{"id":126313,"date":"2016-11-22T08:51:02","date_gmt":"2016-11-21T23:51:02","guid":{"rendered":"https:\/\/www.momat.go.jp\/exhibitions\/h28-3"},"modified":"2023-06-12T13:11:48","modified_gmt":"2023-06-12T04:11:48","slug":"h28-3","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3","title":{"rendered":"2016-3 MOMAT Collection"},"content":{"rendered":"    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_8ca9773a0893a57b330bc9d18d1a0503\"\n                aria-controls=\"nav-block_8ca9773a0893a57b330bc9d18d1a0503\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_8ca9773a0893a57b330bc9d18d1a0503\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section1-1\"\n                       title=\"Scroll to Highlights\"\n                       class=\"momat-anchors__link\">\n                        Highlights                    <\/a>\n                                    <a href=\"#section1-2\"\n                       title=\"Scroll to About the Sections\"\n                       class=\"momat-anchors__link\">\n                        About the Sections                    <\/a>\n                                    <a href=\"#section1-4\"\n                       title=\"Scroll to About the Exhibition\"\n                       class=\"momat-anchors__link\">\n                        About the Exhibition                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div id=\"section1-1\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">The collection exhibition from November 22 , 2016 &#8211; February 12 , 2017<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"458\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/4f617b4754e285d0b962145dac4140d1-1024x458-1.jpeg\" alt=\"\" class=\"wp-image-1670\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/4f617b4754e285d0b962145dac4140d1-1024x458-1.jpeg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/4f617b4754e285d0b962145dac4140d1-1024x458-1-200x89.jpeg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/4f617b4754e285d0b962145dac4140d1-1024x458-1-768x344.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Takeuchi Seiho, <em>Monkeys and Rabbits<\/em>, 1908<\/figcaption><\/figure>\n\n\n\n<p>Welcome to the MOMAT Collection! Here are a few of the highlights of this installment of the exhibition.<\/p>\n\n\n\n<p>Some of the <em>Nihon-ga <\/em>(Japanese-style paintings) are displayed for a limited period in order to help preserve the works. Of special note in this edition are several Important Cultural Properties, which are only shown publicly once a year. The exhibition is divided into two periods, the first running from Nov. 22 to Jan. 15, and the second from Jan. 17 to Feb. 12. During the former, viewers can enjoy Kaburaki Kiyokata\u2019s <em>Portrait of Sanyutei Encho<\/em> in the Highlights section (Room 1, 4th floor), and during the latter, Yasuda Yukihiko\u2019s <em>Camp at Kisegawa<\/em> (Room 10, 3rd floor).<\/p>\n\n\n\n<p>This edition also includes several rooms devoted to individual artists. Room 3 (4th floor), for example, features the prominent Taisho Period painter Kishida Ryusei, and Room 4 focuses on the singular Nihon-ga painter Hada Teruo. Room 6 (3rd floor) showcases the war-record paintings of Nakamura Kenichi, and Room 7 is given over to Kawara On, an internationally renowned artist who died two years ago. Room 9 focuses on Alfred Stieglitz, one of the foremost American photographers.<\/p>\n\n\n\n<p>Moreover, in conjunction with <em>the Endless: The Paintings of Yamada Masaaki<\/em> exhibition (held on the first floor), we present abstract paintings by some of Yamada\u2019s contemporaries in Room 8 (3rd floor). And in conjunction with the <em>Ei-Q 1935-1937: Seeking the \u201cReal\u201d in the Dark <\/em>exhibition, held in Gallery 4 (2nd floor), we examine Japanese avant-garde painting of the 1930s in Room 5 (4th floor). Comparing these works with those on display in the special exhibitions promises an even more enjoyable viewing experience.<\/p>\n\n\n\n<p>Take your time and savor the many and varied pleasures of this edition of the MOMAT Collection.<\/p>\n\n\n\n<p>\u25c6Works in the exhibition are subject to change.<\/p>\n\n\n\n<p>The first:&nbsp;November 22 , 2016 \u2013 January 15, 2017<\/p>\n\n\n\n<p>The second:&nbsp;January 17, 2017 \u2013 February 12 , 2017<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Important Cultural Properties on display<\/h2>\n\n\n\n<p>The National Museum of Modern Art, Tokyo Collection (main building) contains 14 items that have been designated by the Japanese government as Important Cultural Properties. These include nine <em>Nihon-ga<\/em> (Japanese-style) paintings, four oil paintings, and one sculpture. (One of the <em>Nihon-ga<\/em> paintings and one of the oil paintings are on long-term loan to the museum.)<\/p>\n\n\n\n<p><strong>The following Important Cultural Properties are shown in this period:<\/strong><\/p>\n\n\n\n<p>\u25a0Yorozu Tetsugoro, <em>Nude Beauty<\/em>, 1912<br>\u25a0Nakamura Tsune, <em>Portrait of Vasilii Yaroshenko<\/em> , 1920<br>\u25a0Kaburaki Kiyokata, <em>Portrait of San\u2019yutei Encho <\/em>, 1930 (Exhibit Date: November 22 , 2016 \u2013 January 15, 2017\uff09<br>\u25a0Yasuda Yukihiko, <em>Camp at Kisegawa<\/em>, 1940\/41(Exhibit Date: January 17, 2017 \u2013 February 12 , 2017\uff09&nbsp;<\/p>\n\n\n\n<p>\u25c6Please visit the Important Cultural Property section Masterpieces for more information about the pieces.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"286\" height=\"306\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/8a98e2c292450ce81af129514ad3450e-e1469078978199.jpeg\" alt=\"\" class=\"wp-image-1604\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/8a98e2c292450ce81af129514ad3450e-e1469078978199.jpeg 286w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/8a98e2c292450ce81af129514ad3450e-e1469078978199-187x200.jpeg 187w\" sizes=\"(max-width: 286px) 100vw, 286px\" \/><figcaption class=\"wp-element-caption\">Nakamura Tsune, <em>Portrait of Vasilii Yaroshenko<\/em>, 1920 (Important Cultural Property)<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"180\" height=\"306\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/0bf920c33cec23d267e00c533d79a20f-1024x237-2.jpeg\" alt=\"\" class=\"wp-image-1561\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/0bf920c33cec23d267e00c533d79a20f-1024x237-2.jpeg 180w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/0bf920c33cec23d267e00c533d79a20f-1024x237-2-118x200.jpeg 118w\" sizes=\"(max-width: 180px) 100vw, 180px\" \/><figcaption class=\"wp-element-caption\">Yorozu Tetsugoro, Nude Beauty, 1912 (Important Cultural Property)<br><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">List of Works<\/h2>\n\n\n\n<p>MOMAT Collection\u3000\u3000November 22, 2016 \u2013 February 12, 2017<\/p>\n\n\n\n<p>*Please note that the exhibits and the exhibition schedule are subject to change without previous notice. For up-to-date information, please kindly check our website.<br>*F: November 22, 2016 \u2013 January 15, 2017<br>*S: January 17, 2017 \u2013 February 12, 2017<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><th><small>\u5c55\u793a\u5ba4 (Shown on\/at\uff1bRoom No.)<\/small><\/th><th><small>\u91cd\u6587 (Important Cultural Property)<\/small><\/th><th><small>\u97f3\u58f0\u30ac\u30a4\u30c9 (Audio Guide)<\/small><\/th><th><small>\u671f\u9593<\/small><\/th><th><small>\u4f5c\u5bb6\u540d<\/small><\/th><th><small>\u4f5c\u54c1\u540d<\/small><\/th><th><small>\u5236\u4f5c\u5e74 date<\/small><\/th><th><small>\u6280\u6cd5<\/small><\/th><th><small>\u53ce\u8535\u7d4c\u7def\u3001\u5bc4\u8d08\u3001\u5bc4\u8a17<\/small><\/th><th><small>Name of the Artist<\/small><\/th><th><small>Title<\/small><\/th><th><small>Material (technique, support)<\/small><\/th><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7d50\u57ce\u7d20\u660e<\/small><\/td><td><small>\u56c0(\u3055\u3048\u305a\u308a)<\/small><\/td><td><small>1911<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>YUKI, Somei<\/small><\/td><td><small>Bird Twittering<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td><small>\u5409\u5ddd\u970a\u83ef<\/small><\/td><td><small>\u85d0\u59d1\u5c04\u4e4b\u51e6\u5b50\u3000\uff08\u306f\u3053\u3084\u306e\u3057\u3087\u3057\uff09<\/small><\/td><td><small>1918<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KIKKAWA, Reika<\/small><\/td><td><small>Virgin at Mt. Hakoya<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5e73\u798f\u767e\u7a42<\/small><\/td><td><small>\u4e39\u9db4\u9752\u703e<\/small><\/td><td><small>1926<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u4e09\u7b20\u5bae\u5d07\u4ec1\u89aa\u738b\u6bbf\u4e0b\u5bc4\u8d08<\/small><\/td><td><small>HIRAFUKU, Hyakusui<\/small><\/td><td><small>Crane and Blue Waves<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S<\/small><\/td><td><small>\u5409\u5ddd\u970a\u83ef<\/small><\/td><td><small>\u96e2\u9a12\uff08\u308a\u305d\u3046\uff09<\/small><\/td><td><small>1926<\/small><\/td><td><small>\u7d19\u672c\u58a8\u753b\u6de1\u5f69<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KIKKAWA, Reika<\/small><\/td><td><small><em>On Encountering Sorrow<\/em> from The Poem by Qu Yuan<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u25ce<\/small><\/td><td><small>48<\/small><\/td><td><small>F<\/small><\/td><td><small>\u93d1\u6728\u6e05\u65b9<\/small><\/td><td><small>\u4e09\u904a\u4ead\u5186\u671d\u50cf<\/small><\/td><td><small>1930<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KABURAKI, Kiyokata<\/small><\/td><td><small>Portrait of San\u2019yutei Encho<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>12<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u837b\u539f\u5b88\u885b<\/small><\/td><td><small>\u5973<\/small><\/td><td><small>1910<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>OGIWARA, Morie<\/small><\/td><td><small>Woman<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>21<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u5c71\u69d0\u591a<\/small><\/td><td><small>\u30d0\u30e9\u3068\u5c11\u5973<\/small><\/td><td><small>1917<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5c71\u672c\u5b5d\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>MURAYAMA, Kaita<\/small><\/td><td><small>Roses and a Girl<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>27<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u95a2\u6839\u6b63\u4e8c<\/small><\/td><td><small>\u4e09\u661f(\u3055\u3093\u305b\u3044)<\/small><\/td><td><small>1919<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>SEKINE, Shoji<\/small><\/td><td><small>Three Stars<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u25ce<\/small><\/td><td><small>29<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u5f5d<\/small><\/td><td><small>\u30a8\u30ed\u30b7\u30a7\u30f3\u30b3\u6c0f\u306e\u50cf<\/small><\/td><td><small>1920<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5927\u91cc\u4e00\u592a\u90ce\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>NAKAMURA, Tsune<\/small><\/td><td><small>Portrait of Vasilii Yaroshenko<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>51<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5b89\u4e95\u66fd\u592a\u90ce<\/small><\/td><td><small>\u5965\u5165\u702c\u306e\u6eaa\u6d41<\/small><\/td><td><small>1933<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>YASUI, Sotaro<\/small><\/td><td><small>Oirase Stream<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>42<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u91ce\u7530\u82f1\u592b<\/small><\/td><td><small>\u5e30\u8def<\/small><\/td><td><small>1935<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>NODA, Hideo<\/small><\/td><td><small>Way Home<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>62<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9749\u5149<\/small><\/td><td><small>\u773c\u306e\u3042\u308b\u98a8\u666f<\/small><\/td><td><small>1938<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>AI-MITSU<\/small><\/td><td><small>Landscape with an Eye<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u677e\u672c\u7ae3\u4ecb<\/small><\/td><td><small>\u9ed2\u3044\u82b1<\/small><\/td><td><small>1940<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u677f<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MATSUMOTO, Shunsuke<\/small><\/td><td><small>Black Flowers<\/small><\/td><td><small>oil on board<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>59<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6885\u539f\u9f8d\u4e09\u90ce<\/small><\/td><td><small>\u5317\u4eac\u79cb\u5929<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u6cb9\u5f69\u3001\u5ca9\u7d75\u5177\u30fb\u7d19<\/small><\/td><td><small>\u5ddd\u53e3\u677e\u592a\u90ce\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>UMEHARA, Ryuzaburo<\/small><\/td><td><small>Autumn