{"id":15172,"date":"2022-09-30T14:01:46","date_gmt":"2022-09-30T05:01:46","guid":{"rendered":"https:\/\/www.momat.go.jp\/must-sees-collections"},"modified":"2025-11-11T13:33:22","modified_gmt":"2025-11-11T04:33:22","slug":"masterpieces","status":"publish","type":"page","link":"https:\/\/www.momat.go.jp\/en\/masterpieces","title":{"rendered":"Masterpieces"},"content":{"rendered":"\n

The collection of the National Museum of Modern Art, Tokyo contains 18 works that have been designated by the Government as Important Cultural Properties: twelve Japanese-style paintings, five oil paintings, and one sculpture. One of the Japanese-style paintings and one of the oil paintings are deposited works. Three of the Japanese-style paintings are regarded as a group.
In this section, we introduce these Important Cultural Properties with a brief explanation of each work.
To find out which works are currently on display, please visit the following page: MOMAT Collection. Also, don\u2019t miss the works that are on view for a limited time due to conservation.<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KANO, Hogai<\/p>\n\n\n\n

Nio(Buddhistguardian) Seizing an Evil Spirit<\/h2>\n\n\n\n

1886<\/p>\n\n\n\n

\"\u98db\u3093\u3067\u3044\u308b\u9f8d\u306e\u4e0a\u306b\u767d\u3044\u670d\u3092\u7740\u305f\u89b3\u97f3\u69d8\u304c\u7acb\u3063\u3066\u3044\u307e\u3059\u3002\"\/<\/figure>\n\n\n\n

HARADA, Naojiro<\/p>\n\n\n\n

Kannon Bodhisattva Riding the Dragon<\/h2>\n\n\n\n

1890<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

C\u00c9ZANNE, Paul<\/p>\n\n\n\n

Grand Bouquet of Flowers<\/h2>\n\n\n\n

c.1892-95<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HISHIDA, Shunso<\/p>\n\n\n\n

Wong Zhaojun [the Chinese princess]<\/h2>\n\n\n\n

1902<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

ROUSSEAU, Henri<\/p>\n\n\n\n

Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Soci\u00e9t\u00e9 des Artistes Ind\u00e9pendants<\/h2>\n\n\n\n

1905-06<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SHINKAI, Taketaro<\/p>\n\n\n\n

Bathing<\/h2>\n\n\n\n

1907<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

STIEGLITZ, Alfred<\/p>\n\n\n\n

The Steerage<\/h2>\n\n\n\n

1907 (printed 1911)<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

WADA, Sanzo<\/p>\n\n\n\n

South Wind<\/h2>\n\n\n\n

1907<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HISHIDA, Shunso<\/p>\n\n\n\n

Bodhisattva Kenshu<\/h2>\n\n\n\n

1907<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SHIMOMURA, Kanzan<\/p>\n\n\n\n

Autumn among Trees<\/h2>\n\n\n\n

1907<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

OGIWARA, Morie<\/p>\n\n\n\n

Woman<\/h2>\n\n\n\n

1910<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

BRAQUE, Georges<\/p>\n\n\n\n

Female Torso<\/h2>\n\n\n\n

1910-11<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

YOROZU, Tetsugoro<\/p>\n\n\n\n

Nude Beauty<\/h2>\n\n\n\n

1912<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KOKOSCHKA, Oskar<\/p>\n\n\n\n

Portrait of Alma Mahler<\/h2>\n\n\n\n

1912<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

ONCHI, Koshiro<\/p>\n\n\n\n

Lyric: The Clear Hours<\/h2>\n\n\n\n

1915<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KISHIDA, Ryusei<\/p>\n\n\n\n

Road Cut through a Hill<\/h2>\n\n\n\n

1915<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KAWAI, Gyokudo<\/p>\n\n\n\n

Parting Spring<\/h2>\n\n\n\n

1916<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

YOROZU, Tetsugoro<\/p>\n\n\n\n

Leaning Woman<\/h2>\n\n\n\n

1917<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TAKEUCHI, Seiho<\/p>\n\n\n\n

Day Labor<\/h2>\n\n\n\n

1917<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TAKAMURA, Kotaro<\/p>\n\n\n\n

Hand<\/h2>\n\n\n\n

c.1918<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KISHIDA, Ryusei<\/p>\n\n\n\n

Reiko, Five Years Old<\/h2>\n\n\n\n

1918<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TSUCHIDA, Bakusen<\/p>\n\n\n\n

Serving Girl in a Spa<\/h2>\n\n\n\n

1918<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SEKINE, Shoji<\/p>\n\n\n\n

