{"id":138545,"date":"2023-05-17T12:00:00","date_gmt":"2023-05-17T03:00:00","guid":{"rendered":"https:\/\/www.momat.go.jp\/?post_type=exhibition&#038;p=138545"},"modified":"2024-04-26T10:56:47","modified_gmt":"2024-04-26T01:56:47","slug":"556","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/556","title":{"rendered":"Nakahira Takuma: Burn\u2014Overflow"},"content":{"rendered":"    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_2ae8e67f323784acbd15413d6eaf4ddc\"\n                aria-controls=\"nav-block_2ae8e67f323784acbd15413d6eaf4ddc\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_2ae8e67f323784acbd15413d6eaf4ddc\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section-01\"\n                       title=\"Scroll to Highlights\"\n                       class=\"momat-anchors__link\">\n                        Highlights                    <\/a>\n                                    <a href=\"#section-02\"\n                       title=\"Scroll to Exhibition Structure and Exhibits\"\n                       class=\"momat-anchors__link\">\n                        Exhibition Structure and Exhibits                    <\/a>\n                                    <a href=\"#section-03\"\n                       title=\"Scroll to Biography\"\n                       class=\"momat-anchors__link\">\n                        Biography                    <\/a>\n                                    <a href=\"#section-06\"\n                       title=\"Scroll to Installation Images\"\n                       class=\"momat-anchors__link\">\n                        Installation Images                    <\/a>\n                                    <a href=\"#section-04\"\n                       title=\"Scroll to Exhibition Catalogue\"\n                       class=\"momat-anchors__link\">\n                        Exhibition Catalogue                    <\/a>\n                                    <a href=\"#section-05\"\n                       title=\"Scroll to Hours &amp; Admissions\"\n                       class=\"momat-anchors__link\">\n                        Hours &amp; Admissions                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">First major retrospective in nearly twenty years of a legendary photographer who changed Japanese photography<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-3\">\n<div class=\"wp-block-column is-layout-flow\">\n<p>Nakahira Takuma (1938\u20132015) was a photographer who made a significant mark in both production and theory from the late 1960s to the mid-1970s, a turning point in postwar Japanese photography. His presence has greatly inspired photographers of his generation, such as Moriyama Daido and Shinoyama Kishin, and has also had a profound influence on succeeding generations, including Homma Takashi. Nakahira\u2019s career is marked by dramatic episodes: the intense images of <em>are, bure, boke<\/em> (grainy, blurry, out-of-focus) published in <em>Provoke<\/em> magazine and other publications in the late 1960s; his self-criticism and declaration of directional change in his 1973 collection of writings <em>Why an Illustrated Botanical Dictionary?<\/em>; and his coma and amnesia in 1977, and his recovery. While these narratives highlighted Nakahira\u2019s presence, however, they also fixed his image and obscured the details of his work.<\/p>\n\n\n\n<p>This exhibition will carefully trace Nakahara\u2019s work and reexamine its development. In particular, it will focus on his work during the period of exploration that began around 1975 and ended in 1977 because of his illness and consider again the positioning of his work after his recovery.<\/p>\n\n\n\n<p>Even after the photographer\u2019s death in 2015, interest in his work has continued to grow both nationally and internationally. Presenting 400 works and materials spanning his entire career, this long-awaited exhibition traces the trajectory of Nakahira\u2019s thinking and practice on photography, which still raises questions we cannot overlook even today.<\/p>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-download\">\n        <a class=\"wp-block-button__link\" href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-list-en.pdf\" target=\"_blank\">\n            List of Works (PDF: 404KB)        <\/a>\n    <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/01\/556-00.jpg\" alt=\"\u4e2d\u5e73\u5353\u99ac\u300a\u300c\u6c3e\u6feb\u300d\u3088\u308a\u300b1971\u5e74\u00a0\n\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\u00a0\n\u00a9Gen Nakahira\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div id=\"section-01\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Highlights<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Includes many works that have never been shown before<\/h3>\n\n\n\n<p>Recently discovered vintage 1977 prints of <em>The Streets, or Traces of Terror<\/em> will be on display for the first time: thirteen works published in a magazine just before his career was interrupted by his coma. These photographs will be on display for the first time since they were acquired by the National Museum of Modern Art, Tokyo in 2021. Also on view will be many works by Nakahira that have never been shown before, including <em>D\u00e9calage<\/em>, which was presented in Marseille in 1976.