The collection exhibition from October 6, 2018 – January 20, 2019

Welcome to the MOMAT Collection! In this exhibition, we introduce currents in Japanese modern and contemporary art from the beginning of the 20th century to the present along with a variety of works from other countries.

 In the Highlights section (Room 1, 4th floor), viewers can enjoy a host of masterpieces selected from the museum collection. Rooms 2 to 12, arranged in roughly chronological order, have each been assigned a theme, enabling viewers to see the relationship between art and society in each era from a wide range of perspectives. For example, in Room 6 (3rd floor), we present Nihon-ga (Japanese-style paintings) dating from the Pacific War. In Room 9, we focus on the photographer Kitai Kazuo, and in Room 10, we feature postwar Nihon-ga by artists such as Yokoyama Misao. And in Room 12 (2nd floor), we introduce some works by David Smith, one of the most important postwar American sculptors, which were acquired by the museum in fiscal 2017.

 In addition, in Gallery 4 (2nd floor), we present a small exhibit titled I Want to Go Somewhere Far Away featuring works that inspire us think of places other than here. Please take your time and enjoy the large and varied collection of works in this edition of the MOMAT Collection.

translated by Christopher Stephens

List of Works

room	audio guide (En)	artist	title	美术家	标题	작가의	표제	date	on view from	on view to
1		HISHIDA, Shunso	Wong Zhaojun [the Chinese princess]	菱田春草	王昭君	히시다 슌소	왕소군	1902	2018/10/06	2018/11/25
1		YOKOYAMA, Taikan	Higashiyama	横山大观	东山	요코야마 다이칸	히가시야마	1924	2018/10/06	2018/11/25
1		MURAKAMI, Kagaku	Autumn Valley	村上华岳	秋溪图	무라카미 가가쿠	가을의 골짜기	1935	2018/10/06	2018/11/25
1		IRIE, Hako	Plowing Bull in Rain	入江波光	霖雨耕牛	이리에 하코	장마와 소	1937	2018/10/06	2018/11/25
1		KAWAI, Gyokudo	Autumn Rain	川合玉堂	彩雨	가와이 교쿠도	가을비	1940	2018/10/06	2018/11/25
1		KOBAYASHI, Kokei	Chestnuts	小林古径	栗	고바야시 고케이	밤	1944	2018/10/06	2018/11/25
1		YAMAMOTO, Shunkyo	Snow and Pine Trees	山元春举	雪松图	야마모토 슌쿄	눈 속의 소나무	1908	2018/11/27	2019/01/20
1		Paul Cézanne	Grand Bouquet of Flowers	保罗·塞尚	大花束	폴 세잔	큰 꽃다발	c.1892-95	2018/10/06	2019/01/20
1	0003	Henri Rousseau	Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Société des Artistes Indépendants	亨利·卢梭	自由女神指引艺术家参加第22届独立沙龙	앙리 루소	제22회 앙데팡당 전에 참가하도록 예술가들을 이끄는 자유의 여신	1905-06	2018/10/06	2019/01/20
1		Paul Klee	Conquest of the Mountain	保罗·克利	征服高山	파울 클레	산의 정복	1939	2018/10/06	2019/01/20
1	0001	HARADA, Naojiro	Kannon Bodhisattva Riding the Dragon	原田直次郎	骑龙观音	하라다 나오지로	기룡관음	1890	2018/10/06	2019/01/20
1		YOROZU, Tetsugoro	A Cornfield in the Sun	万铁五郎	太阳下的麦田	요로즈 데쓰고로	태양의 보리밭	c.1913	2018/10/06	2019/01/20
1	0020	KISHIDA, Ryusei	Road Cut through a Hill	岸田刘生	道路、土堤和围墙（凿开之路的写生）	기시다 류세이	도로와 제방과 담(언덕길 사생)	1915	2018/10/06	2019/01/20
1	0027	SEKINE, Shoji	Three Stars	关根正二	三星	세키네 쇼지	삼성	1919	2018/10/06	2019/01/20
1	0029	NAKAMURA, Tsune	Portrait of Vasilii Yaroshenko	中村彝	爱罗先珂先生的肖像	나카무라 쓰네	예로센코의 초상	1920	2018/10/06	2019/01/20
1	0039	SAEKI, Yuzo	Gas Lamp and Advertisements	佐伯祐三	煤气灯和广告	사에키 유조	가스등과 광고	1927	2018/10/06	2019/01/20
1	0040	KOGA, Harue	Sea	古贺春江	海	고가 하루에	바다	1929	2018/10/06	2019/01/20
1		MATSUMOTO, Shunsuke	Black Flowers	松本竣介	黑色的花	마쓰모토 슌스케	검은 꽃	1940	2018/10/06	2019/01/20
1		AI-MITSU	Self-Portrait	叆光	自画像	아이미쓰	자화상	1944	2018/10/06	2019/01/20
2		KIKUCHI, Keigetsu	Dragonflies	菊池契月	铁浆蜻蜓	기쿠치 게이게쓰	검물잠자리	1913	2018/10/06	2018/11/25
2		KONOSHIMA, Okoku	Wintry Shower	木岛樱谷	阵雨	고노시마 오코쿠	소낙비	1907	2018/11/27	2019/01/20
2	0004	WADA, Sanzo	South Wind	和田三造	南风	와다 산조	남풍	1907	2018/10/06	2019/01/20
2		NAKAGAWA, Hachiro	Winter of the Northern District	中川八郎	北国之冬	나카가와 하치로	북방의 겨울	1908	2018/10/06	2019/01/20
2	0010	NAKAZAWA, Hiromitsu	Reminiscences	中泽弘光	回忆	나카자와 히로미쓰	추억	1909	2018/10/06	2019/01/20
2	0012	OGIWARA, Morie	Woman	荻原守卫	女子	오기와라 모리에	여자	1910	2018/10/06	2019/01/20
2		KOSUGI, Hoan (Misei)	Waterside Village	小杉放菴（未醒）	水乡	고스기 호안 (미세이)	수향	1911	2018/10/06	2019/01/20
2	0014	FUJISHIMA, Takeji	Half Dreaming	藤岛武二	似梦非梦	후지시마 다케지	비몽사몽	1913	2018/10/06	2019/01/20
3		YASUI, Sotaro	House in Spring	安井曾太郎	房屋在春天	야스이 소타로	봄철 집	1911	2018/10/06	2019/01/20
3	0051	YASUI, Sotaro	Oirase Stream	安井曾太郎	奥入濑的溪流	야스이 소타로	오이라세 계류	1933	2018/10/06	2019/01/20
3		UMEHARA, Ryuzaburo	Gold Necklace	梅原龙三郎	黄金首饰	우메하라 류자부로	황금 목걸이	1913	2018/10/06	2019/01/20
3		UMEHARA, Ryuzaburo	Chang An Streets, Beijing	梅原龙三郎	长安街	우메하라 류자부로	장안가	1940	2018/10/06	2019/01/20
3		SAKAMOTO, Hanjiro	A Horse	坂本繁二郎	马	사카모토 한지로	말	1916	2018/10/06	2019/01/20
3		SAKAMOTO, Hanjiro	Two Horses (Study for Mural)	坂本繁二郎	壁画草图	사카모토 한지로	벽화의 밑그림	1944	2018/10/06	2019/01/20