Three Stars<\/h2>\n\n\n\n

1919<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

MURAKAMI, Kagaku<\/p>\n\n\n\n

Kiyohime at the Hidaka River<\/h2>\n\n\n\n

1919<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

NAKAMURA, Tsune<\/p>\n\n\n\n

Portrait of Vasilii Eroshenko<\/h2>\n\n\n\n

1920<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KOIDE, Narashige<\/p>\n\n\n\n

Boy with a Toy Trumpet<\/h2>\n\n\n\n

1923<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

YOKOYAMA, Taikan<\/p>\n\n\n\n

Metempsychosis<\/h2>\n\n\n\n

1923<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

MURAYAMA, Tomoyoshi<\/p>\n\n\n\n

Construction<\/h2>\n\n\n\n

1925<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KIKKAWA, Reika<\/p>\n\n\n\n

Profound Grief from The Poem by Qu Yuan<\/h2>\n\n\n\n

1926<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HIRAFUKU, Hyakusui<\/p>\n\n\n\n

Rough Coast<\/h2>\n\n\n\n

1926<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SAEKI, Yuzo<\/p>\n\n\n\n

Gas Lamp and Advertisements<\/h2>\n\n\n\n

1927<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KABURAKI, Kiyokata<\/p>\n\n\n\n

Tsukiji Akashi-cho Town<\/h2>\n\n\n\n

1927<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HAYAMI, Gyoshu<\/p>\n\n\n\n

Houses in Kyoto, Houses in Nara<\/h2>\n\n\n\n

1927<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

FUJITA, Tsuguharu<\/p>\n\n\n\n

Self-Portrait<\/h2>\n\n\n\n

1929<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KOGA, Harue<\/p>\n\n\n\n

Sea<\/h2>\n\n\n\n

1929<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KABURAKI, Kiyokata<\/p>\n\n\n\n

Portrait of San’yutei Encho<\/h2>\n\n\n\n

1930<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KABURAKI, Kiyokata<\/p>\n\n\n\n

Shintomi-cho Town<\/h2>\n\n\n\n

1930<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KABURAKI, Kiyokata<\/p>\n\n\n\n

Hama-cho Gashi Zone<\/h2>\n\n\n\n

1930<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KAWABATA, Ryushi<\/p>\n\n\n\n

Flaming Grass<\/h2>\n\n\n\n

1930<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HASHIMOTO, Heihachi<\/p>\n\n\n\n

Expression of Infant<\/h2>\n\n\n\n

1931<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

BONNARD, Pierre<\/p>\n\n\n\n

Landscape in Provence<\/h2>\n\n\n\n

1932<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SUDA, Kunitaro<\/p>\n\n\n\n

The Five-Storied Pagoda of the Hokanji Temple, Kyoto<\/h2>\n\n\n\n

1932<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

FUJIMAKI, Yoshio<\/p>\n\n\n\n

Red Sun<\/h2>\n\n\n\n

1934<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

MIGISHI, Kotaro<\/p>\n\n\n\n

Butterflies Flying above Clouds<\/h2>\n\n\n\n

1934<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

YASUI, Sotaro<\/p>\n\n\n\n

Portrait of Chin-Jung<\/h2>\n\n\n\n

1934<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

UEMURA, Shoen<\/p>\n\n\n\n

Mother and Child<\/h2>\n\n\n\n

1934<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

OTA, Chou<\/p>\n\n\n\n

Women Observing Stars<\/h2>\n\n\n\n

1936<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

O’KEEFFE, Georgia<\/p>\n\n\n\n

Hollyhock White and Green with Pedernal<\/h2>\n\n\n\n

1937<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KLEE, Paul<\/p>\n\n\n\n

Flower Terrace<\/h2>\n\n\n\n

1937<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HASEKAWA, Toshiyuki<\/p>\n\n\n\n

View of Shinjuku<\/h2>\n\n\n\n

c.1937<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

AI-MITSU<\/p>\n\n\n\n

Landscape with an Eye<\/h2>\n\n\n\n

1938<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

OGURA, Yuki<\/p>\n\n\n\n

Bathing Women<\/h2>\n\n\n\n

1938<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

CALDER, Alexander<\/p>\n\n\n\n

The Monster<\/h2>\n\n\n\n

c.1939<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KOBAYASHI, Kokei<\/p>\n\n\n\n

Indian Corn Plants<\/h2>\n\n\n\n

1939<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KATSURA, Yuki (Yukiko)<\/p>\n\n\n\n

Work<\/h2>\n\n\n\n

1940<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

YASUDA, Yukihiko<\/p>\n\n\n\n

Camp at Kisegawa<\/h2>\n\n\n\n

1940\/41<\/p>\n\n\n\n

National Important Cultural Properties<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

