{"id":125971,"date":"2018-06-05T15:47:07","date_gmt":"2018-06-05T06:47:07","guid":{"rendered":"https:\/\/www.momat.go.jp\/exhibitions\/h30-1"},"modified":"2023-06-12T13:10:31","modified_gmt":"2023-06-12T04:10:31","slug":"h30-1","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/h30-1","title":{"rendered":"2018-1 MOMAT Collection"},"content":{"rendered":"    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_aa42dd5b6eb218ae81baafe87c0b9e27\"\n                aria-controls=\"nav-block_aa42dd5b6eb218ae81baafe87c0b9e27\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_aa42dd5b6eb218ae81baafe87c0b9e27\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section1-1\"\n                       title=\"Scroll to Highlights\"\n                       class=\"momat-anchors__link\">\n                        Highlights                    <\/a>\n                                    <a href=\"#section1-2\"\n                       title=\"Scroll to About the Sections\"\n                       class=\"momat-anchors__link\">\n                        About the Sections                    <\/a>\n                                    <a href=\"#section1-4\"\n                       title=\"Scroll to About the Exhibition\"\n                       class=\"momat-anchors__link\">\n                        About the Exhibition                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div id=\"section1-1\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">The collection exhibition from June 5 \u2013 September 24, 2018<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/11\/O00389\u6d77.jpg\" alt=\"\u5de6\u306b\u5973\u6027\u304c\u8155\u3092\u9ad8\u304f\u4e0a\u3052\u3066\u7acb\u3063\u3066\u3044\u308b\u3002\u6d77\u306e\u6c34\u4e2d\u306b\u306f\u9b5a\u3002\u6f5c\u6c34\u8266\u3068\u98db\u884c\u8239\u3082\u63cf\u304b\u308c\u3066\u3044\u308b\u3002\" class=\"wp-image-15202\" width=\"546\" height=\"437\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/11\/O00389\u6d77.jpg 728w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/11\/O00389\u6d77-200x160.jpg 200w\" sizes=\"(max-width: 546px) 100vw, 546px\" \/><figcaption class=\"wp-element-caption\">Koga Harue,&nbsp;<em>Sea<\/em>, 1929<\/figcaption><\/figure>\n\n\n\n<p>Welcome to the MOMAT Collection! In this exhibition, we introduce currents in Japanese modern and contemporary art from the beginning of the 20th century to the present along with a variety of works from other countries.<\/p>\n\n\n\n<p>&nbsp;In the Highlights section (Room 1, 4th floor), viewers are treated to a host of masterpieces selected from the museum collection. Rooms 2 to 12, arranged in roughly chronological order, have each been assigned a theme, enabling viewers to see the relationship between art and society in each era from a wide range of perspectives. In addition, to commemorate the 150th anniversary of the Meiji Period (1868-1912), a special exhibit called \u201cArt of the Late Meiji Period\u201d is being presented in Room 10 (3rd floor), which is normally devoted to&nbsp;<em>Nihonga<\/em>&nbsp;(Japanese-style painting). Along with Wada Sanzo\u2019s&nbsp;<em>South Wind<\/em>, newly designated as an Important Cultural Property this fiscal year, you will find some works from the early Bunten (Ministry of Education Art Exhibition) and others that presage the individualistic artistic expressions that emerged in the Taisho Period (1912-1926). On the second floor, please keep an eye out for a new acquisition by the important postwar American sculptor David Smith. In Gallery 4 (also on the second floor), you will find a small exhibit focusing on the art critic and poet Takiguchi Shuzo. We hope that you will enjoy this edition of the MOMAT Collection, which includes as a wide and varied assortment of works.<\/p>\n\n\n\n<p class=\"has-text-align-right\">translated by Christopher Stephens<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">List of Works<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><th><small>room<\/small><\/th><th><small>audio guide (En)<\/small><\/th><th><small>artist<\/small><\/th><th><small>title<\/small><\/th><th><small>\u7f8e\u672f\u5bb6<\/small><\/th><th><small>\u6807\u9898<\/small><\/th><th><small>\uc791\uac00\uc758&nbsp;<\/small><\/th><th><small>\ud45c\uc81c<\/small><\/th><th><small>date<\/small><\/th><th><small>on view from<\/small><\/th><th><small>on view to<\/small><\/th><\/tr><tr><td><small>1<\/small><\/td><td><small>0062<\/small><\/td><td><small>AI-MITSU<\/small><\/td><td><small>Landscape with an Eye<\/small><\/td><td><small>\u53c6\u5149<\/small><\/td><td><small>\u6709\u773c\u775b\u7684\u98ce\u666f<\/small><\/td><td><small>\uc544\uc774\ubbf8\uc4f0<\/small><\/td><td><small>\ub208\uc774 \uc788\ub294 \ud48d\uacbd&nbsp;<\/small><\/td><td><small>1938<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>UMEHARA, Ryuzaburo<\/small><\/td><td><small>Mt. Sakurajima (Blue)<\/small><\/td><td><small>\u6885\u539f\u9f99\u4e09\u90ce<\/small><\/td><td><small>\u6a31\u5c9b\uff08\u9752\uff09<\/small><\/td><td><small>\uc6b0\uba54\ud558\ub77c \ub958\uc790\ube0c\ub85c<\/small><\/td><td><small>\uc0ac\ucfe0\ub77c\uc9c0\ub9c8(\uccad)<\/small><\/td><td><small>1935<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0012<\/small><\/td><td><small>OGIWARA, Morie<\/small><\/td><td><small>Woman<\/small><\/td><td><small>\u837b\u539f\u5b88\u536b<\/small><\/td><td><small>\u5973\u5b50<\/small><\/td><td><small>\uc624\uae30\uc640\ub77c \ubaa8\ub9ac\uc5d0<\/small><\/td><td><small>\uc5ec\uc790<\/small><\/td><td><small>1910<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0002<\/small><\/td><td><small>KURODA, Seiki<\/small><\/td><td><small>Dead Leaves<\/small><\/td><td><small>\u9ed1\u7530\u6e05\u8f89<\/small><\/td><td><small>\u843d\u53f6<\/small><\/td><td><small>\uad6c\ub85c\ub2e4 \uc138\uc774\ud0a4<\/small><\/td><td><small>\ub099\uc5fd<\/small><\/td><td><small>1891<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0040<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Sea<\/small><\/td><td><small>\u53e4\u8d3a\u6625\u6c5f<\/small><\/td><td><small>\u6d77<\/small><\/td><td><small>\uace0\uac00 \ud558\ub8e8\uc5d0<\/small><\/td><td><small>\ubc14\ub2e4<\/small><\/td><td><small>1929<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0029<\/small><\/td><td><small>NAKAMURA, Tsune<\/small><\/td><td><small>Portrait of Vasilii Yaroshenko<\/small><\/td><td><small>\u4e2d\u6751\u5f5d<\/small><\/td><td><small>\u611b\u7f85\u5148\u73c2\u5148\u751f\u7684\u8096\u50cf<\/small><\/td><td><small>\ub098\uce74\ubb34\ub77c \uc4f0\ub124<\/small><\/td><td><small>\uc608\ub85c\uc13c\ucf54\uc758 \ucd08\uc0c1<\/small><\/td><td><small>1920<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0001<\/small><\/td><td><small>HARADA, Naojiro<\/small><\/td><td><small>Kannon Bodhisattva Riding the Dragon<\/small><\/td><td><small>\u539f\u7530\u76f4\u6b21\u90ce<\/small><\/td><td><small>\u9a91\u9f99\u89c2\u97f3<\/small><\/td><td><small>\ud558\ub77c\ub2e4 \ub098\uc624\uc9c0\ub85c<\/small><\/td><td><small>\uae30\uc6a9 \uad00\uc74c<\/small><\/td><td><small>1890<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Matsumoto Shunsuke<\/small><\/td><td><small>Scene near N Station<\/small><\/td><td><small>\u677e\u672c\u7ae3\u4ecb<\/small><\/td><td><small>N\u8f66\u7ad9\u9644\u8fd1<\/small><\/td><td><small>\ub9c8\uc4f0\ubaa8\ud1a0 \uc28c\uc2a4\ucf00<\/small><\/td><td><small>N\uc5ed \uadfc\ucc98<\/small><\/td><td><small>1940<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0052<\/small><\/td><td><small>YASUI, Sotaro<\/small><\/td><td><small>Portrait of Chin-Jung<\/small><\/td><td><small>\u5b89\u4e95\u66fe\u592a\u90ce<\/small><\/td><td><small>\u91d1\u84c9<\/small><\/td><td><small>\uc57c\uc2a4\uc774 \uc18c\ud0c0\ub85c<\/small><\/td><td><small>\uc9c4\uc911\uc758 \ucd08\uc0c1&nbsp;<\/small><\/td><td><small>1934<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KABURAKI, Kiyokata<\/small><\/td><td><small>Monthly Manners and Customs of the Meiji Period, January<\/small><\/td><td><small>\u955d\u6728\u6e05\u65b9<\/small><\/td><td><small>\u660e\u6cbb\u98ce\u4fd7\u5341\u4e8c\u6708<\/small><\/td><td><small>\uac00\ubd80\ub77c\ud0a4 \uae30\uc694\uce74\ud0c0<\/small><\/td><td><small>\uba54\uc774\uc9c0 \uc138\uc2dc \ud48d\uc18d<\/small><\/td><td><small>1935<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>0047<\/small><\/td><td><small>KAWABATA, Ryushi<\/small><\/td><td><small>Flaming Grass<\/small><\/td><td><small>\u5ddd\u7aef\u9f99\u5b50<\/small><\/td><td><small>\u8349\u708e<\/small><\/td><td><small>\uac00\uc640\ubc14\ud0c0 \ub958\uc2dc<\/small><\/td><td><small>\ucd08\uc5fc(\u8349\u708e)<\/small><\/td><td><small>1930<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>1<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Kokei<\/small><\/td><td><small>Indian Corn Plants<\/small><\/td><td><small>\u5c0f\u6797\u53e4\u5f84\u3000<\/small><\/td><td><small>\u7389\u7c73<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \uace0\ucf00\uc774<\/small><\/td><td><small>\uc625\uc218\uc218<\/small><\/td><td><small>1939<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Thinking Woman<\/small><\/td><td><small>\u53e4\u8d3a\u6625\u6c5f<\/small><\/td><td><small>\u601d\u8003\u7684\u5973\u4eba<\/small><\/td><td><small>\uace0\uac00 \ud558\ub8e8\uc5d0<\/small><\/td><td><small>\uc0dd\uac01\ud558\ub294 \uc5ec\uc778<\/small><\/td><td><small>1919<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SEKINE, Shoji<\/small><\/td><td><small>Portrait of a Woman<\/small><\/td><td><small>\u5173\u6839\u6b63\u4e8c<\/small><\/td><td><small>\u5987\u4eba\u50cf<\/small><\/td><td><small>\uc138\ud0a4\ub124 \uc1fc\uc9c0<\/small><\/td><td><small>\ubd80\uc778\uc0c1<\/small><\/td><td><small>c.1918<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>0027<\/small><\/td><td><small>SEKINE, Shoji<\/small><\/td><td><small>Three Stars<\/small><\/td><td><small>\u5173\u6839\u6b63\u4e8c<\/small><\/td><td><small>\u4e09\u661f<\/small><\/td><td><small>\uc138\ud0a4\ub124 \uc1fc\uc9c0<\/small><\/td><td><small>\uc0bc\ud615\uc81c \ubcc4&nbsp;<\/small><\/td><td><small>1919<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>0025<\/small><\/td><td><small>TAKAMURA, Kotaro<\/small><\/td><td><small>Hand<\/small><\/td><td><small>\u9ad8\u6751\u5149\u592a\u90ce<\/small><\/td><td><small>\u624b<\/small><\/td><td><small>\ub2e4\uce74\ubb34\ub77c \uace0\ud0c0\ub85c<\/small><\/td><td><small>\uc190<\/small><\/td><td><small>c.1918<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAGAWA, Kazumasa<\/small><\/td><td><small>Landscape at Itabashi<\/small><\/td><td><small>\u4e2d\u5ddd\u4e00\u653f<\/small><\/td><td><small>\u677f\u6865\u98ce\u666f<\/small><\/td><td><small>\ub098\uce74\uac00\uc640 \uac00\uc988\ub9c8\uc0ac<\/small><\/td><td><small>\uc774\ud0c0\ubc14\uc2dc \ud48d\uacbd<\/small><\/td><td><small>1919<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJISHIMA, Takeji<\/small><\/td><td><small>Artichoke<\/small><\/td><td><small>\u85e4\u5c9b\u6b66\u4e8c<\/small><\/td><td><small>\u6d0b\u84df\u82b1<\/small><\/td><td><small>\ud6c4\uc9c0\uc2dc\ub9c8 \ub2e4\ucf00\uc9c0<\/small><\/td><td><small>\uc544\ub974\ud2f0\uc1fc<\/small><\/td><td><small>1917<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>0021<\/small><\/td><td><small>MURAYAMA, Kaita<\/small><\/td><td><small>Roses and a Girl<\/small><\/td><td><small>\u6751\u5c71\u69d0\u591a<\/small><\/td><td><small>\u73ab\u7470\u548c\u5c11\u5973<\/small><\/td><td><small>\ubb34\ub77c\uc57c\ub9c8 \uac00\uc774\ud0c0<\/small><\/td><td><small>\uc7a5\ubbf8\uc640 \uc18c\ub140<\/small><\/td><td><small>1917<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Landscape with Standing Trees<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u6811\u6728\u98ce\u666f<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\ub098\ubb34\uac00 \uc11c \uc788\ub294 \ud48d\uacbd<\/small><\/td><td><small>1916<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWABATA, Ryushi<\/small><\/td><td><small>Divine Light of Love: Morning, Evening<\/small><\/td><td><small>\u5ddd\u7aef\u9f99\u5b50<\/small><\/td><td><small>\u6148\u60b2\u5149\u793c\u8d5e\uff08\u671d\u3001\u5915\uff09<\/small><\/td><td><small>\uac00\uc640\ubc14\ud0c0 \ub958\uc2dc<\/small><\/td><td><small>\uc790\ube44\uc758 \ube5b\uc758 \uc608\ucc2c(\uc544\uce68, \uc800\ub141)<\/small><\/td><td><small>1918<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIKKAWA, Reika<\/small><\/td><td><small>Virgin at Mt. Hakoya<\/small><\/td><td><small>\u5409\u5ddd\u7075\u534e<\/small><\/td><td><small>\u85d0\u59d1\u5c04\u4e4b\u5904\u5b50<\/small><\/td><td><small>\uae43\uce74\uc640 \ub808\uc774\uce74<\/small><\/td><td><small>\ub9c9\uace0\uc57c\uc0b0\uc758 \ucc98\uc790<\/small><\/td><td><small>1918<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Early Spring<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u6d45\u6625<\/small><\/td><td><small>\ud558\uc57c\ubbf8 \uad50\uc288<\/small><\/td><td><small>\ucd08\ubd04<\/small><\/td><td><small>1918<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>0026<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Serving Girl in a Spa<\/small><\/td><td><small>\u571f\u7530\u9ea6\u50ca<\/small><\/td><td><small>\u6fa1\u5802\u4f8d\u5973<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uc628\ucc9c\uc5d0\uc11c \uc77c\ud558\ub294 \uc5ec\uc790<\/small><\/td><td><small>1918<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Sketchbook<\/small><\/td><td><small>\u571f\u7530\u9ea6\u50ca<\/small><\/td><td><small>\u753b\u518c<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uc2a4\ucf00\uce58\ubd81<\/small><\/td><td><small>c.1918<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Sketch for Serving Girl in a Spa<\/small><\/td><td><small>\u571f\u7530\u9ea6\u50ca<\/small><\/td><td><small>\u300a\u6fa1\u5802\u4f8d\u5973\u300b \u5199\u751f<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\u300c\uc628\ucc9c\uc5d0\uc11c \uc77c\ud558\ub294 \uc5ec\uc790\u300d \uc0ac\uc0dd<\/small><\/td><td><small>c.1918<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Sketch for Serving Girl in a Spa<\/small><\/td><td><small>\u571f\u7530\u9ea6\u50ca<\/small><\/td><td><small>\u300a\u6fa1\u5802\u4f8d\u5973\u300b \u5199\u751f<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\u300c\uc628\ucc9c\uc5d0\uc11c \uc77c\ud558\ub294 \uc5ec\uc790\u300d \uc0ac\uc0dd<\/small><\/td><td><small>c.1918<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IHARA, Usaburo<\/small><\/td><td><small>Group in a Room<\/small><\/td><td><small>\u4f0a\u539f\u5b87\u4e09\u90ce<\/small><\/td><td><small>\u5ba4\u5185\u7fa4\u50cf<\/small><\/td><td><small>\uc774\ud558\ub77c \uc6b0\uc0ac\ubd80\ub85c<\/small><\/td><td><small>\uc2e4\ub0b4 \uad70\uc0c1<\/small><\/td><td><small>1928-29<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAGUCHI, Kigai<\/small><\/td><td><small>Still Life, Mandolin<\/small><\/td><td><small>\u5ddd\u53e3\u8f68\u5916<\/small><\/td><td><small>\u9759\u7269\uff08\u66fc\u9640\u6797\uff09<\/small><\/td><td><small>\uac00\uc640\uad6c\uce58 \uae30\uac00\uc774<\/small><\/td><td><small>\uc815\ubb3c(\ub9cc\ub3cc\ub9b0)<\/small><\/td><td><small>1927-31<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOJIMA, Zentaro<\/small><\/td><td><small>Man Playing the Violin<\/small><\/td><td><small>\u5c0f\u5c9b\u5584\u592a\u90ce<\/small><\/td><td><small>\u62c9\u5c0f\u63d0\u7434\u7684\u7537\u4eba<\/small><\/td><td><small>\uace0\uc9c0\ub9c8 \uc820\ud0c0\ub85c<\/small><\/td><td><small>\ubc14\uc774\uc62c\ub9b0 \ucf1c\ub294 \ub0a8\uc790<\/small><\/td><td><small>1932<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>0039<\/small><\/td><td><small>SAEKI, Yuzo<\/small><\/td><td><small>Gas Lamp and Advertisements<\/small><\/td><td><small>\u4f50\u4f2f\u7950\u4e09<\/small><\/td><td><small>\u7164\u6c14\u706f\u548c\u5e7f\u544a<\/small><\/td><td><small>\uc0ac\uc5d0\ud0a4 \uc720\uc870<\/small><\/td><td><small>\uac00\uc2a4\ub4f1\uacfc \uad11\uace0<\/small><\/td><td><small>1927<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAEKI, Yuzo<\/small><\/td><td><small>Church at Morin<\/small><\/td><td><small>\u4f50\u4f2f\u7950\u4e09<\/small><\/td><td><small>\u83ab\u5170\u7684\u6559\u5802<\/small><\/td><td><small>\uc0ac\uc5d0\ud0a4 \uc720\uc870<\/small><\/td><td><small>\ubaa8\ub7ad\uc758 \uad50\ud68c<\/small><\/td><td><small>1928<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SATOMI, Katsuzo<\/small><\/td><td><small>Still Life<\/small><\/td><td><small>\u91cc\u89c1\u80dc\u85cf<\/small><\/td><td><small>\u9759\u7269<\/small><\/td><td><small>\uc0ac\ud1a0\ubbf8 \uac00\uc4f0\uc870<\/small><\/td><td><small>\uc815\ubb3c<\/small><\/td><td><small>1926<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SATOMI, Katsuzo<\/small><\/td><td><small>Interior (Woman)<\/small><\/td><td><small>\u91cc\u89c1\u80dc\u85cf<\/small><\/td><td><small>\u5ba4\u5185\uff08\u5973\uff09<\/small><\/td><td><small>\uc0ac\ud1a0\ubbf8 \uac00\uc4f0\uc870<\/small><\/td><td><small>\uc2e4\ub0b4(\uc5ec)<\/small><\/td><td><small>1927<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NOGUCHI, Yataro<\/small><\/td><td><small>Bellecour Place<\/small><\/td><td><small>\u91ce\u53e3\u5f25\u592a\u90ce<\/small><\/td><td><small>\u767d\u83b1\u679c\u5e7f\u573a<\/small><\/td><td><small>\ub178\uad6c\uce58 \uc57c\ud0c0\ub85c<\/small><\/td><td><small>\ubca8\ucfe0\ub974 \uad11\uc7a5<\/small><\/td><td><small>1931<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MAETA, Kanji<\/small><\/td><td><small>Nude<\/small><\/td><td><small>\u524d\u7530\u5bbd\u6cbb<\/small><\/td><td><small>\u88f8\u5987<\/small><\/td><td><small>\ub9c8\uc5d0\ud0c0 \uac04\uc9c0<\/small><\/td><td><small>\ub098\ubd80<\/small><\/td><td><small>1925<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MAETA, Kanji<\/small><\/td><td><small>Woman in Black<\/small><\/td><td><small>\u524d\u7530\u5bbd\u6cbb<\/small><\/td><td><small>\u9ed1\u8863\u5987\u4eba\u50cf<\/small><\/td><td><small>\ub9c8\uc5d0\ud0c0 \uac04\uc9c0<\/small><\/td><td><small>\uac80\uc740 \uc637\uc758 \ubd80\uc778\uc0c1<\/small><\/td><td><small>1925<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOIZUMI, Kishio<\/small><\/td><td><small>From One Hundred Scenes from the Tokyo Metropolis in the Showa Period<\/small><\/td><td><small>\u5c0f\u6cc9\u7678\u5df3\u7537<\/small><\/td><td><small>\u51fa\u81ea\u300a\u662d\u548c\u5927\u4e1c\u4eac\u767e\u56fe\u7ed8\u300b<\/small><\/td><td><small>\uace0\uc774\uc988\ubbf8 \uae30\uc2dc\uc624<\/small><\/td><td><small>\u300a\uc1fc\uc640\uc2dc\ub300 \ub3c4\ucfc4\uc758 \ubc31\uac00\uc9c0 \ud48d\uacbd\u300b\uc5d0\uc11c<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.3: Mitsui Building and Mitsukoshi Department Store<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>3.\u4e09\u4e95\u548c\u4e09\u8d8a<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>3. \ubbf8\uc4f0\uc774\uc640 \ubbf8\uc4f0\ucf54\uc2dc<\/small><\/td><td><small>1929<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.4: Oil Tanks in Senju<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>4.\u5343\u4f4f\u6cb9\u7f50\u8857<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>4. \uc13c\uc8fc \uac00\uc2a4 \ud0f1\ud06c \uac70\ub9ac<\/small><\/td><td><small>1930<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.5: Young Leaves and Azaleas in Hibiya Park<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>5.\u65b0\u7eff\u4e0e\u65e5\u6bd4\u8c37\u516c\u56ed\u7684\u675c\u9e43\u82b1<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>5. \uc2e0\ub85d\uacfc \ud788\ube44\uc57c \uacf5\uc6d0\uc758 \ucca0\ucb49<\/small><\/td><td><small>1930<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.16: Vegetable Market in Kanda<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>16.\u795e\u7530\u83dc\u5e02\u573a<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>16. \uac04\ub2e4\uc758 \uccad\uacfc\ubb3c \uc2dc\uc7a5<\/small><\/td><td><small>1931<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.20: The Ferry at Kachidoki, Tsukiji<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>20.\u7b51\u5730\uff0c\u80dc\u54c4\u6865<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>20. \uc4f0\ud0a4\uc9c0 \uac00\uce58\ub3c4\ud0a4\uc758 \ub098\ub8e8\ud130<\/small><\/td><td><small>1931<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.25: Sumida Park in Kototoi, Mukojima<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>25.\u58a8\u7530\u516c\u56ed\u5411\u5c9b\u8a00\u95ee<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>25. \ubb34\ucf54\uc9c0\ub9c8 \uace0\ud1a0\ud1a0\uc774\uc758 \uc2a4\ubbf8\ub2e4 \uacf5\uc6d0<\/small><\/td><td><small>1932<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.30: Hijiri Bridge<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>30.\u5723\u6865<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>30. \ud788\uc9c0\ub9ac\ubc14\uc2dc<\/small><\/td><td><small>1932<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.54: Landscape in Sunamachi Town, Joto Ward<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>54.\u57ce\u4e1c\u533a\u7802\u753a\u98ce\u666f<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>54. \uc870\ud1a0\uad6c \uc2a4\ub098\ub9c8\uce58 \ud48d\uacbd<\/small><\/td><td><small>1934<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.59: Kokugikan Arena During the Spring Sumo Tournament<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>59.\u6625\u573a\u6240\u7684\u56fd\u6280\u9986<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>59. \ubd04\uacbd\uae30 \uad6d\uae30\uc7a5<\/small><\/td><td><small>1935<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.64: Pine Tree at the Zen\u2019yo-ji Temple in Edogawa Ward<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>64.\u6c5f\u6237\u5ddd\u533a\uff0c\u5584\u517b\u5bfa\u7684\u661f\u964d\u677e<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>64. \uc5d0\ub3c4\uac00\uc640\uad6c \uc820\uc694\uc9c0\uc758 \uc18c\ub098\ubb34<\/small><\/td><td><small>1935<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.66: River Festival at Ryogoku<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>66.\u4e24\u56fd\u7684\u5f00\u5ddd\u796d<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>66. \ub8cc\uace0\ucfe0\uc758 \uac00\uc640\ube44\ub77c\ud0a4 \ubd88\uaf43\ub180\uc774<\/small><\/td><td><small>1936<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.87: The International Airport, Haneda<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>87.\u7fbd\u7530\u56fd\u9645\u673a\u573a<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>87. \ud558\ub124\ub2e4 \uad6d\uc81c \ube44\ud589\uc7a5<\/small><\/td><td><small>1937<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.90: Hyokeikan Hall and the Museum, Ueno<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>90.\u4e0a\u91ce\u98ce\u666f\uff0c\u8868\u5e86\u9986\u548c\u7f8e\u672f\u9986<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>90. \uc6b0\uc5d0\ub178 \ud48d\uacbd, \ud6a8\ucf00\uc774\uad00\uacfc \ubbf8\uc220\uad00<\/small><\/td><td><small>1937<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.6: The Drawbridge on the Rinkai Pier, Shibaura<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>6.\u829d\u6d66\u4e34\u6d77\u7801\u5934\u53ef\u52a8\u6865<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>6. \uc2dc\ubc14\uc6b0\ub77c \ub9b0\uce74\uc774 \ubd80\ub450 \ub3c4\uac1c\uad50<\/small><\/td><td><small>1930<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.12: Spring Night on Ginza<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>12.\u6625\u65e5\u94f6\u5ea7\u591c\u666f<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>12. \ubd04\uc758 \uae34\uc790 \uc57c\uacbd<\/small><\/td><td><small>1931<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.15: Sekiguchi, Otaki<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>15.\u5173\u53e3\uff0c\u5927\u6cf7<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>15. \uc138\ud0a4\uad6c\uce58\uc758 \uc624\ud0c0\ud0a4<\/small><\/td><td><small>1931<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.33: Earthquake Memorial Hall in Honjo<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>33.\u672c\u6240\uff0c\u9707\u707e\u7eaa\u5ff5\u5802<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>33. \ud63c\uc8e0\uc758 \uc9c4\uc7ac\uae30\ub150\ub2f9<\/small><\/td><td><small>1932<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.39: Garbage Incineration Plant in Fukagawa<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>39.\u4e1c\u4eac\u6df1\u5ddd\u5783\u573e\u5904\u7406\u5de5\u573a<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>39. \ub3c4\ucfc4 \ud6c4\ucfe0\uac00\uc640 \uc4f0\ub808\uae30 \ucc98\ub9ac \uacf5\uc7a5<\/small><\/td><td><small>1933<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.47: Steamship Landing and Bridges<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>47.\u8f6e\u8239\u5ba2\u8fd0\u7ad9\u548c\u6865\u7684\u98ce\u666f<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>47. \uae30\uc120 \uc815\ub958\uc7a5\uacfc \ub2e4\ub9ac<\/small><\/td><td><small>1934<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.58: Tokyo Chrysanthemum Show at Hibiya Park<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>58.\u65e5\u6bd4\u8c37\u516c\u56ed\uff0c\u4e1c\u4eac\u5e02\u83ca\u82b1\u5927\u4f1a<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>58. \ud788\ube44\uc57c \uacf5\uc6d0\uc758 \ub3c4\ucfc4\uc2dc \uad6d\ud654 \ub300\ud68c<\/small><\/td><td><small>1934<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.60: At the Foot of Sukiyabashi Bridge<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>60.\u6570\u5bc4\u5c4b\u6865\u7554<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>60. \uc2a4\ud0a4\uc57c\ubc14\uc2dc \ubd80\uadfc<\/small><\/td><td><small>1935<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.61: Buildings in Shinjuku<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>61.\u6dc0\u6865\u533a\u65b0\u5bbf\u8857\u666f<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>61. \uc694\ub3c4\ubc14\uc2dc\uad6c \uc2e0\uc8fc\ucfe0 \uac70\ub9ac<\/small><\/td><td><small>1935<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.76: Tokyo Municipal Hall<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>76.\u4e1c\u4eac\u5e02\u653f\u5e9c<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>76. \ub3c4\ucfc4\uc2dc\uccad&nbsp;<\/small><\/td><td><small>1936<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.100: Kabutocho Stock Exchange<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>100.\u515c\u753a\uff0c\u4ea4\u6613\u6240\u8857<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>100. \uac00\ubd80\ud1a0\ucd08 \uac70\ub798\uc18c \uac70\ub9ac&nbsp;<\/small><\/td><td><small>1937<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>No.27 (new version): Togoshi Ginza Station<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>\u6539\u724827.\u6237\u8d8a\u94f6\u5ea7\uff0c\u834f\u539f\u533a<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>\uac1c\uc815\ud310 27. \uc5d0\ubc14\ub77c\uad6c \ub3c4\uace0\uc2dc \uae34\uc790<\/small><\/td><td><small>1940<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>No.20 (new version): Kachidoki Bridge<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6539\u724820.