{"id":126085,"date":"2015-05-26T16:39:52","date_gmt":"2015-05-26T07:39:52","guid":{"rendered":"https:\/\/www.momat.go.jp\/exhibitions\/h27-1"},"modified":"2023-06-12T13:18:34","modified_gmt":"2023-06-12T04:18:34","slug":"h27-1","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1","title":{"rendered":"2015-1 MOMAT Collection"},"content":{"rendered":"    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_065b939e8abc7c7d61d85c6c98688cc7\"\n                aria-controls=\"nav-block_065b939e8abc7c7d61d85c6c98688cc7\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_065b939e8abc7c7d61d85c6c98688cc7\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section1-1\"\n                       title=\"Scroll to Highlights\"\n                       class=\"momat-anchors__link\">\n                        Highlights                    <\/a>\n                                    <a href=\"#section1-2\"\n                       title=\"Scroll to About the Sections\"\n                       class=\"momat-anchors__link\">\n                        About the Sections                    <\/a>\n                                    <a href=\"#section1-6\"\n                       title=\"Scroll to About the Exhibition\"\n                       class=\"momat-anchors__link\">\n                        About the Exhibition                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div id=\"section1-1\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">A special display : \u201cWhat Are You Fighting For? (4th\u20132nd floor)<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"526\" height=\"268\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015011.jpg\" alt=\"\" class=\"wp-image-2832\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015011.jpg 526w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015011-200x102.jpg 200w\" sizes=\"(max-width: 526px) 100vw, 526px\" \/><figcaption class=\"wp-element-caption\">AI-MITSU, Landscape with an Eye, 1938<\/figcaption><\/figure>\n\n\n\n<p>In this edition of the exhibit, we present \u201cWhat Are You Fighting For?\u201d, beginning on the fourth floor and continuing down to the second floor of the museum. This year marks the 70th anniversary of the end of World War II. Here, we present approximately 200 works that are meant to inspire thought about \u201cfighting,\u201d including conflicts between animals, nations, men and women, and those from different generations.<\/p>\n\n\n\n<p>The title is derived from \u201cTaga tame ni\u201d (For Whom), the theme song of an animated TV show called <em>009 Cyborg<\/em> (1979-1980, second season), which was based on a story by Ishinomori Shotaro. A serialized manga of the same name (which began in 1964) centers on nine humans, who are turned into cyborgs by Black Ghost, an evil organization that has continuously profited from war. The cyborgs rebel against the group and attempt to annihilate it in order to achieve peace. In this paradoxical effort to fight for peace, it gradually becomes clear that Black Ghost\u2019s hidden drive is actually the human desire to wage war. The words to \u201cTaga tame ni\u201d were also penned by Ishinomori and both these lyrics and the story present us with important questions in 2015.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">List of Works<\/h2>\n\n\n\n<ul>\n<li><small>\u5c55\u793a\u5185\u5bb9\u3001\u958b\u9928\u65e5\u30fb\u958b\u9928\u6642\u9593\u306e\u5909\u66f4\u306e\u53ef\u80fd\u6027\u304c\u3054\u3056\u3044\u307e\u3059\u3002\u8a73\u7d30\u306f\u30cf\u30ed\u30fc\u30c0\u30a4\u30e4\u30eb\uff0803-5777-8600\uff09\u306b\u3066\u3054\u78ba\u8a8d\u9858\u3044\u307e\u3059\u3002<\/small><\/li>\n\n\n\n<li><small>\u539f\u5247\u3068\u3057\u3066\u5404\u5ba4\u3054\u3068\u306b\u56fd\u5185\u4f5c\u5bb6(\u59d3)50\u97f3\u9806\u3001\u5916\u56fd\u4eba\u4f5c\u5bb6\uff08\u59d3\uff09\u30a2\u30eb\u30d5\u30a1\u30d9\u30c3\u30c8\u9806\u3001\u540c\u4e00\u4f5c\u5bb6\u5185\u306f\u3001\u307b\u307c\u4f5c\u54c1\u306e\u5236\u4f5c\u5e74\u9806\u3002<\/small><\/li>\n\n\n\n<li><small>Please note that the exhibits and the exhibition schedule are subject to change without previous notice. For up-to-date information, please kindly check our website.<\/small><\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><th><small>\u5c55\u793a\u5834\u6240(Shown on\/at\uff1b<br>Room No.)<\/small><\/th><th><small>\u91cd\u6587(Important<br>Cultural<br>Property)<\/small><\/th><th><small>\u4f1a\u671f(Phase<br>of the exhibit)<\/small><\/th><th><small>\u97f3\u58f0\u30ac\u30a4\u30c9(Audio<br>Guide)<\/small><\/th><th><small>\u4f5c\u5bb6\u540d<\/small><\/th><th><small>\u984c\u540d<\/small><\/th><th><small>\u5236\u4f5c\u5e74<\/small><br><small>(Year of<br>Produc-<br>tion; c.=<br>\uff5e\u5e74\u9803)<\/small><\/th><th><small>\u6280\u6cd5\u30fb\u652f\u6301\u4f53<\/small><\/th><th><small>\u53ce\u8535\u7d4c\u7def\u3001\u5bc4\u8d08\u3001\u5bc4\u8a17(Mode of acquisition;<br>Long term loan)<\/small><\/th><th><small>Name of<br>the Artist<\/small><\/th><th><small>Title<br>(in English)<\/small><\/th><th><small>Material<br>(technique,<br>support)<\/small><\/th><\/tr><tr><td><small>4F (Fourth floor)<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>12<\/small><\/td><td><small>\u837b\u539f\u5b88\u885b<\/small><\/td><td><small>\u5973<\/small><\/td><td><small>1910<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>OGIWARA, Morie<\/small><\/td><td><small>Woman<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>47<\/small><\/td><td><small>\u5ddd\u7aef\u9f8d\u5b50<\/small><\/td><td><small>\u8349\u708e<\/small><\/td><td><small>1930<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>KAWABATA, Ryushi<\/small><\/td><td><small>Flaming Grass<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u25ce<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u9053\u8def\u3068\u571f\u624b\u3068\u5840<br>(\u5207\u901a\u4e4b\u5199\u751f)<\/small><\/td><td><small>1915<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u677f<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Road Cut through a Hill<\/small><\/td><td><small>oil on board<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>40<\/small><\/td><td><small>\u53e4\u8cc0\u6625\u6c5f<\/small><\/td><td><small>\u6d77<\/small><\/td><td><small>1929<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Sea<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>27<\/small><\/td><td><small>\u95a2\u6839\u6b63\u4e8c<\/small><\/td><td><small>\u4e09\u661f(\u3055\u3093\u305b\u3044)<\/small><\/td><td><small>1919<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>SEKINE, Shoji<\/small><\/td><td><small>Three Stars<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>18<\/small><\/td><td><small>\u571f\u7530\u9ea6\u50ca<\/small><\/td><td><small>\u5cf6\u306e\u5973<\/small><\/td><td><small>1912<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>TSUCHIDA, Bakusen<\/small><\/td><td><small>Island Women<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u25ce<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1<\/small><\/td><td><small>\u539f\u7530\u76f4\u6b21\u90ce<\/small><\/td><td><small>\u9a0e\u9f8d\u89b3\u97f3<\/small><\/td><td><small>1890<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5bc4\u8a17\uff08\u8b77\u570b\u5bfa\u8535\uff09<\/small><\/td><td><small>HARADA, Naojiro<\/small><\/td><td><small>Kannon Bodhisattva Riding the Dragon<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>21<\/small><\/td><td><small>\u6751\u5c71\u69d0\u591a<\/small><\/td><td><small>\u30d0\u30e9\u3068\u5c11\u5973<\/small><\/td><td><small>1917<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5c71\u672c\u5b5d\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>MURAYAMA, Kaita<\/small><\/td><td><small>Roses and a Girl<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u842c\u9244\u4e94\u90ce<\/small><\/td><td><small>\u592a\u967d\u306e\u9ea6\u7551<\/small><\/td><td><small>c.1913<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u677f<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>A Cornfield in the Sun<\/small><\/td><td><small>oil on board<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>24<\/small><\/td><td><small>\u30aa\u30b9\u30ab\u30fc\u30fb\u30b3\u30b3\u30b7\u30e5\u30ab<\/small><\/td><td><small>\u30a2\u30eb\u30de\u30fb\u30de\u30fc\u30e9\u30fc\u306e\u8096\u50cf<\/small><\/td><td><small>1912<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Oskar Kokoschka<\/small><\/td><td><small>Portrait of Alma Mahler<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30a2\u30f3\u30fb\u30df\u30ed<\/small><\/td><td><small>\u7d75\u753b\u8a69<br>\uff08\u304a\u304a\uff01\u3042\u306e\u4eba\u3084\u3063\u3061\u3083\u3063\u305f\u306e\u306d\uff09<\/small><\/td><td><small>1925<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Joan Miro<\/small><\/td><td><small>Painting-Poem (\u201cOh! One of those gentlemen who did all that!\u201d)<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30d1\u30d6\u30ed\u30fb\u30d4\u30ab\u30bd<\/small><\/td><td><small>\u30e9\u30fb\u30ac\u30eb\u30fc\u30d7\u306e\u6d77\u6c34\u6d74\u5834<\/small><\/td><td><small>1955<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Pablo Picasso<\/small><\/td><td><small>Beach at La Garoupe<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>4F\u3001EV\u30db\u30fc\u30eb<\/small><\/td><td>&nbsp;<\/td><td>&nbsp;<\/td><td>&nbsp;<\/td><td><small>\u30de\u30fc\u30b5\u30fb\u30ed\u30b9\u30e9\u30fc<\/small><\/td><td><small>\u30ad\u30c3\u30c1\u30f3\u306e\u8a18\u53f7\u8ad6<\/small><\/td><td><small>1975<\/small><\/td><td><small>\u30f4\u30a3\u30c7\u30aa\u3001\u30e2\u30ce\u30af\u30ed\u3001\u30b5\u30a6\u30f3\u30c9\u30016\u520609\u79d2<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Martha Rosler<\/small><\/td><td><small>Semiotics of<br>the Kitchen<\/small><\/td><td><small>video, b\uff06w,<br>sound, 6\u201909\u201d<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9749\u5149<\/small><\/td><td><small>\u30e9\u30a4\u30aa\u30f3(\u30b7\u30b7)<\/small><\/td><td><small>1936<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5bc4\u8a17<\/small><\/td><td><small>AI-MITSU<\/small><\/td><td><small>Lion<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>62<\/small><\/td><td><small>\u9749\u5149<\/small><\/td><td><small>\u773c\u306e\u3042\u308b\u98a8\u666f<\/small><\/td><td><small>1938<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>AI-MITSU<\/small><\/td><td><small>Landscape with an Eye<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9749\u5149<\/small><\/td><td><small>\u7d20\u63cf\u56f3\u5dfb<\/small><\/td><td><small>1938-39<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>AI-MITSU<\/small><\/td><td><small>Scroll of Drawing<\/small><\/td><td><small>sumi and partly color on pape<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4f50\u85e4\u7384\u3005(\u671d\u5c71\uff09<\/small><\/td><td><small>\u52d5<\/small><\/td><td><small>1929<\/small><\/td><td><small>\u6728<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>SATO, Gengen (Chozan)<\/small><\/td><td><small>Movement<\/small><\/td><td><small>wood<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>8<\/small><\/td><td><small>\u7af9\u5185\u6816\u9cf3<\/small><\/td><td><small>\u98fc\u308f\u308c\u305f\u308b\u733f\u3068\u514e<\/small><\/td><td><small>1908<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>TAKEUCHI, Seiho<\/small><\/td><td><small>Monkeys and Rabbits<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7af9\u5185\u6816\u9cf3<\/small><\/td><td><small>\u8349\u76f8\u64b2<\/small><\/td><td><small>1937<\/small><\/td><td><small>\u58a8\u3001\u6731\u58a8\u3001\u6728\u70ad\u3001<\/small><br><small>\u80e1\u7c89\u3001\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TAKEUCHI, Seiho<\/small><\/td><td><small>Wrestling in Field<\/small><\/td><td><small>sumi, cinnabar, charcoal and shell white on paper<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u732b<\/small><\/td><td><small>1940<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Cats<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u52d5\u7269\u5bb4<\/small><\/td><td><small>1949-60<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5bc4\u8d08<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Feast of Animals<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u5ca1\u5805\u4e8c<\/small><\/td><td><small>\u99ac<\/small><\/td><td><small>1939<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>Horses<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6dc0\u4e95\u654f\u592b<\/small><\/td><td><small>\u8056\u30de\u30f3\u30c8\u30d2\u30d2<\/small><\/td><td><small>1966<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>YODOI, Toshio<\/small><\/td><td><small>Sacred Baboon<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6d77\u8001\u539f\u559c\u4e4b\u52a9<\/small><\/td><td><small>\u6b89\u6559\u8005<\/small><\/td><td><small>1951<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>EBIHARA, Kinosuke<\/small><\/td><td><small>Martyr<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>79<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u5b55\u3093\u3060\u5973<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Pregnant Woman<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7530\u4e2d\u5fe0\u96c4<\/small><\/td><td><small>\u57fa\u5730\u306e\u30ad\u30ea\u30b9\u30c8<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>TANAKA, Tadao<\/small><\/td><td><small>Christ in a Base<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6d25\u7530\u9752\u6953<\/small><\/td><td><small>\u30d6\u30eb\u30b8\u30e7\u30ef\u8b70\u4f1a\u3068\u6c11\u8846\u751f\u6d3b \u4e0b\u7d75<\/small><\/td><td><small>1931<\/small><\/td><td><small>\u6cb9\u5f69\u3001\u30b3\u30e9\u30fc\u30b8\u30e5\u30fb<\/small><br><small>\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>TSUDA, Seifu<\/small><\/td><td><small>The Bourgeois Diet and People\u2019s Life, Study<\/small><\/td><td><small>oil and collage on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6d25\u7530\u9752\u6953<\/small><\/td><td><small>\u72a0\u7272\u8005<\/small><\/td><td><small>1933<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TSUDA, Seifu<\/small><\/td><td><small>The Victim<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u91ce\u53e3\u5f25\u592a\u90ce<\/small><\/td><td><small>\u8e0f\u7d75<\/small><\/td><td><small>1956<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>NOGUCHI, Yataro<\/small><\/td><td><small>Proving Non-Christian<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30fb\u30b0\u30ed\u30b9<\/small><\/td><td><small>\u7248\u753b\u96c6\u300c\u5f71\u306e\u4e2d\u3067\u300d\u3088\u308a 2.