{"id":91798,"date":"2020-02-11T13:46:54","date_gmt":"2020-02-11T04:46:54","guid":{"rendered":"https:\/\/www.momat.go.jp\/exhibitions\/kitawaki2020"},"modified":"2023-06-12T13:04:36","modified_gmt":"2023-06-12T04:04:36","slug":"r1-1-g4","status":"publish","type":"exhibition","link":"https:\/\/www.momat.go.jp\/en\/exhibitions\/r1-1-g4","title":{"rendered":"Kitawaki Noboru: To See the Universe in a Seed"},"content":{"rendered":"    <div class=\"momat-anchors\" aria-label=\"Anchor link\">\n        <button id=\"button-block_7ef5a1da91c568ab4d4aaecfd2bec4fc\"\n                aria-controls=\"nav-block_7ef5a1da91c568ab4d4aaecfd2bec4fc\"\n                class=\"momat-anchors__sp-header\">\n            <span class=\"heading\">Table of Contents<\/span>\n            <span class=\"text open\" aria-hidden=\"false\">Open<\/span>\n            <span class=\"text close\" aria-hidden=\"true\">Close<\/span>\n            <span class=\"icon\"><\/span>\n        <\/button>\n        <div id=\"nav-block_7ef5a1da91c568ab4d4aaecfd2bec4fc\"\n             class=\"momat-anchors__navigation\">\n            <div class=\"momat-anchors__inner\">\n                                    <a href=\"#section-00\"\n                       title=\"Scroll to About\"\n                       class=\"momat-anchors__link\">\n                        About                    <\/a>\n                                    <a href=\"#section-01\"\n                       title=\"Scroll to List of Works\"\n                       class=\"momat-anchors__link\">\n                        List of Works                    <\/a>\n                                    <a href=\"#section-02\"\n                       title=\"Scroll to Catalog\"\n                       class=\"momat-anchors__link\">\n                        Catalog                    <\/a>\n                                    <a href=\"#section-03\"\n                       title=\"Scroll to Hours &amp; Admissions\"\n                       class=\"momat-anchors__link\">\n                        Hours &amp; Admissions                    <\/a>\n                            <\/div>\n        <\/div>\n    <\/div>\n\n\n\n<div id=\"section-00\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">About<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"485\" height=\"378\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/kitawaki_kenkon_1941_96dpi.jpg\" alt=\"\" class=\"wp-image-6485\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/kitawaki_kenkon_1941_96dpi.jpg 485w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2022\/09\/kitawaki_kenkon_1941_96dpi-200x156.jpg 200w\" sizes=\"(max-width: 485px) 100vw, 485px\" \/><figcaption class=\"wp-element-caption\">Kitawaki Noboru,&nbsp;<em>Diagram of I Ching Divination (Heaven and Earth)<\/em>, 1941<\/figcaption><\/figure>\n\n\n\n<p>The avant-garde painter Kitawaki Noboru (1901\u20131951) was active in Kyoto in the 1930s and 1940s. Thus far, his work has generally been discussed in terms of Surrealist influence. For example, this aptly describes his approach in&nbsp;<em>Airport<\/em>&nbsp;(1937) of generating fantastical imagery through association of shapes, so the maple seed pods can also be seen as planes. However, this exhibition aims to examine what Kitawaki was actually seeking to accomplish in referencing the ideas and techniques of Surrealism: to decode the invisible laws behind the world around us, and visually reveal a model of his worldview. Based on this philosophical mindset, Kitawaki produced paintings that reference not only Surrealism, but also mathematics, the natural science of Goethe, and ancient Chinese divination.<\/p>\n\n\n\n<p>Here we shed light on the development of Kitawaki\u2019s distinctive approach, in which he sought a unification of all the laws of heaven and earth as if condensed in a single seed that sprouts, grows, blossoms, bears fruit and produces new seeds.<\/p>\n<\/div><\/div>\n\n\n\n<div id=\"section-01\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">List of Works<\/h2>\n\n\n\n<p>Kitawaki Noboru: To See the Universe in a Seed<\/p>\n\n\n\n<p>\u5317\u80c1\u5347 \u5728\u4e00\u9897\u79cd\u5b50\u4e2d\u51dd\u89c6\u5b87\u5b99<\/p>\n\n\n\n<p>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8\u3000\uc528\uc557 \ud55c \uc54c\uc5d0\uc11c \uc6b0\uc8fc\ub97c \ubcf4\ub2e4<\/p>\n\n\n\n<p>February 11 \u2013 October 25, 2020 The National Museum of Modern Art, Tokyo<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><th><small>room<\/small><\/th><th><small>audio guide (En)<\/small><\/th><th><small>artist<\/small><\/th><th><small>title<\/small><\/th><th><small>\u7f8e\u672f\u5bb6<\/small><\/th><th><small>\u6807\u9898<\/small><\/th><th><small>\uc791\uac00\uc758&nbsp;<\/small><\/th><th><small>\ud45c\uc81c<\/small><\/th><th><small>date<\/small><\/th><th><small>on view from<\/small><\/th><th><small>on view to<\/small><\/th><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Perishing in the Sky<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7a7a\u4e2d\u7684\u8bc0\u522b<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ud558\ub298\uc758 \uacb0\ubcc4<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Airport<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u673a\u573a<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uacf5\ud56d<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Root and Sprout of Tree<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u6811\u7684\u6839\u548c\u82bd<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ub098\ubb34\uc758 \ubfcc\ub9ac\uc640 \uc2f9<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>The Quietest Time<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u6700\u5bc2\u9759\u7684\u65f6\u523b<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uac00\uc7a5 \uc870\uc6a9\ud560 \ub54c<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Landscape of Collected Fragments, Series of Physiognomy<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u501f\u666f\uff08\u89c2\u76f8\u5b66\u7cfb\u5217\uff09<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ucc28\uacbd(\uad00\uc0c1\ud559 \uc2dc\ub9ac\uc988)<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Metamorphosis of Life, Series of Physiognomy<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u53d8\u751f\uff08\u89c2\u76f8\u5b66\u7cfb\u5217\uff09<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ubcc0\uc0dd(\uad00\uc0c1\ud559 \uc2dc\ub9ac\uc988)<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Village, Series of Physiognomy<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u805a\u843d\uff08\u89c2\u76f8\u5b66\u7cfb\u5217\uff09<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ucde8\ub77d(\uad00\uc0c1\ud559 \uc2dc\ub9ac\uc988)<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Shadow (Series of Physiognomy)<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u5f71\uff08\u89c2\u76f8\u5b66\u7cfb\u5217\uff09<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uadf8\ub9bc\uc790(\uad00\uc0c1\ud559 \uc2dc\ub9ac\uc988)<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Sacred Fire<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u51c0\u706b<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc2e0\uc131\ud55c \ubd88<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Solitary End<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u5b64\u72ec\u7684\u7ec8\u672b<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uace0\ub3c5\ud55c \uc885\ub9d0<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>For Morphology<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u4e3a\u4e86\u5f62\u6001\u5b66<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ud615\ud0dc\ud559\uc744 \uc704\ud574<\/small><\/td><td><small>1939<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Will of Species<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7269\u79cd\u7684\u610f\u6b32<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc885\uc758 \uc758\uc695<\/small><\/td><td><small>1939<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Synthesis and Analysis<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7efc\u5408\u4e0e\u5206\u6790<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc885\ud569\uacfc \ubd84\uc11d<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Structure of Disorder<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u79e9\u5e8f\u6df7\u4e71\u6784\u9020<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc9c8\uc11c \ud63c\ub780 \uad6c\uc870<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Structure of the Meaning (A+B)\u00b2<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>(A+B)\u00b2 \u7684\u542b\u4e49\u7684\u6784\u9020<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>(A+B)\u00b2 \uc758\ubbf8 \uad6c\uc870<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Diagram of Cultural Morphology<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u6587\u5316\u7c7b\u578b\u5b66\u56fe\u5f0f<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ubb38\ud654\uc720\ud615\ud559 \ub3c4\uc2dd<\/small><\/td><td><small>1940<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Diagram of I Ching Divination (Eight Phenomena)<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u5468\u6613\u89e3\u7406\u56fe\uff08\u516b\u5366\uff09<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc8fc\uc5ed \ub3c4\ud45c(\ud314\uad18)<\/small><\/td><td><small>1941<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Diagram of I Ching Divination (Heaven and Earth)<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u5468\u6613\u89e3\u7406\u56fe\uff08\u4e7e\u5764\uff09<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc8fc\uc5ed \ub3c4\ud45c(\uac74\uace4)<\/small><\/td><td><small>1941<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Diagram of I Ching Divination (Obedience and Pleasure)<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u5468\u6613\u89e3\u7406\u56fe\uff08\u5dfd\u5151\uff09<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc8fc\uc5ed \ub3c4\ud45c(\uc190\ud0dc)<\/small><\/td><td><small>1941<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Mathematical Thrill<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u6570\u5b66\u9707\u98a4<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc218\ud559\uc801 \uc2a4\ub9b4<\/small><\/td><td><small>1942<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Scenery at Murasakino<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d2b\u91ce\u7684\u666f\u89c2<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ubb34\ub77c\uc0ac\ud0a4\ub178\uc758 \ud48d\uacbd<\/small><\/td><td><small>1942<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Morphology of Daffodils<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u6c34\u4ed9\u7684\u5f62\u6001\u5b66<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc218\uc120\ud654\uc758 \ud615\ud0dc\ud559<\/small><\/td><td><small>1946<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Self-Portrait<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u81ea\u753b\u50cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc790\ud654\uc0c1<\/small><\/td><td><small>1947<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>0064<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Quo Vadis<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>Quo Vadis\uff08\u541b\u5f80\u4f55\u5904\uff09<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ucfe0\uc624 \ubc14\ub514\uc2a4<\/small><\/td><td><small>1949<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/06\/14<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Moon 1<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u6708 1<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ub2ec 1<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>The Moon 2<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u6708 2<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ub2ec 2<\/small><\/td><td><small>1937<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Fantasy on Saturn<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u5173\u4e8e\u571f\u661f\u7684\u5e7b\u60f3<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ud1a0\uc131\uc758 \ud658\uc0c1<\/small><\/td><td><small>1938<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/08\/23<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Study for For Morphology<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u4e3a\u300a\u4e3a\u4e86\u5f62\u6001\u5b66\u300b\u800c\u4f5c\u7684\u8349\u7a3f<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\u300a\ud615\ud0dc\ud559\uc744 \uc704\ud574\u300b\uc758 \ubc11\uadf8\ub9bc<\/small><\/td><td><small>c.1939<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Drawing<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d20\u63cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc18c\ubb18<\/small><\/td><td><small>c.1939<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Drawing<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d20\u63cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc18c\ubb18<\/small><\/td><td><small>1946<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Drawing<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d20\u63cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc18c\ubb18<\/small><\/td><td><small>1946<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Drawing<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d20\u63cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc18c\ubb18<\/small><\/td><td><small>1946<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Drawing<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d20\u63cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc18c\ubb18<\/small><\/td><td><small>1946<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Drawing<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d20\u63cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc18c\ubb18<\/small><\/td><td><small>1946<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Drawing<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d20\u63cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc18c\ubb18<\/small><\/td><td><small>1946<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Drawing<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7d20\u63cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc18c\ubb18<\/small><\/td><td><small>Date unknown<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Survey on the Stone Garden of Ryoanji Temple<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u9f99\u5b89\u5bfa\u77f3\u5ead\u6d4b\u56fe<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ub8cc\uc548\uc9c0 \uc808\uc758 \ub3cc \uc815\uc6d0 \uc870\uc0ac&nbsp;<\/small><\/td><td><small>c.1939<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Chinese Bellflowers<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u6854\u6897<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\ub3c4\ub77c\uc9c0<\/small><\/td><td><small>c.1946<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Self-Portrait<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u81ea\u753b\u50cf<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc790\ud654\uc0c1<\/small><\/td><td><small>1951<\/small><\/td><td><small>2020\/08\/25<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><tr><td><small>Gallery 4<\/small><\/td><td><small>\u3000<\/small><\/td><td><small>KITAWAKI, Noboru<\/small><\/td><td><small>Object<\/small><\/td><td><small>\u5317\u80c1\u5347<\/small><\/td><td><small>\u7269<\/small><\/td><td><small>\uae30\ud0c0\uc640\ud0a4 \ub178\ubcf4\ub8e8<\/small><\/td><td><small>\uc624\ube0c\uc81c<\/small><\/td><td><small>c.1942<\/small><\/td><td><small>2020\/02\/11<\/small><\/td><td><small>2020\/10\/25<\/small><\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div><\/div>\n\n\n\n<div id=\"section-02\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Catalog<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" src=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/02\/ebabe9a1bb3ba1133de8e00cbce14eb7-1024x768-1.jpg\" alt=\"\" class=\"wp-image-81282\" srcset=\"https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/02\/ebabe9a1bb3ba1133de8e00cbce14eb7-1024x768-1.jpg 1024w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/02\/ebabe9a1bb3ba1133de8e00cbce14eb7-1024x768-1-200x150.jpg 200w, https:\/\/www.momat.go.jp\/wp-content\/uploads\/2023\/02\/ebabe9a1bb3ba1133de8e00cbce14eb7-1024x768-1-768x576.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Catalog<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<div class=\"wp-block-buttons\">\n    <div class=\"momat-button-gray-arrow\">\n        <a class=\"wp-block-button__link\" href=\"https:\/\/kinbiopac.momat.go.jp\/opac\/opac_details\/?lang=1&amp;amode=11&amp;bibid=LB00242253\" target=\"_blank\">\n            Catalog        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div id=\"section-03\" class=\"wp-block-group is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading\">Hours &amp; Admissions<\/h2>\n\n\n<dl class=\"momat-dl\">\n    \n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Location<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Art Museum Gallery 4<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Date<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>February 11 \u2013June 14, 2020&nbsp;October 25, 2020<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Time<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>10:00 \u2013 17:00 *Last admission is 30 minutes before closing.<br>Until further notice, the hours are not extended on Fridays and Saturdays.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Closed<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Closed on Mondays (except February 24, August 10 and September 21 ), February 25, August 11 and September 23, 2020<br>*Temporary closure: February 29 &#8211; June 3<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Ticket<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p><strong>Advance ticket is recommended to avoid lines forming at the entrance.<\/strong><br>Online purchase:&nbsp;<a href=\"https:\/\/www.tiqets.com\/en\/the-national-museum-of-modern-art-tokyo-tickets-l147840\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u3010Tiqets\u3011<\/a><a href=\"https:\/\/www.e-tix.jp\/momat\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u3010e-tix\u3011<\/a><br>Tickets can be purchased on site at the ticket counters, subject to their availability.<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Admission<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>Adults \u00a5500 (400)<br>College and university students \u00a5250 (200)<\/p>\n\n\n\n<ul>\n<li>The price in brackets is for the group of 20 persons or more. All prices include tax.<br>Free for high school students, under 18, seniors (65 and over), Campus Members, MOMAT passport holder.<\/li>\n\n\n\n<li>Show your Membership Card of the MOMAT Supporters or the MOMAT Members to get free admission (a MOMAT Members Card admits two persons free).<\/li>\n\n\n\n<li>Persons with disability and one person accompanying them are admitted free of charge.<\/li>\n\n\n\n<li>Members of the MOMAT Corporate Partners are admitted free with their staff ID.<\/li>\n<\/ul>\n\n\n    <\/dd>\n<\/div>\n\n\n<div class=\"momat-dl__item\">\n    <dt class=\"momat-dl__heading\">Organizer<\/dt>\n    <dd class=\"momat-dl__content\">\n        \n\n<p>The National Museum of Modern Art, Tokyo<\/p>\n\n\n    <\/dd>\n<\/div>\n\n\n<\/dl>\n<\/div><\/div>\n","protected":false},"featured_media":6488,"template":"","exhibition_type":[262],"exhibition_year":[308,307],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Kitawaki Noboru: To See the Universe in a Seed \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/exhibitions\/r1-1-g4\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kitawaki Noboru: To See the Universe in a Seed \uff08\u5c55\u89a7\u4f1a\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"About The avant-garde painter Kitawaki Noboru (1901\u20131951) was active in Kyoto in the 1930s and 1940s. Thus far, his work has generally been discussed in terms of Surrealist influence. For example, this aptly describes his approach in&nbsp;Airport&nbsp;(1937) of generating fantastical imagery through association of shapes, so the maple seed pods can also be seen as planes. However, this exhibition aims to examine what Kitawaki was actually seeking to accomplish in referencing the ideas and techniques of Surrealism: to decode the invisible laws behind the world around us, and visually reveal a model of his worldview. 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