\u80dc\u54c4\u6865<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\uac1c\uc815\ud310 20. \uac00\uce58\ub3c4\ud0a4\ubc14\uc2dc<\/small><\/td><td><small>Date unknown<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AI-MITSU<\/small><\/td><td><small>Lion<\/small><\/td><td><small>\u53c6\u5149<\/small><\/td><td><small>\u72ee\u5b50<\/small><\/td><td><small>\uc544\uc774\ubbf8\uc4f0<\/small><\/td><td><small>\uc0ac\uc790<\/small><\/td><td><small>1936<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASAKURA, Fumio<\/small><\/td><td><small>Looking Up<\/small><\/td><td><small>\u671d\u4ed3\u6587\u592b<\/small><\/td><td><small>\u4ef0\u89c6<\/small><\/td><td><small>\uc544\uc0ac\ucfe0\ub77c \ud6c4\ubbf8\uc624<\/small><\/td><td><small>\uc559\uc2dc<\/small><\/td><td><small>1944<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>INOKUMA, Gen\u2019ichiro<\/small><\/td><td><small>Railroad Construction in a Certain Area<\/small><\/td><td><small>\u732a\u718a\u5f26\u4e00\u90ce<\/small><\/td><td><small>\u25cb\u25cb\u65b9\u5411\u7684\u94c1\u9053\u5efa\u8bbe<\/small><\/td><td><small>\uc774\ub178\ucfe0\ub9c8 \uac90\uc774\uce58\ub85c<\/small><\/td><td><small>\u25cb\u25cb\ubc29\uba74 \ucca0\ub3c4 \uac74\uc124<\/small><\/td><td><small>1944<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUDA, Kunitaro<\/small><\/td><td><small>Walking Eagle<\/small><\/td><td><small>\u987b\u7530\u56fd\u592a\u90ce<\/small><\/td><td><small>\u884c\u8d70\u7684\u9e6b<\/small><\/td><td><small>\uc2a4\ub2e4 \uad6c\ub2c8\ud0c0\ub85c<\/small><\/td><td><small>\uac77\ub294 \ub3c5\uc218\ub9ac<\/small><\/td><td><small>1940<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Airport<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u673a\u573a<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uacf5\ud56d<\/small><\/td><td><small>1937<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOMAKI, Gentaro<\/small><\/td><td><small>Bricks and a Squirrel<\/small><\/td><td><small>\u5c0f\u7267\u6e90\u592a\u90ce<\/small><\/td><td><small>\u79ef\u6728\u548c\u677e\u9f20<\/small><\/td><td><small>\uace0\ub9c8\ud0a4 \uac90\ud0c0\ub85c<\/small><\/td><td><small>\ub098\ubb34 \ube14\ub85d\uacfc \ub2e4\ub78c\uc950<\/small><\/td><td><small>1941<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUKUZAWA, Ichiro<\/small><\/td><td><small>Oxen<\/small><\/td><td><small>\u798f\u6cfd\u4e00\u90ce<\/small><\/td><td><small>\u725b<\/small><\/td><td><small>\ud6c4\ucfe0\uc790\uc640 \uc774\uce58\ub85c<\/small><\/td><td><small>\uc18c<\/small><\/td><td><small>1936<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUJIO, Ryushiro<\/small><\/td><td><small>Mythos, Study for Figures<\/small><\/td><td><small>\u85e4\u5c3e\u9f99\u56db\u90ce<\/small><\/td><td><small>\u795e\u8bdd\uff08\u7fa4\u50cf\u4e60\u4f5c\uff09<\/small><\/td><td><small>\ud6c4\uc9c0\uc624 \ub958\uc2dc\ub85c<\/small><\/td><td><small>\uc2e0\ud654(\uad70\uc0c1 \uc2b5\uc791)<\/small><\/td><td><small>1943<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMASHITA, Kikuji<\/small><\/td><td><small>Salmon and Owl<\/small><\/td><td><small>\u5c71\u4e0b\u83ca\u4e8c<\/small><\/td><td><small>\u9c91\u4e0e\u67ad<\/small><\/td><td><small>\uc57c\ub9c8\uc2dc\ud0c0 \uae30\ucfe0\uc9c0<\/small><\/td><td><small>\uc5f0\uc5b4\uc640 \uc62c\ube7c\ubbf8<\/small><\/td><td><small>1939<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>5<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WADA, Sanzo<\/small><\/td><td><small>Mandara for Rousing Asians<\/small><\/td><td><small>\u548c\u7530\u4e09\u9020<\/small><\/td><td><small>\u5174\u4e9a\u66fc\u837c\u7f57<\/small><\/td><td><small>\uc640\ub2e4 \uc0b0\uc870<\/small><\/td><td><small>\ud765\uc544 \ub9cc\ub2e4\ub77c<\/small><\/td><td><small>1940<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASO, Saburo<\/small><\/td><td><small>Red Sky<\/small><\/td><td><small>\u9ebb\u751f\u4e09\u90ce<\/small><\/td><td><small>\u8d64\u7a7a<\/small><\/td><td><small>\uc544\uc18c \uc0ac\ubd80\ub85c<\/small><\/td><td><small>\ubd89\uc740 \ud558\ub298<\/small><\/td><td><small>1956<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>EBIHARA, Kinosuke<\/small><\/td><td><small>Rainy Day<\/small><\/td><td><small>\u6d77\u8001\u539f\u559c\u4e4b\u52a9<\/small><\/td><td><small>\u96e8\u5929<\/small><\/td><td><small>\uc5d0\ube44\ud558\ub77c \uae30\ub178\uc2a4\ucf00<\/small><\/td><td><small>\ube44\uc624\ub294 \ub0a0<\/small><\/td><td><small>1963<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OYAMADA, Jiro<\/small><\/td><td><small>Dining Table<\/small><\/td><td><small>\u5c0f\u5c71\u7530\u4e8c\u90ce<\/small><\/td><td><small>\u9910\u684c<\/small><\/td><td><small>\uc624\uc57c\ub9c8\ub2e4 \uc9c0\ub85c<\/small><\/td><td><small>\uc2dd\ud0c1<\/small><\/td><td><small>1955<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAZUKI, Yasuo<\/small><\/td><td><small>Carrier<\/small><\/td><td><small>\u9999\u6708\u6cf0\u7537<\/small><\/td><td><small>\u642c\u8fd0\u7684\u4eba<\/small><\/td><td><small>\uac00\uc988\ud0a4 \uc57c\uc2a4\uc624<\/small><\/td><td><small>\ub098\ub974\ub294 \uc0ac\ub78c<\/small><\/td><td><small>1959<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SUGURO, Tadashi<\/small><\/td><td><small>Heavy Moon<\/small><\/td><td><small>\u80dc\u5415\u5fe0<\/small><\/td><td><small>\u91cd\u6708<\/small><\/td><td><small>\uc2a4\uad6c\ub85c \ub2e4\ub2e4\uc2dc<\/small><\/td><td><small>\ubb34\uac70\uc6b4 \ub2ec<\/small><\/td><td><small>1956<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TATEHATA, Kakuzo<\/small><\/td><td><small>Figure<\/small><\/td><td><small>\u5efa\u7560\u89c9\u9020<\/small><\/td><td><small>\u8c8c<\/small><\/td><td><small>\ub2e4\ud14c\ud558\ud0c0 \uac00\ucfe0\uc870<\/small><\/td><td><small>\uc5bc\uad74<\/small><\/td><td><small>1955<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKANO, Jun<\/small><\/td><td><small>Dining Table<\/small><\/td><td><small>\u4e2d\u91ce\u6df3<\/small><\/td><td><small>\u9910\u684c<\/small><\/td><td><small>\ub098\uce74\ub178 \uc900<\/small><\/td><td><small>\uc2dd\ud0c1<\/small><\/td><td><small>1956<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FURUSAWA, Iwami<\/small><\/td><td><small>Mountain Path<\/small><\/td><td><small>\u53e4\u6cfd\u5ca9\u7f8e<\/small><\/td><td><small>\u57ad\u53e3<\/small><\/td><td><small>\ud6c4\ub8e8\uc0ac\uc640 \uc774\uc640\ubbf8<\/small><\/td><td><small>\uace0\uac1c<\/small><\/td><td><small>1952<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASO, Saburo<\/small><\/td><td><small>Lying Man<\/small><\/td><td><small>\u9ebb\u751f\u4e09\u90ce<\/small><\/td><td><small>\u8eba\u7740\u7684\u7537\u4eba<\/small><\/td><td><small>\uc544\uc18c \uc0ac\ubd80\ub85c<\/small><\/td><td><small>\uc790\uace0 \uc788\ub294 \ub0a8\uc790<\/small><\/td><td><small>1963<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHII, Shigeo<\/small><\/td><td><small>People of the Nest<\/small><\/td><td><small>\u77f3\u4e95\u8302\u96c4<\/small><\/td><td><small>\u5de2\u4e2d\u7684\u4eba\u4eec<\/small><\/td><td><small>\uc774\uc2dc\uc774 \uc2dc\uac8c\uc624<\/small><\/td><td><small>\ub465\uc9c0\uc758 \uc0ac\ub78c\ub4e4<\/small><\/td><td><small>1959<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHII, Shigeo<\/small><\/td><td><small>Prisoner<\/small><\/td><td><small>\u77f3\u4e95\u8302\u96c4<\/small><\/td><td><small>\u864f\u56da<\/small><\/td><td><small>\uc774\uc2dc\uc774 \uc2dc\uac8c\uc624<\/small><\/td><td><small>\ud3ec\ub85c<\/small><\/td><td><small>1961<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Chimei<\/small><\/td><td><small>Crowd of the Blind<\/small><\/td><td><small>\u6ee8\u7530\u77e5\u660e<\/small><\/td><td><small>\u7fa4\u76f2<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc9c0\uba54\uc774<\/small><\/td><td><small>\uad70\ub9f9(\u7fa4\u76f2)<\/small><\/td><td><small>1960<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASO, Saburo<\/small><\/td><td><small>Eye C<\/small><\/td><td><small>\u9ebb\u751f\u4e09\u90ce<\/small><\/td><td><small>\u76eeC<\/small><\/td><td><small>\uc544\uc18c \uc0ac\ubd80\ub85c<\/small><\/td><td><small>\ub208 C<\/small><\/td><td><small>1967<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Dump<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u5783\u573e\u573a<\/small><\/td><td><small>\uac00\uc640\ub77c \uc628<\/small><\/td><td><small>\uc4f0\ub808\uae30\uc7a5<\/small><\/td><td><small>1954<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Chimei<\/small><\/td><td><small>Elegy of Raw Recruits: Sentinel<\/small><\/td><td><small>\u6ee8\u7530\u77e5\u660e<\/small><\/td><td><small>\u521d\u5e74\u5175\u54c0\u6b4c\uff08\u6b65\u54e8\uff09<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc9c0\uba54\uc774<\/small><\/td><td><small>\ucd08\ub144\ubcd1 \uc560\uac00(\ubcf4\ucd08)<\/small><\/td><td><small>1951<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>6<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HAMADA, Chimei<\/small><\/td><td><small>Landscape<\/small><\/td><td><small>\u6ee8\u7530\u77e5\u660e<\/small><\/td><td><small>\u98ce\u666f<\/small><\/td><td><small>\ud558\ub9c8\ub2e4 \uc9c0\uba54\uc774<\/small><\/td><td><small>\ud48d\uacbd<\/small><\/td><td><small>1953<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Bruce Nauman<\/small><\/td><td><small>Bouncing in the Corner No.1<\/small><\/td><td><small>\u5e03\u9c81\u65af\u00b7\u7459\u66fc<\/small><\/td><td><small>\u89d2\u843d\u8df3\u8dc3No.1<\/small><\/td><td><small>\ube0c\ub8e8\uc2a4&nbsp; \ub098\uc6b0\ub9cc<\/small><\/td><td><small>\ucf54\ub108\uc5d0\uc11c \ubc14\uc6b4\uc2f1 No.1<\/small><\/td><td><small>1968<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Herg\u00e9 (Georges Remi)<\/small><\/td><td><small>No.43 from Flight 714 to Sydney<\/small><\/td><td><small>\u57c3\u5c14\u70ed\uff08\u4e54\u6cbb\u00b7\u52d2\u7c73\uff09<\/small><\/td><td><small>\u300a714\u822a\u73ed\u300b\u4e4bNo.43<\/small><\/td><td><small>\uc5d0\ub974\uc81c(\uc870\ub974\uc8fc \ub808\ubbf8)<\/small><\/td><td><small>\u201c\uc2dc\ub4dc\ub2c8\ud589 714\ud3b8\u201d \uc911 No.43<\/small><\/td><td><small>1968\/81<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAMOI, Rei<\/small><\/td><td><small>Stand Still Time<\/small><\/td><td><small>\u9e2d\u5c45\u73b2<\/small><\/td><td><small>\u9759\u6b62\u4e4b\u523b<\/small><\/td><td><small>\uac00\ubaa8\uc774 \ub808\uc774<\/small><\/td><td><small>\uc815\uc9c0\ud55c \uc2dc\uac04<\/small><\/td><td><small>1968<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOJIMA, Nobuaki<\/small><\/td><td><small>Boxer<\/small><\/td><td><small>\u5c0f\u5c9b\u4fe1\u660e<\/small><\/td><td><small>\u62f3\u51fb\u9009\u624b<\/small><\/td><td><small>\uace0\uc9c0\ub9c8 \ub178\ubd80\uc544\ud0a4<\/small><\/td><td><small>\ubcf5\uc11c<\/small><\/td><td><small>1968<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOMATSU, Shomei<\/small><\/td><td><small>From Castle<\/small><\/td><td><small>\u4e1c\u677e\u7167\u660e<\/small><\/td><td><small>\u51fa\u81ea\u300a\u57ce\u300b<\/small><\/td><td><small>\ub3c4\ub9c8\uc4f0 \uc1fc\uba54\uc774<\/small><\/td><td><small>\u201c\uc131\u201d\uc5d0\uc11c<\/small><\/td><td><small>1968 (1992 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKANISHI, Natsuyuki<\/small><\/td><td><small>Compact Object: Sinking Scissors<\/small><\/td><td><small>\u4e2d\u897f\u590f\u4e4b<\/small><\/td><td><small>\u5c0f\u578b\u4f5c\u54c1\u3000\u6c89\u6ca1\u7684\u526a\u5200<\/small><\/td><td><small>\ub098\uce74\ub2c8\uc2dc \ub098\uc4f0\uc720\ud0a4<\/small><\/td><td><small>\ucf64\ud329\ud2b8 \uc624\ube0c\uc81c \uac00\ub77c\uc549\ub294 \uac00\uc704<\/small><\/td><td><small>1968<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSHINO, Shingo<\/small><\/td><td><small>White Work, Man<\/small><\/td><td><small>\u661f\u91ce\u771f\u543e<\/small><\/td><td><small>\u767d\u8272\u4f5c\u54c1\uff0c\u7537<\/small><\/td><td><small>\ud638\uc2dc\ub178 \uc2e0\uace0<\/small><\/td><td><small>\ud558\uc580 \uc791\ud488\u30fb\ub0a8\uc790<\/small><\/td><td><small>1968<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MOKUTA, Takeo<\/small><\/td><td><small>Notification<\/small><\/td><td><small>\u6762\u7530\u6b66\u96c4<\/small><\/td><td><small>\u544a\u77e5<\/small><\/td><td><small>\ubaa8\ucfe0\ud0c0 \ub2e4\ucf00\uc624<\/small><\/td><td><small>\uace0\uc9c0<\/small><\/td><td><small>1968<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WATANABE, Katsumi<\/small><\/td><td><small>Barkers, Shinjuku<\/small><\/td><td><small>\u6e21\u8fb9\u514b\u5df3<\/small><\/td><td><small>\u63fd\u5ba2\u7684\u4eba\uff0c\u65b0\u5bbf<\/small><\/td><td><small>\uc640\ud0c0\ub098\ubca0 \uac00\uc4f0\ubbf8<\/small><\/td><td><small>\uc120\uc804\uc6d0, \uc2e0\uc8fc\ucfe0<\/small><\/td><td><small>1968 (2014 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>WATANABE, Katsumi<\/small><\/td><td><small>Bandsmen, Shinjuku<\/small><\/td><td><small>\u6e21\u8fb9\u514b\u5df3<\/small><\/td><td><small>\u4e50\u961f\u5c0f\u5b50\uff0c\u65b0\u5bbf<\/small><\/td><td><small>\uc640\ud0c0\ub098\ubca0 \uac00\uc4f0\ubbf8<\/small><\/td><td><small>\ubc34\ub4dc \ubcf4\uc774, \uc2e0\uc8fc\ucfe0<\/small><\/td><td><small>1968 (c.2005 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Barbara Hepworth<\/small><\/td><td><small>Four Figures Waiting<\/small><\/td><td><small>\u82ad\u82ad\u62c9\u00b7\u8d6b\u666e\u6c83\u65af<\/small><\/td><td><small>\u7b49\u5f85\u7684\u56db\u4e2a\u4eba<\/small><\/td><td><small>\ud5f5\uc6cc\uc2a4 \ubc14\ubc84\ub77c<\/small><\/td><td><small>4 \uba85\uc758 \ud53c\uaddc\uc5b4 \ub300\uae30 \uc911<\/small><\/td><td><small>1968<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAMURA, Akihide<\/small><\/td><td><small>Yokota from BASE<\/small><\/td><td><small>\u7530\u6751\u5f70\u82f1<\/small><\/td><td><small>\u300aBASE\u300b\u4e4b\u201c\u6a2a\u7530\u201d<\/small><\/td><td><small>\ub2e4\ubb34\ub77c \uc544\ud0a4\ud788\ub370<\/small><\/td><td><small>\u201cBASE\u201d\uc5d0\uc11c \uc694\ucf54\ud0c0<\/small><\/td><td><small>1968 (printed later)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAMURA, Akihide<\/small><\/td><td><small>Yokota from BASE<\/small><\/td><td><small>\u7530\u6751\u5f70\u82f1<\/small><\/td><td><small>\u300aBASE\u300b\u4e4b\u201c\u6a2a\u7530\u201d<\/small><\/td><td><small>\ub2e4\ubb34\ub77c \uc544\ud0a4\ud788\ub370<\/small><\/td><td><small>\u201cBASE\u201d\uc5d0\uc11c \uc694\ucf54\ud0c0<\/small><\/td><td><small>1968 (1992 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAMURA, Akihide<\/small><\/td><td><small>Yokota from BASE<\/small><\/td><td><small>\u7530\u6751\u5f70\u82f1<\/small><\/td><td><small>\u300aBASE\u300b\u4e4b\u201c\u6a2a\u7530\u201d<\/small><\/td><td><small>\ub2e4\ubb34\ub77c \uc544\ud0a4\ud788\ub370<\/small><\/td><td><small>\u201cBASE\u201d\uc5d0\uc11c \uc694\ucf54\ud0c0<\/small><\/td><td><small>1968 (1992 print)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>7<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAMURA, Akihide<\/small><\/td><td><small>Yokota from BASE<\/small><\/td><td><small>\u7530\u6751\u5f70\u82f1<\/small><\/td><td><small>\u300aBASE\u300b\u4e4b\u201c\u6a2a\u7530\u201d<\/small><\/td><td><small>\ub2e4\ubb34\ub77c \uc544\ud0a4\ud788\ub370<\/small><\/td><td><small>\u201cBASE\u201d\uc5d0\uc11c \uc694\ucf54\ud0c0<\/small><\/td><td><small>1968 (1992 print)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIUCHI, Miyako<\/small><\/td><td><small>Yasuura from Endless Night<\/small><\/td><td><small>\u77f3\u5185\u90fd<\/small><\/td><td><small>\u300a\u8fde\u591c\u4e4b\u8857\u300b\u4e4b\u201c\u5b89\u6d66\u201d<\/small><\/td><td><small>\uc774\uc2dc\uc6b0\uce58 \ubbf8\uc57c\ucf54<\/small><\/td><td><small>\u201c\uc5f0\uc57c\uc758 \uac70\ub9ac\u201d\uc5d0\uc11c \uc57c\uc2a4\uc6b0\ub77c<\/small><\/td><td><small>1978-80 (1993 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIUCHI, Miyako<\/small><\/td><td><small>Nakamura Red-light District from Endless Night<\/small><\/td><td><small>\u77f3\u5185\u90fd<\/small><\/td><td><small>\u300a\u8fde\u591c\u4e4b\u8857\u300b\u4e4b\u201c\u4e2d\u6751\u6e38\u5ed3\u201d<\/small><\/td><td><small>\uc774\uc2dc\uc6b0\uce58 \ubbf8\uc57c\ucf54<\/small><\/td><td><small>\u201c\uc5f0\uc57c\uc758 \uac70\ub9ac\u201d\uc5d0\uc11c&nbsp; \ub098\uce74\ubb34\ub77c \uc720\uacfd<\/small><\/td><td><small>1978-80 (1993 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIUCHI, Miyako<\/small><\/td><td><small>Tobita-Shinchi from Endless Night<\/small><\/td><td><small>\u77f3\u5185\u90fd<\/small><\/td><td><small>\u300a\u8fde\u591c\u4e4b\u8857\u300b\u4e4b\u201c\u98de\u5929\u65b0\u5730\u201d<\/small><\/td><td><small>\uc774\uc2dc\uc6b0\uce58 \ubbf8\uc57c\ucf54<\/small><\/td><td><small>\u201c\uc5f0\uc57c\uc758 \uac70\ub9ac\u201d\uc5d0\uc11c \ub3c4\ube44\ud0c0 \uc2e0\uce58<\/small><\/td><td><small>1978-80 (1993 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIUCHI, Miyako<\/small><\/td><td><small>Miyagawa-Cho from Endless Night<\/small><\/td><td><small>\u77f3\u5185\u90fd<\/small><\/td><td><small>\u300a\u8fde\u591c\u4e4b\u8857\u300b\u4e4b\u201c\u5bab\u5ddd\u753a\u201d<\/small><\/td><td><small>\uc774\uc2dc\uc6b0\uce58 \ubbf8\uc57c\ucf54<\/small><\/td><td><small>\u201c\uc5f0\uc57c\uc758 \uac70\ub9ac\u201d\uc5d0\uc11c \ubbf8\uc57c\uac00\uc640\ucd08<\/small><\/td><td><small>1978-80 (1993 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ISHIUCHI, Miyako<\/small><\/td><td><small>Noge from Endless Night<\/small><\/td><td><small>\u77f3\u5185\u90fd<\/small><\/td><td><small>\u300a\u8fde\u591c\u4e4b\u8857\u300b\u4e4b\u201c\u91ce\u6bdb\u201d<\/small><\/td><td><small>\uc774\uc2dc\uc6b0\uce58 \ubbf8\uc57c\ucf54<\/small><\/td><td><small>\u201c\uc5f0\uc57c\uc758 \uac70\ub9ac\u201d\uc5d0\uc11c \ub178\uac8c<\/small><\/td><td><small>1978-80 (1993 print)<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATSURA, Yuki (Yukiko)<\/small><\/td><td><small>Work<\/small><\/td><td><small>\u6842\u96ea\uff08\u96ea\u5b50\uff09<\/small><\/td><td><small>\u4f5c\u54c1<\/small><\/td><td><small>\uac00\uc4f0\ub77c \uc720\ud0a4(\uc720\ud0a4\ucf54)<\/small><\/td><td><small>\uc791\ud488<\/small><\/td><td><small>1978-79<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANNO, Seiko<\/small><\/td><td><small>Work<\/small><\/td><td><small>\u83c5\u91ce\u5723\u5b50<\/small><\/td><td><small>\u4f5c\u54c1<\/small><\/td><td><small>\uac04\ub178 \uc138\uc774\ucf54<\/small><\/td><td><small>\uc791\ud488<\/small><\/td><td><small>c.1970<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANNO, Seiko<\/small><\/td><td><small>Eulogy on Vowels 4<\/small><\/td><td><small>\u83c5\u91ce\u5723\u5b50<\/small><\/td><td><small>\u6bcd\u97f3\u98824<\/small><\/td><td><small>\uac04\ub178 \uc138\uc774\ucf54<\/small><\/td><td><small>\ubaa8\uc74c\uc1a1(\u6bcd\u97f3\u980c) 4<\/small><\/td><td><small>1973<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KINOSHITA, Kazuyo<\/small><\/td><td><small>\u201979-38-A<\/small><\/td><td><small>\u6728\u4e0b\u4f73\u901a\u4ee3<\/small><\/td><td><small>79-38-A<\/small><\/td><td><small>\uae30\ub178\uc2dc\ud0c0 \uac00\uc988\uc694<\/small><\/td><td><small>79-38-A<\/small><\/td><td><small>1979<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KINOSHITA, Kazuyo<\/small><\/td><td><small>Compass \u201977-I<\/small><\/td><td><small>\u6728\u4e0b\u4f73\u901a\u4ee3<\/small><\/td><td><small>\u5706\u89c4\u201977-I<\/small><\/td><td><small>\uae30\ub178\uc2dc\ud0c0 \uac00\uc988\uc694<\/small><\/td><td><small>\ucef4\ud37c\uc2a4&nbsp; \u201977-I<\/small><\/td><td><small>1977<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KINOSHITA, Kazuyo<\/small><\/td><td><small>\u201979-40-A<\/small><\/td><td><small>\u6728\u4e0b\u4f73\u901a\u4ee3<\/small><\/td><td><small>\u201979-40-A<\/small><\/td><td><small>\uae30\ub178\uc2dc\ud0c0 \uac00\uc988\uc694<\/small><\/td><td><small>\u201979-40-A<\/small><\/td><td><small>1979<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAKAGAMI, Chiyuki<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u5742\u4e0aChiyuki<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc0ac\uce74\uac00\ubbf8 \uc9c0\uc720\ud0a4<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>c.1980<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAKAGAMI, Chiyuki<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u5742\u4e0aChiyuki<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc0ac\uce74\uac00\ubbf8 \uc9c0\uc720\ud0a4<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>c.1980<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAKAGAMI, Chiyuki<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u5742\u4e0aChiyuki<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc0ac\uce74\uac00\ubbf8 \uc9c0\uc720\ud0a4<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>c.1980<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAKAGAMI, Chiyuki<\/small><\/td><td><small>In Search of the Supernatural 7<\/small><\/td><td><small>\u5742\u4e0aChiyuki<\/small><\/td><td><small>\u641c\u795e7<\/small><\/td><td><small>\uc0ac\uce74\uac00\ubbf8 \uc9c0\uc720\ud0a4<\/small><\/td><td><small>\uc218\uc2e0(\u635c\u795e) 7<\/small><\/td><td><small>1984<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAKAGAMI, Chiyuki<\/small><\/td><td><small>Frozen King<\/small><\/td><td><small>\u5742\u4e0aChiyuki<\/small><\/td><td><small>\u51b0\u51bb\u738b\u8005<\/small><\/td><td><small>\uc0ac\uce74\uac00\ubbf8 \uc9c0\uc720\ud0a4<\/small><\/td><td><small>\uc5bc\uc5b4 \ubd99\uc740 \uc655<\/small><\/td><td><small>1982<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SAKAGAMI, Chiyuki<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u5742\u4e0aChiyuki<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uc0ac\uce74\uac00\ubbf8 \uc9c0\uc720\ud0a4<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>c.1982<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TATSUNO, Toeko<\/small><\/td><td><small>UNTITLED-35<\/small><\/td><td><small>\u8fb0\u91ce\u767b\u60e0\u5b50<\/small><\/td><td><small>UNTITLED-35<\/small><\/td><td><small>\ub2e4\uc4f0\ub178 \ub3c4\uc5d0\ucf54<\/small><\/td><td><small>UNTITLED-35<\/small><\/td><td><small>1974<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TATSUNO, Toeko<\/small><\/td><td><small>UNTITLED-24<\/small><\/td><td><small>\u8fb0\u91ce\u767b\u60e0\u5b50<\/small><\/td><td><small>UNTITLED-24<\/small><\/td><td><small>\ub2e4\uc4f0\ub178 \ub3c4\uc5d0\ucf54<\/small><\/td><td><small>UNTITLED-24<\/small><\/td><td><small>1974<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TATSUNO, Toeko<\/small><\/td><td><small>UNTITLED-28<\/small><\/td><td><small>\u8fb0\u91ce\u767b\u60e0\u5b50<\/small><\/td><td><small>UNTITLED-28<\/small><\/td><td><small>\ub2e4\uc4f0\ub178 \ub3c4\uc5d0\ucf54<\/small><\/td><td><small>UNTITLED-28<\/small><\/td><td><small>1974<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIYAWAKI, Aiko<\/small><\/td><td><small>Scroll Painting, White<\/small><\/td><td><small>\u5bab\u80c1\u7231\u5b50<\/small><\/td><td><small>\u5377\u8f74\u753b\uff0c\u767d<\/small><\/td><td><small>\ubbf8\uc57c\uc640\ud0a4 \uc544\uc774\ucf54<\/small><\/td><td><small>\ub450\ub8e8\ub9c8\ub9ac \uadf8\ub9bc, \ubc31<\/small><\/td><td><small>1975<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MIYAWAKI, Aiko<\/small><\/td><td><small>Scroll Painting, Black<\/small><\/td><td><small>\u5bab\u80c1\u7231\u5b50<\/small><\/td><td><small>\u5377\u8f74\u753b\uff0c\u9ed1<\/small><\/td><td><small>\ubbf8\uc57c\uc640\ud0a4 \uc544\uc774\ucf54<\/small><\/td><td><small>\ub450\ub8e8\ub9c8\ub9ac \uadf8\ub9bc, \ud751<\/small><\/td><td><small>1976<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u5c71\u6751\u96c5\u662d<\/small><\/td><td><small>\u51fa\u81ea\u300a\u690d\u7269\u300b<\/small><\/td><td><small>\uc57c\ub9c8\ubb34\ub77c \uac00\uc1fc<\/small><\/td><td><small>&nbsp;\u2018\uc2dd\ubb3c\uc5d0\u2019\ub85c\ubd80\ud130<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAMURA, Gasho<\/small><\/td><td><small>From Plants<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1974-75<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.1<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c11<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud4881<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.3<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c13<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud4883<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.6<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c16<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud4886<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.16<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c116<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud48816<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.17<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c117<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud48817<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.18<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c118<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud48818<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.19<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c119<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud48819<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.29<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c129<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud48829<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.32<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c132<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud48832<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.33<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c133<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud48833<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.38<\/small><\/td><td><small>\u7ec6\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8537\u8587\u5211&nbsp; \u4f5c\u54c138<\/small><\/td><td><small>\ud638\uc18c\uc5d0 \uc5d0\uc774\ucf54<\/small><\/td><td><small>\uc7a5\ubbf8\ud615 \uc791\ud48838<\/small><\/td><td><small>1961 (printed later)<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAKAMI, Ryoka<\/small><\/td><td><small>Railroad<\/small><\/td><td><small>\u5ddd\u4e0a\u51c9\u82b1<\/small><\/td><td><small>\u94c1\u8def<\/small><\/td><td><small>\uac00\uc640\uce74\ubbf8 \ub8cc\uce74<\/small><\/td><td><small>\ucca0\ub85c<\/small><\/td><td><small>1912<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUME, Keiichiro<\/small><\/td><td><small>An Island Brehat<\/small><\/td><td><small>\u4e45\u7c73\u6842\u4e00\u90ce<\/small><\/td><td><small>\u5e03\u96f7\u963f\u5c9b<\/small><\/td><td><small>\uad6c\uba54 \uac8c\uc774\uce58\ub85c<\/small><\/td><td><small>\ube0c\ub808\uc544 \uc12c<\/small><\/td><td><small>1891<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOSUGI, Hoan (Misei)<\/small><\/td><td><small>Waterside Village<\/small><\/td><td><small>\u5c0f\u6749\u653e\u83f4\uff08\u672a\u9192\uff09<\/small><\/td><td><small>\u6c34\u4e61<\/small><\/td><td><small>\uace0\uc2a4\uae30 \ud638\uc548<\/small><br><small>(\ubbf8\uc138\uc774)<\/small><\/td><td><small>\uc218\ud5a5<\/small><\/td><td><small>1911<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHINKAI, Taketaro<\/small><\/td><td><small>Bathing<\/small><\/td><td><small>\u65b0\u6d77\u7af9\u592a\u90ce<\/small><\/td><td><small>\u6c90\u6d74<\/small><\/td><td><small>\uc2e0\uce74\uc774 \ub2e4\ucf00\ud0c0\ub85c<\/small><\/td><td><small>\ubaa9\uc695<\/small><\/td><td><small>1907<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0005<\/small><\/td><td><small>SHINKAI, Taketaro<\/small><\/td><td><small>Bathing<\/small><\/td><td><small>\u65b0\u6d77\u7af9\u592a\u90ce<\/small><\/td><td><small>\u6c90\u6d74<\/small><\/td><td><small>\uc2e0\uce74\uc774 \ub2e4\ucf00\ud0c0\ub85c<\/small><\/td><td><small>\ubaa9\uc695<\/small><\/td><td><small>1907<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NAKAGAWA, Hachiro<\/small><\/td><td><small>Wild Roses<\/small><\/td><td><small>\u4e2d\u5ddd\u516b\u90ce<\/small><\/td><td><small>\u91ce\u8537\u8587<\/small><\/td><td><small>\ub098\uce74\uac00\uc640 \ud558\uce58\ub85c<\/small><\/td><td><small>\ub4e4\uc7a5\ubbf8<\/small><\/td><td><small>1909<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMASHITA, Shintaro<\/small><\/td><td><small>Woman at Her Shoes<\/small><\/td><td><small>\u5c71\u4e0b\u65b0\u592a\u90ce<\/small><\/td><td><small>\u9774\u5b50\u5973\u4eba<\/small><\/td><td><small>\uc57c\ub9c8\uc2dc\ud0c0 \uc2e0\ud0c0\ub85c<\/small><\/td><td><small>\uad6c\ub450 \uc2e0\uc740 \uc5ec\uc778<\/small><\/td><td><small>1910<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0017<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Nude Beauty<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u88f8\u4f53\u7f8e\u4eba<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\ub098\uccb4 \ubbf8\uc778<\/small><\/td><td><small>1912<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0004<\/small><\/td><td><small>WADA, Sanzo<\/small><\/td><td><small>South Wind<\/small><\/td><td><small>\u548c\u7530\u4e09\u9020<\/small><\/td><td><small>\u5357\u98ce<\/small><\/td><td><small>\uc640\ub2e4 \uc0b0\uc870<\/small><\/td><td><small>\ub0a8\ucabd \ubc14\ub78c<\/small><\/td><td><small>1907<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AKAGI, Yasunobu<\/small><\/td><td><small>White Sand<\/small><\/td><td><small>\u8d64\u57ce\u6cf0\u8212<\/small><\/td><td><small>\u767d\u6c99<\/small><\/td><td><small>\uc544\uce74\uae30 \uc57c\uc2a4\ub178\ubd80<\/small><\/td><td><small>\ud770 \ubaa8\ub798<\/small><\/td><td><small>1912<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OSHITA, Tojiro<\/small><\/td><td><small>Foot of Mt. Hotaka<\/small><\/td><td><small>\u5927\u4e0b\u85e4\u6b21\u90ce<\/small><\/td><td><small>\u7a42\u9ad8\u5c71\u4e4b\u9e93<\/small><\/td><td><small>\uc624\uc2dc\ud0c0 \ub3c4\uc9c0\ub85c<\/small><\/td><td><small>\ud638\ud0c0\uce74\uc0b0\uc758 \uae30\uc2ad<\/small><\/td><td><small>1907<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KAWAI, Gyokudo<\/small><\/td><td><small>New Moon<\/small><\/td><td><small>\u5ddd\u5408\u7389\u5802<\/small><\/td><td><small>\u9634\u5386\u4e8c\u65e5\u6708<\/small><\/td><td><small>\uac00\uc640\uc774 \uad50\ucfe0\ub3c4<\/small><\/td><td><small>\ucd08\uc2b9\ub2ec<\/small><\/td><td><small>1907<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOSAKA, Shiden<\/small><\/td><td><small>Green Dale<\/small><\/td><td><small>\u5c0f\u5742\u829d\u7530<\/small><\/td><td><small>\u6eaa\u5c71\u79ef\u7fe0<\/small><\/td><td><small>\uace0\uc0ac\uce74 \uc2dc\ub374<\/small><\/td><td><small>\ucd08\ub85d\ube5b \uacc4\uace1<\/small><\/td><td><small>1911<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SHIMOMURA, Kanzan<\/small><\/td><td><small>Diogenes<\/small><\/td><td><small>\u4e0b\u6751\u89c2\u5c71<\/small><\/td><td><small>\u7b2c\u6b27\u6839\u5c3c<\/small><\/td><td><small>\uc2dc\ubaa8\ubb34\ub77c \uac04\uc794<\/small><\/td><td><small>\ub514\uc624\uac8c\ub124\uc2a4<\/small><\/td><td><small>1903<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKEUCHI, Seiho<\/small><\/td><td><small>After a Shower<\/small><\/td><td><small>\u7af9\u5185\u6816\u51e4<\/small><\/td><td><small>\u96e8\u8fc7\u5929\u6674<\/small><\/td><td><small>\ub2e4\ucf00\uc6b0\uce58 \uc138\uc774\ud638<\/small><\/td><td><small>\ube44\uac00 \uc628 \ub4a4<\/small><\/td><td><small>1907<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>0018<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Island Women<\/small><\/td><td><small>\u571f\u7530\u9ea6\u50ca<\/small><\/td><td><small>\u5c9b\u4e0a\u7684\u5973\u5b50<\/small><\/td><td><small>\uc4f0\uce58\ub2e4 \ubc14\ucfe0\uc13c<\/small><\/td><td><small>\uc12c \uc5ec\uc778<\/small><\/td><td><small>1912<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOBARI, Kogan<\/small><\/td><td><small>Fresh Verdure at Nippori<\/small><\/td><td><small>\u6237\u5f20\u5b64\u96c1<\/small><\/td><td><small>\u65e5\u66ae\u91cc\u65b0\u7eff<\/small><\/td><td><small>\ub3c4\ubc14\ub9ac \uace0\uac04<\/small><\/td><td><small>\ub2db\ubf40\ub9ac\uc758 \uc2e0\ub85d<\/small><\/td><td><small>c.1907-1912<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HISHIDA, Shunso<\/small><\/td><td><small>Lin Hejing [the Chinese poet]<\/small><\/td><td><small>\u83f1\u7530\u6625\u8349<\/small><\/td><td><small>\u6797\u548c\u9756<\/small><\/td><td><small>\ud788\uc2dc\ub2e4 \uc28c\uc18c<\/small><\/td><td><small>\uc784\ud654\uc815<\/small><\/td><td><small>c.1900-1901<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MINAMI, Kunzo<\/small><\/td><td><small>Girl Seated by the Water<\/small><\/td><td><small>\u5357\u85b0\u9020<\/small><\/td><td><small>\u6c34\u8fb9\u7684\u5c11\u5973<\/small><\/td><td><small>\ubbf8\ub098\ubbf8 \uad70\uc870<\/small><\/td><td><small>\ubb3c\uac00\uc758 \uc18c\ub140<\/small><\/td><td><small>1908<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAUCHI, Tamon<\/small><\/td><td><small>Summer from Four Seasons in the Nikko Mountains<\/small><\/td><td><small>\u5c71\u5185\u591a\u95e8<\/small><\/td><td><small>\u65e5\u5149\u5c71\u56db\u5b63\uff08\u590f\uff09<\/small><\/td><td><small>\uc57c\ub9c8\uc6b0\uce58 \ub2e4\ubaac<\/small><\/td><td><small>\ub2db\ucf54\uc0b0\uc758 \uc0ac\uacc4 (\uc5ec\ub984)<\/small><\/td><td><small>1911<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Hiroshi<\/small><\/td><td><small>Nishinohashi Bridge,Yozawa<\/small><\/td><td><small>\u5409\u7530\u535a<\/small><\/td><td><small>\u517b\u6cfd \u897f\u4e4b\u6865<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\uc694\uc790\uc640 \ub2c8\uc2dc\ub178\ud558\uc2dc<\/small><\/td><td><small>1896<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Fujio<\/small><\/td><td><small>Fuchu on a National Holiday<\/small><\/td><td><small>\u5409\u7530\u85e4\u8fdc<\/small><\/td><td><small>\u56fd\u6c11\u8282\u65e5\u7684\u5e9c\u4e2d<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud6c4\uc9c0\uc624<\/small><\/td><td><small>\ud734\uc77c\uc758 \ud6c4\uce04<\/small><\/td><td><small>1902-03<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/07\/29<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>ASAI, Chu<\/small><\/td><td><small>Scene in a Mountain Village<\/small><\/td><td><small>\u6d45\u4e95\u5fe0<\/small><\/td><td><small>\u5c71\u6751\u98ce\u666f<\/small><\/td><td><small>\uc544\uc0ac\uc774 \uce04<\/small><\/td><td><small>\uc0b0\ucd0c\ud48d\uacbd<\/small><\/td><td><small>1887<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Flute<\/small><\/td><td><small>\u4eca\u6751\u7d2b\u7ea2<\/small><\/td><td><small>\u7b1b<\/small><\/td><td><small>\uc774\ub9c8\ubb34\ub77c \uc2dc\ucf54<\/small><\/td><td><small>\ud53c\ub9ac<\/small><\/td><td><small>c.1900<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OTAKE, Kokkan<\/small><\/td><td><small>Alarmed<\/small><\/td><td><small>\u5c3e\u7af9\u56fd\u89c2<\/small><\/td><td><small>\u758f\u5ffd<\/small><\/td><td><small>\uc624\ud0c0\ucf00 \uacf3\uce78<\/small><\/td><td><small>\ubc29\uc2ec<\/small><\/td><td><small>1909<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KANOKOGI, Takeshiro<\/small><\/td><td><small>Country Road<\/small><\/td><td><small>\u9e7f\u5b50\u5b5f\u592a\u90ce<\/small><\/td><td><small>\u4e61\u95f4\u7684\u8def<\/small><\/td><td><small>\uac00\ub178\ucf54\uae30 \ub2e4\ucf00\uc2dc\ub85c<\/small><\/td><td><small>\uc2dc\uace8\uae38<\/small><\/td><td><small>c.1895<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HASHIMOTO, Gaho<\/small><\/td><td><small>The Isle of Eternal Youth<\/small><\/td><td><small>\u6865\u672c\u96c5\u90a6<\/small><\/td><td><small>\u84ec\u83b1\u5c71<\/small><\/td><td><small>\ud558\uc2dc\ubaa8\ud1a0 \uac00\ud638<\/small><\/td><td><small>\ubd09\ub798\uc0b0<\/small><\/td><td><small>c.1903-07<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOMIOKA, Tessai<\/small><\/td><td><small>Dong-po Going Home Drunken<\/small><\/td><td><small>\u5bcc\u5188\u94c1\u658b<\/small><\/td><td><small>\u4e1c\u5761\u9189\u5f52\u56fe<\/small><\/td><td><small>\ub3c4\ubbf8\uc624\uce74 \ub383\uc0ac\uc774<\/small><\/td><td><small>\ub3d9\ud30c\ucde8\uadc0\ub3c4<\/small><\/td><td><small>c.1907<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TOMIOKA, Tessai<\/small><\/td><td><small>Enchanted Land, Penglaishan<\/small><\/td><td><small>\u5bcc\u5188\u94c1\u658b<\/small><\/td><td><small>\u84ec\u83b1\u4ed9\u5883\u56fe<\/small><\/td><td><small>\ub3c4\ubbf8\uc624\uce74 \ub383\uc0ac\uc774<\/small><\/td><td><small>\ubd09\ub798\uc120\uacbd\ub3c4<\/small><\/td><td><small>1924<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HIRATA, Shodo<\/small><\/td><td><small>Autumn in the Trees<\/small><\/td><td><small>\u5e73\u7530\u677e\u5802<\/small><\/td><td><small>\u6811\u6728\u4e4b\u79cb<\/small><\/td><td><small>\ud788\ub77c\ud0c0 \uc1fc\ub3c4<\/small><\/td><td><small>\ub098\ubb34\ub4e4\uc758 \uac00\uc744<\/small><\/td><td><small>1912<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>MARUYAMA, Banka<\/small><\/td><td><small>The Highlands in the Fog<\/small><\/td><td><small>\u4e38\u5c71\u665a\u971e<\/small><\/td><td><small>\u96fe\u4e4b\u9ad8\u539f<\/small><\/td><td><small>\ub9c8\ub8e8\uc57c\ub9c8 \ubc18\uce74<\/small><\/td><td><small>\uc548\uac1c\uc758 \uace0\uc6d0<\/small><\/td><td><small>c.1905<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAUCHI, Tamon<\/small><\/td><td><small>Autumn from Four Seasons in the Nikko Mountains<\/small><\/td><td><small>\u5c71\u5185\u591a\u95e8<\/small><\/td><td><small>\u65e5\u5149\u5c71\u56db\u5b63\uff08\u79cb\uff09<\/small><\/td><td><small>\uc57c\ub9c8\uc6b0\uce58 \ub2e4\ubaac<\/small><\/td><td><small>\ub2db\ucf54\uc0b0\uc758 \uc0ac\uacc4 (\uac00\uc744)<\/small><\/td><td><small>1911<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YAMAZAKI, Choun<\/small><\/td><td><small>Takaogami [the goddess of rain]<\/small><\/td><td><small>\u5c71\u5d0e\u671d\u4e91<\/small><\/td><td><small>\u9747\uff08\u9ad8\u9747\u795e\uff09<\/small><\/td><td><small>\uc57c\ub9c8\uc790\ud0a4 \uc870\uc6b4<\/small><\/td><td><small>\ub2e4\uce74\uc624\uac00\ubbf8<\/small><\/td><td><small>1911<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YUKI, Somei<\/small><\/td><td><small>Bird Twittering<\/small><\/td><td><small>\u7ed3\u57ce\u7d20\u660e<\/small><\/td><td><small>\u9e1f\u9e23<\/small><\/td><td><small>\uc720\ud0a4 \uc18c\uba54\uc774<\/small><\/td><td><small>\uc0c8\uc18c\ub9ac<\/small><\/td><td><small>1911<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Hiroshi<\/small><\/td><td><small>Crescent<\/small><\/td><td><small>\u5409\u7530\u535a<\/small><\/td><td><small>\u65b0\u6708<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud788\ub85c\uc2dc<\/small><\/td><td><small>\ucd08\uc2b9\ub2ec<\/small><\/td><td><small>1907<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YOSHIDA, Fujio<\/small><\/td><td><small>Green Garden<\/small><\/td><td><small>\u5409\u7530\u85e4\u8fdc<\/small><\/td><td><small>\u7eff\u5ead<\/small><\/td><td><small>\uc694\uc2dc\ub2e4 \ud6c4\uc9c0\uc624<\/small><\/td><td><small>\ucd08\ub85d \uc815\uc6d0<\/small><\/td><td><small>1912<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>10<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YONEHARA, Unkai<\/small><\/td><td><small>The Elixir of Life<\/small><\/td><td><small>\u7c73\u539f\u4e91\u6d77<\/small><\/td><td><small>\u4ed9\u4e39<\/small><\/td><td><small>\uc694\ub124\ud558\ub77c \uc6b4\uce74\uc774<\/small><\/td><td><small>\uc120\ub2e8<\/small><\/td><td><small>1910<\/small><\/td><td><small>2018\/07\/31<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>FUNAKOSHI, Yasutake<\/small><\/td><td><small>Haranojo Castle<\/small><\/td><td><small>\u821f\u8d8a\u4fdd\u6b66<\/small><\/td><td><small>\u539f\u4e4b\u57ce<\/small><\/td><td><small>\ud6c4\ub098\ucf54\uc2dc \uc57c\uc2a4\ud0c0\ucf00<\/small><\/td><td><small>\ud558\ub77c\ub178\uc870, \uc131 \/ \ud558\ub77c\ub178 \uc131\uc758 \ubb34\uc778<\/small><\/td><td><small>1971<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>3F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>YANAGIHARA, Yoshitatsu<\/small><\/td><td><small>Song of the Dog<\/small><\/td><td><small>\u67f3\u539f\u4e49\u8fbe<\/small><\/td><td><small>\u72ac\u4e4b\u6b4c<\/small><\/td><td><small>\uc57c\ub098\uae30\ud558\ub77c \uc694\uc2dc\ud0c0\uc4f0<\/small><\/td><td><small>\uac1c \uc9d6\ub294 \uc18c\ub9ac<\/small><\/td><td><small>1961<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KATO, Izumi<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u52a0\u85e4\u6cc9<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\uac00\ud1a0 \uc774\uc988\ubbf8<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>2016<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Miriam Cahn<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>\u7c73\u745e\u5b89\u00b7\u574e<\/small><\/td><td><small>\u65e0\u9898<\/small><\/td><td><small>\ubbf8\ub9ac\uc554 \uce78<\/small><\/td><td><small>\ubb34\uc81c<\/small><\/td><td><small>2016<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUNIYOSHI, Yasuo<\/small><\/td><td><small>Three Generations<\/small><\/td><td><small>\u56fd\u5409\u5eb7\u96c4<\/small><\/td><td><small>\u4e09\u4ee3<\/small><\/td><td><small>\uad6c\ub2c8\uc694\uc2dc \uc57c\uc2a4\uc624<\/small><\/td><td><small>\uc0bc\uc138\ub300<\/small><\/td><td><small>1918-20<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Masato<\/small><\/td><td><small>Education (to Make Light)<\/small><\/td><td><small>\u5c0f\u6797\u6b63\u4eba<\/small><\/td><td><small>\u6559\u80b2\uff08to Make Light\uff09<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \ub9c8\uc0ac\ud1a0<\/small><\/td><td><small>\uad50\uc721\uff08to Make Light\uff09<\/small><\/td><td><small>1998<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KOBAYASHI, Masato<\/small><\/td><td><small>Education (to Make Light)<\/small><\/td><td><small>\u5c0f\u6797\u6b63\u4eba<\/small><\/td><td><small>\u6559\u80b2\uff08to Make Light\uff09<\/small><\/td><td><small>\uace0\ubc14\uc57c\uc2dc \ub9c8\uc0ac\ud1a0<\/small><\/td><td><small>\uad50\uc721\uff08to Make Light\uff09<\/small><\/td><td><small>1998<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shooshie Sulaiman<\/small><\/td><td><small>In Between Values (Antara Nilai)<\/small><\/td><td><small>\u82cf\u897f\u00b7\u82cf\u83b1\u66fc<\/small><\/td><td><small>\u4ef7\u503c\u7684\u95f4\u9699\uff08Antara Nilai\uff09<\/small><\/td><td><small>\uc288\uc2dc \uc220\ub77c\uc774\ub9cc<\/small><\/td><td><small>\uac00\uce58\uc758 \uc0ac\uc774\uff08Antara Nilai\uff09<\/small><\/td><td><small>2013<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shooshie Sulaiman<\/small><\/td><td><small>Banana Institution (Institusi Pisang)<\/small><\/td><td><small>\u82cf\u897f\u00b7\u82cf\u83b1\u66fc<\/small><\/td><td><small>\u9999\u8549\u673a\u6784\uff08Institusi Pisang\uff09<\/small><\/td><td><small>\uc288\uc2dc \uc220\ub77c\uc774\ub9cc<\/small><\/td><td><small>\ubc14\ub098\ub098 \uc778\uc2a4\ud2f0\ud29c\uc158\uff08Institusi Pisang\uff09<\/small><\/td><td><small>2013<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shooshie Sulaiman<\/small><\/td><td><small>Country (Negara)<\/small><\/td><td><small>\u82cf\u897f\u00b7\u82cf\u83b1\u66fc<\/small><\/td><td><small>\u56fd\uff08Negara\uff09<\/small><\/td><td><small>\uc288\uc2dc \uc220\ub77c\uc774\ub9cc<\/small><\/td><td><small>\ub098\ub77c\uff08Negara\uff09<\/small><\/td><td><small>2012-13<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>SEIMIYA, Naobumi<\/small><\/td><td><small>Leave Taking<\/small><\/td><td><small>\u6e05\u5bab\u8d28\u6587<\/small><\/td><td><small>\u544a\u522b<\/small><\/td><td><small>\uc138\uc774\ubbf8\uc57c \ub098\uc624\ubd80\ubbf8<\/small><\/td><td><small>\uace0\ubcc4<\/small><\/td><td><small>1974<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>NARA, Yoshitomo<\/small><\/td><td><small>Harmless Kitty<\/small><\/td><td><small>\u5948\u826f\u7f8e\u667a<\/small><\/td><td><small>Harmless Kitty<\/small><\/td><td><small>\ub098\ub77c \uc694\uc2dc\ud1a0\ubaa8<\/small><\/td><td><small>Harmless Kitty<\/small><\/td><td><small>1994<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>HASEKAWA, Toshiyuki<\/small><\/td><td><small>Woman of