uc220\uad00 \ub274\uc2a4 1969\ub144 6\uc6d4 (\uc2e0\uad00 \uac1c\uad00 \uae30\ub150\ud638)<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>Room to Consider the Building<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shinkenchiku, Aug. 1969, Shinkenchiku-sha<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300a\u65b0\u5efa\u7b51\u300b1969\u5e748\u6708\u520a\u3000\u65b0\u5efa\u7b51\u793e<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\uc2e0\uac74\ucd95\u300f 1969\ub144 8\uc6d4\ud638, \uc2e0\uac74\ucd95\uc0ac<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>Room to Consider the Building<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Stamps commemorating the new building of The National Museum of Modern Art, Tokyo<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e1c\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\u5f00\u9986\u7eaa\u5ff5\u90ae\u7968<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\ub3c4\ucfc4 \uad6d\ub9bd\uadfc\ub300\ubbf8\uc220\uad00 \uac1c\uad00 \uae30\ub150 \uc6b0\ud45c<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>imagery72 82012<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>imagery72 82012<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>imagery72 82012<\/small><\/td><td><small>1982\uff081991 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>imagery72 83011<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>imagery72 83011<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>imagery72 83011<\/small><\/td><td><small>1983\uff081991 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>imagery72 84016<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>imagery72 84016<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>imagery72 84016<\/small><\/td><td><small>1984\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>imagery72 850007<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>imagery72 850007<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>imagery72 850007<\/small><\/td><td><small>1985\uff081991 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>imagery72 850008<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>imagery72 850008<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>imagery72 850008<\/small><\/td><td><small>1985\uff081991 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>imagery72 850020<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>imagery72 850020<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>imagery72 850020<\/small><\/td><td><small>1985\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8614<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8614<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8614<\/small><\/td><td><small>1986\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8615<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8615<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8615<\/small><\/td><td><small>1986\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8616<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8616<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8616<\/small><\/td><td><small>1986\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8717<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8717<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8717<\/small><\/td><td><small>1987\uff081991 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8718<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8718<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8718<\/small><\/td><td><small>1987\uff081991 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8719<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8719<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8719<\/small><\/td><td><small>1987\uff081991 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8721<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8721<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8721<\/small><\/td><td><small>1987\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8723<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8723<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8723<\/small><\/td><td><small>1987\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 8724<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 8724<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 8724<\/small><\/td><td><small>1987\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>KAGE 88001<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>KAGE 88001<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>KAGE 88001<\/small><\/td><td><small>1988\uff081991 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>SHIKAKU SKK 89003W<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>SHIKAKU SKK 89003W<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>SHIKAKU SKK 89003W<\/small><\/td><td><small>1989\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>SHIKAKU SKK 89007W<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>SHIKAKU SKK 89007W<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>SHIKAKU SKK 89007W<\/small><\/td><td><small>1989\uff081990 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>SHIKAKU SKK 89009W<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>SHIKAKU SKK 89009W<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>SHIKAKU SKK 89009W<\/small><\/td><td><small>1989\uff081990 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>SHIKAKU SKK 91010W<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>SHIKAKU SKK 91010W<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>SHIKAKU SKK 91010W<\/small><\/td><td><small>1991\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>SHIKAKU SKK 91012W<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>SHIKAKU SKK 91012W<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>SHIKAKU SKK 91012W<\/small><\/td><td><small>1991\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>SHIKAKU SKK 91037W<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>SHIKAKU SKK 91037W<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>SHIKAKU SKK 91037W<\/small><\/td><td><small>1991\uff081993 print\uff09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Suruga Bay 1978 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u9a8f\u6cb3\u6e7e 1978<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uc2a4\ub8e8\uac00\ub9cc 1978<\/small><\/td><td><small>1978\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Ugusu 1978 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u5b87\u4e45\u987b 1978<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uc6b0\uad6c\uc2a4 1978<\/small><\/td><td><small>1978\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Graz 1978 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u683c\u62c9\u8328 1978<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadf8\ub77c\uce20 1978<\/small><\/td><td><small>1978\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Boblingen 1978 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u4f2f\u5e03\u6797\u6839 1978<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ubd48\ube14\ub9c1\uc5d4 1978<\/small><\/td><td><small>1978\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Graz 1978 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u683c\u62c9\u8328 1978<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadf8\ub77c\uce20 1978<\/small><\/td><td><small>1978\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Graz 1978 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u683c\u62c9\u8328 1978<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadf8\ub77c\uce20 1978<\/small><\/td><td><small>1978\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Gussing 1979 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u53e4\u8f9b 1979<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadc0\uc2f1 1979<\/small><\/td><td><small>1979\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Graz 1979 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u683c\u62c9\u8328 1979<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadf8\ub77c\uce20 1979<\/small><\/td><td><small>1979\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Graz 1980 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u683c\u62c9\u8328 1980<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadf8\ub77c\uce20 1980<\/small><\/td><td><small>1980\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Wien 1980 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u7ef4\u4e5f\u7eb3 1980<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ube48 1980<\/small><\/td><td><small>1980\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Mitterlassnitz 1980 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u7c73\u7279\u62c9\u65af\u5c3c 1980<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ubbf8\ud0c0\ub77c\uc2a4\ub2c8\uce20 1980<\/small><\/td><td><small>1980\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Graz 1981 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b \u683c\u62c9\u8328 1981<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadf8\ub77c\uce20 1981<\/small><\/td><td><small>1981\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Schattendorf 1981 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u6c99\u6ed5\u591a\u592b 1981<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uc0e4\ud150\ub3c4\ub974\ud504 1981<\/small><\/td><td><small>1981\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Graz 