\u5de5\u5834\u524d\u306b\u3066<\/small><\/td><td><small>1920\/21<\/small><\/td><td><small>\u30ea\u30c8\u30b0\u30e9\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>George Grosz<\/small><\/td><td><small>2.Front of the Factory from \u201cIn the Shadows\u201d<\/small><\/td><td><small>lithograph<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30fb\u30b0\u30ed\u30b9<\/small><\/td><td><small>\u7248\u753b\u96c6\u300c\u5f71\u306e\u4e2d\u3067\u300d\u3088\u308a 3.\u50b7\u75cd\u8ecd\u4eba\u3068\u52b4\u50cd\u8005<\/small><\/td><td><small>1920\/21<\/small><\/td><td><small>\u30ea\u30c8\u30b0\u30e9\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>George Grosz<\/small><\/td><td><small>3.Disabled Ex-servicemen and Workers from \u201cIn the Shadows\u201d<\/small><\/td><td><small>lithograph<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30fb\u30b0\u30ed\u30b9<\/small><\/td><td><small>\u7248\u753b\u96c6\u300c\u5f71\u306e\u4e2d\u3067\u300d\u3088\u308a 5.\u7d66\u6599\u65e5<\/small><\/td><td><small>1920\/21<\/small><\/td><td><small>\u30ea\u30c8\u30b0\u30e9\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>George Grosz<\/small><\/td><td><small>5.Payday from \u201cIn the Shadows\u201d<\/small><\/td><td><small>lithograph<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30fb\u30b0\u30ed\u30b9<\/small><\/td><td><small>\u7248\u753b\u96c6\u300c\u5f71\u306e\u4e2d\u3067\u300d\u3088\u308a 6.\u5915\u66ae\u308c<\/small><\/td><td><small>1919\/20<\/small><\/td><td><small>\u30ea\u30c8\u30b0\u30e9\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>George Grosz<\/small><\/td><td><small>6.Dusk from \u201cIn the Shadows\u201d<\/small><\/td><td><small>lithograph<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30fb\u30b0\u30ed\u30b9<\/small><\/td><td><small>\u7248\u753b\u96c6\u300c\u5f71\u306e\u4e2d\u3067\u300d\u3088\u308a 7.\u307e\u30605\u6642\u3060\u3068\u3044\u3046\u306e\u306b!<\/small><\/td><td><small>1920\/21<\/small><\/td><td><small>\u30ea\u30c8\u30b0\u30e9\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>George Grosz<\/small><\/td><td><small>7.Early Yet, It\u2019s Five O\u2019clock from \u201cIn the Shadows\u201d<\/small><\/td><td><small>lithograph<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30fb\u30b0\u30ed\u30b9<\/small><\/td><td><small>\u7248\u753b\u96c6\u300c\u5f71\u306e\u4e2d\u3067\u300d\u3088\u308a 8.\u30a4\u30f3\u30d5\u30ec<\/small><\/td><td><small>1920\/21<\/small><\/td><td><small>\u30ea\u30c8\u30b0\u30e9\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>George Grosz<\/small><\/td><td><small>8.Inflation from \u201cIn the Shadows\u201d<\/small><\/td><td><small>lithograph<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30fb\u30b0\u30ed\u30b9<\/small><\/td><td><small>\u7248\u753b\u96c6\u300c\u5f71\u306e\u4e2d\u3067\u300d\u3088\u308a 9.\u901a\u308a\u306e\u4eba\u3005<\/small><\/td><td><small>1920\/21<\/small><\/td><td><small>\u30ea\u30c8\u30b0\u30e9\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>George Grosz<\/small><\/td><td><small>9.People in the Street from \u201cIn the Shadows\u201d<\/small><\/td><td><small>lithograph<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30d1\u30a6\u30eb\u30fb\u30af\u30ec\u30fc<\/small><\/td><td><small>\u5c71\u3078\u306e\u885d\u52d5<\/small><\/td><td><small>1939<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u7dbf\u5e03<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Paul Klee<\/small><\/td><td><small>Conquest of the Mountain<\/small><\/td><td><small>oil on cotton<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30d1\u30a6\u30eb\u30fb\u30af\u30ec\u30fc<\/small><\/td><td><small>\u7834\u58ca\u3068\u5e0c\u671b<\/small><\/td><td><small>1916<\/small><\/td><td><small>\u30ea\u30c8\u30b0\u30e9\u30d5\u3001\u624b\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Paul Klee<\/small><\/td><td><small>Destruction and Hope<\/small><\/td><td><small>lithograph colored by hand<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30af\u30eb\u30c8\u30fb\u30b7\u30e5\u30f4\u30a3\u30c3\u30bf\u30fc\u30b9<\/small><\/td><td><small>E. +E. \u30b7\u30e5\u30f4\u30a3\u30c3\u30bf\u30fc\u30b9\u3088\u308a<\/small><\/td><td><small>1947<\/small><\/td><td><small>\u30b3\u30e9\u30fc\u30b8\u30e5\u30fb\u7d19<\/small><\/td><td><small>\u30d5\u30e9\u30f3\u30b7\u30b9\u30fb\u30ed\u30a4\u30c9\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Kurt Schwitters<\/small><\/td><td><small>From E.+E. Schwitters<\/small><\/td><td><small>collage on paper<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u77f3\u5ddd\u5bc5\u6cbb<\/small><\/td><td><small>\u6e21\u6d0b\u7206\u6483<\/small><\/td><td><small>1941<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>ISHIKAWA, Toraji<\/small><\/td><td><small>Transoceanic Bombing<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c0f\u5ddd\u539f\u8129<\/small><\/td><td><small>\u6210\u90fd\u7206\u6483<\/small><\/td><td><small>1945<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>OGAWARA, Shu<\/small><\/td><td><small>Bombing Chengdu<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4f50\u85e4\u656c<\/small><\/td><td><small>\u30af\u30e9\u30fc\u30af\u30d5\u30a3\u30fc\u30eb\u30c9\u653b\u6483<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>SATO, Kei<\/small><\/td><td><small>Air Raid on Clark Field<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5fa1\u53a8\u7d14\u4e00<\/small><\/td><td><small>\u30cb\u30e5\u30fc\u30ae\u30cb\u30a2\u6c96\u6771\u65b9\u6575\u6a5f\u52d5\u90e8\u968a\u5f37\u8972<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>MIKURIYA, Jun\u2019ichi<\/small><\/td><td><small>Assault on the Enemy\u2019s Mobile Troops Off New Guinea<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9db4\u7530\u543e\u90ce<\/small><\/td><td><small>\u795e\u5175\u30d1\u30ec\u30f3\u30d0\u30f3\u306b\u964d\u4e0b\u3059<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>TSURUTA, Goro<\/small><\/td><td><small>Paratroops Descending on Palembang<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u54c8\u723e\u54c8\u6cb3\u7554\u4e4b\u6226\u95d8<\/small><\/td><td><small>1941<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Battle on the Banks of the Khalkha, Nomonhan<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u60c5\u5831\u5c40\u7de8\u300e\u5199\u771f\u9031\u5831\u300f\u7b2c238\u53f7\uff081942\u5e749\u670816\u65e5\uff09<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Johokyoku (Information Agency) ed.,<\/small><br><small>Shashin shuho (Weekly Photographic Report),<\/small><br><small>No. 238, September 16, 1942<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>3F (Third floor)<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u30b3\u30bf\u30fb\u30d0\u30eb<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Kota Baru<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u5b8f<\/small><\/td><td><small>\u57fa\u5730<\/small><\/td><td><small>1957<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u5408\u677f<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>NAKAMURA, Hiroshi<\/small><\/td><td><small>The Base<\/small><\/td><td><small>oil on plywood<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u85e4\u7530\u55e3\u6cbb<\/small><\/td><td><small>\u30a2\u30c3\u30c4\u5cf6\u7389\u7815<\/small><\/td><td><small>1943<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>FUJITA, Tsuguharu<\/small><\/td><td><small>Final Fighting on Attu<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u53e4\u6ca2\u5ca9\u7f8e<\/small><\/td><td><small>\u9913\u9b3c<\/small><\/td><td><small>1952<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>FURUSAWA, Iwami<\/small><\/td><td><small>Starveling<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5bae\u672c\u4e09\u90ce<\/small><\/td><td><small>\u9999\u6e2f\u30cb\u30b3\u30eb\u30bd\u30f3\u9644\u8fd1\u306e\u6fc0\u6226<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>MIYAMOTO, Saburo<\/small><\/td><td><small>Fierce Fighting Near Mount Nicholson, Hong Kong<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c71\u4e0b\u83ca\u4e8c<\/small><\/td><td><small>\u3042\u3051\u307c\u306e\u6751\u7269\u8a9e<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30c9\u30f3\u30b4\u30ed\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>YAMASHITA, Kikuji<\/small><\/td><td><small>The Tale of Akebono Village<\/small><\/td><td><small>oil on dungarees<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5ca1\u672c\u592a\u90ce<\/small><\/td><td><small>\u30b3\u30f3\u30c8\u30eb\u30dd\u30a2\u30f3<\/small><\/td><td><small>1935\/54<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>OKAMOTO, Taro<\/small><\/td><td><small>Counterpoint<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5ca1\u672c\u592a\u90ce<\/small><\/td><td><small>\u591c\u660e\u3051<\/small><\/td><td><small>1948<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>OKAMOTO, Taro<\/small><\/td><td><small>Dawn<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>69<\/small><\/td><td><small>\u5ca1\u672c\u592a\u90ce<\/small><\/td><td><small>\u71c3\u3048\u308b\u4eba<\/small><\/td><td><small>1955<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>OKAMOTO, Taro<\/small><\/td><td><small>Men Aflame<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Chim \u2191 Pom<\/small><\/td><td><small>REAL TIMES<\/small><\/td><td><small>2011<\/small><\/td><td><small>\u30f4\u30a3\u30c7\u30aa\u3000\u30ab\u30e9\u30fc\u3000<\/small><br><small>\u30b5\u30a6\u30f3\u30c9\u300011\u520611\u79d2<\/small><\/td><td><small>\u5bc4\u8a17<\/small><\/td><td><small>Chim \u2191 Pom<\/small><\/td><td><small>REAL TIMES<\/small><\/td><td><small>video color sound 11\u201911\u201d<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9593\u6240\u7d17\u7e54<\/small><\/td><td><small>\u5973(B)<\/small><\/td><td><small>1955<\/small><\/td><td><small>\u67d3\u6599\u3001\u305d\u306e\u4ed6\u30fb\u5e03<\/small><\/td><td><small>\u9593\u6240\u5e78\u96c4\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>MADOKORO, Saori<\/small><\/td><td><small>Woman (B)<\/small><\/td><td><small>dye, etc. on cloth<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9593\u6240\u7d17\u7e54<\/small><\/td><td><small>\u795e\u8a71\u3000\u795e\u3005\u306e\u8a95\u751f<\/small><\/td><td><small>1956<\/small><\/td><td><small>\u67d3\u6599\u3001\u305d\u306e\u4ed6\u30fb\u5e03<\/small><\/td><td><small>\u9593\u6240\u5e78\u96c4\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>MADOKORO, Saori<\/small><\/td><td><small>Myth\u2015Birth of Gods<\/small><\/td><td><small>dye, etc. on cloth<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9593\u6240\u7d17\u7e54<\/small><\/td><td><small>\u795e\u8a71\u3088\u308a<\/small><\/td><td><small>1956<\/small><\/td><td><small>\u67d3\u6599\u3001\u305d\u306e\u4ed6\u30fb\u5e03<\/small><\/td><td><small>\u9593\u6240\u5e78\u96c4\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>MADOKORO, Saori<\/small><\/td><td><small>From the Japanese Myth<\/small><\/td><td><small>dye, etc. on cloth<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba41<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 1<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba42<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 2<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba43<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 3<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba44<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 4<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba45<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 5<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba46<\/small><\/td><td><small>1953-54<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 6<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba47<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 7<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba48<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 8<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba49<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 9<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba410<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 