3		KOIDE, Narashige	Boy with a Toy Trumpet	小出楢重	持喇叭的少年	고이데 나라시게	나팔을 든 소년	1923	2018/10/06	2019/01/20
3	0046	KOIDE, Narashige	Nude on White Cloth	小出楢重	裸女和白布	고이데 나라시게	나부와 흰 천	1929	2018/10/06	2019/01/20
3		SUDA, Kunitaro	Vegetables	须田国太郎	蔬菜	스다 구니타로	야채	1932	2018/10/06	2019/01/20
3		SUDA, Kunitaro	Kubohachiman Shrine	须田国太郎	窪八幡	스다 구니타로	구보하치만 신사	1955	2018/10/06	2019/01/20
3	0025	TAKAMURA, Kotaro	Hand	高村光太郎	手	다카무라 고타로	손	c.1918	2018/10/06	2019/01/20
3		TAKAMURA, Kotaro	Catfish	高村光太郎	鲶	다카무라 고타로	메기	1926	2018/10/06	2019/01/20
4		ISHII, Hakutei	Kiba, Tokyo	石井柏亭	贮木场	이시이 하쿠테이	기바 저목장	1914	2018/10/06	2018/11/25
4		HASHIGUCHI, Goyo	Bathing	桥口五叶	浴场女子（浴）	하시구치 고요	욕실의 여인(목욕)	1915	2018/10/06	2018/11/25
4		HIROSHIMA, Koho(Shintaro)	Anchored Saiboat	广岛晃甫（新太郎）	泊船	히로시마 고호(신타로)	정박선	1916	2018/10/06	2018/11/25
4		ITO, Shinsui	Dredgers	伊东深水	挖泥船	이토 신스이	준설선	1917	2018/10/06	2018/11/25
4		YAMAMOTO, Kanae	A Small Bay in Brittany (Child by the Water)	山本鼎	布列塔尼的海湾（水边的孩子）	야마모토 가나에	브르타뉴의 만(물가의 아이)	1917	2018/10/06	2018/11/25
4		YAMAMOTO, Kanae	Breton Woman	山本鼎	布列塔尼妇女	야마모토 가나에	브르타뉴 여인	1920	2018/10/06	2018/11/25
4		KASAMATSU, Shiro	Sunset	笠松紫浪	落日	가사마쓰 시로	석양	1919	2018/10/06	2018/11/25
4		KAWASE, Hasui	Ferry at Yaguchi on a Cloudy Day	川濑巴水	阴天的矢口	가와세 하스이	흐린 날의 야구치	1919	2018/10/06	2018/11/25
4		KAWASE, Hasui	Tagonoura Bridge	川濑巴水	田子浦桥	가와세 하스이	다고노우라 다리	1930	2018/10/06	2018/11/25
4		YAMAMURA, Toyonari (Koka)	Morita Kanya XIII as Jean Valjean from Famous Kabuki Actors	山村丰成（耕花）	《梨园之华》 十三世守田勘弥饰冉阿让	야마무라 도요나리(고카)	《가부키의 명배우》 중, 장 발장으로 분한 모리타 간야 13세	1921	2018/10/06	2018/11/25
4		FUKAZAWA, Sakuichi	Still Life on the Table	深泽索一	桌上静物	후카자와 사쿠이치	탁상의 정물	1922	2018/10/06	2018/11/25
4		YOROZU, Tetsugoro	Woman with Cloth	万铁五郎	披纱的人	요로즈 데쓰고로	천을 뒤집어쓴 사람	1924	2018/10/06	2018/11/25
4		FUJIMORI, Shizuo	Hill	藤森静雄	丘	후지모리 시즈오	언덕	1925	2018/10/06	2018/11/25
4		NATORI, Shunsen	Ichikawa Sadanji II as Priest Narukami, from Portraits by Shunsen	名取春仙	《春仙似颜集》 二市川左团次 鸣神上人	나토리 슌센	《슌센의 초상화집》 중, 승려 나루카미로 분한 이치카와 사단지 2세	1925/29	2018/10/06	2018/11/25
4		ONCHI, Koshiro	Light Time	恩地孝四郎	明亮的时刻	온치 고시로	밝을 때	1915	2018/11/27	2019/01/20
4		ONCHI, Koshiro	Human Body	恩地孝四郎	人体	온치 고시로	인체	1924	2018/11/27	2019/01/20
4		NAGASE, Yoshiro	Landscape	永濑义郎	风景	나가세 요시로	풍경	1916	2018/11/27	2019/01/20
4		YAMAMOTO, Kanae	Breton Inlet (Child on the Waterside)	山本鼎	布列塔尼的海湾（水边的孩子）	야마모토 가나에	브르타뉴의 만(물가의 아이)	1917	2018/11/27	2019/01/20
4		KASAMATSU, Shiro	Cirrocumuli (On the Far Bank of the Ayase River)	笠松紫浪	卷积云（绫濑川对岸）	가사마쓰 시로	비늘구름(아야세 강의 건너편)	1919	2018/11/27	2019/01/20
4		KAWASE, Hasui	Lake Tsutanuma, Mutsu from Scenes from Travels I	川濑巴水	《旅行特产 第一集》 陆奥 茑沼	가와세 하스이	《여행 기념 제1집》 중, 무쓰의 쓰타누마 호수	1919	2018/11/27	2019/01/20
4		KAWASE, Hasui	Kude Beach, Wakasa from Scenes from Travels I	川濑巴水	《旅行特产 第一集》 陆奥 茑沼	가와세 하스이	《여행 기념 제1집》 중, 와카사의 구데 해변	1920	2018/11/27	2019/01/20
4		HASHIGUCHI, Goyo	Inn at a Hotspring	桥口五叶	温泉旅馆	하시구치 고요	온천 여관	1920	2018/11/27	2019/01/20
4		ITO, Shinsui	A Madman on the Roof	伊东深水	屋顶的狂人	이토 신스이	옥상의 광인	1921	2018/11/27	2019/01/20
4		YAMAMURA, Toyonari (Koka)	Morita Kanya XIII as Jean Valjean from Famous Kabuki Actors	山村丰成（耕花）	《梨园之华》 十三世守田勘弥饰冉阿让	야마무라 도요나리(고카)	《가부키의 명배우》 중, 장 발장으로 분한 모리타 간야 13세	1921	2018/11/27	2019/01/20
4		YOROZU, Tetsugoro	Lying Person	万铁五郎	躺着的人	요로즈 데쓰고로	자는 사람	1923	2018/11/27	2019/01/20
4		FUKAZAWA, Sakuichi	Road Leading Towards the Hill	深泽索一	去向山丘的路	후카자와 사쿠이치	언덕을 향해 뻗은 길	1925	2018/11/27	2019/01/20
4		HIRAKAWA, Seizo	Wrasses	平川清藏	隆头鱼	히라카와 세이조	놀래기	c.1927	2018/11/27	2019/01/20
4		NATORI, Shunsen	Matsumoto Koshiro VII as Ikyu the Beaded, from Portraits by Shunsen	名取春仙	《春仙似颜集》 七市松本幸四郎 胡子意休	나토리 슌센	《슌센의 초상화집》 중, 수염난 이큐로 분한 마쓰모토 고시로 7세	1929	2018/11/27	2019/01/20
5		AI-MITSU	Lion	叆光	狮子	아이미쓰	사자	1936	2018/10/06	2019/01/20
5		AI-MITSU	Butterfly	叆光	蝶	아이미쓰	나비	1942	2018/10/06	2019/01/20
5		KITAWAKI, Noboru	Perishing in the Sky	北胁升	空中诀别	기타와키 노보루	하늘 위의 결별	1937	2018/10/06	2019/01/20
5		KITAWAKI, Noboru	Beautiful Cocoons	北胁升	美丽的茧	기타와키 노보루	아름다운 고치	1938	2018/10/06	2019/01/20
5		SUGIMATA, Tadashi	Rut	杉全直	辙	스기마타 다다시	바퀴 자국	1938	2018/10/06	2019/01/20
5		YONEKURA, Hisahito	Catastrophe (The Day of Annihilation)	米仓寿仁	破局（寂灭之日)	요네쿠라 히사히토	파국(적멸의 날)	1939	2018/10/06	2019/01/20
5		WADA, Sanzo	Mandara for Rousing Asians	和田三造	兴亚曼荼罗	와다 산조	흥아 만다라	1940	2018/10/06	2019/01/20
5		SUDA, Kunitaro	Walking Eagle	须田国太郎	行走的鹫	스다 구니타로	걷는 독수리	1940	2018/10/06	2019/01/20
5		ITO, Kyuzaburo	Swallows	伊藤久三郎	燕	이토 규자부로	제비	1940	2018/10/06	2019/01/20
5		ASO, Saburo	Birds	麻生三郎	鸟	아소 사부로	새	1940	2018/10/06	2019/01/20