1982 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u683c\u62c9\u8328 1982<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadf8\ub77c\uce20 1982<\/small><\/td><td><small>1981\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Wien 1982 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u7ef4\u4e5f\u7eb3 1982<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ube48 1982<\/small><\/td><td><small>1982\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Wien 1982 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u7ef4\u4e5f\u7eb3 1982<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ube48 1982<\/small><\/td><td><small>1982\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Graz 1983 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u683c\u62c9\u8328 1983<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \uadf8\ub77c\uce20 1983<\/small><\/td><td><small>1983\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Wien 1983 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u7ef4\u4e5f\u7eb3 1983<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ube48 1983<\/small><\/td><td><small>1983\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Wien 1983 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u7ef4\u4e5f\u7eb3 1983<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ube48 1983<\/small><\/td><td><small>1983\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Berlin-Ost 1985 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u4e1c\u67cf\u6797 1985<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ub3d9\ubca0\ub97c\ub9b0 1985<\/small><\/td><td><small>1985\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUYA, Seiichi<\/small><\/td><td><small>Venezia 1985 from Portrait of Christine<\/small><\/td><td><small>\u53e4\u5c4b\u8bda\u4e00<\/small><\/td><td><small>\u201c\u514b\u91cc\u65af\u8482\u5a1c\u7684\u8096\u50cf\u201d\u4e4b\u3000\u5a01\u5c3c\u65af 1985<\/small><\/td><td><small>\ud6c4\ub8e8\uc57c \uc138\uc774\uc774\uce58<\/small><\/td><td><small>\u300c\ud06c\ub9ac\uc2a4\ud2f0\ub124\uc758 \ucd08\uc0c1\u300d \uc911, \ubca0\ub124\uce58\uc544 1985<\/small><\/td><td><small>1985\uff081997 print\uff09<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHIMOMURA, Kanzan<\/small><\/td><td><small>Pumpkin Patch<\/small><\/td><td><small>\u4e0b\u6751\u89c2\u5c71<\/small><\/td><td><small>\u5357\u74dc\u7530<\/small><\/td><td><small>\uc2dc\ubaa8\ubb34\ub77c \uac04\uc794<\/small><\/td><td><small>\ud638\ubc15\ubc2d<\/small><\/td><td><small>c.1910<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0026<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Serving Girl in a Spa<\/small><\/td><td><small>\u571f\u7530\u9ea6\u50ca<\/small><\/td><td><small>\u6fa1\u5802\u4f8d\u5973<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uc628\ucc9c\uc5d0\uc11c \uc77c\ud558\ub294 \uc5ec\uc790<\/small><\/td><td><small>1918<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KONDO, Koichiro<\/small><\/td><td><small>Cormorants Bathing, Fishing with Cormorants<\/small><\/td><td><small>\u8fd1\u85e4\u6d69\u4e00\u8def<\/small><\/td><td><small>\u9e2c\u9e5a\u6355\u9c7c\u516d\u9898\uff08\u6d74\u6cc9\uff09<\/small><\/td><td><small>\uace4\ub3c4 \uace0\uc774\uce58\ub85c<\/small><\/td><td><small>\uac00\ub9c8\uc6b0\uc9c0 \ub09a\uc2dc \u516d\u984c(\uba71 \uac10\uae30)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KONDO, Koichiro<\/small><\/td><td><small>Bonfires, Fishing with Cormorants<\/small><\/td><td><small>\u8fd1\u85e4\u6d69\u4e00\u8def<\/small><\/td><td><small>\u9e2c\u9e5a\u6355\u9c7c\u516d\u9898\uff08\u9ec4\u660f\uff09<\/small><\/td><td><small>\uace4\ub3c4 \uace0\uc774\uce58\ub85c<\/small><\/td><td><small>\uac00\ub9c8\uc6b0\uc9c0 \ub09a\uc2dc \u516d\u984c(\ud669\ud63c \ubd88)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KONDO, Koichiro<\/small><\/td><td><small>Evening Cool, Fishing with Cormorants<\/small><\/td><td><small>\u8fd1\u85e4\u6d69\u4e00\u8def<\/small><\/td><td><small>\u9e2c\u9e5a\u6355\u9c7c\u516d\u9898\uff08\u591c\u51c9\uff09<\/small><\/td><td><small>\uace4\ub3c4 \uace0\uc774\uce58\ub85c<\/small><\/td><td><small>\uac00\ub9c8\uc6b0\uc9c0 \ub09a\uc2dc \u516d\u984c(\uc2dd\uc740 \ubc24)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KONDO, Koichiro<\/small><\/td><td><small>Swift Current, Fishing with Cormorants<\/small><\/td><td><small>\u8fd1\u85e4\u6d69\u4e00\u8def<\/small><\/td><td><small>\u9e2c\u9e5a\u6355\u9c7c\u516d\u9898\uff08\u98de\u6c40\uff09<\/small><\/td><td><small>\uace4\ub3c4 \uace0\uc774\uce58\ub85c<\/small><\/td><td><small>\uac00\ub9c8\uc6b0\uc9c0 \ub09a\uc2dc \u516d\u984c(\uac70\uce5c \ubb3c)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KONDO, Koichiro<\/small><\/td><td><small>Slack Water, Fishing with Cormorants<\/small><\/td><td><small>\u8fd1\u85e4\u6d69\u4e00\u8def<\/small><\/td><td><small>\u9e2c\u9e5a\u6355\u9c7c\u516d\u9898\uff08\u6df1\u6f6d\uff09<\/small><\/td><td><small>\uace4\ub3c4 \uace0\uc774\uce58\ub85c<\/small><\/td><td><small>\uac00\ub9c8\uc6b0\uc9c0 \ub09a\uc2dc \u516d\u984c(\uae4a\uc740 \ubabb)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KONDO, Koichiro<\/small><\/td><td><small>Fire after Fishing, Fishing with Cormorants<\/small><\/td><td><small>\u8fd1\u85e4\u6d69\u4e00\u8def<\/small><\/td><td><small>\u9e2c\u9e5a\u6355\u9c7c\u516d\u9898\uff08\u6b8b\u71cb\uff09<\/small><\/td><td><small>\uace4\ub3c4 \uace0\uc774\uce58\ub85c<\/small><\/td><td><small>\uac00\ub9c8\uc6b0\uc9c0 \ub09a\uc2dc \u516d\u984c(\ud0c0\ub294 \uc7ac)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Houses in Kyoto, Houses in Nara<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u4eac\u90fd\u623f\u5b50\u00b7\u5948\u826f\u623f\u5b50<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\uad50\ud1a0\uc758 \uc9d1, \ub098\ub77c\uc758 \uc9d1<\/small><\/td><td><small>1927<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YASUDA, Yukihiko<\/small><\/td><td><small>Injured Yamatotakeru at the Spring<\/small><\/td><td><small>\u5b89\u7530\u976b\u5f66<\/small><\/td><td><small>\u5c45\u9192\u6cc9<\/small><\/td><td><small>\uc57c\uc2a4\ub2e4 \uc720\ud0a4\ud788\ucf54<\/small><\/td><td><small>\uac70\uc131\ucc9c<\/small><\/td><td><small>1928<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITANO, Tsunetomi<\/small><\/td><td><small>For Fun<\/small><\/td><td><small>\u5317\u91ce\u6052\u5bcc<\/small><\/td><td><small>\u5b09\u620f<\/small><\/td><td><small>\uae30\ud0c0\ub178 \uc4f0\ub124\ud1a0\ubbf8<\/small><\/td><td><small>\uc7a5\ub09c<\/small><\/td><td><small>1929<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MITANI, Toshiko<\/small><\/td><td><small>Evening<\/small><\/td><td><small>\u4e09\u8c37\u5341\u7cf8\u5b50<\/small><\/td><td><small>\u508d\u665a<\/small><\/td><td><small>\ubbf8\ud0c0\ub2c8 \ub3c4\uc2dc\ucf54<\/small><\/td><td><small>\uc800\ub141<\/small><\/td><td><small>1934<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAMURA, Gakuryo<\/small><\/td><td><small>A Pretty Bank of Clouds<\/small><\/td><td><small>\u4e2d\u6751\u5cb3\u9675<\/small><\/td><td><small>\u4e30\u5e61\u4e91<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \uac00\ucfe0\ub8cc<\/small><\/td><td><small>\uc544\ub984\ub2e4\uc6b4 \uae43\ubc1c \uad6c\ub984<\/small><\/td><td><small>1936<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKUCHI, Keigetsu<\/small><\/td><td><small>Winnowing Wheat<\/small><\/td><td><small>\u83ca\u6c60\u5951\u6708<\/small><\/td><td><small>\u7b5b\u9ea6<\/small><\/td><td><small>\uae30\ucfe0\uce58 \uac8c\uc774\uac8c\uc4f0<\/small><\/td><td><small>\ubcf4\ub9ac \ud0a4<\/small><\/td><td><small>1937<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAI, Kenji<\/small><\/td><td><small>Misty Rain<\/small><\/td><td><small>\u6cb3\u5408\u5065\u4e8c<\/small><\/td><td><small>\u96fe\u96e8<\/small><\/td><td><small>\uac00\uc640\uc774 \uac90\uc9c0<\/small><\/td><td><small>\uc548\uac1c\ube44<\/small><\/td><td><small>1947<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAMURA, Teii<\/small><\/td><td><small>Cool and Refreshing<\/small><\/td><td><small>\u4e2d\u6751\u8d1e\u4ee5<\/small><\/td><td><small>\u723d\u51c9<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \ub370\uc774\uc774<\/small><\/td><td><small>\uc0c1\ub7c9(\u723d\u51c9)<\/small><\/td><td><small>1956<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0073<\/small><\/td><td><small>TOKUOKA, Shinsen<\/small><\/td><td><small>Fawn<\/small><\/td><td><small>\u5fb7\u5188\u795e\u6cc9<\/small><\/td><td><small>\u5c0f\u9e7f<\/small><\/td><td><small>\ub3c4\ucfe0\uc624\uce74 \uc2e0\uc13c<\/small><\/td><td><small>\uc544\uae30 \uc0ac\uc2b4<\/small><\/td><td><small>1961<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0018<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Island Women<\/small><\/td><td><small>\u571f\u7530\u9ea6\u50ca<\/small><\/td><td><small>\u5c9b\u4e0a\u7684\u5973\u5b50<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uc12c \uc5ec\uc778<\/small><\/td><td><small>1912<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWABATA, Ryushi<\/small><\/td><td><small>Stealing<\/small><\/td><td><small>\u5ddd\u7aef\u9f99\u5b50<\/small><\/td><td><small>\u76d7\u5fc3<\/small><\/td><td><small>\uac00\uc640\ubc14\ud0c0 \ub958\uc2dc<\/small><\/td><td><small>\ub3c4\uc2ec(\u76dc\u5fc3)<\/small><\/td><td><small>1923<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0047<\/small><\/td><td><small>KAWABATA, Ryushi<\/small><\/td><td><small>Flaming