10<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba411<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 11<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba412<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 12<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba413<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 13<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba414<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 14<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba415<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 15<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba416<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 16<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba417<\/small><\/td><td><small>1953-54<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 17<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba418<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 18<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba419<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 19<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba420<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 20<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba421<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 21<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba422<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 22<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba423<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 23<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba424<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 24<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba425<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 25<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba426<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 26<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba427<\/small><\/td><td><small>1953-54<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 27<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba428<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 28<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>85<\/small><\/td><td><small>\u8349\u9593\u5f4c\u751f<\/small><\/td><td><small>\u51a5\u754c\u3078\u306e\u9053\u6a19<\/small><\/td><td><small>1976<\/small><\/td><td><small>\u8a70\u7269\u5165\u308a\u7e2b\u88fd\u5e03\u3001\u9774\u3001\u6728\u3001\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KUSAMA, Yayoi<\/small><\/td><td><small>A Signpost to Hades<\/small><\/td><td><small>sewn stuffed fabric, shoes, wood and paint<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5de5\u85e4\u54f2\u5df3<\/small><\/td><td><small>\u3042\u306a\u305f\u306e\u5076\u50cf<\/small><\/td><td><small>1962<\/small><\/td><td><small>\u6728\u3001\u92fc\u9244\u3001\u30ac\u30e9\u30b9\u74f6\u3001<\/small><br><small>\u30d3\u30cb\u30fc\u30eb\u88fd\u4eba\u5f62\u3001<\/small><br><small>\u6ce8\u5c04\u5668\u3001\u30ef\u30c3\u30af\u30b9\u3001\u6bdb\u3001\u305d\u306e\u4ed6<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KUDO, Tetsumi<\/small><\/td><td><small>Your Idol<\/small><\/td><td><small>wood, steel, glass bottles, plastic dolls, injectors, wax, hair, etc.<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7d30\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8594\u8587\u5211\u3000\u4f5c\u54c118<\/small><\/td><td><small>1961<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.18<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7d30\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8594\u8587\u5211\u3000\u4f5c\u54c132<\/small><\/td><td><small>1961<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.32<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7d30\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8594\u8587\u5211\u3000\u4f5c\u54c138<\/small><\/td><td><small>1961<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.38<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7d30\u6c5f\u82f1\u516c<\/small><\/td><td><small>\u8594\u8587\u5211\u3000\u4f5c\u54c129<\/small><\/td><td><small>1962<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HOSOE, Eikoh<\/small><\/td><td><small>Ordeal by Roses No.29<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6e21\u8fba\u514b\u5df3<\/small><\/td><td><small>\u30b2\u30a4\u30dc\u30fc\u30a4\u3001\u65b0\u5bbf<\/small><\/td><td><small>1967<br>(c.2005 print)<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>WATANABE, Katsumi<\/small><\/td><td><small>Host in a bar for male homosexuals,Shinjuku<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6e21\u8fba\u514b\u5df3<\/small><\/td><td><small>\u30cc\u30fc\u30c9\u30b9\u30bf\u30b8\u30aa\u5b22\u3001\u65b0\u5bbf<\/small><\/td><td><small>1968<br>(c.2005 print)<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>WATANABE, Katsumi<\/small><\/td><td><small>Girl in a nude studio,<\/small><br><small>Shinjuku<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6e21\u8fba\u514b\u5df3<\/small><\/td><td><small>\u30b2\u30a4\u30dc\u30fc\u30a4\u3001\u65b0\u5bbf<\/small><\/td><td><small>1969<br>(c.2005 print)<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>WATANABE, Katsumi<\/small><\/td><td><small>Host in a bar for male<\/small><br><small>homosexuals, Shinjuku<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6e21\u8fba\u514b\u5df3<\/small><\/td><td><small>\u30cc\u30fc\u30c9\u30b9\u30bf\u30b8\u30aa\u5b22\u3001\u65b0\u5bbf<\/small><\/td><td><small>1969<br>(c.2005 print)<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>WATANABE, Katsumi<\/small><\/td><td><small>Girl in a nude studio,<\/small><br><small>Shinjuku<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u68ee\u6751\u6cf0\u660c<\/small><\/td><td><small>\u70c8\u706b\u306e\u5b63\u7bc0\uff0f<\/small><br><small>\u306a\u306b\u3082\u306e\u304b\u3078\u306e\u30ec\u30af\u30a4\u30a8\u30e0\uff08MISHIMA\uff09<\/small><\/td><td><small>2006<\/small><\/td><td><small>HDTV\u3000\u30ab\u30e9\u30fc\u3000<\/small><br><small>\u30b5\u30a6\u30f3\u30c9\u30007\u520647\u79d2<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MORIMURA, Yasumasa<\/small><\/td><td><small>Seasons of Passion\/ A Requiem: MISHIMA<\/small><\/td><td><small>HDTV color sound 7\u201947\u201d<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u68ee\u6751\u6cf0\u660c<\/small><\/td><td><small>\u306a\u306b\u3082\u306e\u304b\u3078\u306e\u30ec\u30af\u30a4\u30a8\u30e0\uff08MISHIMA 1970.11.25-2006.4.6\uff09<\/small><\/td><td><small>2006<\/small><\/td><td><small>\u30bf\u30a4\u30d7C\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MORIMURA, Yasumasa<\/small><\/td><td><small>A Requiem: MISHIMA, 1970.11.25 \u2013 2006.4.6<\/small><\/td><td><small>type C print<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u671d\u5009\u6442<\/small><\/td><td><small>\u9ed2\u4eba\u6b4c\u624b\u30dd\u30fc\u30eb\u30fb\u30ed\u30d6\u30bd\u30f3<\/small><\/td><td><small>1959<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>ASAKURA, Setsu<\/small><\/td><td><small>Paul Robeson, black Singer<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F\u3000<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u897f\u6e56(\u305b\u3044\u3053)\u5b64\u5c71\u30ce\u5854<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Tower on Gushan Mountain, Lake Xi from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u897f\u6e56(\u305b\u3044\u3053)<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Lake Xi from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u897f\u6e56(\u305b\u3044\u3053)<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Lake Xi from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F\u3000<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u897f\u6e56(\u305b\u3044\u3053)<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Lake Xi from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F\u3000<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u897f\u6e56(\u305b\u3044\u3053)<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Lake Xi from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F\u3000<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u96f7\u5cf0\u5854\u897f\u6e56(\u305b\u3044\u3053)<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Leifengta Tower, Lake Xi from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S\u3000<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u8fe6\u8036(\u30ac\u30e4\u30fc)\u6240\u898b<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>A Scene in Gaya from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S\u3000<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u8fe6\u8036(\u30ac\u30e4\u30fc)\u6240\u898b<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>A Scene in Gaya from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S\u3000<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u8fe6\u8036(\u30ac\u30e4\u30fc)\u30ce\u753a<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>The Town of Gaya from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S\u3000<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u8fe6\u8036(\u30ac\u30e4\u30fc)\u6240\u898b<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>A Scene in Gaya from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S<\/small><\/td><td>&nbsp;<\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u300c\u5370\u5ea6\u65c5\u884c\u30b9\u30b1\u30c3\u30c1\u5e33\u300d\u3088\u308a\u3000\u4ecf\u9640\u8fe6\u8036(\u30ac\u30e4\u30fc)\u30ce\u5bfa\u30ce\u9580<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>A Temple Gate in Buddha-Gaya from \u201cSketches from the Trip to India\u201d<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u52a0\u5c71\u53c8\u9020<\/small><\/td><td><small>\u60b2\u3057\u304d\u9e7f<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KAYAMA, Matazo<\/small><\/td><td><small>Pathetic Deer<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e0b\u6751\u826f\u4e4b\u4ecb<\/small><\/td><td><small>\u98db\u7fd4\u3078\u306e\u62b5\u6297<\/small><\/td><td><small>1963-64<\/small><\/td><td><small>\u677f\u3001\u7d19\u7c98\u571f\u306b\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>SHIMOMURA, Ryonosuke<\/small><\/td><td><small>Struggle for Flight<\/small><\/td><td><small>paper clay and pigment on panel<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e0b\u6751\u826f\u4e4b\u4ecb<\/small><\/td><td><small>\u9a12<\/small><\/td><td><small>1958<\/small><\/td><td><small>\u7d19\u672c\u58a8\u753b<\/small><\/td><td><small>\u9ad8\u6a4b\u7fa9\u535a\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>SHIMOMURA, Ryonosuke<\/small><\/td><td><small>Fuss<\/small><\/td><td><small>sumi on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u798f\u7530\u8c4a\u56db\u90ce<\/small><\/td><td><small>\u5c71\u6cb3<\/small><\/td><td><small>1951<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>FUKUDA, Toyoshiro<\/small><\/td><td><small>Landscape<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u798f\u7530\u8c4a\u56db\u90ce<\/small><\/td><td><small>\u82f1\u9818\u30dc\u30eb\u30cd\u30aa\u3092\u885d\u304f<\/small><\/td><td><small>c.1942<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>FUKUDA, Toyoshiro<\/small><\/td><td><small>Attack on British Borneo<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u661f\u91ce\u771e\u543e<\/small><\/td><td><small>\u5931\u984c\u30fb\u6b6f\u8eca<\/small><\/td><td><small>1952<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u9ad8\u7551\u90c1\u5b50\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>HOSHINO, Shingo<\/small><\/td><td><small>Title Lost, Cogwheels<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e09\u4e0a\u8aa0<\/small><\/td><td><small>\u30ab\u30e9\u30f3\u306e\u706b<\/small><\/td><td><small>1962<\/small><\/td><td><small>\u7d19\u306b\u881f\u3001\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MIKAMI, Makoto<\/small><\/td><td><small>Fire in Haran<\/small><\/td><td><small>color and wax on paper, framed<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u5ca1\u5805\u4e8c<\/small><\/td><td><small>\u6905\u5b50\u306b\u3088\u308b\u5973<\/small><\/td><td><small>1931<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>Woman Sitting on a Chair<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u5ca1\u5805\u4e8c<\/small><\/td><td><small>\u6c37\u539f<\/small><\/td><td><small>1940<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>Ice Field<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u5ca1\u5805\u4e8c<\/small><\/td><td><small>\u67ff<\/small><\/td><td><small>1948<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>Persimmon<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u5ca1\u5805\u4e8c<\/small><\/td><td><small>\u697d\u82d1<\/small><\/td><td><small>1950<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>A Paradise<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u5ca1\u5805\u4e8c<\/small><\/td><td><small>\u30d6\u30e9\u30ab\u30f3\u30de\u30c6\u30a3\u8981\u585e\u306e\u7206\u6483<\/small><\/td><td><small>1944<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>Bombing the Fortress at Blakang Mati<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u5ca1\u5805\u4e8c<\/small><\/td><td><small>\u9ad8\u5343\u7a42\u964d\u4e0b\u90e8\u968a\u30ec\u30a4\u30c6\u6575\u98db\u884c\u5834\u3092\u653b\u6483\u3059<\/small><\/td><td><small>1945<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>YOSHIOKA, Kenji<\/small><\/td><td><small>The