Noa-Noa<\/small><\/td><td><small>\u9577\u8c37\u5ddd\u5229\u884c<\/small><\/td><td><small>\u8bfa\u963f\u8bfa\u963f\u7684\u5973\u5b50<\/small><\/td><td><small>\ud558\uc138\uce74\uc640 \ub3c4\uc2dc\uc720\ud0a4<\/small><\/td><td><small>\ub178\uc544\ub178\uc544\uc758 \uc5ec\uc778<\/small><\/td><td><small>1937<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>0089<\/small><\/td><td><small>Georg Baselitz<\/small><\/td><td><small>Self-Portrait I<\/small><\/td><td><small>\u683c\u5965\u5c14\u683c\u00b7\u5df4\u6cfd\u5229\u8328<\/small><\/td><td><small>\u81ea\u753b\u50cfI<\/small><\/td><td><small>\uac8c\uc624\ub974\uadf8 \ubc14\uc824\ub9ac\uce20<\/small><\/td><td><small>\uc790\ud654\uc0c11<\/small><\/td><td><small>1996<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>11<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Markus L\u00fcpertz<\/small><\/td><td><small>Head of Hera<\/small><\/td><td><small>\u9a6c\u5e93\u65af\u00b7\u5415\u4f69\u5c14\u5179<\/small><\/td><td><small>\u8d6b\u62c9\u7684\u5934\u90e8<\/small><\/td><td><small>\ub9c8\ub974\ucfe0\uc2a4 \ub93c\ud398\ub974\uce20<\/small><\/td><td><small>\ud5e4\ub77c\uc758 \uba38\ub9ac<\/small><\/td><td><small>2003<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>AKASEGAWA, Gempei<\/small><\/td><td><small>Prophecy of a Patient (Glass Egg)<\/small><\/td><td><small>\u8d64\u6fd1\u5ddd\u539f\u5e73<\/small><\/td><td><small>\u60a3\u8005\u7684\u9884\u8a00\uff08\u73bb\u7483\u86cb\uff09<\/small><\/td><td><small>\uc544\uce74\uc138\uac00\uc640 \uac90\ud398\uc774<\/small><\/td><td><small>\ud658\uc790\uc758 \uc608\uc5b8(\uc720\ub9ac \uc54c)<\/small><\/td><td><small>1962\/94<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Josef Albers<\/small><\/td><td><small>Homage to the Square<\/small><\/td><td><small>\u7ea6\u745f\u592b\u00b7\u4e9a\u4f2f\u65af<\/small><\/td><td><small>\u6b63\u65b9\u5f62\u8d5e\u6b4c<\/small><\/td><td><small>\uc870\uc81c\ud504 \uc568\ubc84\uc2a4<\/small><\/td><td><small>\uc815\uc0ac\uac01\ud615\uc5d0 \ubc14\uce58\ub294 \uacbd\uc758<\/small><\/td><td><small>1959<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>OHTAKE, Shinro<\/small><\/td><td><small>Torso and Guitar<\/small><\/td><td><small>\u5927\u7af9\u4f38\u6717<\/small><\/td><td><small>\u80f4\u4f53\u548c\u5409\u4ed6<\/small><\/td><td><small>\uc624\ud0c0\ucf00 \uc2e0\ub85c<\/small><\/td><td><small>Torso and Guitar<\/small><\/td><td><small>1988<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Alexander Calder<\/small><\/td><td><small>The Monster<\/small><\/td><td><small>\u4e9a\u5386\u5c71\u5927\u00b7\u8003\u5c14\u5fb7<\/small><\/td><td><small>\u602a\u7269<\/small><\/td><td><small>\uc54c\ub809\uc0b0\ub354 \uce7c\ub354<\/small><\/td><td><small>\ubaac\uc2a4\ud130<\/small><\/td><td><small>c.1939<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Tony Cragg<\/small><\/td><td><small>The Meter<\/small><\/td><td><small>\u6258\u5c3c\u00b7\u514b\u62c9\u683c<\/small><\/td><td><small>\u8ba1\u91cf\u5668<\/small><\/td><td><small>\ud1a0\ub2c8 \ud06c\ub799<\/small><\/td><td><small>\ubbf8\ud130(\uacc4\uce21\uae30)<\/small><\/td><td><small>2003<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KUWAYAMA, Tadaaki<\/small><\/td><td><small>GOLD,SILVER AND GOLD<\/small><\/td><td><small>\u6851\u5c71\u5fe0\u660e<\/small><\/td><td><small>GOLD, SILVER AND GOLD<\/small><\/td><td><small>\uad6c\uc640\uc57c\ub9c8 \ub2e4\ub2e4\uc544\ud0a4<\/small><\/td><td><small>GOLD, SILVER AND GOLD<\/small><\/td><td><small>1975<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Kurt Schwitters<\/small><\/td><td><small>Coloured Relief with Plastic \u201cO\u201d<\/small><\/td><td><small>\u5e93\u5c14\u7279\u00b7\u65bd\u5a01\u7279\u65af<\/small><\/td><td><small>\u6709\u7acb\u4f53\u201cO\u201d\u7684\u5f69\u8272\u6d6e\u96d5<\/small><\/td><td><small>\ucfe0\ub974\ud2b8 \uc288\ube44\ud130\uc2a4<\/small><\/td><td><small>\uc785\uccb4 \u201cO\u201d\uc5d0 \uc788\ub294 \uc0c9\uccb4 \ub9b4\ub9ac\ud504<\/small><\/td><td><small>1944-46<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>David Smith<\/small><\/td><td><small>Circle IV<\/small><\/td><td><small>\u5927\u536b\u00b7\u53f2\u5bc6\u65af<\/small><\/td><td><small>\u5706 IV<\/small><\/td><td><small>\ub370\uc774\ube44\ub4dc \uc2a4\ubbf8\uc2a4<\/small><\/td><td><small>\uc11c\ud074 IV<\/small><\/td><td><small>1962<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>0085<\/small><\/td><td><small>KUSAMA, Yayoi<\/small><\/td><td><small>A Signpost to Hades<\/small><\/td><td><small>\u8349\u95f4\u5f25\u751f<\/small><\/td><td><small>\u5f80\u9634\u95f4\u7684\u8def\u6807<\/small><\/td><td><small>\uad6c\uc0ac\ub9c8 \uc57c\uc694\uc774<\/small><\/td><td><small>\uba85\uacc4\ub85c\uc758 \uc774\uc815\ud45c<\/small><\/td><td><small>1976<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TAKAMINE, Tadasu<\/small><\/td><td><small>God Bless America<\/small><\/td><td><small>\u9ad8\u5cad\u683c<\/small><\/td><td><small>God Bless America<\/small><\/td><td><small>\ub2e4\uce74\ubbf8\ub124 \ub2e4\ub2e4\uc2a4<\/small><\/td><td><small>God Bless America<\/small><\/td><td><small>2002<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TANAKA, Atsuko<\/small><\/td><td><small>Work 66 \u2013 SA<\/small><\/td><td><small>\u7530\u4e2d\u6566\u5b50<\/small><\/td><td><small>\u4f5c\u54c1 66 \u2013 SA<\/small><\/td><td><small>\ub2e4\ub098\uce74 \uc544\uc4f0\ucf54<\/small><\/td><td><small>\uc791\ud488 66 \u2013 SA<\/small><\/td><td><small>1966<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Georges Braque<\/small><\/td><td><small>Female Torso<\/small><\/td><td><small>\u4e54\u6cbb\u00b7\u5e03\u62c9\u514b<\/small><\/td><td><small>\u5973\u6027\u80f4\u4f53<\/small><\/td><td><small>\uc870\ub974\uc8fc \ube0c\ub77c\ud06c<\/small><\/td><td><small>\uc5ec\uc790 \ud1a0\ub974\uc18c<\/small><\/td><td><small>1910-11<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Hamish Fulton<\/small><\/td><td><small>A Road to the Sea<\/small><\/td><td><small>\u54c8\u7c73\u4ec0\u00b7\u5bcc\u5c14\u987f<\/small><\/td><td><small>\u901a\u5f80\u5927\u6d77\u7684\u8def<\/small><\/td><td><small>\ud574\ubbf8\uc26c \ud6cc\ud1a4<\/small><\/td><td><small>\ubc14\ub2e4\ub85c \ud5a5\ud558\ub294 \uae38<\/small><\/td><td><small>1990<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Jackson Pollock&nbsp;<\/small><\/td><td><small>Untitled [Head with Polygons]<\/small><\/td><td><small>\u6770\u514b\u900a\u00b7\u6ce2\u6d1b\u514b<\/small><\/td><td><small>\u65e0\u9898\uff08\u6709\u591a\u89d2\u5f62\u7684\u5934\u90e8\uff09<\/small><\/td><td><small>\uc7ad\uc2a8 \ud3f4\ub85d<\/small><\/td><td><small>\ubb34\uc81c(\ub2e4\uac01\ud615\uc774 \uc788\ub294 \uba38\ub9ac \ubd80\ubd84)<\/small><\/td><td><small>c.1938-41<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Bruce Mclean<\/small><\/td><td><small>Sunrise and Sunset<\/small><\/td><td><small>\u5e03\u9c81\u65af\u00b7\u9ea6\u514b\u83b1\u6069<\/small><\/td><td><small>\u65e5\u5347\uff0c\u65e5\u843d<\/small><\/td><td><small>\ube0c\ub8e8\uc2a4 \ub9e5\ub9b0<\/small><\/td><td><small>\ud574\ub294 \ub728\uace0 \ud574\ub294 \uc9c4\ub2e4<\/small><\/td><td><small>1990<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Morris Louis<\/small><\/td><td><small>No End<\/small><\/td><td><small>\u83ab\u91cc\u65af\u00b7\u8def\u6613\u65af<\/small><\/td><td><small>No End<\/small><\/td><td><small>\ub8e8\uc774\uc2a4 \ubaa8\ub9ac\uc2a4<\/small><\/td><td><small>No End<\/small><\/td><td><small>1962<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>0078<\/small><\/td><td><small>YOSHIHARA, Jiro<\/small><\/td><td><small>White on Black<\/small><\/td><td><small>\u5409\u539f\u6cbb\u826f<\/small><\/td><td><small>\u9ed1\u5e95\u767d<\/small><\/td><td><small>\uc694\uc2dc\ud558\ub77c \uc9c0\ub85c<\/small><\/td><td><small>\uac80\uc815 \uc704\uc5d0 \ud558\uc591<\/small><\/td><td><small>1965<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>0022<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Leaning Woman<\/small><\/td><td><small>\u4e07\u94c1\u4e94\u90ce<\/small><\/td><td><small>\u501a\u7acb\u8005<\/small><\/td><td><small>\uc694\ub85c\uc988 \ub370\uc4f0\uace0\ub85c<\/small><\/td><td><small>\uae30\ub300\uc120 \uc0ac\ub78c<\/small><\/td><td><small>1917<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Robert Rauschenberg&nbsp;<\/small><\/td><td><small>Potato Buds<\/small><\/td><td><small>\u7f57\u4f2f\u7279\u00b7\u52b3\u68ee\u4f2f\u683c<\/small><\/td><td><small>Potato Buds<\/small><\/td><td><small>\ub85c\ubc84\ud2b8 \ub77c\uc6b0\uc13c\ubc84\uadf8<\/small><\/td><td><small>\uac10\uc790\uc528<\/small><\/td><td><small>1971<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TANAKA, Koki<\/small><\/td><td><small>A Project, Seven Boxes and Movements at the Museum<\/small><\/td><td><small>\u7530\u4e2d\u529f\u8d77<\/small><\/td><td><small>\u4e00\u4e2a\u5de5\u7a0b\u3001\u4e03\u4e2a\u76d2\u5b50\u548c\u884c\u4e3a\u3001\u5728\u7f8e\u672f\u9986<\/small><\/td><td><small>\ub2e4\ub098\uce74 \uace0\ud0a4<\/small><\/td><td><small>\ud558\ub098\uc758 \ud504\ub85c\uc81d\ud2b8, \uc77c\uacf1 \uac1c\uc758 \uc0c1\uc790\uc640 \ud589\uc704, \ubbf8\uc220\uad00\uc5d0\uc11c<\/small><\/td><td><small>2012<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>0090<\/small><\/td><td><small>Antony Gormley<\/small><\/td><td><small>Reflection<\/small><\/td><td><small>\u5b89\u4e1c\u5c3c\u00b7\u6208\u59c6\u96f7<\/small><\/td><td><small>\u53cd\u6620\/\u601d\u7d22<\/small><\/td><td><small>\uc548\ud1a0\ub2c8 \uace0\ubb34\ub9ac<\/small><\/td><td><small>\ubc18\uc601 \/ \uc0ac\uc0c9<\/small><\/td><td><small>2001<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>Matsuzaki Bay in the Rain from Route 136. From Eight Views of Japan.&nbsp;<\/small><\/td><td><small>\u6731\u5229\u5b89\u00b7\u5965\u57f9\u3000<\/small><\/td><td><small>\u300a\u65e5\u672c\u516b\u666f\u300b \u4ece\u56fd\u9053\u4e00\u767e\u4e09\u5341\u516d\u53f7\u7ebf\u770b\u96e8\u4e2d\u7684\u677e\u5d0e\u6e2f<\/small><\/td><td><small>\uc904\ub9ac\uc548 \uc624\ud53c<\/small><\/td><td><small>\u201c\uc77c\ubcf8 \ud314\uacbd\u201d \uc911, \uad6d\ub3c4 136\ud638\uc120\uc5d0\uc11c \ubcf8 \ube44\uc624\ub294 \ub9c8\uc4f0\uc790\ud0a4 \ud56d\uad6c<\/small><\/td><td><small>2007<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>Moon Over Manazuru Peninsula. From Eight Views of Japan.&nbsp;<\/small><\/td><td><small>\u6731\u5229\u5b89\u00b7\u5965\u57f9\u3000<\/small><\/td><td><small>\u300a\u65e5\u672c\u516b\u666f\u300b \u771f\u9e64\u534a\u5c9b\u4e0a\u7684\u6708\u4eae<\/small><\/td><td><small>\uc904\ub9ac\uc548 \uc624\ud53c<\/small><\/td><td><small>\u201c\uc77c\ubcf8 \ud314\uacbd\u201d \uc911, \ub9c8\ub098\uc988\ub8e8\ubc18\ub3c4 \uc704\uc5d0 \ub72c \ub2ec&nbsp;<\/small><\/td><td><small>2007<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>2F<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>View of Lake Motosu and Mount Fuji from Route 300. From Eight Views of Japan.&nbsp;<\/small><\/td><td><small>\u6731\u5229\u5b89\u00b7\u5965\u57f9\u3000<\/small><\/td><td><small>\u300a\u65e5\u672c\u516b\u666f\u300b \u4ece\u56fd\u9053\u4e09\u767e\u53f7\u7ebf\u770b\u672c\u6816\u6e56\u7684\u5bcc\u58eb\u5c71<\/small><\/td><td><small>\uc904\ub9ac\uc548 \uc624\ud53c<\/small><\/td><td><small>\u201c\uc77c\ubcf8 \ud314\uacbd\u201d \uc911, \uad6d\ub3c4 300\ud638\uc120\uc5d0\uc11c \ubcf4\ub294 \ubaa8\ud1a0\uc2a4 \ud638\uc218\uc758 \ud6c4\uc9c0\uc0b0<\/small><\/td><td><small>2007<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>terrace<\/small><\/td><td><small>0084<\/small><\/td><td><small>Isamu Noguchi<\/small><\/td><td><small>Gate<\/small><\/td><td><small>\u91ce\u53e3\u52c7<\/small><\/td><td><small>\u95e8<\/small><\/td><td><small>\uc774\uc0ac\ubb34 \ub178\uad6c\uce58<\/small><\/td><td><small>\ubb38<\/small><\/td><td><small>1969<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KIMURA, Kentaro<\/small><\/td><td><small>Seven Prayers<\/small><\/td><td><small>\u6728\u6751\u8d24\u592a\u90ce<\/small><\/td><td><small>\u4e03\u4e2a\u7948\u7977<\/small><\/td><td><small>\uae30\ubb34\ub77c \uac90\ud0c0\ub85c<\/small><\/td><td><small>\uc77c\uacf1 \uac00\uc9c0\uc758 \uae30\uc6d0<\/small><\/td><td><small>1969<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Marino Marini<\/small><\/td><td><small>The Idea of an Image<\/small><\/td><td><small>\u9a6c\u91cc\u8bfa\u00b7\u9a6c\u91cc\u5c3c<\/small><\/td><td><small>\u4e00\u4e2a\u5f62\u8c61\u7684\u6784\u60f3<\/small><\/td><td><small>\ub9c8\ub9ac\ub178 \ub9c8\ub9ac\ub2c8<\/small><\/td><td><small>\uc5b4\ub5a4 \uc774\ubbf8\uc9c0\uc758 \uad6c\uc0c1<\/small><\/td><td><small>1969-70<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><tr><td><small>outside<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>TADA, Minami<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>\u591a\u7530\u7f8e\u6ce2<\/small><\/td><td><small>\u660e\u6697\u5bf9\u7167<\/small><\/td><td><small>\ub2e4\ub2e4 \ubbf8\ub098\ubbf8<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>1979<\/small><\/td><td><small>2018\/06\/05<\/small><\/td><td><small>2018\/09\/24<\/small><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Important Cultural Properties on display<\/h2>\n\n\n\n<p>The National Museum of Modern Art, Tokyo Collection (main building) contains 15 items that have been designated by the Japanese government as Important Cultural Properties. These include nine&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style) paintings, five oil paintings, and one sculpture. (One of the&nbsp;<em>Nihon-ga<\/em>&nbsp;paintings and one of the oil paintings are on long-term loan to the museum.)<\/p>\n\n\n\n<p><strong>The following Important Cultural Properties are shown in this period:<\/strong><\/p>\n\n\n\n<ul>\n<li>Harada Naojiro ,&nbsp;<em>Kannon Bodhisattva Riding the Dragon<\/em>, 1890, Long term loan (Gokokuji Temple Collection)<\/li>\n\n\n\n<li>Shinkai Taketaro,<em>Bathing<\/em>, 1907<\/li>\n\n\n\n<li>Wada Sanzo,&nbsp;<em>South Wind<\/em>&nbsp;, 1907&nbsp;<\/li>\n\n\n\n<li>Yorozu Tetsugoro,&nbsp;<em>Nude Beauty<\/em>&nbsp;, 1912<\/li>\n\n\n\n<li>Tsuchida Bakusen,&nbsp;<em>Serving Girl in a Spa<\/em>,&nbsp;1918 (Exhibit Date: July 31 \u2013 September 24\uff09<\/li>\n\n\n\n<li>Nakamura Tsune,&nbsp;<em>Portrait of Vasilii Yaroshenko<\/em>, 1920<\/li>\n\n\n\n<li>Please visit the Important Cultural Property section&nbsp;<a href=\"https:\/\/www.momat.go.jp\/en\/masterpieces\">Masterpieces<\/a> for more information about the pieces.