Grass<\/small><\/td><td><small>\u5ddd\u7aef\u9f99\u5b50<\/small><\/td><td><small>\u8349\u708e<\/small><\/td><td><small>\uac00\uc640\ubc14\ud0c0 \ub958\uc2dc<\/small><\/td><td><small>\ucd08\uc5fc(\u8349\u708e)<\/small><\/td><td><small>1930<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOKOYAMA, Taikan<\/small><\/td><td><small>White-Flowered Gourd<\/small><\/td><td><small>\u6a2a\u5c71\u5927\u89c2<\/small><\/td><td><small>\u5915\u989c<\/small><\/td><td><small>\uc694\ucf54\uc57c\ub9c8 \ub2e4\uc774\uce78<\/small><\/td><td><small>\ubc15\uaf43<\/small><\/td><td><small>1929<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>White Lily<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u767d\u767e\u5408<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\ud770 \ubc31\ud569<\/small><\/td><td><small>1931<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Japanese Morning Glories<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u62c2\u6653\u82b1\u5f00<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\ub3d9\ud2c0 \ub158 \ud53c\ub294 \uaf43<\/small><\/td><td><small>1934<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Shinsui<\/small><\/td><td><small>Dewdrops<\/small><\/td><td><small>\u4f0a\u4e1c\u6df1\u6c34<\/small><\/td><td><small>\u9732\u6c34<\/small><\/td><td><small>\uc774\ud1a0 \uc2e0\uc2a4\uc774<\/small><\/td><td><small>\uc774\uc2ac<\/small><\/td><td><small>1931<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Kokei<\/small><\/td><td><small>Indian Corn Plants<\/small><\/td><td><small>\u5c0f\u6797\u53e4\u5f84\u3000<\/small><\/td><td><small>\u7389\u7c73<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \uace0\ucf00\uc774<\/small><\/td><td><small>\uc625\uc218\uc218<\/small><\/td><td><small>1939<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>Persimmon<\/small><\/td><td><small>\u5409\u5188\u575a\u4e8c<\/small><\/td><td><small>\u67ff<\/small><\/td><td><small>\uc694\uc2dc\uc624\uce74 \uac90\uc9c0<\/small><\/td><td><small>\uac10<\/small><\/td><td><small>1948<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAGUCHI, Hoshun<\/small><\/td><td><small>Autumn<\/small><\/td><td><small>\u5c71\u53e3\u84ec\u6625<\/small><\/td><td><small>\u79cb<\/small><\/td><td><small>\uc57c\ub9c8\uad6c\uce58 \ud638\uc28c<\/small><\/td><td><small>\uac00\uc744<\/small><\/td><td><small>1961<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUGIYAMA, Yasushi<\/small><\/td><td><small>Heaven<\/small><\/td><td><small>\u6749\u5c71\u5b81<\/small><\/td><td><small>\u7a79<\/small><\/td><td><small>\uc2a4\uae30\uc57c\ub9c8 \uc57c\uc2a4\uc2dc<\/small><\/td><td><small>\uad81\ucc3d<\/small><\/td><td><small>1964<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAYAMA, Tatsuo<\/small><\/td><td><small>Heaven<\/small><\/td><td><small>\u9ad8\u5c71\u8fb0\u96c4<\/small><\/td><td><small>\u7a79<\/small><\/td><td><small>\ub2e4\uce74\uc57c\ub9c8 \ub2e4\uc4f0\uc624<\/small><\/td><td><small>\uad81\ucc3d<\/small><\/td><td><small>1964<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAGUCHI, Kayo<\/small><\/td><td><small>Deer in Tobihino<\/small><\/td><td><small>\u5c71\u53e3\u534e\u6768<\/small><\/td><td><small>\u5948\u826f\u98de\u706b\u91ce<\/small><\/td><td><small>\uc57c\ub9c8\uad6c\uce58 \uac00\uc694<\/small><\/td><td><small>\ub3c4\ube44\ud788\ub178<\/small><\/td><td><small>1965<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORITA, Kohei<\/small><\/td><td><small>Cricket\u2019s Song<\/small><\/td><td><small>\u68ee\u7530\u65f7\u5e73<\/small><\/td><td><small>\u866b\u9e23\u6bd4\u8d5b<\/small><\/td><td><small>\ubaa8\ub9ac\ud0c0 \uace0\ud5e4\uc774<\/small><\/td><td><small>\ubc8c\ub808 \ub180\uc774<\/small><\/td><td><small>1966<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HIGASHIYAMA, Kaii<\/small><\/td><td><small>Bamboo Grove in Moonlight<\/small><\/td><td><small>\u4e1c\u5c71\u9b41\u5937<\/small><\/td><td><small>\u6708\u7bc1<\/small><\/td><td><small>\ud788\uac00\uc2dc\uc57c\ub9c8 \uac00\uc774\uc774<\/small><\/td><td><small>\ub2ec\ube5b \ub300\uc232<\/small><\/td><td><small>1967<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAMURA, Teii<\/small><\/td><td><small>Incense Ceremony<\/small><\/td><td><small>\u4e2d\u6751\u8d1e\u4ee5<\/small><\/td><td><small>\u95fb\u9999<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \ub370\uc774\uc774<\/small><\/td><td><small>\ud5a5\uc744 \ub9e1\ub2e4<\/small><\/td><td><small>1968<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHOJI, Fuku<\/small><\/td><td><small>Earth<\/small><\/td><td><small>\u8358\u53f8\u798f<\/small><\/td><td><small>\u571f<\/small><\/td><td><small>\uc1fc\uc9c0 \ud6c4\ucfe0<\/small><\/td><td><small>\ud759<\/small><\/td><td><small>1982<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MORI, Bushiro<\/small><\/td><td><small>Work<\/small><\/td><td><small>\u6bdb\u5229\u6b66\u58eb\u90ce<\/small><\/td><td><small>\u4f5c\u54c1<\/small><\/td><td><small>\ubaa8\ub9ac \ubd80\uc2dc\ub85c<\/small><\/td><td><small>\uc791\ud488<\/small><\/td><td><small>1956<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>3F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YANAGIHARA, Yoshitatsu<\/small><\/td><td><small>Crow in the Wind<\/small><\/td><td><small>\u67f3\u539f\u4e49\u8fbe<\/small><\/td><td><small>\u98ce\u4e2d\u4e4b\u9e26<\/small><\/td><td><small>\uc57c\ub098\uae30\ud558\ub77c \uc694\uc2dc\ud0c0\uc4f0<\/small><\/td><td><small>\ubc14\ub78c \uc18d \uae4c\ub9c8\uadc0<\/small><\/td><td><small>1982<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Copy after Ban Dainagon Ekotoba (1)<\/small><\/td><td><small>\u4eca\u6751\u7d2b\u7ea2<\/small><\/td><td><small>\u7ed8\u5377\u7269\u4e34\u6479 \u4f34\u5927\u7eb3\u8a00\u7ed8\u5377\uff08\u5176\u4e00\uff09<\/small><\/td><td><small>\uc774\ub9c8\ubb34\ub77c \uc2dc\ucf54<\/small><\/td><td><small>\ub450\ub8e8\ub9c8\ub9ac \uadf8\ub9bc \ubaa8\uc0ac, \ubc18\ub2e4\uc774\ub098\uace4 1<\/small><\/td><td><small>c.1899<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Copy after Ban Dainagon Ekotoba (2)<\/small><\/td><td><small>\u4eca\u6751\u7d2b\u7ea2<\/small><\/td><td><small>\u7ed8\u5377\u7269\u4e34\u6479 \u4f34\u5927\u7eb3\u8a00\u7ed8\u5377\uff08\u5176\u4e8c\uff09<\/small><\/td><td><small>\uc774\ub9c8\ubb34\ub77c \uc2dc\ucf54<\/small><\/td><td><small>\ub450\ub8e8\ub9c8\ub9ac \uadf8\ub9bc \ubaa8\uc0ac, \ubc18\ub2e4\uc774\ub098\uace4 2<\/small><\/td><td><small>c.1899<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MAEDA, Seison<\/small><\/td><td><small>Scroll of the Myth Umisachi-Yamasachi<\/small><\/td><td><small>\u524d\u7530\u9752\u6751<\/small><\/td><td><small>\u795e\u4ee3\u4e4b\u5377<\/small><\/td><td><small>\ub9c8\uc5d0\ub2e4 \uc138\uc774\uc190<\/small><\/td><td><small>\uc2e0\ud654 \ub450\ub8e8\ub9c8\ub9ac \uadf8\ub9bc<\/small><\/td><td><small>1924<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Copy after Kasuga Gongen Genki E (1)<\/small><\/td><td><small>\u4eca\u6751\u7d2b\u7ea2<\/small><\/td><td><small>\u7ed8\u5377\u7269\u4e34\u6479 \u6625\u65e5\u6743\u73b0\u8bb0\uff08\u5176\u4e00\uff09<\/small><\/td><td><small>\uc774\ub9c8\ubb34\ub77c \uc2dc\ucf54<\/small><\/td><td><small>\ub450\ub8e8\ub9c8\ub9ac \uadf8\ub9bc \ubaa8\uc0ac, \uac00\uc2a4\uac00\uace4\uac90 \uc774\uc57c\uae30 1<\/small><\/td><td><small>n.d.<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>0011<\/small><\/td><td><small>HISHIDA, Shunso<\/small><\/td><td><small>Landscape of the Four Seasons<\/small><\/td><td><small>\u83f1\u7530\u6625\u8349<\/small><\/td><td><small>\u56db\u5b63\u5c71\u6c34<\/small><\/td><td><small>\ud788\uc2dc\ub2e4 \uc28c\uc18c<\/small><\/td><td><small>\uc0ac\uacc4\uc0b0\uc218<\/small><\/td><td><small>1910<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>0045<\/small><\/td><td><small>KAWABATA, Ryushi<\/small><\/td><td><small>Scroll of Bullfight<\/small><\/td><td><small>\u5ddd\u7aef\u9f99\u5b50<\/small><\/td><td><small>\u6597\u725b\u4e4b\u5377\uff08\u8d8a\u540e\u4e8c\u5341\u6751\u6d3b\u52a8\uff09<\/small><\/td><td><small>\uac00\uc640\ubc14\ud0c0 \ub958\uc2dc<\/small><\/td><td><small>\ubfd4\uc2f8\uc6c0 \ub450\ub8e8\ub9c8\ub9ac \uadf8\ub9bc(\uc5d0\uce58\uace0 \ub2c8\uc8fc\ubb34\ub77c \uc9c0\uc5ed \ud589\uc0ac)<\/small><\/td><td><small>1922<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKAZAKI, Kazuo<\/small><\/td><td><small>Dokuro<\/small><\/td><td><small>\u5188\u5d0e\u548c\u90ce<\/small><\/td><td><small>\u9ab7\u9ac5<\/small><\/td><td><small>\uc624\uce74\uc790\ud0a4 \uac00\uc988\uc624<\/small><\/td><td><small>\ud574\uace8<\/small><\/td><td><small>1962<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKAZAKI, Kazuo<\/small><\/td><td><small>Topological Gloves<\/small><\/td><td><small>\u5188\u5d0e\u548c\u90ce<\/small><\/td><td><small>\u62d3\u6251\u624b\u5957<\/small><\/td><td><small>\uc624\uce74\uc790\ud0a4 \uac00\uc988\uc624<\/small><\/td><td><small>\uc704\uc0c1\uc801 \uc7a5\uac11<\/small><\/td><td><small>1965<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OKAZAKI, Kazuo<\/small><\/td><td><small>Tabi<\/small><\/td><td><small>\u5188\u5d0e\u548c\u90ce<\/small><\/td><td><small>\u8db3\u888b<\/small><\/td><td><small>\uc624\uce74\uc790\ud0a4 \uac00\uc988\uc624<\/small><\/td><td><small>\ub2e4\ube44(\u8db3\u888b)<\/small><\/td><td><small>1965<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOKOYAMA,\u3000Yuichi<\/small><\/td><td><small>Outdoor<\/small><\/td><td><small>\u6a2a\u5c71\u88d5\u4e00<\/small><\/td><td><small>\u6237\u5916<\/small><\/td><td><small>\uc694\ucf54\uc57c\ub9c8 \uc720\uc774\uce58<\/small><\/td><td><small>\uc544\uc6c3\ub3c4\uc5b4<\/small><\/td><td><small>2008-09<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>Funeral 77<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>\u9001\u6ba1\u884c\u521777<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>\uc7a5\ub840 77<\/small><\/td><td><small>2002<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>Park-III<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>\u516c\u56ed-III<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>\uacf5\uc6d0\u2212III<\/small><\/td><td><small>1999-2000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/08\/18<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>Corridor<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>\u56de\u5eca<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>\ud68c\ub791<\/small><\/td><td><small>2000<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ITO, Yoshihiko<\/small><\/td><td><small>Trot-II<\/small><\/td><td><small>\u4f0a\u85e4\u4e49\u5f66<\/small><\/td><td><small>\u6b65\u8d8b\u2212II<\/small><\/td><td><small>\uc774\ud1a0 \uc694\uc2dc\ud788\ucf54<\/small><\/td><td><small>\uc18d\ubcf4-II<\/small><\/td><td><small>1999<\/small><\/td><td><small>2019\/08\/20<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIKAWA, Shizuko<\/small><\/td><td><small>color shadow<\/small><\/td><td><small>\u5409\u5ddd\u9759\u5b50<\/small><\/td><td><small>\u8272\u5f71<\/small><\/td><td><small>\uc694\uc2dc\uce74\uc640 \uc2dc\uc988\ucf54<\/small><\/td><td><small>\uc0c9\uc601(\u8272\u5f71)<\/small><\/td><td><small>1979<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHTAKE, Shinro<\/small><\/td><td><small>Retina (Wire Horizon, Tangier)<\/small><\/td><td><small>\u5927\u7af9\u4f38\u6717<\/small><\/td><td><small>\u7f51\u819c\uff08\u94a2\u4e1d\u6c34\u5e73\u7ebf\u3001\u4e39\u5409\u513f\uff09<\/small><\/td><td><small>\uc624\ud0c0\ucf00 \uc2e0\ub85c<\/small><\/td><td><small>\ub9dd\ub9c9(\ucca0\uc870\ub9dd \uc9c0\ud3c9\uc120, \ud0d5\ud5e4\ub974)<\/small><\/td><td><small>1990-93<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Masato<\/small><\/td><td><small>Unnamed #7<\/small><\/td><td><small>\u5c0f\u6797\u6b63\u4eba<\/small><\/td><td><small>Unnamed #7<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \ub9c8\uc0ac\ud1a0<\/small><\/td><td><small>Unnamed #7<\/small><\/td><td><small>1997<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUGITO, Hiroshi<\/small><\/td><td><small>the secret tower<\/small><\/td><td><small>\u6749\u6237\u6d0b<\/small><\/td><td><small>the secret tower<\/small><\/td><td><small>\uc2a4\uae30\ud1a0 \ud788\ub85c\uc2dc<\/small><\/td><td><small>the secret tower<\/small><\/td><td><small>1998<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIKAWA, Yukie<\/small><\/td><td><small>Impermanence: \uff33\uff45\uff49\uff4a\uff59\uff4f<\/small><\/td><td><small>\u77f3\u5ddd\u987a\u60e0<\/small><\/td><td><small>Impermanence \u9752\u5973<\/small><\/td><td><small>\uc774\uc2dc\uce74\uc640 \uc720\ud0a4\uc5d0<\/small><\/td><td><small>Impermanence \u9752\u5973<\/small><\/td><td><small>2014<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Daniel Buren<\/small><\/td><td><small>A Frame in a Frame in a Frame No.43 Midori<\/small><\/td><td><small>\u4e39\u5c3c\u5c14\u00b7\u5e03\u4f26<\/small><\/td><td><small>\u6846\u4e2d\u6846\u4e2d\u6846 No.43 Midori<\/small><\/td><td><small>\ub2e4\ub2c8\uc5d8 \ubdd4\ub791<\/small><\/td><td><small>\ud504\ub808\uc784 \uc18d \ud504\ub808\uc784 \uc18d \ud504\ub808\uc784 No. 43 \ubbf8\ub3c4\ub9ac<\/small><\/td><td><small>1988<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>David Smith<\/small><\/td><td><small>Circle IV<\/small><\/td><td><small>\u5927\u536b\u00b7\u53f2\u5bc6\u65af<\/small><\/td><td><small>\u5706 IV<\/small><\/td><td><small>\ub370\uc774\ube44\ub4dc \uc2a4\ubbf8\uc2a4<\/small><\/td><td><small>\uc11c\ud074 IV<\/small><\/td><td><small>1962<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Anthony Caro<\/small><\/td><td><small>Lap<\/small><\/td><td><small>\u5b89\u4e1c\u5c3c\u00b7\u5361\u7f57<\/small><\/td><td><small>Lap<\/small><\/td><td><small>\uc564\uc11c\ub2c8 \uce74\ub85c<\/small><\/td><td><small>Lap<\/small><\/td><td><small>1969<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAYANAGI, Eri<\/small><\/td><td><small>Pocket-gauze<\/small><\/td><td><small>\u9ad8\u67f3\u60e0\u91cc<\/small><\/td><td><small>\u8896\u73cd\u7eb1\u5e03<\/small><\/td><td><small>\ub2e4\uce74\uc57c\ub098\uae30 \uc5d0\ub9ac<\/small><\/td><td><small>\ud3ec\ucf13\uc758 \uac00\uc81c \uc218\uac74<\/small><\/td><td><small>1998<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAYANAGI, Eri<\/small><\/td><td><small>How to Fold a T-shirt<\/small><\/td><td><small>\u9ad8\u67f3\u60e0\u91cc<\/small><\/td><td><small>T\u6064\u7684\u53e0\u6cd5<\/small><\/td><td><small>\ub2e4\uce74\uc57c\ub098\uae30 \uc5d0\ub9ac<\/small><\/td><td><small>T\uc154\uce20 \uac1c\ub294 \ubc95<\/small><\/td><td><small>2000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAYANAGI, Eri<\/small><\/td><td><small>Book Holder (Hardcover Size)<\/small><\/td><td><small>\u9ad8\u67f3\u60e0\u91cc<\/small><\/td><td><small>\u8bfb\u4e66\u67b6\uff08\u5355\u884c\u672c\u5927\u5c0f\uff09<\/small><\/td><td><small>\ub2e4\uce74\uc57c\ub098\uae30 \uc5d0\ub9ac<\/small><\/td><td><small>\ubd81\ud640\ub354(\ub2e8\ud589\ubcf8 \uc0ac\uc774\uc988)<\/small><\/td><td><small>2000<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MATSUTANI, Takesada<\/small><\/td><td><small>Object K<\/small><\/td><td><small>\u677e\u8c37\u6b66\u5224<\/small><\/td><td><small>\u7269\u4f53K<\/small><\/td><td><small>\ub9c8\uc4f0\ud0c0\ub2c8 \ub2e4\ucf00\uc0ac\ub2e4<\/small><\/td><td><small>\uc624\ube0c\uc81c K<\/small><\/td><td><small>1976<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAYANAGI, Eri<\/small><\/td><td><small>Side or Front (Mt. Tateshina)<\/small><\/td><td><small>\u9ad8\u67f3\u60e0\u91cc<\/small><\/td><td><small>\u4fa7\u9762\u6216\u6b63\u9762\uff08\u84fc\u79d1\u5c71\uff09<\/small><\/td><td><small>\ub2e4\uce74\uc57c\ub098\uae30 \uc5d0\ub9ac<\/small><\/td><td><small>\uce21\uba74 \ud639\uc740 \uc815\uba74(\ub2e4\ud14c\uc2dc\ub098 \uc0b0)<\/small><\/td><td><small>2011<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARUKI, Maiko<\/small><\/td><td><small>outer portrait (1)<\/small><\/td><td><small>\u6625\u6728\u9ebb\u8863\u5b50<\/small><\/td><td><small>outer portrait (1)<\/small><\/td><td><small>\ud558\ub8e8\ud0a4 \ub9c8\uc774\ucf54<\/small><\/td><td><small>outer portrait (1)<\/small><\/td><td><small>2009<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARUKI, Maiko<\/small><\/td><td><small>outer portrait (2)<\/small><\/td><td><small>\u6625\u6728\u9ebb\u8863\u5b50<\/small><\/td><td><small>outer portrait (2)<\/small><\/td><td><small>\ud558\ub8e8\ud0a4 \ub9c8\uc774\ucf54<\/small><\/td><td><small>outer portrait (2)<\/small><\/td><td><small>2009<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARUKI, Maiko<\/small><\/td><td><small>outer portrait (3)<\/small><\/td><td><small>\u6625\u6728\u9ebb\u8863\u5b50<\/small><\/td><td><small>outer portrait (3)<\/small><\/td><td><small>\ud558\ub8e8\ud0a4 \ub9c8\uc774\ucf54<\/small><\/td><td><small>outer portrait (3)<\/small><\/td><td><small>2009<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HARUKI, Maiko<\/small><\/td><td><small>outer portrait (4)<\/small><\/td><td><small>\u6625\u6728\u9ebb\u8863\u5b50<\/small><\/td><td><small>outer portrait (4)<\/small><\/td><td><small>\ud558\ub8e8\ud0a4 \ub9c8\uc774\ucf54<\/small><\/td><td><small>outer portrait (4)<\/small><\/td><td><small>2009<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TANAKA, Koki<\/small><\/td><td><small>A Project, Seven Boxes and Movements at the Museum<\/small><\/td><td><small>\u7530\u4e2d\u529f\u8d77<\/small><\/td><td><small>\u4e00\u4e2a\u9879\u76ee\u3001\u4e03\u4e2a\u76d2\u5b50\u548c\u884c\u4e3a\u3001\u5728\u7f8e\u672f\u9986<\/small><\/td><td><small>\ub2e4\ub098\uce74 \uace0\ud0a4<\/small><\/td><td><small>\ud558\ub098\uc758 \ud504\ub85c\uc81d\ud2b8, \uc77c\uacf1 \uac1c\uc758 \uc0c1\uc790\uc640 \ud589\uc704, \ubbf8\uc220\uad00\uc5d0\uc11c<\/small><\/td><td><small>2012<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>0090<\/small><\/td><td><small>Antony Gormley<\/small><\/td><td><small>Reflection<\/small><\/td><td><small>\u5b89\u4e1c\u5c3c\u00b7\u6208\u59c6\u96f7<\/small><\/td><td><small>\u53cd\u6620\/\u601d\u7d22<\/small><\/td><td><small>\uc548\ud1a0\ub2c8 \uacf0\ub9ac<\/small><\/td><td><small>\ubc18\uc601\/\uc0ac\uc0c9<\/small><\/td><td><small>2001<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>Matsuzaki Bay in the Rain from Route 136. From Eight Views of Japan.<\/small><\/td><td><small>\u6731\u5229\u5b89\u00b7\u5965\u57f9\u3000<\/small><\/td><td><small>\u300a\u65e5\u672c\u516b\u666f\u300b\u4e4b \u4ece\u56fd\u9053\u4e00\u767e\u4e09\u5341\u516d\u53f7\u7ebf\u770b\u96e8\u4e2d\u7684\u677e\u5d0e\u6e2f<\/small><\/td><td><small>\uc904\ub9ac\uc5b8 \uc624\ud53c<\/small><\/td><td><small>\u300a\uc77c\ubcf8 \ud314\uacbd\u300b \uc911, \uad6d\ub3c4 136\ud638\uc120\uc5d0\uc11c \ubcf8 \ube44\uc624\ub294 \ub9c8\uc4f0\uc790\ud0a4 \ud56d\uad6c<\/small><\/td><td><small>2007<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>Moon Over Manazuru Peninsula. From Eight Views of Japan.