5		INOKUMA, Gen’ichiro	Railroad Construction in a Certain Area	猪熊弦一郎	○○方向的铁道建设	이노쿠마 겐이치로	○○방면 철도 건설	1944	2018/10/06	2019/01/20
5		ASAKURA, Fumio	Looking Up	朝仓文夫	仰视	아사쿠라 후미오	올려다보다	1944	2018/10/06	2019/01/20
6		NODA, Kyuho	Religious Persecution at Matsubagayatsu	野田九浦	松叶谷的法难	노다 규호	마쓰바가야쓰의 법난	1942	2018/10/06	2018/11/25
6		NAGANO, Sofu	Fierce Eagle	长野草风	雄鹰	나가노 소후	용맹한 독수리	1942	2018/10/06	2018/11/25
6		HASHIMOTO, Eiho	Precincts of a Shrine	桥本永邦	神社内	하시모토 에이호	신사의 경내	1942	2018/10/06	2018/11/25
6		YAMAMOTO, Ogetsu	Mt. Fuji in an Auspicious Dawn	山元樱月	灵峰瑞色	야마모토 오게쓰	상서로운 빛으로 물든 후지산	1942	2018/10/06	2018/11/25
6		HIROSHIMA, Koho(Shintaro)	National Flower in an Auspicious Dawn	广岛晃甫（新太郎）	国光瑞色	히로시마 고호(신타로)	상서로운 빛으로 물든 국화	1942	2018/10/06	2018/11/25
6		DOMOTO, Insho	Japanese Morning-Glories	堂本印象	朝颜花	도모토 인쇼	나팔꽃	1942	2018/10/06	2018/11/25
6		TAKEDA, Koyo	Cherry Blossoms	武田鼓叶	樱	다케다 고요	벚꽃	1942	2018/10/06	2018/11/25
6		HATAKEYAMA, Kinsei	Irises	畠山锦成	菖蒲	하타케야마 긴세이	창포	1942	2018/10/06	2018/11/25
6		NAKAMURA, Daizaburo	Spring Rain	中村大三郎	春雨	나카무라 다이자부로	봄비	1942	2018/10/06	2018/11/25
6		KODAMA, Kibo	Warrior Reciting a Poem under Cherry Blossoms	儿玉希望	花下吟咏	고다마 기보	꽃 아래에서 시를 읊다	1942	2018/10/06	2018/11/25
6		MITANI, Toshiko	Spring Passing Away	三谷十糸子	惜春	미타니 도시코	가는 봄을 아쉬워하다	1942	2018/10/06	2018/11/25
6		KIKUCHI, Takashi	A Pair of Carps	菊池隆志	双鲤	기쿠치 다카시	잉어 한 쌍	1942	2018/10/06	2018/11/25
6		YAMAGUCHI, Kayo	Ground Crew in Action at Seaplane Base	山口华杨	基地的整备工作	야마구치 가요	기지의 정비 작업	1943	2018/10/06	2018/11/25
6		KAWABATA, Ryushi	Japanese Fleet Departing Hainan Island	川端龙子	输送船队从海南岛出发	가와바타 류시	하이난섬에서 출발하는 수송선	c.1944	2018/10/06	2018/11/25
6		YOKOYAMA, Taikan	Spring Sea	横山大观	春风万里乃涛	요코야마 다이칸	봄바람 부는 바다	1942	2018/11/27	2019/01/20
6		SHODA, Kakuyu	National Flower	庄田鹤友	国花	쇼다 가쿠유	국화	1942	2018/11/27	2019/01/20
6		KOYAMA, Eitatsu	Kimura Shigenari Departing for the Front	小山荣达	木村长门出阵	고야마 에이타쓰	기무라 시게나리의 출진	1942	2018/11/27	2019/01/20
6		UENAKA, Chokusai	Lady Kimura Shigenari	植中直斋	重成夫人	우에나카 조쿠사이	시게나리 부인	1942	2018/11/27	2019/01/20
6		IMANAKA, Soyu	Turtledoves	今中素友	斑鸠	이마나카 소유	산비둘기	1942	2018/11/27	2019/01/20
6		NAGATA, Shunsui	Hawk	永田春水	灵鹰	나가타 슌스이	신성한 매	1942	2018/11/27	2019/01/20
6		FUKUDA, Heihachiro	Plum Blossoms	福田平八郎	白梅	후쿠다 헤이하치로	흰 매화	1942	2018/11/27	2019/01/20
6		TANAKA, Tossaishu	National Flower	田中咄哉州	国花	다나카 돗사이슈	국화	1942	2018/11/27	2019/01/20
6		MATSUMOTO, Ichiyo	Aiming at the Targets	松本一洋	必中	마쓰모토 이치요	필중	1942	2018/11/27	2019/01/20
6		IKEDA, Yoson	Landscape with Omi Shrine	池田遥邨	近江神宫	이케다 요손	오미 신궁	1942	2018/11/27	2019/01/20
6		KATSUDA, Tetsu	Rain	胜田哲	雨	가쓰다 데쓰	비	1942	2018/11/27	2019/01/20
6		MIWA, Chosei	Sweet-Flags	三轮晁势	花菖蒲	미와 조세이	꽃창포	1942	2018/11/27	2019/01/20
6		KAWABATA, Ryushi	Capture of Luoyang	川端龙子	攻略洛阳	가와바타 류시	낙양 공략	1944	2018/11/27	2019/01/20
6		IBARAKI, Sampu	Submarines Setting Out on a Sortie	茨木衫风	潜水艇出击	이바라키 산푸	잠수함의 출격	1942	2018/11/27	2019/01/20
7		HIGASHIYAMA, Kaii	1/6 Study for Dawn Tide	东山魁夷	为《黎明的潮》而作的中草图1/6	히가시야마 가이이	《새벽녘의 조류》를 위한 밑그림 1/6	1968	2018/10/06	2019/01/20
7		KAWASHIMA, Takeshi	1968-N.Y.203	川岛猛	1968-N.Y.203	가와시마 다케시	1968-N.Y.203	1968	2018/10/06	2019/01/20
7		MIYAWAKI, Aiko	Work	宫胁爱子	作品	미야와키 아이코	작품	1968	2018/10/06	2019/01/20
7		KOJIMA, Nobuaki	Boxer	小岛信明	拳击选手	고지마 노부아키	복서	1968	2018/10/06	2019/01/20
7		NAKANISHI, Natsuyuki	Compact Object: Sinking Scissors	中西夏之	小型作品　沉没的剪刀	나카니시 나쓰유키	콤팩트 오브제: 가라앉는 가위	1968	2018/10/06	2019/01/20
7		KOMAI, Tetsuro	Still Life	驹井哲郎	静物	고마이 데쓰로	정물	1968	2018/10/06	2019/01/20
7		YOSHIHARA, Hideo	Seesaw I	吉原英雄	跷跷板 I	요시하라 히데오	시소 I	1968	2018/10/06	2019/01/20
7		NODA, Tetsuya	Diary: August 22nd ’68	野田哲也	日记：68年8月22日	노다 데쓰야	일기: 68년 8월 22일	1968	2018/10/06	2019/01/20
7		HERGÉ (Georges Remi)	No.43 from A Series of Ten Dessins	埃尔热（乔治·勒米）	《714航班》之No.43	에르제(조르주 레미)	《시드니행 714편》 중, No.43	1968/81	2018/10/06	2019/01/20
7		Bruce Nauman	Wall-Floor Positions	布鲁斯·瑙曼	墙与地板间的姿势	브루스 나우먼	벽과 바닥에서의 자세	1968	2018/10/06	2019/01/20
8		KAWARA, On	July 15, 1970	河原温	July 15, 1970	가와라 온	July 15, 1970	1970	2018/10/06	2019/01/20
8		Ufan Lee	From Line	李禹焕	始于线	이우환	선으로부터	1977	2018/10/06	2019/01/20
8		NODA, Tetsuya	Diary: August 19, 1976	野口哲也	日记：1976年8月19日	노다 데쓰야	일기: 1976년 8월 19일	1977	2018/10/06	2019/01/20
8		Hanne Darboven	World Theater 79	汉纳·道波温	世界剧场 79	하네 다르보펜	세계극장 79	1979	2018/10/06	2019/01/20
8		KAWAGUCHI, Tatsuo	Relation-Quality	河口龙夫	关系—质	가와구치 다쓰오	관계-질	1979	2018/10/06	2019/01/20
8		KAWAGUCHI, Tatsuo	COSMOS-Cygnus	河口龙夫	COSMOS-Cygnus（天鹅座）	가와구치 다쓰오	COSMOS-Cygnus(백조자리)	1974	2018/10/06	2019/01/20
8		KAWAGUCHI, Tatsuo	COSMOS-Lira	河口龙夫	COSMOS-Lira（天琴座）	가와구치 다쓰오	COSMOS-Lira(거문고자리)	1974	2018/10/06	2019/01/20