ARP, Jean(Hans)<\/p>\n\n\n\n

Mediterranean Group<\/h2>\n\n\n\n

1941\/65<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

UMEHARA, Ryuzaburo<\/p>\n\n\n\n

Autumn in Beijing<\/h2>\n\n\n\n

1942<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

MATSUMOTO, Shunsuke<\/p>\n\n\n\n

Bridge in Y-City<\/h2>\n\n\n\n

1943<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

MARUKI, Toshi (AKAMATSU, Toshiko)<\/p>\n\n\n\n

Emancipation of Humanity<\/h2>\n\n\n\n

1947<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

OKAMOTO, Taro<\/p>\n\n\n\n

Dawn<\/h2>\n\n\n\n

1948<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KITAWAKI, Noboru<\/p>\n\n\n\n

Quo Vadis<\/h2>\n\n\n\n

1949<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KUSAMA, Yayoi<\/p>\n\n\n\n

Accumulation of the Corpses (Prisoner Surrounded by the Curtain of Depersonalization)<\/h2>\n\n\n\n

1950<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HIGASHIYAMA, Kaii<\/p>\n\n\n\n

Road<\/h2>\n\n\n\n

1950<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SATO, Churyo<\/p>\n\n\n\n

Man from Gumma<\/h2>\n\n\n\n

1952<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KITADAI, Shozo<\/p>\n\n\n\n

Mobile Object (Composition of Rotating Surfaces)<\/h2>\n\n\n\n

1953<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

YAMASHITA, Kikuji<\/p>\n\n\n\n

The Tale of Akebono Village<\/h2>\n\n\n\n

1953<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

FUKUDA, Heihachiro<\/p>\n\n\n\n

Rain<\/h2>\n\n\n\n

1953<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KAWARA, On<\/p>\n\n\n\n

Pregnant Woman<\/h2>\n\n\n\n

1954<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

PICASSO, Pablo<\/p>\n\n\n\n

Beach at La Garoupe<\/h2>\n\n\n\n

1955<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

AKUTAGAWA (MADOKORO), Saori<\/p>\n\n\n\n

Woman (B)<\/h2>\n\n\n\n

1955<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HAMAGUCHI, Yozo<\/p>\n\n\n\n

Blue Glass<\/h2>\n\n\n\n

1957<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

YOKOYAMA, Misao<\/p>\n\n\n\n

Tower<\/h2>\n\n\n\n

1957<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

NARAHARA, Ikko<\/p>\n\n\n\n

Garden of Silence [1] from Domains<\/h2>\n\n\n\n

1958 (printed 1996)<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TOKUOKA, Shinsen<\/p>\n\n\n\n

Harvested Rice Field<\/h2>\n\n\n\n

1960<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

YANAGIHARA, Yoshitatsu<\/p>\n\n\n\n

Song of the Dog<\/h2>\n\n\n\n

1961<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

NAKANISHI, Natsuyuki<\/p>\n\n\n\n

Compact Object<\/h2>\n\n\n\n

1962<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SUGIYAMA, Yasushi<\/p>\n\n\n\n

Heaven<\/h2>\n\n\n\n

1964<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TANAKA, Atsuko<\/p>\n\n\n\n

Work 66 – SA<\/h2>\n\n\n\n

1966<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HEPWORTH, Barbara<\/p>\n\n\n\n

Four Figures Waiting<\/h2>\n\n\n\n

1968<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

CARO, Anthony<\/p>\n\n\n\n

Lap<\/h2>\n\n\n\n

1969<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

NOGUCHI, Isamu<\/p>\n\n\n\n

Gate<\/h2>\n\n\n\n

1969<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HASEGAWA, Kiyoshi<\/p>\n\n\n\n

Flowers and Aquarium<\/h2>\n\n\n\n

1969<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TAKAMATSU, Jiro<\/p>\n\n\n\n

No.273 (Shadow)<\/h2>\n\n\n\n

1969<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KAWARA, On<\/p>\n\n\n\n

JULY 15, 1970, from Today Series (1966-2013)<\/h2>\n\n\n\n

1970<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KAYAMA, Matazo<\/p>\n\n\n\n

A Thousand Cranes<\/h2>\n\n\n\n

1970<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

FUNAKOSHI, Yasutake<\/p>\n\n\n\n

Haranojo Castle<\/h2>\n\n\n\n

1971<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

RILEY, Bridget<\/p>\n\n\n\n

Paean<\/h2>\n\n\n\n

1973<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

BACON, Francis<\/p>\n\n\n\n

Sphinx-Portrait of Muriel Belcher<\/h2>\n\n\n\n

1979<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SUGA, Kishio<\/p>\n\n\n\n