in Beijing<\/small><\/td><td><small>oil and Japanese pigment on paper<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30dd\u30fc\u30eb\u30fb\u30bb\u30b6\u30f3\u30cc<\/small><\/td><td><small>\u5927\u304d\u306a\u82b1\u675f<\/small><\/td><td><small>c.1892-95<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Paul C\u00e9zanne<\/small><\/td><td><small>Grand Bouquet of Flowers<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>3<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30f3\u30ea\u30fb\u30eb\u30bd\u30fc<\/small><\/td><td><small>\u7b2c22\u56de\u30a2\u30f3\u30c7\u30d1\u30f3\u30c0\u30f3\u5c55\u306b\u53c2\u52a0\u3059\u308b\u3088\u3046\u82b8\u8853\u5bb6\u9054\u3092\u5c0e\u304f\u81ea\u7531\u306e\u5973\u795e<\/small><\/td><td><small>1905-06<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Henri Rousseau<\/small><\/td><td><small>Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Soci\u00e9t\u00e9 des Artistes Ind\u00e9pendants<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>1\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30eb\u30b8\u30e5\u30fb\u30d6\u30e9\u30c3\u30af<\/small><\/td><td><small>\u5973\u306e\u30c8\u30eb\u30bd<\/small><\/td><td><small>1910-11<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Georges Braque<\/small><\/td><td><small>Female Torso<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>8<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7af9\u5185\u6816\u9cf3<\/small><\/td><td><small>\u98fc\u308f\u308c\u305f\u308b\u733f\u3068\u514e<\/small><\/td><td><small>1908<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>TAKEUCHI, Seiho<\/small><\/td><td><small>Monkeys and Rabbits<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td><small>\u6a2a\u5c71\u5927\u89b3<\/small><\/td><td><small>\u66ae\u8272<\/small><\/td><td><small>1922<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>YOKOYAMA, Taikan<\/small><\/td><td><small>Evening Twilight<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td><small>\u5165\u6c5f\u6ce2\u5149<\/small><\/td><td><small>\u84bc\u6797\u56f3<\/small><\/td><td><small>1923<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>IRIE, Hako<\/small><\/td><td><small>Green Grove<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>33<\/small><\/td><td><small>S<\/small><\/td><td><small>\u901f\u6c34\u5fa1\u821f<\/small><\/td><td><small>\u9580(\u540d\u4e3b\u306e\u5bb6)<\/small><\/td><td><small>1924<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>HAYAMI, Gyoshu<\/small><\/td><td><small>Gate (Residence of the Village Head)<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>35<\/small><\/td><td><small>S<\/small><\/td><td><small>\u6751\u4e0a\u83ef\u5cb3<\/small><\/td><td><small>\u677e\u5c71\u96f2\u7159<\/small><\/td><td><small>1925<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MURAKAMI, Kagaku<\/small><\/td><td><small>Pine-covered Mountains in the Mist<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u718a\u8c37\u5b88\u4e00<\/small><\/td><td><small>\u534a\u88f8\u5a66<\/small><\/td><td><small>1904<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u677f<\/small><\/td><td><small>\u5ddd\u4e0a\u6df3\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>KUMAGAI, Morikazu<\/small><\/td><td><small>Half Naked<\/small><\/td><td><small>oil on board<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u548c\u7530\u82f1\u4f5c<\/small><\/td><td><small>\u304a\u3046\u306a<\/small><\/td><td><small>1908<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>WADA, Eisaku<\/small><\/td><td><small>Old Woman<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c0f\u6749\u653e\u83f4(\u672a\u9192)<\/small><\/td><td><small>\u6c34\u90f7<\/small><\/td><td><small>1911<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>KOSUGI, Hoan (Misei)<\/small><\/td><td><small>Waterside Village<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5357\u85ab\u9020<\/small><\/td><td><small>\u516d\u6708\u306e\u65e5<\/small><\/td><td><small>1912<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>MINAMI, Kunzo<\/small><\/td><td><small>One Day in June<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u25ce<\/small><\/td><td><small>17<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u842c\u9244\u4e94\u90ce<\/small><\/td><td><small>\u88f8\u4f53\u7f8e\u4eba<\/small><\/td><td><small>1912<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u516b\u6728\u6b63\u6cbb\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>Nude Beauty<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>2\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u842c\u9244\u4e94\u90ce<\/small><\/td><td><small>\u592a\u967d\u306e\u9ea6\u7551<\/small><\/td><td><small>c.1913<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u677f<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>YOROZU, Tetsugoro<\/small><\/td><td><small>A Cornfield in the Sun<\/small><\/td><td><small>oil on board<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u81ea\u753b\u50cf<\/small><\/td><td><small>1913<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6749\u672c\u5065\u5409\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Self-Portrait<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u81ea\u753b\u50cf<\/small><\/td><td><small>1914<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6749\u672c\u5065\u5409\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Self-Portrait<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u58fa\u306e\u4e0a\u306b\u6797\u6a8e\u304c\u8f09\u3063\u3066\u5728\u308b<\/small><\/td><td><small>1916<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u677f<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>An Apple Exists on Top of a Pot<\/small><\/td><td><small>oil on board<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u53e4\u5c4b\u541b\u306e\u8096\u50cf (\u8349\u6301\u3066\u308b\u7537\u306e\u8096\u50cf)<\/small><\/td><td><small>1916<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Portrait of Koya Yoshio(Portrait of a Man Holding a Plant)<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>23<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u9e97\u5b50\u8096\u50cf(\u9e97\u5b50\u4e94\u6b73\u4e4b\u50cf)<\/small><\/td><td><small>1918<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Reiko, Five Years Old<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u856a\u56f3<\/small><\/td><td><small>1925<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5bc4\u8a17<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Turnip<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u81ea\u753b\u50cf<\/small><\/td><td><small>1908<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u5927\u7551\u7167\u5b50\u6c0f\u907a\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Self-Portrait<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u307b\u308d\u3088\u3044<\/small><\/td><td><small>c.1910<\/small><\/td><td><small>\u925b\u7b46\u3001\u6c34\u5f69\u30fb\u7d19<\/small><\/td><td><small>\u5927\u7551\u7167\u5b50\u6c0f\u907a\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Tipsiness<\/small><\/td><td><small>pencil and watercolor on paper<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u53e4\u5c4b\u82b3\u96c4\u50cf<\/small><\/td><td><small>1916<\/small><\/td><td><small>\u6c34\u5f69\u30fb\u7d19<\/small><\/td><td><small>\u53e4\u5c4b\u5eb7\u5b50\u6c0f\u907a\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Portrait of Koya Yoshio<\/small><\/td><td><small>watercolor on paper<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u9e97\u5b50\u516d\u6b73\u4e4b\u50cf<\/small><\/td><td><small>1919<\/small><\/td><td><small>\u6c34\u5f69\u30fb\u7d19<\/small><\/td><td><small>\u5ca9\u6ce2\u8302\u96c4\u6c0f\u65e7\u8535\u3001\u5ca9\u6ce2\u96c4\u4e8c\u90ce\u6c0f\u907a\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Reiko, Six Years Old<\/small><\/td><td><small>watercolor on paper<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u6751\u5b22\u65bc\u677e\u4e4b\u5750\u50cf<\/small><\/td><td><small>1920<\/small><\/td><td><small>\u6c34\u5f69\u3001\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u68ee\u7f8e\u5b50\u6c0f\u30fb\u5948\u826f\u9053\u6c0f\u30fb\u677e\u5c3e\u9999\u4ee3\u5b50\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Portrait of Sitting Omatsu, a Village Girl<\/small><\/td><td><small>watercolor and pencil on paper<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u7ae5\u5150\u8096\u50cf<\/small><\/td><td><small>1921<\/small><\/td><td><small>\u6c34\u5f69\u30fb\u7d19<\/small><\/td><td><small>\u5bc4\u8a17<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Portrait of a Little Boy<\/small><\/td><td><small>watercolor on paper<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u6751\u5b22\u65bc\u677e\u7acb\u50cf<\/small><\/td><td><small>1921<\/small><\/td><td><small>\u6c34\u5f69\u3001\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u5c3e\u5d0e\u4f50\u559c\u5b50\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Portrait of Standing Omatsu, a Village Girl<\/small><\/td><td><small>watercolor and pencil on paper<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f\u4f5c\u54c1\u500b\u4eba\u5c55\u89a7\u4f1a\u30dd\u30b9\u30bf\u30fc (\u6771\u4eac\u5c55)<\/small><\/td><td><small>1919<\/small><\/td><td><small>\u6728\u7248(\u591a\u8272)<\/small><\/td><td><small>\u5cb8\u7530\u9db4\u4e4b\u52a9\u6c0f\u907a\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Poster for the Solo-exhibition of Ryusei Kishida (Exhibition in Tokyo)<\/small><\/td><td><small>color woodcut<\/small><\/td><\/tr><tr><td><small>3\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f<\/small><\/td><td><small>\u5cb8\u7530\u5289\u751f\u4f5c\u54c1\u500b\u4eba\u5c55\u89a7\u4f1a\u30dd\u30b9\u30bf\u30fc (\u4eac\u90fd\u5c55)<\/small><\/td><td><small>1919<\/small><\/td><td><small>\u6728\u7248(\u591a\u8272)<\/small><\/td><td><small>\u5cb8\u7530\u9db4\u4e4b\u52a9\u6c0f\u907a\u8d08<\/small><\/td><td><small>KISHIDA, Ryusei<\/small><\/td><td><small>Poster for the Solo-exhibition of Ryusei Kishida (Exhibition in Kyoto)<\/small><\/td><td><small>color woodcut<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u81ea\u753b\u50cf<\/small><\/td><td><small>1916<\/small><\/td><td><small>\u7d19\u672c\u58a8\u753b<\/small><\/td><td><small>\u6709\u9650\u4f1a\u793e\u3048\u3073\u306a\u66f8\u5e97\u5bc4\u8d08<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Self Portrait<\/small><\/td><td><small>sumi on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u9ed2\u70df<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Black Smoke<\/small><\/td><td><small>ink on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u958b\u304b\u306c\u6249<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Locked Door<\/small><\/td><td><small>ink on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u6b7b\u3093\u3067\u901d\u304f<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Dying a Death<\/small><\/td><td><small>ink on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u6708\u5149<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Moonlight<\/small><\/td><td><small>ink and color pencil on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u60e8\u3057\u304d\u65e5<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>A Miserable Day<\/small><\/td><td><small>ink and color pencil on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u71c8\u706b<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Lamplight<\/small><\/td><td><small>ink and color pencil on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u7121\u984c<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>ink on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u7121\u984c<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>ink on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u843d\u65e5<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Sunset<\/small><\/td><td><small>ink and color pencil on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u6d3b\u52d5\u306e\u5973\u7d66<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Waitress at the Cinema<\/small><\/td><td><small>ink and color pencil on paper<\/small><\/td><\/tr><tr><td><small>4\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u79e6\u30c6\u30eb\u30f2<\/small><\/td><td><small>\u7159<\/small><\/td><td><small>c.1916<\/small><\/td><td><small>\u30a4\u30f3\u30af\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HADA, Teruo<\/small><\/td><td><small>Smoke<\/small><\/td><td><small>ink and color pencil on paper<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>41<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u798f\u6ca2\u4e00\u90ce<\/small><\/td><td><small>Poisson