8		YAMANAKA, Nobuo	Manhattan in Pinhole (19)	山中信夫	曼哈顿的太阳 (19)	야마나카 노부오	맨해튼의 태양 (19)	1980	2018/10/06	2019/01/20
8		YAMANAKA, Nobuo	Manhattan in Pinhole (22)	山中信夫	曼哈顿的太阳 (22)	야마나카 노부오	맨해튼의 태양 (22)	1980	2018/10/06	2019/01/20
8		YAMANAKA, Nobuo	Manhattan in Pinhole (32)	山中信夫	曼哈顿的太阳 (32)	야마나카 노부오	맨해튼의 태양 (32)	1980	2018/10/06	2019/01/20
8		YAMANAKA, Nobuo	Manhattan in Pinhole (38)	山中信夫	曼哈顿的太阳 (38)	야마나카 노부오	맨해튼의 태양 (38)	1980	2018/10/06	2019/01/20
8		Lynda Benglis	Now	琳达·本格里斯	Now	린다 벵글리스	지금	1973	2018/10/06	2019/01/20
9		KITAI, Kazuo	Country Road, Ishinomaki-shi, Miyagi from Villages	北井一夫	《去乡下》 村路 宫城县石卷市	기타이 가즈오	《마을로》 중, 미야기현 이시노마키시의 시골길	1973	2018/10/06	2019/01/20
9		KITAI, Kazuo	Packhorse Driver, Ishinomaki-shi, Miyagi from Villages	北井一夫	《去乡下》 运货马夫 宫城县石卷市	기타이 가즈오	《마을로》 중, 미야기현 이시노마키시의 마바리꾼	1973	2018/10/06	2019/01/20
9		KITAI, Kazuo	Night, Ishinomaki-shi, Miyagi from Villages	北井一夫	《去乡下》 夜 宫城县石卷市	기타이 가즈오	《마을로》 중, 미야기현 이시노마키시의 밤	1973	2018/10/06	2019/01/20
9		KITAI, Kazuo	Cart, Sawauchi-mura, Iwate from Villages	北井一夫	《去乡下》 人力板车 岩手县泽内村	기타이 가즈오	《마을로》 중, 이와테현 사와우치무라의 리어카	1973	2018/10/06	2019/01/20
9		KITAI, Kazuo	Hot Springs, Magoroku-yu, Akita from Villages	北井一夫	《去乡下》 疗养温泉 秋田县孙六汤	기타이 가즈오	《마을로》 중, 아키타현 마고로쿠유의 요양 온천장	1973	2018/10/06	2019/01/20
9		KITAI, Kazuo	Seaside, Ishinomaki-shi, Miyagi from Villages	北井一夫	《去乡下》 海边 宫城县石卷市	기타이 가즈오	《마을로》 중, 미야기현 이시노마키시의 해변	1973	2018/10/06	2019/01/20
9		KITAI, Kazuo	Wedding, Kume-cho, Okayama from Villages	北井一夫	《去乡下》 出嫁 冈山县久米町	기타이 가즈오	《마을로》 중, 오카야마현 구메초의 혼례	1974	2018/10/06	2019/01/20
9		KITAI, Kazuo	In the Snow, Yuzawa-shi, Akita from Villages	北井一夫	《去乡下》 雪中 秋田县汤泽市	기타이 가즈오	《마을로》 중, 아키타현 유자와시의 눈 속에서	1974	2018/10/06	2019/01/20
9		KITAI, Kazuo	Kamakura (hut made of snow) Yokote-shi, Akita from Villages	北井一夫	《去乡下》 雪屋 秋田县横手市	기타이 가즈오	《마을로》 중, 아키타현 요코테시의 눈집	1974	2018/10/06	2019/01/20
9		KITAI, Kazuo	Bon Festival, Kume-cho, Okayama from Villages	北井一夫	《去乡下》 盂兰盆节 冈山县久米町	기타이 가즈오	《마을로》 중, 오카야마현 구메초의 오본 행사	1974	2018/10/06	2019/01/20
9		KITAI, Kazuo	Funeral, Kizukuri-machi, Aomori from Villages	北井一夫	《去乡下》 葬礼 青森县木造町	기타이 가즈오	《마을로》 중, 아오모리현 기즈쿠리마치의 장례식	1974	2018/10/06	2019/01/20
9		KITAI, Kazuo	Mulberry Field, Ogo-machi, Gunma from Villages	北井一夫	《去乡下》 桑田 群马县大胡町	기타이 가즈오	《마을로》 중, 군마현 오고마치의 뽕나무밭	1975	2018/10/06	2019/01/20
9		KITAI, Kazuo	Ejiko (basket like cradle), Ani-machi, Akita from Villages	北井一夫	《去乡下》 婴儿篮 秋田县阿仁町	기타이 가즈오	《마을로》 중, 아키타현 아니마치의 요람	1975	2018/10/06	2019/01/20
9		KITAI, Kazuo	Woodenware Craftsman, Yaheishiro, Fukushima from Villages	北井一夫	《去乡下》 木匠 福岛县弥平四郎	기타이 가즈오	《마을로》 중, 후쿠시마현 야헤이시로의 갈이장이	1975	2018/10/06	2019/01/20
9		KITAI, Kazuo	Woodenware Craftsman, Yaheishiro, Fukushima from Villages	北井一夫	《去乡下》 木匠 福岛县弥平四郎	기타이 가즈오	《마을로》 중, 후쿠시마현 야헤이시로의 갈이장이	1975	2018/10/06	2019/01/20
9		KITAI, Kazuo	Market, Naha-shi, Okinawa from Villages	北井一夫	《去乡下》 市场 冲绳县那霸市	기타이 가즈오	《마을로》 중, 오키나와현 나하시의 시장	1975	2018/10/06	2019/01/20
9		KITAI, Kazuo	Market, Naha-shi, Okinawa from Villages	北井一夫	《去乡下》 市场 冲绳县那霸市	기타이 가즈오	《마을로》 중, 오키나와현 나하시의 시장	1975	2018/10/06	2019/01/20
9		KITAI, Kazuo	Hot Springs, Goshogake-onsen, Akita from Villages	北井一夫	《去乡下》 疗养温泉 秋田县后生挂温泉	기타이 가즈오	《마을로》 중, 아키타현 고쇼가케온천의 요양 온천장	1975	2018/10/06	2019/01/20
10		HADA, Teruo	A Scene in Café	秦辉男	咖啡馆一景	하다 데루오	카페 풍경	1915	2018/10/06	2018/11/25
10		Various Artists	Famous Views in Tokyo	各种艺术家	东都名所	다양한 아티스트	도쿄 명소	1922/25	2018/10/06	2018/11/25
10		KONO, Michisei	Screen Depicting Customs of New Tokyo	河野通势	新东京风俗图屏风	고노 미치세이	신 도쿄 풍속도 병풍	1925	2018/10/06	2018/11/25
10	0048	KABURAKI, Kiyokata	Portrait of San’yutei Encho	镝木清方	三游亭圆朝像	가부라키 기요카타	산유테이 엔초 초상	1930	2018/10/06	2018/11/25
10	0056	KABURAKI, Kiyokata	Sardine Pedlar	镝木清方	沙丁鱼	가부라키 기요카타	정어리	1937	2018/10/06	2018/11/25
10		TAKEUCHI, Seiho	The Imperial Palace Clad in Verdure	竹内栖凤	禁城翠色	다케우치 세이호	비취빛 궁성	1931	2018/10/06	2018/11/25
10		KAWABATA, Ryushi	Song of Newly Green Trees	川端龙子	新树之曲	가와바타 류시	신록의 노래	1932	2018/10/06	2018/11/25
10		YAMAMOTO, Kyujin	Portrait of Fukuhara Aiko	山本丘人	福原爱子像	야마모토 규진	후쿠하라 아이코 초상	1933	2018/10/06	2018/11/25
10		YAMAMOTO, Kyujin	Camellia and a White Barbary Dove	山本丘人	乙女椿（银鸽）	야마모토 규진	동백나무(은비둘기)	1935	2018/10/06	2018/11/25
10		YAMAMOTO, Kyujin	Landscape of Shikinejima	山本丘人	式根岛风景	야마모토 규진	시키네지마 섬 풍경	1935	2018/10/06	2018/11/25
10		YAMAMOTO, Kyujin	Landscape of Oshima (Red Plum Blossoms)	山本丘人	大岛风景（红梅）	야마모토 규진	오시마 섬 풍경(홍매화)	1935	2018/10/06	2018/11/25
10		YAMAMOTO, Kyujin	Landscape of Hatsushima	山本丘人	初岛风景	야마모토 규진	하쓰시마 섬 풍경	1935	2018/10/06	2018/11/25
10	0058	OGURA, Yuki	After Bathing	小仓游龟	浴女 其二	오구라 유키	목욕하는 여인 그 두 번째	1939	2018/10/06	2018/11/25
10		ITO, Shinsui	Incense Party	伊东深水	闻香	이토 신스이	향을 맡다	1950	2018/10/06	2018/11/25