<\/small><\/td><td><small>\u6731\u5229\u5b89\u00b7\u5965\u57f9\u3000<\/small><\/td><td><small>\u300a\u65e5\u672c\u516b\u666f\u300b\u4e4b \u771f\u9e64\u534a\u5c9b\u4e0a\u7684\u6708\u4eae<\/small><\/td><td><small>\uc904\ub9ac\uc5b8 \uc624\ud53c<\/small><\/td><td><small>\u300a\uc77c\ubcf8 \ud314\uacbd\u300b \uc911, \ub9c8\ub098\uc988\ub8e8\ubc18\ub3c4 \uc704\uc5d0 \ub72c \ub2ec<\/small><\/td><td><small>2007<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>View of Lake Motosu and Mount Fuji from Route 300. From Eight Views of Japan.<\/small><\/td><td><small>\u6731\u5229\u5b89\u00b7\u5965\u57f9\u3000<\/small><\/td><td><small>\u300a\u65e5\u672c\u516b\u666f\u300b\u4e4b \u4ece\u56fd\u9053\u4e09\u767e\u53f7\u7ebf\u770b\u672c\u6816\u6e56\u7684\u5bcc\u58eb\u5c71<\/small><\/td><td><small>\uc904\ub9ac\uc5b8 \uc624\ud53c<\/small><\/td><td><small>\u300a\uc77c\ubcf8 \ud314\uacbd\u300b \uc911, \uad6d\ub3c4 300\ud638\uc120\uc5d0\uc11c \ubcf8 \ubaa8\ud1a0\uc2a4 \ud638\uc218\uc640 \ud6c4\uc9c0\uc0b0<\/small><\/td><td><small>2007<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>terrace<\/small><\/td><td><small>0084<\/small><\/td><td><small>Isamu Noguchi<\/small><\/td><td><small>Gate<\/small><\/td><td><small>\u91ce\u53e3\u52c7<\/small><\/td><td><small>\u95e8<\/small><\/td><td><small>\uc774\uc0ac\ubb34 \ub178\uad6c\uce58<\/small><\/td><td><small>\ubb38<\/small><\/td><td><small>1969<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TADA,<\/small><br><small>Minami<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>\u591a\u7530\u7f8e\u6ce2<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>\ub2e4\ub2e4 \ubbf8\ub098\ubbf8<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>1979<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Marino Marini<\/small><\/td><td><small>The Idea of an Image<\/small><\/td><td><small>\u9a6c\u91cc\u8bfa\u00b7\u9a6c\u91cc\u5c3c<\/small><\/td><td><small>\u67d0\u4e2a\u5f62\u8c61\u7684\u6784\u60f3<\/small><\/td><td><small>\ub9c8\ub9ac\ub178 \ub9c8\ub9ac\ub2c8<\/small><\/td><td><small>\uc5b4\ub5a4 \uc774\ubbf8\uc9c0\uc758 \uad6c\uc0c1<\/small><\/td><td><small>1969-70<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Kentaro<\/small><\/td><td><small>Seven Prayers<\/small><\/td><td><small>\u6728\u6751\u8d24\u592a\u90ce<\/small><\/td><td><small>\u4e03\u4e2a\u7948\u7977<\/small><\/td><td><small>\uae30\ubb34\ub77c \uac90\ud0c0\ub85c<\/small><\/td><td><small>\uc77c\uacf1 \uac1c\uc758 \uae30\uc6d0<\/small><\/td><td><small>1969<\/small><\/td><td><small>2019\/06\/04<\/small><\/td><td><small>2019\/10\/20<\/small><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Important Cultural Properties on display<\/h2>\n\n\n\n<p>The National Museum of Modern Art, Tokyo Collection (main building) contains 15 items that have been designated by the Japanese government as Important Cultural Properties. These include nine&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style) paintings, five oil paintings, and one sculpture. (One of the&nbsp;<em>Nihon-ga<\/em>&nbsp;paintings and one of the oil paintings are on long-term loan to the museum.)<\/p>\n\n\n\n<p><strong>The following Important Cultural Properties are shown in this period:<\/strong><\/p>\n\n\n\n<ul>\n<li>Harada Naojiro ,&nbsp;<em>Kannon Bodhisattva Riding the Dragon<\/em>, 1890, Long term loan (Gokokuji Temple Collection)<\/li>\n\n\n\n<li>Wada Sanzo,&nbsp;<em>South Wind<\/em>&nbsp;, 1907&nbsp;<\/li>\n\n\n\n<li>Tsuchida, Bakusen,&nbsp;<em>Serving Girl in a Spa<\/em>&nbsp;, 1918 (Exhibit Date: June 4 \u2013 August 18, 2019\uff09<\/li>\n\n\n\n<li>Nakamura Tsune,&nbsp;<em>Portrait of Vasilii Yaroshenko<\/em>, 1920<\/li>\n\n\n\n<li>Please visit the Important Cultural Property section&nbsp;<a href=\"https:\/\/www.momat.go.jp\/en\/masterpieces\">Masterpieces<\/a> for more information about the pieces.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div id=\"section1-2\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Sections<\/h2>\n\n\n\n<p><small>MOMAT Collection<\/small><small>&nbsp;<\/small>comprises twelve\uff08or thirteen\uff09rooms and two spaces for relaxation on three floors. In addition, sculptures are shown near the terrace on the second floor and in the front yard. The light blue areas in the cross section above make up&nbsp;<small>MOMAT Collection<\/small>. The space for relaxation \u201cA Room With a View\u201d is on the fourth floor.<\/p>\n\n\n\n<p>The entrance of the collection exhibition&nbsp;<em>MOMAT Collection<\/em>&nbsp;is on the fourth floor. Please take the elevator or walk up stairs to the fourth floor from the entrance hall on the first floor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4F (Fourth floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"382\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-3.jpg\" alt=\"\" class=\"wp-image-125856\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-3.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-3-200x75.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-3-768x287.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Room 1 Highlights&nbsp;<\/strong>* This section presents a consolidation of splendid works from the collection, with a focus on Master Pieces.<br><strong>Room 2\u2013 5 1900s\uff0d1940s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">A Room With A View<br>Reference Corner<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 1 <small><strong>Highlights<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"500\" height=\"261\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f104e9ec36e00063d5ab94e0d8939da3.jpeg\" alt=\"\" class=\"wp-image-2870\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f104e9ec36e00063d5ab94e0d8939da3.jpeg 500w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/f104e9ec36e00063d5ab94e0d8939da3-200x104.jpeg 200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">AI-MITSU,&nbsp;<em>Landscape with an Eye<\/em>, 1938<\/figcaption><\/figure>\n\n\n\n<p>The MOMAT Collection, drawn from the museum\u2019s holdings, consists of over 200 works displayed over a 3,000-square meter area. To start off the exhibition, we present the \u201cHighlights\u201d section, consisting of some of the collection\u2019s most essential works, including Important Cultural Properties. For the walls of this newly established space (part of a 2012 effort to renovate the collection galleries), we have selected navy blue to create a more beautiful contrast with the works. And to eliminate the glare of glass cases, we have chosen matte black for the floor.<\/p>\n\n\n\n<p>This time, during the first term of the collection exhibition (June 4\u2013August 18), we present Nihon-ga (modern Japanese-style painting) including Kikuchi Keigetsu\u2019s&nbsp;<em>Dedicating Lanterns<\/em>, which depicts a scene from&nbsp;<em>The Tale of the Heike<\/em>. In the second term (August 20\u2013October 20), the changing seasons will be conveyed by Shimomura Kanzan\u2019s&nbsp;<em>Autumn Among Trees<\/em>&nbsp;and Kayama Matazo\u2019s&nbsp;<em>The Milky Way<\/em>.<\/p>\n\n\n\n<p><em>Yo-ga<\/em>&nbsp;(Japanese Western-style painting) on view includes Harada Naojiro\u2019s&nbsp;<em>Kannon Bodhisattva Riding the Dragon<\/em>&nbsp;and Nakamura Tsune\u2019s&nbsp;<em>Portrait of Vasilii Yaroshenko<\/em>, both Important Cultural Properties, as well as works that have returned to the museum after being on loan to other museums or overseas, such as&nbsp;<em>Five Nudes<\/em>&nbsp;by Fujita Tsuguharu and&nbsp;<em>Portrait of Kishida Kunio<\/em>&nbsp;by Hasekawa Toshiyuki. Also, please enjoy the works of European artists who influenced Japanese art, including Henri Rousseau and Paul Klee.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 2 <small><strong>Before the Beginning<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"361\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c565321263cd3690010474f75561b323-e1536825795514.jpeg\" alt=\"\" class=\"wp-image-2391\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c565321263cd3690010474f75561b323-e1536825795514.jpeg 361w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c565321263cd3690010474f75561b323-e1536825795514-200x166.jpeg 200w\" sizes=\"(max-width: 361px) 100vw, 361px\" \/><figcaption class=\"wp-element-caption\">Wada Sanzo,&nbsp;<em>South Wind<\/em>, 1907 (Important Cultural Property)<\/figcaption><\/figure>\n\n\n\n<p>Following the inauguration of the Meiji government in 1868, Japan established a variety of cultural concepts and systems that were based on a Western model. It was during this period that painting also came to be divided into two categories. The term \u201c<em>yo-ga<\/em>\u201d (Western-style painting) was used to refer to oil painting, which had its roots in the West, while \u201c<em>Nihon-ga<\/em>\u201d (Japanese-style painting) denoted any painting that made use of time-honored and traditional Japanese techniques. This genre division was further reinforced at a government level with the opening in 1907 of the Bunten exhibition, an annual event sponsored by the Ministry of Education that consisted of three divisions: Western-style painting, Japanese-style painting, and sculpture. Some view the inception of the Bunten exhibition as the dawn of modern art in Japan, but of course painting and sculpture from before that time exist, and are in the museum\u2019s collection. This room presents works that, with the exception of one&nbsp;<em>yo-ga<\/em>&nbsp;and one&nbsp;<em>Nihon-ga<\/em>&nbsp;shown in the exhibition, were made before the exhibition was launched. Starting with this glimpse of what came before \u201cthe beginning,\u201d we hope you enjoy these works from the MOMAT Collection (incidentally, it was not until 1927 that a Crafts category was added to the Bunten. This MOMAT Collection exhibition features crafts as well, and the relationship between fine art and crafts is something to think about as you view the works.)