d\u2019Avril(\u56db\u6708\u99ac\u9e7f)<\/small><\/td><td><small>1930<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>FUKUZAWA, Ichiro<\/small><\/td><td><small>April Fool<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u798f\u6ca2\u4e00\u90ce<\/small><\/td><td><small>\u725b<\/small><\/td><td><small>1936<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>FUKUZAWA, Ichiro<\/small><\/td><td><small>Oxen<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u539f\u6cbb\u826f<\/small><\/td><td><small>\u671d\u9854\u3068\u571f\u8535<\/small><\/td><td><small>c.1931-34<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6e05\u6c34\u590f\u751f\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>YOSHIHARA, Jiro<\/small><\/td><td><small>Morning Glories and Storehouse<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u539f\u6cbb\u826f<\/small><\/td><td><small>\u4f5c\u54c12<\/small><\/td><td><small>c.1934<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>YOSHIHARA, Jiro<\/small><\/td><td><small>Work 2<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e09\u5cb8\u597d\u592a\u90ce<\/small><\/td><td><small>\u96f2\u306e\u4e0a\u3092\u98db\u3076\u8776<\/small><\/td><td><small>1934<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MIGISHI, Kotaro<\/small><\/td><td><small>Butterflies Flying above Clouds<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5ca1\u672c\u592a\u90ce<\/small><\/td><td><small>\u30b3\u30f3\u30c8\u30eb\u30dd\u30a2\u30f3<\/small><\/td><td><small>1935\/54<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>OKAMOTO, Taro<\/small><\/td><td><small>Counterpoint<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9577\u8c37\u5ddd\u4e09\u90ce<\/small><\/td><td><small>\u30a2\u30d6\u30b9\u30c8\u30e9\u30af\u30b7\u30e7\u30f3<\/small><\/td><td><small>1936<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HASEGAWA, Saburo<\/small><\/td><td><small>Abstraction<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5317\u8107\u6607<\/small><\/td><td><small>\u6700\u3082\u9759\u304b\u306a\u308b\u6642<\/small><\/td><td><small>1937<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5317\u8107\u304b\u306d\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>The Quietest Time<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u4e95\u6b63\u8aa0<\/small><\/td><td><small>URBAIN<\/small><\/td><td><small>1937<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MURAI, Masanari<\/small><\/td><td><small>Urban<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6d45\u539f\u6e05\u9686<\/small><\/td><td><small>\u90f7\u6101<\/small><\/td><td><small>1938<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u6e21\u8fba\u7f8e\u679d\u5b50\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>ASAHARA, Kiyotaka<\/small><\/td><td><small>Nostalgia<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6d5c\u7530\u6d5c\u96c4<\/small><\/td><td><small>\u30e6\u30d1\u30b9<\/small><\/td><td><small>1939<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HAMADA, Hamao<\/small><\/td><td><small>Upas<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30aa\u30ce\u30b5\u30c8\u30fb\u30c8\u30b7\u30ce\u30d6\uff08\u5c0f\u91ce\u91cc\u5229\u4fe1\uff09<\/small><\/td><td><small>\u9ed2\u767d\u306e\u4e38<\/small><\/td><td><small>1940<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>ONOSATO, Toshinobu<\/small><\/td><td><small>Circles in Black and White<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u53e4\u8cc0\u6625\u6c5f<\/small><\/td><td><small>\u305d\u3053\u306b\u5728\u308b<\/small><\/td><td><small>1933<\/small><\/td><td><small>\u6c34\u5f69\u3001\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u9ad8\u677e\u592a\u90ce\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Being<\/small><\/td><td><small>watercolor and pencil on paper<\/small><\/td><\/tr><tr><td><small>5\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u53e4\u8cc0\u6625\u6c5f<\/small><\/td><td><small>\u697d\u3057\u304d\u9957\u5bb4<\/small><\/td><td><small>1933<\/small><\/td><td><small>\u6c34\u5f69\u3001\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u9ad8\u677e\u592a\u90ce\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>KOGA, Harue<\/small><\/td><td><small>Pleasant Feast<\/small><\/td><td><small>watercolor and pencil on paper<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u30de\u30ec\u30fc\u6c96\u6d77\u6226<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Naval Battle off Malaya<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u30b3\u30bf\u30fb\u30d0\u30eb<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Kota Baru<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u73ca\u745a\u6d77\u6d77\u6226<\/small><\/td><td><small>1943<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Battle of the Coral Sea<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u30bf\u30b5\u30d5\u30a1\u30ed\u30f3\u30b0(\u30ac\u30c0\u30eb\u30ab\u30ca\u30eb\u306b\u65bc\u3051\u308b\u9678\u6d77\u5171\u540c\u4f5c\u6226\u56f3)<\/small><\/td><td><small>1944<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Army-Navy Joint Operations on Tasivarongo Point, Guadalcanal<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u30b3\u30bf\u30fb\u30d0\u30eb B<\/small><\/td><td><small>1944<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Kota Baru B<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>6\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u7814\u4e00<\/small><\/td><td><small>\u5317\u4e5d\u5dde\u4e0a\u7a7a\u91ce\u8fba\u8ecd\u66f9\u6a5f\u306e\u4f53\u5f53\u308aB29\u4e8c\u6a5f\u3092\u6483\u589c\u3059<\/small><\/td><td><small>1945<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u7121\u671f\u9650\u8cb8\u4e0e<\/small><\/td><td><small>NAKAMURA, Ken\u2019ichi<\/small><\/td><td><small>Sergeant Nobe\u2019s Suicide Attack on Two B-29\u2019s Over Kitakyushu<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba41<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 1<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba42<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 2<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba43<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 3<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba44<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 4<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba45<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 5<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba46<\/small><\/td><td><small>1953-54<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 6<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba47<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 7<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba48<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 8<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba49<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 9<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba410<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 10<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba411<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 11<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba412<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 12<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba413<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 13<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba414<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 14<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba415<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 15<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba416<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 16<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba417<\/small><\/td><td><small>1953-54<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 17<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba418<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 18<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba419<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 19<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba420<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 20<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba421<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 21<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba422<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 22<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba423<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u3001\u8272\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 23<\/small><\/td><td><small>pencil and color pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba424<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 24<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba425<\/small><\/td><td><small>1953<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 25<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba426<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 26<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba427<\/small><\/td><td><small>1953-54<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 27<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u6d74\u5ba428<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u925b\u7b46\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Bathroom 28<\/small><\/td><td><small>pencil on paper<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>79<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>\u5b55\u3093\u3060\u5973<\/small><\/td><td><small>1954<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Pregnant Woman<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>DEC. 14, 1966<\/small><\/td><td><small>1966<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5bc4\u8a17<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>DEC. 14, 1966<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>Date Painting<\/small><\/td><td><small>1994<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5bc4\u8a17<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Date Painting<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>Date Painting<\/small><\/td><td><small>1994<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5bc4\u8a17<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Date Painting<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>7\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6cb3\u539f\u6e29<\/small><\/td><td><small>Date Painting<\/small><\/td><td><small>1994<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u5bc4\u8a17<\/small><\/td><td><small>KAWARA, On<\/small><\/td><td><small>Date Painting<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6851\u5c71\u5fe0\u660e<\/small><\/td><td><small>\u7121\u984c(\u8d64)<\/small><\/td><td><small>1961<\/small><\/td><td><small>\u5ca9\u7d75\u5177\u3001\u9280\u7b94\u30fb\u548c\u7d19(\u9ebb\u5e03\u88cf\u6253\u3061)<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KUWAYAMA, Tadaaki<\/small><\/td><td><small>Untitled (Red)<\/small><\/td><td><small>Japanese pigment and silver leaf on Japanese paper, mounted on canvas<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30aa\u30ce\u30b5\u30c8\u30fb\u30c8\u30b7\u30ce\u30d6\uff08\u5c0f\u91ce\u91cc\u5229\u4fe1\uff09<\/small><\/td><td><small>\u4f5c\u54c1100-B<\/small><\/td><td><small>1963<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u85e4\u5ca1\u6642\u5f66\u6c0f\u5bc4\u8d08\u2015\u59bb\u82f1\u5b50\u3092\u5072\u3093\u3067<\/small><\/td><td><small>ONOSATO, Toshinobu<\/small><\/td><td><small>Work 100-B<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5802\u672c\u5c1a\u90ce<\/small><\/td><td><small>\u9023\u7d9a\u306e\u6eb6\u89e3 64-10<\/small><\/td><td><small>1964<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>DOMOTO, Hisao<\/small><\/td><td><small>Solutions of Continuities 64-10<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5ca9\u672c\u62d3\u90ce<\/small><\/td><td><small>SQUARE-92-5&lt;\u6d77\uff1d\u9ec4\u8272\u3044\u30f4\u30a7\u30fc\u30eb&gt;<\/small><\/td><td><small>1992<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30eb\u30a6\u30ec\u30bf\u30f3\u5857\u6599\u30fb\u548c\u7d19(\u677f\u306b\u8cbc\u4ed8)<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IWAMOTO, Takuro<\/small><\/td><td><small>SQUARE-92-5\u3000&lt;Sea\uff1dYellow Veil&gt;<\/small><\/td><td><small>acrylic polyurethan on paper, mounted on board<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6ca2\u5c45\u66dc\u5b50<\/small><\/td><td><small>Carbon Work \u2161- 5<\/small><\/td><td><small>1977<\/small><\/td><td><small>\u30ab\u30fc\u30dc\u30f3\u30fb\u548c\u7d19<\/small><\/td><td><small>\u5c71\u53e3\u5b5d\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>SAWAI, Yoko<\/small><\/td><td><small>Carbon