10		KAYAMA, Matazo	Tokyo 1984	加山又造	一九八四·东京	가야마 마타조	1984 도쿄	1984	2018/10/06	2018/11/25
10		KAYAMA, Matazo	Moon and Rhinoceros	加山又造	月与犀牛	가야마 마타조	달과 코뿔소	1953	2018/10/06	2018/11/25
10		KAYAMA, Matazo	Pathetic Deer	加山又造	哀愁的鹿	가야마 마타조	슬픈 사슴	1954	2018/10/06	2018/11/25
10	0070	YOKOYAMA, Misao	Tower	横山操	塔	요코야마 미사오	탑	1957	2018/10/06	2018/11/25
10		YOKOYAMA, Misao	Wall Street	横山操	华尔街	요코야마 미사오	월가	1962	2018/10/06	2018/11/25
10		YOKOYAMA, Misao	Impression of Karaganda	横山操	卡拉干达印象	요코야마 미사오	카라간다의 인상	1950	2018/10/06	2019/01/20
10		YOKOYAMA, Misao	United Nations Headquarters	横山操	联合国总部	요코야마 미사오	UN 빌딩	1961	2018/10/06	2018/11/25
10		YOKOYAMA, Misao	East River	横山操	东河	요코야마 미사오	이스트 리버	1961	2018/10/06	2018/11/25
10		YOKOYAMA, Misao	Los Angeles Street	横山操	洛杉矶街	요코야마 미사오	로스앤젤레스 거리	1961	2018/10/06	2018/11/25
10		YOKOYAMA, Misao	Aliso Street, Los Angeles	横山操	阿利索街，洛杉矶	요코야마 미사오	로스엔젤레스, 알리소 거리	1961	2018/10/06	2018/11/25
10		YOKOYAMA, Misao	Expressway	横山操	高速公路	요코야마 미사오	하이웨이	1961	2018/10/06	2018/11/25
10			Yokoyama Misao. “The USA as Seen by Me—the Visual/Tactile World.” Geijutsu Shincho vol. 12 no. 8 (August 1961)		横山操《视觉、触觉的世界－我眼中的美国－》《艺术新潮》第12卷第8号 （1961年8月）		요코야마 미사오 「시각적·촉각적 세계-내가 본 미국-」 『예술신조』 제12권 제8호 (1961년 8월)		2018/10/06	2019/01/20
10			Yokoyama, Misao. “Sketches of the USA.” Sansai 141 (August 1961)		横山操《美国素描》 《三彩》141 （1961年8月）		요코야마 미사오 「미국 스케치」 『삼채』 141 (1961년 8월)		2018/10/06	2019/01/20
10			“The Painters  Yokoyama Misao and Kayama Matazo Competing in Paintings for Folding Screens.” Sansai 207 (November 1966)		《竞画屏风绘的横山操、加山又造》 《三彩》207 （1966年11月）		「다투어 병풍 그림을 제작하는 요코야마 미사오·가야마 마타조 화백」 『삼채』 207 (1966년 11월)		2018/10/06	2019/01/20
10			Yokoyama Misao and Kayama Matazo. “Suiboku-ga (Indian ink painting), Our Final Aim—Arbitrary Suiboku.” Geijutsu Shincho vol. 21 no. 2 (February 1970)		横山操、加山又造“我们的水墨画才是终极的”系列之《独断的水墨》 《艺术新潮》 第21卷第2号 （1970年2月）		요코야마 미사오·가야마 마타조 「독단하는 수묵」 <우리의 수묵화야말로 궁극> 『예술신조』 제21권 제2호 (1970년 2월)		2018/10/06	2019/01/20
10			Kayama Matazo. “My Wise Brother Yokoyama Misao Passes Away—In Memory of Yokoyama Misao.” Geijutsu Shincho vol. 24 no. 5 (May 1973)		加山又造《追悼横山操 贤兄横山操逝世》 《艺术新潮》第24卷第5号 （1973年5月）		가야마 마타조 「추도 요코야마 미사오·현형 요코야마 미사오가 떠나다」 『예술신조』 제24권 제5호 (1973년 5월)		2018/10/06	2019/01/20
10		OMODA, Seiju	Camellia	小茂田青树	茶花	오모다 세이주	동백	c.1919	2018/11/27	2019/01/20
10		OMODA, Seiju	A Scene in Matsue	小茂田青树	松江风景	오모다 세이주	마쓰에 풍경	1920	2018/11/27	2019/01/20
10		OMODA, Seiju	The Port of Ezumi in Izumo	小茂田青树	出云江角港	오모다 세이주	이즈모의 에즈미 항구	1921	2018/11/27	2019/01/20
10		HAYAMI, Gyoshu	Green Grapes and Tea Bowl	速水御舟	白葡萄与茶碗	하야미 교슈	청포도와 찻잔	1920	2018/11/27	2019/01/20
10	0030	HAYAMI, Gyoshu	Tea Bowl and Fruit	速水御舟	茶碗与果实	하야미 교슈	찻잔과 과실	1921	2018/11/27	2019/01/20
10		HAYAMI, Gyoshu	Colonnade on the Hill	速水御舟	山丘上的树	하야미 교슈	언덕의 가로수	1922	2018/11/27	2019/01/20
10		HAYAMI, Gyoshu	Camellias	速水御舟	山茶花	하야미 교슈	동백	1923	2018/11/27	2019/01/20
10	0033	HAYAMI, Gyoshu	Gate (Residence of the Village Head)	速水御舟	门（村长的家）	하야미 교슈	문(촌장의 집)	1924	2018/11/27	2019/01/20
10		TOMITORI, Fudo	Still Life	富取风堂	静物	도미토리 후도	정물	1921	2018/11/27	2019/01/20
10		TOKUOKA, Shinsen	Camellias	德冈神泉	茶花	도쿠오카 신센	동백	c.1922	2018/11/27	2019/01/20
10		ISHIYAMA, Taihaku	Small Shrine of Amanuma at Dusk	石山太柏	黄昏的天沼弁天	이시야마 다이하쿠	저물녘의 아마누마벤텐 사당	1921-26	2018/11/27	2019/01/20
10		FUSEN, Tetsu	Seaside Village	不染铁	海村	후센 데쓰	바닷가 마을	1923	2018/11/27	2019/01/20
10		FUKUDA, Toyoshiro	Autumn Arrives in My Home Village	福田丰四郎	故山新秋	후쿠다 도요시로	고향의 산에 다가온 가을	1926	2018/11/27	2019/01/20
10		TSUBAKI, Sadao	Winter Road	椿贞雄	冬枯之道	쓰바키 사다오	겨울 길	1916	2018/11/27	2019/01/20
10		KISHIDA, Ryusei	Turnip	岸田刘生	芜菁图	기시다 류세이	순무	1925	2018/11/27	2019/01/20
10		KOITO, Gentaro	Poppies	小丝源太郎	婵娟	고이토 겐타로	선연	1937	2018/11/27	2019/01/20
10		HAYAMI, Gyoshu	Scroll of Sketches (Fishes)	速水御舟	写生图卷（鲽鱼·虾虎鱼·沙钻鱼等）	하야미 교슈	사생도 두루마리(가자미・모래무지・보리멸 etc.)	1925	2018/11/27	2019/01/20
10		HAYAMI, Gyoshu	Scroll of Sketches (Winter Peonies)	速水御舟	寒牡丹写生图卷	하야미 교슈	겨울 모란 사생도 두루마리	1926	2018/11/27	2019/01/20
10		HAYAMI, Gyoshu	Scroll of Sketches (Pigeons and Sparrows in Winter)	速水御舟	写生图卷《寒鸠寒雀》	하야미 교슈	사생도 두루마리 《겨울의 비둘기와 참새》	1927	2018/11/27	2019/01/20
10		KAYAMA, Matazo	Frozen Fall	加山又造	冻瀑	가야마 마타조	언 폭포	1964	2018/11/27	2019/01/20
10		KAYAMA, Matazo	Snowy Landscape in the Northern Song Manner	加山又造	仿北宋雪景水墨山水	가야마 마타조	북송 양식으로 그린 설경 수묵 산수	1991	2018/11/27	2019/01/20
10		YOKOYAMA, Misao	Homeland	横山操	故乡	요코야마 미사오	고향	1965	2018/11/27	2019/01/20
10		YOKOYAMA, Misao	Mt.Fuji Viewed from Oshino	横山操	忍野富士	요코야마 미사오	오시노에서 바라본 후지산	1965	2018/11/27	2019/01/20