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div id=\"section1-2\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Sections<\/h2>\n\n\n\n<p><small>MOMAT Collection<\/small><small>&nbsp;<\/small>comprises twelve\uff08or thirteen\uff09rooms and two spaces for relaxation on three floors. In addition, sculptures are shown near the terrace on the second floor and in the front yard. The light blue areas in the cross section above make up&nbsp;<small>MOMAT Collection<\/small>. The space for relaxation \u201cA Room With a View\u201d is on the fourth floor.<\/p>\n\n\n\n<p>The entrance of the collection exhibition&nbsp;<em>MOMAT Collection<\/em>&nbsp;is on the fourth floor. Please take the elevator or walk up stairs to the fourth floor from the entrance hall on the first floor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4F (Fourth floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"382\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-4.jpg\" alt=\"\" class=\"wp-image-125974\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-4.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-4-200x75.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-4-768x287.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Room 1 Highlights&nbsp;<\/strong>* This section presents a consolidation of splendid works from the collection, with a focus on Master Pieces.<br><strong>Room 2\u2013 5 1900s\uff0d1940s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">A Room With A View<br>Reference Corner<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 1 <small><strong>Highlights<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"589\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/ade3bb8683b2f7a0ad067d35fbd624d6-e1526283709331.jpeg\" alt=\"\" class=\"wp-image-2339\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/ade3bb8683b2f7a0ad067d35fbd624d6-e1526283709331.jpeg 589w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/ade3bb8683b2f7a0ad067d35fbd624d6-e1526283709331-200x102.jpeg 200w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><figcaption class=\"wp-element-caption\">AI-MITSU,&nbsp;<em>Landscape with an Eye<\/em>, 1938<br><\/figcaption><\/figure>\n\n\n\n<p>&nbsp;The MOMAT Collection, drawn from the museum\u2019s holdings, consists of over 200 works displayed over a 3,000-square meter area. To start off the exhibition, we present the Highlights section, consisting of some of the collection\u2019s most essential works, including Important Cultural Properties. For the walls of this newly established space (part of a 2012 effort to renovate the collection galleries), we have selected navy blue to create a more beautiful contrast with the works. And to eliminate the glare of glass cases, we have chosen mat black for the floor.<\/p>\n\n\n\n<p>&nbsp;This year marks the 150th anniversary of start of the Meiji Period (1868-1912). To commemorate this historical landmark, we present Kaburaki Kiyokata\u2019s&nbsp;<em>Monthly Manners and Customs of the Meiji Period<\/em>&nbsp;during the first part of the exhibition (June 5-July 29). As you examine the details of the work, please imagine how people of the era lived. In the second part of the exhibition (July 31-September 24), we present Kawabata Ryushi\u2019s&nbsp;<em>Flaming Grass<\/em>&nbsp;and Kobayashi Kokei\u2019s&nbsp;<em>Indian Corn Plants<\/em>&nbsp;in keeping with the season. Although all of the motifs are summer plants, the depictions are resplendent with unique characteristics.<\/p>\n\n\n\n<p>&nbsp;In the&nbsp;<em>yo-ga<\/em>&nbsp;(Western-style paintings by Japanese artists) exhibit, we present a number of important works from the Meiji to the early Showa Period (1926-1989), including Harada Naojiro\u2019s&nbsp;<em>Kannon Bodhisattva Riding the Dragon<\/em>&nbsp;and Nakamura Tsune\u2019s&nbsp;<em>Portrait of Vasilii Yaroshenko<\/em>. Koga Harue\u2019s&nbsp;<em>Sea<\/em>&nbsp;contains a scattering of suitably seasonal images as well as a refined composition.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 2 <small><strong>The Melancholy of the Countryside<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"758\" height=\"382\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/d4f72c7b6037601e3f9c14302917f6fc.jpeg\" alt=\"\" class=\"wp-image-1601\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/d4f72c7b6037601e3f9c14302917f6fc.jpeg 758w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/d4f72c7b6037601e3f9c14302917f6fc-200x101.jpeg 200w\" sizes=\"(max-width: 758px) 100vw, 758px\" \/><figcaption class=\"wp-element-caption\">Tsuchida Bakusen,&nbsp;<em>Serving Girl in a Spa<\/em>, 1918 (Exhibit Date: July 31 &#8211; September 24\uff09<\/figcaption><\/figure>\n\n\n\n<p>&nbsp;This year marks the 150th anniversary of the Meiji Period, but what kind of year was 1918, which occurred exactly 100 years ago? Although 1918 was a year of important historical landmarks, such as the end of the First World War, we are going to focus on a relatively minor event. Sato Haruo\u2019s novel&nbsp;<em>The Melancholy of the Countryside<\/em>&nbsp;was also published that year.<\/p>\n\n\n\n<p>&nbsp;The book meticulously depicts the mental workings of the protagonist, who, having grown weary of city life, moves to a secluded house in the suburbs surrounded by greenery. After reading the story and looking at art of the period, you realize that there is no shortage of works that deal with people lingering in plant-filled spaces and suburban scenes. For example, there is a splendid resonance between Murayama Kaita\u2019s&nbsp;<em>Roses and a Girl<\/em>&nbsp;and the original title of Sato\u2019s novel,&nbsp;<em>The Sick Rose<\/em>. The Taisho Period (1912-1926) is often seen as an era that placed a strong emphasis on individuality and the self, but there were also plenty of self-aware individuals who were tormented by social friction. Perhaps these plant-encircled areas were envisioned by artists of the era as a kind of Utopia to help them recover from exhaustion.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 3 <small><strong>A Friendship Formed in Paris<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"500\" height=\"323\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/541d2157e0f42c4206588b75b6a888a6.jpeg\" alt=\"\" class=\"wp-image-2341\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/541d2157e0f42c4206588b75b6a888a6.jpeg 500w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/541d2157e0f42c4206588b75b6a888a6-200x129.jpeg 200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Saeki Yuzo,&nbsp;<em>Gas Lamp and Advertisements<\/em>, 1927<\/figcaption><\/figure>\n\n\n\n<p>Following the First World War, there was a dramatic increase in the number of Japanese painters who went to study in Paris. After pursuing a variety of styles based on their individual interests, they returned to Japan with their newfound knowledge. In 1926, five of these artists, Maeta Kanji, Satomi Katsuzo, Saeki Yuzo, Kojima Zentaro, and Kinoshita Takanori, formed the 1930 Society. Their main motivations were to continue the friendships they had formed in Paris and to show the work they had created while living there. Other artists whom they had associated with in France also joined the group on their return to Japan, expanding the membership. Since their bonds were based on friendship, the artists\u2019 styles were highly varied, as suggested by the works on display in this room. But the most important thing they learned in Paris was not style, it was the artistic approach of giving top priority to a subjective vision. Exaggerating things that they viewed as real based on a personal sensibility lay at the root of this new Realism. The fact that each artist\u2019s style was so disparate enhanced the overall allure of the group as a collection of individuals. This also attracted younger artists who were searching for new forms of expression.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 4 <small><strong>Koizumi Kishio, Works from&nbsp;<em>One Hundred Scenes from the Tokyo Metropolis in the Showa Period<\/em><\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"231\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/78fa51bc7c8c656addf64bb4b6687c0c-e1526283724801.jpeg\" alt=\"\" class=\"wp-image-2344\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/78fa51bc7c8c656addf64bb4b6687c0c-e1526283724801.jpeg 231w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/78fa51bc7c8c656addf64bb4b6687c0c-e1526283724801-154x200.jpeg 154w\" sizes=\"(max-width: 231px) 100vw, 231px\" \/><figcaption class=\"wp-element-caption\">Koizumi Kishio,&nbsp;<em>River Festival at Ryogoku (No.66 of &#8220;One Hundred Scenes from Tokyo Metropolis in the Showa Period&#8221;)<\/em>, 1936<br>(Exhibit Date: June 5 &#8211; July 29\uff09<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"231\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/1b9a3311e6c9e184c3e0120cbca2fe8a-e1526283737216.jpeg\" alt=\"\" class=\"wp-image-2346\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/1b9a3311e6c9e184c3e0120cbca2fe8a-e1526283737216.jpeg 231w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/1b9a3311e6c9e184c3e0120cbca2fe8a-e1526283737216-154x200.jpeg 154w\" sizes=\"(max-width: 231px) 100vw, 231px\" \/><figcaption class=\"wp-element-caption\">Koizumi Kishio,&nbsp;<em>Sekiguchi, Otaki (No.15 of &#8220;One Hundred Scenes from Tokyo Metropolis in the Showa Period&#8221;)<\/em>, 1931<br>(Exhibit Date: July 31 &#8211; September 24\uff09<\/figcaption><\/figure>\n\n\n\n<p>Born in Shizuoka, Koizumi Kishio moved to Tokyo in 1909 and studied at the Japan Institute of Watercolor Painting, which was overseen by Oshita Tojiro. After became acquainted with Tobari Kogan and Oda Kazuma at the school, Koizumi began making prints. Between the late Meiji and the early Taisho era, prints became established as an art form rather than merely a reproductive technique for practical applications. As a print artist, Koizumi followed in the footsteps of the Creative Print movement, which was based on the idea that an artist would make his or her own picture, carve the plate, and print the work without relying on an artisan.<\/p>\n\n\n\n<p>&nbsp;One of Koizumi\u2019s most prominent works,&nbsp;<em>One Hundred Scenes from the Tokyo Metropolis in the Showa Period<\/em>&nbsp;(published in pieces from 1929 to 1937) is an outstanding print series depicting the restoration and modernization of Tokyo in the wake of the 1923 Great Kanto Earthquake. Unsatisfied with the final product, Koizumi later revised some of the prints, creating a total of 105 works, 57 of which are contained in the museum collection. The works are distinguished by simple and concise compositions, and bright and vivid colors that make the most of the watercolor paint. In addition to sights that had been famous since the ukiyoe era, the prints depict scenes of Tokyo, which are striking for the urbanization, industrialization, and commercialization brought about by post-earthquake restoration, and the daily lives of people in the city. The works approach these beautiful, geometrical urban forms and modern manners and customs with a detached perspective.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 5 <small><strong>Animals and the War Era<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"476\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fb747cb49d25c63d6f4601b06d02fd9e-e1526283514472.jpeg\" alt=\"\" class=\"wp-image-2348\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fb747cb49d25c63d6f4601b06d02fd9e-e1526283514472.jpeg 476w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fb747cb49d25c63d6f4601b06d02fd9e-e1526283514472-200x126.jpeg 200w\" sizes=\"(max-width: 476px) 100vw, 476px\" \/><figcaption class=\"wp-element-caption\">AI-MITSU,&nbsp;<em>Lion<\/em>,1936<\/figcaption><\/figure>\n\n\n\n<p>When a society heads into war, people are not the only ones who get caught in the middle. During the Pacific War, animals were mobilized to transport goods and slaughtered in the fear that they would escape in the chaos caused by air raids. This might remind some viewers of the poor elephants depicted in Tsuchiya Yukio\u2019s picture book&nbsp;<em>Faithful Elephants: A True Story of Animals, People, and War<\/em>.<\/p>\n\n\n\n<p>&nbsp;Most war-record paintings depict soldiers on the front lines or their families on the home front, but many other artists dealt with the theme of animals during this period. For example, images of fierce horses and eagles preparing to take flight were probably intended to increase the fighting spirit. Maple seedpods often appear in Kitawaki Noboru\u2019s work as a metaphor for airplanes or jet fighters. Ai-Mitsu\u2019s small, scrunched up lion seems to suggest people who were unavoidably engulfed in the tumult of the era.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">3F (Third floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"828\" height=\"275\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/cont_2426_1.jpeg\" alt=\"\" class=\"wp-image-1580\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/cont_2426_1.jpeg 828w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/cont_2426_1-200x66.jpeg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/cont_2426_1-768x255.jpeg 768w\" sizes=\"(max-width: 828px) 100vw, 828px\" \/><\/figure>\n\n\n\n<p><strong>Room 6-8 1940s-1960s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<br>Room 9 Photography and Video<br>Room 10&nbsp;<em>Nihon-ga<\/em>&nbsp;(Japanese-style Painting)<\/strong><\/p>\n\n\n\n<p>Room to Consider the Building<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 6 <small><strong>Restless Bodies<\/strong><\/small><\/h4>\n\n\n\n<p>At a time when the aftereffects of the Pacific War were still very pronounced, a variety of artists made works depicting introspective and depressed people as a way of quietly expressing their opposition to the turbulent social conditions.