Work \u2161- 5<\/small><\/td><td><small>carbon on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6ca2\u5c45\u66dc\u5b50<\/small><\/td><td><small>Line Work \u2161 \u2013 77 \u2013 3<\/small><\/td><td><small>1977<\/small><\/td><td><small>\u30b3\u30f3\u30c6\u30fb\u30b1\u30f3\u30c8\u7d19<\/small><\/td><td><small>\u5c71\u53e3\u5b5d\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>SAWAI, Yoko<\/small><\/td><td><small>Line Work \u2161 \u2013 77 \u2013 3<\/small><\/td><td><small>cont\u00e9 on paper<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u8fb0\u91ce\u767b\u6075\u5b50<\/small><\/td><td><small>UNTITLED-29<\/small><\/td><td><small>1974<\/small><\/td><td><small>\u5b54\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TATSUNO, Toeko<\/small><\/td><td><small>UNTITLED-29<\/small><\/td><td><small>silkscreen<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u8fb0\u91ce\u767b\u6075\u5b50<\/small><\/td><td><small>UNTITLED-30<\/small><\/td><td><small>1974<\/small><\/td><td><small>\u5b54\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TATSUNO, Toeko<\/small><\/td><td><small>UNTITLED-30<\/small><\/td><td><small>silkscreen<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7530\u4e2d\u4fe1\u592a\u90ce<\/small><\/td><td><small>\u7121\u57df<\/small><\/td><td><small>1999<\/small><\/td><td><small>\u771f\u936e<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TANAKA, Shintaro<\/small><\/td><td><small>Without Bounds<\/small><\/td><td><small>brass<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30c9\u30fb\u30e9\u30a4\u30f3\u30cf\u30fc\u30c8<\/small><\/td><td><small>\u62bd\u8c61\u7d75\u753b<\/small><\/td><td><small>1958<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Ad Reinhardt<\/small><\/td><td><small>Abstract Painting<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e7\u30bb\u30d5\u30fb\u30a2\u30eb\u30d0\u30fc\u30b9<\/small><\/td><td><small>\u6b63\u65b9\u5f62\u8b83\u6b4c<\/small><\/td><td><small>1959<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Josef Albers<\/small><\/td><td><small>Homage to the Square<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>8\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30d6\u30ea\u30f3\u30ad\u30fc\u30fb\u30d1\u30ec\u30eb\u30e2<\/small><\/td><td><small>\u56db\u3064\u306e\u539f\u578b<\/small><\/td><td><small>1970<\/small><\/td><td><small>\u5b54\u7248<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Blinky Palermo<\/small><\/td><td><small>Four Prototypes<\/small><\/td><td><small>silkscreen, 4 pieces<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u51ac\u3001\u4e94\u756a\u8857<\/small><\/td><td><small>1893 (1905 print)<\/small><\/td><td><small>\u30d5\u30a9\u30c8\u30b0\u30e9\u30f4\u30e5\u30a2<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Winter-5th Avenue<\/small><\/td><td><small>photogravure<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u7d42\u7740\u99c5\u3001\u30cb\u30e5\u30fc\u30e8\u30fc\u30af<\/small><\/td><td><small>1893<\/small><\/td><td><small>\u30d5\u30a9\u30c8\u30b0\u30e9\u30f4\u30e5\u30a2<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>The Terminal (New York)<\/small><\/td><td><small>photogravure<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u4e94\u756a\u8857\u30fb\u8857\u982d\u98a8\u666f<\/small><\/td><td><small>1896<\/small><\/td><td><small>\u30d5\u30a9\u30c8\u30b0\u30e9\u30f4\u30e5\u30a2<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>The Street, Fifth Avenue<\/small><\/td><td><small>photogravure<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30b6\u30fb\u30cf\u30f3\u30c9\u30fb\u30aa\u30d6\u30fb\u30de\u30f3<\/small><\/td><td><small>1902 (1911 print)<\/small><\/td><td><small>\u30d5\u30a9\u30c8\u30b0\u30e9\u30f4\u30e5\u30a2<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>The Hand of Man<\/small><\/td><td><small>photogravure<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u4e09\u7b49\u8239\u5ba4<\/small><\/td><td><small>1907 (1911 print)<\/small><\/td><td><small>\u30d5\u30a9\u30c8\u30b0\u30e9\u30f4\u30e5\u30fc\u30eb<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>The Steerage<\/small><\/td><td><small>photogravure<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30de\u30f3\u30cf\u30c3\u30bf\u30f3\u5357\u90e8<\/small><\/td><td><small>1910 (1911 print)<\/small><\/td><td><small>\u30d5\u30a9\u30c8\u30b0\u30e9\u30f4\u30e5\u30a2<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Lower Manhattan<\/small><\/td><td><small>photogravure<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u65b0\u65e7\u306e\u30cb\u30e5\u30fc\u30e8\u30fc\u30af<\/small><\/td><td><small>1910 (1911 print)<\/small><\/td><td><small>\u30d5\u30a9\u30c8\u30b0\u30e9\u30f4\u30e5\u30a2<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Old and New New York<\/small><\/td><td><small>photogravure<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u98db\u884c\u8239<\/small><\/td><td><small>1910<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>A Dirigible<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5: \u3042\u308b\u8096\u50cf<\/small><\/td><td><small>1918<\/small><\/td><td><small>\u30d1\u30e9\u30c7\u30a3\u30a6\u30e0\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Georgia O\u2019Keeffe: A Portrait<\/small><\/td><td><small>palladium print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5: \u3042\u308b\u8096\u50cf\u2015\u624b\u3068\u6307\u8cab<\/small><\/td><td><small>1919<\/small><\/td><td><small>\u30d1\u30e9\u30c7\u30a3\u30a6\u30e0\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Georgia O\u2019Keeffe: A Portrait- Hands and Thimble<\/small><\/td><td><small>palladium print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5: \u3042\u308b\u8096\u50cf\u2015\u6a2a\u9854<\/small><\/td><td><small>1920<\/small><\/td><td><small>\u30d1\u30e9\u30c7\u30a3\u30a6\u30e0\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Georgia O\u2019Keeffe: A portrait- Profile<\/small><\/td><td><small>palladium print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u8679\u3001\u30b8\u30e7\u30fc\u30b8\u6e56<\/small><\/td><td><small>c.1920<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Rainbow, Lake George<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u6e56<\/small><\/td><td><small>1922<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Lake George<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5: \u3042\u308b\u8096\u50cf<\/small><\/td><td><small>1923<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Georgia O\u2019Keeffe: A Portrait<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30a4\u30af\u30a3\u30f4\u30a1\u30ec\u30f3\u30c8<\/small><\/td><td><small>1925<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Equivalent<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30a4\u30af\u30a3\u30f4\u30a1\u30ec\u30f3\u30c8<\/small><\/td><td><small>1926<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Equivalent<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u67af\u308c\u304b\u3051\u305f\u6817\u306e\u6728\u3001\u30b8\u30e7\u30fc\u30b8\u6e56<\/small><\/td><td><small>c.1927<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Dying Chestnut Trees, Lake George<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u591c\u2015\u30cb\u30e5\u30fc\u30e8\u30fc\u30af<\/small><\/td><td><small>1931-32<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>Night- New York<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>9\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30eb\u30d5\u30ec\u30c3\u30c9\u30fb\u30b9\u30c6\u30a3\u30fc\u30b0\u30ea\u30c3\u30c4<\/small><\/td><td><small>\u30cb\u30e5\u30fc\u30e8\u30fc\u30af (\u30b7\u30a7\u30eb\u30c8\u30f3\u30fb\u30db\u30c6\u30eb\u897f\u5074\u3088\u308a)<\/small><\/td><td><small>1931-32<\/small><\/td><td><small>\u30bc\u30e9\u30c1\u30f3\u30fb\u30b7\u30eb\u30d0\u30fc\u30fb\u30d7\u30ea\u30f3\u30c8<\/small><\/td><td><small>\u30b8\u30e7\u30fc\u30b8\u30a2\u30fb\u30aa\u30ad\u30fc\u30d5\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>Alfred Stieglitz<\/small><\/td><td><small>New York (from the Shelton Westward)<\/small><\/td><td><small>gelatin silver print<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td><small>\u5ddd\u5408\u7389\u5802<\/small><\/td><td><small>\u5c0f\u677e\u5185\u5e9c\u56f3<\/small><\/td><td><small>1899<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KAWAI, Gyokudo<\/small><\/td><td><small>Taira Shigemori, Komatsu-no-naifu<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td><small>\u91ce\u7530\u4e5d\u6d66<\/small><\/td><td><small>\u8fbb\u8aac\u6cd5<\/small><\/td><td><small>1907<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>NODA, Kyuho<\/small><\/td><td><small>Street Preaching<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td><small>\u4eca\u6751\u7d2b\u7d05<\/small><\/td><td><small>\u6642\u5b97<\/small><\/td><td><small>1908<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IMAMURA, Shiko<\/small><\/td><td><small>Hojo Tokimune Consulting Mugaku Sogen about the Mongol Invasion<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c3e\u7af9\u56fd\u89b3<\/small><\/td><td><small>\u6cb9\u65ad<\/small><\/td><td><small>1909<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>OTAKE, Kokkan<\/small><\/td><td><small>Alarmed<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u83ca\u6c60\u5951\u6708<\/small><\/td><td><small>\u4f9b\u71c8 (\u304f\u3068\u3046)<\/small><\/td><td><small>1910<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>KIKUCHI, Keigetsu<\/small><\/td><td><small>Dedicating Lanterns<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e0b\u6751\u89b3\u5c71<\/small><\/td><td><small>\u5927\u539f\u5fa1\u5e78 (\u304a\u304a\u306f\u3089\u3054\u3053\u3046)<\/small><\/td><td><small>1908<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>SHIMOMURA, Kanzan<\/small><\/td><td><small>Ohara-Goko, from the <em>Tale of Heike<\/em><\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td><small>\u4e0b\u6751\u89b3\u5c71<\/small><\/td><td><small>\u6e05\u6dbc\u6bbf<\/small><\/td><td><small>1924<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u5bc4\u8d08<\/small><\/td><td><small>SHIMOMURA, Kanzan<\/small><\/td><td><small><em>Seiryoden <\/em>[royal hall]<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>S<\/small><\/td><td><small>\u5c0f\u5c71\u6804\u9054<\/small><\/td><td><small>\u8b19\u4fe1\u516c<\/small><\/td><td><small>1930<\/small><\/td><td><small>\u7d79\u672c\u58a8\u753b<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u535a\u7269\u9928\u7ba1\u7406\u63db<\/small><\/td><td><small>KOYAMA, Eitatsu<\/small><\/td><td><small>Uesugi Kenshin<\/small><\/td><td><small>sumi on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c0f\u5c71\u6804\u9054<\/small><\/td><td><small>\u6728\u6751\u9577\u9580\u51fa\u9663<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u535a\u7269\u9928\u7ba1\u7406\u63db<\/small><\/td><td><small>KOYAMA, Eitatsu<\/small><\/td><td><small>Kimura Shigenari Departing for the Front<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5409\u6751\u5fe0\u592b<\/small><\/td><td><small>\u71c8\u7c60\u5927\u81e3<\/small><\/td><td><small>1936<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>YOSHIMURA, Tadao<\/small><\/td><td><small>Taira Shigemori, minister of lantern<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u25ce<\/small><\/td><td><small>61<\/small><\/td><td><small>S<\/small><\/td><td><small>\u5b89\u7530\u976b\u5f66<\/small><\/td><td><small>\u9ec4\u702c\u5ddd\u9663<\/small><\/td><td><small>1940\/41<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>YASUDA, Yukihiko<\/small><\/td><td><small>Camp at Kisegawa<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u690d\u4e2d\u76f4\u658e<\/small><\/td><td><small>\u91cd\u6210\u592b\u4eba<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u7d79\u672c\u5f69\u8272<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u535a\u7269\u9928\u7ba1\u7406\u63db<\/small><\/td><td><small>UENAKA, Chokusai<\/small><\/td><td><small>Lady Kimura Shigenari<\/small><\/td><td><small>color on silk<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>F<\/small><\/td><td><small>\u524d\u7530\u9752\u90a8<\/small><\/td><td><small>\u6e05\u6b63<\/small><\/td><td><small>1942<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u6771\u4eac\u56fd\u7acb\u535a\u7269\u9928\u7ba1\u7406\u63db<\/small><\/td><td><small>MAEDA, Seison<\/small><\/td><td><small>Kato Kiyomasa<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u524d\u7530\u9752\u90a8<\/small><\/td><td><small>\u304b\u3061\u304b\u3061\u5c71<\/small><\/td><td><small>1947<\/small><\/td><td><small>\u7d19\u672c\u58a8\u753b<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>MAEDA, Seison<\/small><\/td><td><small><em>Kachi-kachi-yama<\/em>, the