10		YOKOYAMA, Misao	Mt.Fuji Covered with Snow	横山操	清雪富士	요코야마 미사오	눈 덮인 후지산	c.1966	2018/11/27	2019/01/20
10		YOKOYAMA, Misao	The Great Wall	横山操	万里长城	요코야마 미사오	만리장성	1966	2018/11/27	2019/01/20
10		YOKOYAMA, Misao	Last Work	横山操	绝笔	요코야마 미사오	절필	1973	2018/11/27	2019/01/20
3F		FUNAKOSHI, Yasutake	Haranojo Castle	舟越保武	原之城	후나코시 야스타케	하라노조 성	1971	2018/10/06	2019/01/20
3F		YANAGIHARA, Yoshitatsu	Crow in the Wind	柳原义达	风中之鸦	야나기하라 요시타쓰	바람 속 까마귀	1982	2018/10/06	2019/01/20
11		MORIYAMA, Daido	Nippon Theater	森山大道	日本剧场	모리야마 다이도	일본 극장	1968(1974 print)	2018/10/06	2019/01/20
11		NAKAHIRA, Takuma	From the series La Nuit	中平卓马	夜	나카히라 다쿠마	밤	c.1969	2018/10/06	2019/01/20
11		NAKAHIRA, Takuma	From the series La Nuit	中平卓马	夜	나카히라 다쿠마	밤	c.1969	2018/10/06	2019/01/20
11		Josef Koudelka	France from Exiles	约瑟夫·寇德卡	《亡命徒们》 法国	조셉 쿠델카	《망명자들》 중, 프랑스	1973(1990 print)	2018/10/06	2019/01/20
11		Josef Koudelka	Spain from Exiles	约瑟夫·寇德卡	《亡命徒们》 西班牙	조셉 쿠델카	《망명자들》 중, 스페인	1971(1990 print)	2018/10/06	2019/01/20
11		Josef Koudelka	France from Exiles	约瑟夫·寇德卡	《亡命徒们》 法国	조셉 쿠델카	《망명자들》 중, 프랑스	1987(1990 print)	2018/10/06	2019/01/20
11		Bolis Mikkailov	From At Dusk	鲍里斯·米哈伊洛夫	出自《黄昏》	보리스 미하일로프	《황혼》 중	1993	2018/10/06	2019/01/20
11		YOKOO, Tadanori	Landscape No.1 Girl	横尾忠则	风景 No.1 女孩	요코오 다다노리	풍경 No.1여자아이	1969	2018/10/06	2019/01/20
11		YOKOO, Tadanori	Landscape No.3 Oyo-san	横尾忠则	风景 NO.3 阿叶	요코오 다다노리	풍경 No.3 오요산	1969	2018/10/06	2019/01/20
11		YOKOO, Tadanori	Landscape No.17 Tattooed Man	横尾忠则	风景 No.17 刺青男人	요코오 다다노리	풍경 No.17 문신한 남자	1969	2018/10/06	2019/01/20
11		WAKABAYASHI, Isamu	Opacity, Low Altitude	若林奋	不透明，低空	와카바야시 이사무	불투명·저공	1969	2018/10/06	2019/01/20
12		Georges Braque	Female Torso	乔治·布拉克	女性胴体	조르주 브라크	여인의 토르소	1910-11	2018/10/06	2019/01/20
12		Jackson Pollock	Untitled [Head with Polygons]	杰克逊·波洛克	无题（有多角形的头部）	잭슨 폴록	무제(다각형이 있는 머리)	c.1938-41	2018/10/06	2019/01/20
12		Kurt Schwitters	Coloured Relief with Plastic “O”	库尔特·施威特斯	有立体“O”的彩色浮雕	쿠르트 슈비터스	입체 “O”가 있는 채색 릴리프	1944-46	2018/10/06	2019/01/20
12		TANAKA, Atsuko	Work 66 – SA	田中敦子	作品 66 – SA	다나카 아쓰코	작품 66 – SA	1966	2018/10/06	2019/01/20
12	0086	Francis Bacon	Sphinx-Portrait of Muriel Belcher	弗朗西斯·培根	斯芬克斯—缪里尔·贝尔彻肖像	프랜시스 베이컨	스핑크스-뮤리엘 벨처의 초상	1979	2018/10/06	2019/01/20
12		Soocheon Jheon	From Beyond the Earth	全寿千	自大地另一侧	전수천	대지의 저편으로부터	1992	2018/10/06	2019/01/20
12		NARA, Yoshitomo	Harmless Kitty	奈良美智	Harmless Kitty	나라 요시토모	Harmless Kitty	1994	2018/10/06	2019/01/20
12		Shooshie Sulaiman	Country (Negara)	苏西·苏莱曼	国（Negara）	슈시 술라이만	나라（Negara）	2012-13	2018/10/06	2019/01/20
12		Bernd & Hilla Becher	Gas Holders — Great Britain, Belgium, France, Germany	伯恩德与希拉·贝歇尔夫妇	储气罐—英国、比利时、法国、德国	베른트&힐라 베허	가스 탱크-영국, 벨기에, 프랑스, 독일	1981	2018/10/06	2019/01/20
12		Richard Serra	Olson	理查德·塞拉	奥尔森	리처드 세라	올슨	1986	2018/10/06	2019/01/20
12		Alexander Calder	The Monster	亚历山大·考尔德	怪物	알렉산더 칼더	몬스터	c.1939	2018/10/06	2019/01/20
12		David Smith	Circle IV	大卫·史密斯	圆 IV	데이비드 스미스	서클 IV	1962	2018/10/06	2019/01/20
12	0085	KUSAMA, Yayoi	A Signpost to Hades	草间弥生	往阴间的路标	구사마 야요이	명계로의 이정표	1976	2018/10/06	2019/01/20
12		YOSHIDA, Katsuro	Cut-off 18	吉田克朗	Cut-off 18	요시다 가쓰로	Cut-off 18	1970	2018/10/06	2019/01/20
12		Robert Rauschenberg	Potato Buds	罗伯特·劳森伯格	Potato Buds	로버트 라우센버그	감자 싹	1971	2018/10/06	2019/01/20
12		NAKAHARA, Kodai	Beads ［exp. 01］	中原浩大	Beads ［exp. 01］	나카하라 고다이	Beads ［exp. 01］	2011	2018/10/06	2019/01/20
12		TAKAMINE, Tadasu	God Bless America	高岭格	God Bless America	다카미네 다다스	God Bless America	2002	2018/10/06	2019/01/20
2F		TANAKA, Koki	A Project, Seven Boxes and Movements at the Museum	田中功起	一个工程、七个盒子和行为、在美术馆	다나카 고키	하나의 프로젝트, 일곱 개의 상자와 행위, 미술관에서	2012	2018/10/06	2019/01/20
2F	0090	Antony Gormley	Reflection	安东尼·戈姆雷	反映/思索	안토니 곰리	반영/사색	2001	2018/10/06	2019/01/20
2F		Julian Opie	Matsuzaki Bay in the Rain from Route 136. From Eight Views of Japan.	朱利安·奥培	《日本八景》 从国道一百三十六号线看雨中的松崎港	줄리언 오피	《일본 팔경》 중, 국도 136호선에서 본 비오는 마쓰자키 항구	2007	2018/10/06	2019/01/20
2F		Julian Opie	Moon Over Manazuru Peninsula. From Eight Views of Japan.	朱利安·奥培	《日本八景》 真鹤半岛上的月亮	줄리언 오피	《일본 팔경》 중, 마나즈루반도 위에 뜬 달	2007	2018/10/06	2019/01/20
2F		Julian Opie	View of Lake Motosu and Mount Fuji from Route 300. From Eight Views of Japan.	朱利安·奥培	《日本八景》 从国道三百号线看本栖湖的富士山	줄리언 오피	《일본 팔경》 중, 국도 300호선에서 본 모토스 호수와 후지산	2007	2018/10/06	2019/01/20
terrace	0084	Isamu Noguchi	Gate	野口勇	门	이사무 노구치	문	1969	2018/10/06	2019/01/20
outside		TADA, Minami	Chiaroscuro	多田美波	Chiaroscuro	다다 미나미	Chiaroscuro	1979	2018/10/06	2019/01/20
outside		Marino Marini	The Idea of an Image	马里诺·马里尼	某个形象的构想	마리노 마리니	어떤 이미지의 구상	1969-70	2018/10/06	2019/01/20
outside		KIMURA, Kentaro	Seven Prayers	木村贤太郎	七个祈祷	기무라 겐타로	일곱 개의 기원	1969	2018/10/06	2019/01/20