Takachiho Paratroop Unit Attacking an Enemy Airfield on Layte<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6e21\u8fba\u5b66<\/small><\/td><td><small>\u9b5a\u30fb\u4eba<\/small><\/td><td><small>1962<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>WATANABE, Gaku<\/small><\/td><td><small>Fish, Man<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300c\u7b2c\u4e09\u56de\u65b0\u65e5\u672c\u753b\u7814\u7a76\u4f1a\u5c55\u89a7\u4f1a\u300d\u300e\u963f\u3005\u571f\u300f20\u53f7<\/small><br><small>\uff081937\u5e747\u6708\uff09<\/small><\/td><td><small>1937<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cThe Third New Nihon-ga Research Society<\/small><br><small>Exhibition\u201d,Aato = art, no.20, July 1934<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u798f\u7530\u8c4a\u56db\u90ce\u300c\u611f\u60f3\u4e00\u675f\u3000\u65b0\u65e5\u672c\u753b\u306b\u5c31\u3066\u300d\u300e\u7f8e\u4e4b\u56fd\u300f13\u5dfb12\u53f7<\/small><br><small>\uff081937\u5e7412\u6708\uff09<\/small><\/td><td><small>1937<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Fukuda Toyoshiro,\u201cA Bundle of Impressions:<\/small><br><small>Concerning New-Nihon-ga\u201d<\/small><br><small>Binokuni no.13-12,December 1937<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300e\u6b74\u7a0b\u7f8e\u8853\u300f1\u53f7<\/small><br><small>\uff081939\u5e747\u6708\uff09\u6b74\u7a0b\u7f8e\u8853\u5354\u4f1a<\/small><\/td><td><small>1939<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Rekitei-\uff42\uff49\uff4a\uff55\uff54\uff53\uff55 no.1, July 1939<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u56db\u5bae\u6f64\u4e00\u300c\u7b2c\u4e00\u56de\u6b74\u7a0b\u7f8e\u8853\u5c55\u89a7\u4f1a\u300d\u300e\u963f\u3005\u571f\u300f25\u53f7<\/small><br><small>\uff081939\u5e744\u6708\uff09<\/small><\/td><td><small>1939<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Shinomiya Jun\u2019ichi,\u201cThe 1st Rekitei Art Association Exhibition\u201d, AatoAato = Art no.25, April 1939<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300c\u9678\u8ecd\u4f5c\u6226\u8a18\u9332\u753b\u512a\u79c0\u4f5c\u54c1\u8a55\u300d\u300e\u7f8e\u8853\u300f4\u53f7<\/small><br><small>\uff081944\u5e745\u6708\uff09<\/small><\/td><td><small>1944<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cReview of Excellent Work:<\/small><br><small>Documentary Paintings of Army Strategy\u201d, Bijutsu (Art), no.4, May 1944<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6851\u539f\u6b66\u96c4\u300e\u73fe\u4ee3\u65e5\u672c\u6587\u5316\u306e\u53cd\u7701\u300f\u767d\u65e5\u66f8\u9662\uff081948\u5e743\u6708\uff09\u300c\u7b2c\u4e8c\u82b8\u8853\u2015\u73fe\u4ee3\u4ff3\u53e5\u306b\u3064\u3044\u3066\u2015\u300d<\/small><\/td><td><small>1948<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>Kuwabara,Takeo<\/small><\/td><td><small>\u201cA Second-Class Art: On Contemporary Haiku\u201d Kuwabara Takeo, Reflections on Contemporary Japanese Culture (Hakujitsu Shoin, March 1948)<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c0f\u91ce\u5341\u4e09\u90ce\u300c\u5974\u96b7\u306e\u97fb\u5f8b\u300d\u300e\u77ed\u6b4c\u96d1\u8a8c\u3000\u516b\u96f2\u300f\u901a\u5dfb12\u53f7\uff081948\u5e741\u6708\uff09<\/small><\/td><td><small>1948<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Ono Tozaburo, \u201cSlave Rhythm\u201d,<\/small><br><small>Tanka Journal Yakumo, no.12, January 1948<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u81fc\u4e95\u5409\u898b\u300c\u5c55\u671b\u300d\u300e\u5c55\u671b\u300f5\u53f7<\/small><br><small>\uff081946\u5e745\u6708\uff09<\/small><\/td><td><small>1946<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Usui Yoshimi, \u201cTenbo\u201d,Tenbo no.5, May 1946<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u85e4\u672c\u97f6\u4e09\u300c\u4e09\u5f69\u96d1\u8a18\u300d\u300e\u4e09\u5f69\u300f9\u53f7<\/small><br><small>\uff081947\u5e747\u6708\uff09<\/small><\/td><td><small>1947<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Fujimoto Shozo, \u201cSansai Zakki\u201d,Sansai no.9<\/small><br><small>, July 1947<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>&nbsp;<\/small><\/td><td><small>\u300c\u300e\u5275\u9020\u7f8e\u8853\u300f\u306e\u7d50\u6210\u300d\u300e\u4e09\u5f69\u300f17\u53f7<\/small><br><small>\uff081948\u5e743\u6708\uff09<\/small><\/td><td><small>1948<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cThe Formation of Sozo Bijutsu\u201d,Sansai no.17, March 1948<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u66fd\u5bae\u4e00\u5ff5\u300c\u7f8e\u8853\u306e\u5929\u6c17\u4e88\u5831\u300d\u300e\u4e09\u5f69\u300f18\u53f7<\/small><br><small>\uff081948\u5e744\u6708\uff09<\/small><\/td><td><small>1948<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Somiya Ichinen, \u201cArt Weather Report\u201d,Sansai no.18, April 1948<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u300c\u65e5\u672c\u753b\u6ec5\u4ea1\u8ad6\u300d\u300e\u4e09\u5f69\u300f26\u53f7<\/small><br><small>\uff081949\u5e741\u6708\uff09<\/small><\/td><td><small>1949<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u201cThe Theory of Nihon-ga\u2019s Demise\u201d,Sansai no.26, Janualy 1949<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u571f\u9580\u62f3\u300c\u5be9\u67fb\u98a8\u666f\u300e\u4e09\u5f69\u300f25\u53f7\uff081948\u5e7412\u6708\uff09<\/small><\/td><td><small>1948<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Domon Ken,\u201cExamination Scene\u201d, &nbsp;&nbsp;&nbsp;<\/small><br><small>Sansai, no.25, December 1948 issue<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S. F. \u300c\u4e09\u5f69\u96d1\u8a18\u300d\u300e\u4e09\u5f69\u300f30\u53f7\uff081949\u5e745\u6708\uff09<\/small><\/td><td><small>1949<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u500b\u4eba\u8535<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S.F., \u201cSansai zakki\u201d,Sansai no.30, May 1949<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4eca\u6cc9\u7be4\u7537\u300c\u8fd1\u4ee3\u7d75\u753b\u3068\u3057\u3066\u306e\u65e5\u672c\u753b\u300d\u300e\u4e09\u5f69\u300f32\u53f7\uff081949\u5e747\u6708\uff09<\/small><\/td><td><small>1949<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Imaizumi Atsuo, \u201cNihon-ga as Modern Painting\u201d,Sansai no.32, July 1949<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30d1\u30f3\u30ea\u30a2\u30eb\u5c55\u7b2c1\u56de 1949\u5e745\u6708<\/small><\/td><td><small>1949<\/small><\/td><td><small>\u30d1\u30f3\u30d5\u30ec\u30c3\u30c8\uff08\u30b3\u30d4\u30fc\uff09<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1st Pan-Real Exhibition, May 1949<\/small><\/td><td><small>Brossure(photocopy)<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u30d1\u30f3\u30ea\u30a2\u30eb\u5c55\u3000\u7b2c1\u56de\u3000<\/small><br><small>1955\u5e7410\u6708 \u30d1\u30f3\u30ea\u30a2\u30eb\u4e8b\u52d9\u6240<\/small><\/td><td><small>1955<\/small><\/td><td><small>\u30d1\u30f3\u30d5\u30ec\u30c3\u30c8<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>1st Pan-Real Exhibition, Tokyo, October 1955<\/small><\/td><td><small>Brossure (photocopy)<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u7fa9\u4e00\u300c\u30d1\u30f3\u30fb\u30ea\u30a2\u30eb\u5c55\u8a55\u300d\u300e\u7f8e\u8853\u6279\u8a55\u300f39\u53f7\uff081955\u5e743\u6708\uff09<\/small><\/td><td><small>1955<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Nakamura Yoshikazu, \u201cReview of Pan-Real Exhibition\u201d,<\/small><br><small>Bijutsu-hihyo, no.39, March 1955<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u91ce\u82b3\u660e\u300c\u30d1\u30f3\u30ea\u30a2\u30eb\u5c55\u300d\u300e\u7f8e\u8853\u6279\u8a55\u300f48\u53f7\uff081955\u5e7412\u6708\uff09<\/small><\/td><td><small>1955<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Tono Yochiaki, \u201cPan-Real Exhibition\u201d,<\/small><br><small>Bijutsu-hihyo, no.48, December 1955<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u91ce\u82b3\u660e\u300c\u65b0\u5236\u4f5c\u65e5\u672c\u753b\u90e8\u8a55\u300d\u300e\u4e09\u5f69\u300f81\u53f7<\/small><br><small>\uff081956\u5e7411\u6708\uff09<\/small><\/td><td><small>1956<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Tono Yoshiaki, \u201cReview of Shinseisaku Exhibition,<\/small><br><small>Section of Nihon-ga\u201d,Sansai no.81, November 1956<\/small><\/td><td><small>\u3000<\/small><\/td><\/tr><tr><td><small>3F\u3001<\/small><br><small>EV\u30db\u30fc\u30eb<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u67f3\u539f\u7fa9\u9054<\/small><\/td><td><small>\u72ac\u306e\u5504<\/small><\/td><td><small>1961<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YANAGIHARA, Yoshitatsu<\/small><\/td><td><small>Song of the Dog<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>3F\u3001<\/small><br><small>EV\u30db\u30fc\u30eb<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u67f3\u539f\u7fa9\u9054<\/small><\/td><td><small>\u9053\u6a19(\u98a8\u3068\u9d09)<\/small><\/td><td><small>1966<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YANAGIHARA, Yoshitatsu<\/small><\/td><td><small>Milestone (Wind and Crow)<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>3F\u3001<\/small><br><small>EV\u30db\u30fc\u30eb<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30de\u30ea\u30ce\u30fb\u30de\u30ea\u30fc\u30cb<\/small><\/td><td><small>\u5c0f\u3055\u306a\u88f8\u5a66<\/small><\/td><td><small>1943<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>MARINI, Marino<\/small><\/td><td><small>Small Nude<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>2F (Second floor)<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u571f\u65b9\u4e45\u529f<\/small><\/td><td><small>\u5cf6\u306e\u7537<\/small><\/td><td><small>c.1969<\/small><\/td><td><small>\u6c34\u5f69\u30fb\u7d19<\/small><\/td><td><small>\u571f\u65b9\u656c\u5b50\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>HIJIKATA, Hisakatsu<\/small><\/td><td><small>Man of an Island<\/small><\/td><td><small>watercolor on paper<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u571f\u65b9\u4e45\u529f<\/small><\/td><td><small>\u732b\u72ac<\/small><\/td><td><small>1974<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u571f\u65b9\u656c\u5b50\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>HIJIKATA, Hisakatsu<\/small><\/td><td><small>Cat-Dog<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u821f\u8d8a\u76f4\u6728<\/small><\/td><td><small>Monday<\/small><\/td><td><small>2006<\/small><\/td><td><small>\u77f3\u818f\u3001\u30b9\u30bf\u30c3\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>FUNAKOSHI, Naoki<\/small><\/td><td><small>Monday<\/small><\/td><td><small>plaster and stuff<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u821f\u8d8a\u76f4\u6728<\/small><\/td><td><small>Moon<\/small><\/td><td><small>2006<\/small><\/td><td><small>\u77f3\u818f\u3001\u30b9\u30bf\u30c3\u30d5<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>FUNAKOSHI, Naoki<\/small><\/td><td><small>Moon<\/small><\/td><td><small>plaster and stuff<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u821f\u8d8a\u4fdd\u6b66<\/small><\/td><td><small>\u539f\u306e\u57ce<\/small><\/td><td><small>1971<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>FUNAKOSHI, Yasutake<\/small><\/td><td><small>Haranojo Castle<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>82<\/small><\/td><td><small>\u4e09\u6728\u5bcc\u96c4<\/small><\/td><td><small>EAR<\/small><\/td><td><small>1965<\/small><\/td><td><small>\u30a2\u30eb\u30df\u30cb\u30a6\u30e0<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MIKI, Tomio<\/small><\/td><td><small>EAR<\/small><\/td><td><small>aluminum<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30de\u30b0\u30c0\u30ec\u30fc\u30ca\u30fb\u30a2\u30d0\u30ab\u30ce\u30f4\u30a3\u30c3\u30c1<\/small><\/td><td><small>\u30a2\u30ed\u30a8\u30b9<\/small><\/td><td><small>2002-03<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Magdalena\u3000Abakanowicz<\/small><\/td><td><small>Aloes<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30de\u30b0\u30c0\u30ec\u30fc\u30ca\u30fb\u30a2\u30d0\u30ab\u30ce\u30f4\u30a3\u30c3\u30c1<\/small><\/td><td><small>\u30a2\u30ca\u30b9\u30bf\u30b7\u30e4\u30fb\u30bb\u30b3\u30f3\u30c0<\/small><\/td><td><small>2002-03<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Magdalena\u3000Abakanowicz<\/small><\/td><td><small>Anastazja Seconda<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b1\u30fc\u30c6\u30fb\u30b3\u30eb\u30f4\u30a3\u30c3\u30c4<\/small><\/td><td><small>\u300c\u8fb2\u6c11\u6226\u4e89\u300d\u3088\u308a<\/small><br><small>1. \u92e4\u3092\u5f15\u304f\u4eba<\/small><\/td><td><small>1906<br>(1921 reprint)<\/small><\/td><td><small>\u9285\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>K\u00e4the Kollwitz<\/small><\/td><td><small>1. The Ploughmen from the \u201cPeasants\u2019 War\u201d<\/small><\/td><td><small>etching<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b1\u30fc\u30c6\u30fb\u30b3\u30eb\u30f4\u30a3\u30c3\u30c4<\/small><\/td><td><small>\u300c\u8fb2\u6c11\u6226\u4e89\u300d\u3088\u308a<\/small><br><small>2. \u51cc\u8fb1<\/small><\/td><td><small>1907<br>(1921 reprint)<\/small><\/td><td><small>\u9285\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>K\u00e4the Kollwitz<\/small><\/td><td><small>2. Raped from the \u201cPeasants\u2019 