story of a rabbit and a racoon dog<\/small><\/td><td><small>sumi on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u524d\u7530\u9752\u90a8<\/small><\/td><td><small>\u5fa1\u5dbd\u795e\u793e\u8d64\u5a01\u5191<\/small><\/td><td><small>1927<\/small><\/td><td><small>\u58a8\u3001\u5f69\u8272\u30fb\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>MAEDA, Seison<\/small><\/td><td><small>Red-Braided Helmet of the Mitake Shrine<\/small><\/td><td><small>sumi and color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7a17\u7530\u4e00\u7a42<\/small><\/td><td><small>\u5947\u7570\u9ce5<\/small><\/td><td><small>1952<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>HIEDA, Kazuho<\/small><\/td><td><small>Kiwi<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e0a\u6751\u677e\u7bc1<\/small><\/td><td><small>\u661f\u4e94\u4f4d (\u307b\u3057\u3054\u3044)<\/small><\/td><td><small>1958<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>UEMURA, Shoko<\/small><\/td><td><small>Night Herons<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5ca9\u6a4b\u82f1\u9060<\/small><\/td><td><small>\u9d07<\/small><\/td><td><small>1960<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4e94\u85e4\u304d\u307f\u3048\u6c0f\u5bc4\u8d08<\/small><\/td><td><small>IWAHASHI, Eien<\/small><\/td><td><small>Japanese Crested Ibises<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5800\u6587\u5b50<\/small><\/td><td><small>\u9727\u306e\u91ce<\/small><\/td><td><small>1960<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u90e8\u7701\u7ba1\u7406\u63db<\/small><\/td><td><small>HORI, Fumiko<\/small><\/td><td><small>Field Veiled in a Mist<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c71\u53e3\u84ec\u6625<\/small><\/td><td><small>\u79cb<\/small><\/td><td><small>1961<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YAMAGUCHI, Hoshun<\/small><\/td><td><small>Autumn<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u9ebb\u7530\u8fa8\u81ea<\/small><\/td><td><small>\u9d1b<\/small><\/td><td><small>1962<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>ASADA, Benji<\/small><\/td><td><small>Mandarin Ducks<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>10\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c71\u672c\u4e18\u4eba<\/small><\/td><td><small>\u72ed\u9727\u91ce<\/small><\/td><td><small>1970<\/small><\/td><td><small>\u7d19\u672c\u5f69\u8272<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YAMAMOTO, Kyujin<\/small><\/td><td><small>Misty Field<\/small><\/td><td><small>color on paper<\/small><\/td><\/tr><tr><td><small>3F\u3001EV\u30db\u30fc\u30eb<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u67f3\u539f\u7fa9\u9054<\/small><\/td><td><small>\u72ac\u306e\u5504<\/small><\/td><td><small>1961<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>YANAGIHARA, Yoshitatsu<\/small><\/td><td><small>Song of the Dog<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>3F\u3001EV\u30db\u30fc\u30eb<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u821f\u8d8a\u4fdd\u6b66<\/small><\/td><td><small>\u539f\u306e\u57ce<\/small><\/td><td><small>1971<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>FUNAKOSHI, Yasutake<\/small><\/td><td><small>Haranojo Castle<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5411\u4e95\u826f\u5409<\/small><\/td><td><small>\u87fb\u306e\u57ce<\/small><\/td><td><small>1960<\/small><\/td><td><small>\u30a2\u30eb\u30df\u30cb\u30a6\u30e0<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MUKAI, Ryokichi<\/small><\/td><td><small>Castle of Ants<\/small><\/td><td><small>aluminum<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>82<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e09\u6728\u5bcc\u96c4<\/small><\/td><td><small>EAR<\/small><\/td><td><small>1965<\/small><\/td><td><small>\u30a2\u30eb\u30df\u30cb\u30a6\u30e0<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MIKI, Tomio<\/small><\/td><td><small>EAR<\/small><\/td><td><small>aluminum<\/small><\/td><\/tr><tr><td><small>11\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u83c5\u6728\u5fd7\u96c4<\/small><\/td><td><small>\u6b62\u7a7a\u6563\u69d8<\/small><\/td><td><small>2004<\/small><\/td><td><small>\u30a2\u30eb\u30df\u30cb\u30a6\u30e0\u3001\u77f3<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>SUGA, Kishio<\/small><\/td><td><small>To-ku-san-yo<\/small><\/td><td><small>aluminum and stone<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5bae\u8107\u611b\u5b50<\/small><\/td><td><small>\u30b9\u30af\u30ed\u30fc\u30eb\u30fb\u30da\u30a4\u30f3\u30c6\u30a3\u30f3\u30b0\u3000\u767d<\/small><\/td><td><small>1975<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>MIYAWAKI, Aiko<\/small><\/td><td><small>Scroll Painting, White<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5bae\u8107\u611b\u5b50<\/small><\/td><td><small>\u30b9\u30af\u30ed\u30fc\u30eb\u30fb\u30da\u30a4\u30f3\u30c6\u30a3\u30f3\u30b0\u3000\u9ed2<\/small><\/td><td><small>1976<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>MIYAWAKI, Aiko<\/small><\/td><td><small>Scroll Painting, Black<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u658e\u85e4\u7fa9\u91cd<\/small><\/td><td><small>\u201c\u53cd\u5bfe\u79f0\u201d\u6b63\u65b9\u5f62 No.1, No.2<\/small><\/td><td><small>1976<\/small><\/td><td><small>\u6728<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>SAITO, Yoshishige<\/small><\/td><td><small>\u201cDissymmetry\u201d Square No.1, No.2<\/small><\/td><td><small>wood, 2 pieces<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u674e\u79b9\u7165<\/small><\/td><td><small>\u7dda\u3088\u308a<\/small><\/td><td><small>1977<\/small><\/td><td><small>\u5ca9\u7d75\u5177\u3001\u81a0\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>LEE, Ufan<\/small><\/td><td><small>From Line<\/small><\/td><td><small>Japanese pigment and glue on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6751\u4e0a\u53cb\u6674<\/small><\/td><td><small>\u7121\u984c<\/small><\/td><td><small>1988-90<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>MURAKAMI, Tomoharu<\/small><\/td><td><small>Untitled<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5927\u7af9\u4f38\u6717<\/small><\/td><td><small>Torso and Guitar<\/small><\/td><td><small>1988<\/small><\/td><td><small>\u67d3\u6599\u3001\u77f3\u818f\u3001\u7dbf\u30c6\u30fc\u30d7\u3001\u672c\u3001\u898b\u672c\u5e33\u306e\u88cf\u8868\u7d19\u3001\u6728\u88fd\u306e\u8239\u306e\u90e8\u54c1\u30fb\u9244\u3001\u30ef\u30a4\u30e4\u30fc\u3001\u624b\u7d19\u3001\u30db\u30c1\u30ad\u30b9\u3001\u548c\u7d19\u3001\u7d19\u3001\u8584\u7d19<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>OHTAKE, Shinro<\/small><\/td><td><small>Torso and Guitar<\/small><\/td><td><small>dye, paper, cotton tape, iron, wire, staples, book, parts of wooden ship, etc.<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5927\u7af9\u4f38\u6717<\/small><\/td><td><small>\u7db2\u819c \uff08\u30ef\u30a4\u30e4\u30fc\u30fb\u30db\u30e9\u30a4\u30ba\u30f3\u3001\u30bf\u30f3\u30b8\u30a7\uff09<\/small><\/td><td><small>1990-93<\/small><\/td><td><small>\u6cb9\u5f69\u3001\u30aa\u30a4\u30eb\u30b9\u30c6\u30a3\u30c3\u30af\u3001\u30c1\u30e7\u30fc\u30af\u3001\u30a6\u30ec\u30bf\u30f3\u30da\u30a4\u30f3\u30c8\u3001\u6a39\u8102\u3001\u5e03\u3001\u7d19\u3001\u5199\u771f\u3001\u30db\u30c1\u30ad\u30b9\u3001\u30cf\u30c8\u30e1\u7b49\u30fb\u6728\u88fd\u30d1\u30cd\u30eb<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>OHTAKE, Shinro<\/small><\/td><td><small>Retina (Wire Horizon, Tangier)<\/small><\/td><td><small>oil, oil stick, chalk, urethane paint, plastic resin, cloth, paper, photographs, staples, iron brass grommet, etc. on wooden panel<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5948\u826f\u7f8e\u667a<\/small><\/td><td><small>Harmless Kitty<\/small><\/td><td><small>1994<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u7dbf\u5e03<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>NARA, Yoshitomo<\/small><\/td><td><small>Harmless Kitty<\/small><\/td><td><small>acrylic on cotton<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a4\u30b1\u30e0\u30e9\u30ec\u30a4\u30b3<\/small><\/td><td><small>\u6a2a\u305f\u308f\u308b\u5c11\u5973<\/small><\/td><td><small>1997<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>IKEMURA, Leiko<\/small><\/td><td><small>Reclining Girl<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5c0f\u6797\u6b63\u4eba<\/small><\/td><td><small>Unnamed #7<\/small><\/td><td><small>1997<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KOBAYASHI, Masato<\/small><\/td><td><small>Unnamed #7<\/small><\/td><td><small>oil on canvas, stretcher<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5ca1\ufa11\u4e7e\u4e8c\u90ce<\/small><\/td><td><small>\u5c4b\u6839\u306e\u71b1\u6c17\u306b\u5439\u304d\u3064\u3051\u3089\u308c\u3001\u7956\u7236\u306e\u9854\u306f\u982d\u84cb\u9aa8\u306e\u3088\u3046\u306b\u3082\u3046\u8272\u892a\u305b\u3066\u898b\u3048\u308b\u3002\u3068\u3053\u308d\u3067\u5f7c\u306f\u4f55\u3068\u3044\u3063\u305f\u306e\u3067\u3057\u305f\u3063\u3051? \u707c\u71b1\u306e\u713c\u304d\u3054\u3066\u3092\u773c\u306b\u5165\u308c\u3089\u308c\u3088\u3046\u3068\u3057\u305f\u3068\u304d\u306b\u3002\u300c\u50d5\u306e\u7f8e\u3057\u3044\u304a\u53cb\u9054\u3001\u706b\u3088\u3002\u3082\u3046\u5c11\u3057\u3084\u3055\u3057\u304f\u304a\u9858\u3044\u3057\u307e\u3059\u300d\u3002\u5927\u4e08\u592b\u3002\u5b89\u5fc3\u306a\u3055\u3063\u3066\u3002\u59c9\u306f\u65e5\u5098\u3092\u53d6\u308a\u306b\u3044\u304d\u3001\u7956\u7236\u306f\u6307\u5148\u3092\u307e\u308b\u304f\u5c16\u3063\u305f\u820c\u3067\u51b7\u3084\u3057\u3066\u3044\u305f\u3002<\/small><\/td><td><small>2002<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>OKAZAKI, Kenjiro<\/small><\/td><td><small>Blown by the heat of the roof, Grandfather\u2019s head already seemed pale like a skull. Well, I\u2019m not sure\u2026 do you remember what he said, when the red-hot iron was about to be put into his eyes? \u201cO Fire, my beautiful friend,&nbsp; be a little more gentle, please.\u201d Don\u2019t worry. Take it easy. Big sister went for a parasol, and Grandfater was cooling his fingertips with the round tip of his tongue.<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5ca1\ufa11\u4e7e\u4e8c\u90ce<\/small><\/td><td><small>\u80cc\u5f8c\u304b\u3089\u706b\u4e8b\u304c\u8feb\u3063\u3066\u304d\u305f\u3068\u3067\u3082\u3044\u3046\u306e\u3001\u3053\u306e\u9854\u306e\u9752\u3055\u306f\u666e\u901a\u3058\u3083\u306a\u3044\u308f\u3001\u3069\u3046\u3057\u305f\u306e? \u307d\u3064\u308a\u3068\u7b54\u3048\u307e\u3059\u3002\u300c\u60dc\u3057\u3044\u3068\u601d\u3046\u307b\u3069\u306e\u7269\u306f\u6349\u307e\u3048\u3088\u3046\u3068\u8ffd\u3044\u304b\u3051\u305a\u3001\u4e00\u751f\u60dc\u3057\u3093\u3067\u601d\u3044\u51fa\u305b\u308b\u3088\u3046\u306b\u3057\u3066\u304a\u3044\u305f\u307b\u3046\u304c\u3044\u3044\u3093\u3060\u3088\u300d\u3002\u305d\u3046\u304b\u3002\u80e1\u74dc\u306e\u6f2c\u3051\u65b9\u3092\u3001\u8001\u5a66\u4eba\u304b\u3089\u7fd2\u3063\u305f\u3068\u304d\u307f\u305f\u3044\u306b\u3001\u719f\u3057\u305f\u5b9f\u304c\u3072\u3068\u308a\u3067\u306b\u843d\u3061\u308b\u97f3\u3092\u805e\u3044\u305f\u3002<\/small><\/td><td><small>2002<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>OKAZAKI, Kenjiro<\/small><\/td><td><small>You look like getting chased by a fire. How pale you are\u2026you aren\u2019t yourself. What\u2019s the matter? \u201cIt\u2019s not good to chase after what you think to be precious,\u201d I answered muttering, \u201cyou\u2019d better leave it alone so that you can remember it for life\u201d. I see. Just like when Ilearned how to pickle cucumbers from an old woman, I heard a ripe fruit drop off of itself.