Important Cultural Properties on display

The National Museum of Modern Art, Tokyo Collection (main building) contains 15 items that have been designated by the Japanese government as Important Cultural Properties. These include nine Nihon-ga (Japanese-style) paintings, five oil paintings, and one sculpture. (One of the Nihon-ga paintings and one of the oil paintings are on long-term loan to the museum.)

The following Important Cultural Properties are shown in this period:

• Harada Naojiro , Kannon Bodhisattva Riding the Dragon, 1890, Long term loan (Gokokuji Temple Collection)
• Hishida Shunso, Wong Zhaojun [the Chinese princess], 1902, Long term loan (Zenpoji Temple Collection) (Exhibit Date: October 6 – November 25, 2018）
• Wada Sanzo, South Wind , 1907 
• Kishida Ryusei, Road Cut through a Hill , 1915
• Nakamura Tsune, Portrait of Vasilii Yaroshenko, 1920
• Kaburaki Kiyokata, Portrait of San’yutei Encho, 1930 (Exhibit Date: October 6 – November 25, 2018）
• Please visit the Important Cultural Property section Masterpieces for more information about the pieces.

About the Sections

MOMAT Collection comprises twelve（or thirteen）rooms and two spaces for relaxation on three floors. In addition, sculptures are shown near the terrace on the second floor and in the front yard. The light blue areas in the cross section above make up MOMAT Collection. The space for relaxation “A Room With a View” is on the fourth floor.

The entrance of the collection exhibition MOMAT Collection is on the fourth floor. Please take the elevator or walk up stairs to the fourth floor from the entrance hall on the first floor.

4F

Room 1 Highlights * This section presents a consolidation of splendid works from the collection, with a focus on Master Pieces.
Room 2– 5 1900s－1940s
　From the End of the Meiji Period to the Beginning of the Showa Period

A Room With A View
Reference Corner

Room 1 Highlights

The MOMAT Collection, drawn from the museum’s holdings, consists of over 200 works displayed over a 3,000-square meter area. To start off the exhibition, we present the “Highlights” section, consisting of some of the collection’s most essential works, including Important Cultural Properties. For the walls of this newly established space (part of a 2012 effort to renovate the collection galleries), we have selected navy blue to create a more beautiful contrast with the works. And to eliminate the glare of glass cases, we have chosen mat black for the floor.

 In addition to Hishida Shunso’s Wong Zhaojun (a Important Cultural Property currently deposited in the museum), the Nihon-ga (Japanese-style painting) works on display during the first half of the exhibition (Oct. 6-Nov. 25) include Kawai Gyokudo’s Autumn Rain, depicting exquisite fall scenery. Among the offerings in the second half (Nov. 27-Jan. 20) will be Yamamoto Shunkyo’s magnum opus Snow and Pine Trees.

 The yo-ga (Western-style paintings by Japanese artists) selections include a host of masterpieces from the Meiji and early Showa Period such as Harada Naojiro’s Kannon Bodhisattva Riding the Dragon and Kishida Ryusei’s Road Cut through a Hill, both of which have been designated as Important Cultural Properties. Please enjoy these paintings along with works by European artists such as Paul Cézanne and Henri Rousseau who influenced the Japanese art world.

Room 2 The Start of the Bunten Exhibition

After the inauguration of the Meiji government in the late 19th century, Japan established a variety of cultural concepts and systems based on Western models. It was during this period that painting also came to be divided into two categories. The term “yo-ga” (Western-style painting) was used to refer to oil painting, which had its roots in the West, while “Nihon-ga” (Japanese-style painting) denoted paintings that made use of time-honored and traditional Japanese techniques. In 1907, this genre division was further reinforced at a government level with the opening of the Bunten exhibition, an annual event sponsored by the Ministry of Education that consisted of three divisions: Western-style painting, Japanese-style painting, and sculpture.

 Yet, Nihon-ga itself is made up of many different schools. There is an old school that adheres to time-honored traditions and a new one that incorporates a Western perspective. And there are also a variety of differences between Tokyo and Kyoto art circles. This makes it extremely difficult to judge the works. A similar situation exists in the Western-style painting and sculpture division. The fact remains, however, that up-and-coming artists often set out to win prizes in the government-sponsored exhibition and that the event hosted many great works. In this section, we have assembled a group of prize-winning works from the Bunten exhibition. The works by Konoshima Okoku, Wada Sanzo, Nakazawa Hiromitsu, Kosugi Hoan, and Kikuchi Keigetsu were all awarded second prize while those by Nakagawa Hachiro, Ogiwara Morie, and Fujishima Takeji won third prize.

Room 3 Before and After

  Studying in Europe provided modern Japanese painters and sculptors with a valuable opportunity to learn many new things. But it was probably nearly as important for them to reexamine their own identities after returning to Japan as it was form them to encounter new works and methods abroad. Take, for example, Yasui Sotaro. Although Yasui made an excellent showing in practically every art-school drawing competition he entered while studying in Paris, once he came back to Japan he was forced to embark on a long and difficult search to establish his own style. Yasui’s efforts eventually resulted in a unique form of Realism in which he added exaggerated elements and vividly drew out the distinctive features of his subjects. Meanwhile, Suda Kunitaro went to Spain to study the strong contrasts between light and darkness in Baroque painting. The works he made after returning to Japan are notable for a shadowy aesthetic associated with Japanese culture. Although Yasui and Suda pursued very different directions, both artists’ paintings bear traces of their efforts to use their encounters with other cultures to forge something new. In this room, we present pairs of works from different eras by six artists who studied in the West. As you compare each pair, see if you can find some similarities and differences between the works.

Room 4 Prints as Art: The Creative Print and New Print Movements

During the late Meiji and Taisho Periods, a succession of new artistic ideas were introduced from the West, stimulating Japanese artists, and promoting the Western concept of the self and the individuation of the arts. It was also during this period that prints became established as an art form – something more than a mere reproduction technique with a utilitarian application.

 Sosaku-hanga (creative prints) called for artists to perform the entire production process, from drawing the picture to carving the plate and printing the image. This led to the formation of the Nihon Sosaku Hanga Kyokai (Japan Creative Print Association) in 1918, and the emergence of ground-breaking artists such as Yamamoto Kanae, Ishii Hakutei, Oda Kazuma, and Onchi Koshiro.

 At the same time, a movement emerged in traditional woodblock printing in which painters, carvers, and printers collaborated to create new prints that were suited to the new age and not simply reproductions of hand-painted pictures. The shin-hanga (new prints) movement, led by the publisher Watanabe Shozaburo (1885-1962), included the bijin-ga (pictures of beautiful women) printmaker Hashiguchi Goyo, Ito Shinsui, the landscape printmaker Kawase Hasui, Kasamatsu Shiro, the kabuki printmaker Yamamura Toyonari (also known as Koka), and Natori Shunsen.

 While the sosaku-hanga movement placed a strong emphasis on self-expression, the shin-hanga artists strived to create refined works by consolidating various advanced techniques. Both movements were similar in that they were borne out of a passion to make modern prints an art form just as wooden prints of the Meiji era were beginning to decline.

Room 5 Animals and the War Era

When a society heads into war, people are not the only ones who get caught in the middle. During the Pacific War, animals were mobilized to transport goods and slaughtered in the fear that they would escape in the chaos caused by air raids. This might remind some viewers of the poor elephants depicted in Tsuchiya Yukio’s picture book Faithful Elephants: A True Story of Animals, People, and War.

 Most war-record paintings depict soldiers on the front lines or their families on the home front, but many other artists dealt with the theme of animals during this period. For example, images of fierce horses and eagles preparing to take flight were probably intended to increase the fighting spirit. Maple seedpods often appear in Kitawaki Noboru’s work as a metaphor for airplanes or jet fighters. Ai-Mitsu’s small, scrunched up lion seems to suggest people who were unavoidably engulfed in the tumult of the era.

3F (Third floor)

Room 6-8 1940s-1960s
　From the End of the Meiji Period to the Beginning of the Showa Period
Room 9 Photography and Video
Room 10 Nihon-ga (Japanese-style Painting)

Room to Consider the Building

Room 6 The Brush Patriotism of Nihon-ga Painters

 During World War II, the act of painting to benefit the country was known as “brush patriotism.” This might call to mind war-record paintings depicting various military operations, but the term actually referred to the practice of donating paintings, or the proceeds from them, to the war effort. And since Nihon-ga (Japanese-style paintings) sold better than yo-ga (Western-styles paintings), you might say that the Nihon-ga painters were more patriotic. In this room, we introduce a number of works that illustrate these painters’ wartime activities.

 The displays include war-record paintings and works that were shown in the exhibition designed to raise money for warplanes that were sponsored by the Nihonga Painters Patriot Association. Although the themes of war paintings were determined beforehand, there were relatively few restrictions regarding the works in the exhibition. When the works are all lined up side-by-side, however, it is clear that the artists carefully read between the lines and chose symbolical themes that befit the situation. Incidentally, all 184 of the items on display were purchased by Mitsukoshi Department Store, raising a total of 200,000 yen (roughly equivalent to 500 million yen today) for the military. The works were then gifted to the Tokyo Imperial Household Museum.

 In fiscal 2017, the National Museum of Art, Tokyo embarked on a joint project with the Tokyo National Research Institute for Cultural Properties to restore ten works from these exhibitions with new materials. Here, we present eight of them (four in the first half of the exhibit, and four more in the second half).