War\u201d<\/small><\/td><td><small>etching<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b1\u30fc\u30c6\u30fb\u30b3\u30eb\u30f4\u30a3\u30c3\u30c4<\/small><\/td><td><small>\u300c\u8fb2\u6c11\u6226\u4e89\u300d\u3088\u308a<\/small><br><small>3. \u938c\u3092\u3068\u3050<\/small><\/td><td><small>1905<br>(1921 reprint)<\/small><\/td><td><small>\u9285\u7248<\/small><\/td><td><small>\u5c71\u53e3\u8cb4\u4e45\u7537\u3001<\/small><br><small>\u7f8e\u6075\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>K\u00e4the Kollwitz<\/small><\/td><td><small>3. Sharpening a Sickle from the \u201cPeasants\u2019 War\u201d<\/small><\/td><td><small>etching<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b1\u30fc\u30c6\u30fb\u30b3\u30eb\u30f4\u30a3\u30c3\u30c4<\/small><\/td><td><small>\u300c\u8fb2\u6c11\u6226\u4e89\u300d\u3088\u308a<\/small><br><small>4. \u30a2\u30fc\u30c1\u306e\u4e0b\u3067\u306e\u6b66\u88c5<\/small><\/td><td><small>1906<br>(1921 reprint)<\/small><\/td><td><small>\u9285\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>K\u00e4the Kollwitz<\/small><\/td><td><small>4. Seizing Arms in a Cellar from the \u201cPeasants\u2019 War\u201d<\/small><\/td><td><small>etching<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b1\u30fc\u30c6\u30fb\u30b3\u30eb\u30f4\u30a3\u30c3\u30c4<\/small><\/td><td><small>\u300c\u8fb2\u6c11\u6226\u4e89\u300d\u3088\u308a<\/small><br><small>5. \u7a81\u6483<\/small><\/td><td><small>1903<br>(1921 reprint)<\/small><\/td><td><small>\u9285\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>K\u00e4the Kollwitz<\/small><\/td><td><small>5. Outbreak from the \u201cPeasants\u2019 War\u201d<\/small><\/td><td><small>etching<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b1\u30fc\u30c6\u30fb\u30b3\u30eb\u30f4\u30a3\u30c3\u30c4<\/small><\/td><td><small>\u300c\u8fb2\u6c11\u6226\u4e89\u300d\u3088\u308a<\/small><br><small>6. \u6226\u5834<\/small><\/td><td><small>1907<\/small><\/td><td><small>\u9285\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>K\u00e4the Kollwitz<\/small><\/td><td><small>6. Battlefield from the \u201cPeasants\u2019 War\u201d<\/small><\/td><td><small>etching<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b1\u30fc\u30c6\u30fb\u30b3\u30eb\u30f4\u30a3\u30c3\u30c4<\/small><\/td><td><small>\u300c\u8fb2\u6c11\u6226\u4e89\u300d\u3088\u308a<\/small><br><small>7. \u56da\u308f\u308c\u305f\u4eba\u3005<\/small><\/td><td><small>1908<\/small><\/td><td><small>\u9285\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>K\u00e4the Kollwitz<\/small><\/td><td><small>7. The Prisoners from the \u201cPeasants\u2019 War\u201d<\/small><\/td><td><small>etching<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30bf\u30c7\u30a6\u30b7\u30e5\u30fb\u30af\u30ea\u30b7\u30a7\u30f4\u30a3\u30c1<\/small><\/td><td><small>\u97f3\u697d\u5bb6<\/small><\/td><td><small>1929<\/small><\/td><td><small>\u6728\u7248<\/small><\/td><td><small>\u65e5\u672c\u7248\u753b\u5354\u4f1a<\/small><br><small>\u5bc4\u8d08<\/small><\/td><td><small>Tadeusz Kulisiewicz<\/small><\/td><td><small>Musicians<\/small><\/td><td><small>woodcut<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30bf\u30c7\u30a6\u30b7\u30e5\u30fb\u30af\u30ea\u30b7\u30a7\u30f4\u30a3\u30c1<\/small><\/td><td><small>\u8fb2\u592b<\/small><\/td><td><small>1931<\/small><\/td><td><small>\u6728\u7248<\/small><\/td><td><small>\u65e5\u672c\u7248\u753b\u5354\u4f1a<\/small><br><small>\u5bc4\u8d08<\/small><\/td><td><small>Tadeusz Kulisiewicz<\/small><\/td><td><small>Farmer<\/small><\/td><td><small>woodcut<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30bf\u30c7\u30a6\u30b7\u30e5\u30fb\u30af\u30ea\u30b7\u30a7\u30f4\u30a3\u30c1<\/small><\/td><td><small>\u75c5\u6c17\u306e\u725b<\/small><\/td><td><small>1931<\/small><\/td><td><small>\u6728\u7248<\/small><\/td><td><small>\u65e5\u672c\u7248\u753b\u5354\u4f1a<\/small><br><small>\u5bc4\u8d08<\/small><\/td><td><small>Tadeusz Kulisiewicz<\/small><\/td><td><small>Sick Cow<\/small><\/td><td><small>woodcut<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30bf\u30c7\u30a6\u30b7\u30e5\u30fb\u30af\u30ea\u30b7\u30a7\u30f4\u30a3\u30c1<\/small><\/td><td><small>\u30ab\u30ed\u30e9<\/small><\/td><td><small>1934<\/small><\/td><td><small>\u6728\u7248<\/small><\/td><td><small>\u65e5\u672c\u7248\u753b\u5354\u4f1a<\/small><br><small>\u5bc4\u8d08<\/small><\/td><td><small>Tadeusz Kulisiewicz<\/small><\/td><td><small>Karola<\/small><\/td><td><small>woodcut<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a4\u30b1\u30e0\u30e9\u30ec\u30a4\u30b3<\/small><\/td><td><small>\u6a2a\u305f\u308f\u308b\u5c11\u5973<\/small><\/td><td><small>1997<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IKEMURA, Leiko<\/small><\/td><td><small>Reclining Girl<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a4\u30b1\u30e0\u30e9\u30ec\u30a4\u30b3<\/small><\/td><td><small>\u30a4\u30f3\u30c6\u30ea\u30a2(\u5ba4\u5185) I<\/small><\/td><td><small>1989<\/small><\/td><td><small>\u6728\u70ad\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IKEMURA, Leiko<\/small><\/td><td><small>Interior I<\/small><\/td><td><small>charcoal on paper<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u77f3\u5185\u90fd<\/small><\/td><td><small>SCAR-1996, illness<\/small><\/td><td><small>1998<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>ISHIUCHI, Miyako<\/small><\/td><td><small>SCAR-1996, illness<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u77f3\u5185\u90fd<\/small><\/td><td><small>SCAR-1984, transplantation<\/small><\/td><td><small>1999<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>ISHIUCHI, Miyako<\/small><\/td><td><small>SCAR-1984, transplantation<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5ca1\u672c\u4fe1\u6cbb\u90ce<\/small><\/td><td><small>\u5236\u670d\u306e\u30b9\u30d5\u30a3\u30f3\u30af\u30b9\u30fb\u30b9\u30bf\u30a4\u30f3\u30d9\u30eb\u30af\u306e\u8096\u50cf<\/small><\/td><td><small>1969<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb<\/small><br><small>\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>OKAMOTO, Shinjiro<\/small><\/td><td><small>Sphinx in a Uniform, Portrait of Steinberg<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u8349\u9593\u5f4c\u751f<\/small><\/td><td><small>\u6b8b\u9ab8\u306e\u30a2\u30ad\u30e5\u30df\u30ec\u30a4\u30b7\u30e7\u30f3(\u96e2\u4eba\u30ab\u30fc\u30c6\u30f3\u306e\u56da\u4eba)<\/small><\/td><td><small>1950<\/small><\/td><td><small>\u6cb9\u5f69\u3001\u30a8\u30ca\u30e1\u30eb\u30fb<\/small><br><small>\u9ebb\u5e03(\u7a2e\u888b)<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KUSAMA, Yayoi<\/small><\/td><td><small>Accumulation of the Corpses (Prisoner Surrounded by the Curtain of Depersonalization)<\/small><\/td><td><small>oil and enamel on seed sack<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u8349\u9593\u5f4c\u751f<\/small><\/td><td><small>\u96c6\u7a4d\u306e\u5927\u5730<\/small><\/td><td><small>1950<\/small><\/td><td><small>\u6cb9\u5f69\u3001\u30a8\u30ca\u30e1\u30eb\u30fb<\/small><br><small>\u9ebb\u5e03(\u7a2e\u888b)<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KUSAMA, Yayoi<\/small><\/td><td><small>Earth of Accumulation<\/small><\/td><td><small>oil and enamel on seed sack<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c0f\u6797\u6b63\u4eba<\/small><\/td><td><small>Unnamed #7<\/small><\/td><td><small>1997<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KOBAYASHI, Masato<\/small><\/td><td><small>Unnamed #7<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5869\u7530\u5343\u6625<\/small><\/td><td><small>Bathroom<\/small><\/td><td><small>1999<\/small><\/td><td><small>DVD \u30e2\u30ce\u30af\u30ed\u3000<\/small><br><small>\u30b5\u30a6\u30f3\u30c9\u30005\u520600\u79d2<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>SHIOTA, Chiharu<\/small><\/td><td><small>Bathroom<\/small><\/td><td><small>video installation(DVD), b\uff06w, sound, 5 \u201900\u201d<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5948\u826f\u7f8e\u667a<\/small><\/td><td><small>Harmless Kitty<\/small><\/td><td><small>1994<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u7dbf\u5e03<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>NARA, Yoshitomo<\/small><\/td><td><small>Harmless Kitty<\/small><\/td><td><small>acrylic on cotton<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u677e\u672c\u7ae3\u4ecb<\/small><\/td><td><small>\u679c\u7269\u3092\u6301\u3064\u5c11\u5e74<\/small><\/td><td><small>c.1942<\/small><\/td><td><small>\u925b\u7b46\u3001\u30b3\u30f3\u30c6\u3001<\/small><br><small>\u6728\u70ad\u3001\u58a8\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MATSUMOTO, Shunsuke<\/small><\/td><td><small>Boy with a Fruit<\/small><\/td><td><small>pencil, cont\u00e9, charcoal and sumi on paper<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u5ca1\u4e09\u90ce<\/small><\/td><td><small>\u8ca0\u306e\u30c6\u30fc\u30d6\u30eb\u2212\u95a2\u7bc0(\u30af\u30ec\u30fc\u30bf\u30fc)<\/small><\/td><td><small>1998<\/small><\/td><td><small>\u6728\u70ad\u3001\u925b\u7b46\u3001<\/small><br><small>\u30b3\u30e9\u30fc\u30b8\u30e5\u3001<\/small><br><small>\u305d\u306e\u4ed6\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MURAOKA, Saburo<\/small><\/td><td><small>Negative Table: Joint (Crater)<\/small><\/td><td><small>charcoal, pencil, collage, etc. on paper<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u5ca1\u4e09\u90ce<\/small><\/td><td><small>\u8ca0\u306e\u30b3\u30fc\u30ca\u30fc<\/small><\/td><td><small>1998<\/small><\/td><td><small>\u6728\u70ad\u3001\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MURAOKA, Saburo<\/small><\/td><td><small>Negative Corner<\/small><\/td><td><small>charcoal and pencil on paper<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u5ca1\u4e09\u90ce<\/small><\/td><td><small>\u8ca0\u306e\u5668\u2212\u981a\u52d5\u8108<\/small><\/td><td><small>1998<\/small><\/td><td><small>\u6728\u70ad\u3001\u925b\u7b46\u3001<\/small><br><small>\u305d\u306e\u4ed6\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MURAOKA, Saburo<\/small><\/td><td><small>Negative Vessel: Carotid Artery<\/small><\/td><td><small>charcoal, pencil, etc. on paper<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u4e0a\u9686<\/small><\/td><td><small>\u30dd\u30ea\u30ea\u30ba\u30e0<\/small><\/td><td><small>1991<\/small><\/td><td><small>FRP\u3001\u9244\u3001\u30bf\u30df\u30e41\/35\u30a2\u30e1\u30ea\u30ab\u6b69\u5175\u30d5\u30a3\u30ae\u30e5\u30a2\uff08\u897f\u30e8\u30fc\u30ed\u30c3\u30d1\u6226\u57df\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MURAKAMI, Takashi<\/small><\/td><td><small>Polyrhythm<\/small><\/td><td><small>FRP, Iron, Tamiya 1\/35 scale military miniture models of U.S.<\/small><br><small>Infantry (West European Theater)<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u4e0a\u9686<\/small><\/td><td><small>\u30b5\u30a4\u30f3\u30dc\u30fc\u30c9 TAMIYA<\/small><\/td><td><small>1992<\/small><\/td><td><small>\u5408\u677f\u3001\u30b9\u30c6\u30c3\u30ab\u30fc\u3001<\/small><br><small>\u713c\u5370<\/small><\/td><td><small>\u5c0f\u5c71\u767b\u7f8e\u592b<\/small><br><small>\u30ae\u30e3\u30e9\u30ea\u30fc\u5bc4\u8d08<\/small><\/td><td><small>MURAKAMI, Takashi<\/small><\/td><td><small>Signboard TAMIYA<\/small><\/td><td><small>plywood, sticker, brand<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u4e0a\u9686<\/small><\/td><td><small>\u30b5\u30a4\u30f3\u30dc\u30fc\u30c9 TAKASHI<\/small><\/td><td><small>1992<\/small><\/td><td><small>\u5408\u677f\u3001\u30b9\u30c6\u30c3\u30ab\u30fc\u3001<\/small><br><small>\u713c\u5370<\/small><\/td><td><small>\u5c0f\u5c71\u767b\u7f8e\u592b<\/small><br><small>\u30ae\u30e3\u30e9\u30ea\u30fc\u5bc4\u8d08<\/small><\/td><td><small>MURAKAMI, Takashi<\/small><\/td><td><small>Signboard TAKASHI<\/small><\/td><td><small>plywood, sticker, brand<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c71\u57ce\u77e5\u4f73\u5b50<\/small><\/td><td><small>\u8089\u5c4b\u306e\u5973<\/small><\/td><td><small>2012<\/small><\/td><td><small>\u30f4\u30a3\u30c7\u30aa\u3000\u30ab\u30e9\u30fc\u3000\u30b5\u30a6\u30f3\u30c9\u300028\u520601\u79d2<\/small><\/td><td><small>\u4f5c\u5bb6\u8535<\/small><\/td><td><small>YAMASHIRO, Chikako<\/small><\/td><td><small>A Woman of the Butcher Shop<\/small><\/td><td><small>video, color, sound, 28\u201901\u2033<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u90ed\u5fb3\u4fca<\/small><\/td><td><small>\u30af\u30ea\u30f3\u30c8\u30f3\u3068\u90ed<\/small><\/td><td><small>1993<\/small><\/td><td><small>\u30b7\u30eb\u30af\u30b9\u30af\u30ea\u30fc\u30f3<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KWAK, Duck Jun<\/small><\/td><td><small>Clinton and Kwak<\/small><\/td><td><small>silkscreen<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u90ed\u5fb3\u4fca<\/small><\/td><td><small>\u30af\u30ea\u30f3\u30c8\u30f3II\u3068\u90ed<\/small><\/td><td><small>1997<\/small><\/td><td><small>\u30b7\u30eb\u30af\u30b9\u30af\u30ea\u30fc\u30f3<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KWAK, Duck Jun<\/small><\/td><td><small>Clinton II and Kwak<\/small><\/td><td><small>silkscreen<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u90ed\u5fb3\u4fca<\/small><\/td><td><small>\u30d6\u30c3\u30b7\u30e52001\u3068\u90ed<\/small><\/td><td><small>2001<\/small><\/td><td><small>\u30b7\u30eb\u30af\u30b9\u30af\u30ea\u30fc\u30f3<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KWAK, Duck Jun<\/small><\/td><td><small>Bush 2001 and