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 3 <small><strong><em>Shirakaba<\/em><\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"400\" height=\"320\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b78e38b1d1e447abf785e488a9407350-1.jpg\" alt=\"\" class=\"wp-image-2621\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b78e38b1d1e447abf785e488a9407350-1.jpg 400w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/b78e38b1d1e447abf785e488a9407350-1-200x160.jpg 200w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Paul C\u00e9zanne,&nbsp;<em>Grand Bouquet of Flowers<\/em>, c.1892-95<\/figcaption><\/figure>\n\n\n\n<p>Enormously influential in the Japanese art world during the Taisho era (1912\u20131926), Shirakaba [white birch] was a literary magazine established in 1910 by Mushanokoji Saneatsu, Shiga Naoya, Arishima Ikuma, Yanagi Muneyoshi and others (releasing 160 issues before it ceased publication due to the Great Kanto Earthquake of 1923). It dealt not only with literature but also with various fields such as art, music, theater, and philosophy, based on values like individualism and veneration of life that thrived in the environment of \u201cTaisho democracy.\u201d Each issue of Shirakaba included reproductions of works by overseas artists, such as Paul C\u00e9zanne, Auguste Rodin and Vincent van Gogh, which had a great impact on young Japanese artists. The group that published the magazine was also active in arranging exhibitions of European art and solo shows of such young artists as Kishida Ryusei and Umehara Ryuzaburo. The group also had the never-realized dream of opening their ideal museum, the Shirakaba Museum, and in pursuit of this ground-breaking effort, actually assembled a collection of works (including Vincent van Gogh\u2019s&nbsp;<em>Sunflowers<\/em>, one of his best-known paintings, which was purchased by businessman Yamamoto Koyata for the Shirakaba Museum but tragically destroyed during World War II.)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 4 <small><strong>Bokuto Kidan<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"478\" height=\"346\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/62a0e77bd38ec17e087f66b85b0b6507.jpeg\" alt=\"\" class=\"wp-image-5738\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/62a0e77bd38ec17e087f66b85b0b6507.jpeg 478w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/62a0e77bd38ec17e087f66b85b0b6507-200x145.jpeg 200w\" sizes=\"(max-width: 478px) 100vw, 478px\" \/><figcaption class=\"wp-element-caption\">Kimura Shohachi,&nbsp;<em>Illustration no.8 to the Novel &#8220;Bokuto Kidan&#8221; by Nagai Kafu<\/em>, 1937<br>(Exhibit Date: June 4 &#8211; August 18, 2019\uff09<\/figcaption><\/figure>\n\n\n\n<p>The aging novelist Oe Tadasu has gone to Tamanoi, a red-light district in the suburbs of Tokyo, in search of a good time. Rain begins to fall, and an unlicensed prostitute named Oyuki crashes into Oe\u2019s umbrella. A relationship gradually develops between the two, but then Oe suddenly disappears. This is the basic plot of Nagai Kafu\u2019s novel&nbsp;<em>Bokuto Kidan<\/em>&nbsp;(A Strange Tale from East of the River). The book was originally serialized in both the Tokyo and Osaka editions of the&nbsp;<em>Asahi Shimbun<\/em>&nbsp;newspaper from April to June 1937, with the illustrations by Kimura Shohachi exhibited here. It was thanks in part to Kimura\u2019s illustrations that the book became one of Kafu\u2019s most popular.<\/p>\n\n\n\n<p>\u201cBokuto\u201d refers to the area on the east bank of the Sumida River, today part of Tokyo\u2019s Sumida Ward. Tamanoi (formerly known as Terajima-machi) was a district home to so-called&nbsp;<em>meishuya<\/em>&nbsp;(sake houses), which were ostensibly drinking establishments serving high-quality sake, but covertly functioned as brothels where unlicensed prostitutes worked. They were originally clustered in Asakusa, but from 1918 through the period following the 1923 Great Kanto Earthquake, they progressively moved to the vicinity of Tamanoi Station (present-day Higashi-Mukojima Station on the Tobu Isesaki Line). The&nbsp;<em>meishuya<\/em>&nbsp;of Tamanoi flourished during the years leading up to and during World War II, but they were virtually wiped out by the 1945 air raids on Tokyo, and no trace of them remains today.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 5 <small><strong>Art of the 1920 and 1930s: Light and Dark Sides of Modernism and Urbanization<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"271\" height=\"333\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fd093e6f86effe19290a711dc316afbf.jpeg\" alt=\"\" class=\"wp-image-5743\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fd093e6f86effe19290a711dc316afbf.jpeg 271w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fd093e6f86effe19290a711dc316afbf-163x200.jpeg 163w\" sizes=\"(max-width: 271px) 100vw, 271px\" \/><figcaption class=\"wp-element-caption\">Yo Kanji,&nbsp;<em>Head of a Certain Retired General<\/em>,1929<\/figcaption><\/figure>\n\n\n\n<p>In Europe during the period between the two world wars, roughly coinciding with the 1920s and 1930s, there was a flourishing of various artistic styles in which freedom of thought and the artist\u2019s individuality took center stage, transcending the bounds of, and at times dramatically shattering, the traditions of naturalistic and realistic painting and sculpture so as to create something new. Movements of the day such as abstraction, revealing the dismantling and reconstruction of objects reduced to formal elements such as lines and planes, were progressively introduced to Japan and were hugely influential. Also, after the end of World War I in 1918, many Japanese artists have traveled to Europe and had the opportunity to engage with European artistic trends, which encouraged the rapid diversification of Japanese art.<\/p>\n\n\n\n<p>However, this was also a time when urbanization and industrialization were causing widening financial and class inequality, and social disparities between urban and rural areas were expanding. Artists turned a critical gaze on the paradoxes and problems of society, and depicted subjects such as desolate street corners and people living in poverty. The works of Kuniyoshi Yasuo and Noda Hideo, who traveled to the United States in order to make a living, reflect the state of American society around the dawn of the Great Depression (1929).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">3F (Third floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"364\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-3.jpg\" alt=\"\" class=\"wp-image-125861\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-3.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-3-200x71.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-3-768x273.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Room 6-8 1940s-1960s<br>\u3000From the Beginning to the Middle of the Showa Period<br>Room 9 Photography and Video<br>Room 10&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style Painting)<\/strong><\/p>\n\n\n\n<p>Room to Consider the Building<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 6 <small><strong>Art \/ War: 1941-1945<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"500\" height=\"415\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/90a5ed6a4d291a5c93e0bbd5a2c0a389.jpeg\" alt=\"\" class=\"wp-image-2443\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/90a5ed6a4d291a5c93e0bbd5a2c0a389.jpeg 500w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/90a5ed6a4d291a5c93e0bbd5a2c0a389-200x166.jpeg 200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Matsumoto Shunsuke,&nbsp;<em>Bridge in Y-City<\/em>, 1943<\/figcaption><\/figure>\n\n\n\n<p>The Sino-Japanese War began in 1937. The National Mobilization Law was enacted the following year, forcing Japanese citizens to cooperate with the war effort. Artists were no exception. Many were sent to the front and made pictures documenting the war. There was also a crackdown on free and avant-garde expression, leading exhibitions to be banned and art groups dissolved.<\/p>\n\n\n\n<p>The works assembled in this room were created between 1941 (the year of the attack on Pearl Harbor) and 1945 (the end of World War II), a period in which war conditions were becoming increasingly severe. The war-record paintings express a direct link between war and art in an easily understandable manner. Other works, which remained firmly grounded in a given style, seem to have largely escaped the influence of the war. Still other works seem to indirectly convey a sense of discomfort regarding the war. It would be inappropriate to divide works of the era into those that represent art and those that represent the war, or those that express support or opposition to the conflict. All of them contain aspects of war and art, and the fact that we are confronted with both of these elements is what makes them so difficult to look at.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 7 <small><strong>The 1950s and 1960s: The Essence of Japan Unearthed?