Room 7 2018-50=1968

 This room consists entirely of works made in 1968. Today, the year is associated with the “season of politics,” but needless to say, not everything was political at the time. For example, one thing that attracted a great deal of interest was UFOs. So much so that a hearing on the subject (commonly known as the UFO Symposium) was held in the U.S. House of Representatives. UFOs appeared in manga of the period too. This was also the year of the so-called Anpo Protests (the student movement reached a fever pitch around the same time), designed to block the automatic extension of the Japan-U.S. Security Treaty in 1970. Under the circumstances, any artist who evoked America in their work might seem to have been supporting the protests, but this was apparently not always the case. 

Room 8 A Matter of Time

 Among the units used to objectively measure time are seconds, minutes, hours, days, months, years, and centuries. One day is divided into morning, afternoon, and night, and one year is divided into the seasons of spring, summer, fall, and winter. There is also the life of a living thing, which is measured from birth to death. You can also view time with the present as a starting point, and see what came before and after it as the past and future. And although a given event might have only been a second in time, when we think back on it, it sometimes seems very grand. Moreover, while there is a conception of time as something linear that does not allow for any return, it can also be conceived as something circular as in the transmigration of the soul. Time is actually a highly varied thing.

 The works that are displayed in a museum are already finished. In that sense, the things that we see are always in the past. Yet, the past is not uniform. By approaching the works in the present, we can submerge ourselves in each of them and encounter various forms of time there. In this room, we present a group of works concerned with time that were made over an approximately ten-year period, beginning in 1970. During this period, there was quite a lot of interest in the question of time in the art world.

Room 9 Kitai Kazuo: Villages

 In this room, we present a special exhibit on Kitai Kazuo’s Villages. The work began to be serialized in Asahi Camera magazine in 1974, and continued for four years and a total of 41 installments. It is also known for having won the 1st Kimura Ihei Photography Award in 1976 during the serialization.

 Kitai had received acclaim for his debut work, Resistance, which depicts a series of protests against the use of Yokosuka Naval Base as a port of call for nuclear submarines, and Sanrizuka, a photo book focusing on a farming village of the same name, which became embroiled in the struggle against the construction of a new airport. But this is not to suggest that Kitai was a typical socially conscious artist. Although he shot Sanrizuka over a three-year period, it was not the actual struggle against the airport that interested him. He set out to capture tranquil everyday scenes in the village which, despite becoming entangled in the situation, continued as usual.

 Villages grew out of a similar interest. In the mid-’70s, Kitai began visiting villages all over the country. These traditional Japanese farming and fishing villages were rapidly changing in the shadows of the country’s high economic growth and urban development. Kitai carefully examined the villagers’ lives, conducted in a matter-of-fact way, and the landscapes in which they unfolded.

Room 10 – 1 150 Years of Tokyo (Exhibit Date: October 6 – November 25, 2018）

 This year marks 150 years since Japan’s capital was transferred from Kyoto to Tokyo. To celebrate the occasion, we present a collection of Nihon-ga (Japanese-style paintings) depicting Tokyo over the last century and a half in the glass cases in this room.

 Among the rarer works is a painting of the Izu Islands by Yamamoto Kyujin. Following the Meiji Restoration of 1868, the islands, which had been directly controlled by the Edo Shogunate (the Japanese feudal government), became part of Tokyo Prefecture in 1878. After regular boat service to the Izu area commenced in 1906, artists with an admiration for Gauguin began traveling to the southern Pacific islands.

 Famous Views in Tokyo, edited by a group of artists from the Japan Academy of Fine Arts, and Kono Michisei’s Screen Depicting Customs of New Tokyo depict the capital before and after the Great Kanto Earthquake of 1923. The first work, published after the disaster, was a reproduction of a picture album designed to help people remember scenes of Tokyo that had been lost. For the second work, the Western-style painter Kishida Ryusei was commissioned to make a picture in the style of an Edo-era ukiyo-e print. During post-quake restoration, there was a movement to record images and culture from the Edo and Meiji Period, and these two works were closely connected to this trend.

 In the section in the front of the room, you will find a special exhibit on Yokoyama Misao. Pagoda, for example, depicts the charred embers of a five-story pagoda at Tennoji Temple in the Yanaka neighborhood of Tokyo’s Taito Ward. This is another landscape from the city’s last 150 years.

Room 10-2 Depicting the Mysteries of Reality (Exhibit Date:November 27, 2018 – January 20, 2019）

In the Taisho Period, it became fashionable to paint highly detailed works both in Nihon-ga (Japanese-style painting) and yo-ga (Western-style painting). The trend began with the yo-ga painter Kishida Ryusei and the Nihon-ga painter Hayami Gyoshu. The use of detailed depiction quickly spread from Kishida to the Sodosha group, and from Hayami to other Nihon-ga painters in his sphere.

 The artists did not simply adopt a realistic approach but set out to thoroughly and minutely observe a subject and depict it in an elaborate manner. This gives their work an air of mystery. Kishida referred to the reality that transcends reality after an extended examination of that state as “the mystery of reality.” Artistic devices, such as twisted compositions, the elimination of backgrounds, and the use of gold grounds, were undoubtedly ways of imbuing with the pictures with a mysterious quality.

  In the glass-case area in the back of the room, we present some examples of detailed depiction in Taisho-era Nihon-ga and related works along with several yo-ga paintings. In the section in the front of the gallery, we present a special exhibit commemorating eight items, including Yokoyama Misao’s Last Work, that were donated to the museum in fiscal 2017.

2F (Second floor)

Room 11-12 1970s-2010s
　From the End of the Showa Period to the Present

Gallery 4

* A space of about 250 square meters. This gallery offers cutting-edge thematic exhibitions from the Museum Collection, and special exhibitions featuring photographs or design.

I Want To Go Somewhere Far Away
Primarily from the Museum Collection

Room 11 A Half Century of Nippon Theater

 Nippon Theater, an early work by Moriyama Daido, was published as a photo book in 1968, exactly 50 years ago. It was also in this year that the small-press magazine Provoke was launched by the photographer Nakahira Takuma and the critic Taki Koji in conjunction with a wide-ranging retrospective called One Hundred Years of Photography, which traced the history of Japanese photography. Moriyama’s involvement with the magazine began with the second issue in the spring of 1969. Leveling fundamental criticism not only at existing photographic expressions but also at the underlying framework of modern society, the group made a huge impact on the art world.

 Awakenings: Art in Society in Asia 1960s-1990s, an exhibition on view on the first floor of the museum from Oct. 10 to Dec. 24, examines the works of Moriyama, Nakahira, and others by comparing them to art from other Asian countries. Along with other Japanese art works of the period, in this room, we present Japan: A Photo Theater, published half a century ago, in tandem with works by other photographers who, like Moriyama, were born in 1938. Although the works were made in different places at different times, they seem to resonate with each other.

Room 12 Welcome, Mr. Smith

 Last year the museum acquired Circle IV (1962) by David Smith, a prominent postwar sculptor. To commemorate this, we present a collection of paintings and sculptures that are designed to deepen your understanding of the work. These include a work that attempts to fuse painting and sculpture, a work that uses an abstract expression to depict the human body, a work that focuses on the labor required to make sculpture, and a more straightforward work based on a circle motif. The fact that a single work can summon up such a wide variety of expressions shows that even though they might seem indifferent, art works are imbued with any number of concepts.

About the Exhibition

Location

Collection Gallery, from the fourth to second floors

Date

October 6, 2018 – January 20, 2019

Time

10:00 – 17:00 (10:00 – 20:00 on Fridays and Saturdays)
*Last admission is 30 minutes before closing.

Closed

※Closed on Mondays (except October 8, December 24, January 14),October 9, December 25, December 28, 2018 – January 1 and January 15, 2019

Admission

Adults ¥500 (400)
College and university students ¥250 (200)
*The price in brackets is for the group of 20 persons or more. All prices include tax.
Free for high school students, under 18, seniors（ 65 and over ）, Campus Members, MOMAT passport holder.
*Show your Membership Card of the MOMAT Supporters or the MOMAT Members to get free admission （ a MOMAT Members Card admits two persons free ）.
*Persons with disability and one person accompanying them are admitted free of charge.
*Members of the MOMAT Corporate Partners are admitted free with their staff ID.

Discounts

Evening Discount (From 17:00 on Fridays and Saturdays)
Adults ¥300
College and university students ¥150

Free Admission Days

Collection Gallery and Gallery 4
Free on the first Sunday of each month (October 7, November 4, December 2, 2018, January 6, 2019) November 3, 2018, and January 2, 2019

Organized by

The National Museum of Modern Art, Tokyo