{"id":168520,"date":"2025-05-22T10:17:39","date_gmt":"2025-05-22T01:17:39","guid":{"rendered":"https:\/\/www.momat.go.jp\/?post_type=magazine&#038;p=168520"},"modified":"2025-05-22T10:18:02","modified_gmt":"2025-05-22T01:18:02","slug":"234","status":"publish","type":"magazine","link":"https:\/\/www.momat.go.jp\/en\/magazine\/234","title":{"rendered":"Artist Talks\uff5cEndo Toshikatsu"},"content":{"rendered":"\n<p>This time, we interviewed Endo Toshikatsu. Focusing on the background behind the creation of \u201cTrieb-Modernity, Body\u201d (1997), an unusual work that uses flowing water as its medium, he talked about how he came to choose sculpture as his artistic path, why he uses water and fire in his works, and the ideas behind his creations.<\/p>\n\n\n\n<p>Interviewer\uff5cHajime Nariai (The National Museum of Modern Art, Tokyo)<br>Cinematographer\uff5cWatanabe Shunsuke<br>Lighting Designer\uff5cTakahashi Yui<br>Director\uff5cMiyazawa Hibiki (COG WORKS)<br>Production\uff5cThe National Museum of Modern Art, Tokyo<br>English Subtitles\uff5cBrad Plumb, Japan Visualmedia Translation Academy (JVTA)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u30fb\u30c8\u30fc\u30af \u7b2c33\u56de \u9060\u85e4\u5229\u514b\uff08\u7f8e\u8853\u5bb6\uff09\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/oq3Zr81LhFA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"featured_media":168526,"template":"","magazine_category":[278],"series":[2730,280],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Artist Talks\uff5cEndo Toshikatsu \uff08\u898b\u308b\u805e\u304f\u8aad\u3080\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/magazine\/234\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artist Talks\uff5cEndo Toshikatsu \uff08\u898b\u308b\u805e\u304f\u8aad\u3080\uff09- \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"This time, we interviewed Endo Toshikatsu. Focusing on the background behind the creation of \u201cTrieb-Modernity, Body\u201d (1997), an unusual work that uses flowing water as its medium, he talked about how he came to choose sculpture as his artistic path, why he uses water and fire in his works, and the ideas behind his creations. 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