<\/strong><\/small><\/h4>\n\n\n\n<p>Art of the 1950s featured many forms reminiscent of archaeological artifacts such as haniwa clay images and dogu figurines. After World War II, direct interactions with the West resumed, including Isamu Noguchi\u2019s visit to Japan in 1950 and a Picasso exhibition the following year.&nbsp;<em>Today\u2019s Focus: On the History of Japanese Art<\/em>&nbsp;(1954) sought to connect East and West, ancient and modern, drawing hints from morphological similarities between Western modernism and Japanese ancient art. Many artists noted that the bold, simple and concise forms of artifacts excavated in Japan had similarities with abstract art. Isamu Noguchi and Okamoto Taro saw in them \u201cprimal beauty,\u201d and around this time artifacts that had been regarded as mere archaeological \u201cmaterials\u201d came to be discussed in terms of their aesthetic qualities.<\/p>\n\n\n\n<p>This also relates to the state of Japan in defeat, much of its urban landscape having been decimated, and excavation sites appearing everywhere during widespread reconstruction. While the Imperial, mythological view of history described in the nation\u2019s creation myths was censored under Allied occupation, the unearthing of artifacts that told the true story of Japan\u2019s origins drew new attention and acclaim.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 8 <small><strong>The 1950s and 1960s: Unearthing the Past, Constructing the Future<\/strong><\/small><\/h4>\n\n\n\n<p>The postwar craze for all things ancient was related to rapid, widespread construction of roads and residential areas. Ahead of the Tokyo Olympics in 1964, there was massive demand for urban infrastructure development, such as the Shinkansen (bullet train) and the Shuto Expressway in Tokyo, leading to excavation of many archaeological sites throughout Japan. Passion for ancient times and modern economic growth, excavation and destruction: these seemingly contradictory phenomena were inextricably linked.<\/p>\n\n\n\n<p>In the late 1950s and 1960s, people actively sought the essence of Japanese things and traditions, but there were complex motives that cannot be reduced to an innate drive to revitalize national identity. Comprehensive National Land Development Law, enacted in 1950, promoted the use of land and resources to build a self-sustaining economy, and the development of tourist-oriented roads was an important pillar of this strategy. The Japanese economy, which had to support a large population occupying a small land area with few resources, had depleted its reserves over long years of war. Ruins in various parts of Japan were maintained, restored and turned into tourist attractions partly because they were a crucial means of attracting foreign spending.<\/p>\n\n\n\n<p>During these years, when dirt roads all over Japan were being paved with asphalt, artists frequently expressed in their works a simultaneous mourning for the lost Japan of the past and amazement at the new landscape emerging around them.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 9 &#8211; 1<small><strong> Temporal Arrays: The Works of Ito Yoshihiko (Exhibit Date: June 4 &#8211; August 18, 2019\uff09<\/strong><\/small><\/h4>\n\n\n\n<p>When film negatives are placed on photo paper and printed at actual size, the result is called a \u201ccontact sheet.\u201d When large-format film is used, the contact sheet can be appreciated as a work of art in its own right, but with small 35mm film, contact sheets are generally only used as a reference to decide which frames to enlarge. However, Ito Yoshihiko exhibited contact sheets, each containing a roll of 35mm film frames in the order they were shot, as finished works of art.<\/p>\n\n\n\n<p>When the images, in the order they were shot, are arranged in a grid on a single picture plane, new vertical, horizontal, and diagonal relationships among frames emerge. While moving pictures replicate temporal sequences through continuous playback of continuously shot frames, Ito\u2019s work can be seen as a completely different approach to conveying the passage of time.<\/p>\n\n\n\n<p>What happens when an artist closely observes something happening over the course of time, and arranges the sequence on a single picture plane? In Room 11 on the 2nd floor are exhibited works that also address this issue, using a different approach from that of contact sheets.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 9 &#8211; 2 <small><strong>Furuya Seiichi Portrait of Christine (Exhibit Date: August 20 &#8211; October 20, 2019\uff09<\/strong><\/small><\/h4>\n\n\n\n<p>Furuya Seiichi\u2019s&nbsp;<em>Portrait of Christine<\/em>&nbsp;portrays a woman, the artist\u2019s wife. He began the photo series in 1978, when the two met and married, and continued shooting from time to time. However, the series was cut short when his wife Christine took her own life in East Berlin in 1985.<\/p>\n\n\n\n<p>Perhaps because she had studied theater, Christine\u2019s facial expressions in these photographs are astonishingly varied. However, she began suffering from mental illness around 1982, and this cast a deep shadow over her presence and seems to forecast tragedy to come.<\/p>\n\n\n\n<p>Several years after his wife\u2019s death, Furuya turned to the photographs he had taken, and started work on a series of photo books entitled&nbsp;<em>Memoirs<\/em>. The first volume was published in 1989. The fifth volume, regarded as the culmination of the series, was published in 2010.Compiling these collections of photos in different forms over the course of two decades was, as the title indicates, a process of remembering. Just as memories are always recalled from the perspective of the present and change accordingly, the meanings of photographs change with the passage of time. Furuya\u2019s work seems to have been both a tracing and retracing of his wife\u2019s memory, and a new encounter with an unknown person with each foray into the past.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 10 <small><strong>Nature, the Seasons, and&nbsp;<em>Nihon-ga<\/em><\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"329\" height=\"523\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/38baf7b749a626d3905b24682844349d.jpeg\" alt=\"\" class=\"wp-image-5749\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/38baf7b749a626d3905b24682844349d.jpeg 329w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/38baf7b749a626d3905b24682844349d-126x200.jpeg 126w\" sizes=\"(max-width: 329px) 100vw, 329px\" \/><figcaption class=\"wp-element-caption\">Kitano Tsunetomi,&nbsp;<em>For Fun<\/em>, 1929<br>(Exhibit Date: June 4 &#8211; August 18, 2019\uff09<\/figcaption><\/figure>\n\n\n\n<p>In this room we present a selection of works that convey the seasons progressing from early summer to autumn, in two parts, the first from June 4 to August 18 and the second from August 20 to October 20.<\/p>\n\n\n\n<p>Yokoyama Taikan, one of Japan\u2019s most widely known&nbsp;<em>Nihon-ga<\/em>&nbsp;(modern Japanese-style painting) painters, said in 1931: \u201cThe subjects of all works of art are the natural world and human life, and there is nothing to depict besides these things\u2013\u2013the seasons, natural phenomena, human emotions. This is a truth that will never change.\u201d The seasonal patterns of kimono in paintings of people, and the flowers, trees, or seasonal events in landscapes and genre paintings, give us a sense of the season. In this sense, Taikan perhaps spoke for all&nbsp;<em>Nihon-ga<\/em>&nbsp;painters with this statement.<\/p>\n\n\n\n<p>However, it is important to note that many works of modern art, not included in this exhibit, do not fit this definition. Taikan himself dealt with various unconventional&nbsp;<em>Nihon-ga<\/em>&nbsp;subjects in his younger days, and after World War II young painters abandoned traditional values and broadened the scope of&nbsp;<em>Nihon-ga<\/em>. The seasons are not necessarily a constant presence in&nbsp;<em>Nihon-ga<\/em>, and these works can be viewed in a different light if we consider that their subject matter reflects individual choices or the prevailing expectations of their era.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room to Consider the Building <small><strong>June 11, 1969<\/strong><\/small><\/h4>\n\n\n\n<p>The National Museum of Modern Art, Tokyo opened in 1952 at a site in Kyobashi, Chuo-ku, where the National Film Archive of Japan stands today. The original building had been the headquarters of Nikkatsu Corporation before the war and was refurbished as a museum, but there was insufficient space for exhibition and storage, and the absence of a gallery for the permanent collection was a particularly significant issue. These challenges were overcome in 1969 when the museum relocated to a building newly constructed in Kitanomaru Park, Takebashi. The new building, designed by Taniguchi Yoshiro, was a gift from Ishibashi Shojiro, then the Chairman of Bridgestone Tire Co., Ltd.<\/p>\n\n\n\n<p>The museum opened at its Takebashi location on June 11, 1969. As we mark its 50th anniversary during this year\u2019s MOMAT Collection exhibition, we are pleased to present materials from that time. The building, completed in 1969, was expanded and its seismic resistance strengthened during two years of construction starting in 1999, but otherwise remains as it was 50 years ago.