Protrusion #076<\/h2>\n\n\n\n

1981<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

ISHIMOTO, Yasuhiro<\/p>\n\n\n\n

2. The Old Shoin, Viewed from the North-East from Katsura<\/h2>\n\n\n\n

1981-82 (printed 1989)<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

SUGIURA, Kuni\u00e9<\/p>\n\n\n\n

I’m telling you…<\/h2>\n\n\n\n

1983<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

FUNAKOSHI, Katsura<\/p>\n\n\n\n

The Day I Go to the Forest<\/h2>\n\n\n\n

1984<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TATSUNO, Toeko<\/p>\n\n\n\n

Work 84-P-1<\/h2>\n\n\n\n

1984<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

ISHIUCHI, Miyako<\/p>\n\n\n\n

1\u30fb9\u30fb4\u30fb7 [#29] Housewife<\/h2>\n\n\n\n

1988-89 (printed 1999)<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HIDAKA, Rieko<\/p>\n\n\n\n

Looking Up the Trees VII<\/h2>\n\n\n\n

1993<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

LEWITT, Sol<\/p>\n\n\n\n

Wall Drawing#769: A 36-inch (90cm) grid covering the black wall. All two-part combinations using arcs from corners and sides, and straight and not straight lines, systematically.\u3000<\/h2>\n\n\n\n

1994<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

NARA, Yoshitomo<\/p>\n\n\n\n

Harmless Kitty<\/h2>\n\n\n\n

1994<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

RICHTER, Gerhard<\/p>\n\n\n\n

Abstract Picture (Red)<\/h2>\n\n\n\n

1994<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

AIDA, Makoto<\/p>\n\n\n\n

Beautiful Flag (War Picture Returns)<\/h2>\n\n\n\n

1995<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KOBAYASHI, Masato<\/p>\n\n\n\n

Unnamed #7<\/h2>\n\n\n\n

1997<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

IKEMURA, Leiko<\/p>\n\n\n\n

Reclining Girl<\/h2>\n\n\n\n

1997<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

NOGUCHI, Rika<\/p>\n\n\n\n

New Land \uff031<\/h2>\n\n\n\n

1999-2000<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

GORMLEY, Antony<\/p>\n\n\n\n

Reflection<\/h2>\n\n\n\n

2001<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TAKAMINE, Tadasu<\/p>\n\n\n\n

God Bless America<\/h2>\n\n\n\n

2002<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

OKAZAKI, Kenjiro<\/p>\n\n\n\n

Blown by the heat of the roof, Grandfather’s head already seemed pale like a skull. Well, I’m not sure…do you remember what he said, when the red-hot iron was about to be put into his eyes? *<\/h2>\n\n\n\n

2002<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

MARUYAMA, Naofumi<\/p>\n\n\n\n

Garden 1<\/h2>\n\n\n\n

2003<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

AZAMI, Takako<\/p>\n\n\n\n

Plum and Maple Trees<\/h2>\n\n\n\n

2009<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

TANAKA, Koki<\/p>\n\n\n\n

A Pottery Produced by Five Potters at Once (Silent Attempt)<\/h2>\n\n\n\n

2013<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

MURAKAMI, Saki<\/p>\n\n\n\n

Cover<\/h2>\n\n\n\n

2016<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

KATO, Izumi<\/p>\n\n\n\n

Untitled<\/h2>\n\n\n\n

2016<\/p>\n\n\n\n

\"Images<\/figure>\n\n\n\n

HATAKEYAMA, Naoya<\/p>\n\n\n\n

Rikuzentakata-shi, Iwate on October 6, 2019 from Untitled (tsunami trees)<\/h2>\n\n\n\n

2019<\/p>\n","protected":false},"excerpt":{"rendered":"

The collection of the National Museum of Modern Art, Tokyo contains 18 works that have been designated by the Government as Important Cultural Properties: twelve Japanese-style paintings, five oil paintings, and one sculpture. One of the Japanese-style paintings and one of the oil paintings are deposited works. Three of the Japanese-style paintings are regarded as a group.In this section, we introduce these Important Cultural Properties with a brief explanation of each work.To find out which works are currently on display, please visit the following page: MOMAT Collection. Also, don\u2019t miss the works that are on view for a limited time due to conservation. KANO, Hogai Nio(Buddhistguardian) Seizing an Evil Spirit […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"yoast_head":"\nMasterpieces - \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.momat.go.jp\/en\/masterpieces\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Masterpieces - \u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\" \/>\n<meta property=\"og:description\" content=\"The collection of the National Museum of Modern Art, Tokyo contains 18 works that have been designated by the Government as Important Cultural Properties: twelve Japanese-style paintings, five oil paintings, and one sculpture. One of the Japanese-style paintings and one of the oil paintings are deposited works. Three of the Japanese-style paintings are regarded as a group.In this section, we introduce these Important Cultural Properties with a brief explanation of each work.To find out which works are currently on display, please visit the following page: MOMAT Collection. Also, don\u2019t miss the works that are on view for a limited time due to conservation. 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