<\/p>\n\n\n\n<p>&nbsp;Kazuki Yasuo was interned in Siberia after the war. After being sent home, he adopted a completely different artistic style, focusing on people who had suffered at the hands of society. These works might also be seen as self-portraits of a grief-stricken artist who fell victim to harsh circumstances.<\/p>\n\n\n\n<p>&nbsp;Aso Saburo and Suguro Tadashi\u2019s works portray people who are being crushed by things in a small space. While both Oyamada Jiro and Nakano Jun make use of dining tables, the artists fill the canvas with vivid brushstrokes, depicting dark scenes that are far removed from the pleasure of eating and enjoying each other\u2019s company. The gloomy expressions and fragmented lifeless bodies reflect the atmosphere in a society faced with the reality that life is interchangeable.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 7 <small><strong>2018-50=1968<\/strong><\/small><\/h4>\n\n\n\n<p>This room consists entirely of works made in 1968. Today, the year is associated with the \u201cseason of politics,\u201d but needless to say, not everything was political at the time. For example, one thing that attracted a great deal of interest was UFOs. So much so that a hearing on the subject (commonly known as the UFO Symposium) was held in the U.S. House of Representatives. UFOs appeared in manga of the period too. This was also the year of the so-called Anpo Protests (the student movement reached a fever pitch around the same time), designed to block the automatic extension of the Japan-U.S. Security Treaty in 1970. Under the circumstances, any artist who evoked America in their work might seem to have been supporting the protests, but this was apparently not always the case.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 8 <small><strong>The 1970s: There Are Only Women in This Room<\/strong><\/small><\/h4>\n\n\n\n<p>&nbsp;As it turns out, there is only a single female artist in the preceding seven rooms. This demonstrates the distorted nature of the museum collection. With this in mind, we decided to, at the very least, devote this room entirely to women (through September 24). In Japan and elsewhere, the \u201970s were a period in which women\u2019s activities became clearly visible (or began to receive proper recognition). This was partly due to social factors. For example, in 1975 the United Nations designated the following ten years as the International Women\u2019s Year and called on every country and organization to set establish goals and act accordingly. This led the Japanese government to formulate to a plan of action in 1977.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 9 &#8211; 1 <small><strong>Yamamura Gasho,&nbsp;<em>Plants<\/em>&nbsp;(Exhibit Date: June 5 &#8211; July 29\uff09<\/strong><\/small><\/h4>\n\n\n\n<p>In this exhibit, we feature Yamamura Gasho\u2019s&nbsp;<em>Plants<\/em>. The series, made up of monochrome works in which Yamamura trained his lens on scenes of thick vegetation, such as bushes, trees, and flowers, embodies a unique artistic vision markedly different from standard nature or landscape photography. In keeping with the artist\u2019s stated intention of capturing \u201cthe various ecologies of plants dwelling in the darkness\u201d (as Yamamura commented in the April 1976 issue of&nbsp;<em>Camera Mainichi<\/em>), the vegetation in his photographs exudes a strange quality, accentuated by his use of strobes in daylight and high-contrast printing.<\/p>\n\n\n\n<p>&nbsp;Yamamura\u2019s early work,&nbsp;<em>The Children Living in Washington Heights&nbsp;<\/em>(1959-62), which earned him a great deal of acclaim while still in university, focuses on the strange world of children living in U.S. Army housing in the middle of Tokyo. As this series suggests, the artist has shown a consistent interest in unknown realms and extraordinary entities living alongside familiar scenes. Plants depicts the strange appearance of vegetation that is at once familiar but is also often viewed with indifference as something alien. This important series unifies Yamamura\u2019s, an artist whose talent flowered early, artistic direction and photographic technique.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 9 &#8211; 2 <small><strong>Hosoe Eikoh,&nbsp;<em>Ordeal by Roses<\/em>&nbsp;(Exhibit Date: July 31 &#8211; September 24\uff09<\/strong><\/small><\/h4>\n\n\n\n<p><br>&nbsp;These 11 works are from&nbsp;<em>Ordeal by Roses<\/em>, an early work by Hosoe Eikoh in which he explored fundamental themes of human existence such as life, death, and eros using the motifs of the novelist Mishima Yukio\u2019s body and his idiosyncratic aesthetic sensibility.<\/p>\n\n\n\n<p>&nbsp;Impressed by Hosoe\u2019s pictures of the butoh dancer Hijikata Tatsumi (published in a photo book called&nbsp;<em>Man and Woman<\/em>), Mishima selected the photographer to take a portrait that was used to adorn a collection of the writer\u2019s criticism. In the garden of Mishima\u2019s house, where the shoot took place, Hosoe employed drastic staging such as wrapping a rubber water hose around Mishima\u2019s naked torso. Deeply satisfied with these brilliant and highly finished works, Mishima agreed to Hosoe\u2019s request for an additional shoot. Taken over a period of about two years, the resulting works were published in the 1963 photo book&nbsp;<em>Ordeal by Roses<\/em>.<\/p>\n\n\n\n<p>&nbsp;Hosoe\u2019s genius lay in his ability to identify the perverted impulses to suffer and self-destruct that were concealed within Mishima, who proudly displayed his physical beauty, and to use a variety of settings to illuminate these qualities. This aim was embodied by the beautiful but thrown-encrusted rose motif. The title&nbsp;<em>Ordeal by Roses<\/em>&nbsp;was devised by Mishima, the key player in this bizarre artistic world.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 10 <small><strong>Special Exhibit: Art in the Late Meiji Period<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"370\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fb02f6f270d152ff422b14bbfe9a52a3-e1526283583388.jpeg\" alt=\"\" class=\"wp-image-2350\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fb02f6f270d152ff422b14bbfe9a52a3-e1526283583388.jpeg 370w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/fb02f6f270d152ff422b14bbfe9a52a3-e1526283583388-200x162.jpeg 200w\" sizes=\"(max-width: 370px) 100vw, 370px\" \/><figcaption class=\"wp-element-caption\">Wada Sanzo,&nbsp;<em>South Wind<\/em>, 1907, Important Cultural Property<\/figcaption><\/figure>\n\n\n\n<p>The museum primarily deals with art after the Bunten, an annual Ministry of Education-sponsored exhibition that was launched in 1907. This year, to commemorate the 150th anniversary of the Meiji Period, we feature a number of works from the collection that date from that era.<\/p>\n\n\n\n<p>&nbsp;In a surge of Westernization, Japan underwent a sudden modernization, which also had a strong effect on the art world. As part of the influx of Western-style painting, artists searched for new types of expression as seen in Wada Sanzo\u2019s&nbsp;<em>South Wind<\/em>, which depicts figures with dynamic and characteristically unJapanese physiques. At the same time, in&nbsp;<em>Nihonga<\/em>, the traditional form of Japanese-style painting, artists blurred contours to create a three-dimensional effect and developed other experimental methods in their search for originality.<\/p>\n\n\n\n<p>&nbsp;In addition to&nbsp;<em>Nihonga<\/em>&nbsp;and Western-style painting, in this special exhibit, we focus on the rich world of art that emerged in the late Meiji Period with sculptures and outstanding watercolor paintings, such as Oshita Tojiro\u2019s&nbsp;<em>Foot of Mt. Hotaka<\/em>&nbsp;(on view until July 29) and Yoshida Hiroshi\u2019s&nbsp;<em>Crescent<\/em>&nbsp;(on view from July 31). We also present paintings such as Yorozu Tetsugoro\u2019s&nbsp;<em>Nude Beauty<\/em>&nbsp;to illustrate the links to the subsequent Taisho Period, in which works that emphasized the artist\u2019s individuality came to the fore.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2F (Second floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"390\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-5.jpg\" alt=\"\" class=\"wp-image-125979\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-5.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-5-200x76.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-5-768x293.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Room 11-12 1970s-2010s<br>\u3000From the End of the Showa Period to the Present<\/strong><\/p>\n\n\n\n<p><strong>Gallery 4<\/strong><\/p>\n\n\n\n<p>* A space of about 250 square meters. This gallery offers cutting-edge thematic exhibitions from the Museum Collection, and special exhibitions featuring photographs or design.<\/p>\n\n\n\n<p><em><strong><a href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h30-1-g4\">Takiguchi Shuzo and the Artists Who Captivated Him<br>Primarily from the Museum Collection<\/a><\/strong><\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 11 <small><strong>Are Faces Really Necessary?<\/strong><\/small><\/h4>\n\n\n\n<p>&nbsp;As suggested by the development of facial recognition systems, faces are often seen as a way of differentiating between one person and another. Or, as is vividly expressed by a phrase like \u201cIt\u2019s written all over your face,\u201d faces are believed to convey a person\u2019s inner state through an expression or change in color. Due especially to this function, artists have used a variety of methods to incorporate faces into their work. In some cases, they have created compositions that call attention to the face or made works with only a detached face (or head). While some have made a concentrated effort to deal with the shape of the face by giving it an impassive expression, others have attempted to convey the idea that a person\u2019s inner workings can be expressed without depicting the face. In this group of works, most of which were made since the 1990s, we examine how artists deal with facial expressions.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 12 <small><strong>Welcome, Mr. Smith<\/strong><\/small><\/h4>\n\n\n\n<p>&nbsp;Last year the museum acquired&nbsp;<em>Circle IV<\/em>&nbsp;(1962) by David Smith, a prominent postwar sculptor. To commemorate this, we present a collection of paintings and sculptures that are designed to deepen your understanding of the work. These include a work that attempts to fuse painting and sculpture, a work that uses an abstract expression to depict the human body, a work that focuses on the labor required to make sculpture, and a more straightforward work based on a circle motif. The fact that a single work can summon up such a wide variety of expressions shows that even though they might seem indifferent, art works are imbued with any number of concepts.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section1-4\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Exhibition<\/h2>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery, from the fourth to second floors<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>June 5 \u2013 September 24, 2018<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00 \u2013 17:00 (10:00 \u2013 20:00 on Fridays and Saturdays)<br>MOMAT Collection and Gallery 4 open until 21:00 on Fridays and Saturdays during&nbsp;<em>Gordon Matta-Clark: Mutation in Space<\/em>&nbsp;(June 19 \u2013 September 17)<br>*Last admission is 30 minutes before closing.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>\u203bClosed on Mondays (except July 16, September 17 and 24), July 17 and September 18<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults \u00a5500 (400)<br>College and university students \u00a5250 (200)<br>*The price in brackets is for the group of 20 persons or more. All prices include tax.<br>Free for high school students, under 18, seniors\uff08 65 and over \uff09, Campus Members, MOMAT passport holder.<br>*Show your Membership Card of the MOMAT Supporters or the MOMAT Members to get free admission \uff08 a MOMAT Members Card admits two persons free \uff09.<br>*Persons with disability and one person accompanying them are admitted free of charge.<br>*Members of the MOMAT Corporate Partners are admitted free with their staff ID.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Discounts<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Evening Discount (From 17:00 on Fridays and Saturdays)<br>Adults \u00a5300<br>College and university students \u00a5150<br>*Admission free for college and university students from 17:00 on Fridays and Saturdays between June 19 and September 17.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Free Admission Days<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery and Gallery 4<br>Free on the first Sunday of each month (July 1, August 5 and September 2).<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organized by<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n<\/div><\/div>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-arrow\">\n        <a class=\"wp-block-button__link\" href=\"15153\">\n            Introduction to the Collection        <\/a>\n    <\/div>\n<\/div>\n","protected":false},"featured_media":15205,"template":"","exhibition_type":[255],"exhibition_year":[364],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2018-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h30-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2018-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"The collection exhibition from June 5 \u2013 September 24, 2018 Welcome to the MOMAT Collection! In this exhibition, we introduce currents in Japanese modern and contemporary art from the beginning of the 20th century to the present along with a variety of works from other countries. &nbsp;In the Highlights section (Room 1, 4th floor), viewers are treated to a host of masterpieces selected from the museum collection. Rooms 2 to 12, arranged in roughly chronological order, have each been assigned a theme, enabling viewers to see the relationship between art and society in each era from a wide range of perspectives. 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