Kwak<\/small><\/td><td><small>silkscreen<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30bb\u30d0\u30b9\u30c1\u30e3\u30f3\u30fb\u30b5\u30eb\u30ac\u30c9<\/small><\/td><td><small>\u300c\u30b5\u3078\u30eb\u306e\u98e2\u9949\u300d\u3088\u308a\u3000\u30b3\u30ec\u30e0\u96e3\u6c11\u30ad\u30e3\u30f3\u30d7\u3001\u30a8\u30c1\u30aa\u30d4\u30a2<\/small><\/td><td><small>1984<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Sebasti\u00e3o Salgado<\/small><\/td><td><small>Refugee Camp at Korem, Ethiopia from \u201cFamine in the Sahel\u201d<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30bb\u30d0\u30b9\u30c1\u30e3\u30f3\u30fb\u30b5\u30eb\u30ac\u30c9<\/small><\/td><td><small>\u300c\u30b5\u3078\u30eb\u306e\u98e2\u9949\u300d\u3088\u308a\u3000\u30d5\u30a1\u30ae\u30d3\u30fc\u30cc\u6e56\u3001\u30de\u30ea<\/small><\/td><td><small>1985<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Sebasti\u00e3o Salgado<\/small><\/td><td><small>Lake Fagibine, Mali from \u201cFamine in the Sahel\u201d<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30bb\u30d0\u30b9\u30c1\u30e3\u30f3\u30fb\u30b5\u30eb\u30ac\u30c9<\/small><\/td><td><small>\u300c\u30b5\u3078\u30eb\u306e\u98e2\u9949\u300d\u3088\u308a\u3000\u30a8\u30c1\u30aa\u30d4\u30a2\u306e\u30c6\u30a3\u30b0\u30ec\u5730\u65b9\u304b\u3089\u30b9\u30fc\u30c0\u30f3\u3078\u306e\u96c6\u56e3\u79fb\u4f4f\u3001\u30a8\u30c1\u30aa\u30d4\u30a2<\/small><\/td><td><small>1985<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb<\/small><br><small>\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Sebasti\u00e3o Salgado<\/small><\/td><td><small>Exodus from the Tigray Province of Ethiopia to Sudan, Ethiopia from \u201cFamine in the Sahel\u201d<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u56b4\u57f9\u660e<\/small><\/td><td><small>\u30b9\u30fc\u30c0\u30f3\u306e\u5c11\u5e74<\/small><\/td><td><small>1998<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>YAN, Pei-Ming<\/small><\/td><td><small>A Sudanese Boy<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2F\u3001EV\u30db\u30fc\u30eb<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7530\u4e2d\u529f\u8d77<\/small><\/td><td><small>\u4e00\u3064\u306e\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u3001\u4e03\u3064\u306e\u7bb1\u3068\u884c\u70ba\u3001\u7f8e\u8853\u9928\u306b\u3066<\/small><\/td><td><small>2012<\/small><\/td><td><small>HD\u30f4\u30a3\u30c7\u30aa\u3000\u30ab\u30e9\u30fc\u3000\u30b5\u30a6\u30f3\u30c9\u300013\u520633\u79d2\u3001\u6bb5\u30dc\u30fc\u30eb\u3001\u6905\u5b50\u4ed6<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TANAKA, Koki<\/small><\/td><td><small>A Project, Seven Boxes and Movements at the Museum<\/small><\/td><td><small>HD video, color, sound, 13\u201933\u201d. chairs and cardoboard boxes, etc.<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>90<\/small><\/td><td><small>\u30a2\u30f3\u30c8\u30cb\u30fc\u30fb\u30b4\u30fc\u30e0\u30ea\u30fc<\/small><\/td><td><small>\u53cd\u6620\uff0f\u601d\u7d22<\/small><\/td><td><small>2001<\/small><\/td><td><small>\u92f3\u9244<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Antony Gormley<\/small><\/td><td><small>Reflection<\/small><\/td><td><small>cast iron<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e5\u30ea\u30a2\u30f3\u30fb\u30aa\u30d4\u30fc<\/small><\/td><td><small>\u300c\u65e5\u672c\u516b\u666f\u300d\u3088\u308a\u3000\u56fd\u9053\u767e\u4e09\u5341\u516d\u53f7\u7dda\u304b\u3089\u898b\u308b\u96e8\u306e\u677e\u5d0e\u6e2f<\/small><\/td><td><small>2007<\/small><\/td><td><small>\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\uff08\u6db2\u6676\u30e2\u30cb\u30bf\u30fc2\u53f0\u3001\u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30fc\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>Matsuzaki Bay in the Rain from Route 136. From \u201cEight Views of Japan.\u201d<\/small><\/td><td><small>double 46 inches LCD screens PC inside, computer film<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e5\u30ea\u30a2\u30f3\u30fb\u30aa\u30d4\u30fc<\/small><\/td><td><small>\u300c\u65e5\u672c\u516b\u666f\u300d\u3088\u308a\u3000\u771f\u9db4\u534a\u5cf6\u306e\u4e0a\u306e\u6708<\/small><\/td><td><small>2007<\/small><\/td><td><small>\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\uff08\u6db2\u6676\u30e2\u30cb\u30bf\u30fc2\u53f0\u3001\u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30fc\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>Moon Over Manazuru Peninsula. From \u201cEight Views of Japan.\u201d<\/small><\/td><td><small>double 46 inches LCD screens PC inside, computer film<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e5\u30ea\u30a2\u30f3\u30fb\u30aa\u30d4\u30fc<\/small><\/td><td><small>\u300c\u65e5\u672c\u516b\u666f\u300d\u3088\u308a\u3000\u56fd\u9053\u4e09\u767e\u53f7\u7dda\u304b\u3089\u307f\u308b\u672c\u6816\u6e56\u306e\u5bcc\u58eb\u5c71<\/small><\/td><td><small>2007<\/small><\/td><td><small>\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\uff08\u6db2\u6676\u30e2\u30cb\u30bf\u30fc1\u53f0\u3001\u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30fc\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>View of Lake Motosu and Mount Fuji from Route 300. From \u201cEight Views of Japan. \u201c<\/small><\/td><td><small>single 46 inches LCD screens PC inside, computer film<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e5\u30ea\u30a2\u30f3\u30fb\u30aa\u30d4\u30fc<\/small><\/td><td><small>\u300c\u65e5\u672c\u516b\u666f\u300d\u3088\u308a\u3000\u56fd\u9053\u4e94\u5341\u4e8c\u53f7\u7dda\u304b\u3089\u5357\u90e8\u6a4b\u3092\u306e\u305e\u3080<\/small><\/td><td><small>2007<\/small><\/td><td><small>\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\uff08\u6db2\u6676\u30e2\u30cb\u30bf\u30fc2\u53f0\u3001\u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30fc\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>View of Nambu Bridge from Route 52. From \u201cEight Views of Japan.\u201d<\/small><\/td><td><small>double 46 inches LCD screens PC inside, computer film<\/small><\/td><\/tr><tr><td><small>\u5c4b\u5916\u5f6b\u523b\u3000Outdoor Sculptures<\/small><\/td><\/tr><tr><td><small>\u672c\u9928\u524d\u5ead<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u591a\u7530\u7f8e\u6ce2<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>1979<\/small><\/td><td><small>\u30b9\u30c6\u30f3\u30ec\u30b9\u30b9\u30c1\u30fc\u30eb\u3001\u786c\u8cea\u30ac\u30e9\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TADA, Minami<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>stainless steel and hard glass<\/small><\/td><\/tr><tr><td><small>\u672c\u9928\u5c4b\u5916<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6728\u6751\u8ce2\u592a\u90ce<\/small><\/td><td><small>\u4e03\u3064\u306e\u7948\u308a<\/small><\/td><td><small>1969<\/small><\/td><td><small>\u77f3<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KIMURA, Kentaro<\/small><\/td><td><small>Seven Prayers<\/small><\/td><td><small>stone<\/small><\/td><\/tr><tr><td><small>\u672c\u9928\u5c4b\u5916<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30de\u30ea\u30ce\u30fb\u30de\u30ea\u30fc\u30cb<\/small><\/td><td><small>\u3042\u308b\u30a4\u30e1\u30fc\u30b8\u306e\u69cb\u60f3<\/small><\/td><td><small>1969-70<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>Marino Marini<\/small><\/td><td><small>The Idea of an Image<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>\u672c\u9928\u5c4b\u5916<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>84<\/small><\/td><td><small>\u30a4\u30b5\u30e0\u30fb\u30ce\u30b0\u30c1<\/small><\/td><td><small>\u9580<\/small><\/td><td><small>1969<\/small><\/td><td><small>\u92fc\u9244\u3001\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Isamu Noguchi<\/small><\/td><td><small>Gate<\/small><\/td><td><small>painted steel<\/small><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Important Cultural Properties on display<\/h2>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"400\" height=\"604\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c587a812110e66125c1d58632b26ac28.jpg\" alt=\"\" class=\"wp-image-2835\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c587a812110e66125c1d58632b26ac28.jpg 400w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c587a812110e66125c1d58632b26ac28-132x200.jpg 132w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Harada Naojiro,Kannon Bodhisattva Riding the Dragon,<br>1890 (Longtime loan;coll. Gokokuji Temple)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"379\" height=\"400\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/81d602edcbacb26fa6533302a4b81653.jpg\" alt=\"\" class=\"wp-image-2838\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/81d602edcbacb26fa6533302a4b81653.jpg 379w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/81d602edcbacb26fa6533302a4b81653-190x200.jpg 190w\" sizes=\"(max-width: 379px) 100vw, 379px\" \/><figcaption class=\"wp-element-caption\">Kishida Ryusei, Road Cut through a Hill, 1915<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>The collection at the main building of the National Museum of Modern Art, Tokyo now has thirteen pieces that are designated as Important Cultural Properties by the Japanese government, comprising eight Japanese-style paintings, four oil paintings and one sculpture.<\/p>\n\n\n\n<p><strong>The following Important Cultural Properties are shown in this period:<\/strong><\/p>\n\n\n\n<p>\u25a0Harada Naojiro, <em>Kannon Bodhisattva Riding the Dragon<\/em>, 1890 (Longtime loan;coll. Gokokuji Temple)<br>\u25a0Kishida Ryusei, <em>Road Cut through a Hill<\/em>, 1915<\/p>\n\n\n\n<p>\u25c6Please visit the Important Cultural Property section Masterpieces for more information about the pieces.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section1-2\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Sections<\/h2>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/ce695c1e6c8f5638adae398826e0dada-1024x724-1.jpg\" alt=\"\" class=\"wp-image-126099\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/ce695c1e6c8f5638adae398826e0dada-1024x724-1.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/ce695c1e6c8f5638adae398826e0dada-1024x724-1-200x141.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/ce695c1e6c8f5638adae398826e0dada-1024x724-1-768x543.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-3.jpg\" alt=\"\"\/><\/figure>\n<\/figure>\n\n\n\n<p><em>MOMAT Collection<\/em> comprises twelve\uff08or thirteen\uff09rooms and two spaces for relaxation on three floors. In addition, sculptures are shown near the terrace on the second floor and in the front yard. The light blue areas in the cross section above make up <em>MOMAT Collection<\/em>. The space for relaxation A Room With a View is on the fourth floor.<br>The entrance of the collection exhibition <em>MOMAT Collection<\/em> is on the fourth floor. Please take the elevator or walk up stairs to the fourth floor from the entrance hall on the first floor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4F (Fourth floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-3.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Room 1 Highlights <\/strong>* This section presents a consolidation of splendid works from the collection, with a focus on Master Pieces.<br><strong>Room 2\u2013 5 1900s\uff0d1940s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<\/strong><\/p>\n\n\n\n<p>A Room With A View<br>Reference Corner<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\uff11. Room 1 Highlights<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"909\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/dbf8a9fd8ddeeb9110765c12a1b8eb20-1024x909-1.jpg\" alt=\"\" class=\"wp-image-2849\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/dbf8a9fd8ddeeb9110765c12a1b8eb20-1024x909-1.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/dbf8a9fd8ddeeb9110765c12a1b8eb20-1024x909-1-200x178.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/dbf8a9fd8ddeeb9110765c12a1b8eb20-1024x909-1-768x682.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"905\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/116ade49915781aaf4f718bd3dd94e05-1024x905-1.jpg\" alt=\"\" class=\"wp-image-2854\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/116ade49915781aaf4f718bd3dd94e05-1024x905-1.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/116ade49915781aaf4f718bd3dd94e05-1024x905-1-200x177.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/116ade49915781aaf4f718bd3dd94e05-1024x905-1-768x679.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Tsuchida Bakusen, Island Women, 1912<\/figcaption><\/figure>\n\n\n\n<p>Over 200 works lined up in this 3,000-square-meter space \u2013 these extravagant conditions are the selling point of the MOMAT Collection. But in recent years, we have received an increasing number of comments like, \u201cThey\u2019re so many things here, I\u2019m not sure what to see!\u201d and \u201cAll I want to do is have a quick look at the famous works in a short period of time!\u201d Thus, in conjunction with the gallery renovation in 2012, we have created this \u201cHighlights\u201d corner to allow visitors to enjoy a consolidation of splendid works from the collection, with a focus on Important Cultural Properties. For the walls, we have selected navy blue to make the works stand out more beautifully. And to eliminate the glare of glass cases, we have opted for a mat black for the floor to help viewers concentrate on the displays.