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">An important series of color photographs on view all at once<\/h3>\n\n\n\n<p><em>Overflow<\/em>, originally exhibited in the <em>Fifteen Photographers Today<\/em> exhibition at our museum in 1974, will be shown again at the same venue for the first time in exactly half a century. An important work at a turning point in Nakahira\u2019s career, this large, six-meter-wide work consists of 48 color photographs.<\/p>\n\n\n\n<p>Also on view will be the 64 large color prints presented at the 2011 <em>Kirikae<\/em> exhibition, his last significant solo show during his lifetime.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Understanding Nakahira\u2019s attempts through magazines<\/h3>\n\n\n\n<p>The exhibition will include many magazines in which Nakahira published his work during the first half of his career, from the 1960s to the early 1970s, such as the <em>Asahigraph<\/em> (Asahi Picture News) and <em>Asahi Journal<\/em>. At the time, magazines played an important role as vehicles for distributing images across society. Nakahira was always conscious of how photography was distributed. What was he trying to do with his photographs for the society of his time? This exhibition will illustrate the reality of his attempts.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section-02\" class=\"wp-block-group is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Exhibition Structure and Exhibits<\/h2>\n\n\n\n<p>This exhibition will trace Nakahira Takuma\u2019s work over his entire career, organized into five chapters. Where was the photographer headed when his work was interrupted by an accidental coma and amnesia in 1977? Chapters 2 through 4 will examine in detail the developments in the 1970s that led up to that point.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 1: For a Language to Come&nbsp;&nbsp;<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 2: Landscapes, Cities, and Circulation<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 3: An Illustrated Botanical Dictionary and Overflow<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 4: Islands and the Streets<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Chapter 5: Degree Zero of Photography<\/h3>\n<\/div><\/div>\n\n\n\n<div id=\"section-03\" class=\"wp-block-group is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Biography<\/h2>\n\n\n\n<p>Nakahira Takuma was born in Tokyo in 1938. He graduated from Tokyo University of Foreign Studies with a degree in Spanish in 1963 and worked in the editorial department of the monthly magazine <em>Gendai no Me<\/em> (lit. today\u2019s eye). Nakahira became interested in photography through magazine projects, and in 1965 he left the magazine and began working as a photographer and critic.<\/p>\n\n\n\n<p>In 1966, he opened a joint office with Moriyama Daido. In 1968, he launched the quarterly magazine <em>Provoke<\/em> with Taki Koji, Takanashi Yutaka, and Okada Takahiko, in which Moriyama participated from the second issue (the magazine ended with its third issue). Nakahira\u2019s radical photographic expression, which rejected conventional photographic aesthetics and was described as <em>are, bure, boke<\/em> (grainy, blurry, out-of-focus), attracted great attention. Together with his energetic writings, he had a unique presence in the photography world at the time in both actual works and theory.<\/p>\n\n\n\n<p>Nakahira self-criticized his previous stance in his 1973 collected essays in criticism, <em>Why an Illustrated Botanical Dictionary?<\/em> With the keyword \u201cillustrated botanical dictionary,\u201d he declared that he would aim for a method that \u201ccan be established simply by clarifying that things are things.\u201d He explored new directions, including a major work, <em>overflow<\/em>, consisting of 48 color photographs, which was shown in the following year in the <em>Fifteen Photographers Today<\/em> exhibition at the National Museum of Modern Art, Tokyo. Amid his exploration, in 1977, he was stricken by acute alcohol intoxication, lost part of his memory, and suspended his activities. After recovering, he resumed his career as a photographer and published several photobooks, including <em>New Gaze<\/em> (1983) and <em>Adieu \u00e0 X<\/em> (1989). He remained active until the early 2010s and passed away in 2015.<\/p>\n\n\n\n<p>Nakahira was believed to have burned most of his previous prints and negatives in 1973 following his self-criticism, but in the early 2000s, the remaining negatives were discovered. The discovery led to a large-scale solo exhibition, <em>Nakahira Takuma: Degree Zero\u2014Yokohama<\/em>, at the Yokohama Museum of Art in 2003.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section-06\" class=\"wp-block-group is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Installation Images<\/h2>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-16-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-16-1024x683.jpg\" alt=\"\" class=\"wp-image-153900\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-16-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-16-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-16-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-16-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-16-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-17-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-17-1024x683.jpg\" alt=\"\" class=\"wp-image-153904\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-17-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-17-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-17-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-17-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-17-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 