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2F (Second floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"390\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-4.jpg\" alt=\"\" class=\"wp-image-125900\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-4.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-4-200x76.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-4-768x293.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Room 11-12 1970s-2010s<br>\u3000From the End of the Showa Period to the Present<\/strong><\/p>\n\n\n\n<p><strong>Gallery 4<\/strong><\/p>\n\n\n\n<p>* A space of about 250 square meters. This gallery offers cutting-edge thematic exhibitions from the Museum Collection, and special exhibitions featuring photographs or design.<\/p>\n\n\n\n<p><em><strong><a href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h31-1-g4\">Emancipation of Humanity: Focusing on Works by Female Artists<\/a><\/strong><\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 11 <small><strong>Still? Moving?<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"589\" height=\"125\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/21ed8f0ac80c63f959251ebd0e72a5a5.jpeg\" alt=\"\" class=\"wp-image-5754\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/21ed8f0ac80c63f959251ebd0e72a5a5.jpeg 589w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/21ed8f0ac80c63f959251ebd0e72a5a5-200x42.jpeg 200w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><figcaption class=\"wp-element-caption\">Hishida Shunso,&nbsp;<em>Landscape of the Four Seasons<\/em>, 1910<br>(Exhibit Date: August 20 &#8211; October 20, 2019\uff09<\/figcaption><\/figure>\n\n\n\n<p>Moving pictures are sequences of still pictures projected continuously. With more still images (frames) per second the image moves smoothly, and with fewer it moves jerkily. However, even when there are so few that the subject appears and disappears, the viewer\u2019s mind connects the images and interprets them as movement.&nbsp;<em>Iji dozu<\/em>&nbsp;(lit. \u201cdifferent time, same image,\u201d a technique of showing multiple images of the same figure on the same page), used in some picture scrolls, utilizes this human cognitive tendency to show action (although it is no longer in the realm of moving pictures.)<\/p>\n\n\n\n<p>In some picture scrolls, the scene itself appears to move. If you view it in the manner originally intended, unrolling it with your left hand and rolling it up with your right, you can enjoy it like a film, and the higher the quality of the picture scroll, the more brilliant the \u201ccamerawork\u201d appears to be. Such techniques of making still images appear to move were later developed further in manga.<\/p>\n\n\n\n<p>In this room, we present works that can be viewed in this way. This special exhibit draws its title from the book&nbsp;<em>12th-Century Animation: Cinematic and Animation Effects in National Treasure Picture Scrolls<\/em>&nbsp;by the late, great animation director Takahata Isao, whose retrospective exhibition will be held from July 2 to October 6 on the first floor of the museum.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 12 <small><strong>What is This?<\/strong><\/small><\/h4>\n\n\n\n<p>In contemporary art it is important to question conventions and think outside the box, and a similar mentality has been taking root in the business world. However, in Japan there is a deeply entrenched attachment to \u201cthe way\u201d (the<em>&nbsp;-do<\/em>&nbsp;in such traditions as judo and&nbsp;<em>sado<\/em>, the tea ceremony), and a tendency to encourage the asking of questions like \u201cWhat is painting?\u201d and \u201cWho am I?\u201d This seems to be one reason so many people in Japan call contemporary art \u201cdifficult to understand.\u201d But of course, not all of contemporary art is rigid philosophical exploration. Here, we present works that take open, flexible thinking as a starting point, asking questions like \u201cWhat happens if I mix painting and sculpture?\u201d or \u201cWhat if I apply aspects of&nbsp;<em>Nihon-ga<\/em>(Japanese-style painting) to oil painting?\u201d The results of these explorations may prompt the viewer to ask, \u201cUmm, what is this?\u201d However, because these works are free from the usual constraints of art, they may actually be more accessible, resembling things we see in daily life.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section1-3\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Event<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Let\u2019s Talk Art!<\/h3>\n\n\n\n<p>Enjoy a cross-cultural conversation in English while exploring modern Japanese art.<br><strong>pre-registration necessary<\/strong><\/p>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Every Friday<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>6:30PM\u20137:30PM (meeting time 6:15PM)<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Fee (including museum admission)<br>Adult (18\u201364) 1,500 yen<br>Discount with ID below (Show your ID)<br>College student 1,250 yen<br>Senior (65+) or Minor (11\u201317) 1,000 yen<\/p>\n\n\n\n<p><strong>Tickets on the day<\/strong><br>If there are any vacancies, tickets are available at the museum ticket office from 10:00 AM to 6:15 PM on the day.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Pre-registration<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p><a href=\"https:\/\/www.tiqets.com\/en\/tokyo-c72181\/the-national-museum-of-modern-art-tokyo-lets-talk-art-p977265\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cTiqets\u201d website<\/a><\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n\n\n\n<ul>\n<li><small>This is an English conversation gallery program.<\/small><\/li>\n\n\n\n<li><small>For international visitors<\/small><\/li>\n\n\n\n<li><small>For people aged 11 or over<\/small><\/li>\n\n\n\n<li><small>Late comers can neither participate in the session nor get refunds.<\/small><\/li>\n<\/ul>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-arrow\">\n        <a class=\"wp-block-button__link\" href=\"8581\">\n            Let\u2019s Talk Art!        <\/a>\n    <\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div id=\"section1-4\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Exhibition<\/h2>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery, from the fourth to second floors<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>June 4 -October 20, 2019<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00 \u2013 17:00 (10:00 \u2013 20:00 on Fridays and Saturdays)<br>open until 21:00 on Fridays and Saturdays during July 2 \u2013 October 6<br>*Last admission is 30 minutes before closing.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>\u203bClosed on Mondays (except July 15, August 12, September 16, September 23, October 14), July 16, August 13, September 17, September 24, October 15, 2019<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults \u00a5500 (400)<br>College and university students \u00a5250 (200)<br>*The price in brackets is for the group of 20 persons or more. All prices include tax.<br>Free for high school students, under 18, seniors\uff08 65 and over \uff09, Campus Members, MOMAT passport holder.<br>*Show your Membership Card of the MOMAT Supporters or the MOMAT Members to get free admission \uff08 a MOMAT Members Card admits two persons free \uff09.<br>*Persons with disability and one person accompanying them are admitted free of charge.<br>*Members of the MOMAT Corporate Partners are admitted free with their staff ID.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Discounts<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Evening Discount (From 17:00 on Fridays and Saturdays)<br>Adults \u00a5300<br>College and university students \u00a5150<br>*Admission free for college and university students from 17:00 on Fridays and Saturdays between July 19 and October 6.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Free Admission Days<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery and Gallery 4<br>Free on the first Sunday of each month (July 7, August 4, September 1, October 6, 2019)<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organized by<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-arrow\">\n        <a class=\"wp-block-button__link\" href=\"15153\">\n            Introduction to the Collection        <\/a>\n    <\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"featured_media":44668,"template":"","exhibition_type":[255],"exhibition_year":[308],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2019-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h31-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2019-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"The collection exhibition from June 4 -October 20, 2019 Welcome to the MOMAT Collection! In this exhibition, we introduce currents in Japanese modern and contemporary art from the beginning of the 20th century to the present along with a variety of works from other countries. In the Highlights section (Room 1, 4th floor), viewers are treated to a host of masterpieces selected from the museum collection. Rooms 2 to 12, arranged in roughly chronological order, have each been assigned a theme, enabling viewers to see the relationship between art and society in each era from a wide range of perspectives. 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