<br>In this edition of the exhibit, we start off with two folding screens that are perfect for early and midsummer: Tsuchida Bakusen\u2019s <em>Island Women<\/em> and Kawabata Ryushi\u2019s <em>Flaming Grass<\/em>. In addition to Important Cultural Properties by Harada Naojiro and Kishida Ryusei, the oil paintings on display include Koga Harue\u2019s <em>Sea<\/em>. Many viewers are likely to remember this image of a woman standing erect and pointing up at the sky from their school textbooks. There is also a selection of works by foreign artists such as Pablo Picasso, Joan Mir\u00f3, and Oskar Kokoschka.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>2. Room 2 Proof of the Wild<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"451\" height=\"400\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015039.jpg\" alt=\"\" class=\"wp-image-2863\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015039.jpg 451w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015039-200x177.jpg 200w\" sizes=\"(max-width: 451px) 100vw, 451px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"448\" height=\"397\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015038.jpg\" alt=\"\" class=\"wp-image-2864\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015038.jpg 448w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015038-200x177.jpg 200w\" sizes=\"(max-width: 448px) 100vw, 448px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Takeuchi Seiho, Monkeys and Rabbits, 1908<\/figcaption><\/figure>\n\n\n\n<p>This year marks the 70th anniversary of the end of World War II. In this edition of the MOMAT Collection, we make use of the entire museum (beginning on the fourth floor and continuing down to the second floor) to present a special exhibit titled \u201cWhat Are You Fighting For?\u201d Here, we introduce approximately 200 works that are meant to inspire thought about \u201cfighting,\u201d including conflicts between animals, nations, men and women, and those from different generations.<\/p>\n\n\n\n<p>In Room 2, the start of the exhibit, we have assembled a group of works dealing with animals in order to consider whether it is instinctive for living things, whether human or beast, to fight, and if so, whether it is possible to modify such behavior. In searching for works that would correspond to the theme, we discovered that the majority were made during the 1930s and \u201940s \u2013 i.e., from around the time of the Second Sino-Japanese War and the Pacific War. The animals scuffle with each other, drop to the ground, and assume unfamiliar forms. When it proves difficult to clearly express their thoughts, artists often make use of a metaphorical approach . In other words, in many of the works you see here, animals are used as stand-ins for people in human conflicts.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>3. Room 3 Damaged Sacred Images<\/strong><\/h4>\n\n\n\n<p>In attempting to depict victims of governmental oppression and of war in a monumental way, painters often reference Christian art. Christian art includes a wide range of heartrending portrayals of martyrs that exert a direct effect on the viewer\u2019s emotions. Images of injured people are produced to reflect the conditions of a given era \u2013 in particular around the time of Japan\u2019s involvement in the Asia-Pacific wars. Many of these works have links to Christian art.<\/p>\n\n\n\n<p>Ebihara Kinosuke\u2019s Martyr depicts St. Sebastian after he was shot with a barrage of arrows. But unlike traditional icons, the arrows, which emanate from the left side of the picture, do not directly penetrate the figure, merely alluding to their merciless power. In addition to being an expression of heart-stricken grief, St. Sebastian\u2019s unscathed body accentuates the vertical axis of the picture, and this in turn has parallels with the composition of Tsuda Seifu\u2019s work The Victim, which was inspired by the brutal murder of the writer Kobayashi Takiji. In contrast, Kawara On uses an inverted image of a pregnant Virgin Mary in Pregnant Woman. This might also be seen as the artist\u2019s critical view of the upright position used to honor the dead and his opposition to monumental expression.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>4. Room 4 Before and After Destruction<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-10 is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"333\" height=\"461\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0083036.jpg\" alt=\"\" class=\"wp-image-2873\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0083036.jpg 333w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0083036-144x200.jpg 144w\" sizes=\"(max-width: 333px) 100vw, 333px\" \/><figcaption class=\"wp-element-caption\">George Grosz , 2.Front of the Factory from &#8220;In the Shadows&#8221;, 1920\/21<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"400\" height=\"500\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/klee.jpg\" alt=\"\" class=\"wp-image-2872\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/klee.jpg 400w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/klee-160x200.jpg 160w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Paul Klee, <em>Conquest of the Mountain<\/em>, 1939<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"328\" height=\"413\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0023001.jpg\" alt=\"\" class=\"wp-image-2871\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0023001.jpg 328w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0023001-159x200.jpg 159w\" sizes=\"(max-width: 328px) 100vw, 328px\" \/><figcaption class=\"wp-element-caption\">Kurt Schwitters, From E.+E. Schwitters, 1947<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>World War I, which began in 1914, not only saw the mobilization of soldiers but also those from many other fields, such as economics, science, and culture, and the start of a total war in which entire nations were enlisted as combatants. Moreover, through the advent of warplanes and tanks, and the use of weapons of mass destruction, the conditions of battle, which had traditionally involved direct combat between soldiers with bayonets and cavalries, changed greatly, resulting in unparalleled damage throughout Europe. Scenes of destruction, wrought by the arrival of modern civilization, led to a deep distrust of human reason.<\/p>\n\n\n\n<p>This epoch of the Great War also saw the rapid rise of various movements that set out to disavow traditional values in the arts. Movements such as Cubism, which dismantled perspective, collage, which destroyed the autonomy and uniformity of pictorial space, and Dada, which functioned as a kind of \u201canti-art\u201d that negated meaning, emerged in quick succession.<\/p>\n\n\n\n<p>In this section, while comparing the work of George Grosz, Paul Klee, and Kurt Schwitters, all three of whom lived through the Great War, we focus on the close connections between innovative styles in painting and global changes brought about by the conflict, and the hallucinatory power of art that anticipated changing times.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>5. Room 5 A War of the Eyes<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-12 is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"486\" height=\"394\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0155038.jpg\" alt=\"\" class=\"wp-image-2874\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0155038.jpg 486w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0155038-200x162.jpg 200w\" sizes=\"(max-width: 486px) 100vw, 486px\" \/><figcaption class=\"wp-element-caption\">Ishikawa Toraji, Transoceanic Bombing, 1941<br>Indefinite loan<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"457\" height=\"339\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0201003.jpg\" alt=\"\" class=\"wp-image-2875\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0201003.jpg 457w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0201003-200x148.jpg 200w\" sizes=\"(max-width: 457px) 100vw, 457px\" \/><figcaption class=\"wp-element-caption\">Mikuriya, Jun&#8217;ichi, Assault on the Enemy&#8217;s Mobile Troops Off New Guinea, 1942<br>Indefinite loan<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>In Japan, which had played virtually no active role in the First World War, images of modern warfare involving fighter planes and tanks first came into people\u2019s consciousness via various media during the Asia-Pacific War (i.e., the Pacific theater of World War II and the Japanese military actions leading up to it). Among these media were war campaign paintings , which still testify to the way 20th century warfare, based in miraculous new science and technology, dramatically transformed people\u2019s visual experience.<\/p>\n\n\n\n<p>The radically elongated horizontal format of Fujita Tsuguharu\u2019s painting is likely rooted in the artist\u2019s own experience with panoramic landscapes, and here serves to convey the immense horizon of the Asian continent to dramatic effect. A desire to attain a panoramic view of the landscape that would be the target of bombing led to the bird\u2019s-eye visions that characterize bombing scenes. Japan\u2019s aerial warfare strategy also inspired works such as Mikuriya Junichi\u2019s dogfight scene, an attempt to render the velocity of fighter planes, and the scenes of descending paratroopers that inspired the military anthem <em>Sora no shinpei<\/em>&nbsp; (Sacred Soldiers of the Sky) and film of the same name. All of these are distinguished by a heroic tone against the vast expanse of the sky . They share a romantic vision of the sky that seemingly negates the miserable reality on the ground, and no doubt served to rouse a proud and pure sense of nationalism.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">3F (Third floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-3.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Room 6-8 1940s-1960s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<br>Room 9 Photography and Video<br>Room 10 Nihon-ga (Japanese-style Painting)<\/strong><\/p>\n\n\n\n<p>Room to Consider the Building<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>6. Room 6 Two War Paintings<\/strong><\/h4>\n\n\n\n<p>War-record paintings were actually images from the artist\u2019s imagination, shaped by statements from witnesses and documentary materials. If we view records in general as the result of the selection and elimination of certain events, there should be another reality not reflected in war paintings intended for public consumption. The works of Nakamura Ken\u2019ichi, Fujita Tsuguharu, and Miyamoto Saburo shown here are all battle scenes , featuring the dramatic figures of brave fighting soldiers depicted in groups using active gestures, but they avoid gruesome, repellent imagery that might be found in a war scene. Even Fujita, who crossed the line by making a corpse the main subject of a painting, made it evident that the person had died in close combat.<\/p>\n\n\n\n<p>After the war, painters dealt with the challenge of overcoming war paintings\u2019 responsibility for the war. Furusawa Iwami\u2019s <em>Starveling<\/em>, exhibited at the height of the Korean War, functioned as a parody of war paintings, presenting a montage of the actual violence that these works glossed over, and condemning Japan for once again getting involved in war. Yamashita Kikuji\u2019s work is a report from the front lines of a conflict between landowners and tenant farmers, also employing the montage technique to examine a complex, intertwining reality from multiple angles. After the war, artists were searching for a new realism that would spark changes in reality itself.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>7. Room 7 Myth of the Flame<\/strong><\/h4>\n\n\n\n<p>Focusing on the theme of \u201c What Are You Fighting For?\u201d, this edition of the MOMAT Collection, considers various aspects of \u201cfighting.\u201d In Room 7, you will find several of these. First, there is war as seen in works by Okamoto Taro, who served in the army during the Pacific War, and Madokoro Saori, who was a youth during the war. In the 1950s, the artists suddenly launched into bold artistic expressions as a challenge to the previous generation, who were responsible for the war. Okamoto, however, seems to have felt a strange and complicated attraction to tremendous power with the ability to destroy human beings, such as war and atomic bombs. <em>Men Aflame<\/em>, a work that deals with the theme of American nuclear tests, depicts nuclear power with an almost mystical sense of dread and anticipation. On the other hand, Madokoro apparently saw the mystical, something which transcended human understanding, as a woman who was the source of all things. In other words, there is another kind of conflict here, one between men and women. The video work, <em>REAL TIMES<\/em>, by Chim\u2191Pom, who have various links to Okamoto, addresses the artist\u2019s ambiguous view of nuclear energy via Fukushima 2011. We can also detect a (respectful and affectionate) conflict with the previous generation in this work.