1: For a Language to Come\u00a0<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-18-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-18-1024x683.jpg\" alt=\"\" class=\"wp-image-153908\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-18-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-18-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-18-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-18-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-18-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 1: For a Language to Come\u00a0<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-20-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-20-1024x683.jpg\" alt=\"\" class=\"wp-image-153860\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-20-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-20-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-20-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-20-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-20-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 2: Landscapes, Cities, and Circulation<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-21-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-21-1024x683.jpg\" alt=\"\" class=\"wp-image-153864\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-21-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-21-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-21-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-21-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-21-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 2: Landscapes, Cities, and Circulation<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-22-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-22-1024x683.jpg\" alt=\"\" class=\"wp-image-153868\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-22-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-22-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-22-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-22-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-22-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 2: Landscapes, Cities, and Circulation<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-19-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-19-1024x683.jpg\" alt=\"\" class=\"wp-image-153912\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-19-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-19-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-19-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-19-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-19-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 3: An Illustrated Botanical Dictionary and Overflow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-24-1024x683.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-24-1024x683.jpg\" alt=\"\" class=\"wp-image-153876\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-24-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-24-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-24-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-24-1536x1025.jpg 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 3: An Illustrated Botanical Dictionary and Overflow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-23-1024x683.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-23-1024x683.jpg\" alt=\"\" class=\"wp-image-153872\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-23-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-23-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-23-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-23-1536x1025.jpg 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 3: An Illustrated Botanical Dictionary and Overflow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-26-1024x683.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-26-1024x683.jpg\" alt=\"\" class=\"wp-image-153880\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-26-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-26-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-26-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-26-1536x1025.jpg 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 4: Islands and the Streets<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-25-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-25-1024x683.jpg\" alt=\"\" class=\"wp-image-153892\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-25-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-25-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-25-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-25-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-25-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 4: Islands and the Streets<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-27-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-27-1024x683.jpg\" alt=\"\" class=\"wp-image-153888\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-27-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-27-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-27-768x513.