<\/small><\/td><td><small>acrylic on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5927\u5ca9\u30aa\u30b9\u30ab\u30fc\u30eb<\/small><\/td><td><small>\u30ac\u30fc\u30c7\u30cb\u30f3\u30b0 (\u5e73\u548c\u3078\u306e\u9053)<\/small><\/td><td><small>2003<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u4f5c\u8005\u5bc4\u8d08<\/small><\/td><td><small>Oscar Oiwa<\/small><\/td><td><small>Gardening (Way to Peace)<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u5802\u672c\u53f3\u7f8e<\/small><\/td><td><small>Kanashi-11<\/small><\/td><td><small>2004<\/small><\/td><td><small>\u6cb9\u5f69\u30fb\u30ad\u30e3\u30f3\u30d0\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>DOMOTO, Yuumi<\/small><\/td><td><small>Kanashi-11<\/small><\/td><td><small>oil on canvas<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u4e2d\u6751\u4e00\u7f8e<\/small><\/td><td><small>\u5b58\u5728\u306e\u9ce5 107<\/small><\/td><td><small>2006<\/small><\/td><td><small>\u30a2\u30af\u30ea\u30ea\u30c3\u30af\u30fb\u7dbf\u5e03<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>NAKAMURA, Kazumi<\/small><\/td><td><small>Phasianus colchicus (A Bird in its Existence) 107<\/small><\/td><td><small>acrylic on cotton<\/small><\/td><\/tr><tr><td><small>12\u5ba4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>Chim \u2191 Pom<\/small><\/td><td><small>BLACK OF DEATH 2013<\/small><\/td><td><small>2013<\/small><\/td><td><small>\u30f4\u30a3\u30c7\u30aa\u3000\u30ab\u30e9\u30fc\u3000\u30b5\u30a6\u30f3\u30c9\u30008\u520653\u79d2<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Chim \u2191 Pom<\/small><\/td><td><small>BLACK OF DEATH 2013<\/small><\/td><td><small>video, color, sound, 8\u201953\u201d<\/small><\/td><\/tr><tr><td><small>2F\u3001EV\u30db\u30fc\u30eb<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u7530\u4e2d\u529f\u8d77<\/small><\/td><td><small>\u4e00\u3064\u306e\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u3001\u4e03\u3064\u306e\u7bb1\u3068\u884c\u70ba\u3001\u7f8e\u8853\u9928\u306b\u3066<\/small><\/td><td><small>2012<\/small><\/td><td><small>HD\u30f4\u30a3\u30c7\u30aa\u3000\u30ab\u30e9\u30fc\u3000\u30b5\u30a6\u30f3\u30c9\u300013\u520633\u79d2\u3001\u6bb5\u30dc\u30fc\u30eb\u3001\u6905\u5b50\u4ed6<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TANAKA, Koki<\/small><\/td><td><small>A Project, Seven Boxes and Movements at the Museum<\/small><\/td><td><small>HD video, color, sound, 13\u201933\u201d. chairs and cardoboard boxes, etc.<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>90<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a2\u30f3\u30c8\u30cb\u30fc\u30fb\u30b4\u30fc\u30e0\u30ea\u30fc<\/small><\/td><td><small>\u53cd\u6620\uff0f\u601d\u7d22<\/small><\/td><td><small>2001<\/small><\/td><td><small>\u92f3\u9244<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Antony Gormley<\/small><\/td><td><small>Reflection<\/small><\/td><td><small>cast iron<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e5\u30ea\u30a2\u30f3\u30fb\u30aa\u30d4\u30fc<\/small><\/td><td><small>\u300c\u65e5\u672c\u516b\u666f\u300d\u3088\u308a\u3000\u56fd\u9053\u767e\u4e09\u5341\u516d\u53f7\u7dda\u304b\u3089\u898b\u308b\u96e8\u306e\u677e\u5d0e\u6e2f<\/small><\/td><td><small>2007<\/small><\/td><td><small>\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\uff08\u6db2\u6676\u30e2\u30cb\u30bf\u30fc2\u53f0\u3001\u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30fc\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>Matsuzaki Bay in the Rain from Route 136. From<em> Eight Views of Japan.<\/em><\/small><\/td><td><small>double 46 inches LCD screens PC inside, computer film<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e5\u30ea\u30a2\u30f3\u30fb\u30aa\u30d4\u30fc<\/small><\/td><td><small>\u300c\u65e5\u672c\u516b\u666f\u300d\u3088\u308a\u3000\u771f\u9db4\u534a\u5cf6\u306e\u4e0a\u306e\u6708<\/small><\/td><td><small>2007<\/small><\/td><td><small>\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\uff08\u6db2\u6676\u30e2\u30cb\u30bf\u30fc2\u53f0\u3001\u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30fc\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>Moon Over Manazuru Peninsula. From <em>Eight Views of Japan.<\/em><\/small><\/td><td><small>double 46 inches LCD screens PC inside, computer film<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e5\u30ea\u30a2\u30f3\u30fb\u30aa\u30d4\u30fc<\/small><\/td><td><small>\u300c\u65e5\u672c\u516b\u666f\u300d\u3088\u308a\u3000\u56fd\u9053\u4e09\u767e\u53f7\u7dda\u304b\u3089\u307f\u308b\u672c\u6816\u6e56\u306e\u5bcc\u58eb\u5c71<\/small><\/td><td><small>2007<\/small><\/td><td><small>\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\uff08\u6db2\u6676\u30e2\u30cb\u30bf\u30fc1\u53f0\u3001\u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30fc\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>View of Lake Motosu and Mount Fuji from Route 300. From <em>Eight Views of Japan.<\/em><\/small><\/td><td><small>single 46 inches LCD screens PC inside, computer film<\/small><\/td><\/tr><tr><td><small>2F\u30c6\u30e9\u30b9<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30b8\u30e5\u30ea\u30a2\u30f3\u30fb\u30aa\u30d4\u30fc<\/small><\/td><td><small>\u300c\u65e5\u672c\u516b\u666f\u300d\u3088\u308a\u3000\u56fd\u9053\u4e94\u5341\u4e8c\u53f7\u7dda\u304b\u3089\u5357\u90e8\u6a4b\u3092\u306e\u305e\u3080<\/small><\/td><td><small>2007<\/small><\/td><td><small>\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\uff08\u6db2\u6676\u30e2\u30cb\u30bf\u30fc2\u53f0\u3001\u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30fc\uff09<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Julian Opie<\/small><\/td><td><small>View of Nambu Bridge from Route 52. From <em>Eight Views of Japan.<\/em><\/small><\/td><td><small>double 46 inches LCD screens PC inside, computer film<\/small><\/td><\/tr><tr><td><small>\u672c\u9928\u5c4b\u5916<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>84<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30a4\u30b5\u30e0\u30fb\u30ce\u30b0\u30c1<\/small><\/td><td><small>\u9580<\/small><\/td><td><small>1969<\/small><\/td><td><small>\u92fc\u9244\u3001\u5f69\u8272<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>Isamu Noguchi<\/small><\/td><td><small>Gate<\/small><\/td><td><small>painted steel<\/small><\/td><\/tr><tr><td><small>\u672c\u9928\u5c4b\u5916<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u6728\u6751\u8ce2\u592a\u90ce<\/small><\/td><td><small>\u4e03\u3064\u306e\u7948\u308a<\/small><\/td><td><small>1969<\/small><\/td><td><small>\u77f3<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>KIMURA, Kentaro<\/small><\/td><td><small>Seven Prayers<\/small><\/td><td><small>stone<\/small><\/td><\/tr><tr><td><small>\u672c\u9928\u5c4b\u5916<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u30de\u30ea\u30ce\u30fb\u30de\u30ea\u30fc\u30cb<\/small><\/td><td><small>\u3042\u308b\u30a4\u30e1\u30fc\u30b8\u306e\u69cb\u60f3<\/small><\/td><td><small>1969-70<\/small><\/td><td><small>\u30d6\u30ed\u30f3\u30ba<\/small><\/td><td><small>\u6587\u5316\u5e81\u7ba1\u7406\u63db<\/small><\/td><td><small>Marino Marini<\/small><\/td><td><small>The Idea of an Image<\/small><\/td><td><small>bronze<\/small><\/td><\/tr><tr><td><small>\u672c\u9928\u524d\u5ead<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>\u591a\u7530\u7f8e\u6ce2<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>1979<\/small><\/td><td><small>\u30b9\u30c6\u30f3\u30ec\u30b9\u30b9\u30c1\u30fc\u30eb\u3001\u786c\u8cea\u30ac\u30e9\u30b9<\/small><\/td><td><small>\u8cfc\u5165<\/small><\/td><td><small>TADA, Minami<\/small><\/td><td><small>Chiaroscuro<\/small><\/td><td><small>stainless steel and hard glass<\/small><\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div><\/div>\n\n\n\n<div id=\"section1-2\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Sections<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"518\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/cont_1294_1-1024x518-1.jpg\" alt=\"\" class=\"wp-image-126315\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/cont_1294_1-1024x518-1.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/cont_1294_1-1024x518-1-200x101.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/cont_1294_1-1024x518-1-768x389.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>MOMAT Collection comprises twelve\uff08or thirteen\uff09rooms and two spaces for relaxation on three floors. In addition, sculptures are shown near the terrace on the second floor and in the front yard. The light blue areas in the cross section above make up MOMAT Collection. The space for relaxation A Room With a View is on the fourth floor.<\/p>\n\n\n\n<p>The entrance of the collection exhibition MOMAT Collection is on the fourth floor. Please take the elevator or walk up stairs to the fourth floor from the entrance hall on the first floor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4F (Fourth floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/29869b04938c88f720be423895d840cd-1024x382-3.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Room 1 Highlights <\/strong>* This section presents a consolidation of splendid works from the collection, with a focus on Master Pieces.<br><strong>Room 2\u2013 5 1900s\uff0d1940s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<\/strong><\/p>\n\n\n\n<p>A Room With A View<br>Reference Corner<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 1&nbsp;<small><strong>Highlights<\/strong><\/small><\/h4>\n\n\n\n<p>The MOMAT Collection, drawn from the museum\u2019s holdings, consists of over 200 works displayed over a 3,000-square meter area. To start off the exhibition, we present the \u201cHighlights\u201d section, consisting of some of the collection\u2019s most essential works, including Important Cultural Properties. For the walls of this newly established space (part of a 2012 effort to renovate the collection galleries), we have selected navy blue to create a more beautiful contrast with the works. And to eliminate the glare of glass cases, we have chosen mat black for the floor, to enhance viewers\u2019 concentration.<\/p>\n\n\n\n<p>This edition of the exhibition includes Nihon-ga (Japanese-style paintings) by Kikkawa Reika, Yuki Somei, Hirafuku Hyakusai, and Kaburaki Kiyokata, all of whom were associated with a Taisho-era research group called Kinreisha. Don\u2019t miss Hirafuku\u2019s Crane and Blue Waves, with its ebullient atmosphere, and Kaburaki\u2019s Portrait of San\u2019y utei Encho, an Important Cultural Property on limited display until January 15. In the Western-painting category, viewers can enjoy comparing works by Yasui Sotaro and Umehara Ryuzaburo, who were known as champions of \u201cJapanese-style oil painting,\u201d and Noda Hideo and Matsumoto Shunsuke, who reconfigured fragmentary images in montage-style works.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"302\" height=\"448\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6a62b96a625e1ea2c655fa80c30b1b3f.jpeg\" alt=\"\" class=\"wp-image-1671\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6a62b96a625e1ea2c655fa80c30b1b3f.jpeg 302w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6a62b96a625e1ea2c655fa80c30b1b3f-135x200.jpeg 135w\" sizes=\"(max-width: 302px) 100vw, 302px\" \/><figcaption class=\"wp-element-caption\">Henri Rousseau, Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Soci\u00e9t\u00e9 des Artistes Ind\u00e9pendants, 1905-06<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"721\" height=\"1024\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c68272f1b9c1dc4842413ffcd1b990a0-721x1024-1.jpeg\" alt=\"\" class=\"wp-image-1672\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c68272f1b9c1dc4842413ffcd1b990a0-721x1024-1.jpeg 721w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/c68272f1b9c1dc4842413ffcd1b990a0-721x1024-1-141x200.jpeg 141w\" sizes=\"(max-width: 721px) 100vw, 721px\" \/><figcaption class=\"wp-element-caption\">Sekine Shoji, Three Stars, 1919<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"351\" height=\"500\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/520fd2ff32f44b77a51a05e6ec2ee56d-e1462948147961-1.jpeg\" alt=\"\" class=\"wp-image-1673\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/520fd2ff32f44b77a51a05e6ec2ee56d-e1462948147961-1.jpeg 351w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/520fd2ff32f44b77a51a05e6ec2ee56d-e1462948147961-1-140x200.jpeg 140w\" sizes=\"(max-width: 351px) 100vw, 351px\" \/><figcaption class=\"wp-element-caption\">Matsumoto Shunsuke,<br>Black Flowers, 1940<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Room 2&nbsp;<small><strong>New or Old?<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"415\" height=\"300\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/573fb666046d0e211a16f061e60e7df6-e1478771221992.jpeg\" alt=\"\" class=\"wp-image-1674\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/573fb666046d0e211a16f061e60e7df6-e1478771221992.jpeg 415w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/573fb666046d0e211a16f061e60e7df6-e1478771221992-200x145.jpeg 200w\" sizes=\"(max-width: 415px) 100vw, 415px\" \/><figcaption class=\"wp-element-caption\">Yorozu Tetsugoro, A Cornfield in the Sun, c. 1913<\/figcaption><\/figure>\n\n\n\n<p>Determining the beginning of something is always a difficult task. The middle \u201cm\u201d in MOMAT stands for \u201cmodern.\u201d But when did modern art really start? Half of these works were displayed in the Bunten, an annual exhibition launched by the Ministry of Education in 1907. Though opinions vary, some have suggested that this event marks the beginning of modern art in Japan.<\/p>\n\n\n\n<p>This was an era in which modern meant \u201cavant-garde.