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>8. Room 8 Between Men and Women<\/strong><\/h4>\n\n\n\n<p>The phrase \u201cbetween men and women\u201d has two different meanings. One suggests that while men and women are attracted to each other, a deep chasm exists between the two sexes, preventing them from ever completely understanding each other. The lyrics to \u201cSong of the Black Ship\u201d (written by the novelist Nosaka Akiyuki and released in 1971), from which this line is taken, make this abundantly clear: \u201cBetween men and women, there is a deep black river. And even though no one can ever cross the river, heave-ho! anothera nother ship will be setting sail tonight.\u201d Because of this chasm, our attachment to the opposite sex can sometimes drive us to hurt someone, or as in the case of Kusama Yayoi, it can turn into an obsession and a source of fear.<\/p>\n\n\n\n<p>The second meaning of the phrase suggests that we inhabit spaces that are completely cut off from each other. some people live in the undefined area between male and female . Watanabe Katsumi\u2019s photographs, which he shot in Shinjuku during the 1960s and \u201970s, depict the loneliness and pride of those who live \u201cbetween men and women\u201d in what initially appears to be a world of glamor.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>9. Room 9 \u201cListen Quietly!\u201d<\/strong><\/h4>\n\n\n\n<p>As the shouting man here says, an incident occurred at the Japan Ground Self-Defense Force\u2019s Camp Ichigaya on November 25, 1970. After taking the commandant hostage, the novelist Mishima Yukio attempted to rouse the troops, addressing them without a mic from the balcony of the building. But the speech, originally scheduled for a half hour, ended in only seven minutes, after which Mishima went back inside and decided to commit hara-kiri.<\/p>\n\n\n\n<p>The artist dressed up as Mishima in this work is Morimura Yasumasa. His works are distinguished by the fact that by doing things like becoming part of a masterpiece of Western art history or turning into a famous actress, the artist (a Japanese man) raises a variety of contemporary issues such as gender, the human race, Orientalism, and real and fictional images. The important thing in the works is the \u201cdistance\u201d between the impersonator and the impersonated. How about in this work?<\/p>\n\n\n\n<p>Incidentally, Hosoe Eikoh\u2019s work <em>Ordeal by Roses<\/em>, which takes Mishima as its subject, is being shown next door in Room 8.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>10. Room 10 Toward the Future<\/strong><\/h4>\n\n\n\n<p>Room 10 focuses on Japanese painters\u2019 struggles with the <em>Nihon-ga<\/em> (Japanese-style painting) genre in the early postwar period. During this period, some advocated theories that <em>Nihon-ga<\/em> was dying or that it was a second-class art, and feeling a sense of crisis, painters sought out their own individual means of revolutionizing the genre. Two groups in particular made bold transformations: the <em>Nihon-ga<\/em> association Sozo Bijutsu, centered on Yoshioka Kenji and Fukuda Toyoshiro, was formed in January 1948 with the goal of creating <em>Nihon-ga<\/em> rooted in internationalism, and the Pan-Real Art Association, formed in October 1948 in Kyoto by Yamazaki Takashi, Mikami Makoto, and others. The former introduced Western elements into <em>Nihon-ga<\/em>, and the latter worked experimentally with the material properties of paint and surfaces.<\/p>\n\n\n\n<p>The above is a textbook explanation of these <em>Nihon-ga<\/em> innovators. Looking at the actual works of art and materials, however, one realizes that the elements, such as thick paint application and abstraction, which they apparently introduced to the genre were already in use before the war, and that the artists only expanded on existing tendencies. In this sense, their efforts were part of an ongoing campaign to transform<em> Nihon-ga<\/em>, and it was just this transformation that most magazine articles and other writings on the \u201cdeath of <em>Nihon-ga<\/em>\u201d were actually advocating. What was the artists\u2019 vision of the future? And what exactly were they grappling with, when they moved in new directions and conducted experiments that often went \u201ctoo far,\u201d inviting skepticism from both critics and the public?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2F (Second floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-4.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Room 11-12 1970s-2010s<br>\u3000From the End of the Showa Period to the Present<\/strong><\/p>\n\n\n\n<p>Gallery 4&nbsp; <em>Things: Rethinking Japanese Photography and Art in 1970s<\/em><\/p>\n\n\n\n<p>&nbsp;Primarily from the Museum Collection<\/p>\n\n\n\n<p>* A space of about 250 square meters. This gallery offers cutting-edge thematic exhibitions from the Museum Collection, and special exhibitions featuring photographs or design.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>11. Room 11 The Peasants Fought!<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"523\" height=\"447\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0126111.jpg\" alt=\"\" class=\"wp-image-2877\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0126111.jpg 523w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0126111-200x171.jpg 200w\" sizes=\"(max-width: 523px) 100vw, 523px\" \/><figcaption class=\"wp-element-caption\"><strong>K\u00e4the Kollwitz, 5. Outbreak from the &#8220;Peasants&#8217; War&#8221;,1903\uff081921 reprint\uff09<\/strong><\/figcaption><\/figure>\n\n\n\n<p>In every age, artists focus sympathetically on those who rise up and fight against adversity. Even if \u2013 or rather because \u2013 the struggle ends in failure, artists attempt to understand its significance.<\/p>\n\n\n\n<p>Although this room is normally used to show pieces from the 1970s on, this time we present a special exhibit of all seven works in K\u00e4the Kollwitz\u2019 <em>Peasants\u2019 War<\/em>, an important series from the early 20th century. This is designed to give viewers an opportunity to see the work alongside Funakoshi Yasutake\u2019s <em>Haranojo Castle<\/em> (1971), a work dealing with the Shimabara Rebellion, the largest peasant revolt in Japanese history. And as an example from the 21st century, we present two works by the Polish artist Magdalena Abakanowicz. If the current state of affairs prohibits us from identifying the source of our oppression, and we are forced to survive without raising our voices in objection, you might say that these empty people are portraits of us.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>12. Room 12 Injury Comes with a Fight<\/strong><\/h4>\n\n\n\n<p>Fighting is inseparable from injury. In some cases, these injuries serve as proof of a conflict (Murakami Takashi). In other cases, after suddenly feeling a slight pain, you might come to realize how much you have fought up in the past (Leiko Ikemura). You might also find it impossible to fight against a variety of \u201clooks\u201d prompted by the wounds you have suffered (Ishiuchi Miyako). Or by fighting without any fear of being injured or injuring others, you might arrive at a new light (Kobayashi Masato). Human beings are creatures that are easily hurt. You might also say that it is our very vulnerability that gives us our humanity\u2026. The philosopher Emmanuel L\u00e9vinas talked about this. He said that the fact that we naturally react to other people\u2019s pain and that we possess a fragile body and mind that are subject to injury helps support the foundation for human society. And the reason why \u201cvulnerability\u201d is an important theme in contemporary art is perhaps that we tend to forget these \u201cfacts.\u201d<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section1-6\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Exhibition<\/h2>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery, from the fourth to second floors<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>May 26, 2015 &#8211; September 13, 2015<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00 &#8211; 17:00<br>*Last admission is 30 minutes before closing.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>\u203bClosed on Mondays (except July 20) and July 21<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults \u00a5430 (220)<br>College and university students \u00a5130 (70)<\/p>\n\n\n\n<p>*Including the admission fee for MOMAT Collection and \/Things: Rethinking Japanese Photography and Art in 1970s *The price in brackets is for the group of 20 persons or more.<br>*All prices include tax.<br>*Free for high school students, under 18, seniors(65 and over), Campus Members, MOMAT passport holder.<br>*Show your Membership Card of the MOMAT Supporters or the MOMAT Members to get free admission (a MOMAT Member\u2019s Card admits two persons free).<br>*Persons with disability and one person accompanying them are admitted free of charge.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Free Admission Days<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>*Collection Gallery and Gallery 4<br>Free on June 7, July 5, August 2 and September 6<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organized by<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n<\/div><\/div>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-arrow\">\n        <a class=\"wp-block-button__link\" href=\"https:\/\/www.momat.go.jp\/about-collection\">\n            Introduction to the Collection        <\/a>\n    <\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","exhibition_type":[255],"exhibition_year":[367],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2015-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2015-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"A special display : \u201cWhat Are You Fighting For? (4th\u20132nd floor) In this edition of the exhibit, we present \u201cWhat Are You Fighting For?\u201d, beginning on the fourth floor and continuing down to the second floor of the museum. This year marks the 70th anniversary of the end of World War II. Here, we present approximately 200 works that are meant to inspire thought about \u201cfighting,\u201d including conflicts between animals, nations, men and women, and those from different generations. The title is derived from \u201cTaga tame ni\u201d (For Whom), the theme song of an animated TV show called 009 Cyborg (1979-1980, second season), which was based on a story by [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1\" \/>\n<meta property=\"og:site_name\" content=\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/momat.pr\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-12T04:18:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0015011.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@MOMAT_museum\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"97 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1\",\"url\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1\",\"name\":\"2015-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"isPartOf\":{\"@id\":\"https:\/\/www.momat.go.jp\/#website\"},\"datePublished\":\"2015-05-26T07:39:52+00:00\",\"dateModified\":\"2023-06-12T04:18:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.momat.go.jp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u5c55\u89a7\u4f1a\",\"item\":\"https:\/\/www.momat.go.jp\/exhibitions\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"2015-1 MOMAT Collection\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.momat.go.jp\/#website\",\"url\":\"https:\/\/www.momat.go.jp\/\",\"name\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"description\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\u306f\u3001\u6771\u4eac\u306e\u4e2d\u5fc3\u90e8\u3001\u7687\u5c45\u3001\u5317\u306e\u4e38\u516c\u5712\u3001\u5343\u9ce5\u30f6\u6df5\u306a\u3069\u3001\u65e5\u672c\u6587\u5316\u3084\u81ea\u7136\u8c4a\u304b\u306a\u74b0\u5883\u306b\u4f4d\u7f6e\u3059\u308b\u65e5\u672c\u3067\u6700\u521d\u306e\u56fd\u7acb\u7f8e\u8853\u9928\u3067\u3059\u3002\",\"publisher\":{\"@id\":\"https:\/\/www.momat.go.jp\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.momat.go.jp\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.momat.go.jp\/#organization\",\"name\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"url\":\"https:\/\/www.momat.go.jp\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.momat.go.jp\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-ag.png\",\"contentUrl\":\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-ag.png\",\"width\":1200,\"height\":630,\"caption\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\"},\"image\":{\"@id\":\"https:\/\/www.momat.go.jp\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/momat.pr\",\"https:\/\/twitter.com\/MOMAT_museum\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"2015-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.momat.go.jp\/en\/exhibitions\/h27-1","og_locale":"en_US","og_type":"article","og_title":"2015-1 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","og_description":"A special display : \u201cWhat Are You Fighting For? 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