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-27-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-27-2048x1367.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 4: Islands and the Streets<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-28-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-28-1024x683.jpg\" alt=\"\" class=\"wp-image-153896\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-28-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-28-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-28-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-28-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-28-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 4: Islands and the Streets<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-30-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-30-1024x683.jpg\" alt=\"\" class=\"wp-image-153884\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-30-1024x683.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-30-200x133.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-30-768x512.jpg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-30-1536x1025.jpg 1536w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/02\/556-30-2048x1366.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Chapter 5: Degree Zero of Photography<\/figcaption><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Installation view of the exhibition \u201cNakahira Takuma: Burn\u2014Overflow&#8221; Photograph by Keizo Kioku<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div id=\"section-04\" class=\"wp-block-group is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Exhibition Catalogue<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Nakahira Takuma: Burn\u2014Overflow<\/em> Exhibition Catalogue<\/h3>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-gray-external\">\n        <a class=\"wp-block-button__link\" href=\"https:\/\/kinbiopac.momat.go.jp\/opac\/opac_link\/bibid\/BB00004512\" target=\"_blank\">\n            Catalogue Information        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-14\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Date of Issue: March 30, 2024<br>Price: 3,500 yen (including tax)<br>Size and Number of Pages: A4 variant, paperback, 496 pages.<br>Languages: Japanese-English bilingual<br>Publisher: LIVE ART BOOKS (Daishinsha Group)<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<h3 class=\"wp-block-heading\">Contents<\/h3>\n\n\n\n<p>Introduction: A Radical Ethos\u2014Tracing the Arc of Nakahira Takuma\u2019s Career<br>Masuda Rei (Curator of Photography, The National Museum of Modern Art, Tokyo)<\/p>\n\n\n\n<p>Chapter I\u3000For a Language to Come<br>Column 1\u3000Tomatsu Shomei and Taki Koji<br>Column 2\u3000Repeating Images<\/p>\n\n\n\n<p>Chapter II\u3000Landscapes, Cities and Circulation<br>Column 3\u3000\u201cLandscape Theory\u201d and <em>Eiga Hihyo<\/em><br>Column 4\u3000Nakahira Takuma and Art<\/p>\n\n\n\n<p>Chapter III\u3000An Illustrated Botanical Dictionary and Overflow<br>Column 5\u3000Nakahira Takuma and <em>Asahi Journal<\/em><br>Column 6\u30001973, An Experience of Perceptual Irregularity<\/p>\n\n\n\n<p>Chapter IV\u3000Islands and the Streets<br>Column 7\u3000Nakahira Takuma\u2019s Theory of the Photographer<\/p>\n\n\n\n<p>Chapter V\u3000Degree Zero of Photograph<br>Column 8\u3000Changes in Portraits<\/p>\n\n\n\n<p>Chapter VI\u3000Installation View<\/p>\n\n\n\n<p>Chapter VII\u3000Texts<br>Text 1: Nakahira\u2019s Circulation<br>Matthew S. Witkovsky (Richard and Ellen Sandor Chair and Curator of Photography and Media, and Vice President for Strategic Art Initiatives at the Art Institute of Chicago)<br>Text 2: Yasumi Akihito<br>Text 3: Kuraishi Shino<\/p>\n\n\n\n<p>Chapter VIII\u3000Data<br>Data 1: Chronology<br>Data 2-01: List of Publications<br>Data 2-02: List of Related Publications<br>Data 3: Exhibition Checklist<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"768\" height=\"1024\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/04\/556-16-768x1024.jpeg\" alt=\"\" class=\"wp-image-155334\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/04\/556-16-768x1024.jpeg 768w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/04\/556-16-150x200.jpeg 150w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/04\/556-16.jpeg 960w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div id=\"section-05\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Hours &amp; Admissions<\/h2>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Special Exhibition Gallery (1st floor)<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>February 6\u2013April 7, 2024<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Mondays (except February 12, March 25), February 13<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00 a.m.\u20135:00 p.m. (Fridays and Saturdays open until 8:00 p.m.)<\/p>\n\n\n\n<ul>\n<li>Last admission: 30 minutes before closing.<\/li>\n<\/ul>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults \u00a51,500 (\u00a51,300)&nbsp;<br>College\/University students \u00a51,000 (\u00a5800)&nbsp;<\/p>\n\n\n\n<ul>\n<li>All prices include tax.<\/li>\n\n\n\n<li>Admission in the parentheses is for groups of 20 persons or more.<\/li>\n\n\n\n<li>Admission is free for high school students, under 18, and those with Disability Certificates and one caregiver accompanying each of them. Please present ID at the entrance.