\u201d In other words, the recent past was seen as something old that should be rejected and surmounted. Though the Bunten was initially welcomed, it soon became a stronghold for rigid Academicism and a target of criticism among the younger generation. The rest of these works were made by artists who intentionally veered away from the exhibition.<\/p>\n\n\n\n<p>Do these works, created some 100 years ago, convey the feeling that new things are more magnificent than old ones or vice versa ?<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 3&nbsp;<small><strong>Resonating Ryusei<\/strong><\/small><\/h4>\n\n\n\n<p>Kishida Ryusei (1891-1929) was one of the most prominent Japanese modern artists. One way to enjoy Kishida\u2019s art is to carefully compare his works.<\/p>\n\n\n\n<p>Take, for instance, these two self-portraits, made a year apart. The color, touch, and signatures are different in each work. The reason the male figure in the 1914 picture looks glummer probably has to do with the shading. Based on the date, we can assume that Kishida completed this painting the day before his daughter Reiko was born. (The 1913 work was made about four months after the artist got married.)<\/p>\n\n\n\n<p>Kishida\u2019s portraits of Mr. Koya, a doctor, convey different impressions of the man through the use of watercolor or oil paint. The most immediate difference between the two pictures is that Koya is holding some Asian flatsedge in the oil painting, but are also some other differences. A closer look reveals subtle differences in his hairstyle, left eyelid, and the angle of his face.<\/p>\n\n\n\n<p>Plants appear in some of Kishida\u2019s other works. For example, a picture of Reiko at five years old shows her clutching some creeping smartweed. She holds the plant differently from Koya, but which way has a more adult appearance? There is also some grass in Kishida\u2019s painting of the pot. As we compare the plant pattern and signature, we realize that there is a quiet resonance between the forms.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"328\" height=\"448\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/de828b7bd806221165aa8ff6cc7bdea9.jpeg\" alt=\"\" class=\"wp-image-1675\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/de828b7bd806221165aa8ff6cc7bdea9.jpeg 328w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/de828b7bd806221165aa8ff6cc7bdea9-146x200.jpeg 146w\" sizes=\"(max-width: 328px) 100vw, 328px\" \/><figcaption class=\"wp-element-caption\">Kishida Ryusei,An Apple Exists on Top of a Pot, 1916<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"373\" height=\"450\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/1caa69a5d1ec9aa83f40edd9aad237cc-e1469079142872.jpeg\" alt=\"\" class=\"wp-image-1649\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/1caa69a5d1ec9aa83f40edd9aad237cc-e1469079142872.jpeg 373w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/1caa69a5d1ec9aa83f40edd9aad237cc-e1469079142872-166x200.jpeg 166w\" sizes=\"(max-width: 373px) 100vw, 373px\" \/><figcaption class=\"wp-element-caption\">Kishida Ryusei, Reiko, Five Years Old, 1918<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"318\" height=\"448\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/9651efd2345bf2e99d49e658392ee825.jpeg\" alt=\"\" class=\"wp-image-1676\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/9651efd2345bf2e99d49e658392ee825.jpeg 318w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/9651efd2345bf2e99d49e658392ee825-142x200.jpeg 142w\" sizes=\"(max-width: 318px) 100vw, 318px\" \/><figcaption class=\"wp-element-caption\">Kishida Ryusei, Portrait of Koya Yoshio(Portrait of a Man Holding a Plant), 1916<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Room 4&nbsp;<small><strong>Hada Teruo<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"722\" height=\"1024\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/713bcf16f19a5aecbb205dbd725cedbd-722x1024-1.jpeg\" alt=\"\" class=\"wp-image-1678\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/713bcf16f19a5aecbb205dbd725cedbd-722x1024-1.jpeg 722w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/713bcf16f19a5aecbb205dbd725cedbd-722x1024-1-141x200.jpeg 141w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><figcaption class=\"wp-element-caption\">Hada Teruo, Moonlight, c. 1916<\/figcaption><\/figure>\n\n\n\n<p>In Room 4, we present pen drawings by Hada Teruo (1887-1945) from around 1916. They were acquired in 2012, but this is the first time all 11 (as well as a self-portrait) have been shown together.<\/p>\n\n\n\n<p>At the time, Hada\u2019s works were consistently dark and gruesome. He visited pleasure quarters such as Yoshiwara and establishments of unlicensed prostitution in search of subject matter, and produced works such as Blood Pond (1919, collection of the National Museum of Modern Art, Kyoto). Hada was seen as all the more heretical because these were Nihon-ga (paintings made with traditional Japanese art materials). The strangeness of his subject matter comes across forcefully in these pen drawings as well.<\/p>\n\n\n\n<p>In fin-de-si\u00e8cle Europe a good deal of art with a decadent mood, such as the work of Aubrey Beardsley\u3000(1872-98), was being produced, which evidently influenced Hada for a time. At the same time, he was a man with great warmth and love for humanity. Everyone who knew him relates that underlying his grim paintings was a wealth of compassion for their subjectsthe weak and criticism of social injustices.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 5&nbsp;<small><strong>Avant-garde Painting of the 1930s<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"686\" height=\"1024\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/3a0d791c083d1ad01bf4adf053196486-686x1024-1.jpeg\" alt=\"\" class=\"wp-image-1679\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/3a0d791c083d1ad01bf4adf053196486-686x1024-1.jpeg 686w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/3a0d791c083d1ad01bf4adf053196486-686x1024-1-134x200.jpeg 134w\" sizes=\"(max-width: 686px) 100vw, 686px\" \/><figcaption class=\"wp-element-caption\">Migishi Kotaro, Butterflies Flying above Clouds, 1934<\/figcaption><\/figure>\n\n\n\n<p>In this exhibition, we examine Japanese avant-garde painting of the 1930s in conjunction with EI-Q 1935-1937: Seeking the \u201cReal\u201d in the Dark, currently on display in Gallery 4 (2nd floor).<\/p>\n\n\n\n<p>At the time that Ei-Q made his debut in the art world in 1936, Surrealism and abstract painting were attracting the attention of many young Japanese artists as part of the so-called \u201cavant-garde.\u201d While abstract painting was rooted in intellectual compositions, Surrealism was concerned with discovering irrational beauty that was not subject to the power of human reason. Though the two movements might seem like polar opposites, the \u201930s were an age of mechanical development accompanied by an increasing anxiety toward the war \u2013 both pressing themes for artists. Ei-Q, who was interested in both abstract painting and Surrealism, searched for a unique way of capturing the reality of the times. In letters to a friend , he expressed admiration for artists like Koga Harue and Migishi Kotaro. At the same time, he was friendly with abstract painters like Hasegawa Saburo, Murai Masanari, and Onosato Toshinobu, with whom he formed the Jiyu Bijutsuka Kyokai (Free Artists\u2019 Association).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">3F (Third floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/02cba72fa09b0993a6fab35a1b7c3253-1024x364-3.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Room 6-8 1940s-1960s<br>\u3000From the End of the Meiji Period to the Beginning of the Showa Period<br>Room 9 Photography and Video<br>Room 10 Nihon-ga (Japanese-style Painting)<\/strong><\/p>\n\n\n\n<p>Room to Consider the Building<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 6&nbsp;<small><strong>The War-record Paintings of Nakamura Kenichi<\/strong><\/small><\/h4>\n\n\n\n<p>The painter Nakamura Kenichi (1895-1967) was born in Fukuoka Prefecture. After graduating from the Tokyo School of Fine Arts (now, Tokyo University of the Arts), he studied in Paris from 1923 to 1928. Using a solid, realistic depiction, Nakamura proved particularly adept at painting groups of people with urban manners. Partially due to the fact that his father-in-law was a rear admiral, Nakamura became actively involved in making war-record paintings during World War II.<\/p>\n\n\n\n<p><em>&nbsp; In Naval Battle off Malaya<\/em> and <em>Battle of the Coral Sea<\/em>, machines (battleships and fighter planes) are the protagonists in a spectacle that unfolds across an expansive landscape. On the other hand, in <em>Kota Baru&nbsp; <\/em>and <em>Army-Navy Joint Operations on Tasivarongo Point, Guadalcanal<\/em>, the artist captures a tense group of soldiers. All of these large pictures were based on on-site sketches, interviews with the military, and live drawings of soldiers made in Nakamura\u2019s studio. As suggested by the fact that <em>Kota Baru<\/em>&nbsp; depicts a Japanese attack from the perspective of the enemy, Nakamura did not simply paint scenes that he saw, but skillfully crafted them to heighten the dramatic effect.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 7&nbsp;<small><strong>Signs and Circumstances of Survival<\/strong><\/small><\/h4>\n\n\n\n<p>The Bathroom series is an early work by Kawara On that he made when he was around 20. As the protagonists decrease, increase, and change places in the tile-covered room, they witness a blood bath, which lacks both context and beginning or end. Many viewers are likely to be reminded of Kafka\u2019s The Metamorphosis. In that novella, the main character, Gregor Samsa, awakes one morning to find that his body has been transformed into a \u201cmonstrous vermin.\u201d Samsa simply accepts this as an ordinary occurrence \u2013 without either bewailing his fate or viewing the change as some kind of curse. Similarly, the men and women in Kawara\u2019s works maintain their composure despite finding themselves in the midst of a tragedy. To shed light on the gratuitous nature (factual aspects) of human life and death, both Kawara and Kafka felt the need to distance themselves from standard realism, and adopt pseudo-sci-fi settings and manga-like approaches. The same focus on the factual nature of survival can also be seen in Kawara\u2019s \u201cDate Paintings,\u201d a long-running series that he began in 1966. These works eternally convey the fact that the artist lived on a given date in a given year.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 8&nbsp;<small><strong>From a Single Straight Line<\/strong><\/small><\/h4>\n\n\n\n<p>In the past, the word \u201cpainting\u201d signified something in which a figure was painted on a ground \u2013 as if an object perfectly occupied the space. After World War II, this convention was broken with a horizontal or vertical line that extended from one edge of the canvas to the other.<\/p>\n\n\n\n<p>These striped and grid-like structures, made with inorganic and endlessly repeating lines and rectangular units, are probably have no relation to the poetic quality of the \u201cinfinite cosmos.\u201d This group of works proves that even when subjected to the limitations of such unimpassioned structures, it is abundantly possible to make a painting. They include a two-color construction that faintly rises up from the canvas once our eyes become adjusted (Ad Reinhardt); minute irregularities and fluctuations in countless forms depicted freehand without the use of masking tape (Onosato Toshinobu); slight ruptures and disparities in regulated patterns (Tatsuno Toeko and Sawai Yoko); and twists and varying speeds in horizontal brushstrokes that resemble a stream (Iwamoto Takuro). As we look at these works, our vision seems to vibrantly swing back and forth.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 9&nbsp;<small><strong>Modern German Photography: New Vision and New Objectivity<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"220\" height=\"275\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0153007.jpeg\" alt=\"\" class=\"wp-image-1681\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0153007.jpeg 220w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/S0153007-160x200.jpeg 160w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><figcaption class=\"wp-element-caption\">Alfred Stieglitz, Georgia O&#8217;Keeffe : A Portrait- Hands and Thimble, 1919<br><\/figcaption><\/figure>\n\n\n\n<p>Alfred Stieglitz was an important American photographer who played a crucial role in establishing photography as an art form.