<\/li>\n\n\n\n<li>Including the admission fee for <em>MOMAT Collection<\/em> and <em>New Acquisition &amp; Special Display: Germaine Richier, <\/em>The Ant (Gallery 4).<\/li>\n<\/ul>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Tickets<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Same-day tickets can be purchased at the ticket counters, while online ticket can be purchased at e-tix online ticket service.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organizer<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo, The Asahi Shimbun<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">With the support of<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Japan Professional Photographers Society<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n<\/div><\/div>\n","protected":false},"featured_media":152704,"template":"","exhibition_type":[261],"exhibition_year":[290],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nakahira Takuma: Burn\u2014Overflow \uff08Exhibitions\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/556\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nakahira Takuma: Burn\u2014Overflow \uff08Exhibitions\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"First major retrospective in nearly twenty years of a legendary photographer who changed Japanese photography Nakahira Takuma (1938\u20132015) was a photographer who made a significant mark in both production and theory from the late 1960s to the mid-1970s, a turning point in postwar Japanese photography. His presence has greatly inspired photographers of his generation, such as Moriyama Daido and Shinoyama Kishin, and has also had a profound influence on succeeding generations, including Homma Takashi. Nakahira\u2019s career is marked by dramatic episodes: the intense images of are, bure, boke (grainy, blurry, out-of-focus) published in Provoke magazine and other publications in the late 1960s; his self-criticism and declaration of directional change in [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/556\" \/>\n<meta property=\"og:site_name\" content=\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/momat.pr\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-26T01:56:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2024\/01\/556-00-725x1024.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"725\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@MOMAT_museum\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"24 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/556\",\"url\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/556\",\"name\":\"Nakahira Takuma: Burn\u2014Overflow \uff08Exhibitions\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"isPartOf\":{\"@id\":\"https:\/\/www.momat.go.jp\/#website\"},\"datePublished\":\"2023-05-17T03:00:00+00:00\",\"dateModified\":\"2024-04-26T01:56:47+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/556#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.momat.go.jp\/en\/exhibitions\/556\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.momat.go.jp\/en\/exhibitions\/556#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.momat.go.jp\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u5c55\u89a7\u4f1a\",\"item\":\"https:\/\/www.momat.go.jp\/exhibitions\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Nakahira Takuma: Burn\u2014Overflow\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.momat.go.jp\/#website\",\"url\":\"https:\/\/www.momat.go.jp\/\",\"name\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"description\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\u306f\u3001\u6771\u4eac\u306e\u4e2d\u5fc3\u90e8\u3001\u7687\u5c45\u3001\u5317\u306e\u4e38\u516c\u5712\u3001\u5343\u9ce5\u30f6\u6df5\u306a\u3069\u3001\u65e5\u672c\u6587\u5316\u3084\u81ea\u7136\u8c4a\u304b\u306a\u74b0\u5883\u306b\u4f4d\u7f6e\u3059\u308b\u65e5\u672c\u3067\u6700\u521d\u306e\u56fd\u7acb\u7f8e\u8853\u9928\u3067\u3059\u3002\",\"publisher\":{\"@id\":\"https:\/\/www.momat.go.jp\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.momat.go.jp\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.momat.go.jp\/#organization\",\"name\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\",\"url\":\"https:\/\/www.momat.go.jp\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.momat.go.jp\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-ag.png\",\"contentUrl\":\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/12\/og-ag.png\",\"width\":1200,\"height\":630,\"caption\":\"\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\"},\"image\":{\"@id\":\"https:\/\/www.momat.go.jp\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/momat.pr\",\"https:\/\/twitter.com\/MOMAT_museum\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Nakahira Takuma: Burn\u2014Overflow \uff08Exhibitions\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.momat.go.jp\/en\/exhibitions\/556","og_locale":"en_US","og_type":"article","og_title":"Nakahira Takuma: Burn\u2014Overflow \uff08Exhibitions\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928","og_description":"First major retrospective in nearly twenty years of a legendary photographer who changed Japanese photography Nakahira Takuma (1938\u20132015) was a photographer who made a significant mark in both production and theory from the late 1960s to the mid-1970s, a turning point in postwar Japanese photography. 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