<\/p>\n\n\n\n<p>Stieglitz went to Germany to study photographic chemistry and Pictorialism, a type of photographic expression that was popular at the time. After returning to the U.S. in 1902, Stieglitz, based in New York, formed the Photo-Secession with a group of highly distinguished photographers living all over the country. He also went to great lengths to develop photography as an art by publishing a magazine and running a gallery.<\/p>\n\n\n\n<p>In his early works, Stieglitz focused on picturesque scenes on the street of the city, and by instantaneously capturing a perfect composition, he strove to create expressions that were unique to the photographic medium. His \u201cstraight\u201d method of capturing a piece of the world without altering the negatives or prints gradually developed into what Stieglitz referred to as the \u201cequivalent\u201d aesthetic. In this approach, the subject, the photographer\u2019s inner feelings, and the viewer\u2019s sensibilities were all viewed as equals.<\/p>\n\n\n\n<p>In 1953, not long after MOMAT opened, Stieglitz\u2019s widow, the painter Georgia O\u2019Keeffe, donated a number of the photographer\u2019s works to the museum. On the 70th anniversary of Stieglitz\u2019s death, we present a group of works (primarily those that we received from O\u2019Keeffe) that stretches from the beginning to the end of his career.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 10&nbsp;<small><strong>Samurai in Painting<\/strong><\/small><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"484\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6b5dcbcb17fe386245a2ba670c5ad3ae-1024x484-1.jpeg\" alt=\"\" class=\"wp-image-1683\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6b5dcbcb17fe386245a2ba670c5ad3ae-1024x484-1.jpeg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6b5dcbcb17fe386245a2ba670c5ad3ae-1024x484-1-200x95.jpeg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/6b5dcbcb17fe386245a2ba670c5ad3ae-1024x484-1-768x363.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Kikuchi Keigetsu, Dedicating Lanterns, 1910<\/figcaption><\/figure>\n\n\n\n<p>In Yoshitsune-den (The Legend of Yoshitsune) (Tokyo Bunkaido Shoten), published in 1914, Kuroita Katsumi (1874-1946) cites three men as embodiments of Bushido, the Way of the Samurai: Kusunoki Masashige, who faithfully served Emperor Go-Daigo of the Southern Court; Hojo Tokimune, who successfully defied the invading Mongols during the Genko War; and Minamoto no Yoshitsune, who fought fiercely to defend his clan. Kuroita states that these three samurai represent the three Bushido tenets of \u201cloyalty\u201d, \u201cdefense of the country\u201d, and \u201cpiety\u201d respectively, and all of them have been portrayed extensively in modern Nihon-ga (Japanese-style) painting.<\/p>\n\n\n\n<p>From the start, history painting was a genre that embodied the values and ethics of the day, and was expected to play a role in public education. How did modern Japanese painters select and shape their subject matter in line with these expectations? In this section we present works from the collection with a primary focus on war paintings.<\/p>\n\n\n\n<p>By contrast, the section just ahead will have a peaceful theme: to celebrate the new Year of the Rooster, we present Nihon-ga paintings featuring a wide variety of birds. Look for a curious flightless bird from down under in Hieda Kazuho\u2019s Kiwi.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2F (Second floor)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/04\/391f20d2d97fae621cbf3dcae4ed2acf-1024x390-4.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Room 11-12 1970s-2010s<br>\u3000From the End of the Showa Period to the Present<\/strong><\/p>\n\n\n\n<p><strong>Gallery 4<\/strong><\/p>\n\n\n\n<p>* A space of about 250 square meters. This gallery offers cutting-edge thematic exhibitions from the Museum Collection, and special exhibitions featuring photographs or design.<\/p>\n\n\n\n<p>EI-Q 1935-1937: Seeking the \u201cReal\u201d in the Dark<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 11&nbsp;<small><strong>Special Aluminum<\/strong><\/small><\/h4>\n\n\n\n<p>Aluminum exists as part of a compound in nature. It was discovered in 1807 using an electrochemical. In 1887, a method of producing aluminum from the raw material of bauxite was developed.<\/p>\n\n\n\n<p>Aluminum smelting began in Japan in 1934. Light and strong yet flexible and easy to process, the metal was primarily used in the munitions industry. After World War II, aluminum became widespread in everyday items, and by the time it was chosen as the material for one-yen coins in 1955, aluminum had become completely commonplace.<\/p>\n\n\n\n<p>With the emergence of an artistic movement to question materiality in the 1960s, aluminum came to be a popular new material \u2013 along with stainless steel and synthetic resin. But in light of the fact that stainless steel is an alloy and synthetic resin is a high-polymer-, aluminum (with its ability to be artificially separated from compounds) is markedly different in terms of its material qualities. With this in mind, we present three works that employ aluminum as their chief component.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 12&nbsp;<small><strong>Representative or Transcendent?<\/strong><\/small><\/h4>\n\n\n\n<p>In this section, we introduce a group of paintings, dating from the 1970s and later, that are representative of each era.<\/p>\n\n\n\n<p>The \u201970s are represented by Lee Ufan and Saito Yoshishige. Both in terms of theory and practice, Lee was a leading figure in Mono-ha, an important movement in Japanese art from the late \u201960s to the early \u201970s. For his part, Saito, a professor at Tama Art University, exerted a strong influence on young Mono-ha artists like Suga Kishio and Sekine Nobuo.<\/p>\n\n\n\n<p>The \u201980s are represented by Ohtake Shinro. Along with Hibino Katsuhiko, Ohtake, who boldly adopted the installation format and design methods and sensibilities, is an iconic figure of the period.<\/p>\n\n\n\n<p>The \u201990s are represented by Nara Yoshitomo. Nara\u2019s works not only incorporate visual elements associated with religious art and picture books, but also the musical spirit of rock and punk. In the sense that his work creates a strong affinity (or total rejection) with viewers, Nara has further developed the potential of painting.<\/p>\n\n\n\n<p>Of course, there are also works that transcend the spirit of the times in which they were created. One example of this is Murakami Tomoharu, who felt obliged to make paintings as an accumulation of everyday acts that are equal to prayer.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section1-4\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About the Exhibition<\/h2>\n\n\n\n<div class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\"><dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery, from the fourth to second floors<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>November 22, 2016 &#8211; February 12, 2017<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00-17:00 (10:00 &#8211; 20:00 on Fridays and Saturdays)<br>*Last admission is 30 minutes before closing.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>\u203bMondays (except January 2 and 9, 2017) and December 28, 2016 \u2013 January 1 and January 10, 2017<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults \u00a5430 (220)<br>College and university students \u00a5130 (70)<\/p>\n\n\n\n<p>*Including the admission fee for MOMAT Collection and <a href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3-g4\">EI-Q 1935-1937: Seeking the \u201cReal\u201d in the Dark<\/a>.<br>*The price in brackets is for the group of 20 persons or more.<br>*All prices include tax.<br>*Free for high school students, under 18, seniors(65 and over), Campus Members, MOMAT passport holder.<br>*Show your Membership Card of the MOMAT Supporters or the MOMAT Members to get free admission (a MOMAT Members Card admits two persons free).<br>*Persons with disability and one person accompanying them are admitted free of charge. *Members of the MOMAT Corporate Partners are admitted free with their staff ID.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Free Admission Days<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Collection Gallery and Gallery 4<br>Free on December 4 2016, January 2, February 5, 2017<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organized by<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n<\/div><\/div>\n<\/div><\/div>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-arrow\">\n        <a class=\"wp-block-button__link\" href=\"https:\/\/www.momat.go.jp\/about-collection\">\n            Introduction to the Collection        <\/a>\n    <\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","exhibition_type":[255],"exhibition_year":[368],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2016-3 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2016-3 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"The collection exhibition from November 22 , 2016 &#8211; February 12 , 2017 Welcome to the MOMAT Collection! Here are a few of the highlights of this installment of the exhibition. Some of the Nihon-ga (Japanese-style paintings) are displayed for a limited period in order to help preserve the works. Of special note in this edition are several Important Cultural Properties, which are only shown publicly once a year. The exhibition is divided into two periods, the first running from Nov. 22 to Jan. 15, and the second from Jan. 17 to Feb. 12. During the former, viewers can enjoy Kaburaki Kiyokata\u2019s Portrait of Sanyutei Encho in the Highlights section [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3\" \/>\n<meta property=\"og:site_name\" content=\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/momat.pr\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-12T04:11:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/4f617b4754e285d0b962145dac4140d1-1024x458-1.jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@MOMAT_museum\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"95 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3\",\"url\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3\",\"name\":\"2016-3 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"isPartOf\":{\"@id\":\"https:\/\/www.momat.go.jp\/#website\"},\"datePublished\":\"2016-11-21T23:51:02+00:00\",\"dateModified\":\"2023-06-12T04:11:48+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.momat.go.jp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u5c55\u89a7\u4f1a\",\"item\":\"https:\/\/www.momat.go.jp\/exhibitions\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"2016-3 MOMAT Collection\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.momat.go.jp\/#website\",\"url\":\"https:\/\/www.momat.go.jp\/\",\"name\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"description\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\u306f\u3001\u6771\u4eac\u306e\u4e2d\u5fc3\u90e8\u3001\u7687\u5c45\u3001\u5317\u306e\u4e38\u516c\u5712\u3001\u5343\u9ce5\u30f6\u6df5\u306a\u3069\u3001\u65e5\u672c\u6587\u5316\u3084\u81ea\u7136\u8c4a\u304b\u306a\u74b0\u5883\u306b\u4f4d\u7f6e\u3059\u308b\u65e5\u672c\u3067\u6700\u521d\u306e\u56fd\u7acb\u7f8e\u8853\u9928\u3067\u3059\u3002\",\"publisher\":{\"@id\":\"https:\/\/www.momat.go.jp\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.momat.go.jp\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.momat.go.jp\/#organization\",\"name\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"url\":\"https:\/\/www.momat.go.jp\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.momat.go.jp\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-ag.png\",\"contentUrl\":\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-ag.png\",\"width\":1200,\"height\":630,\"caption\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\"},\"image\":{\"@id\":\"https:\/\/www.momat.go.jp\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/momat.pr\",\"https:\/\/twitter.com\/MOMAT_museum\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"2016-3 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.momat.go.jp\/en\/exhibitions\/h28-3","og_locale":"en_US","og_type":"article","og_title":"2016-3 MOMAT Collection \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","og_description":"The collection exhibition from November 22 , 2016 &#8211; February 12 , 2017 Welcome to the MOMAT Collection! 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